The young men finished the evening at Pickering's. Pickering's was George's club. George considered, rightly, that in the matter of his club he had had great luck. Pickering's was a small club, and it had had vicissitudes. Most men whose worldly education had been completed in St. James's were familiar with its historical name, but few could say off-hand where it was. Its address was Candle Court, and Candle Court lay at the end of Candle Alley (a very short passage), between Duke Street and Bury Street. The Court was in fact a tiny square of several houses, chiefly used by traders and agents of respectability—as respectability is understood in St. James's; it had a lamp-post of its own. The report ran, and was believed by persons entitled to an opinion, that the Duke of Wellington had for some years hidden there the lovely desire of his heart from an inquisitive West End. Pickering's had, of course, originally been a coffee-house; later, like many other coffee-houses in the neighbourhood, it had developed into a proprietary club. Misfortunes due to the caprices of taste and to competition had brought about an arrangement by which the ownership was vested in a representative committee. The misfortunes had continued, and at the beginning of the century a crisis was reached, and Pickering's tried hard to popularize itself, thereby doing violence to its feelings. Rules were abated, and the entrance-fee fell. It was in this period that Everard Lucas, whose ears were always open for useful items, heard of it and suggested it to George. George wanted to join Lucas's club, which was in St. James's Street itself, but Lucas wisely pointed out that if they belonged to different clubs each would in practice have two clubs. Moreover, he said that George might conceivably get a permanent bedroom there. The first sight of the prim, picturesque square, the first hint of scandal about the Duke of Wellington, decided George. It was impossible for a man about town to refuse the chance of belonging to a club in a Court where the Duke of Wellington had committed follies.
George was proposed, seconded, and duly elected, together with other new blood. Some of the old blood naturally objected, but the feud was never acute. Solely owing to the impression which his young face made on the powerful and aged hall-porter, George obtained a bedroom. It was small, and at the top of the house; but it was cheap, it solved the even more tiresome and uncomfortable problem of lodging; and further it was a bedroom at Pickering's, and George could say that he lived at his club—an imposing social advantage. He soon learnt how to employ the resources of the club for his own utmost benefit. Nobody could surpass him in choosing a meal inexpensively. He could have his breakfast in his bedroom for tenpence, or even sixpence when his appetite was poor. He was well served by a valet who apparently passed his whole life on stairs and landings. This valet, courteous rather in the style of old Haim, had a brain just equal to the problems presented by his vocation. Every morning George would say: "Now, Downs, how soon can I have my bath?" or "Now, Downs, what can I have for breakfast?" And Downs would conscientiously cerebrate, and come forth after some seconds with sound solutions, such as: "I'll see if I can put you in before Mr. de Gales if you're in a hurry, sir," or "Scrambled eggs, sir—it'll make a bit of a change." And when George agreed, Downs would exhibit a restrained but real satisfaction. Yes, George had been very lucky. The club too was lucky. The oldest member, who being paralysed had not visited the club for eleven years, died and bequeathed ten thousand pounds to the institution where he had happily played cards for several decades. Pickering's was refurnished, and the stringency of its rules re-established. The right wing of the committee wished that the oldest member could have managed to die a year or two earlier and so obviated the crisis. It was recognized, however, by the more reasonable, that you cannot have everything in this world.
Pickering's was very dull; but it was still Pickering's. George was often bored at Pickering's. He soon reached the stage at which a club member asserts gloomily that the club cookery is simply damnable. Nevertheless he would have been desolated to leave Pickering's. The place was useful to him in another respect than the purely material.He learnt there the code which governs the familiar relations of men about town.
On the night of the Café Royal dinner, George and Lucas reclined in two easy chairs in the inner smoking-room of Pickering's. They were alone. Through the wide archway that marked the division between the inner and the outer smoking-rooms they could see one solitary old gentleman dozing in an attitude of abandonment, a magazine on his knees. Ash-trays were full of ash and cigarette ends and matches. Newspapers were scattered around, some folded inside out, some not folded, some whose component sheets had been divided for ever like the members of a ruined family. The windows were open, and one gave a view of the Court's watchful lamp-post, and the other of the house—now occupied by an art dealer and a commission agent—where the Duke had known both illusion and disillusion. The delicate sound of the collision of billiard-balls came from somewhere, and the rat-tatting of a tape-machine from somewhere else. The two friends had arrived at the condition of absolute wisdom and sagacity and tolerance which is apt to be achieved at a late hour in clubs by young and old men who have discussed at length the phenomena of society.
"Well, I must be toddling," said Lucas, yawning as he looked idly at the coloured horses on each wall who were for ever passing winning-posts or soaring over bullfinches or throwing riders into brooks.
"Here! Hold on!" George protested. "It's early."
"Is it?"
They began again to smoke and talk.
"Nice little thing, What's-her-name! What's her funny name?"
"Laurencine, do you mean? Yes." Lucas spoke coldly, with a careful indifference. George, to whom insight had not been denied, understood that Everard did not altogether care for Laurencine to be referred to as a little thing, that he had rendered Laurencine sacred by his secret approval.
"I say," said George, sitting up slightly, and increasing the intimacy of his tone, "devilish odd, wasn't it, that the Wheeler woman didn't ask us up?"
Hitherto they had avoided this question in their profound gossip. It had lain between them untouched, like a substance possibly dangerous and explosive. Yet they could not have parted without touching it, and George, with characteristic moral courage or rashness, had touched it first. Lucas was of a mind to reply succinctly that the Wheeler woman's conduct was not a bit devilish odd. But sincerity won. The dismissal at the entrance to the Mansions had affected him somewhat deeply. It had impaired the perfection of his most notable triumph. The temptation to release his feelings was too strong.
"Well, if you ask me," he answered, it was. After a little pause he went on:
"Especially seeing that she practically asked me to ask them to dinner." His nice features loosened to dissatisfaction. "The deuce she did!"
"Yes! Practically asked me! Anyhow, gave me the tip What can you do?" He implied that, far from deriving unique and unhoped-for glory from the condescension of Irene Wheeler in consenting to dine with him, he had conferred a favour on her by his invitation. He implied that brilliant women all over London competed for his invitations. His manner was entirely serious; it probably deceived even himself. George's manner corresponded, instinctively, chivalrously; but George was not deceived—at any rate in the subconscious depth of his mind.
"Exactly!" murmured George.
"Yes" said Lucas. "She said: 'I could bring Laurencine with me, if you can get another man. That would make a four.' She said she wanted to wake Laurencine up."
"Did you tell her you should ask me?" George questioned.
"Oh! She seemed to know all about you, my boy."
"Well, but she couldn't know all about me," said George insincerely. "Well, if you want to know then, she suggested I should ask you."
"But she'd never seen me!"
"She's heard of you. Mrs. Orgreave, I expect."
"Odd!... Odd!" George now pretended to be academically assessing an announcement that had no intrinsic interest for him. In reality he was greatly excited.
"Well you know what those sort of women are!" Lucas summed up wisely, as if referring to truths of knowledge common among men of their kidney.
"Oh, of course!"
The magazine slid from the knees of the sleeper. The sleeper snorted and woke up. The spell was broken. Lucas rose suddenly. "Bye-bye!" He was giving an ultimatum as to his departure.
George rose also, but slowly.
"All that doesn't explain why she didn't ask us up," said he.
But in his heart he thought he knew why Miss Wheeler hadn't asked them up. The reason was that she maliciously wanted to tantalize him, George. She had roused his curiosity about Lois, and then she had said to herself: "You think you're going to see her to-night, but you just aren't." Such, according to George, was Irene Wheeler the illustrious. He reflected on the exasperating affair until he had undressed and got into bed. But as soon as he had put out the light Marguerite appeared before him, and at the back of her were the examiners for the Final. He slept ill.
During the whole of the next day George waited for a letter from Marguerite. There was nothing at the club by the first post; he went to the office, hoping that as he had addressed his telegram from Russell Square she might have written to Russell Square; there was nothing at Russell Square. At lunch-time no word had arrived at the club; when the office closed no word had arrived at the office; the last post brought nothing to the club. He might have sent another telegram to Alexandra Grove, but he was too proud to do so. He dined alone and most miserably at the club. Inspired by unhappiness and resentment, he resolved to go to bed; in bed he might read himself to sleep. But in the hall of the club his feet faltered. Perhaps it was the sight of hats and sticks that made him vacillate, or a glimpse of reluctantly dying silver in the firmament over Candle Court. He wavered; he stood still at the foot of the stairs. The next moment he was in the street. He had decided to call on Agg at the studio. Agg might have the clue to Marguerite's astounding conduct, though he had it not. He took a hansom, after saying he would walk; he was too impatient for walking. Possibly Marguerite would be at the studio; possibly a letter of hers had miscarried; letters did miscarry. He was in a state of peculiar excitement as he paid the cabman—an enigma to himself.
The studio was quite dark. Other studios showed lights, but not Agg's. From one studio came the sound of a mandolin—he thought it was a mandolin—and the sound seemed pathetic, tragic, to his ears. Agg was perhaps in bed; he might safely arouse her; she would not object. But no! He would not do that. Pride again! It would be too humiliating for him, the affianced, to have to ask Agg: "I say, do you know anything about Marguerite?" Theaffianced ought to be the leading authority as to the doings of Marguerite. He turned away, walked a little, and perceived the cabman swinging himself cautiously down from his perch in order to enter a public-house. He turned back. Marguerite too might be in bed at the studio. Or the girls might be sitting in the dark, talking—a habit of theirs.... Fanciful suppositions! At any rate he would not knock at the door of the studio, would not even enter the alley again. What carried him into the Fulham Road and westwards as far as the Workhouse tower and the corner of Alexandra Grove? Feet! But surely the feet of another person, over which he had no control! He went in the lamplit dimness of Alexandra Grove like a thief; he crept into it. The silver had not yet died out of the sky; he could see it across the spaces between the dark houses; it was sad in exactly the same way as the sound of the mandolin had been sad.
What did he mean to do in the Grove? Nothing! He was just walking in it by chance. He could indeed do nothing. For if he rang at No. 8 old Haim would again confront him in the portico. He passed by No. 8 on the opposite side of the road. No light showed, except a very dim glow through the blind of the basement window to the left of the front door. Those feet beneath him strolled across the road. The basement window was wide open. The blind being narrower than the window-frame, he could see, through the railings, into the room within. He saw Marguerite. She was sitting, in an uncomfortable posture, in the rather high-seated arm-chair in which formerly, when the room was her studio, she used to sit at her work. Her head had dropped, on one shoulder. She was asleep. On the table a candle burned. His heart behaved strangely. He flushed. All his flesh tingled. The gate creaked horribly as he tiptoed into the patch of garden. He leaned over the little chasm between the level of the garden and the window, and supported himself with a hand on the lower sash. He pushed the blind sideways with the other hand.
"Marguerite!" in a whisper. Then louder: "Marguerite!"
She did not stir. She was in a deep sleep. Her hands hung limp. Her face was very pale and very fatigued. She liberated the same sadness as the sound of the mandolin and the gleam of silver in the June sky, but it was far more poignant. At the spectacle of those weary and unconsciousfeatures and of the soft, bodily form, George's resentment was annihilated. He wondered at his resentment. He was aware of nothing in himself but warm, protective love. Tenderness surged out from the impenetrable secrecy of his heart, filled him, overflowed, and floated in waves towards the sleeper. In the intense sadness, and in the uncertainty of events, he was happy.
An older man might have paused, but without hesitancy George put his foot on the window-sill, pushed down the window farther, and clambered into the room in which he had first seen Marguerite. His hat, pressing backward the blind, fell off and bounced its hard felt on the floor, which at the edges was uncarpeted. The noise of the hat and the general stir of George's infraction disturbed Marguerite, who awoke and looked up. The melancholy which she was exhaling suddenly vanished. Her steady composure in the alarm delighted George.
"Couldn't wake you," he murmured lightly. It was part of his Five Towns upbringing to conceal excitement. "Saw you through the window."
"Oh! George! Was I asleep?"
Pleasure shone on her face. He deposited his stick and sprang to her. He sat on the arm of the chair. He bent her head back and examined her face. He sat on her knee and held her. She did not kiss; she was kissed; he liked that. Her fatigue was adorable.
"I came here for something, and I just sat down for a second because I was so tired, and I must have gone right off.... No! No!"
The admonishing negative was to stop him from getting up off her knee. She was exhausted, yet she had vast resources of strength to bear him on her knee. She was wearing her oldest frock. It was shabby. But it exquisitely suited her then. It was the frock of her capability, of her great labours, of her vigil, of her fatigue. It covered, but did not hide, her beautiful contours. He thought she was marvellously beautiful—and very young, far younger than himself. As for him, he was the dandy, in striking contrast to her. His dandyism as he sat on her knee pleased both of them. He looked older than his years, his shoulders had broadened, his dark moustache thickened. In his own view he was utterly adult, as she was in hers. But their young faces so close together, so confident, were touchingly immature. As he observed her grave satisfaction at his presence,the comfort which he gave her, he felt sure of her, and the memory of his just resentment came to him, and he was tenderly reproachful.
"I expected to hear from you," he said. The male in him relished the delicate accusation of his tone.
Marguerite answered with a little startled intake of breath:
"She's dead!"
"Dead?"
"She died this afternoon. The layer-out left about half an hour ago."
Death parted them. He rose from her knee, and Marguerite did not try to prevent him. He was profoundly shocked. With desolating vividness he recalled the Sunday afternoon when he had carried upstairs the plump, living woman now dead. He had always liked Mrs. Lob—it was as Mrs. Lob that he thought of her. He had seen not much of her. Only on that Sunday afternoon had he and she reached a sort of intimacy—unspoken but real. He had liked her. He had even admired her. She was no ordinary being. And he had sympathized with her for Marguerite's quite explicable defection. He had often wished that those two, the charwoman and his beloved, could somehow have been brought together. The menaces of death had brought them together. Mrs. Lob was laid out in the bedroom which he had once entered. Mrs. Lob had been dying while he dined richly with Miss Wheeler and Laurencine, and while he talked cynically with Everard Lucas. And while he had been resenting Marguerite's neglect Marguerite was watching by the dying bed. Oh! The despicable superficialities of restaurants and clubs! He was ashamed. The mere receding shadow of death shamed him.
"The baby's dead too, of course," Marguerite added. "She ought never to have had a baby. It seems she had had two miscarriages."
There were tears in Marguerite's eyes and in her voice. Nevertheless her tone was rather matter-of-fact as she related these recondite and sinister things. George thought that women were very strange. Imagine Marguerite quietly talking to him in this strain! Then the sense of the formidable secrets that lie hidden in the history of families, and the sense of the continuity of individual destinies, overwhelmed him. There was silence.
"And your exam. begins to-morrow," whispered the astonishing Marguerite.
"Where's the old gentleman?"
"He's sitting in the parlour in the dark."
It was a terrible house: they two intimidated and mournful in the basement; the widower solitary on the ground floor; the dead bodies, the wastage and futility of conception and long bearing, up in the bedroom. And in all the house the light of one candle! George suddenly noticed, then, that Marguerite was not wearing the thin, delicate ring which he had long ago given her. Had she removed it because of her manual duties? He wanted to ask the question, but, even unspoken, it seemed too trivial for the hour....
There was a shuffling sound beyond the door, and a groping on the outer face of the door. Marguerite jumped up. Mr. Haim stumbled into the room. He had incredibly aged; he looked incredibly feeble. But as he pointed a finger at George he was in a fury of anger, and his anger was senile, ridiculous, awful.
"I thought I heard voices," he said, half squeaking. "How did you get in? You didn't come in by the door. Out of my house! My wife lying dead upstairs, and you choose this night to break in!" He was implacable against George, absolutely; and George recoiled.
The opening of the door had created a draught in which the candle-flame trembled, and the shadow of the old man trembled on the door.
"You'd better go. I'll write. I'll write," Marguerite murmured to George very calmly, very gently, very persuasively. She stood between the two men. Her manner was perfect. It eternally impressed itself on George. "Father, come and sit down."
The old man obeyed her. So did George. He snatched his hat and stick. By the familiar stone steps of the basement, and along the familiar hall, he felt his way to the door, turned the familiar knob, and departed.
The examination began the next day. Despite his preoccupation about Marguerite, George's performances during the first days were quite satisfactory to himself. Indeed, after a few minutes in the examination-room, after the preliminary critical assessing of the difficulty of the problems in design, and the questions, and of his ability to deal withthem, George successfully forgot everything except the great seven-day duel between the self-constituted autocratic authorities backed by prestige and force, and the aspirants who had naught but their wits to help them. He was neither a son, nor a friend, nor a lover; he ceased to have human ties; he had become an examinee. Marguerite wrote him two short letters which were perfect, save that he always regarded her handwriting as a little too clerical, too like her father's. She made no reference whatever to the scene in the basement room. She said that she could not easily arrange to see him immediately, and that for the sake of his exam. he ought not to be distracted. She would have seen him on the Saturday, but on Saturday George learnt that her father was a little unwell and required, even if he did not need, constant attention. The funeral, unduly late, occurred by Mr. Haim's special desire on the Sunday, most of which day George spent with Everard Lucas. On the Monday he had a rendezvous at eight o'clock with Marguerite at the studio.
She opened the door herself; and her welcome was divine. Her gestures spoke, delicate, and yet robust in their candour. But she was in deep mourning.
"Oh!" he said, holding her. "You're wearing black, then."
"Of course!" she answered sweetly. "You see, I had to be there all through the funeral. And father would have been frightfully shocked if I hadn't been in black—naturally."
"Of course!" he agreed. It was ridiculous that he should be surprised and somewhat aggrieved to find her in mourning; still, he was surprised and somewhat aggrieved.
"Besides——" she added vaguely.
And that 'besides' disquieted him, and confirmed his grievance. Why should she wear mourning for a woman to whom she was not related, whom she had known simply as a charwoman, and who had forced her to leave her father's house? There was no tie between Marguerite and her stepmother. George, for his part, had liked the dead woman, but Marguerite had not even liked her. No, she was not wearing black in honour of the dead, but to humour the living. And why should her father be humoured? George privately admitted the unreasonableness, the unsoundness, of these considerations—obviously mourning wear was imperative for Marguerite—nevertheless they were present in his mind.
"That frock's a bit tight, but it suits you," he said, advancing with her into the studio.
"It's an old one," she smiled.
"An old one?"
"It's one I had for mother."
He had forgotten that she had had a mother, that she had known what grief was, only a very few years earlier. He resented these bereavements and the atmosphere which they disengaged. He wanted a different atmosphere.
"Is the exam. really all right?" she appealed to him, taking both his hands and leaning against him and looking up into his face.
"What did I tell you in my letter?"
"Yes, I know."
"The exam. is as right as rain."
"I knew it would be."
"You didn't," he laughed. He imitated her: "'Is the exam. really all right?'" She just smiled. He went on confidently: "Of course you never know your luck, you know. There's the viva to-morrow.... Where's old Agg?"
"She's gone home."
"Thoughtful child! How soon will she be back?"
"About nine," said Marguerite, apparently unaware that George was being funny.
"Nine!"
"Oh, George!" Marguerite exclaimed, breaking away from him. "I'm awfully sorry, but I must get on with my packing."
"What packing?"
"I have to take my things home."
"What home?"
"Father's, I mean."
She was going to live with her father, who would not willingly allow him, George, to enter the house! How astounding girls were! She had written to him twice without giving the least hint of her resolve. He had to learn it as it were incidentally, through the urgency of packing. She did not tell him she was going—she said she must get on with her packing! And there, lying on the floor, was an open trunk; and two of her drawing-boards already had string round them.
George inquired:
"How is the old man—to-day?"
"He's very nervy," said Marguerite briefly and significantly. "I'd better light the lamp; I shall see better." She seemed to be speaking to herself. She stood on a chair and liftedthe chimney off the central lamp. George absently passed her his box of matches.
As she, was replacing the chimney, he said suddenly in a very resolute tone:
"This is all very well, Marguerite. But it's going to be jolly awkward for me."
She jumped lightly down from the chair, like a little girl.
"Oh! George! I know!" she cried. "It will be awkward for both of us. But we shall arrange something." She might have resented his tone. She might have impulsively defended herself. But she did not. She accepted his attitude with unreserved benevolence. Her gaze was marvellously sympathetic.
"I can't make out what your father's got against me," said George angrily, building his vexation on her benevolence. "What have I done, I should like to know."
"It's simply because you lived there all that time without him knowing we were engaged. He says if he'd known he would never have let you stay there a day." She smiled, mournfully, forgivingly, excusingly.
"But it's preposterous!"
"Oh! It is."
"And how does he behave toyou? Is he treating you decently?"
"Oh! Fairly. You see, he's got a lot to get over. And he's most frightfully upset about—his wife. Well, you saw him yourself, didn't you?"
"That's no reason why he should treat you badly."
"But he doesn't, George!"
"Oh! I know! I know! Do you think I don't know? He's not even decent to you. I can hear it in your voice. Why should you go back and live with him if he isn't prepared to appreciate it?"
"But he expects it, George. And what am I to do? He's all alone. I can't leave him all alone, can I?"
George burst out:
"I tell you what it is. Marguerite. You're too good-natured. That's what it is. You're too good-natured. And it's a very bad thing."
Tears came into her eyes; she could not control them. She was grieved by his remark.
"I'm not, George, truly. You must remember father's been through a lot this last week. So have I."
""I know! I know! I admit all that. But you're too good-natured, and I'll stick to it."
She was smiling again.
"You only think that because you're fond of me. Nobody else would say it, and I'm not. Help me to lift this trunk on to the chest."
While the daylight withdrew, and the smell of the lamp strengthened and then faded, and the shadows cast by the lamp-rays grew blacker, she went on rapidly with her packing, he serving her at intervals. They said little. His lower lip fell lower and lower. The evening was immensely, horribly different from what he had expected and hoped for. He felt once more the inescapable grip of destiny fastening upon him.
"Why are you in such a hurry?" he asked, after a long time.
"I told father I should be back at a quarter-past nine."
This statement threw George into a condition of total dark disgust. He made no remark. But what remarks he could have made—sarcastic, bitter, unanswerable! Why indeed in the name of heaven should she promise her father to be back at a quarter-past nine, or at a quarter-past anything? Was she a servant? Had she no rights? Had he himself, George, no rights?
A little before nine Agg arrived. Marguerite was fastening the trunk.
"Now be sure, Agg," said Marguerite. "Don't forget to hang out the Carter Paterson card at the end of the alley to-morrow morning. I must have these things at home to-morrow night for certain. The labels are on. And here's twopence for the man."
"Do I forget?" retorted Agg cheerfully. "By the way, George, I want to talk to you." She turned to Marguerite and repeated in quite a different voice: "I want to talk to him, dear, to-night. Do, let him stay. Will you?"
Marguerite gave a puzzled assent.
"I'll call after I've taken Marguerite to Alexandra Grove, Agg—on my way back to the club."
"Oh no, you won't!" said Agg. "I shall be gone to bed then. Look at that portrait and see how I've worked. My family's concerned about me. It wants me to go away for a holiday."
George had not till then noticed the portrait at all.
"But I must take Marguerite along to the Grove," he insisted. "She can't go alone."
"And why can't she go alone? What sort of a conventional world do you think you live in? Don't girls go home alone? Don't they come in alone? Don't I? Anybody would think, to listen to some people, that the purdah flourished in Chelsea. But it's all pretence. I don't ask for the honour of a private interview with you every night. You've both of you got all your lives before you. And for once in a way Marguerite's going out alone. At least, you can take her to the street, I don't mind that. But don't be outside more than a minute."
Agg, who had sat down, rose and slowly removed her small hat. With pins in her mouth she said something about the luggage to Marguerite.
"All right! All right!" George surrendered gloomily. In truth he was not sorry to let Marguerite depart solitary. And Agg's demeanour was very peculiar; he would have been almost afraid to be too obstinate in denying her request. He had never seen her hysterical, but a suspicion took him that she might be capable of hysteria.... You never knew, with that kind of girl, he thought sagaciously.
In the darkness of the alley George said to Marguerite, feigning irritation:
"What on earth does she want?"
"Agg? Oh! It's probably nothing. She does get excited sometimes, you know."
The two girls had parted with strange, hard demonstrations of affection from Agg.
"I suppose you'll write," said George coldly.
"To-morrow, darling," she replied quite simply and gravely.
Her kiss was warm, complete, faithful, very loving, very sympathetic. Nothing in her demeanour as she left him showed that George had received it in a non-committal manner. Yet she must have noticed his wounded reserve. He did not like such duplicity. He would have preferred her to be less miraculously angelic.
When he re-entered the studio, Agg, who very seldom smoked, was puffing violently at a cigarette. She reclined on one elbow on the settee, her eyes fixed on the portrait of herself. George was really perturbed by the baffling queerness of the scenes through which he was passing.
"Look here, infant-in-arms," she began immediately. "I only wanted to say two words to you about Marguerite. Can you stand it?"
There was a pause. George walked in front of her, hiding the easel.
"Yes," he said gruffly.
"Well, Marguerite's a magnificent girl. She's extraordinarily capable. You'd think she could look after herself as well as anyone. But she can't. I know her far better than you do. She needs looking after. She'll make a fool of herself if she isn't handled."
"How do you mean?"
"You know how I mean."
"D'you mean about the old man?"
"I mean about the perfectly horrid old man.... Ah! If I was in your place, if I was a man," she said passionately, "do you know what I should do with Marguerite? I should carry her off. I should run away with her. I should drag her out of the house, and she should know what a real man was. I'm not going to discuss her with you. I'm not going to say any more at all. I'm off to bed. But before you go, I do think you might tell me my portrait's a pretty good thing."
And she did not say any more.
The written part of the examination lasted four days; and then there was an interval of one day in which the harassed and harried aspirants might restore themselves for the two days' ordeal of the viva voce. George had continued to be well satisfied with his work up to the interval. He considered that he had perfectly succeeded in separating the lover and the examinee, and that nothing foreign to the examination could vitiate his activity therein. It was on the day of repose, a Wednesday, that a doubt suddenly occurred to him as to the correctness of his answer, in the "Construction" paper, to a question which began with the following formidable words: "A girder, freely supported at each end and forty feet long, carries a load of six tons at a distance of six feet from one end and another load of ten tons——" Thus it went on for ten lines. He had always been impatient of detail, and he hated every kind of calculation. Nevertheless he held that calculations were relatively easy, and that he could do them as well as the driest duffer in the profession when he set his mind to them. But the doubt as to thecorrectness of his answer developed into a certainty. Facing the question in private again, he obtained four different solutions in an hour; it was John Orgreave who ultimately set him right, convicting him of a most elementary misconception. Forthwith his faith in his whole "Construction" paper vanished. He grumbled that it was monstrous to give candidates an unbroken stretch of four hours' work at the end of a four-day effort. Yet earlier he had been boasting that he had not felt the slightest fatigue. He had expected to see Marguerite on the day of repose. He did not see her. She had offered no appointment, and he said to himself that he had not the slightest intention of running after her. Such had become the attitude of the lover to the beloved.
On the Thursday morning, however, he felt fit enough to face a dozen oral examiners, and he performed his morning exercises in the club bedroom with a positive ferocity of vigour. And then he was gradually overtaken by a black moodiness which he could not explain. He had passed through similar though less acute moods as a boy; but this was the first of the inexplicable sombre humours which at moments darkened his manhood. He had not the least suspicion that prolonged nervous tension due to two distinct causes had nearly worn him out. He was melancholy, and his melancholy increased. But he was proud; he was defiant. His self-confidence, as he looked back at the years of genuine hard study behind him, was complete. He disdained examiners. He knew that with all their damnable ingenuity they could not floor him.
The crisis arrived in the afternoon of the first of the two days. His brain was quite clear. Thousands of details about drainage, ventilation, shoring, architectural practice, lighting, subsoils, specifications, iron and steel construction, under-pinning, the properties of building materials, strains, thrusts, water-supply; thousands of details about his designs—the designs in his 'testimonies of study,' the design for his Thesis, and the designs produced during the examination itself—all these peopled his brain; but they were in order; they were under control; they were his slaves. For four and a half hours, off and on, he had admirably displayed the reality of his knowledge, and then he was sent into a fresh room to meet a fresh examiner. There he stood in the room alone with his designs for a small provincial town hall—a key-plan, several one-eighth scale-plans, a piece of half-inch detail, and two rough perspective sketches which he knew were brilliant. The room was hot; through the open window came thedistant sound of the traffic of Regent Street. The strange melancholy of a city in summer floated towards him from the outside and reinforced his own.
The examiner, who had been snatching tea, entered briskly and sternly. He was a small, dapper, fair man of about fifty, with wonderfully tended finger-nails. George despised him because Mr. Enwright despised him, but he had met him once in the way of the firm's business and found him urbane.
"Good afternoon," said George politely.
The examiner replied, trotting along the length of the desk with quick, short steps:
"Now about this work of yours. I've looked at it with some care——" His speech was like his demeanour and his finger-nails.
"Boor!" thought George. But he could not actively resent the slight. He glanced round at the walls; he was in a prison. He was at the mercy of a tyrant invested with omnipotence.
The little tyrant, however, was superficially affable. Only now and then in his prim, courteous voice was there a hint of hostility and cruelty. He put a number of questions, the answers to which had to be George's justification. He said "H'm!" and "Ah!" and "Really?" He came to the matter of spouting.
"Now, I object to hopper-heads," he said. "I regard them as unhygienic."
And he looked coldly at George with eyebrows lifted. George returned the gaze.
"I know you do, sir," George replied.
Indeed it was notorious that hopper-heads to vertical spouting were a special antipathy of the examiner's; he was a famous faddist. But the reply was a mistake. The examiner, secure in his attributes, ignored the sally. A little later, taking up the general plan of the town hall, he said:
"The fact is, I do—not—care for this kind of thing. The whole tendency——-"
"Excuse me, sir," George interrupted, with conscious and elaborate respectfulness. "But surely the question isn't one of personal preferences. Is the design good or is it bad?"
"Well, I call it bad," said the examiner, showing testiness. The examiner too could be impulsive, was indeed apt to be short-tempered. The next instant he seized one of the brilliant perspective sketches, and by his mere manner ofholding it between his thumb and finger he sneered at it and condemned it.
He snapped out, not angrily—rather pityingly:
"And what the devil's this?"
George, furious, retorted:
"What the hell do you think it is?"
He had not foreseen that he was going to say such a thing. The traffic in Regent Street, which had been inaudible to both of them, was loud in their ears.
The examiner had committed a peccadillo, George a terrible crime. The next morning the episode, in various forms, was somehow common knowledge and a source of immense diversion. George went through the second day, but lifelessly. He was sure he had failed. Apart from the significance of the fact that the viva voce counted for 550 marks out of a total of 1200, he felt that the Royal Institute of British Architects would know how to defend its dignity. On the Saturday morning John Orgreave had positive secret information that George would be plucked.