FOOTNOTES:[30]See "Selections from Berlioz's Writings," translated by W. F. Apthorp, New York, 1879, pp. 228-261.[31]See the summary of the program of the "Symphonie Fantastique" at p. 24.[32]Full score, Breitkopf and Härtel edition, p. 54.[33]See Introduction, p. 43.[34]E. Dickinson, "The Study of the History of Music," p. 264.[35]W. H. Hadow, "Studies in Modern Music," p. 141.[36]Francis Hueffer, "Half a Century of Music in England," pp. 231-232.[37]Introduction, p. 53.
FOOTNOTES:[30]See "Selections from Berlioz's Writings," translated by W. F. Apthorp, New York, 1879, pp. 228-261.[31]See the summary of the program of the "Symphonie Fantastique" at p. 24.[32]Full score, Breitkopf and Härtel edition, p. 54.[33]See Introduction, p. 43.[34]E. Dickinson, "The Study of the History of Music," p. 264.[35]W. H. Hadow, "Studies in Modern Music," p. 141.[36]Francis Hueffer, "Half a Century of Music in England," pp. 231-232.[37]Introduction, p. 53.
FOOTNOTES:
[30]See "Selections from Berlioz's Writings," translated by W. F. Apthorp, New York, 1879, pp. 228-261.
[30]See "Selections from Berlioz's Writings," translated by W. F. Apthorp, New York, 1879, pp. 228-261.
[31]See the summary of the program of the "Symphonie Fantastique" at p. 24.
[31]See the summary of the program of the "Symphonie Fantastique" at p. 24.
[32]Full score, Breitkopf and Härtel edition, p. 54.
[32]Full score, Breitkopf and Härtel edition, p. 54.
[33]See Introduction, p. 43.
[33]See Introduction, p. 43.
[34]E. Dickinson, "The Study of the History of Music," p. 264.
[34]E. Dickinson, "The Study of the History of Music," p. 264.
[35]W. H. Hadow, "Studies in Modern Music," p. 141.
[35]W. H. Hadow, "Studies in Modern Music," p. 141.
[36]Francis Hueffer, "Half a Century of Music in England," pp. 231-232.
[36]Francis Hueffer, "Half a Century of Music in England," pp. 231-232.
[37]Introduction, p. 53.
[37]Introduction, p. 53.
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