[Contents]BHBhakti, trust (in Viṣṇu), as a character,252,253.Bhagavant, as style of address,314.Bhagavāṁ, Buddhist irregularity forbhagavān,86.Bhaṭṭa, as style of the king,314.Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.Bhaṭṭinī, style of the queen,314.Bhaṇ, conjugated in the 9th class,88.Bhadradatta, as style of Çakas,314.Bhadramukha, title in dramas,69,71,314.Bhaya, terror, as basis of sentiment,323.Bhayānaka, fear, as a sentiment,319,324.Bharatavākya, at close of the drama,82,83,111,265.Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.Bhartṛdārikā, style of a princess,314.Bhartṛharinirveda, by Harihara,248.Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.Bhavāṁ, as nominative in Açvaghoṣa,88.Bhāgavata Purāṇa,100,272,274.Bhāṇa, monologue,263,264,280,296,311,344,348.Bhāṇikā,268,351.Bhārata, a rhapsode or comedian,29,30.Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.Bhāva, emotion,296,309,316,319.Bhāva, mode of address,361.Bhāvaka, man of taste,318, n.3.Bhāvakatva, power of realization,317.Bhāsanāṭakacakra,92, n.2.Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.Bhīmavikramavyāyoga, by Mokṣāditya,266.Bhuktivāda, doctrine of the enjoyment of sentiment,318.Bhujan̄gaprayāta, metre,123.Bhuṁjitaye, in Açvaghoṣa,87.Bhuvanābhyudaya, by Çan̄kuka,291.Bhūtabhāṣā, use of,287.Bhairavānanda, by Maṇika,248.Bhoginī, concubine,312.Bhojakatva, power of enjoyment,317.Bhojacarita, by Vedāntavāgīça,345.Bhrūkuṅsa, man playing female part,36,362.
[Contents]BHBhakti, trust (in Viṣṇu), as a character,252,253.Bhagavant, as style of address,314.Bhagavāṁ, Buddhist irregularity forbhagavān,86.Bhaṭṭa, as style of the king,314.Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.Bhaṭṭinī, style of the queen,314.Bhaṇ, conjugated in the 9th class,88.Bhadradatta, as style of Çakas,314.Bhadramukha, title in dramas,69,71,314.Bhaya, terror, as basis of sentiment,323.Bhayānaka, fear, as a sentiment,319,324.Bharatavākya, at close of the drama,82,83,111,265.Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.Bhartṛdārikā, style of a princess,314.Bhartṛharinirveda, by Harihara,248.Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.Bhavāṁ, as nominative in Açvaghoṣa,88.Bhāgavata Purāṇa,100,272,274.Bhāṇa, monologue,263,264,280,296,311,344,348.Bhāṇikā,268,351.Bhārata, a rhapsode or comedian,29,30.Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.Bhāva, emotion,296,309,316,319.Bhāva, mode of address,361.Bhāvaka, man of taste,318, n.3.Bhāvakatva, power of realization,317.Bhāsanāṭakacakra,92, n.2.Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.Bhīmavikramavyāyoga, by Mokṣāditya,266.Bhuktivāda, doctrine of the enjoyment of sentiment,318.Bhujan̄gaprayāta, metre,123.Bhuṁjitaye, in Açvaghoṣa,87.Bhuvanābhyudaya, by Çan̄kuka,291.Bhūtabhāṣā, use of,287.Bhairavānanda, by Maṇika,248.Bhoginī, concubine,312.Bhojakatva, power of enjoyment,317.Bhojacarita, by Vedāntavāgīça,345.Bhrūkuṅsa, man playing female part,36,362.
[Contents]BHBhakti, trust (in Viṣṇu), as a character,252,253.Bhagavant, as style of address,314.Bhagavāṁ, Buddhist irregularity forbhagavān,86.Bhaṭṭa, as style of the king,314.Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.Bhaṭṭinī, style of the queen,314.Bhaṇ, conjugated in the 9th class,88.Bhadradatta, as style of Çakas,314.Bhadramukha, title in dramas,69,71,314.Bhaya, terror, as basis of sentiment,323.Bhayānaka, fear, as a sentiment,319,324.Bharatavākya, at close of the drama,82,83,111,265.Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.Bhartṛdārikā, style of a princess,314.Bhartṛharinirveda, by Harihara,248.Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.Bhavāṁ, as nominative in Açvaghoṣa,88.Bhāgavata Purāṇa,100,272,274.Bhāṇa, monologue,263,264,280,296,311,344,348.Bhāṇikā,268,351.Bhārata, a rhapsode or comedian,29,30.Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.Bhāva, emotion,296,309,316,319.Bhāva, mode of address,361.Bhāvaka, man of taste,318, n.3.Bhāvakatva, power of realization,317.Bhāsanāṭakacakra,92, n.2.Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.Bhīmavikramavyāyoga, by Mokṣāditya,266.Bhuktivāda, doctrine of the enjoyment of sentiment,318.Bhujan̄gaprayāta, metre,123.Bhuṁjitaye, in Açvaghoṣa,87.Bhuvanābhyudaya, by Çan̄kuka,291.Bhūtabhāṣā, use of,287.Bhairavānanda, by Maṇika,248.Bhoginī, concubine,312.Bhojakatva, power of enjoyment,317.Bhojacarita, by Vedāntavāgīça,345.Bhrūkuṅsa, man playing female part,36,362.
[Contents]BHBhakti, trust (in Viṣṇu), as a character,252,253.Bhagavant, as style of address,314.Bhagavāṁ, Buddhist irregularity forbhagavān,86.Bhaṭṭa, as style of the king,314.Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.Bhaṭṭinī, style of the queen,314.Bhaṇ, conjugated in the 9th class,88.Bhadradatta, as style of Çakas,314.Bhadramukha, title in dramas,69,71,314.Bhaya, terror, as basis of sentiment,323.Bhayānaka, fear, as a sentiment,319,324.Bharatavākya, at close of the drama,82,83,111,265.Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.Bhartṛdārikā, style of a princess,314.Bhartṛharinirveda, by Harihara,248.Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.Bhavāṁ, as nominative in Açvaghoṣa,88.Bhāgavata Purāṇa,100,272,274.Bhāṇa, monologue,263,264,280,296,311,344,348.Bhāṇikā,268,351.Bhārata, a rhapsode or comedian,29,30.Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.Bhāva, emotion,296,309,316,319.Bhāva, mode of address,361.Bhāvaka, man of taste,318, n.3.Bhāvakatva, power of realization,317.Bhāsanāṭakacakra,92, n.2.Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.Bhīmavikramavyāyoga, by Mokṣāditya,266.Bhuktivāda, doctrine of the enjoyment of sentiment,318.Bhujan̄gaprayāta, metre,123.Bhuṁjitaye, in Açvaghoṣa,87.Bhuvanābhyudaya, by Çan̄kuka,291.Bhūtabhāṣā, use of,287.Bhairavānanda, by Maṇika,248.Bhoginī, concubine,312.Bhojakatva, power of enjoyment,317.Bhojacarita, by Vedāntavāgīça,345.Bhrūkuṅsa, man playing female part,36,362.
BH
Bhakti, trust (in Viṣṇu), as a character,252,253.Bhagavant, as style of address,314.Bhagavāṁ, Buddhist irregularity forbhagavān,86.Bhaṭṭa, as style of the king,314.Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.Bhaṭṭinī, style of the queen,314.Bhaṇ, conjugated in the 9th class,88.Bhadradatta, as style of Çakas,314.Bhadramukha, title in dramas,69,71,314.Bhaya, terror, as basis of sentiment,323.Bhayānaka, fear, as a sentiment,319,324.Bharatavākya, at close of the drama,82,83,111,265.Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.Bhartṛdārikā, style of a princess,314.Bhartṛharinirveda, by Harihara,248.Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.Bhavāṁ, as nominative in Açvaghoṣa,88.Bhāgavata Purāṇa,100,272,274.Bhāṇa, monologue,263,264,280,296,311,344,348.Bhāṇikā,268,351.Bhārata, a rhapsode or comedian,29,30.Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.Bhāva, emotion,296,309,316,319.Bhāva, mode of address,361.Bhāvaka, man of taste,318, n.3.Bhāvakatva, power of realization,317.Bhāsanāṭakacakra,92, n.2.Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.Bhīmavikramavyāyoga, by Mokṣāditya,266.Bhuktivāda, doctrine of the enjoyment of sentiment,318.Bhujan̄gaprayāta, metre,123.Bhuṁjitaye, in Açvaghoṣa,87.Bhuvanābhyudaya, by Çan̄kuka,291.Bhūtabhāṣā, use of,287.Bhairavānanda, by Maṇika,248.Bhoginī, concubine,312.Bhojakatva, power of enjoyment,317.Bhojacarita, by Vedāntavāgīça,345.Bhrūkuṅsa, man playing female part,36,362.
Bhakti, trust (in Viṣṇu), as a character,252,253.
Bhagavant, as style of address,314.
Bhagavāṁ, Buddhist irregularity forbhagavān,86.
Bhaṭṭa, as style of the king,314.
Bhaṭṭā, vocative ofbhartṛin Açvaghoṣa,88.
Bhaṭṭidālaka, style of princes of the blood,84, and seeBhartṛdāraka.
Bhaṭṭinī, style of the queen,314.
Bhaṇ, conjugated in the 9th class,88.
Bhadradatta, as style of Çakas,314.
Bhadramukha, title in dramas,69,71,314.
Bhaya, terror, as basis of sentiment,323.
Bhayānaka, fear, as a sentiment,319,324.
Bharatavākya, at close of the drama,82,83,111,265.
Bhartṛdāraka, style of princes of the blood,314, and seeBhaṭṭidālaka.
Bhartṛdārikā, style of a princess,314.
Bhartṛharinirveda, by Harihara,248.
Bhavatī(Prākrit,bhodi), as style of the queen and her ladies,314.
Bhavāṁ, as nominative in Açvaghoṣa,88.
Bhāgavata Purāṇa,100,272,274.
Bhāṇa, monologue,263,264,280,296,311,344,348.
Bhāṇikā,268,351.
Bhārata, a rhapsode or comedian,29,30.
Bhāratī, verbal (manner),326,328,329,344;in theBhāṇa,348.
Bhāratīya Nāṭyaçāstra, seeNāṭyaçāstra.
Bhāva, emotion,296,309,316,319.
Bhāva, mode of address,361.
Bhāvaka, man of taste,318, n.3.
Bhāvakatva, power of realization,317.
Bhāsanāṭakacakra,92, n.2.
Bhikkhunīsaṁyutta, alleged dramatic character of,43, n.1.
Bhīmavikramavyāyoga, by Mokṣāditya,266.
Bhuktivāda, doctrine of the enjoyment of sentiment,318.
Bhujan̄gaprayāta, metre,123.
Bhuṁjitaye, in Açvaghoṣa,87.
Bhuvanābhyudaya, by Çan̄kuka,291.
Bhūtabhāṣā, use of,287.
Bhairavānanda, by Maṇika,248.
Bhoginī, concubine,312.
Bhojakatva, power of enjoyment,317.
Bhojacarita, by Vedāntavāgīça,345.
Bhrūkuṅsa, man playing female part,36,362.