E

[Contents]EEclecticism of classical age of Sanskrit literature,284.Egoism, as a character,252.Ekbatana, Greek artistes at,59.Elements of the plot (arthaprakṛti),298,299.Elephant, artificial, to contain men,327;terrifies people in the street,264.Elephants, escape of, as dramatic motif,193,257.Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.Emotion (bhāva),277,278,296,316–26.Energy (utsāha), as basis of heroic sentiment,323.Enigma (nālikā),329.Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.Epidicus, of Plautus,64.Episode (patākā),297,298,299.Equivoke, as dramatic motif,304.Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.Eunuchs,313;in thePrahasana,348.Euripides,59,196,197,279, n.1,282.Exalted, hero,305,306.Excitement, sentiment of,265.Exegesis, as an allegorical character,252.Expansion (bindu), as element of the plot,298,346.

[Contents]EEclecticism of classical age of Sanskrit literature,284.Egoism, as a character,252.Ekbatana, Greek artistes at,59.Elements of the plot (arthaprakṛti),298,299.Elephant, artificial, to contain men,327;terrifies people in the street,264.Elephants, escape of, as dramatic motif,193,257.Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.Emotion (bhāva),277,278,296,316–26.Energy (utsāha), as basis of heroic sentiment,323.Enigma (nālikā),329.Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.Epidicus, of Plautus,64.Episode (patākā),297,298,299.Equivoke, as dramatic motif,304.Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.Eunuchs,313;in thePrahasana,348.Euripides,59,196,197,279, n.1,282.Exalted, hero,305,306.Excitement, sentiment of,265.Exegesis, as an allegorical character,252.Expansion (bindu), as element of the plot,298,346.

[Contents]EEclecticism of classical age of Sanskrit literature,284.Egoism, as a character,252.Ekbatana, Greek artistes at,59.Elements of the plot (arthaprakṛti),298,299.Elephant, artificial, to contain men,327;terrifies people in the street,264.Elephants, escape of, as dramatic motif,193,257.Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.Emotion (bhāva),277,278,296,316–26.Energy (utsāha), as basis of heroic sentiment,323.Enigma (nālikā),329.Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.Epidicus, of Plautus,64.Episode (patākā),297,298,299.Equivoke, as dramatic motif,304.Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.Eunuchs,313;in thePrahasana,348.Euripides,59,196,197,279, n.1,282.Exalted, hero,305,306.Excitement, sentiment of,265.Exegesis, as an allegorical character,252.Expansion (bindu), as element of the plot,298,346.

[Contents]EEclecticism of classical age of Sanskrit literature,284.Egoism, as a character,252.Ekbatana, Greek artistes at,59.Elements of the plot (arthaprakṛti),298,299.Elephant, artificial, to contain men,327;terrifies people in the street,264.Elephants, escape of, as dramatic motif,193,257.Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.Emotion (bhāva),277,278,296,316–26.Energy (utsāha), as basis of heroic sentiment,323.Enigma (nālikā),329.Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.Epidicus, of Plautus,64.Episode (patākā),297,298,299.Equivoke, as dramatic motif,304.Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.Eunuchs,313;in thePrahasana,348.Euripides,59,196,197,279, n.1,282.Exalted, hero,305,306.Excitement, sentiment of,265.Exegesis, as an allegorical character,252.Expansion (bindu), as element of the plot,298,346.

E

Eclecticism of classical age of Sanskrit literature,284.Egoism, as a character,252.Ekbatana, Greek artistes at,59.Elements of the plot (arthaprakṛti),298,299.Elephant, artificial, to contain men,327;terrifies people in the street,264.Elephants, escape of, as dramatic motif,193,257.Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.Emotion (bhāva),277,278,296,316–26.Energy (utsāha), as basis of heroic sentiment,323.Enigma (nālikā),329.Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.Epidicus, of Plautus,64.Episode (patākā),297,298,299.Equivoke, as dramatic motif,304.Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.Eunuchs,313;in thePrahasana,348.Euripides,59,196,197,279, n.1,282.Exalted, hero,305,306.Excitement, sentiment of,265.Exegesis, as an allegorical character,252.Expansion (bindu), as element of the plot,298,346.

Eclecticism of classical age of Sanskrit literature,284.

Egoism, as a character,252.

Ekbatana, Greek artistes at,59.

Elements of the plot (arthapraká¹›ti),298,299.

Elephant, artificial, to contain men,327;terrifies people in the street,264.

Elephants, escape of, as dramatic motif,193,257.

Elision of consonants, not in Açvaghoṣa,86;in Bhāsa,121;with compensatory lengthening,121.

Emotion (bhāva),277,278,296,316–26.

Energy (utsāha), as basis of heroic sentiment,323.

Enigma (nālikā),329.

Epics, and the drama,27,28–31,42,45,47,49,58,63,75,76,281,282,297;original form of,21–3.

Epidicus, of Plautus,64.

Episode (patākā),297,298,299.

Equivoke, as dramatic motif,304.

Erotic (çṛn̄gāra), sentiment,278,323,324,346,347,349,350,351;metre and style appropriate to,331,332.

Eunuchs,313;in thePrahasana,348.

Euripides,59,196,197,279, n.1,282.

Exalted, hero,305,306.

Excitement, sentiment of,265.

Exegesis, as an allegorical character,252.

Expansion (bindu), as element of the plot,298,346.

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