[Contents]GGamblers (dīvyant), language of,141,336.Gambler’s hymn (RV. x. 24),19.Gambling, as an allegorical character,255.Gaṇadāsa, a dancing-master,148.Gandhāra, art of, relation to Greek art,58.Gāndhārī, wife of Dhṛtarāṣṭra,214.Gandharvas,17,23,40,100,112,339, n.3;dress of,366.Gaṇeça, propitiated in the preliminaries of the drama,369.Gan̄gā, river-goddess,190,191,192,245.Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.Garland,seeVīthī.Garland of Fame, an allegorical character,254.Garuḍa,79,100,175,179.Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.Gauḍa, or Gauḍī, style,202,331,335.Gaurī, the goddess,174,175,176,278.Gautama, theVidūṣakaof Agnimitra,148,155.Gay, hero,305.[379]Gazelle, magic, in the Rāma legend,221.Gedrosians, knew Greek drama,59.Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.General (senāpati), exalted hero,306,312.Gentleness, as an allegorical character,254.Germ (bīja), as an element of the plot,298.Gesture,279,338, n.1,364,365,367.Ghanaçyāma, author of theĀnandamañjarī,257.Ghaṭikāçata,seeKṛṣṇa.Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.Gobaṁ°, a character,85;Prākrit used by,86,87.Godāvarī, river goddess, as a character,245.Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.Goethe, views of, on Kālidāsa,160,280.Goha, in theMṛcchakaṭikā,136.Gokulanātha, author of theAmṛtodaya,253, n.3,343.Good Conduct, as an allegorical character,254.Gopāla, father of Āryaka,129.Gopāla, patron of Kṛṣṇamiçra,251.Gopīnātha Cakravartin, author of theKautukasarvasva,262.Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.Gorī Īsapa, a Mahomedan,250.Graceful (kaiçikī) manner,326,327,346,347,349,350.Graces, of the heroine,310.Grammarians, evidence of, as to drama,31–6.Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.Grandeur,195,196.Great Dionysia, plays produced at,66.Greece, absence in the main of female dramatists,288.Greek astrology, known to Kālidāsa,146.Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.Greek influence on the Sanskrit drama,57–68,355,356.Guards, present in the auditorium,370.Guha, a forest chief,228.Guha, son of Çiva,170.Guhasena, of Valabhī,275.Guhyakas, propitiated in the preliminaries,339, n.3.Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.Guṇabhara, epithet of Mahendravikramavarman,182.Guṇāḍhya, author of theBṛhatkathā,52,102.Guptas, dynasty,60,144,281,334;of Magadha,212.
[Contents]GGamblers (dīvyant), language of,141,336.Gambler’s hymn (RV. x. 24),19.Gambling, as an allegorical character,255.Gaṇadāsa, a dancing-master,148.Gandhāra, art of, relation to Greek art,58.Gāndhārī, wife of Dhṛtarāṣṭra,214.Gandharvas,17,23,40,100,112,339, n.3;dress of,366.Gaṇeça, propitiated in the preliminaries of the drama,369.Gan̄gā, river-goddess,190,191,192,245.Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.Garland,seeVīthī.Garland of Fame, an allegorical character,254.Garuḍa,79,100,175,179.Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.Gauḍa, or Gauḍī, style,202,331,335.Gaurī, the goddess,174,175,176,278.Gautama, theVidūṣakaof Agnimitra,148,155.Gay, hero,305.[379]Gazelle, magic, in the Rāma legend,221.Gedrosians, knew Greek drama,59.Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.General (senāpati), exalted hero,306,312.Gentleness, as an allegorical character,254.Germ (bīja), as an element of the plot,298.Gesture,279,338, n.1,364,365,367.Ghanaçyāma, author of theĀnandamañjarī,257.Ghaṭikāçata,seeKṛṣṇa.Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.Gobaṁ°, a character,85;Prākrit used by,86,87.Godāvarī, river goddess, as a character,245.Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.Goethe, views of, on Kālidāsa,160,280.Goha, in theMṛcchakaṭikā,136.Gokulanātha, author of theAmṛtodaya,253, n.3,343.Good Conduct, as an allegorical character,254.Gopāla, father of Āryaka,129.Gopāla, patron of Kṛṣṇamiçra,251.Gopīnātha Cakravartin, author of theKautukasarvasva,262.Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.Gorī Īsapa, a Mahomedan,250.Graceful (kaiçikī) manner,326,327,346,347,349,350.Graces, of the heroine,310.Grammarians, evidence of, as to drama,31–6.Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.Grandeur,195,196.Great Dionysia, plays produced at,66.Greece, absence in the main of female dramatists,288.Greek astrology, known to Kālidāsa,146.Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.Greek influence on the Sanskrit drama,57–68,355,356.Guards, present in the auditorium,370.Guha, a forest chief,228.Guha, son of Çiva,170.Guhasena, of Valabhī,275.Guhyakas, propitiated in the preliminaries,339, n.3.Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.Guṇabhara, epithet of Mahendravikramavarman,182.Guṇāḍhya, author of theBṛhatkathā,52,102.Guptas, dynasty,60,144,281,334;of Magadha,212.
[Contents]GGamblers (dīvyant), language of,141,336.Gambler’s hymn (RV. x. 24),19.Gambling, as an allegorical character,255.Gaṇadāsa, a dancing-master,148.Gandhāra, art of, relation to Greek art,58.Gāndhārī, wife of Dhṛtarāṣṭra,214.Gandharvas,17,23,40,100,112,339, n.3;dress of,366.Gaṇeça, propitiated in the preliminaries of the drama,369.Gan̄gā, river-goddess,190,191,192,245.Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.Garland,seeVīthī.Garland of Fame, an allegorical character,254.Garuḍa,79,100,175,179.Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.Gauḍa, or Gauḍī, style,202,331,335.Gaurī, the goddess,174,175,176,278.Gautama, theVidūṣakaof Agnimitra,148,155.Gay, hero,305.[379]Gazelle, magic, in the Rāma legend,221.Gedrosians, knew Greek drama,59.Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.General (senāpati), exalted hero,306,312.Gentleness, as an allegorical character,254.Germ (bīja), as an element of the plot,298.Gesture,279,338, n.1,364,365,367.Ghanaçyāma, author of theĀnandamañjarī,257.Ghaṭikāçata,seeKṛṣṇa.Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.Gobaṁ°, a character,85;Prākrit used by,86,87.Godāvarī, river goddess, as a character,245.Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.Goethe, views of, on Kālidāsa,160,280.Goha, in theMṛcchakaṭikā,136.Gokulanātha, author of theAmṛtodaya,253, n.3,343.Good Conduct, as an allegorical character,254.Gopāla, father of Āryaka,129.Gopāla, patron of Kṛṣṇamiçra,251.Gopīnātha Cakravartin, author of theKautukasarvasva,262.Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.Gorī Īsapa, a Mahomedan,250.Graceful (kaiçikī) manner,326,327,346,347,349,350.Graces, of the heroine,310.Grammarians, evidence of, as to drama,31–6.Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.Grandeur,195,196.Great Dionysia, plays produced at,66.Greece, absence in the main of female dramatists,288.Greek astrology, known to Kālidāsa,146.Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.Greek influence on the Sanskrit drama,57–68,355,356.Guards, present in the auditorium,370.Guha, a forest chief,228.Guha, son of Çiva,170.Guhasena, of Valabhī,275.Guhyakas, propitiated in the preliminaries,339, n.3.Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.Guṇabhara, epithet of Mahendravikramavarman,182.Guṇāḍhya, author of theBṛhatkathā,52,102.Guptas, dynasty,60,144,281,334;of Magadha,212.
[Contents]GGamblers (dīvyant), language of,141,336.Gambler’s hymn (RV. x. 24),19.Gambling, as an allegorical character,255.Gaṇadāsa, a dancing-master,148.Gandhāra, art of, relation to Greek art,58.Gāndhārī, wife of Dhṛtarāṣṭra,214.Gandharvas,17,23,40,100,112,339, n.3;dress of,366.Gaṇeça, propitiated in the preliminaries of the drama,369.Gan̄gā, river-goddess,190,191,192,245.Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.Garland,seeVīthī.Garland of Fame, an allegorical character,254.Garuḍa,79,100,175,179.Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.Gauḍa, or Gauḍī, style,202,331,335.Gaurī, the goddess,174,175,176,278.Gautama, theVidūṣakaof Agnimitra,148,155.Gay, hero,305.[379]Gazelle, magic, in the Rāma legend,221.Gedrosians, knew Greek drama,59.Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.General (senāpati), exalted hero,306,312.Gentleness, as an allegorical character,254.Germ (bīja), as an element of the plot,298.Gesture,279,338, n.1,364,365,367.Ghanaçyāma, author of theĀnandamañjarī,257.Ghaṭikāçata,seeKṛṣṇa.Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.Gobaṁ°, a character,85;Prākrit used by,86,87.Godāvarī, river goddess, as a character,245.Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.Goethe, views of, on Kālidāsa,160,280.Goha, in theMṛcchakaṭikā,136.Gokulanātha, author of theAmṛtodaya,253, n.3,343.Good Conduct, as an allegorical character,254.Gopāla, father of Āryaka,129.Gopāla, patron of Kṛṣṇamiçra,251.Gopīnātha Cakravartin, author of theKautukasarvasva,262.Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.Gorī Īsapa, a Mahomedan,250.Graceful (kaiçikī) manner,326,327,346,347,349,350.Graces, of the heroine,310.Grammarians, evidence of, as to drama,31–6.Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.Grandeur,195,196.Great Dionysia, plays produced at,66.Greece, absence in the main of female dramatists,288.Greek astrology, known to Kālidāsa,146.Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.Greek influence on the Sanskrit drama,57–68,355,356.Guards, present in the auditorium,370.Guha, a forest chief,228.Guha, son of Çiva,170.Guhasena, of Valabhī,275.Guhyakas, propitiated in the preliminaries,339, n.3.Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.Guṇabhara, epithet of Mahendravikramavarman,182.Guṇāḍhya, author of theBṛhatkathā,52,102.Guptas, dynasty,60,144,281,334;of Magadha,212.
G
Gamblers (dīvyant), language of,141,336.Gambler’s hymn (RV. x. 24),19.Gambling, as an allegorical character,255.Gaṇadāsa, a dancing-master,148.Gandhāra, art of, relation to Greek art,58.Gāndhārī, wife of Dhṛtarāṣṭra,214.Gandharvas,17,23,40,100,112,339, n.3;dress of,366.Gaṇeça, propitiated in the preliminaries of the drama,369.Gan̄gā, river-goddess,190,191,192,245.Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.Garland,seeVīthī.Garland of Fame, an allegorical character,254.Garuḍa,79,100,175,179.Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.Gauḍa, or Gauḍī, style,202,331,335.Gaurī, the goddess,174,175,176,278.Gautama, theVidūṣakaof Agnimitra,148,155.Gay, hero,305.[379]Gazelle, magic, in the Rāma legend,221.Gedrosians, knew Greek drama,59.Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.General (senāpati), exalted hero,306,312.Gentleness, as an allegorical character,254.Germ (bīja), as an element of the plot,298.Gesture,279,338, n.1,364,365,367.Ghanaçyāma, author of theĀnandamañjarī,257.Ghaṭikāçata,seeKṛṣṇa.Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.Gobaṁ°, a character,85;Prākrit used by,86,87.Godāvarī, river goddess, as a character,245.Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.Goethe, views of, on Kālidāsa,160,280.Goha, in theMṛcchakaṭikā,136.Gokulanātha, author of theAmṛtodaya,253, n.3,343.Good Conduct, as an allegorical character,254.Gopāla, father of Āryaka,129.Gopāla, patron of Kṛṣṇamiçra,251.Gopīnātha Cakravartin, author of theKautukasarvasva,262.Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.Gorī Īsapa, a Mahomedan,250.Graceful (kaiçikī) manner,326,327,346,347,349,350.Graces, of the heroine,310.Grammarians, evidence of, as to drama,31–6.Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.Grandeur,195,196.Great Dionysia, plays produced at,66.Greece, absence in the main of female dramatists,288.Greek astrology, known to Kālidāsa,146.Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.Greek influence on the Sanskrit drama,57–68,355,356.Guards, present in the auditorium,370.Guha, a forest chief,228.Guha, son of Çiva,170.Guhasena, of Valabhī,275.Guhyakas, propitiated in the preliminaries,339, n.3.Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.Guṇabhara, epithet of Mahendravikramavarman,182.Guṇāḍhya, author of theBṛhatkathā,52,102.Guptas, dynasty,60,144,281,334;of Magadha,212.
Gamblers (dīvyant), language of,141,336.
Gambler’s hymn (RV. x. 24),19.
Gambling, as an allegorical character,255.
Gaṇadāsa, a dancing-master,148.
Gandhāra, art of, relation to Greek art,58.
Gāndhārī, wife of Dhṛtarāṣṭra,214.
Gandharvas,17,23,40,100,112,339, n.3;dress of,366.
Gaṇeça, propitiated in the preliminaries of the drama,369.
Gan̄gā, river-goddess,190,191,192,245.
Gan̄gādhara, author of theGan̄gadāsapratāpavilāsa,251.
Garland,seeVīthī.
Garland of Fame, an allegorical character,254.
Garuḍa,79,100,175,179.
Gātrasevaka, in thePratijñāyaugandharāyaṇa,108.
Gauḍa, or Gauḍī, style,202,331,335.
Gaurī, the goddess,174,175,176,278.
Gautama, theVidūṣakaof Agnimitra,148,155.
Gay, hero,305.[379]
Gazelle, magic, in the Rāma legend,221.
Gedrosians, knew Greek drama,59.
Geldner, Prof. K., theory of dialogue hymns in Veda,22,23.
General (senāpati), exalted hero,306,312.
Gentleness, as an allegorical character,254.
Germ (bīja), as an element of the plot,298.
Gesture,279,338, n.1,364,365,367.
Ghanaçyāma, author of theĀnandamañjarī,257.
Ghaṭikāçata,seeKṛṣṇa.
Ghaṭotkaca, son of Bhīma and Hiḍimbā,95,106,109,111,213.
Gobaṁ°, a character,85;Prākrit used by,86,87.
Godāvarī, river goddess, as a character,245.
Gods, as heroes of theḌima,347;in theSamavakāra,346;dress of,366;characteristics of,260.
Goethe, views of, on Kālidāsa,160,280.
Goha, in theMṛcchakaṭikā,136.
Gokulanātha, author of theAmṛtodaya,253, n.3,343.
Good Conduct, as an allegorical character,254.
Gopāla, father of Āryaka,129.
Gopāla, patron of Kṛṣṇamiçra,251.
Gopīnātha Cakravartin, author of theKautukasarvasva,262.
Gopīs, cowherdesses, loved by Kṛṣṇa,40,274.
Gorī Īsapa, a Mahomedan,250.
Graceful (kaiçikī) manner,326,327,346,347,349,350.
Graces, of the heroine,310.
Grammarians, evidence of, as to drama,31–6.
Grammatical, peculiarities, in Sanskrit,85,86;in Prākrit,86–9,121,122.
Grandeur,195,196.
Great Dionysia, plays produced at,66.
Greece, absence in the main of female dramatists,288.
Greek astrology, known to Kālidāsa,146.
Greek drama, compared with Indian,276,277,279, n.2,280,281,311;origin of,37–39;stage for,360.
Greek influence on the Sanskrit drama,57–68,355,356.
Guards, present in the auditorium,370.
Guha, a forest chief,228.
Guha, son of Çiva,170.
Guhasena, of Valabhī,275.
Guhyakas, propitiated in the preliminaries,339, n.3.
Guildsmen, or rich merchants (çreṣṭhin), language of,87,141,336.
Guṇabhara, epithet of Mahendravikramavarman,182.
Guṇāḍhya, author of theBṛhatkathā,52,102.
Guptas, dynasty,60,144,281,334;of Magadha,212.