[Contents]IIason, actor,59.Idealism of Sanskrit drama,276.Illuminator (dīpaka), a figure of speech,331.Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.Incident (prakarī),297,298,299.Incoherent talk (asatpralāpa),329.Indian philosophy, the product of the Brahmins,276.Individuality, of characterization, not aimed at in Sanskrit drama,282,353.Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.Indra’s banner, origin of drama in festival of,41,369.Indra III, Rāṣṭrakūṭa,239.Infinitive, form of, in Açvaghoṣa,87.Internal junctures, seeAntarasandhi.Interval of time, between Acts,301.Intoxication (mada), as a dramatic motif,303.Introduction (āmukha),328.Invention of the poet, when allowed,277,296,297,346,348,349.Ionian, equivalent to Greek, and also used more widely,61.Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.Īçvarasena, an Ābhīra prince,129.I-Tsing,168,171.
[Contents]IIason, actor,59.Idealism of Sanskrit drama,276.Illuminator (dīpaka), a figure of speech,331.Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.Incident (prakarī),297,298,299.Incoherent talk (asatpralāpa),329.Indian philosophy, the product of the Brahmins,276.Individuality, of characterization, not aimed at in Sanskrit drama,282,353.Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.Indra’s banner, origin of drama in festival of,41,369.Indra III, Rāṣṭrakūṭa,239.Infinitive, form of, in Açvaghoṣa,87.Internal junctures, seeAntarasandhi.Interval of time, between Acts,301.Intoxication (mada), as a dramatic motif,303.Introduction (āmukha),328.Invention of the poet, when allowed,277,296,297,346,348,349.Ionian, equivalent to Greek, and also used more widely,61.Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.Īçvarasena, an Ābhīra prince,129.I-Tsing,168,171.
[Contents]IIason, actor,59.Idealism of Sanskrit drama,276.Illuminator (dīpaka), a figure of speech,331.Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.Incident (prakarī),297,298,299.Incoherent talk (asatpralāpa),329.Indian philosophy, the product of the Brahmins,276.Individuality, of characterization, not aimed at in Sanskrit drama,282,353.Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.Indra’s banner, origin of drama in festival of,41,369.Indra III, Rāṣṭrakūṭa,239.Infinitive, form of, in Açvaghoṣa,87.Internal junctures, seeAntarasandhi.Interval of time, between Acts,301.Intoxication (mada), as a dramatic motif,303.Introduction (āmukha),328.Invention of the poet, when allowed,277,296,297,346,348,349.Ionian, equivalent to Greek, and also used more widely,61.Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.Īçvarasena, an Ābhīra prince,129.I-Tsing,168,171.
[Contents]IIason, actor,59.Idealism of Sanskrit drama,276.Illuminator (dīpaka), a figure of speech,331.Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.Incident (prakarī),297,298,299.Incoherent talk (asatpralāpa),329.Indian philosophy, the product of the Brahmins,276.Individuality, of characterization, not aimed at in Sanskrit drama,282,353.Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.Indra’s banner, origin of drama in festival of,41,369.Indra III, Rāṣṭrakūṭa,239.Infinitive, form of, in Açvaghoṣa,87.Internal junctures, seeAntarasandhi.Interval of time, between Acts,301.Intoxication (mada), as a dramatic motif,303.Introduction (āmukha),328.Invention of the poet, when allowed,277,296,297,346,348,349.Ionian, equivalent to Greek, and also used more widely,61.Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.Īçvarasena, an Ābhīra prince,129.I-Tsing,168,171.
I
Iason, actor,59.Idealism of Sanskrit drama,276.Illuminator (dīpaka), a figure of speech,331.Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.Incident (prakarī),297,298,299.Incoherent talk (asatpralāpa),329.Indian philosophy, the product of the Brahmins,276.Individuality, of characterization, not aimed at in Sanskrit drama,282,353.Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.Indra’s banner, origin of drama in festival of,41,369.Indra III, Rāṣṭrakūṭa,239.Infinitive, form of, in Açvaghoṣa,87.Internal junctures, seeAntarasandhi.Interval of time, between Acts,301.Intoxication (mada), as a dramatic motif,303.Introduction (āmukha),328.Invention of the poet, when allowed,277,296,297,346,348,349.Ionian, equivalent to Greek, and also used more widely,61.Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.Īçvarasena, an Ābhīra prince,129.I-Tsing,168,171.
Iason, actor,59.
Idealism of Sanskrit drama,276.
Illuminator (dīpaka), a figure of speech,331.
Imitation, of Açvaghoṣa (Buddhacarita, xiii.60), by Bhāsa,118.of Bhāsa, by Kālidāsa,124–6;by Bhavabhūti,187, n.2;in theMṛcchakaṭikā,131,140.of Kālidāsa, by Harṣa,175,176;by Bhavabhūti,193.of theMṛcchakaṭikā(wrongly questioned in JRAS., 1923, p. 592), by Viçākhadatta,208.
Incident (prakarī),297,298,299.
Incoherent talk (asatpralāpa),329.
Indian philosophy, the product of the Brahmins,276.
Individuality, of characterization, not aimed at in Sanskrit drama,282,353.
Indra, dialogues introducing,14,15,19;monologue of drunken,18,19;referred to,267,303.
Indra’s banner, origin of drama in festival of,41,369.
Indra III, Rāṣṭrakūṭa,239.
Infinitive, form of, in Açvaghoṣa,87.
Internal junctures, seeAntarasandhi.
Interval of time, between Acts,301.
Intoxication (mada), as a dramatic motif,303.
Introduction (āmukha),328.
Invention of the poet, when allowed,277,296,297,346,348,349.
Ionian, equivalent to Greek, and also used more widely,61.
Irāvatī, a queen, in theMālavikāgnimitra,148,149,155,157.
Irony, in Bhāsa,119;in Bhavabhūti,192, n.1,194.
Irregularities of Sanskrit, in Açvaghoṣa,85,86;in Bhāsa,120,121.
Īçvarasena, an Ābhīra prince,129.
I-Tsing,168,171.