[Contents]NNāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.Nāgīs, how shown on the stage,367.Nahapāna, a Western Kṣatrapa,69.Naiyāyika view of sentiment,316.Nakhakuṭṭa, a theorist,341.Nakula, a Pāṇḍava,214.Nala and Damayantī,63,240.Nalakūbara,49.Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.Nanda, the cowherd,98.Nandana, in theMālatīmādhava,188,193.Nandas, a dynasty,205.Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.Nārada, a sage,48,98,100,101,110,126,151.Narasiṅha, of Vijayanagara,261.Narasiṅha II, of Orissa,293.Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.Nārāyaṇa, father of Kāñcana Paṇḍita,266.Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.Narration, in lieu of action dialogue,194.Narrative verses,270,271,273,351.Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.Navamālikā, in theNāgānanda,177.Nema Bhārgava, a seer,14.Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.Neuter rôles,313.New Comedy, alleged influence on Indian drama,60–7.Nicula, alleged friend of Kālidāsa,145.Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.Nīlakaṇṭha, on the shadow play,55,56.Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.Nipuṇikā,328.Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.Noble, hero as always,305.Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.Northern Thrace, dramatic performance in,38.Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.
[Contents]NNāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.Nāgīs, how shown on the stage,367.Nahapāna, a Western Kṣatrapa,69.Naiyāyika view of sentiment,316.Nakhakuṭṭa, a theorist,341.Nakula, a Pāṇḍava,214.Nala and Damayantī,63,240.Nalakūbara,49.Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.Nanda, the cowherd,98.Nandana, in theMālatīmādhava,188,193.Nandas, a dynasty,205.Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.Nārada, a sage,48,98,100,101,110,126,151.Narasiṅha, of Vijayanagara,261.Narasiṅha II, of Orissa,293.Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.Nārāyaṇa, father of Kāñcana Paṇḍita,266.Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.Narration, in lieu of action dialogue,194.Narrative verses,270,271,273,351.Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.Navamālikā, in theNāgānanda,177.Nema Bhārgava, a seer,14.Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.Neuter rôles,313.New Comedy, alleged influence on Indian drama,60–7.Nicula, alleged friend of Kālidāsa,145.Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.Nīlakaṇṭha, on the shadow play,55,56.Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.Nipuṇikā,328.Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.Noble, hero as always,305.Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.Northern Thrace, dramatic performance in,38.Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.
[Contents]NNāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.Nāgīs, how shown on the stage,367.Nahapāna, a Western Kṣatrapa,69.Naiyāyika view of sentiment,316.Nakhakuṭṭa, a theorist,341.Nakula, a Pāṇḍava,214.Nala and Damayantī,63,240.Nalakūbara,49.Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.Nanda, the cowherd,98.Nandana, in theMālatīmādhava,188,193.Nandas, a dynasty,205.Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.Nārada, a sage,48,98,100,101,110,126,151.Narasiṅha, of Vijayanagara,261.Narasiṅha II, of Orissa,293.Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.Nārāyaṇa, father of Kāñcana Paṇḍita,266.Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.Narration, in lieu of action dialogue,194.Narrative verses,270,271,273,351.Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.Navamālikā, in theNāgānanda,177.Nema Bhārgava, a seer,14.Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.Neuter rôles,313.New Comedy, alleged influence on Indian drama,60–7.Nicula, alleged friend of Kālidāsa,145.Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.Nīlakaṇṭha, on the shadow play,55,56.Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.Nipuṇikā,328.Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.Noble, hero as always,305.Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.Northern Thrace, dramatic performance in,38.Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.
[Contents]NNāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.Nāgīs, how shown on the stage,367.Nahapāna, a Western Kṣatrapa,69.Naiyāyika view of sentiment,316.Nakhakuṭṭa, a theorist,341.Nakula, a Pāṇḍava,214.Nala and Damayantī,63,240.Nalakūbara,49.Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.Nanda, the cowherd,98.Nandana, in theMālatīmādhava,188,193.Nandas, a dynasty,205.Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.Nārada, a sage,48,98,100,101,110,126,151.Narasiṅha, of Vijayanagara,261.Narasiṅha II, of Orissa,293.Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.Nārāyaṇa, father of Kāñcana Paṇḍita,266.Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.Narration, in lieu of action dialogue,194.Narrative verses,270,271,273,351.Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.Navamālikā, in theNāgānanda,177.Nema Bhārgava, a seer,14.Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.Neuter rôles,313.New Comedy, alleged influence on Indian drama,60–7.Nicula, alleged friend of Kālidāsa,145.Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.Nīlakaṇṭha, on the shadow play,55,56.Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.Nipuṇikā,328.Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.Noble, hero as always,305.Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.Northern Thrace, dramatic performance in,38.Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.
N
Nāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.Nāgīs, how shown on the stage,367.Nahapāna, a Western Kṣatrapa,69.Naiyāyika view of sentiment,316.Nakhakuṭṭa, a theorist,341.Nakula, a Pāṇḍava,214.Nala and Damayantī,63,240.Nalakūbara,49.Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.Nanda, the cowherd,98.Nandana, in theMālatīmādhava,188,193.Nandas, a dynasty,205.Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.Nārada, a sage,48,98,100,101,110,126,151.Narasiṅha, of Vijayanagara,261.Narasiṅha II, of Orissa,293.Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.Nārāyaṇa, father of Kāñcana Paṇḍita,266.Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.Narration, in lieu of action dialogue,194.Narrative verses,270,271,273,351.Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.Navamālikā, in theNāgānanda,177.Nema Bhārgava, a seer,14.Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.Neuter rôles,313.New Comedy, alleged influence on Indian drama,60–7.Nicula, alleged friend of Kālidāsa,145.Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.Nīlakaṇṭha, on the shadow play,55,56.Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.Nipuṇikā,328.Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.Noble, hero as always,305.Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.Northern Thrace, dramatic performance in,38.Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.
Nāgas, pair of kings,43;destroyed by Garuḍa,174,175,179.
Nāgīs, how shown on the stage,367.
Nahapāna, a Western Kṣatrapa,69.
Naiyāyika view of sentiment,316.
Nakhakuṭṭa, a theorist,341.
Nakula, a Pāṇḍava,214.
Nala and Damayantī,63,240.
Nalakūbara,49.
Nallā Kavi, author of theÇṛn̄gārasarvasva,263,264.
Names of the Acts of a drama,305;the drama,345,346;the characters,85,313,355.
Nanda, the cowherd,98.
Nandana, in theMālatīmādhava,188,193.
Nandas, a dynasty,205.
Nandikeçvara,Abhinayadarpaṇaby,338,367, n.1.
Nārada, a sage,48,98,100,101,110,126,151.
Narasiṅha, of Vijayanagara,261.
Narasiṅha II, of Orissa,293.
Narasiṅha, author of theÇivanārāyaṇabhañjamahodaya,257.
Nārāyaṇa, father of Kāñcana Paṇḍita,266.
Nārāyaṇa,97,98,and seeKṛṣṇaandViṣṇu.
Narendravardhana, father of Anan̄gaharṣa Mātrarāja,220.
Narration, in lieu of action dialogue,194.
Narrative verses,270,271,273,351.
Nature, described in the drama,Mṛcchakaṭikā,138,139;Kālidāsa,159;Bhavabhūti,195.
Navamālikā, in theNāgānanda,177.
Nema Bhārgava, a seer,14.
Neuter plural ofa-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit,87,122.
Neuter rôles,313.
New Comedy, alleged influence on Indian drama,60–7.
Nicula, alleged friend of Kālidāsa,145.
Nīlakaṇṭha, alters the last scene of theMṛcchakaṭikā,135,369, n.2.
Nīlakaṇṭha, on the shadow play,55,56.
Nipuṇaka, in theMudrārākṣasa,205,208;in theHammīramadamardana,249.
Nipuṇikā,328.
Nirbhaya, or Nirbhara, pupil of Rājaçekhara,232.
Noble, hero as always,305.
Nominative singular, ofa-stems, ineando, in Açvaghoṣa,86,87,88;in Bhaṭṭa Nārāyaṇa,219.
Northern Thrace, dramatic performance in,38.
Number, of Acts in a drama,305,345–51;actors,66,87,110,345,346,347,351.