[Contents]RRandlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.Raghuvaṅça, by Kālidāsa,75,144,162,352.Ran̄gadvāra, part of preliminaries,340,342.Ran̄gāvataraṇa, appearing on the stage,55.Rajas, element of passion,318.Rati, love, as basis of sentiment,323.Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.Rathoddhatā, metre,167,203.Rasa, sentiment,296,314–26.Rasataran̄giṇī, by Bhānudatta,319.Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.Rasika, men of taste,318, n.3.Rājaputras, speech of,87,141,336.Rājapraçniya,44, n.2.Rājarājanāṭaka,251, n.1.Rājaçrī, the kingly fortune, personified,99,112.[402]Rājyaçrī, the royal fortune,255.Rāmānanda,343, n.1.Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.Rāṣṭriya, as title in dramas,69,71.Rāsa, a dance,274.Rāsamaṇḍala,40.Rukmiṇīpariṇaya, by Rāmavarman,247.Rukmiṇīharaṇa, by Vatsarāja,266,267.Rasasadana, aBhāṇa,264.Rucirā, metre,166,185,212.Rudantī, irregular form in Bhāsa,121.Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.Rūpaka, generic name of the drama as a spectacle,296,345.Rūpadakkha, meaning of,54.Rūpājīva, epithet of actors,363.Rūpopajīvana, sense of,54.Rūpopajīvin, one who lives on the beauty (of his wife),55.Raudra, fury as a sentiment,323,354.Raudratā, harshness, as a character,255.Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.
[Contents]RRandlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.Raghuvaṅça, by Kālidāsa,75,144,162,352.Ran̄gadvāra, part of preliminaries,340,342.Ran̄gāvataraṇa, appearing on the stage,55.Rajas, element of passion,318.Rati, love, as basis of sentiment,323.Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.Rathoddhatā, metre,167,203.Rasa, sentiment,296,314–26.Rasataran̄giṇī, by Bhānudatta,319.Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.Rasika, men of taste,318, n.3.Rājaputras, speech of,87,141,336.Rājapraçniya,44, n.2.Rājarājanāṭaka,251, n.1.Rājaçrī, the kingly fortune, personified,99,112.[402]Rājyaçrī, the royal fortune,255.Rāmānanda,343, n.1.Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.Rāṣṭriya, as title in dramas,69,71.Rāsa, a dance,274.Rāsamaṇḍala,40.Rukmiṇīpariṇaya, by Rāmavarman,247.Rukmiṇīharaṇa, by Vatsarāja,266,267.Rasasadana, aBhāṇa,264.Rucirā, metre,166,185,212.Rudantī, irregular form in Bhāsa,121.Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.Rūpaka, generic name of the drama as a spectacle,296,345.Rūpadakkha, meaning of,54.Rūpājīva, epithet of actors,363.Rūpopajīvana, sense of,54.Rūpopajīvin, one who lives on the beauty (of his wife),55.Raudra, fury as a sentiment,323,354.Raudratā, harshness, as a character,255.Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.
[Contents]RRandlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.Raghuvaṅça, by Kālidāsa,75,144,162,352.Ran̄gadvāra, part of preliminaries,340,342.Ran̄gāvataraṇa, appearing on the stage,55.Rajas, element of passion,318.Rati, love, as basis of sentiment,323.Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.Rathoddhatā, metre,167,203.Rasa, sentiment,296,314–26.Rasataran̄giṇī, by Bhānudatta,319.Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.Rasika, men of taste,318, n.3.Rājaputras, speech of,87,141,336.Rājapraçniya,44, n.2.Rājarājanāṭaka,251, n.1.Rājaçrī, the kingly fortune, personified,99,112.[402]Rājyaçrī, the royal fortune,255.Rāmānanda,343, n.1.Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.Rāṣṭriya, as title in dramas,69,71.Rāsa, a dance,274.Rāsamaṇḍala,40.Rukmiṇīpariṇaya, by Rāmavarman,247.Rukmiṇīharaṇa, by Vatsarāja,266,267.Rasasadana, aBhāṇa,264.Rucirā, metre,166,185,212.Rudantī, irregular form in Bhāsa,121.Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.Rūpaka, generic name of the drama as a spectacle,296,345.Rūpadakkha, meaning of,54.Rūpājīva, epithet of actors,363.Rūpopajīvana, sense of,54.Rūpopajīvin, one who lives on the beauty (of his wife),55.Raudra, fury as a sentiment,323,354.Raudratā, harshness, as a character,255.Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.
[Contents]RRandlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.Raghuvaṅça, by Kālidāsa,75,144,162,352.Ran̄gadvāra, part of preliminaries,340,342.Ran̄gāvataraṇa, appearing on the stage,55.Rajas, element of passion,318.Rati, love, as basis of sentiment,323.Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.Rathoddhatā, metre,167,203.Rasa, sentiment,296,314–26.Rasataran̄giṇī, by Bhānudatta,319.Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.Rasika, men of taste,318, n.3.Rājaputras, speech of,87,141,336.Rājapraçniya,44, n.2.Rājarājanāṭaka,251, n.1.Rājaçrī, the kingly fortune, personified,99,112.[402]Rājyaçrī, the royal fortune,255.Rāmānanda,343, n.1.Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.Rāṣṭriya, as title in dramas,69,71.Rāsa, a dance,274.Rāsamaṇḍala,40.Rukmiṇīpariṇaya, by Rāmavarman,247.Rukmiṇīharaṇa, by Vatsarāja,266,267.Rasasadana, aBhāṇa,264.Rucirā, metre,166,185,212.Rudantī, irregular form in Bhāsa,121.Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.Rūpaka, generic name of the drama as a spectacle,296,345.Rūpadakkha, meaning of,54.Rūpājīva, epithet of actors,363.Rūpopajīvana, sense of,54.Rūpopajīvin, one who lives on the beauty (of his wife),55.Raudra, fury as a sentiment,323,354.Raudratā, harshness, as a character,255.Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.
R
Randlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.Raghuvaṅça, by Kālidāsa,75,144,162,352.Ran̄gadvāra, part of preliminaries,340,342.Ran̄gāvataraṇa, appearing on the stage,55.Rajas, element of passion,318.Rati, love, as basis of sentiment,323.Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.Rathoddhatā, metre,167,203.Rasa, sentiment,296,314–26.Rasataran̄giṇī, by Bhānudatta,319.Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.Rasika, men of taste,318, n.3.Rājaputras, speech of,87,141,336.Rājapraçniya,44, n.2.Rājarājanāṭaka,251, n.1.Rājaçrī, the kingly fortune, personified,99,112.[402]Rājyaçrī, the royal fortune,255.Rāmānanda,343, n.1.Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.Rāṣṭriya, as title in dramas,69,71.Rāsa, a dance,274.Rāsamaṇḍala,40.Rukmiṇīpariṇaya, by Rāmavarman,247.Rukmiṇīharaṇa, by Vatsarāja,266,267.Rasasadana, aBhāṇa,264.Rucirā, metre,166,185,212.Rudantī, irregular form in Bhāsa,121.Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.Rūpaka, generic name of the drama as a spectacle,296,345.Rūpadakkha, meaning of,54.Rūpājīva, epithet of actors,363.Rūpopajīvana, sense of,54.Rūpopajīvin, one who lives on the beauty (of his wife),55.Raudra, fury as a sentiment,323,354.Raudratā, harshness, as a character,255.Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.
Randlin the Prākrits,86,87,88,122,212,219;as affecting the quality of style,332.
Raghuvaṅça, by Kālidāsa,75,144,162,352.
Ran̄gadvāra, part of preliminaries,340,342.
Ran̄gāvataraṇa, appearing on the stage,55.
Rajas, element of passion,318.
Rati, love, as basis of sentiment,323.
Ratnāvalī, by Harṣa,55,62,103,170,171,173,175,180,221,298,299,304,325,328,340,350,361,362,368.
Rathoddhatā, metre,167,203.
Rasa, sentiment,296,314–26.
Rasataran̄giṇī, by Bhānudatta,319.
Rasārṇavasudhākara, by Çin̄ga Bhūpāla,294.
Rasika, men of taste,318, n.3.
Rājaputras, speech of,87,141,336.
Rājapraçniya,44, n.2.
Rājarājanāṭaka,251, n.1.
Rājaçrī, the kingly fortune, personified,99,112.[402]
Rājyaçrī, the royal fortune,255.
Rāmānanda,343, n.1.
Rāmābhyudaya, by Vyāsa Çrīrāmadeva,270.
Rāmāyaṇa, by Vālmīki,28,29,30,42,48,50,63,76,101,105,114,150, n.1.
Rāṣṭriya, as title in dramas,69,71.
Rāsa, a dance,274.
Rāsamaṇḍala,40.
Rukmiṇīpariṇaya, by Rāmavarman,247.
Rukmiṇīharaṇa, by Vatsarāja,266,267.
Rasasadana, aBhāṇa,264.
Rucirā, metre,166,185,212.
Rudantī, irregular form in Bhāsa,121.
Rūpa, in Açoka’s edict,54;object of vision, source ofRūpaka,296.
Rūpaka, generic name of the drama as a spectacle,296,345.
Rūpadakkha, meaning of,54.
Rūpājīva, epithet of actors,363.
Rūpopajīvana, sense of,54.
Rūpopajīvin, one who lives on the beauty (of his wife),55.
Raudra, fury as a sentiment,323,354.
Raudratā, harshness, as a character,255.
Rybecomesyyin Açvaghoṣa and Bhāsa,jjin Kālidāsa,122;butjjin Açvaghoṣa’sMāgadhī,86;in Bhaṭṭa Nārāyaṇa,219.