[Contents]SS, alone preserved in certain Prākrits,87,88,122.Saṁlāpa, dialogue,327.Saṁlāpaka, a form of drama,351.Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]Saṁkīrṇa, mixed form ofViṣkambhaka,302.Saṁkṛti, metre, appropriate to lively dialogue,331.Saṁkṣipti, construction of object,327.Saṁgamamaṇi, stone of reunion,62.Saṁgītadāmodara, unites ornaments and beauties,330, n.1.Saṁghātya, breach of alliance,327.Saciva, as style of a minister,314.Saṭṭaka, a type of drama,233,350.Sattva, element of goodness or truth,318.Saddharmapuṇḍarīka, dramatic form of the,43.Sandhi, junctures of the plot,298–300.Sandhima, kind of stage properties,365.Sandhyantara, divisions of junctures,303.Sabhāpati, patron of the drama,370.SamajjaorSamāja, form of entertainment,43,85.Samatā, homogeneity of style,331.Samavakāra, a type of drama,97,225,266,267,268,291,346,353.Samāja,85, and seeSamajja.Samādhi, metaphorical language,331.Samāçvāsitum, irregular form in Bhāsa,121.Samudramathana, by Vatsarāja,267,268.Samudramanthana, aSamavakāra,225.Sampheṭa, fighting,328.Sambhoga, union, as part of erotic sentiment,323.Sarvacarita, by Bāṇa,182, n.3.Sarvarājñaḥ, irregular compound in Bhāsa,121.Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.Sahṛdaya, man of taste,318.Sāttvatī, correctlySātvatī, grand (manner),326,327.Sāttvika, of excellencies of hero,307.Sāttvika, class of consequents,315.Sāttvikābhinaya, nature of,367,368.Sāḍika, dance,350, n.2.Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.Sādhāraṇī, courtesan,309.Sādhāraṇī kṛti, generic power of poetry,321.Sādhu, style of address,314.Sāmaveda,12,15,20,26.Sāvitrīcarita, by Çan̄karalāla,270.Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.Siddhāntakaumudī, cites Rājaçekhara for grammar,230.Sukumāratā, softness of style,331.Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.Sugṛhītanāman, as title in dramas,69,71.Sugṛhītābhidha, as style of address,71,314.Sudhanāvadāna,150, n.1,156, n.1.Suparṇādhyāya, character of the,17,21.Subuddhi, a female character,267.Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.Subhadrāharaṇa, by Mādhava,268,342,351.Subhāṣitāvali,168,209.Surada, forsurata, an isolated form, in Açvaghoṣa,89.Surā, origin of,183.Suvadanā, metre,123,212.Sūcaka, part undertaken by the,273,274.Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.Sūtrālaṁkāra, by Açvaghoṣa,80,81.Senāpati, general,306,312.Saindhava, a kind of song,338.Sobhiya, Prākrit forÇaubhika,55.Somatā, gentleness, as a character,254.Saugandhikāharaṇa, by Viçvanātha,266.Saundarananda, by Açvaghoṣa,80,81.Saubhya, misreading forSaumya,272, n.1.Saumya, as style of address,314.Skanda Purāṇa,129.Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.Sthāpanā, prologue,111,112,182,340,342, n.1.Sthāyinī, concubine,312.Sthāyibhāva, dominant emotion,315,320.Sthitapāṭhya, standing recitation,338.Sthairya, steadfastness as a quality of the hero,307.Snātaka, as a character,313.Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.Sravati, irregular form in Bhāsa,120.Svagatam, aside,304.Svapnadoçānana, by Bhīmaṭa,239.Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.Svabhāvokti, vivid description,161.Svā,sviyā, heroine as wife,308.Svādhīnapatikā, absolute mistress,309.Svābhāvika, natural (sentiment),315, n.1.Svāmin, as style of the Crown Prince,69,71,314.Svāminī, style of the queen,314.Svāminī, favourite,312.[405]
[Contents]SS, alone preserved in certain Prākrits,87,88,122.Saṁlāpa, dialogue,327.Saṁlāpaka, a form of drama,351.Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]Saṁkīrṇa, mixed form ofViṣkambhaka,302.Saṁkṛti, metre, appropriate to lively dialogue,331.Saṁkṣipti, construction of object,327.Saṁgamamaṇi, stone of reunion,62.Saṁgītadāmodara, unites ornaments and beauties,330, n.1.Saṁghātya, breach of alliance,327.Saciva, as style of a minister,314.Saṭṭaka, a type of drama,233,350.Sattva, element of goodness or truth,318.Saddharmapuṇḍarīka, dramatic form of the,43.Sandhi, junctures of the plot,298–300.Sandhima, kind of stage properties,365.Sandhyantara, divisions of junctures,303.Sabhāpati, patron of the drama,370.SamajjaorSamāja, form of entertainment,43,85.Samatā, homogeneity of style,331.Samavakāra, a type of drama,97,225,266,267,268,291,346,353.Samāja,85, and seeSamajja.Samādhi, metaphorical language,331.Samāçvāsitum, irregular form in Bhāsa,121.Samudramathana, by Vatsarāja,267,268.Samudramanthana, aSamavakāra,225.Sampheṭa, fighting,328.Sambhoga, union, as part of erotic sentiment,323.Sarvacarita, by Bāṇa,182, n.3.Sarvarājñaḥ, irregular compound in Bhāsa,121.Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.Sahṛdaya, man of taste,318.Sāttvatī, correctlySātvatī, grand (manner),326,327.Sāttvika, of excellencies of hero,307.Sāttvika, class of consequents,315.Sāttvikābhinaya, nature of,367,368.Sāḍika, dance,350, n.2.Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.Sādhāraṇī, courtesan,309.Sādhāraṇī kṛti, generic power of poetry,321.Sādhu, style of address,314.Sāmaveda,12,15,20,26.Sāvitrīcarita, by Çan̄karalāla,270.Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.Siddhāntakaumudī, cites Rājaçekhara for grammar,230.Sukumāratā, softness of style,331.Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.Sugṛhītanāman, as title in dramas,69,71.Sugṛhītābhidha, as style of address,71,314.Sudhanāvadāna,150, n.1,156, n.1.Suparṇādhyāya, character of the,17,21.Subuddhi, a female character,267.Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.Subhadrāharaṇa, by Mādhava,268,342,351.Subhāṣitāvali,168,209.Surada, forsurata, an isolated form, in Açvaghoṣa,89.Surā, origin of,183.Suvadanā, metre,123,212.Sūcaka, part undertaken by the,273,274.Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.Sūtrālaṁkāra, by Açvaghoṣa,80,81.Senāpati, general,306,312.Saindhava, a kind of song,338.Sobhiya, Prākrit forÇaubhika,55.Somatā, gentleness, as a character,254.Saugandhikāharaṇa, by Viçvanātha,266.Saundarananda, by Açvaghoṣa,80,81.Saubhya, misreading forSaumya,272, n.1.Saumya, as style of address,314.Skanda Purāṇa,129.Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.Sthāpanā, prologue,111,112,182,340,342, n.1.Sthāyinī, concubine,312.Sthāyibhāva, dominant emotion,315,320.Sthitapāṭhya, standing recitation,338.Sthairya, steadfastness as a quality of the hero,307.Snātaka, as a character,313.Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.Sravati, irregular form in Bhāsa,120.Svagatam, aside,304.Svapnadoçānana, by Bhīmaṭa,239.Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.Svabhāvokti, vivid description,161.Svā,sviyā, heroine as wife,308.Svādhīnapatikā, absolute mistress,309.Svābhāvika, natural (sentiment),315, n.1.Svāmin, as style of the Crown Prince,69,71,314.Svāminī, style of the queen,314.Svāminī, favourite,312.[405]
[Contents]SS, alone preserved in certain Prākrits,87,88,122.Saṁlāpa, dialogue,327.Saṁlāpaka, a form of drama,351.Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]Saṁkīrṇa, mixed form ofViṣkambhaka,302.Saṁkṛti, metre, appropriate to lively dialogue,331.Saṁkṣipti, construction of object,327.Saṁgamamaṇi, stone of reunion,62.Saṁgītadāmodara, unites ornaments and beauties,330, n.1.Saṁghātya, breach of alliance,327.Saciva, as style of a minister,314.Saṭṭaka, a type of drama,233,350.Sattva, element of goodness or truth,318.Saddharmapuṇḍarīka, dramatic form of the,43.Sandhi, junctures of the plot,298–300.Sandhima, kind of stage properties,365.Sandhyantara, divisions of junctures,303.Sabhāpati, patron of the drama,370.SamajjaorSamāja, form of entertainment,43,85.Samatā, homogeneity of style,331.Samavakāra, a type of drama,97,225,266,267,268,291,346,353.Samāja,85, and seeSamajja.Samādhi, metaphorical language,331.Samāçvāsitum, irregular form in Bhāsa,121.Samudramathana, by Vatsarāja,267,268.Samudramanthana, aSamavakāra,225.Sampheṭa, fighting,328.Sambhoga, union, as part of erotic sentiment,323.Sarvacarita, by Bāṇa,182, n.3.Sarvarājñaḥ, irregular compound in Bhāsa,121.Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.Sahṛdaya, man of taste,318.Sāttvatī, correctlySātvatī, grand (manner),326,327.Sāttvika, of excellencies of hero,307.Sāttvika, class of consequents,315.Sāttvikābhinaya, nature of,367,368.Sāḍika, dance,350, n.2.Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.Sādhāraṇī, courtesan,309.Sādhāraṇī kṛti, generic power of poetry,321.Sādhu, style of address,314.Sāmaveda,12,15,20,26.Sāvitrīcarita, by Çan̄karalāla,270.Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.Siddhāntakaumudī, cites Rājaçekhara for grammar,230.Sukumāratā, softness of style,331.Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.Sugṛhītanāman, as title in dramas,69,71.Sugṛhītābhidha, as style of address,71,314.Sudhanāvadāna,150, n.1,156, n.1.Suparṇādhyāya, character of the,17,21.Subuddhi, a female character,267.Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.Subhadrāharaṇa, by Mādhava,268,342,351.Subhāṣitāvali,168,209.Surada, forsurata, an isolated form, in Açvaghoṣa,89.Surā, origin of,183.Suvadanā, metre,123,212.Sūcaka, part undertaken by the,273,274.Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.Sūtrālaṁkāra, by Açvaghoṣa,80,81.Senāpati, general,306,312.Saindhava, a kind of song,338.Sobhiya, Prākrit forÇaubhika,55.Somatā, gentleness, as a character,254.Saugandhikāharaṇa, by Viçvanātha,266.Saundarananda, by Açvaghoṣa,80,81.Saubhya, misreading forSaumya,272, n.1.Saumya, as style of address,314.Skanda Purāṇa,129.Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.Sthāpanā, prologue,111,112,182,340,342, n.1.Sthāyinī, concubine,312.Sthāyibhāva, dominant emotion,315,320.Sthitapāṭhya, standing recitation,338.Sthairya, steadfastness as a quality of the hero,307.Snātaka, as a character,313.Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.Sravati, irregular form in Bhāsa,120.Svagatam, aside,304.Svapnadoçānana, by Bhīmaṭa,239.Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.Svabhāvokti, vivid description,161.Svā,sviyā, heroine as wife,308.Svādhīnapatikā, absolute mistress,309.Svābhāvika, natural (sentiment),315, n.1.Svāmin, as style of the Crown Prince,69,71,314.Svāminī, style of the queen,314.Svāminī, favourite,312.[405]
[Contents]SS, alone preserved in certain Prākrits,87,88,122.Saṁlāpa, dialogue,327.Saṁlāpaka, a form of drama,351.Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]Saṁkīrṇa, mixed form ofViṣkambhaka,302.Saṁkṛti, metre, appropriate to lively dialogue,331.Saṁkṣipti, construction of object,327.Saṁgamamaṇi, stone of reunion,62.Saṁgītadāmodara, unites ornaments and beauties,330, n.1.Saṁghātya, breach of alliance,327.Saciva, as style of a minister,314.Saṭṭaka, a type of drama,233,350.Sattva, element of goodness or truth,318.Saddharmapuṇḍarīka, dramatic form of the,43.Sandhi, junctures of the plot,298–300.Sandhima, kind of stage properties,365.Sandhyantara, divisions of junctures,303.Sabhāpati, patron of the drama,370.SamajjaorSamāja, form of entertainment,43,85.Samatā, homogeneity of style,331.Samavakāra, a type of drama,97,225,266,267,268,291,346,353.Samāja,85, and seeSamajja.Samādhi, metaphorical language,331.Samāçvāsitum, irregular form in Bhāsa,121.Samudramathana, by Vatsarāja,267,268.Samudramanthana, aSamavakāra,225.Sampheṭa, fighting,328.Sambhoga, union, as part of erotic sentiment,323.Sarvacarita, by Bāṇa,182, n.3.Sarvarājñaḥ, irregular compound in Bhāsa,121.Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.Sahṛdaya, man of taste,318.Sāttvatī, correctlySātvatī, grand (manner),326,327.Sāttvika, of excellencies of hero,307.Sāttvika, class of consequents,315.Sāttvikābhinaya, nature of,367,368.Sāḍika, dance,350, n.2.Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.Sādhāraṇī, courtesan,309.Sādhāraṇī kṛti, generic power of poetry,321.Sādhu, style of address,314.Sāmaveda,12,15,20,26.Sāvitrīcarita, by Çan̄karalāla,270.Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.Siddhāntakaumudī, cites Rājaçekhara for grammar,230.Sukumāratā, softness of style,331.Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.Sugṛhītanāman, as title in dramas,69,71.Sugṛhītābhidha, as style of address,71,314.Sudhanāvadāna,150, n.1,156, n.1.Suparṇādhyāya, character of the,17,21.Subuddhi, a female character,267.Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.Subhadrāharaṇa, by Mādhava,268,342,351.Subhāṣitāvali,168,209.Surada, forsurata, an isolated form, in Açvaghoṣa,89.Surā, origin of,183.Suvadanā, metre,123,212.Sūcaka, part undertaken by the,273,274.Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.Sūtrālaṁkāra, by Açvaghoṣa,80,81.Senāpati, general,306,312.Saindhava, a kind of song,338.Sobhiya, Prākrit forÇaubhika,55.Somatā, gentleness, as a character,254.Saugandhikāharaṇa, by Viçvanātha,266.Saundarananda, by Açvaghoṣa,80,81.Saubhya, misreading forSaumya,272, n.1.Saumya, as style of address,314.Skanda Purāṇa,129.Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.Sthāpanā, prologue,111,112,182,340,342, n.1.Sthāyinī, concubine,312.Sthāyibhāva, dominant emotion,315,320.Sthitapāṭhya, standing recitation,338.Sthairya, steadfastness as a quality of the hero,307.Snātaka, as a character,313.Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.Sravati, irregular form in Bhāsa,120.Svagatam, aside,304.Svapnadoçānana, by Bhīmaṭa,239.Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.Svabhāvokti, vivid description,161.Svā,sviyā, heroine as wife,308.Svādhīnapatikā, absolute mistress,309.Svābhāvika, natural (sentiment),315, n.1.Svāmin, as style of the Crown Prince,69,71,314.Svāminī, style of the queen,314.Svāminī, favourite,312.[405]
S
S, alone preserved in certain Prākrits,87,88,122.Saṁlāpa, dialogue,327.Saṁlāpaka, a form of drama,351.Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]Saṁkīrṇa, mixed form ofViṣkambhaka,302.Saṁkṛti, metre, appropriate to lively dialogue,331.Saṁkṣipti, construction of object,327.Saṁgamamaṇi, stone of reunion,62.Saṁgītadāmodara, unites ornaments and beauties,330, n.1.Saṁghātya, breach of alliance,327.Saciva, as style of a minister,314.Saṭṭaka, a type of drama,233,350.Sattva, element of goodness or truth,318.Saddharmapuṇḍarīka, dramatic form of the,43.Sandhi, junctures of the plot,298–300.Sandhima, kind of stage properties,365.Sandhyantara, divisions of junctures,303.Sabhāpati, patron of the drama,370.SamajjaorSamāja, form of entertainment,43,85.Samatā, homogeneity of style,331.Samavakāra, a type of drama,97,225,266,267,268,291,346,353.Samāja,85, and seeSamajja.Samādhi, metaphorical language,331.Samāçvāsitum, irregular form in Bhāsa,121.Samudramathana, by Vatsarāja,267,268.Samudramanthana, aSamavakāra,225.Sampheṭa, fighting,328.Sambhoga, union, as part of erotic sentiment,323.Sarvacarita, by Bāṇa,182, n.3.Sarvarājñaḥ, irregular compound in Bhāsa,121.Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.Sahṛdaya, man of taste,318.Sāttvatī, correctlySātvatī, grand (manner),326,327.Sāttvika, of excellencies of hero,307.Sāttvika, class of consequents,315.Sāttvikābhinaya, nature of,367,368.Sāḍika, dance,350, n.2.Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.Sādhāraṇī, courtesan,309.Sādhāraṇī kṛti, generic power of poetry,321.Sādhu, style of address,314.Sāmaveda,12,15,20,26.Sāvitrīcarita, by Çan̄karalāla,270.Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.Siddhāntakaumudī, cites Rājaçekhara for grammar,230.Sukumāratā, softness of style,331.Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.Sugṛhītanāman, as title in dramas,69,71.Sugṛhītābhidha, as style of address,71,314.Sudhanāvadāna,150, n.1,156, n.1.Suparṇādhyāya, character of the,17,21.Subuddhi, a female character,267.Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.Subhadrāharaṇa, by Mādhava,268,342,351.Subhāṣitāvali,168,209.Surada, forsurata, an isolated form, in Açvaghoṣa,89.Surā, origin of,183.Suvadanā, metre,123,212.Sūcaka, part undertaken by the,273,274.Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.Sūtrālaṁkāra, by Açvaghoṣa,80,81.Senāpati, general,306,312.Saindhava, a kind of song,338.Sobhiya, Prākrit forÇaubhika,55.Somatā, gentleness, as a character,254.Saugandhikāharaṇa, by Viçvanātha,266.Saundarananda, by Açvaghoṣa,80,81.Saubhya, misreading forSaumya,272, n.1.Saumya, as style of address,314.Skanda Purāṇa,129.Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.Sthāpanā, prologue,111,112,182,340,342, n.1.Sthāyinī, concubine,312.Sthāyibhāva, dominant emotion,315,320.Sthitapāṭhya, standing recitation,338.Sthairya, steadfastness as a quality of the hero,307.Snātaka, as a character,313.Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.Sravati, irregular form in Bhāsa,120.Svagatam, aside,304.Svapnadoçānana, by Bhīmaṭa,239.Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.Svabhāvokti, vivid description,161.Svā,sviyā, heroine as wife,308.Svādhīnapatikā, absolute mistress,309.Svābhāvika, natural (sentiment),315, n.1.Svāmin, as style of the Crown Prince,69,71,314.Svāminī, style of the queen,314.Svāminī, favourite,312.[405]
S, alone preserved in certain Prākrits,87,88,122.
Saṁlāpa, dialogue,327.
Saṁlāpaka, a form of drama,351.
Saṁkalpasūryodaya, by Ven̄kaṭanātha,253.[404]
Saṁkīrṇa, mixed form ofViṣkambhaka,302.
Saṁkṛti, metre, appropriate to lively dialogue,331.
Saṁkṣipti, construction of object,327.
Saṁgamamaṇi, stone of reunion,62.
Saṁgītadāmodara, unites ornaments and beauties,330, n.1.
Saṁghātya, breach of alliance,327.
Saciva, as style of a minister,314.
Saṭṭaka, a type of drama,233,350.
Sattva, element of goodness or truth,318.
Saddharmapuṇḍarīka, dramatic form of the,43.
Sandhi, junctures of the plot,298–300.
Sandhima, kind of stage properties,365.
Sandhyantara, divisions of junctures,303.
Sabhāpati, patron of the drama,370.
SamajjaorSamāja, form of entertainment,43,85.
Samatā, homogeneity of style,331.
Samavakāra, a type of drama,97,225,266,267,268,291,346,353.
Samāja,85, and seeSamajja.
Samādhi, metaphorical language,331.
Samāçvāsitum, irregular form in Bhāsa,121.
Samudramathana, by Vatsarāja,267,268.
Samudramanthana, aSamavakāra,225.
Sampheṭa, fighting,328.
Sambhoga, union, as part of erotic sentiment,323.
Sarvacarita, by Bāṇa,182, n.3.
Sarvarājñaḥ, irregular compound in Bhāsa,121.
Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi,267.
Sassirīkaṁ, forsaçrīkam, in Açvaghoṣa,88.
Sahṛdaya, man of taste,318.
Sāttvatī, correctlySātvatī, grand (manner),326,327.
Sāttvika, of excellencies of hero,307.
Sāttvika, class of consequents,315.
Sāttvikābhinaya, nature of,367,368.
Sāḍika, dance,350, n.2.
Sātvatī(‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner),326,327.
Sādhāraṇī, courtesan,309.
Sādhāraṇī kṛti, generic power of poetry,321.
Sādhu, style of address,314.
Sāmaveda,12,15,20,26.
Sāvitrīcarita, by Çan̄karalāla,270.
Sāhityadarpaṇa, by Viçvanātha,71,225,268,294,295,336,342.
Siddhāntakaumudī, cites Rājaçekhara for grammar,230.
Sukumāratā, softness of style,331.
Sukṛtasaṁkīrtana, by Arisiṅha,248, n.7.
Sugṛhītanāman, as title in dramas,69,71.
Sugṛhītābhidha, as style of address,71,314.
Sudhanāvadāna,150, n.1,156, n.1.
Suparṇādhyāya, character of the,17,21.
Subuddhi, a female character,267.
Subhadrādhanaṁjaya, by Kulaçekharavarman,247,342, n.2.
Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva,270.
Subhadrāharaṇa, by Mādhava,268,342,351.
Subhāṣitāvali,168,209.
Surada, forsurata, an isolated form, in Açvaghoṣa,89.
Surā, origin of,183.
Suvadanā, metre,123,212.
Sūcaka, part undertaken by the,273,274.
Sūtradhāra,51,52,56,65,66,91,92,126,232,248,254,265,266,267,273,339,340,341,342,343,344,360,361,362,363,365.
Sūtrālaṁkāra, by Açvaghoṣa,80,81.
Senāpati, general,306,312.
Saindhava, a kind of song,338.
Sobhiya, Prākrit forÇaubhika,55.
Somatā, gentleness, as a character,254.
Saugandhikāharaṇa, by Viçvanātha,266.
Saundarananda, by Açvaghoṣa,80,81.
Saubhya, misreading forSaumya,272, n.1.
Saumya, as style of address,314.
Skanda Purāṇa,129.
Sthāpaka,36, n.1,52,56,126,239,265,266,267,340,341,342,343,344,361.
Sthāpanā, prologue,111,112,182,340,342, n.1.
Sthāyinī, concubine,312.
Sthāyibhāva, dominant emotion,315,320.
Sthitapāṭhya, standing recitation,338.
Sthairya, steadfastness as a quality of the hero,307.
Snātaka, as a character,313.
Sragdharā, metre,123,142,167,181,185,203,212,219,232,236,246,272.
Sravati, irregular form in Bhāsa,120.
Svagatam, aside,304.
Svapnadoçānana, by Bhīmaṭa,239.
Svapnavāsavadattā, by Bhāsa,91,92,94,95,103,107,113,117,118,119,123,125,187, n.2.
Svabhāvokti, vivid description,161.
Svā,sviyā, heroine as wife,308.
Svādhīnapatikā, absolute mistress,309.
Svābhāvika, natural (sentiment),315, n.1.
Svāmin, as style of the Crown Prince,69,71,314.
Svāminī, style of the queen,314.
Svāminī, favourite,312.[405]