XXX

Your Magnificence:On Thursday last Donna Sophia left the Cardinal's mansion alone, on foot and heavily veiled. As she clearly did not want to be seen, your servant thought much was to be gained by following her, and so did. I regret to say she spent the afternoon wandering in the craftsmen's market, shopping for gloves, purses, and other adornments. Before Nones she went to the Church of Sant' Andrea, where she prayed a while, then went to Confession. Your servant attempted to approach close enough to overhear, but was unable to do so without being seen.

Your Magnificence:

On Thursday last Donna Sophia left the Cardinal's mansion alone, on foot and heavily veiled. As she clearly did not want to be seen, your servant thought much was to be gained by following her, and so did. I regret to say she spent the afternoon wandering in the craftsmen's market, shopping for gloves, purses, and other adornments. Before Nones she went to the Church of Sant' Andrea, where she prayed a while, then went to Confession. Your servant attempted to approach close enough to overhear, but was unable to do so without being seen.

Lorenzo looked up and shook his head. "What a furfante you are! Trying to eavesdrop on penitents." He went on with the reading.

David of Trebizond has spent his days riding about Orvieto, meeting with the fattori of various trading houses that deal in silks and spices. Your servant adds a list below. The cardinal sleeps most of the day and works through the night behind the locked door of his cabinet on the top floor of the palazzo. Sometimes he mounts to the roof and studies the stars with the aid of magical instruments. Of the servant Giancarlo I am unable to make report, having not seen him all this week.

David of Trebizond has spent his days riding about Orvieto, meeting with the fattori of various trading houses that deal in silks and spices. Your servant adds a list below. The cardinal sleeps most of the day and works through the night behind the locked door of his cabinet on the top floor of the palazzo. Sometimes he mounts to the roof and studies the stars with the aid of magical instruments. Of the servant Giancarlo I am unable to make report, having not seen him all this week.

Lorenzo laughed. "That is the only true statement in this list of lies. You did not see me all week because I have been constantly atyourback."

Sordello spat at Lorenzo's feet. "Ladruncolo! Sneak!" At this Lorenzo and Daoud broke into laughter, while Sordello glared at them helplessly. The hoop on which he was splayed turned slowly one way and then back the other.

"You are indignant at being spied upon?" Lorenzo chuckled. "Then imagine how we feel. And what is worse, you do not even tell the truth about us."

"I piss in your teeth," Sordello snarled.

"For instance, what you write about Madonna Sophia," Lorenzo went on, unperturbed. "You lost her a mere three streets from thecardinal's mansion. She knew you were following her and took pains to rid herself of your unwanted attentions. But you could not admit to your master what a buffone you are, so you made up all that about her buying gloves in the bazaar and going to church."

Actually, Daoud thought, that was the afternoon Sophia had come here, to Tilia's house, to see Rachel, and it would have been disastrous if Sordello had followed her. They would then have had to kill him, which would have been unfortunate, since this way of handling him was so much better.

Of course, they might still have to kill him. He already knew enough about them to send them all to the stake if he ever spoke out. He must be brought under control, to serve their purposes, or he must quietly disappear.

"So, you not only spy on us, but you lie about us," said Daoud. "And to whom do you send these lies? When the Bulgarian woman Ana takes your weekly reports back to the Palazzo Monaldeschi, to whom does she deliver them? De Verceuil? De Gobignon?"

"Go peddle your silks and spices, Messer David." The man was so ill-tempered he had not the sense to try to protect himself by hiding his anger and defiance.

Daoud gritted his teeth in frustration. Sordello was not breaking quickly enough.

Daoud sent Lorenzo a signal with two fingers. Lorenzo sprang at Sordello with his blade, a dagger so big it was almost a short sword, and slashed at his tunic, belt, and hose. The blacks grinned. Sordello roared his protests. A last flick of the blade cut away his grimy loincloth. In a moment Sordello hung naked on the ring, his shredded clothes hanging from his ankles or lying on the flagstone floor. His body was wiry and muscular, with only a small paunch at the waist. The flickering torchlight picked out the shadows of scars crossing his chest and belly. Daoud stared with curiosity and faint distaste at the uncircumcised penis peeping from its thicket of grizzled hair.

Daoud put his fingertips together and casually crossed his legs, lounging back in the throne, letting the contrast between his position and Sordello's sink in. He prayed that the man might succumb. His soul must be made of sand; how could it be otherwise?

The ring slowly rotated. Sordello twisted his head to look over his shoulder at Daoud.

"If you kill me, he will know." There was the faintest quiver in his voice.

Daoud chose not to ask the obvious question—who "he" was—but said, keeping his voice soft and kindly, "What will he learn from your death, Sordello?"

Before Sordello could answer, Lorenzo burst out, "We are not going to kill him for a long while, are we, Messer David? You promised me I could have some sport."

"Quiet, Giancarlo," said Daoud, narrowing his eyes. "You shall have your sport."

"Why torture me? Why kill me?" There was a plea in Sordello's voice now. "I have told nothing that could hurt you."

"You have toldusnothing, Sordello." Daoud stood up. The platform on which the throne chair stood gave him impressive height, and the torches high in the wall behind him threw his shadow across the room.

"I admire your fidelity to your master, whoever he is," Daoud said with a smile. "What a pity he will never know about it. As I told you, this is hell, and you are dead already. You will just vanish, like a bit of rubbish washed out of the city by the rain. Your master will probably think you deserted him, as your sort of wandering ladrone so often does."

"I am not a highwayman!" Sordello's cry echoed against the stone vault. "I am a man of honor. I am an educated man, a trovatore."

"You are feccia!" Lorenzo shouted, and slapped Sordello's face hard.

"For that I will one day slice open your guts," Sordello growled.

Exasperated, Daoud saw that hurting Sordello only made him angrier. If they hurt him enough, certainly, they would have him begging for mercy, but by then they might have injured him so badly he would be of no use to them.

"Let him be, Giancarlo," Daoud snapped.

"I saved your life," Sordello said to Daoud. "I killed a man for you. Is this how you repay me—letting this pig strip me and beat me?" His narrowed eyes gave a hint of slyness. "I could be worth ten of this Neapolitan mezzano to you."

"You dare call me a pimp!" Lorenzo lunged at Sordello again, this time aiming the point of the huge dagger at his belly. Sordello twisted his body in the chains and gave a cry of fright.

"Giancarlo!" Daoud shouted sternly. "Back!"

Sordello hung rigid in his chains. Sweat ran down his face. His whole body was covered with sweat, glistening in the torchlight,and Daoud suspected he would be cold to the touch. Sordello's eyes rolled from Lorenzo, who stood frozen with the dagger outstretched, to Daoud and back again. The two blacks stood behind Lorenzo, smiling broadly.

"You are worth nothing to me at the moment, Sordello, because you refuse even to give me the one harmless piece of information I ask for. You will not tell me who set you to spy on me. So I might as well give you to Giancarlo here for his amusement." He held a hand out to Lorenzo, as if giving him leave to proceed.

"It is Simon de Gobignon!" Sordello cried. "It is to him my messages go."

Daoud's heart leapt with exultation, and he allowed himself a satisfied little sigh. A flicker of a finger told Lorenzo to lower his knife. Sordello had made the first surrender, on which all further success with him depended.

But—de Gobignon. That was a surprise. Daoud had been sure it would be Cardinal de Verceuil who would try to place a spy in his camp. A Frankish knight like de Gobignon would prefer the frontal attack, the pitched battle, to trickery. That was why the Franks were gradually losing their grip on the land they called Outremer. The French cardinal was another story. Daoud had seen in him a combination of pride, ambition, and lack of scruple that would use any means to defeat an enemy.

How to find out the truth? He ground his teeth.

"You are lying," Daoud said firmly. "It is Cardinal de Verceuil you serve. Giancarlo—" Daoud gestured, and Lorenzo went over to the brazier and slowly drew out an iron. The tip of it glowed red in the dim light of the chamber. His teeth flashing white under his thick mustache, Lorenzo advanced on Sordello.

"No! It is the truth!" Sordello shrieked, the chain that suspended the hoop rattling as he tried to pull himself away from Lorenzo and the smoking metal rod he held. As Lorenzo slowly approached, Sordello babbled out a tale of having been sent to Venice by Charles d'Anjou, brother of the King of France, to recruit and command archers for Count Simon. He had gotten into a brawl and wounded an Armenian prince who had come to Venice with the Tartars, and Simon had sent him away.

"I cannot serve Count Simon openly because the Armenians still want my blood," Sordello explained. "So he set me to spy on you instead."

The frantic haste with which Sordello spilled out his story gaveit the sound of truth. This was going much better. Daoud's tense jaw muscles were relaxing.

Daoud picked up the bowl with the needle in it, gestured Lorenzo back, and slowly strolled across the chamber to Sordello. He gave the bowl to Lorenzo to hold, and drew closer until his face was only a hand's width from Sordello's, until he could smell the inner rot on the man's breath. Sordello's eyes rolled sideways, trying to watch the needle in the bowl Lorenzo was holding.

"What does de Gobignon say of me?" Daoud whispered. "What does he think I am?"

"He thinks you are a foreigner brought here by Ugolini to thwart the French plans for a crusade," Sordello gasped. "He says Ugolini is an agent of the Hohenstaufen king. He thinks Giancarlo is gathering a band of men to murder the Tartars. Please, for the love of God, do not hurt me, Messere." His eyes would fall out of his head if he stared any harder at the needle.

"Give me a candle, Giancarlo," said Daoud. He reached out without looking, and Lorenzo pressed the lighted candle into his hand. Taking a step back, he held the flame before Sordello's sweating face. His lips trembling, Sordello turned his head away.

"Look at the flame, Sordello," said Daoud softly. "Just look at the flame and listen to me. Look at the flame, and I will tell you what I really am." Daoud passed the candle back and forth before Sordello's face, murmuring reassurance. Sordello's eyes followed the candle.

He wondered if this would work. It seemed too much like magic. He had seen it done by Hashishiyya imams, but he had never done it himself.

"I am a sorcerer, Sordello, a mighty wizard. I can pass through any obstacle. I can see what people are doing thousands of leagues away. I can bring the dead back to life. I told you that you are a dead man, Sordello. You are truly dead, but you have nothing to fear, because my power can bring you back to life."

The bravo hung lax in the chains, his half-shut eyes still moving from right to left, following the candle flame. His knees had buckled and his belly sagged.

Daoud handed the candle to Lorenzo and beckoned to one of the Africans, who took the simmering pot of drugged wine from the tripod, holding it by a wooden handle, and gave it to Daoud.

"Where are you, Sordello?"

"I am in hell."

"And what are you?"

"A dead man."

"And I?"

"A mighty wizard."

"Very good. Now drink this." Daoud felt the lip of the pot to make sure it was not too hot, then brought it to Sordello's mouth. Obediently Sordello lifted his chin and opened his lips, allowing Daoud to pour the warm wine into his mouth, and then swallowed. Daoud poured more into him and then gave the pot back to Tilia's servant.

"Now you will truly know my power, Sordello. Prepare yourself for the most wonderful night of your life. You will make a journey from hell to heaven. Close your eyes and raise your head." Lorenzo held out the brass bowl with the needle, and Daoud took the needle, holding it firmly with his thumb and first two fingers. Gesturing to Lorenzo to bring the candle close to Sordello's throat, he searched out a vein just where the neck met the shoulder.

"You can feel nothing. You can feel no pain at all."

Daoud took a deep breath and prayed to God to guide his hand. He jabbed the needle into Sordello's neck. The bravo remained utterly motionless, and Daoud heard Lorenzo gasp in amazement. Daoud left the needle stuck in the pale, pink flesh. He watched Sordello closely and put his palm before his lax mouth. He could feel Sordello's breath on his palm, slow and steady, the breath of a sleeping man. After a time the craggy block of a head fell forward, and the body hung limp in the chains.

So far, all was working as he had hoped. But the man was stronger than he had thought. He had been harder to break. There was always the danger that somewhere deep in his soul a part would remain free. Daoud had heard of such things happening, of slaves of the Old Man of the Mountain who suddenly rebelled. The methods of the Hashishiyya were not perfect.

He would have to chance it. It was in God's hands now.

"Are you sure he is not dead?" Lorenzo said in a low, awed voice.

"Look for yourself. He breathes. His heart beats."

Lorenzo shook his head. "What is that stuff?"

Daoud pointed to the two Africans, who stood calmly by, awaiting orders. "Theyknow. In the jungle below the great desert, where it is very hot and wet, a body can rot in hours. Tiny men, less than half our size, live there, and they hunt large animals for their meat.They smear this stuff on their darts. It comes from a mushroom that grows in their forest. The animal struck is paralyzed and unconscious, but it lives. They have time to carry it back to their village, which may take days, and then they can slaughter it and butcher it."

"But what a blessing this could be for the wounded and the sick," said Lorenzo. "Why does the world not know of it?"

Daoud shrugged. "The tiny men kill those who venture into their forests. What little is brought back by Arab traders is kept as a precious secret. Only sultans may permit its use." He turned to the two blacks. "Take him upstairs now."

Well satisfied with what Tilia had accomplished, Daoud gazed about at the frescoed moons, stars, and suns scattered across the dark blue walls of the apartment. A cool night breeze blew through the rooms from windows hidden by screens and gauzy curtains. In the large central chamber an oval pool gave off a scent of roses. Hangings of violet, silver, and azure turned the rooms into a maze that baffled the eye.

Everywhere Daoud looked he saw beds and divans and cushions. The floors were covered with soft rugs and the tables laden with pitchers of wine and plates of peaches, grapes, and melon slices.

In a corner of a smaller room, its walls covered with maroon and black drapes, the flame of a large candle warmed a solution of wine and hashish in a green earthenware bowl. A single silver cup stood beside the candle.

"All this for one lousy traditore?" said Lorenzo.

"After he has experienced what I have prepared for him tonight, he will no longer be a traitor," said Daoud. "His very soul will be mine, and that will be worth—all this."

He watched the two silent black men lug in the naked body ofSordello, and he pointed to a forest-green divan beside the pool. Gently they laid Sordello there.

Tilia Caballo appeared from behind a curtain. At a gesture from her, the two black men bowed to Daoud and left.

Three women followed Tilia into the room.

"Goddesses!" whispered Lorenzo, staring.

Daoud, who had chosen them, agreed. Two of them, Tilia had told him, were sisters whose specialty was working together with one man. They had hair the color of honey, olive skin, and Grecian profiles. Each had a gold fillet in her hair and wore a short tunic of pure white linen. Each tunic left one delicate shoulder and one perfect breast exposed. On Orenetta the uncovered side was the right, and on Caterina the left.

The third woman was tall, taller than most men, and her bare shoulders were broad. But her body, tightly wrapped in a gown of black silk that stopped just above her breasts, was magnificently female. Her long unbound hair was lustrous and black as her gown, her skin pale as snow. A gold collar that appeared to be woven of spiral strands encircled her neck. Maiga, Tilia said, was from Hibernia, an island west of Britain, and she spoke no Italian and did not need to.

Daoud felt a fluttering in his chest as the sight of the three women, and the scent of the simmering wine brought back memories of his own initiation at the hands of the Hashishiyya.

It had been the Tartars, indirectly, who had made it possible for him to take that training. They had besieged and destroyed Alamut, the great Persian fortress of the Sheikh al-Jebal, the Old Man of the Mountain, and kicked him to death after he surrendered. The Old Man's surviving followers scattered across the lands of Islam. It was inevitable that some of the highest adepts came for protection to Sultan Qutuz of El Kahira.

After they were settled, Baibars had gone to them with the proposal that certain Mameluke emirs be initiated into the secrets of the sect. Fayum al-Burz, the new Sheikh al-Jebal, saw an opportunity to infiltrate the highest levels of the Mamelukes and was only too pleased to comply.

And so it had come about that Daoud, already trained by Saadi to resist the power of hashish, passed through the gates of paradise and learned, in time, how to administer the same experience to others.

Of course, Sordello, after he went through this, would be noadept. He would learn no secrets. He would be the lowest of the low—a tool, like the fedawi, the devoted killers who were the source of the Sheikh al-Jebal's power.

"This is a lucky man," said Tilia, her big mouth splitting her face in a lascivious grin. "He will experience delights here tonight that many of my most distinguished patrons have never enjoyed. His pleasures will be limited only by what his body can endure."

She walked over to Sordello, asleep on the divan, and ran caressing fingers down his bare chest and belly. "And he looks to be a strong man for his age. These scars. Quite the veteran bravo, eh?"

Though the room seemed cool to Daoud, sweat ran over Tilia's bare bosom down into the deep square collar of her purple gown. Her deadly pectoral cross lay heavily against the purple satin between her breasts. She might need that cross tonight, Daoud thought, if anything went wrong with Sordello.

"I begin to envy the man," said Lorenzo. "Ill-treated as he has been up to now."

"Surely you are not such a fool," said Daoud brusquely. But then, he thought, Lorenzo had no real idea what initiation into the Hashishiyya did to a man.

A few last soft words of instruction to Caterina, Orenetta, and Maiga, and Tilia led Daoud and Lorenzo to a wall panel which swung open at the pressure of her finger on a spring. The room they entered was as cool as the one they had just left, its large open window covered over with fine netting to let in air and keep out insects. But it was darker. Only a single fat candle burned in a large stick enameled green, red, and white.

Francesca, the woman Daoud had lain with on his previous visits to Tilia's, rose with a smile and came to him. As Daoud took her hand and kissed it, she squeezed his fingers. The polished, carved beams that ran up the walls and across the ceiling of this room were the same color as Francesca's hair, a dark brown. Opposite the window there was a small fireplace, dark and empty.

"Here, here, and here are the places from which you can watch what goes on in there," said Tilia, marching along one wall and pointing to tiny circular openings, each one ringed with a littleOof wood. Under each opening was a couch, and the openings were low enough in the wall so that one could sit, or even lie down, and still look through them. The light in this room had to be lower than in the room where Sordello was, Daoud realized, or the peepholes would be visible on the other side of the wall.

"Francesca is here for your pleasure, should you find what is happening on the other side of this wall arousing," said Tilia, dabbing with a handkerchief at the pool of sweat that kept forming at the top of her cleavage. It must be her weight, Daoud thought, that made her perspire so much.

"You have thought of everything, Tilia," said Daoud.

"There is more," she said with a smile, and pulled on an embroidered strip of purple velvet hanging from the wall. Daoud heard a bell ring somewhere beyond the wall. Then through the door to the outer gallery came two more of Tilia's black servants. The first one bore a wide silver tray, and Daoud smelled a familiar and savory odor that filled the air of the room. As the servant laid the tray on a round table, Daoud saw slices of roast kid garnished with shredded cheese on a bed of rice with peppers.

"Roast yearling!" Daoud exclaimed, delighted.

He bit into a sliver of kid. It was delicious. The meat was accompanied by sliced boiled lemons sprinkled with nadd and scented with ambergris.

"But where did you learn to prepare such a dish?"

The stout little woman rolled her eyes. "There is much you do not know about me. If I find you deserving I will tell you, one day. Meanwhile, partake! And you, Lorenzo. And Francesca. Levantine cookery will not poison you."

The second servant set a platter of peaches and figs and a flagon of kaviyeh beside the lamb. A good meal for a long night, thought Daoud.

He sat on one of the couches to peer through a peephole. He could see the three women gathered around Sordello's inert form. They were massaging him gently, as instructed.

But it would be a while yet before he woke and found himself with three beautiful women, every pleasure they gave him enhanced by hashish.

"In the south we know and love Saracen dishes," said Lorenzo with a grin as he licked his fingers after helping himself to the kid. "But, Madama Tilia, am I to have food only? Shall I not have a companion to help me endure this night's work?"

Tilia reached up and pulled at the end of his grizzled mustache. "Only rarely does a Sicilian bullock set foot in my house. I am saving you for myself."

"Meraviglioso!" Lorenzo exclaimed. "Instead of one of the handmaidens of Venus I shall have Venus herself."

Lorenzo's wit was itself meraviglioso, thought Daoud. But for him, something other than the games of Venus was uppermost in his mind. Ever since his angry words with Sophia of a few days before, he had been troubled by the thought of Rachel. And especially tonight when, even as he passed the time here at Tilia's, Simon de Gobignon was visiting Sophia. Sophia had been to see Rachel herself, but had refused to talk about her. He wanted to reassure himself that Sophia had been wrong to condemn him and that all was well with the girl.

"While we wait, Tilia," he said, "I would have a private word with you."

When they stepped out of the room Daoud said, "I want to see Rachel."

Tilia frowned and was silent for a moment. "In all honesty, she is well and happy, and richer by nearly two thousand florins. Your companion Sophia visited her and found nothing amiss. And the roast kid will get cold."

Two thousand florins. Nearly enough, Daoud reckoned, to buy a mansion like Ugolini's. But what of Rachel herself?

"Just take me to her, Madama."

When he first saw Rachel's surprised smile, he thought that she was indeed well and happy, as Tilia had said. But then her dark gaze was averted, her straight brows drawn together in a little frown. She started playing with the gold lace on the hem of her white satin gown.

Daoud said. "Well, Rachel. You look like a queen sitting there."

Each woman at Tilia's had her special room, Daoud knew. The hangings in Rachel's room were cream-colored, the tables and chairs and the bedposts painted ivory, and the canopy over the bed was cloth-of-gold. She sat in one corner of the bed, with her legs curled under her.

It must have been on this bed that the Tartar had her.

"I am so pleased to see you, Messer David," she said in a low voice. "How can I serve you?" She smiled at him, but his trained eye saw that it was a false smile. And the hint of defiance he had noticed on first meeting her in Rome was gone.

"Rachel, I only wanted to see with my own eyes that you are content here and well treated."

Her eyebrows lifted slightly, and she shrugged. "I have never till now known such comfort, Messer David."

Daoud realized that he should ask her about the Tartar. Tilia herself had given him an account of Rachel's first night with John Chagan. The pain Daoud felt at hearing what he had delivered Rachel to was relieved only slightly by knowing that the Tartar had been surprisingly gentle with her. At first, though, he had hated Tilia for being willing to risk Rachel, and, impulsively, he had resolved to kill John. That made him feel a little better, until, a moment later, he remembered that hating Tilia and killing the Tartar would be no help whatever to Rachel. And he, as much as anyone, was guilty of what had happened to her.

Since John Chagan's first visit, Daoud knew, he had been back twice more, paying a thousand florins each time to spend part of the night with Rachel. He seemed much taken with her, and continued to be careful and kindly in his use of her body, Tilia reported. Watching them, Tilia had learned nothing that Daoud could use. But there were things Rachel might have noticed, useful things Tilia could not have observed through a spy hole.

Not tonight. I will ask her for information another time.

One thing he must know, though, was whether Tilia had been telling him the truth. "Have you been hurt in any way?"

Rachel looked at him, looked away and sighed. How enormous her dark eyes were, Daoud thought, how soulful. Her stare made him uncomfortable, and he was thankful that she soon looked away. She kept on toying with the hem of her gown.

"Everyone has been very kind. You need not worry about people hurting me. After all, Messer David, you are a merchant, as my Angelo was, and you understand that goods must be kept in the best possible condition to obtain the best price. Everyone here understands that, too."

There was no mistaking the bitterness and despair in her voice. Had he felt any differently after the Turks captured him, raped him, beat him, and sold him in the slave market?

"You are being given the money you have earned?"

She nodded, not looking up. "My share is five hundred florins for each of his visits. And he gave me a purse of three hundred the first time. A bonus, because I was a virgin. Madama Tilia keeps it for me, but I am allowed to look at it and count it." She looked up suddenly and said earnestly, "I could not have fallen into better hands than Madama Tilia's." But there was a deadness in her eyes that belied what she said.

"We did not force you to give yourself to the Tartar," he burst out.

A light came into her eyes then, the fire of anger. "Thank you for reminding me that I became a whore of my own free will. Is that why you came to see me, Messer David? To tell me that this is all my own fault?" Her lips stretched in a ferocious grin. "Pay me enough and I will say anything you want to hear."

Rachel's eyes were fixed on his, and his on hers, and they stayed that way, frozen, until Daoud shut his eyes and slowly turned away.

He could not even think of a word to say in farewell. As he closed the door to her room behind him, his eyes burned and there was an aching heaviness in his chest. Remorse. He felt as if he had killed a child—two children. Not just Rachel, but the boy David who had always lived inside him. The pain was unbearable. He longed to escape it.

Tilia eyed Daoud apprehensively. "Is it not as I have said—she is well and happy?" She lifted the pectoral cross to raise its gold chain away from her bosom and mop her flesh with a square of pale green silk. He remembered the blade in the cross, and wondered if she was afraid he might attack her.

He wished he could hate her for what had happened to Rachel. But all Tilia had done was introduce Rachel to a way of life that Tilia herself had found rewarding.

"She is as well as I could have hoped," he said, hearing in his own voice the deadness he had heard in Rachel's. He sat down heavily on a divan.

Lorenzo looked at him searchingly. His big mustache hid his mouth when it was in repose, but his eyes were wide, and they glistened wetly in the light of the one candle that illuminated this small room. The Sicilian's hands lay limp in his lap, the hands of a man in pain and unable to do anything about it.

Through a peephole Daoud saw that Sordello had awakened. The gray-haired bravo was staring about him in wonder, only six feet away from Daoud's eye, while Maiga gently pressed his shoulders back against the divan, Orenetta stroked his chest and whispered to him, and Caterina's blond head rose and fell between his legs.

Francesca sat on the divan beside Daoud, offering him a slice of kid. He took it and chewed it, but even though Tilia had cooked and seasoned it perfectly, it was tasteless to him.

It was not only Rachel's fate that troubled him, he realized. It was what was happening on the other side of this wall—those three lovely women ministering like houris of paradise to that old ruffian. They would do it with skill and even with the appearance of enthusiasm because they had no choice. They did not even think of choosing. They just did as they were told. Their orders came, through Tilia, from Daoud. Francesca, here beside him, would do whatever he wanted, not because it was whatshewanted, but because she, too, had no choice.

And he had never really thought what it meant for women to live this way until he saw, tonight, what had happened to Rachel.

God is a flame, Sheikh Saadi used to say,and each human soul a spark from that flame. When we treat our brother or sister like a thing, we trample God Himself.

They were all slaves in this house of Tilia's. He had sent Rachel here to become a slave.

I, too, was once a slave.

But as a full-fledged Mameluke he was free. These women did not have that way of escape. As long as they could, they must perform the act of love, as it was called, with whoever paid them, or starve.

Baibars had done well to close the brothels of El Kahira. It was the very meaning of love that it was freely given. Love was free submission to another, just as Islam was free submission to God. Daoud had first experienced love when he and Nicetas gave their bodies to each other. And later with Blossoming Reed, even though theirs was an arranged marriage, that, too, was love.

He could not lie with Francesca tonight. It would be too much like lying with Rachel. He could not watch what Orenetta, Caterina, and Maiga would do with Sordello. The thing he was having them do to Sordello was an abomination. Despicable though Sordello was, he, too, had a soul, and tonight Daoud was trampling upon God in the person of Sordello.

And yet he must see that all went as planned tonight. Did he want his homeland destroyed?

But I have to get away from here.

He stood up suddenly. "I must go back to Cardinal Ugolini's." Tilia, Lorenzo, and Francesca stared at him.

Tilia recovered first. "But you were to stay the night here. What about—" She gestured toward the wall.

Daoud shook his head. "I am not needed. And I have an important matter to discuss with Ugolini."

"Which you just remembered," Lorenzo said, eyeing him sourly.

Daoud pressed his lips together. "Those three women know what to do. There is no need for anyone to intervene unless he starts to resist. And then you can kill him as easily as I can."

Lorenzo stood up and bowed formally. "Thank you for your trust, Messere."

If I am right in thinking that he hates this as much as I do, then he hates me for making him stay here.

The thump of Daoud's boots on the cobblestones echoed against the fronts of the huddled houses. Armed with sword and dagger, his head clear, and keeping to the wider streets, Daoud felt safe from attack, even though it was well past midnight. Besides, the Filippeschi had been won over, so he need no longer fear them. Fear, he thought, was the wrong word for it. Tonight he would welcome battle.

And he had the Scorpion with him tonight. He no longer ever made the mistake of going about in the streets of Orvieto at night without carrying the Scorpion in a concealed pocket in his cloak.

He walked past the cathedral church of San Giovenale, and once again from the open doors heard the pale voices of the priests of the cathedral chapter. A heavy odor of incense, carried on the moist night air, filled his nostrils.

Pain crushed his heart as he passed beyond the pool of light that spilled out the cathedral door. He seemed to feel a heavy hand on his shoulder, and looked up. Conjured up from memory, his blond father appeared to tower over him, a red cross on the shoulder of his white mantle. A warm hand gripped Daoud's, and his mother, her red-gold hair bound with pearls, smiled down at him. Her dress was blue, like the dress she had died in.

What memories torment Rachel, he wondered.

Just ahead of him, the narrow street opened into the broader one that ran past Cardinal Ugolini's mansion. He had just passed an inn called Vesuvio, after the burning mountain near Napoli, when a door opened softly behind him. Very softly, but it did not escape his trained ear. He glanced back and saw the upper half of a divided door mate with its lower half.

Watching for me?That was unlikely, because a spy watching for him would have had no idea when to expect him and would have had to stand by that door all night. He looked back again at the doorway and then at the cardinal's residence. The street was wide enough to allow a person standing in the doorway of the inn a good view of the front of the mansion.

He walked out into the square and turned to the right so that he could no longer be seen from the inn. Behind a filmy curtain on the third story of the mansion shone a yellow glow. Sophia's room. Was that Simon de Gobignon in the inn doorway?

No, it was not, because now he saw de Gobignon. The unmistakable tall figure was standing in the candlelit window behind the curtain. A thin arm pushed the curtain back, and though the light was behind de Gobignon, Daoud could see the Frenchman plainly, looking down into the square. Even though he was sure de Gobignon could not see him, Daoud stepped farther back into the shadows.

De Gobignon in Sophia's room. Daoud clenched his fists, and his lips drew back in a snarl.

The Scorpion would not carry that far. No, but he could stride closer in an instant, aim at that spidery figure silhouetted against Sophia's lighted window, and bring down his enemy with a single bolt.

Why am I thinking such a thing?

Was he going mad? Sophia would let Simon make love to her, and in his passion he would tell her much. Perhaps Daoud could find out more about why Simon had sent Sordello into his camp. Perhaps Simon would give Sophia some hint about the countermove he must be planning. Meanwhile Sophia would trick Simon into thinking that Fra Tomasso had turned against the alliance.

Killing Simon would be foolishness. Until now the mishaps that had befallen the French and the Tartars had seemed accidental. Murder Simon, and his enemies would have proof that there were plotters in Orvieto, and they would seek them out. And the first place they would look would be the place where Simon was killed,the establishment of Cardinal Ugolini, the chief opponent of the Tartar-Christian alliance.

Still, Daoud felt his blood seethe. He remembered a summer night over ten years before, when he had bribed a slave and slipped through an unlocked gate into the arms of Ayesha, the young wife of Emir Tughril al-Din, then his commanding officer. They had lain together all that night on the roof of the mansion of Tughril al-Din, bathed in sweat, and the sweet terror of the blades that would hew his naked body to pieces if they were discovered goaded him into plunging into her again and again. Only the moon and stars bore witness that he was enjoying the wife of his commander, the man who ordered him about and punished him when he made an error, the man who had the power of life and death over him. Toward dawn, the delight of it bubbled up in his throat and he laughed so loudly that the small Circassian girl put her hand over his mouth.

And now he does to me that which I did to Tughril al-Din.

Daoud shook his head. Nonsense. Sophia was not his wife, and it was for this very purpose, to seduce, corrupt, and spy upon the enemy, that he had brought her here.

To use her, as I used Rachel and the women at Tilia's. First the Tartar took Rachel, and now de Gobignon takes Sophia. And I am nothing but a slave and a panderer.

A second silhouetted figure appeared beside Simon, much shorter, with unbound hair falling in waves and a narrow waist. Daoud saw Sophia rest her hand on his shoulder. A moment later she took the Frenchman's hand, and they both turned away from the window. The curtain fell back in place behind them.

She leads him to bed!

Daoud was shaking with rage. Every muscle in his body ached to kill de Gobignon.

Oh, God, give me the chance to destroy him!

He heard another sound to his left, the scrape of a boot on cobblestones. His hand darting to his sword, he glanced toward the street he had just passed through. Nothing.

De Gobignon had brought a friend or servant with him. The friend was waiting at that inn, where he could watch the front of Ugolini's mansion, and, perhaps, signal to de Gobignon as dawn approached.

De Gobignon's friend had been watching Daoud. He must be all in a sweat, knowing that Daoud had seen the young count in Sophia's window. He would expect Daoud to raise an alarm. And ifDaoud did not, then de Gobignon would guess that David of TrebizondapprovedSimon's making love to the cardinal's niece. And from that it would only be a step to realizing that David and Sophia must be plotting together.

It would extinguish any suspicion of Sophia the count might have if Daoud were to rush into the mansion, raise an alarm, and pursue Simon. But if de Gobignon were caught, it would mean a scandal. His French compatriots would certainly do all they could to stop him from seeing Sophia again.

Again Daoud heard the scrape of a boot sole on the stone of the street. He drew farther back under the overhanging upper story of a house facing the mansion. Now de Gobignon's man could not see him without showing himself.

There was only one thing to do. And it gave Daoud grim satisfaction to realize it.

I cannot kill Simon de Gobignon, but I have to kill his man.

He drew the Scorpion from its pocket in the hem of his cloak. Quickly and silently he unfolded it. A leather case held a sting for the Scorpion, a steel dart half again as long as his finger, coated with the same paste he had used to render Sordello unconscious. He pulled the string of twisted rawhide back with his fist, slipped the dart into place.

The Frank took a step out of hiding. Daoud saw him as a big shadow at the corner of the building. He imagined the Frank's thoughts. He must be trying desperately to think of some way to warn his master before the cardinal's guards were roused.

Daoud raised the Scorpion, but the darkness made the shot difficult. De Gobignon's man was too hard to see.

"Pardonnez-moi, Messire," he said in the language he had not used since he was ten. "I have a message for Monseigneur the Count de Gobignon." He spoke in as casual and friendly a tone as he could muster.

Daoud was close enough now to see that the man's hand was on his sword hilt.

"Why do you speak of the count to me?" The voice was young.

"Because you are his man," said Daoud, and he thumbed the notched wheel that held the bowstring in place. The string thrummed, the dowels sprang forward, and the dart buried itself in the Frenchman's body.

To avoid hitting breastbone or rib, Daoud had aimed for thestomach. The Frank uttered a cry of pain and anger, and his left hand clutched at his middle as his right hand drew his sword.

"You Greek bastard!" he groaned, and fell first to his knees, then on his face. So he had recognized him as David of Trebizond. He must surely die.

Daoud rolled the unconscious man over on his back. His fingers quickly found the dart. Just a bit of it protruded from the Frank's stomach; his fall had driven it deeper. Daoud pulled the dart out, keeping his finger on the wound. He laid the dart on the ground and drew his dagger. He drove it upward just below the breastbone, striking the heart. The man's torso jerked violently, the body trying to save itself even though the mind was asleep. As Daoud pulled the blade out, blood flowed out after it, warm on his hand. He whispered a curse and wiped his hand and his blade on the man's tunic.

This must look like a street stabbing, a man murdered for his purse. Daoud thrust his dagger into the body again, this time in the place where the dart had gone in.

He felt for a heartbeat and found none. He sheathed his dagger, felt for the dart on the street beside the Frank, and put it back in its case. Case and Scorpion went back in the hidden pocket in his cloak.

The Frank's dead body was heavy as he dragged it into the deeper darkness under the overhang of the nearest house. He fumbled about the dead man until he found his purse, a small one and not very heavy, and tucked it into his own belt. The pottery maker would be shocked in the morning to find a robbed and murdered man on his doorstep.

Had anyone seen? The houses around the square were dark and silent as so many stone tombs. There was only that one light in the third-floor window of Ugolini's mansion.

He could not enter the mansion now, with blood on him. Whoever unlocked the gate for him would be sure to connect him with the murdered man who would be found in the morning. Orvieto's authorities would be questioning everyone, and Ugolini could not control what his servants might say.

Back to Tilia's, then.

He chose another street leading out of the square so as not to pass the inn where de Gobignon's man had been on watch. As he walked, he cast his mind back over what he had done. The killing left him troubled.

Saadi had taught him never to waste human life.To wage war is a holy obligation. But have a care that you kill, not with a small soul, but with a great soul.

This had been a necessary murder, Daoud thought. This young Frank had to die that Islam might be saved from infidel hordes of East and West. But, looking into his heart, Daoud knew that he had, indeed, killed with a small soul. He had been forced to kill de Gobignon's man, but he had also wanted to, and he had felt unworthy triumph over Simon de Gobignon. It had not even been an honorable fight. The Frank had no chance.

Purify my heart, oh, God, he prayed as he walked back to Tilia Caballo's brothel.

Simon remembered those kisses in the garden of the Palazzo Monaldeschi as he looked again at Sophia, and his arms ached to hold her. But he must keep himself in check. He was still not sure he could trust her. And even if he were certain of her honesty, courtly love commanded him not to touch her until months, perhaps years, of worshipful wooing had passed.

Sophia said, "I must tell my uncle that his mansion is not as well protected as he thinks it is. His guards must have been asleep tonight."

Her oval face reflected the warm glow of the five or six small candles she had placed around her room. Her dark brown hair was unbound and fell in waves to her shoulders. He felt his heartbeat quicken as he looked at her.

"You did invite me here, Madonna." Simon felt rather proud of the way he had scaled the wall by the courtyard gate, waited till the cardinal's guards were out of sight, then climbed to the roof of the central wing.

"Yes, but I did nothing to help you, and I truly do not see how you got here." She stood facing him, her hands at her sides. Hewas not sure whether the gown she wore was for bed, or for him, or both. It was a translucent white tunic, sleeveless and cut deep in front, revealing the swelling of her breasts, pulled in at the waist by a cloth-of-gold belt. A large gold medallion stamped with a horse's head hung from a gold chain around her neck. His eyes kept traveling from her shoulders to her bosom to her narrow waist. The effort of holding himself back from touching her was agony. Sweet agony.

"I am trained in the art of stealing into castles."

"I thought the French were more given to marching up to a castello in broad daylight, banners flying, and taking it by storm," she said. Her teeth flashed in the candlelight. He wished she would invite him to sit down. But then he saw in what she said an opportunity to raise the subject of trust.

"True, Madonna. We French excel at open warfare, whereas you Italians seem more adept at intrigue."

"Intrigue? What do you mean?"

He tried to sound lighthearted. "Oh, for instance the clever way you diverted my attention at the Palazzo Monaldeschi while David of Trebizond had the Tartar ambassadors making fools of themselves."

For a moment she did not speak.

Then she said abruptly, "I bid you good night, Your Signory."

He drew back, shocked. "Madonna!"

"The same way you came will see you out."

"I but meant to praise your skill at diplomacy. I hope I have not given offense."

"A gentleman alwaysknowswhen he is giving offense."

"I—I merely wish to clear—to set my mind at rest," Simon stammered. He cursed himself for his heavy-handed attempt to test her. It was true, the French were no good at intrigue.

"Rest your mind somewhere else." She went to the door and stood there, back to him. Was she going to call for help? How embarrassing it would be if he were caught here.

The beautiful curve of her back distracted and confused him still more.

"If you do not leave, I will," said Sophia, grasping the black iron door handle. "You may stay in this room forever if you wish."

What a brouillement I have made of this rendezvous.Casting about frantically in his mind, Simon wondered what his troubadour father, Roland, would have done.

Or Sire Tristan or Sire Gawain, what would they do now?

There was no more time to think. He must act. He threw himself to his knees, arms outstretched, and waited. A long, silent moment passed. Finally Sophia turned her head. Her lips—those tender, rose-colored lips—parted and her eyes widened. She turned all the way around.

She started to laugh.

"Laugh at me if you will, but do not cast me out." The sound of her laughter was like the chiming of a bell. After a moment she stopped laughing and smiled. A lovely smile, he thought, a kindly smile. He could happily kneel here for as long as she went on smiling.

"I have never had a man kneel to me before." A faint vexation flickered across her face. "First you accuse me of kissing you only to further my uncle's plots against the Tartars. Then you kneel to me. What am I to make of you?"

Relief swept over him as he realized she was no longer angry.

"Make me your slave."

"My slave? You are toying with me, Your Signory."

"Toying with you? Never. Call me Simon if it please you."

"You would be my friend?"

"I would be more than your friend, Madonna."

She came to him and held out her hands. Her smile was dazzling.

"Well then, Simon, you may call me Sophia. And you may rise."

Simon grasped her hands, feeling joy in his very fingertips. He vaulted to his feet and thought of taking her in his arms, but she freed her hands with a quick, unexpected motion and took a step backward.

With just a movement of her hands she can lift me up or cast me down.

"For a man to kneel to a woman is not the custom in Sicily, Simon," she said softly.

It was as he suspected. She was not familiar with the ways of courtly love.

"If I do anything that seems strange to you, Sophia"—he used her name for the first time, and it thrilled him—"know that my actions are ruled by what we call l'amour courtois, which means that we know how to value women, whose value is beyond price."

"I have heard of courtly love. It sounds blasphemous to me, almost as if the man worships the woman. I do not think your patron saint would approve."

"My patron saint?"

"Him." She pointed to the small painting in a gilt wooden case that stood open on a large black chest. Candles in heavy enamel sticks stood on either side of the painting.

Sophia took his hand. At the touch of her cool fingers the muscles of his arms tensed. She led him across the room. Still holding his hand, she spread the wings of the case wider apart so he could see the image.

That it was a saint was apparent at once from the aureole of gold paint encircling the black hair. Simon saw a narrow face with huge, staring blue eyes painted with such bright paint they looked like sapphires. Compared with the saint's eyes the sky behind his head seemed pale. There were purplish shadows under the eyes, and the cheeks curved inward like those of a starving man. The beard and mustache hung straight but were ragged at the ends, and what little could be seen of the saint's robe was gray. To the left of the halo, in the background, stood a fluted ivory pillar with a square base and a flaring top. The pillar connected the azure sky and ochre ground. Simon felt admiration for the face; in that desolate scene the saint must have endured great privation and come through with holy wisdom.

"A wonderful face," he said, turning to Sophia with a smile. "And you say this is my patron saint?"

"Simon of the Desert," she said. "Simon Stylites."

"Stylites? What does that mean? I do not know Greek."

"Neither do I," she said, "but a priest told me that his name means 'he of the pillar.' Saint Simon was a hermit who lived ages ago, when the Church was young. He dwelt and prayed for thirty years on top of a pillar that was all that was left of an ancient pagan temple. That is the pillar behind him."

Live on top of a pillar for thirty years? Questions crowded into Simon's mind. How did he keep from falling off when he slept? Would not the burning desert sun have killed him? How did he get food and water? After thirty years the pillar ought to be surrounded by quite a pile of—

No, he put that thought firmly out of his mind. After all, the whole point about saints was that they were not subject to natural laws.

He asked only one question. "How high was the pillar?"

She shook her head. "I do not know. So high that he had to climb a ladder to get to the top. Then his disciples took the ladderaway." She pointed at the pillar in the painting. "I tried to paint it so that it could be any height you might imagine."

"Youpainted this?"

"You find that hard to believe," she said with amused resignation. "That is why I hardly ever tell anyone. Many people would be sure I was lying. Others would think that a woman who paints is some kind of freak. Or that it is somehow dishonorable for a lady to paint, as if you, for instance, were to engage in trade. What do you think?"

"I think God has given you a very great gift," said Simon solemnly.

She squeezed his hand, giving him exquisite pleasure, and then, to his sorrow, let it go. "I hoped you would understand." She put the candlestick down, and Saint Simon Stylites receded into the shadows.

"I knew that you were going to be someone very important in my life when I found out your name is Simon," she said. "I think my saint wished us to meet."

How sweetly innocent she was, Simon mused. He was ashamed of the thoughts he had been entertaining about her ever since they had kissed in the Contessa di Monaldeschi's garden. Over the days and nights he had gradually grown more and more familiar with her—in his fancy.

He had thought about holding her breasts through her gown, then putting his hand on the warm, soft flesh, had thought about lying beside her in her bed, both of them nude. He had even, one cool night, allowed himself to imagine entering her body and lying very still, clasped inside her.

The ultimate act of l'amour courtois, this had been quite beyond his power of self-restraint with the women who played at courtly love with him in Paris. The way Sophia excited him, it was even less likely that he could hold himself back while remaining inside her for hours, as a true courtly lover was expected to do.

And now Sophia went over to the very bed he had imagined, and perched on it. The frame of the canopied bed was high above the floor, and when Sophia sat on it her feet dangled prettily, reminding Simon how much shorter than he she was. The sight of her on the bed made him tremble, frightened by his own passion. There was no one here to protect this innocent girl from him, except himself.

"Sit with me," she said, patting the coverlet beside her. He knew that the best way to protect her was to go nowhere near her. But hewanted desperately to sit beside her, to feel her hand in his again, to put his arms around her.

But if I take her in my arms, on her very bed, how can I stop myself?

Still, she had invited him to sit with her, and an invitation from his lady was a command.

He had intended to sing a love song to her. He had not the skill at making poetry to be a troubadour, but he had a good tenor voice, and he had learned dozens of troubadour songs early in life from Roland. He had sung them before he understood what they meant, because he liked the sound of them.

He bowed and went to the bed. He sat as far from her as possible.

"Will you let me sing for you?"

When she smiled, he noticed, dimples appeared in her cheeks. "Oh, that would be a pleasure. But softly, please. We do not want to rouse my uncle's servants."

Softly, then, he sang.


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