CHAPTER V

By the draw that Miss Morrison made, Pearl came last on the programme, and Miss Morrison kindly asked the chairman to explain that Pearl had had no training whatever, and that she had only known that she was going to recite that morning Miss Morrison wished to be quite fair!

Camilla sat beside Pearl. She had dressed Pearl for the occasion, and felt rather proud of her work as she sat beside Contestant No. 5. Pearl's brown hair was parted and brushed smoothly back, and tied with two new bright red ribbons—Camilla's gift. It did not occur to Pearl that she was in the race for the medal. She was glad of a chance to fill in and help the contest along.

John Watson, Mrs. Watson, and all the little Watsons were present, and filled two side seats. Mr. Francis had heard something from Camilla that caused him to send tickets to the whole Watson family, and even come himself, which was an unprecedented event.

Lucy Bates was the first contestant, and made her parents and many admiring relatives very proud of the a flutter of lace.

Maude Healy—the star reciter of the Hullett neighbourhood—recited "How Father Signed the Pledge," in a good, clear, ringing voice, and the Hullett people thought they were just as sure of the medal as if they saw the chairman pinning it on Maude.

Two other girls recited, with numerous gestures, selections of the same class; in which wayward sons, stormy nights, and railway accidents figured prominently.

Then the chairman made the explanation in regard to Pearl's appearance, and asked her to come forward and recite. Camilla gave her hand an affectionate little squeeze as she left the seat, and, thus fortified, Pearlie Watson faced the sea of faces unflinchingly. Then came that wonderful change—the little girl was gone, and an old woman, so bowed, so broken, began to tell her story, old enough to most of us, but strong always in its gripping pathos—the story of a child cheated of her birthright of happiness because some men will grow rich on other men's losses and fatten on the tears of little children. The liquor traffic stood arraigned before the bar of God as the story went on, unfolding darker and darker chapters in the woman's life. It had been the curse that had followed her always, had beaten and bruised her, never merciful.

The people saw it in its awfulness, and the pity of it rolled over them as they listened to that sad, old, cracked voice.

When she came to the place where she begged the well-dressed stranger to try and save her boy, and, clasping her trembling hands besought the God of Heaven to bear with her Jim a little longer, and let her see the desire of her heart, her son redeemed and forgiven, there was an audible sob from some one in the back of the hall, and many a boy away from home, careless and forgetful of his own mother, remembered her now with sudden tenderness. The words of the prayer were stiff and unnatural, but when did the Spirit of God depend upon felicity of expression? It can abound wherever there is the honest heart, and when Pearl, with tears flowing down her cheeks, but with voice steady and clear, thanked the God of all grace for sending her the answer to her prayers, even the dullest listener got a glimmering of the truth that there is "One behind the shadows who keeps watch above His own."

When Pearl had finished, the audience sat perfectly motionless, and then burst into such a tornado of applause that the windows rattled in their casings.

John Watson sat still, but his heart was singing within him "Pearlie,Pearlie, God bless her!"

When the judges met for their decision it was found that they had forgotten to mark Pearl as to memory, gesture, pronunciation, etc., as their rules required them to do.

Father O'Flynn, the little Irish priest, wiping his eyes suspiciously, said: "Gentlemen, my decision is for Number 5." The other two nodded.

And so it came about that Pearlie Watson was once more called to face the large and cheering audience, while Father O'Flynn, with many kind words, presented her with the W. C. T. U. oratorical prize.

Miss Morrison went home that night disturbed in spirit, wondering if, after all, there might not be something more in it than gestures, voice, memory, and articulation.

Ho! I'm going back to whereWe were youngsters! Meet me there,Dear old barefoot chums, and weWill be as we used to be,Lawless rangers up and downThe old creek behind the town.

——James Whitcomb Riley.

IF a river is measured by the volume of water in its current, the Souris River, on whose southern bank the little town of Millford is built, is but an insignificant stream; but if bold and precipitous banks, sheer cliffs, and a broad valley are to be considered, then the Souris may lay claim to some distinction. For a few weeks in the spring of the year, too, it is a swift and mighty flood that goes sweeping through the valley, carrying on its turbulent waters whirling ice-jams, branches of trees, and even broken bridge-timbers from the far country known as the "Antlers of the Souris." When the summer is very dry, the river shrinks to a gentle, trickling thread of water, joining shallow pools, overhung with gray-green willows that whiten in the breeze.

At Millford, the Souris flows almost straight east and keeps this direction for about three miles, and then turns sharply north toward the Sand Hill country, where six miles farther on it joins the Assiniboine.

On one of its banks, just before it takes the northern turn, stands the farmhouse of Thomas Perkins, a big white frame house, set in a grove of maples; a mile south is the big stone house of Samuel Motherwell, where Pearlie Watson wiped out the stain on her family's honour by working off the old ten-dollar debt of her father's.

Two miles farther east, on the old Turtle Mountain trail, stands the weather-beaten schoolhouse where Martha Perkins got her meagre education, and where Bud, her brother, was now attending. The schoolhouse is bare and unlovely, without tree or flower. The rain and the sun, the scorching winds of spring and winter's piercing blizzards have had their way with it for many years, and now it defies them all, for its paint is all gone, and it has no beauty for them to fade.

A straggling woodpile and a long straw covered shed stand near it. Three windows, curtainless and staring, are in each side, and a small porch with two steps leading up to it is at the south end. Here the gophers frolic in the quiet summer afternoons, and steal what is left of the children's dinners from the tin pails behind the door. The porch smells of crumbs.

Away to the east, Oak Creek runs through a wooded belt of fertile lands, its tall elms and spruce giving a grateful shade to the farmers' cattle. To the north are the sand-hills of the Aissinboine, where stiff spruce trees stand like sentinels on the red sand; but no tiny seedling had ever been brought to the school-yard, no kind hand had ever sought to relieve that desolate grayness, bleak and lonely as a rainy midnight in a deserted house.

Inside, the walls are dull with age, so dark and smoked you would think they could become no darker shade, but on the ceiling above the long stovepipe that runs from the stove at the door to the chimney at the other end, there runs a darker streak still. The stove is a big, square box, set on four stubby feet, and bears the name "Sultana."

Some small effort has been made to brighten the walls. One of Louis Wain's cat pictures, cut from a London Graphic, is stuck on the wall with molasses. There is a picture of the late King Edward when he was the Prince of Wales, and one of the late Queen Victoria framed with varnished wheat. There is a calendar of '93 showing red-coated foxhunters in full chase. Here the decorations end abruptly.

The teacher's desk is of unpainted wood, and on its lid, which lifts up, revealing the mysteries of mysteries below, there run ancient rivers of ink, pointing back to a terrible day when Bud Perkins leaned against the teacher's desk in class. A black spot on the floor under the teacher's chair shows just how far-reaching was Bud's offence.

The desks are all ink-stained and cut and inscribed with letters and names. Names are there on the old desks that can be read now on business and professional signs in Western cities, and some, too, that are written in more abiding type still, on the marble slabs that dot the quiet field on the river-bank.

The dreariness of the school does not show so much in the winter-time, when the whole landscape is locked in snow, and the windows are curtained by frost-ferns. The big boys attend school in the winter-time, too, for when there is nothing for them to do at home the country fathers believe that it is quite proper to pay some attention to education.

It was a biting cold day in January. The Christmas and New Year's festivities were over, and the Manitoba winter was settling down to show just what a Manitoba winter can do in the way of weather. The sky was sapphire blue, with fleecy little strings of white clouds, an innocent-looking sky, that had not noticed how cold it was below. The ground was white and sparkling, as if with silver tinsel, a glimmer of diamonds. Frost-wreaths would have crusted the trees and turned them into a fairy forest if there had been trees; but there was not a tree at the Chicken Hill School, so the frost-wreaths lay like fairy lace on the edges of the straw-covered shed and made fairy frills around the straggling woodpile. Everything was beautiful, blue and silver, sparkle and dance, glitter and glimmer.

Out on the well-tramped school-yard the boys and girls were playing "shinny," which is an old and honourable game, father or uncle of hockey.

Big Tom Steadman was captain of one side, and his fog-horn voice, as he shouted directions and objurgations to his men and his opponents, was the only discordant note in all that busy, boisterous, roaring scene.

Libby Anne Cavers was on the other side, and Libby Anne was a force to be reckoned with, for she was little and lithe, and determined and quick, with the agility of a small, thin cat. She was ten years old, but looked about seven.

Big Tom had the ball, and was preparing to shoot on the opposing goal. He flourished his stick in the air with a yell of triumph, and in his mind the game was already won. But he had forgotten Libby Anne, who, before his stick reached the ground, had slipped in her own little crook, and his stick struck the empty snow, for Libby Anne was fast flying up the field with the ball, while the players cheered. It was neatly done.

Tom Steadman ran after her in mad pursuit, and overtook her just as she passed the ball to Bud Perkins, who was the captain of her side. Then Tom Steadman, coward that he was, struck her with his heavy stick, struck fair and straight at her poor little thin shins, a coward's blow. Libby Anne doubled up into a poor little whimpering, writhing ball.

A sudden horror fell on the field, and the game stopped. Bud Perkins looked at her poor quivering little face, white as ashes now, his own face almost as pale, and then, pulling of his coat, ran over to' where Tom Steadman stood.

"Drop yer stick, you coward, and stand up to me," he said in a voice that rang with the blood-lust.

Tom Steadman was older and bigger, and he felt very sure that he could handle Bud, so his manner was full of assurance.

The school closed in around them and watched the fight with the stolid indifference of savages or children, which is much the same thing. Big Tom Steadman dealt his cruel sledge-hammer blows on Bud, on his face, head, neck, while Bud, bleeding, but far from beaten, fought like a cornered badger. The boys did not cheer; it was too serious a business for noisy shouting, and besides, the teacher might be aroused any minute, and stop the fight, which would be a great disappointment, for every boy and girl, big and little, wanted to see Tom Steadman get what was coming to him.

Bud was slighter but quicker, and fought with more skill. Big Tom could hit a knockout blow, but there his tactics ended. He knew only the one way of dealing with an antagonist, and so, when one of his eyes suddenly closed up and his nose began to bleed, he began to realize that he had made a big mistake in hitting Libby Anne when Bud Perkins was there. With a clever underarm hold, Bud clinched with him, and he fell heavily.

Libby Anne, limping painfully, put her "shinny" stick into Bud's hand.

"Sock it to him now, Bud," she said, "now you've got him."

Bud dropped the stick and tried to laugh, but his mouth would not work right.

"Get up, Tom," Bud said. "I won't hit you when you're down. Stand up and let me at you again."

Tom swore threateningly, but showed no disposition to get up.

"I guess he's had enough," Bud said. "He's sorry he hit you now,Libby Anne. He sees now that it's a dirty shame to hit a little girl.He never thought much about it before. Come away, kids, and let himthink."

When school was called, the whole story of the fight came out.

Tom Steadman was the only son of one of the trustees—thetrustee, indeed, the one who lived in the biggest house, was councillor of the municipality, owned a threshing-machine, boarded the teacher, and made political speeches—and so Bud's offence was not a slight one.

A school meeting was called, to see what was to be done. Young Tom was there, swollen of lip and nose, and with sunset shades around both eyes. Libby Anne was there, too, but she had been warned by her father, a poor, shiftless fellow, living on a rented farm, that she must not say anything to offend the Steadmans, for Mr. Steadman owned the farm that they were living on.

The trial was decided before it began. The teacher, Mr. Donald, was away attending the Normal, and his place was being filled by a young fellow who had not enough courage to stand for the right.

The question to be decided was this: Did Tom Steadman strike Libby Anne with intent to hurt; or did he merely reprimand her gently to "shinny on her own side"; or did she run under his stick when he struck at the ball? Tom Steadman said she ran under his stick, and he didn't see her, whereupon some of the children who were not living on rented farms groaned. Several of the children gave their testimony that Tom had without doubt struck her "a-purpose!" Then Mr. Steadman, Tom's father, a big, well-fed man, who owned nineteen hundred acres of land and felt that some liberty should be allowed the only son of a man who paid such a heavy school-tax, took charge and said, fixing his eyes on Bill Cavers, his poverty-stricken tenant: "Let us see what Libby Anne has to say. I should say that Libby Anne's testimony should have more weight than all these others, for these young ones seem to have a spite at our Tom. Libby Anne, did Tom strike you a-purpose?"

"Be careful what you say, Libby Anne," her father said miserably, his eyes on the ground. He owed Steadman for his seed-wheat.

Libby Anne looked appealingly at Bud. Her eyes begged him to forgive her.

Mr. Steadman repeated the question.

"Speak, Libby Anne," her father said, never raising his eyes.

"Did Tom hit you a-purpose?"

Libby Anne drew a deep breath, and then in a strange voice she answered: "No."

She flung out the word as if it burned her.

Libby Anne was a pathetic figure in her much-washed derry dress, faded now to the colour of dead grass, and although she was clean and well-kept, her pleading eyes and pale face told of a childhood that had been full of troubles and tears.

Bud stared at her in amazement, and then, as the truth flashed on him, he packed up his books, hot with rage, and left the schoolhouse.

Bill Cavers hung his head in shame, for though he was a shiftless fellow, he loved his little girl in his better moments, and the two cruel marks on her thin little shins called loudly for vengeance; but must live, he told himself miserably.

When Bud left the school Libby Anne was in her seat, sobbing bitterly, but he did not give her a glance as he angrily slammed the door behind him.

Two days after this, Bud was drawing wood from the big bush north of the Assiniboine, and as he passed the Cavers home Libby Anne, with a thin black shawl around her, came running out to speak to him.

"Bud," she called breathlessly, "I had to say it. Dad made me do it, 'cos he's scairt of old man Steadman."

Bud stopped his horses and jumped down. They stood together on the shady side of the load of poles.

"That's all right, kid," Bud said. "Don't you worry. I liked lickin' him."

"But Bud," Libby Anne said wistfully, "you can't ever forget that I lied, can you? You can't ever like me again?"

Bud looked at the little wind-blown figure, such a little troubled, pathetic face, and something tender and manly stirred in his heart.

"Run away home now, Libby Anne," he said kindly. "Sure I like you, and I'll wallop the daylight out of anybody that ever hurts you. You're all right, Libby Anne, you bet; and I'll never go back on you."

The bitter wind of January came down the Souris valley, cold and piercing, and cut cruelly through Libby Anne's thin shawl as she ran home, but her heart was warmed with a sweet content that no winter wind could chill.

We turn unblessed from faces fresh with beauty,Unsoftened yet by fears,To those whose lines are chased by love and dutyAnd know the touch of tears.

——Ella Wheekr Wikox.

THE Watson family attended school faithfully all winter. Pearl took no excuses from the boys. When Tommy came home bitterly denouncing Miss Morrison, his teacher, because she had applied the external motive to him to get him to take a working interest in the "Duke—Daisy—Kitty" lesson, Pearl declared that he should be glad that the teacher took such a deep interest in him. When Bugsey was taken sick one morning after breakfast and could not go to school, but revived in spirits just before dinner-time, only to be "took bad" again at one o'clock, Pearl promulgated a rule, and in this Aunt Kate rendered valuable assistance, that no one would be excused from school on account of sickness unless they could show a coated tongue, and would take a tablespoonful of castor oil and go to bed with a mustard plaster (this was Aunt Kate's suggestion), missing all meals. There was comparatively little sickness among the Watsons after that.

Aunt Kate was a great help in keeping the household clothes in order. She insisted on the children hanging up their own garments, taking care of their own garters, and also she saw to it that each one ate up every scrap of food on his or her plate, or else had it set away for the next meal. But in spite of all this Aunt Kate was becoming more popular.

Thus relieved of family cares, Pearl had plenty of time to devote to her lessons and the progress she made was remarkable. She had also more time to see after the moral well-being of her young brothers, which seemed to be in need of some attention—at least she thought so when Patsey came home one day and signified his intention of being a hotel-keeper when he grew up, because Sandy Braden had a diamond as big as a marble. Patsey had the very last Sunday quite made up his mind to be a missionary. Pearl took him into her mother's room, and talked to him very seriously, but the best she could do with him was to get him to agree to be a drayman; higher than that he would not go—the fleshpots called him!

Jimmy became enamored of the railway and began to steal rides in box-cars, and once had been taken away and had to walk back five miles. It was ten o'clock when he got home, tired happy. He said he was "hungry enough to eat raw dog," which is a vulgar expression for a little boy nine years old.

Even Danny began to show signs of the contamination of the world, and came swaggering home one night feeling deliciously wicked smoking a liquorice pipe, and in reply to his mother's shocked remonstrance had told her to "cut it out."

Those things had set Pearl thinking. The boys were growing up and there was no work for them to do. It was going to be hard to raise them in the town. Pearl talked it over with Mr. Burrell, the minister, and he said the best place to raise a family of boys was the farm, where there would be plenty of employment for them. So Pearl decided in her own mind that they would get a farm. It would mean that she would have to give up her chance of an education, and this to her was a very bitter sacrifice.

One night, when everyone else was asleep, even Aunt Kate, Pearl fought it all out. Every day was bringing fresh evidences of the evil effects of idleness on the boys. Jimmy brought home a set of "Nations" and offered to show her how to play pedro with them. Teddy was playing on the hockey team, and they were in Brandon that night, staying at a hotel, right within "smell of the liquor," Pearl thought. The McSorley boys had stolen money from the restaurant man, and Pearl had overheard Tommy telling Bugsey that Ben McSorley was a big fool to go showing it, and Pearl thought she saw from this how Tommy's thoughts were running.

All these things smote Pearl's conscience and seemed to call on her to renounce her education to save the family. "Small good your learnin' 'll be to ye, Pearl Watson, if yer brothers are behind the bars," she told herself bitterly. "It's not so fine ye'll look, all dressed up, off to a teachers' convention in Brandon, readin' a paper on 'How to teach morals,' and yer own brother Tommy, or maybe Patsey, doin' time in the Brandon jail! How would ye like, Pearlie, to have some one tap ye on the shoulder and say, 'Excuse me for troublin' of ye, Miss Watson, but it's visitor's day at the jail, and yer brother Thomas would like ye to be after stepping, over. He's a bit lonesome. He's Number 23!'"

Something caught in her throat, and her eyes were too full to be comfortable. She slipped out of bed and quietly knelt on the bare floor. "Dear God," she prayed, "ye needn't say another word. I'll go, so I will. It's an awful thing to be ignorant, but it's nothin' like as bad as bein' wicked. No matter how ignorant ye are ye can still look up and ask God to bless ye, but if ye are wicked ye're re dead out of it altogether, so ye are; so I'll go ignorant, dear Lord, to the end o' my days, though ye know yerself what that is like to me, an I'll try never to be feelin' sorry or wishin' myself back. Just let me get the lads brought up right. Didn't ye promise someone the heathen for their inheritance? Well, all right, give the heathen to that one, whoever it was ye promised it to, but give me the lads—there's seven of them, ye mind. I guess that's all. Amen."

The next day Pearl went to school as usual, determined to make the best use of the short time that remained before the spring opened. All day long the path of knowledge seemed very sweet and alluring to her. She had been able to compute correctly how long eighteen cows could feed on a pasture that twenty-six horses had lived on eighteen days last year, the grass growing day and night, three cows eating as much as one horse; in Literature they were studying "The Lady of the Lake," and Alan-bane's description of the fight had intoxicated her with its stirring enthusiasm. Knowledge was a passion with Pearl; "meat and drink to her," her mother often said, and now how was she to give it up?

She sat in her seat and idly watched the children file out. She heard them racing down the stairs. Outside, children called gaily to each other, the big doors slammed so hard the windows rattled and at last all was still with the awful stillness of a deserted school.

It was a warm day in March, a glorious day of melting sunshine, when the rivers begin to think of spring, and 'away below the snow the little flowers smile in their sleep.

Pearl went to the window and looked out at the familiar scene. Her own home, straggling and stamped with poverty, was before her. "It does look shacky but it's home, and I love it, you bet," she said. "Nobody would ever know to look at it the good times that goes on inside." Then she turned and looked around the schoolroom, with its solemn-looking blackboards, and its deserted seats littered with books. The sun poured into the room from the western windows and a thousand motes danced in its beams. The room smelled of chalk and ink and mothballs, but Pearl liked it, for to her it was the school-smell.

"I'll purtend I am the teacher," Pearl said, "just for once. I'll never be one now; I'm goin' to give up that hope, at least I'm goin' to try to give it up, maybe, but I'll see how it feels anyway." She sat in the teacher's chair and saw the seats filled with shadowy forms. She saw herself, well-dressed and educated, earning a salary and helping to raise her family from ignorance and poverty.

"I am Miss Watson now," she said, as she opened the register and called the names of her own making. "Me hair is done like Miss Morrison's, all wadded out around me head, wid a row of muskrat houses up the back, the kind I can take off and comb on the palm o' me hand. I've got gold-fillin' in me teeth which just shows when I laugh wide, and I'll do it often, and I've got a watch wid a deer's head on it and me name on it, R. J. P. Watson, and I can talk like they do in books. I won't ever say 'I've often saw,' I'll say 'I have invariably observed.' I suppose I could say it now, but it doesn't seem to fit the rest of me; and I'll be sittin' here now plannin' my work for to-morrow, and all the children are wonderin' hard what I'm thinkin' of. Now I'll purtend school is out. There's three little girls out there in the hall waitin' to take me hand home, nice little things about the size I used to be meself. I may as well send them home, for I won't be goin' for a long time yet." She went into the hall and in a very precise Englishy voice dismissed her admiring pupils. "I am afraid I will be here too long for you to wait, childer dear," she said, "I have to correct the examination papers that the Entrance class wrote on to-day on elementary and vulgar fractions, and after that I am goin' for a drive with a friend"—she smiled, but forgot about the gold filling. "My friend, Dr. Clay, is coming to take me. So good-bye, Ethel, and Eunice, and Claire," bowing to each one.

Pearl heard the scamper of little feet down the stairs, and kissed her hand three times to them.

"I'll just see if he's coming," she murmured to herself, going to the window.

He was coming, in her imagination and in reality. Dr. Clay was driving up to the school, looking very handsome in his splendid turn-out, all a-jingle with sleigh-bells. Pearl was so deep in her rainbow dream she tapped gaily on the window. He looked up smiling and waved his hand to her.

Just then Miss Morrison came out and he helped her into the cutter and they drove away. At the same moment Miss Watson with the gold-filled teeth, and the merry widow puffs, disappeared and Pearl Watson, caretaker of the Millford School, in a plain little serge dress, beginning to wear in spite of sateen sleeve protectors, turned from the window with a sudden tightening of the heart, and sought the refuge of her own seat, and there on the cool desk she laid her head, sobbing softly, strange new tears that were not all pain!

For age is opportunity no lessThan youth itself, though in another dress,And as the evening twilight fades awayThe sky is filled with stars, invisible by day.

——Longfellow.

PEARL, having taken her resolve to leave school, did not repine, and no one, not even her mother, knew how hard the struggle had been. It all came out afterward that, John Watson, too, in his quiet way, had been thinking of the advantages of farm life for his growing family. So when Pearl proposed it he was ready to rise and second the motion.

Nearly all the land around Millford had been homesteaded, and was being successfully farmed, but there was one quarter-section in the crook of the Souris that had been abandoned. Bill Cavers had entered it some years before, and paid his ten dollar entrance fee, built a little house on it, and farmed it indifferently for two or three years; but poor Bill had to let it go at last. The numerous black whiskey bottles around his miserable buildings told the story. The land was good—it was only four miles from Millford—it could be re-entered on payment of ten dollars. John Watson went out to see the farm and came back well satisfied, so they decided to move out on it as soon as the snow was gone.

By selling the house and lot they had enough money to buy a team of horses, a waggon, and some machinery. For seed grain and everything else that was needed Pearl would take her money. Aunt Kate protested loudly against having Pearlie's money taken, and said if it wasn't that Bill's stone had come so high she'd spend her own rather than have Pearlie's touched. But Pearl stoutly insisted that helping her family in this way was just what she wanted to have done with her money.

Pearl had not seen the farm until she drove out with her father on the first load. "A movin' gen'rally looks sort of sad, doesn't it, Pa?" she said, as she settled herself on the dismembered beds. "But there's nothin' sad about this movin'. We're not goin' because we can't pay the rent, and there's goin' to be a notice of it in the paper, too."

"How do you know that, acushla?" her father asked her.

"I wrote it myself. I was afraid Mr. Evans might forget. He's all cluttered up wid politics, so I wrote it myself, and pinned it on his door."

"What did you say, Pearlie?"

"I wrote this: Mr. and Mrs. John Watson and their interesting family are leaving our midst to live on a farm, hoping to better their circumstances and give the boys a chance to grow up decent."

"Faith, that's puttin' it plain, Pearlie," her father laughed."You're gettin' to be real handy wid the pen."

"I have a far lovelier one than that done, Pa; but I couldn't bear to have it published in a newspaper, for every pryin' eye to see. So I wrote it out in purple ink, and will just keep it in me scrapbook."

"What was it, Pearlie?"

"I wouldn't say it for everybody, Pa, for they wouldn't understand; but I know you will. This is what I wrote:

Farewell, sweet childhood's happy home,For now we sadly haste away.We'll leave your happy scene with tears—We tried to leave you yesterday,But fate denied, for Adam WattHad broke the axle of his dray.

Farewell, sweet childhood's happy home,We're going out four weary mile,We've gone to seek another homeAnd may not see you for a while.But every inch of thee is dear,And every stick in thy woodpile.

Each mark upon thy wall is linkedWith deepest meaning and with love,See where young Bugsey spilled the ink,Caused by his youngest brother's shove.

See where wee Danny picked a hole—He knew no better tho', I guess.The patch that covers it from sightIs made of Pearlie's winsey dress.

All through the dreary winter timeThou sheltered us from cold so bleakThou sheltered us from wind and rain,Save where thy kitchen roof did leak.

When strangers come to live in thee,And fill thy halls with noise and shout,Still think, dear house, of those who onceDid from thy gates go in and out."

"It's just grand," her father said admiringly, "and it's true, too. I don't know where you get the things you think of."

The road lay along the bank of the Souris, which still ran high with the spring floods. The spring came early in Manitoba that year, and already the cattle were foraging through the pastures to be ready for the first blade of grass that appeared. The April sun flooded the bare landscape with its light and heat. From the farm-yards they passed came the merry cackle of hens. Horses and colts galloped gaily around the corrals, and the yellow meadow larks on the fence-posts rang out their glad challenge. The poplar trees along the road were blushing with the green of spring, and up from the river-flats, gray-purple with scrub oak and willow, came the indescribably sweet spring smell.

At the corner of Thomas Perkins's farm they turned straight north, following the river.

"There's our farm, Pearlie," her father said.

What Pearl saw was one long field of old stubble, gray and faded, cut out of the scrub, and at the end of the field, against a grove of poplars, stood a little house, so sad, so battered, so broken, that Pearl's stout heart almost sank. It was made of logs and plastered with mud, and had settled down on one side, looking as ungainly and tired as an old horse when he rests on one leg. There was a door in the side next the road, with one window at each side of it—windows with almost everything in them except glass.

Pearl jumped down from the waggon and ran around her new home trying to find something good about it. When her father came in after tying up his horses, he found her almost in tears.

"Pa," she said, "this is sadder than I ever thought it would be. I wish it had been real dirty and shiftless; but look, Pa, they've tried to keep it nice. See, it's been whitewashed, and there's a place you can tell they've had a bit of oil-cloth behind the box the wash basin sat on, to keep the spatters off the wall. And see here, Pa," stooping to pick up a piece of cretonne from the rubbish on the floor—"this has been a paper holder—there's beads sewed on it around the flowers; and do you see yon little shelf? It's got tack marks on it; she's had a white curtain on it, with knitted lace. I know she has, and see, Pa"—looking behind the window casing—"yes, sir, she's had curtains on here, too. There's the tack. She had them tied back, too, and you can see where they've had pictures. I know just what Mrs. Cavers is like—a poor, thin woman, with knots on her knuckles. I could see her face in the house as we drove up to the door, kind of crooked like the house, and gray and weather-beaten, with teeth out. Houses always get to look like the people who live in them. They've tried—at least she has, and she's failed. That's the sad thing to me, Pa—she's tried. If people just set around and let things go to smash and don't care, that's too bad but there's nothing sad about it. But to try your livin' best and still have to go under—that's awful!"

Pearl walked to the window and wiped the cobwebs from it.

"I know how she felt when she was standin' here watchin' fer Bill, hopin' so hard that he's come home right this time, and bring the list of things she asked him to bring with his wheat-ticket. I can see she was that kind, always hopin'; if she wasn't that kind she wouldn't ever have sewed the beads on. She'd stand here and watch for Bill so full of hope and still so black afraid, and then it would come on dark and she couldn't see anything but Perkins's light winkin' through the trees, and then she'd lay out the supper, but not eat a bite herself, but just wait, and wait, and wait. And then when Bill did come she'd run out wid the lantern with her heart thumpin' so, and her knees all weak and wobbly—and Bill, you know how he'd be. Sandy Braden had got the wheat-ticket, and he hadn't paid a bill or bro't a thing for the house, and so at last she saw she was beat and done for; she saw that every hope she had had was a false one."

They were putting up the stove now, and when it was set in place Pearl said: "Let's get a fire goin' now, quick, Pa—and that'll cheer us up."

Her father went to the river and brought water, which they heated on the stove, and then he scrubbed the floor while Pearl cleaned the windows and put up the cheese-cloth curtains she had brought. She went outside to see how the curtains looked, and came back well pleased.

"Pa," she said, "I've got a name for it. We'll call it 'The SecondChance.'"

"For why, Pearlie?" her father asked curiously. "Well, it just came to me as I was lookin' round, what this farm has had to put up with Bill Cavers. Here it is as good a farm as any around here, and it's all run to weeds. I am sure this yard is knee-high with ragweed and lamb's quarter in the summer, and the fields are all grown up with mustard and wild-oats, and they're an abomination to any farm; and so it has just sort, of give up and got discouraged, and now it lets in any old weed that comes along, because it thinks it'll never be any good. But here comes the Watsons, the whole bilin' of them, and I can see over there, Pa"—taking him to the window—"the place the garden will be, all nicely fenced to keep out the cattle; and over there, under the trees, will be the chicken-house, with big white hens swaggerin' in and out of it and down the ravine there will be the pig-pasture, and forninst us will be acres and acres of wheat, and be hind the bluff there will be the oat-field. I can see it, Pa."

"Faith, and yer a grand girl at seein' things," her father said, with his slow smile, "and I just hope yer right."

"I'm sure of it," said Pearl, after a pause, "and that's why, we'll call it 'The Second Chance,' for it's a nice kind name, and I like the sound of it, anyway. I am thinkin', maybe that it is that way with most of us, and we'll be glad, maybe, of a second chance. Now, Pa, I don't mind tellin' ye that it was a sore touch for me to have to leave school, and me doin' so well, but I am hopin' still that some time, some place, perhaps, for me, too, like the farm, there may be a second chance. Do you see what I mane, Pa?"

"I see it, acushla," said her father. "And I'm thinkin' maybe there's one for me, too."

And all day long, as John Watson worked, there was a wish in his honest heart, so earnest a wish that it formed a prayer, that he might be able to give his children many of the things that had been denied him; and it came to him, vaguely at first, but growing ever clearer that in Pearlie, Teddy and the rest of them, and his desire to do better for them, than he had done for himself, he was getting his second chance.

The next day saw the whole family moved out and safely landed on the farm. Mrs. Watson, Aunt Kate and Pearlie were soon busy putting up beds and setting the house in order. Teddy, who was fifteen years old, and a strong boy for his age, was set to plow at once on the field in front of the house, for it was still early in April, and there was time to get in some crop. John Watson, when he got his family and household goods safely landed, went to work, assisted by Billy and Jimmy, to prop up the old stables and make them habitable for the two cows.

Mary was given the hardest task of all—to look after her four young brothers—not to let them play in the mud, for obvious reasons; climb trees, which is hard on the clothes; go in bare feet, which is not a safe thing to do until after the 24th of May; or fall in the river, which is a dangerous proceeding at any time. Mary was something of a child-trainer, and knew what fascination the prohibited has for people, and so marched her four young charges down to the river, regaling them, as they went, with terrible stories of drowning and shipwreck. They threw sticks in, pretending they were drowning sailors, but that soon grew monotonous, for the sailors all made their escape and went sailing serenely down the stream. The balm of Gilead trees exuded their healing perfume on the cool breeze that blew ceaselessly up the broad valley; a golden-brown chipmunk raced up a tree and scolded at them from the topmost branches; overhead, in the clear blue of the mid-heaven, a flock of wild geese, with flashing white wings, honked away to the Brandon Hills, en route for that northern lake that no man knows; while a flock of goldfinches, like a shower of marigolds, settled on a clump of willows, singing pauselessly.

"Let's catch them and sell them," said Tommy, who had the stubby hands of a money-maker.

"What'll ye do with the money?" Patsey asked.

But before Tommy could decide between an automobile and an Irish mail, the goldfinches had crossed the river and were fluttering over the purple branches of the leafless saskatoon bushes, which bordered the stream.

A jack-rabbit came gaily leaping down the road behind them, and at sight of him the four boys set off in eager pursuit. Bugsey got right in Tommy's way, which was a fortunate thing for the jack-rabbit, because only for that Tommy would have had him he is pretty sure of that.

After the rabbit had gone from sight and the baffled hunters returned to where Mary sat, Bugsey came in for a good deal of abuse from the other three. Then, to change the conversation, which was rather painful, Bugsey suggested: "What do you bet that fellow hasn't got a nest somewhere around here? Say we have a look for it."

A vigourous search began. Incidentally Tommy found a nest of mice, and Patsey discovered a hawk's nest in a tree and was halfway up before Mary saw him. She made him come straight down—climbing trees was too hard on the clothes; but when she came back from looking up Danny, who had dropped behind to look down a gopher's hole, she found that Patsey had discovered a plan whereby he could climb up for the lovely silver nest and not endanger the safety of his clothes, either. He stood below the tree with the coveted nest in his arms, covered with glory and scratches, but little else.

When the boys got home everybody had something to show but Danny. Tommy had his mouse's nest; Patsey had the hawk's nest; Bugsey had a fungus. Danny was the only empty-handed one, but Pearlie cheered him up wonderfully by predicting that he would get the very first wood-tick when the season opened.

The prosperity of a joke lieth in the ear of thine friend.

——Shakespeare.

WHILE John Watson was busy fixing the dilapidated stables, he was joined by his nearest neighbour, Thomas Perkins, who was of a very sociable nature, and loved the sound of his own voice.

Thomas Perkins was a man of middle age, a stout man with a florid countenance and dewy blue eyes; his skin was of that quality that is easily roughened by the wind. He always spoke rapidly, and without punctuation.

"How do you do, Mr. Watson, how do you do? Just movin' in, eh? Well, sir, I'm glad to see you; the little house looked lonely since Bill and the wife left. Poor Bill, he was a decent chap, too; but he lost his bet."

"What was the bet about?" Mr. Watson asked, while the other man stopped to light his pipe.

"Well, you see, Bill bet the Government ten dollars that he could make a living on this farm, and the Government puts up the farm against the ten dollars that he can't. That's the way it goes. Nearly every body wins when they bet with the Government. I made the same bet twenty years ago, and it would take ten thousand dollars now to get me off of old seventeen, north half; you see, I won my bet, but poor Bill lost his. Still, it wasn't a fair race. Bill would have won it if the Government hadn't put the whiskey in his way. You can be pretty sure it's whiskey that wins it for the Government nearly every time when the homesteader loses. You'll win yours, all right, no fear of that. I made my start when I was nine years old; left home with the wind in my back—that's all I ever got from home—and I started right in to make my pile, and I guess I haven't done too bad, eh? What's that?"

Mr. Watson had not spoken, but the other man nudged him genially and did not resent his silence at all.

"First money I ever earned was from an old Scotch woman, picking potatoes at eleven cents a day, and I worked at it twenty-five hours a day, up an hour before day—there was no night there, you bet, it was like heaven that way; and then when I got my sixty-six cents, didn't she take it from me to keep. It was harder to get it back from her than to earn it—oh, gosh! you know what the Scotch are like. Ye see, my mother died when I was a little fellow, and the old man married again, a great big, raw-boned, rangey lady. I says: 'Not for mine,' when I saw her, and lit out—never got a thing from home and only had about enough clothes on me to flag a train—and I've railroaded and worked in lumber shanties. But a farm's the place to make money. How many of a family have ye?"

"Nine," John Watson said, after some deliberation.

"Well, sir, you'll save a lot of hired help; that's the deuce, payin' out money to hired help, and feedin' them, too. I lost two of my boys when they were just little lads, beginnin' to be some good. Terrible blow on me; they'd a been able to handle a team in a year or two, if they'd a lived—twins they were, too. After raisin' them for six years, it was hard—year of the frozen wheat, too—oh, yes, 'tain't all easy. Now, there's old Bruce Simpson, back there at Pelican Lake. It would just do you good to be there of a mornin.' He has four boys and four girls, and just at the clip of five o'clock them lads jump out of bed—the eight feet hit the floor at the same minute and come leppin' down the stairs four abreast, each fellow with a lantern, and get out to the stable and feed up. The four girls are just the same—fine, smart, turkey-faced girls they are, with an arm like a stove-pipe. You'll be all right with the help you've got—you'll have nearly enough to run a threshin' mill. Any girls?"

"Two girls," said John Watson.

"Two! That's not so bad—they'll be needed all right to help the missus. I have two girls, too; but one of them's no good—too much like the mother's folks. You know the Grahams are all terrible high-headed people—one of the old man's brothers is a preacher down in the States—Professor Graham, they call him—and sir, they can't get over it. Martha, my oldest girl, she's all right—straight Perkins, Martha is—no nonsense about her; but Edith, she's all for gaddin' round and dressin' up. 'Pa,' she says one day to me, 'I want a piano'—that was the Graham comin' out of her—and I says, says I 'Edie, my dear, run along now and let me hear you play a toon on the cream separator or the milkin'-stool,' says I; 'there's more money in it.' But, by George! the wife kept at me, too, about this piano business, just pesterin' the very life out o' me, until I got sick of it. But I got them one at last—I was at a sale in Brandon, last fall, and I got one for eighty dollars. I told them it cost four hundred—you have to do it, when you're dealin' with wimmin'—they like things to cost a lot. Well, sir, I got the worth of my money, let me tell you. It's a big, long, dappled one, all carved with grapes and lions. Two or three people can play it at once, and it's big enough to make a bed on it when there's company. But what do you think of this now? Oh, it has clean disgusted me. They don't like it because it won't go in the parlour door, and there isn't room for it in the hall, and if you'll believe me, it's sittin' out there in the machine-shed—so I've got to take it down to Winnipeg and try to change it.

"You see, that's what comes o' lettin' young ones go to school. Since Edie got her education she thinks she knows more than the rest of us. My boy, young Bob—but we call him Bud—he's been to school a good deal; but he and Steadman's boy had a row, and I guess Bud was put out—I don't know. I was glad enough to get him home to draw poles from the big bush. Old George Steadman is a sly old rooster, and the other day he comes up to me in Millford, snuffin like a settin' goose, and I saw there was something on his mind. 'What's wrong, George?' I said. 'It's about them oats you promised me for seed,' he said. I had promised him some of my White Banner oats this spring. 'Ye'll let me have them, will ye?' says he. 'I was wonderin' if it made any difference about the boys quarrelin',' says he. I says: 'No, George, it don't make no difference; if you have the money you can have the oats, but don't expect me to take no security on mortgaged property,' says I."

Mr. Perkins slapped his patient listener on the back and laughed uproariously.

"You see, that was the worst thing I could say to him, for he's so eternally proud of his land. He has nineteen hundred acres all paid for, and him and the missus is always talkin' about it."

"Did he have much when he started?" John Watson asked.

"Well, I should say not. His wife had some money; but, you bet, she has it yet. She was a Hunter; they're as tight as the bark to the tree, every one of them—they'd skin a flea for the hide and tallow. Well, I'll just tell you, she lent him forty dollars to buy a cow with the first year they were in this country, with the understandin' he'd pay her back in the fall. Well, the crop didn't turn out well and he couldn't pay her, so she sold the cow, and the kids had to do without milk. Well, I must be goin' now to see how things are goin'. I don't work much—I just kinda loaf around and take care of the stock. How would you like a yoke of oxen to plough with? I got two big husky brutes out there in the pasture that know how to plow—I got them on a horse deal—and they've never done a stroke of work for me. Come on over with me and I'll fix you up with harness and all. I got the whole thing."

John Watson looked at him in grateful surprise and thanked him for such welcome help.

"Oh, don't say a word about it, John," Mr. Perkins said genially, "I'll be glad to see the beggars having to work. Look out for the black one—he's a sly old dog, and looks to me like an ox that would keep friends with a man for ten years to get a good chance to land a kick on him at last."

When John Watson went over for the oxen, Mrs. Perkins came out bareheaded to make kind inquiries for his wife and family. From within came the mellow hum of the cream-separator, as Martha, the steady member of the family, played a profitable tune thereon.

That night Pearl called all her family to come out and see the sunset. The western sky was one vast blue lake, dotted with burning boats that ever changed their form and colour; each shore of the lake was slashed into innumerable bays, edged with brightest gold; above this were richest shades' of pale yellow, deepening into orange, while thick gray mountains of clouds were banked around the horizon, bearing on their sullen faces here and there splashes of colour like stray rose-petals.

John Watson watched it silently, and then said, more to himself than to anyone else: "It is putty, ain't it?"

Tell you what I like the bestLong about knee-deep in June… Some afternoonJust to git out and restAnd not work at nothing else.

——James Whitcomb Riley.

OUT in the poplar grove behind the house, on a fine, sunshiny Saturday, afternoon, Pearl Watson and Billy were busy making a hammock under Aunt Kate's directions. They had found an old barrel in the scrub, and Aunt Kate was showing them how, with the staves, they could make the loveliest hammock by boring two auger holes in each end and running ropes thro' the holes.

When the hammock was completed and swung between two big trees, Pearl ran into the house for her mother.

"Ma," she said, "we've made this hammock mostly for you, and you're to get in first." She took a quilt and pillow off one of the beds and brought her mother out to the hammock, which was now held down by the four youngest boys. By a quick movement Pearl spilled them out on the grass and, spreading the quilt on the staves, soon made her mother comfortable.

"Now, Ma, here's where you're to come every after-noon," she said. "Aunt Kate'll see that you do it when I'm not here to watch you; but, anyway, I know I can trust you. Look up to the clouds and listen to the birds and think of the nicest things you ever heard, and forget that there ever comes holes in the little lads' pants, and forget that you ever had to wash for other people, and just remember we've a farm of our own and the crops' growin', and so is the garden just as fast as if you was up watchin' it."

Aunt Kate, standing by, looked in wonder at her little niece.

"Faith, Pearlie, you have quare ways," she said. "Ye're as much like yer Uncle Bill as if ye belonged to him. He'd have taken great comfort out of you and yer quare speeches if he was here, pore fellow."

"He's in a better place, Katie, dear," said Mrs. Watson piously.

After a pause, Pearl said: "You see, Ma, a person has to get soaked full of sunshine and contented feelings to be able to stand things. You've just got to lay in a stock of them, like a squirrel does the nuts for the winter, and then when trouble comes you can go back and think over all the good times you've had, and that'll carry ye over till the trouble passes by. Every night here there'll be a lovely sunset, all blue and gold, like the streets of heaven. That ought to help some, and now the leaves are comin' and new flowers every day nearly, and the roses'll be here in June, and the cherry blossoms will be smellin' up the place before that, and at night ye'll hear the wild ducks whizzin' by up in the air. They'll all keep us heartened up more'n we need just now, but we better be settin' it away to use when we need it."

"Look! Who's yon?" Aunt Kate asked, looking down the road.

A quaint-looking, stout old lady was walking toward them.

"That'll be Mrs. Perkins comin' to see us," Mrs. Watson said, in alarm. "Let me out o' this, Pearlie. It's a lazy trollop she'll think I am if she ketches me lyin' here."

"Lie where you are, Ma," Pearl said firmly. "It'll do her good to see some one restin' easy. I know her, Ma, she's Martha's mother, and they're great workers."

When Mrs. Perkins arrived, Pearl went forward and introduced her to her mother and Aunt Kate, with due ceremony.

Mrs. Perkins was a short, stout woman, whose plump figure was much like the old-fashioned churn, so guiltless was it of modern form improvers. Mrs. Perkins's eyes were gray and restless, her hair was the colour of dust, and it was combed straight back and rolled at the back of her neck in a little knob about the size and shape of a hickory nut. She was dressed in a clean print dress, of that good old colour called lilac. It had little white daisies on a striped ground and was of that peculiar shade that people call "clean looking." It was made in a plain "bask" with buttons down the front, and a plain, full skirt, over which she wore a white, starched apron, with a row of insertion and a flounce of crocheted lace.

Pearl brought out chairs.

"Well, now, you do look comfortable,"' said Mrs. Perkins, with just a shadow of reproach in her voice that did not escape Pearlie. "It must be nice to have nothin' to do but just laze around."

"She's done a big day's work already," Pearl said, quickly. "She worked all her life raisin' us, and now she's goin' to take a rest once in a while: and watch us rustle."

"Well, upon my word, you can talk some, can't you?" Mrs. Perkins said, not altogether admiringly. Aunt Kate gallantly interposed on Pearl's behalf by telling what a fine help the was to her mother, and soon the conversation drifted into an amiable discussion of whether or not peas should be soaked before they are planted.

Then Pearl and Mary went into the house and prepared the best meal that the family supply of provisions permitted. They boiled eggs hard, and spiced them the way Pearl had seen Camilla do. Pearl sliced up some of Aunt Kate's home-made bread as thin as she could, and buttered it; she brought out, from the packing box that they were still in, one of the few jars of peaches, and then made the tea. She and Mary covered the table with a clean white flour-sack; they filled a glass jar with ferns and anemones for a centre-piece and set the table as daintily as they could, even putting a flower beside each pate.

"Land alive!" Mrs. Perkins exclaimed, when they carried the table out under the trees, where she sat with Aunt Kate and Mrs. Watson. "I haven't et outside since we used to have the picnics in Millford in old Major Rogers's time. I mind the last one we had. I seen old Mrs. Gilbert just fillin' the stuff into her basket, and I do believe she tuk more home than she brought, though I ain't the one to say it, because I do not like to talk against a neighbour, though there are some as say it right out, and don't even put a tooth on it."

"Don't you go to the Pioneers picnics, now?" Pearl asked, as she poured the tea.

"No; I haven't gone since Mrs. Burrell came. I don't like her. She isn't what I think a minister's wife ought to be, mind you; she said an awful queer thing at our place the very first time she was there. She was askin' me why we didn't get out to church, and I was tellin' her about all the chores we had to do, milkin' and feedin' the stock, and that, and she didn't say much, but when she got down to pray before she left, she started off all right, and I wasn't really noticin' what she was sayin' until I hears her say: 'Lord, take away the cows and the pigs and the hens from these people, if it is the pigs and the cows and hens that's keepin' them from attendin' church, for it is better for them to do without milk or butter or eggs all their lives than to be eternally lost.' Them was just her words. Well, it just about made me faint to think of losin' all that, and I says: 'Take that back, and we'll go'; I was so flustered. And now, some of us has been drivin' down once a day; but, mind you, I don't feel real easy when I'm near her. The idea of her plottin' harm against innocent critturs that never done her any harm!"

Pearl said to Mary when they went back into the kitchen, "Mary, that woman hasn't got the right idea of things. It don't do you a bit of good to eat outside if you're thinkin' hard of anybody. It'll take a queer old lot of blue sky and fresh air and singin' birds and cherry-blossoms to soak all that out of her; but of course it'll help some."

Mrs. Perkins stirred her tea with pleasure. She found it a real delight to have good listeners who did not interrupt her. All her life she had had to tell her stories against a counter-attraction, that is, if her husband was present, for he was always telling one of his own at the same time, and that sort of thing wears on the stoutest nerves.

"You'll soon have a real nice place here, Mrs. Watson," she said, looking around. "Poor Mrs. Cavers would have had things nice if she had had her own way. She was the greatest woman for makin' little fixin's—she and my Martha were always doin' something—dear me, the way she'd stick up for that man, and make excuses for him! 'Mr. Cavers has a headache,' or 'Mr. Cavers is quite tired out.' Mr. Cavers, mind you. Oh, I tell you, she was fetched up different. Any one could see that. When I saw her first she was as pretty a girl as you'd see, and Bill was a fine-lookin' man, too. We never knew he would drink, and I don't think he ever did until Sandy Braden got his license and opened up a bar. I'll never forget the first night he came home drunk. She came runnin' over to our house and told us she was afraid he was dyin'. Pa and I went over with her, and I told her right out, plump and plain, what was wrong with him just as soon as I saw him. I'll never forget the way she backed up from me, givin' queer little screeches, and then she came back quick, her eyes just blazin', and says she, grabbin' me by the shoulders, 'I don't—believe—it,' just as slow as that, and then she begged me to forgive her, the pore lamb, and straightened right up as stiff as a poker, but all white and twitchy, and from that day to this she has never let on to a livin' soul about him drinkin', but she's just as nice to him as if he was a good man to her."

Pearl listened to this story with sympathetic interest. She had known this all the time—the beads on the cretonne had told the story.

"And when her little Georgie died, if ever a woman was tried sore it was her. She sent Bill for the doctor, and he fell in with a threshin' gang and forgot to come home; yes, and that poor woman was alone with little George choking with croup. Libby Anne ran over for me, but he was too far gone. Bill came home in the mornin' so drunk we couldn't make him understand that the child was dead, and he kept askin' us all the time how little Georgie was now. I came home in the mornin' to help to milk, and Martha went over to stay with her. Martha can't ever forget the sad sight she saw when she went in. Bill was on the lounge drunk. Little George lay on the bed dead, and she was sittin' there makin' the shroud, and even then she made excuses for Bill to Martha, and said he'd been up all night, and was tired."

When Pearl went back into the kitchen she reported progress to Mary.

"She's talkin' kinder now, Mary. The fresh air and the wind through the trees is beginnin' to tell on her. Give me another cup of tea for her."


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