CHAPTER XX

For some days after her adventurous voyage to the Great Desert and back Morgana chose to remain in absolute seclusion. Save for Lady Kingswood and her own household staff, she saw no one, and was not accessible even to Don Aloysius, who called several times, moved not only by interest, but genuine curiosity, to enquire how she fared. Many of the residents in the vicinity of the Palazzo d'Oro had gleaned scraps of information here and there concerning the wonderful air-ship which they had seen careering over their heads during its testing trials, and as a matter of course they had heard more than scraps in regard to its wealthy owner. But nowadays keen desire to know and to investigate has given place to a sort of civil apathy which passes for good form—that absolute indifferentism which is too much bored to care about other people's affairs, and which would not disturb itself if it heard of a neighbour deciding to cross the Atlantic in a washtub. "Nothing matters," is the general verdict on all events and circumstances. Nevertheless, the size, the swiftness and soundlessness of the "White Eagle" and the secrecy observed in its making, had somewhat moved the heavy lump of human dough called "society," and the whispered novelty of Morgana's invention had reached Rome and Paris, nay, almost London, without her consent or knowledge. So that she was more or less deluged with letters; and noted scientists, both in France and Italy, though all incredulous as to her attainment, made it a point of "business" to learn all they could about her, which was not much more than can be usually learned about any wealthy woman or man with a few whims to gratify. A murderer gains access to the whole press,—his look, his manner, his remarks, are all carefully noted and commented upon,—but a scientist, an explorer, a man or woman whose work is that of beneficence and use to humanity, is barely mentioned except in the way of a sneer. So it often chances that the public know nothing of its greatest till they have passed beyond the reach of worldly honour.

Morgana, however, had no desire that her knowledge or attainment should be admitted or praised. She was entirely destitute of ambition. She had read too much and studied too deeply to care for so-called "fame," which, as she knew, is the mere noise of one moment, to be lost in silence the next. She was self-centered and yet not selfish. She felt that to understand her own entity, its mental and physical composition, and the possibilities of its future development, was sufficient to fill her life—that life which she quite instinctively recognised as bearing within itself the seed of immortality. Her strange interview with the "Voice" from the City in the Desert, and the glimpse she had been permitted to see of the owner of that voice, had not so much surprised her as convinced her of a theory she had long held,—namely that there were other types of the human race existing, unknown to the generality of ordinary men and women—types that were higher in their organisation and mental capacity,—types which by reason of their very advancement kept themselves hidden and aloof from modern civilisation. And she forthwith plunged anew into the ocean of scientific problems, where she floated like a strong swimmer at ease with her mind upturned to the stars.

Yet she did not neglect the graceful comforts and elegancies of the Palazzo d'Oro, and life went on in that charming abode peacefully. Morgana always being the kindest of patrons to Lady Kingswood, and discoursing feminine commonplaces with her as though there were no other subjects of conversation in the world than embroidery and specific cures for rheumatism. She said little—indeed almost nothing,—of her aerial voyage to the East, except that she had enjoyed it, and that the Pyramids and the Sphinx were dwarfed into mere insignificant dots on the land as seen from the air,—she had apparently nothing more to describe, and Lady Kingswood was not sufficiently interested in air-travel to press enquiry. One bright sunny morning, after a week of her self-imposed seclusion, she announced her intention of calling at the monastery to see Don Aloysius.

"I have been rather rude"—she said—"Of course he has wanted to know how my flight to the East went off!—and I have given no sign and sent no message."

"He has called several times"—replied Lady Kingswood—"and I think he has been very much disappointed not to be received."

"Poor reverend Father!" and Morgana smiled—"He should not bother his mind about a woman! Well! I'm going to see him now."

Lady Kingswood looked at her critically. She was gowned in a simple white morning frock with touches of blue,—and she wore a broad-brimmed Tuscan straw hat with a fold of blue carelessly twined about it. She made a pretty picture—one of extraordinary youthfulness for any woman out of her 'teens—so much so that Lady Kingswood wondered if voyages in the air would be found to have a rejuvenating effect.

"They do not admit women into the actual monastery"—she went on—"Feminine frivolities are forbidden! But the ruined cloister is open to visitors and I shall ask to see Don Aloysius there."

She lightly waved adieu and went, leaving her amiable and contented chaperone to the soothing companionship of a strip of embroidery at which she worked with the leisurely tranquillity which such an occupation engenders.

The ruined cloister looked very beautiful that morning, with its crumbling arches crowned and festooned with roses climbing every way at their own sweet will, and Morgana's light figure gave just the touch of human interest to the solemn peacefulness of the scene. She waited but two or three minutes before Don Aloysius appeared—he had seen her arrive from the window of his own private library. He approached her slowly—there was a gravity in the expression of his face that almost amounted to coldness, and no smile lightened it as she met his keen, fixed glance.

"So you have come to me at last!" he said—"I have not merited your confidence till now! Why?"

His rich voice had a ring of deep reproach in its tone—and she was for a moment taken aback. Then her native self-possession and perfect assurance returned.

"Dear Father Aloysius, you do not want my confidence! You know all I can tell you!" she said—and drawing close to him she laid her hand on his arm—"Am I not right?"

A tremor shook him—gently he put her hand aside.

"You think I know!" he replied—"You imagine—"

"Oh, no, I imagine nothing!" and she smiled—"I am sure—yes, SURE!—that you have the secret of things that seem fabulous and yet are true! It was you who first told me of the Brazen City in the Great Desert,—you said it was a mere tradition—but you filled my mind with a desire to find it—"

"And you found it?" he interrupted, quickly—"You found it?"

"You know I did!" she replied—"Why ask the question? Messages on a Sound-Ray can reach YOU, as well as me!"

He moved to the stone bench which occupied a corner of the cloister and sat down. He was very pale and his eyes were feverishly bright. Presently he seemed to recover himself, and spoke more in his usual manner.

"Rivardi has been here every day"—he said—"He has talked of nothing but you. He told me that he and Gaspard fell suddenly asleep—for which they were grievously ashamed of themselves—and that you took control of the air-ship and turned it homeward before you had given them any chance to explore the desert—"

"Quite true!" she answered, tranquilly—"And—YOU knew all that before he told you! You knew that I was compelled to turn the ship homeward because it was not allowed to proceed! Dear Father Aloysius, you cannot hide yourself from me! You are one of the few who have studied the secrets of the approaching future,—the 'change' which is imminent—the 'world to come' which is coming! Yes!—and you are brave to live as you do in the fetters of a conventional faith when you have such a far wider outlook—"

He stopped her by a gesture, rising from where he sat and extending a hand of warning and authority.

"Child, beware what you say!" and his voice had a ring of sternness in its mellow tone—"If I know what you think I know, on what ground do you suppose I have built my knowledge? Only on that faith which you call 'conventional'—that faith which has never been understood by the world's majority! That faith which teaches of the God-in-Man, done to death by the Man WITHOUT God in him!—and who, nevertheless, by the spiritual strength of a resurrection from the grave, proves that there is no death but only continuous renewal of life! This is no mere 'convention' of faith,—no imaginary or traditional tale—it is pure scientific fact. The virginal conception of divinity in woman, and the transfiguration of manhood, these things are true—and the advance of scientific discovery will prove them so beyond all denial. We have held the faith, AS IT SHOULD BE HELD, for centuries,—and it has led us, and continues to lead us, to all we know."

"We?" queried Morgana, softly—"WE—of the Church?—or of the Brazen City?"

He looked at her for some moments without speaking. His tall fine figure seemed more than ever stately and imposing—and his features expressed a calm assurance and dignity of thought which gave them additional charm.

"Your question is bold!" he said—"Your enterprising spirit stops at nothing! You have learned much—you are resolved to learn more! Well,—I cannot prevent you,—nor do I see any reason why I should try! You are a resolved student,—you are also a woman:—a woman different to ordinary women and set apart from ordinary womanhood. So I say to you 'We of the Brazen City'—if you will! For more than three thousand years 'we' have existed—'we' have studied, 'we' have discovered—'we' have known. 'We,' the selected offspring of all the race that ever were born,—'we,' the pure blood of the earth,—'we,' the progenitors of the world TO BE,—'we' have lived, watching temporary civilisations rise and fall,—seeing generations born and die, because, like weeds, they have grown without any root of purpose save to smother their neighbours and destroy. 'We' remain as commanded, waiting for the full declaration and culmination of those forces which are already advancing to the end,—when the 'Kingdom' comes!"

Morgana moved close to him, and looked up at his grave, dark face beseechingly.

"Then why are you here?" she asked—"If you know,—if you were ever in the 'Brazen City' how did it happen that you left it? How could it happen?"

He smiled down into the jewel-blue of her clear eyes.

"Little child!" he said—"Brilliant soul, that rejoiced in the perception that gave you what you called 'the inside of a sun-ray,'—you, for whom the things which interest men and women of the moment are mere toys of poor invention—you, of all others, ought to know that when the laws of the universe are understood and followed, there can be no fetters on the true liberty of the subject? IF I were ever in the 'Brazen City'—mind! I say 'if'—there could be nothing to prevent my leaving it if I chose—"

She interrupted him by the uplifting of a hand.

"I was told"—she said slowly—"by a Voice that spoke to me—that if I went there I should have to stay there!"

"No doubt!" he answered—"For love would keep you!"

"Love!" she echoed.

"Even so! Such love as you have never dreamed of, dear soul weighted with millions of gold! Love!—the only force that pulls heaven to earth and binds them together!"

"But YOU—you—if you were in the Brazen City—"

"If!" he repeated, emphatically.

"If—yes! if"—she said—"If you were there, love did not hold YOU?"

"No!"

There was a silence. The sunshine burned down on the ancient grey flagstones of the cloister, and two gorgeous butterflies danced over the climbing roses that hung from the arches in festal wreaths of pink and white. A luminance deeper than that of the sun seemed to encircle the figures standing together—the one so elfin, light and delicate,—the other invested with a kind of inward royalty expressing itself outwardly in stateliness of look and bearing. Something mysteriously suggestive of super-humanity environed them; a spirit and personality higher than mortal. After some minutes Aloysius spoke again—

"The city is not a 'Brazen' City"—he said—"It has been called so by travellers who have seen its golden towers glistening afar off in a sudden refraction of light lasting but a few seconds. Gold often looks like brass and brass like gold, in human entities as in architectural results." He paused—then went on slowly and impressively—"Surely you remember,-you MUST remember, that it is written 'The city lieth four-square, and the length is as large as the breadth. The wall thereof is according to the measure of a man—that is, of the Angel. And the city is of pure gold.' Does that give you no hint of the measure of a man, that is, of the Angel?—of the 'new heavens and the new earth,' the old things being passed away? Dear child, you have studied deeply—you have adventured far and greatly!—continue your quest, but do not forget to take your guiding Light, the Faith which half the world and more ignores!"

She sprang to him impulsively and caught his hands.

"Oh, you must help me!" she cried—"You must teach me—I want to know what YOU know!—"

He held her gently and with reverent tenderness.

"I know no more than you,"—he answered—"you work by Science—I, by Faith, the bed-rock from Which all science proceeds—and we arrive at the same discoveries by different methods. I am a poor priest in the temple of the Divine, serving my turn—but I am not alone in service, for in every corner of the habitable globe there is one member of our 'City' who communicates with the rest. One!—but enough! To-day's commercial world uses old systems of wireless telegraphy and telephony which were known and done with thousands of years ago—but 'we' have the sound-ray—the light which carries music on its wings and creates form as it goes."

Here he released her hands.

"Knowing what you do know you have no need of my help"—he continued—"You have not found happiness yet, because that only comes through one source—Love. But I doubt not that God will give you that in His own good time." He paused—then went on—"As you go out, enter the chapel for a moment and send a prayer on the Sound-Ray to the Centre of all Knowledge,—the source of all discovery—have no fear but that it will arrive! The rest is for you to decide."

She hesitated.

"And—the Brazen City?" she queried.

"The Golden City!" he answered—"Well, you have had your experience! Your name is known there—and no doubt you can hear from it when you will."

"Do YOU hear from it?" she asked, pointedly.

He smiled gravely.

"I may not speak of what I hear"—he answered. "Nor may you!"

She was silent for a space—then looked up at him appealingly.

"The world is changed for me"—she said—"It will never be the same again! I do not seem to belong to it—other influences surround me,—how I live in it?—how shall I work—what shall I do?"

"You will do as you have always done—go your own way"—he replied—"The way which has led you to so much discovery and attainment. You must surely know in your own soul that you have been guided in that way—and your success is the result of allowing yourself to BE guided. In all things you will be guided now—have no fear for yourself! All will be well for you!"

"And for you?" she asked impulsively.

He smiled.

"Why think of me?" he said, gently—"I am nothing in your life—"

"You are!" she replied—"You are more than you imagine. I begin to realise—"

He held up his hand with a warning gesture.

"Hush!" he said—"There are things of which we must not speak!"

At that moment the monastery bell tolled the midday "Angelus." Don Aloysius bent his head—Morgana instinctively did the same. Within the building the deep voices of the brethren sounded, chanting,—

"Angelus Domini nuntiavit Maria Et concepit de Spiritu sancto."

As the salutation to heaven finished, the mellow music of the organ in the chapel sent a wave of solemn and prayerful tenderness on the air, and, moved by the emotion of the hour, Morgana's heart beat more quickly and tears filled her eyes.

"There must be beautiful music in the Golden City!" she said.

Don Aloysius smiled.

"There is! And when the other things of life give you pause to listen, you will often hear it!"

She smiled happily in response, and then, with a silent gesture of farewell, left the cloister and made her way to the chapel, part of which was kept open for public worship. It was empty, but the hidden organist was still playing. She went towards the High Altar and knelt in front of it. She was not of the Catholic faith,—she was truly of no faith at all save that which is taught by Science, which like a door opened in heaven shows all the wonders within,—but her keen sense of the beautiful was stirred by the solemn peace of the shut Tabernacle with the Cross above it, and the great lilies bending under their own weight of loveliness and fragrance on either side.

"It is the Symbol of a great Truth which is true for all time"—she thought, as she clasped her hands in an attitude of prayer—"And how sad and strange it is to feel that there are thousands among its best-intentioned worshippers and priests who have not discovered its mystic meaning. The God in Man, born of purity in woman! Is it only in the Golden City that they know?"

She raised her eyes in half unconscious appeal—and, as she did so, a brilliant Ray of light flashed downward from the summit of the Cross which surmounted the Altar, and remained extended slantwise towards her. She saw it,—and waited expectantly. Close to her ears a Voice spoke with extreme softness, yet very distinctly.

"Can you hear me?"

"Yes," she replied at once, with equal softness.

"Then, listen! I have a message for you!"

And Morgana listened,—listened intently,—the sapphire hue of the Ray lighting her gold hair, as she knelt, absorbed. What she heard filled her with a certain dread; and a tremor of premonition, like the darkness preceding storm, shook her nerves. But the inward spirit of her was as a warrior clothed in steel,—she was afraid of nothing—least of all of any event or incident passing for "supernatural," knowing beyond all doubt that the most seeming miraculous circumstances are all the result of natural movement and transmutation. There never had been anything surprising to her in the fact that light is a conveyor of sound; and that she was receiving a message by such means seemed no more extraordinary to her mind than receiving it by the accepted telephonic service. Every word spoken she heard with the closest attention—until—as though a cloud had suddenly covered it,—the "Sound-Ray" vanished, and the Voice ceased.

She rose at once from her knees, alert and ready for action—her face was pale, her lips set, her eyes luminous.

"I must not hesitate"—she said—"If I can save him I will!"

She left the chapel and hurried home, where as soon as she reached her own private room she wrote to the Marchese Rivardi the following note, which was more than unpleasantly startling to him when he received it.

"I shall need you and Gaspard for a long journey in the 'White Eagle.' Prepare everything in the way of provisioning and other necessary details. No time must be lost, and no expense need be spared. We must start as quickly as possible."

This message written, sealed and dispatched by one of her servants to the Marchese's villa, she sat for some moments lost in thought, wistfully looking out on her flower-filled gardens and the shimmering blue of the Mediterranean beyond.

"I may be too late!" she said, speaking aloud to herself—"But I will take the risk! He will not care—no!—a man like that cares for nothing but himself. He would have broken my life—(had I given him the chance!)—for the sake of an experiment. Now—if I can—I will rescue his for the sake of an ideal!"

"There shall be no more wars!—there CAN be none!"

Roger Seaton said these words aloud with defiant emphasis, addressing the dumb sky. It was early morning, but an intense heat had so scorched the earth that not the smallest drop of dew glittered on any leaf or blade of grass; it was all arid, brown and burned into a dryness as of fever. But Seaton was far too much engrossed with himself and his own business to note the landscape, or to be troubled by the suffocating closeness of the atmosphere,—he stood gazing with the idolatry of a passionate lover at a small, plain metal case, containing a dozen or more small plain metal cylinders, as small as women's thimbles, all neatly ranged side by side, divided from contact with one another by folded strips of cotton.

"There it is!" he went on, apostrophising the still air—"Complete,—perfected! If I sold that to any nation under the sun, that nation could rule the world!—could wipe out everything save itself and its own people! I have wrested the secret from the very womb of Nature!—it is mine—all mine! I would have given it to Britain—or to the United States—but neither will accept my terms—so therefore I hold it—I, only!—which is just as well! I—just I—am master of destiny!—the Power we call God, has put this tiling into my hands! What a marvel and shall I not use it? I will! Let Germany but stir an inch towards aggression, and Germany shall exist no longer!—The same with any other nation that starts a quarrel—I—I alone will settle it!"

His eyes blazed with the light of fanaticism—he was obsessed by the force of his own ideas and schemes, and the metal case on the table before him was, to his mind, time, life, present and future. He had arrived at that questionable point of intellectual attainment when man forgets that there is any existing force capable of opposing him, and imagines that he has but to go on in his own way to grasp all worlds and the secrets of their being. At this juncture, so often arrived at by many, a kind of super-sureness sets in, persuading the finite nature that it has reached the infinite. The whole mental organisation of the man thrilled with an awful consciousness of power. He said within himself "I hold the lives of millions at my mercy!"

Other thoughts—other dreams had passed away for the moment—he had forgotten life as it presents itself to the ordinary human being. Now and again a flitting vision of Morgana vaguely troubled him,—her intellectual capacity annoyed him, and yet he would have been glad to discuss with her the scientific unfolding of his great secret—she would understand it in all its bearings,—she might advise—Advice!—no!—he did not need the advice of a woman! As for Manella, he had not seen her since her last violent outburst of what he called "temper"—and he had no wish for her presence. For now he had a thing to do which was of paramount importance,—and this was, to deposit the treasured discovery of his life in a secret hiding-place he had found for it, till he should be ready to remove it to safer quarters—or—TILL HE RESOLVED TO USE IT. Had he been a religious man, of such humility as should accompany true religion, he would have prayed that its use should never be called upon,—but he had trained himself into an attitude of such complete indifferentism towards life and the things of life, that to him it seemed useless to pray for what did not matter. Sometimes the thought, appalling in its truth, flashed across his brain that the force he had discovered and condensed within small compass might as easily destroy half the world as a nation! The fabled thunderbolts of Jove were child's play compared with those plain-looking, thimble-like cylinders which contained such terrific power! A touch of hesitation—of pure human dread affected his nerves for the moment,—he shivered in the sultry air as with cold, and looked about him right and left as though suspecting some hidden witness of his actions. There was not so much as a bird or a butterfly in sight, and he drew a long deep breath of relief. The day was treading in the steps of dawn with the full blazonry of burning Californian sunlight, and away in the distance the ridges and peaks of distant mountains stood out sharply clear against the intense blue of the sky. There was great stillness everywhere,—a pause, as it seemed, in the mechanism of the universe. The twitter of a bird or the cry of some wild animal would have been a relief,—so Seaton felt, though accustomed to deep silence.

"Better get through with this at once"—he said, aloud—"Now that a safe place is prepared." Here he looked at his watch. "In a couple of hours they will be sending up from the Plaza to know if I want anything—Irish Jake or Manilla will be coming on some trivial matter—I'd better take the opportunity of complete secrecy while I can."

For the next few minutes or so he hesitated. With the sudden fancy that he had forgotten something, he turned out his pockets, looking for he scarcely knew what. The contents were mixed and various, and among them was a crumpled letter which he had received some days since from Sam Gwent. He smoothed it out carefully and re-read it, especially one passage—

"I think the States will never get involved in another war, but I am fairly sure Germany will. If she joins up with Russia look out for squalls. In your old country, which appears to be peopled by madmen, there's a writing chap who spent a fortnight in Russia, not long enough to know the ins and outs of a village, yet assuming to know everything about the biggest territory in Europe, and the press is puffing up his ignorance as if it were wisdom. Germany has her finger on the spot—so perhaps your stuff will come in useful. But don't forget that if you make up your mind to use it you will ruin America, commercially speaking. And many other countries besides. So think it well over,—more than a hundred times! Lydia Herbert, whom perhaps you remember, and perhaps you don't, has caught her 'ancient mariner'—that is to say, her millionaire,—and all fashionable New York is going to the wedding, including yours truly. I had expected Morgana Royal to grace the function, but I hear she is quite engrossed with the decoration and furnishing of her Sicilian palace, as well as with her advising artist, a very good-looking Marquis or Marchese as he is called. It is also whispered that she has invented a wonderful air-ship which has no engines, and creates its own motive power as it goes! Sounds rather tall talk!—but this is an age of wonders and we never know what next. There is a new Light Ray just out which prospects for gold, oil and all ores and minerals, and finds them in a fifty-mile circuit—so probably nobody need be poor for the future. When we've all got most things we want, and there's nothing left to work for, I wonder what the world will be worth!"

Seaton left off reading and thrust the letter again in his pocket.

"What will the world be worth?" he soliloquised—"Why, nothing!"

Suddenly struck by this thought, which had not always presented itself with such sharp and clear precision as now, he took time to consider it. Capital and Labour, the two forces which are much more prone to rend each other than to co-operate—these would both possibly be non-existent if Science had its full way. If gold, silver and other precious minerals could be "picked up" as on the fabled Tom Tiddler's ground, by a ray of light, then the striving for wealth would cease and work would be reduced to a minimum. The prospect was stupendous, but hardly entirely pleasing. If there were no need for effort, then the powers of mind and body would sink into inertia.

"What object should we live for?" he mused—"Merely to propagate our own kind and bring more effortless beings into the world to cumber it? The very idea is horrible! Work is the very blood and bone of existence—without it we should rot! But one must work for something or some one—wife?—children?—Useless labour!—for in nine cases out often the wife becomes a bore,—and the children grow up ungrateful. Why waste strength and feeling on either?"

Thus mentally arguing, the exquisite lines of Tennyson's "Lotus Eaters" suddenly rang in his memory like a chime of bells from the old English village where he had lived as a boy, when his mother, one of the past sweet "old-fashioned" women, used to read to him and teach him much of the best in literature,—

"Death is the end of life; ah, whyShould life all labour be?Let us alone. Time driveth onward fastAnd in a little while our lips are dumb,Let us alone. What is it that will last?All things are taken from us and becomePortions and parcels of the dreadful Past,Let us alone. What pleasure can we haveTo war with evil? Is there any peaceIn ever climbing up the climbing wave?"

An effortless existence would be the existence of such as these fabled Lotus Eaters—moreover, it was not possible it could go on, since all Nature shows effort without cessation. Roger Seaton knew this as all know it—but his soul's demand remained unsatisfied, for he sought to know the CAUSE of all the toil and trouble,—the "why" it should be. And at the back of his mind there was ever a teasing reminder of Morgana and her strange theories, some of which she had half imparted to him when their friendship had first begun. For her Tennyson's line—"Death is the end of life"—would be the statement of a foolish fallacy, as she held that there is no such thing as death, only failure to adapt the spirit to advancing and higher change in its physical organisation. To-day he remembered with curious clearness what she had said on this subject—

"Radio-activity is the chief secret of life. It is for us to learn how to absorb it into our systems as we grow,—to add by its means to our supplies of vitality and energy. It never gives out,—nor should we. The Nature-intention is that we should become better, stronger, more beautiful, more mentally and spiritually perfect—and that we do not fulfil this intention is our own fault. The decimation of the human race by wars and plagues and famines has always been traceable to human error. All accidents happen through those who make accidents possible,—diseases are bred through human dirt, greed, ignorance, and neglect. They are no part of the divine scheme of things. The plan is to advance and make progress from one point of excellence to another,—not to stop half way and turn back on the road. Humanity dies, because it will not learn how to live."

She had spoken these words with a quiet simplicity and earnestness that impressed him at the time as being almost child-like, considering the depth of thought into which she must have plunged, notwithstanding her youth and her sex—and on this morning of all others, this morning on which he had set himself a task for which he had made long and considerable preparation, he found himself half mechanically repeating her phrase—"Humanity dies because it will not learn how to live."

There was no fatalism,—no fixed destiny in this; only the force of Will was implied—the Will to learn,—the Will to know.

"And why should not humanity die?" he argued within himself—"If, in the long course of ages, it is proved that it will neither learn nor know,—why should it remain? Room should be made for a new race! A clever gardener can produce a perfectly beautiful flower from an insignificant and common weed,—surely this is a lesson to us that it may be possible to produce a god from a man!"

He bent his eyes lovingly on the case of small cylinders lying open before him;—the just risen sun brightened them to a glitter as of cold steel,—and for a moment he fancied they flashed upon him with an almost sinister gleam.

"Power of good or power of evil?" he questioned his inward spirit—"Who can decide? If it is good to destroy evil then the force is a good force—if it is evil to destroy good WITH evil, then it is an evil thing. But Nature makes no such particular discriminations—she destroys evil and good together at one blow. Why therefore should I—or anyone—offer to discriminate?—since evil is always the preponderating factor. When the 'Lusitania' was torpedoed neither God nor Nature interfered to save the innocent from the guilty—men, women and children were all plunged into the pitiless sea. I—as a part of Nature—if I destroy, I only follow her example. War is an evil,—an abominable crime—and those that attempt to make it should be swept from the face of the earth even if good and peace-loving units are swept along with them. This cannot be helped."

He went into his hut, and in a few minutes came out again clothed in thick garments of a dark, earth colour, and carrying a stout staff, steel-pointed at its end something after the fashion of a Swiss alpenstock. He brought with him a small metal box into which he placed the case of cylinders, covering it with a closely fitting lid. Then he put the package into a basket made of rough twigs and strips of bark, having a strong handle, to which he fastened a leather strap, and slung the whole thing over his shoulders like a knapsack. Then, casting another look round to make sure that there was no one about, he started to walk towards a steeper descent of the hill in a totally different direction from that which led to the "Plaza" hotel. He went swiftly, at a steady swinging pace,—and though his way took him among confused masses of rock, and fallen boulders, he thought nothing of these obstacles, vaulting lightly across them with the ease of a chamois, till he came to a point where there was a declivity running sheer down to invisible depths, from whence came the rumbling echo of falling water. In this almost perpendicular wall of rock were a few ledges, like the precarious rungs of a broken ladder, and down these he prepared to go. Clinging at first to the topmost edge of the precipice, he let himself down warily inch by inch till his figure entirely disappeared, sunken, as it were in darkness. As he vanished there was a sudden cry—a rush as of wings—and a woman sprang up from amid bushes where she had lain hidden,—it was Manella. For days and nights she had stolen away in the intervals of her work, to watch him—and nothing had chanced to excite her alarm till now—till now, when she had seen him emerge from his hut and pack up the mysterious box he carried,—and when she had heard him talking strangely to himself in a way she could not understand.

As soon as he started to walk she followed him, pushing through heavy brushwood and crawling along the ground where she could not be seen;—and now,—with dishevelled hair, and staring, terrified eyes she leaned over the edge of the precipice, baffled and desperate. Tearless sobs convulsed her throat,—

"Oh, God of mercy!" she moaned in suffocated accents—"How can I follow him down there! Oh, help me, Mary mother! Help me! I must—I must be with him!"

She gathered up her hair in a close coil and wound her skirts tightly about her, looking everywhere for a footing. She saw a deep cranny which had been hollowed out by some torrent of water—it cut sharply through the rock like a path,—she could risk that perhaps, she thought,—and yet her brain reeled—she felt sick and giddy—would it not be wiser to stay where she was and wait for the return of the reckless creature who had ventured all alone into one of the deepest canons of the whole country? While she hesitated she caught a sudden glimpse of him, stepping with apparent ease over huge heaps of stones and fallen pieces of rock at the bottom of the declivity,—she watched his movements in breathless suspense. On he went towards a vast aperture, shaped arch-wise like the entrance to a cavern—he paused a moment—then entered it. This was enough for Manella—her wild love and wilder terror gave her an almost supernatural strength and daring,—and all heedless now of results she sprang boldly towards the deep cutting in the rock, swinging herself from jagged point to point till—reaching the bottom of the declivity at last, bruised and bleeding, but undaunted,—she stopped, checked by a rushing stream which tumbled over great boulders and dashed its cold spray in her face. Looking about her she saw to her dismay that the vaulted cavern wherein Seaton had disappeared was on the other side of this stream—she stood almost opposite to it—but how to get across? Gazing despairingly in every direction she suddenly perceived the fallen trunk of a tree lying half in and half out of the brawling torrent—it was green with slippery moss and offered but a dangerous foothold,—nevertheless she resolved to attempt it.

"I said I would die for him!" she thought—"and I will!"

Getting astride the tree, it swayed under her,—but she found she could push one of the larger boughs forward to lengthen the extemporary bridge,—and so, as it were, riding the waters, which surged noisily around her, she managed by dint of super-human effort to reach the projection of pebbly shore where the entrance to the cavern yawned open before her, black and desolate. The sun in its full morning glory blazed slanting down upon the darkness of the canon, and as she stood shivering, wet through and utterly exhausted, wondering what next she should do, she caught sight of a form moving within the cave like a moving shadow, and ascending a steep natural stairway of columnar rocks piled one on top of the other. Affrighted as she was by the tomb-like aspect of the deep vault, she had not ventured so far that she should now shrink from further dangers or fail in her quest;—the cherished object of her constant watchful care was within that subterranean blackness,—for what purpose?—she did not dare to think! But there was an instinctive sense of dread foreknowledge upon her,—a warning of impending evil,—and had she not sworn to him—"If God struck you down to hell I would be there!" The entrance to the cavern looked like the mouth of hell itself, as she had seen it depicted in one of her Catholic early lesson books. There were serpents and dragons in the picture ready to devour the impenitent sinner,—there might be serpents and dragons in this cave, for all she knew! But what matter? If the man she loved were actually in hell she "would be there"—as she had said!—and would surely find it Heaven! And so,—seeing the mere outline of his form moving ghost-like in the gloom, it was to her a guiding presence,—a light amid darkness,—and when,—after a minute or two—her straining eyes perceived him climbing steadily up the steep and perilous rocks, seeming about to disappear altogether,—she mastered the tremor of her nerves and crept cautiously step by step into the sombre vault, blindly feeling her way through the damp, thick murkiness, reckless of all danger, and only bent on following him.

Of all the vagaries and humours of humanity when considered in crowds, there is nothing which appears more senseless and objectless than the way in which it congregates outside the door of a church at a fashionable or "society" wedding. The massed people pushing and shoving each other about have nothing whatever to do with either bride or bridegroom, the ceremony inside the sacred edifice has in most cases ceased to be a "sacrament"—and has become a mere show of dressed-up manikins and womenkins, many of the latter being mere OBJECT D'ART,—stands for the display of millinery. And yet—the crowds fight and jostle,—women scramble and scream,—all to catch a glimpse of the woman who is to be given to the man, and the man who has agreed to accept the woman. The wealthier the pair the wilder the frenzy to gaze upon them. Savages performing a crazy war-dance are decorous of behaviour in contrast with these "civilised" folk who tramp on each other's feet and are ready to squeeze each other into pulp for the chance of staring at two persons whom the majority of them have never seen before and are not likely to see again. The wedding of Miss Lydia Herbert with her "ancient mariner," a seventy-year-old millionaire reputed to be as wealthy as Rockefeller,—was one of these "sensations"—chiefly on account of the fact that every unmarried woman young and old, and every widow, had been hunting him in vain for fully five years. Miss Herbert had been voted "no chance," because she made no secret of her extravagant tastes in dress and jewels,—yet despite society croakers she had won the game. This in itself was interesting,—as the millionaire she had secured was known to be particularly close-fisted and parsimonious. Nevertheless he had shown remarkable signs of relaxing these tendencies; for he had literally showered jewels on his chosen bride, leaving no door open for any complaint in that quarter. Her diamonds were the talk of New York, and on the day of her wedding her gowns literally flashed like a firework with numerous dazzling points of light. "The Voice that breathed o'er Eden" had little to do with the magnificence of her attire, or with the brilliancy of the rose-wreathed bridesmaids, young girls of specially selected beauty and elegance who were all more or less disappointed in failing to win the millionaire themselves. For these youthful persons in their 'teens had social ambitions hidden in hearts harder than steel—"a good time" of self-indulgence and luxury was all they sought for in life—in fact, they had no conception of any higher ideal. The millionaire himself, though old, maintained a fairly middle-aged appearance—he was a thin, wiry, well-preserved man, his wizened and furrowed countenance chiefly showing the marks of Time's ploughshare. It would have been difficult to say why, out of all the feminine butterflies hovering around him, he had chosen Lydia Herbert,—but he was a shrewd judge of character in his way, and he had decided that as she was not in her first youth it would be more worth her while to conduct herself decorously as wife and housekeeper, and generally look after his health and comfort, than it would be for a less responsible woman. Then, she had "manner,"—her appearance was attractive and she wore her clothes well and stylishly. All this was enough for a man who wanted some one to attend to his house and entertain his friends, and he was perfectly satisfied with himself as he repeated after the clergyman the words, "With my body I thee worship, and with all my worldly goods I thee endow," knowing that "with his body" he had never worshipped anything, and that the "endowment" of his worldly goods was strictly limited to certain settlements. He felt himself to be superior to his old bachelor friend Sam Gwent, who supported him as "best man" at the ceremony, and who, as he stood, stiffly upright in immaculate "afternoon visiting attire" among the restlessly swaying, semi-whispering throng, was all the time thinking of the dusky night-gloom in the garden of the "Plaza" far away in California and a beautiful face set against the dark background of myrtle bushes exhaling rich perfume.

"What a startling contrast she would be to these dolls of fashion!" he thought—"What a sensation she would make! There's not a woman here who can compare with her! If I were only a bit younger I'd try my luck!—anyway I'm younger than to-day's bridegroom!—but she—Manella—would never look at any other man than Seaton, who doesn't care a rap for her or any other woman!" Here his thoughts took another turn.

"No," he repeated inwardly—"He doesn't care a rap for her or any other woman—except—perhaps—Morgana! And even if it were Morgana, it would be for himself and himself alone! While she—ah!—it would be a clever brain indeed that could worry out what SHE cares for! Nothing in this world, so far as I can see!"

Here the organ poured the rich strains of a soft and solemn prelude through the crowded church—the "sacred" part of the ceremony was over, and bride and bridegroom made their way to the vestry, there to sign the register in the presence of a selected group of friends. Sam Gwent was one of these,—and though he had attended many such functions before, he was more curiously impressed than usual by the unctuous and barefaced hypocrisy of the whole thing—the smiling humbug of the officiating clergy,—the affected delight of the "society" toadies fluttering like wasps round bride and bride-groom as though they were sweet dishes specially for stinging insects to feed upon, and in his mind he seemed to hear the warm, passionate voice of Manella in frank admission of her love for Seaton.

"It is good to love him!" she had said—"I am happy to love him. I wish only to serve him!"

This was primitive passion,—the passion of primitive woman for her mate whom she admitted to be stronger than herself, to whom she instinctively looked for shelter and protection, and round whose commanding force she sought to rear the lovely fabric of "Home,"—a state of feeling as far removed from the sentiments of modern women as the constellation of Orion is removed from earth. And Sam Gwent's fragmentary reflections flitting through his brain were more serious—one might say more romantic, than the consideration of dollars, which usually occupied all his faculties. He had always thought that there was a good deal in life which he had missed somehow, and which dollars could not purchase; and a certain irate contempt filled him for the man who, unlike himself, was in the prime of strength, and who, with all the glories of Nature about him and the love and beauty of an exquisite womanhood at his hand for possession, could nevertheless devote his energies to the science of destruction and the compassing of death without compunction, on the lines Roger Seaton had laid down as the remedy against all war.

"The kindest thing to think of him is that he's not quite sane,"—Gwent mused—"He has been obsessed by the horrible carnage of the Great War, and disgusted by the utter inefficiency of Governments since the armistice, and this appalling invention of his is the result."

The crashing chords of the Bridal March from "Lohengrin" put an end to his thoughts for the moment,—people began to crush and push out of church, or stand back on each other's toes to stare at the bride's diamonds as she moved very slowly and gracefully down the aisle on the arm of her elderly husband. She certainly looked very well,—and her smile suggested entire satisfaction with herself and the world. Press-camera men clambered about wherever they could find a footing, to catch and perpetuate that smile, which when enlarged and reproduced in newspapers would depict the grinning dental display so much associated with Woodrow Wilson and the Prince of Wales,—though more suggestive of a skull than anything else. Skulls invariably show their teeth, we know—but it has been left to the modern press-camera man to insist on the death-grin in faces that yet live. The crowd outside the church was far denser than the crowd within, and the fighting and scrambling for points of view became terrific, especially when the wedding guests' motor-cars began to make their way, with sundry hoots and snorts, through the densely packed mob. Women screamed,—some fainted—but none thought of giving way to others, or retiring from the wild scene of contest. Gwent judged it wisest to remain within the church portal till the crowd should clear, and there, safely ensconced, he watched the maddened mass of foolish sight-seers, all of whom had plainly left their daily avocations merely to stare at a man and woman wedded, with whom, personally, they had nothing whatever to do.

"People talk about unemployment!" he mused—"There's enough human material in this one street to make wealth for themselves and the whole community, yet they are idle by their own choice. If they had anything to do they wouldn't be here!"

He laughed grimly,—the utter stodginess and stupidity of humanity EN MASSE had of late struck him very forcibly, and he found every excuse for the so-called incapacity of Governments, seeing the kind of folk they are called upon to govern. He realised, as we all who read history, must do, that we are no worse and no better than the peoples of the past,—we are just as hypocritical, fraudulent, deceptive and cruel as ever they were in legalised torture-times, and just as ineradicably selfish. The pagans practised a religion which they did not truly believe in, and so do we. All through the ages God has been mocked;—all through the ages Divine vengeance has fallen on the mockers and the mockery.

"And after all," thought Gwent—"wars are as necessary as plagues to clear out a superabundant population, only most unfortunately Nature adopts such recklessness in her methods that it most often happens the best among us are taken, and the worst left. I tried to impress this on Seaton, whose system of destruction would involve the good as well as the bad—but these intellectual monsters of scientific appetite have no conscience and no sentiment. To prove their theories they would annihilate a continent."

Here a sudden ugly rush of the crowd, dangerous to both life and limb, pushed him back against the church portal with the force of a tidal wave,—it was not concerned with the bridal pair who had already driven away in their automobile, nor with the wedding guests who were following them to the great hotel where the bride's reception was held—it was caused by the wild dash of half a dozen or so of unkempt men and boys who tore a passage for themselves through the swaying mob of sightseers, waving newspapers aloft and shouting loudly with voices deep and shrill, clear and hoarse—

"Earthquake in California! Terrible loss of life! Thousands dead! Awful scenes! Earthquake in California!"

The people swayed again—then stopped in massed groups,—some clutching at the newsboys as they ran and buying the papers as fast as they could be sold, while all the time above the muffled roar of the city they sent their cries aloft, echoing near and far—

"Thousands dead! Awful scenes! Towns destroyed! Terrible Earthquake in California!"

Sam Gwent stepped out from the church portal, elbowing his way through the confusion,—the yells of the news vendors rang sharply in his ears and yet for the moment he scarcely grasped their meaning; "California" was the one word that caught him, as it were, with a hammer stroke,—then "Thousands dead!" Finding at last an open passage through the dispersing crowd, he went at something of a run after one of the newsboys, and snatched the last paper he had to sell out of his hand.

"What is it?" he demanded as he paid his money.

"Dunno!" the boy replied, breathlessly—"'Xpect everybody's dead down California way!"

Gwent unfolded the journal and stared at the great headlines, printed in fat black letters, still smelling strongly of printer's ink.

Appalling Earthquake In California!—Mountain Upheaval!—Towns Wiped Out!—Plaza Hotel Engulfed!—Frightful Loss of Life!

His eyes grew dim and dazzled—his brain swam,—he gazed up unseeingly at the blue sky, the tall "sky-scraper" houses, the sweep of human and vehicular traffic around him; and to his excited fancy the beautiful face of Manella came, like a phantom, between him and all else that was presented to his vision—that face warm and glowing with woman's tenderness—the splendid dark eyes aflame with love for a man whose indifference to her only strengthened her adoration and he seemed to hear the deep defiant voice of Roger Seaton ringing in his ears—

"Annihilation! A holocaust of microbes! I would—and could—wipe them off the face of the earth in twenty-four hours!" He could—and would!

"And by Heaven," said Gwent, within himself—"He's done it!"


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