The help which Lee Haines wanted, it turned out, was guidance across a difficult stretch of country which he and Buck Daniels wanted to prospect, and while he talked Barry listened uneasily. It was constitutionally impossible for him to say no when a favor was asked of him, and Haines counted heavily on that characteristic; in the meantime Black Bart lay on the hearth with his wistful eyes turned steadily up to the master; and Buck Daniels went to Kate on the farther side of the room. She sat quivering, alternately crushing and soothing Joan with the strength of her caresses. Buck drew a chair close, with his back half towards the fire.
“Turn around a little, Kate,” he cautioned. “Don't let Dan see your face.”
She obeyed him automatically.
“Is there a hope, Buck? What have I done to deserve this? I don't want to live; I want to die! I want to die!”
“Steady, steady!” he cut in, and his face was working. “If you keep on like this you'll bust down in a minute or two. And you know what tears do to Dan; he'll be out of this house like a scairt coyote. Brace up!”
She struggled and won a partial control.
“I'm fighting hard, Buck.”
“Fight harder still. You ought to know him better than I do. When he's like this it drives him wild to have other folks thinkin' about him.”
He looked over to Dan. In spite of the bowed head of the latter as he listened to Haines yarning he gave an impression of electric awareness to all that was around him.
“Talk soft,” whispered Buck. “Maybe he knows we're talkin' about him.”
He raised his voice out of the whisper, breaking in on a sentence about Joan, as if this were the tenor of their talk. Then he lowered his tone again.
“Think quick. Talk soft. Do you want Dan kept here?”
“For God's sake, yes.”
“Suppose the posse gets him here?”
“We musn't dodge the law.”
They were gauging their voices with the closest precision. Talking like this so close to Barry was like dancing among flasks of nitroglycerine. Once, and once only, Lee Haines cast a desperate eye across to them, begging them to come to his rescue, then he went back to his talk with Dan, raising his voice to shelter the conference of the other two.
“If they come, he'll fight.”
“No, he isn't at the fighting pitch yet, I know!”
“If you're wrong they'll be dead men here.”
“He sees no difference between the death of a horse and the death of a man. He feels that the law has no score against him. He'll go quietly.”
“And we'll find ways of fightin' the law?”
“Yes, but it needs money.”
“I've got a stake.”
“God bless you, Buck.”
“Take my advice.”
“What?”
“Let him go now.”
She glanced at him wildly.
“Kate, he's gone already.”
“No, no, no!”
“I say he's gone. Look at his eyes.”
“I don't dare.”
“The yaller is comin' up in 'em. He's wild again.” She shook her head in mute agony. Buck Daniels groaned, softly.
“Then they's goin' to be a small-sized hell started around this cabin before mornin'.”
He got up and went slowly back towards the fire. Lee Haines was talking steadily, leisurely, going round and round his subject again and again, and Barry listened with bowed head, but his eyes were fixed upon those of the wolf-dog at his feet. When he grew restless, Haines chained him to the chair with some direct question, yet it was a hard game to play. All this time the posse might be gathering around the cabin; and the forehead of Haines whitened and glistened with sweat. His voice was the only living thing in the cabin, after a time, sketching his imaginary plans for the benefit of Barry—his voice and the wistful eyes of Joan which kept steadily on Daddy Dan. Something has come between them and lifted a barrier which she could not understand, and with all her aching child's heart she wondered at it.
For the second time that evening the wolf stood up on the hearth, but he was not yet on his feet before Dan was out of his chair and standing close to the wall, where the shadows swallowed him. Lee Haines sat with his lips frozen on the next unspoken word. Two shadows, whose feet made no sound, Black Bart and Dan glided to the door and peered into the night—then Barry went back, step by step, until his back was once more to the wall. Not until that instant did the others hear. It was a step which approached behind the house; a loud rap at the back door.
It was the very loudness of the knock which made Kate draw a breath of relief; if it had been a stealthy tap she would have screamed. He who rapped did not wait for an answer; they heard the door creak open, the sound of a heavy man's step.
“It's Vic,” said Dan quietly, and then the door opened which led into the kitchen and the tall form of Gregg entered. He paused there.
“Here I am again, ma'am.”
“Good evening,” she answered faintly.
He cleared his throat, embarrassed.
“Darned if I didn't play a fool game today—hello, Dan.”
The other nodded.
“Rode in a plumb circle and come back where I started.” He laughed, and the laughter broke off a little shortly. He stepped to the wall and hung up his bridle on its peg, which is the immemorial manner of asking hospitality in the mountain-desert. “Hope I ain't puttin' you out, Kate. I see you got company.”
She started, recalled from her thoughts.
“Excuse me, Vic. Vic Gregg, Buck Daniels, Lee Haines.”
They shook hands, and Vic detained Haines a moment.
“Seems to me I've heard of you, Haines.”
“Maybe.”
Gregg looked at the big man narrowly, and then swung back towards Dan. He knew many things, now. Lee Haines—yes, that was the name. One of the crew who followed Jim Silent; and Dan Barry? What a fool he had been not to remember! It was Dan Barry who had gone on the trail of Silent's gang and hounded it to death; Lee Haines alone had been spared. Yes, half a dozen years before the mountain-folk had heard that story, a wild and improbable one. It fitted in with what Pete Glass had told him of the shooting of Harry Fisher; it explained a great deal which had mystified him since he first met Barry; it made the thing he had come to do at once easier and harder.
“I s'pose Molly showed a clean pair of heels to the whole lot of 'em?” he said to Dan.
“She's dead.”
“Dead?” His astonishment was well enough affected. “God amighty, Dan, not Grey Molly—my hoss?”
“Dead. I shot her.”
Vic gasped. “You?”
“They'd busted her leg. I put her out of pain.”
Gregg dropped into a chair. It was not altogether an affectation, not altogether a piece of skilful acting now, for though the sheriff had told him all that happened he had not had a chance to feel the truth; but now it swept over him, all her tricks, all her deviltry, all that long companionship. His head bowed.
No smile touched the faces of the others in the room, but a reverent silence fell on the room. Then that figure among the shadows moved out, stepped to the side of Vic, and a light hand rested on his shoulder. The other looked up, haggard.
“She's gone, partner,” Dan said gently, “but she's paid for.”
“Paid for? Dan, they ain't any money could pay me back for Grey Molly.”
“I know; I know! Not that way, but there was a life given for a life.”
“Eh?”
“One man died for Molly.”
As the meaning came home to Gregg he blinked, and then, looking up, he found a change in the eyes of Barry, for they seemed to be lighted from within coldly, and his glance went down to the very bottom of Vic's soul, probing. It was only an instant, a thing of which Gregg could not make sure, and then Dan slipped back into his place among the shadows by the wall. But a chill sense of guilt, a premonition of danger, stayed in Gregg. The palms of his hands grew moist.
Dangerous men were no novelty for Gregg. He had lived with them, worked with them, as hard-fisted himself as any, and as ready for trouble, but the man of the mountain-desert has a peculiar dread for the practiced, known gun-fighter. In the days of the rapier when the art of fence grew so complicated that half a life was needed for its mastery, men would as soon commit suicide as ruffle it with an assured duellist; and the man of the mountain-desert has a similar respect for those who are born, it might be said, gun in hand. There was ample reason for the prickling in his scalp, Vic felt, for here he sat on an errand of consummate danger with three of these deadly fighters. Two of them he knew by name and repute, however dimly, and as for Buck Daniels, unless all signs failed the dark, sharp-eyed fellow was hardly less grim than the others. Vic gauged the three one by one. Daniels might be dreaded for an outburst of wild temper and in that moment he could be as terrible as any. Lee Haines would fight coolly, his blue eyes never clouded by passion, for that was his repute as the right hand man of Jim Silent, in the days when Jim had been a terrible, half-legendary figure. One felt that same quiet strength as the tawny haired man talked to Barry now; his voice was a smooth, deep current. But as for Barry himself, Gregg could not compute the factors which entered into the man. By all outward seeming that slender, half-timid figure was not a tithe of the force which either of the others represented, but out of the past Gregg's memory gathered more and more details, clear and clearer, of the wolf-dog, the black stallion, and the whistling man who tracked down Silent—“Whistling Dan” Barry; that was what they called him, sometimes. Nothing was definite in the mind of Gregg. The stories consisted of patched details, heard here and there at third or fourth hand, but he remembered one epic incident in which Barry had ridden, so rumor told, into the very heart of Elkhead, taken from the jail this very man, this Lee Haines, and carried him through the cordon of every armed man in Elkhead. And there was another picture, dimmer still, which an eye witness had painted: of how, at an appointed hour, Barry met Jim Silent and killed him.
Out of these thoughts he glanced again at the man in the shadow, half expecting to find his host swollen to giant size. Instead, he found the same meager form, the same old suggestion of youth which would not age, the same pale hands, of almost feminine litheness. Lee Haines talked on—about a porphyry dyke somewhere to the north—a ledge to be found in the space of ten thousand square miles—a list of vague clues—an appeal for Barry to help them find it—and Barry was held listening though ever seeming to drift, or about to drift, towards the door. Black Bart lay facing his master, and his snaky head followed every movement. Kate sat where the firelight barely touched on her, and in her arms she held Joan, whose face and great bright eyes were turned towards Daddy Dan. All things in the room centered on the place where the man sat by the wall, and the sense of something impending swept over Gregg; then a wild fear—did they know the danger outside? He must make conversation; he turned to Kate, but at the same moment the voice of Buck Daniels beside him, close.
“I know how you feel, old man. I remember an old bay hoss of mine, a Morgan hoss, and when he died I grieved for near onto a year, mostly. He wasn't much of a hoss to look at, too long coupled, you'd say, and his legs was short, but he got about like a coyote and when he sat down on a rope you couldn't budge him with a team of Percherons. That's how good he was! When he was a four year old I was cutting out yearlin's with him, and how—”
The loud, cheerful tone fell away to a confidential murmur, Daniels leaned closer, with a smile of prospective humor, but the words which came to Gregg were: “Partner, if I was you I'd get up and git and I wouldn't stop till I put a hell of a long ways between me and this cabin!”
It spoke well of Vic's nerve that no start betrayed him. He bowed his head a little, as though to catch the trend of the jolly story better, nodding.
“What's wrong?” he muttered back.
“Barry's watchin' you out of the shadow.”
Then: “You fool, don't look!”
But there was method in Vic's raising his head. He threw it back and broke into laughter, but while he laughed he searched the shadow by the wall where Dan sat, and he felt glimmering eyes fixed steadily upon him. He dropped his head again, as if to hear more.
“What's it mean, Daniels?”
“You ought to know. I don't. But he don't mean you no good. He's lookin' at you too steady. If I was you—”
Through the whisper of Buck, through the loud, steady talk of Lee Haines, cut the voice of Barry.
“Vic!”
The latter looked up and found that Barry was standing just within the glow of the hearth-light and something about him made Gregg's heart shrink.
“Vic, how much did they pay you?”
He tried to answer; he would have given ten years of life to have his voice under control for an instant; but his tongue froze. He knew that every one had turned toward him and he tried to smile, look unconcerned, but in spite of himself his eyes were wide, fixed, and he felt that they could stare into the bottom of his soul and see the guilt.
“How much?”
Then his voice came, but he could have groaned when he heard its crazily shaken, shrill sound.
“What d'you mean, Dan?”
The other smiled and Gregg added hastily: “If you want me to be movin' along, Dan, of course you're the doctor.”
“How much did they pay?” repeated the quiet, inexorable voice.
He could have stood that, even without much fear, for no matter how terrible the man might be in action his hands were tied in his own house; but now Kate spoke: “Vic, what have you done?”
Then it came, in a flood. Hot shame rolled through him and the words burst out:
“I'm a yaller houn'-dog, a sneakin' no-good cur! Dan, you're right. I've sold you. They're out there, all of 'em, waitin' in the rocks. For God's sake take my gun and pump me full of lead!”
He threw his arms out, clear of his holster and turned that Barry might draw his revolver. Vaguely he knew that Haines and Buck had drawn swiftly close to him from either side; vaguely he heard the cry of Kate; but all that he clearly understood was the merciless, unmoved face of Barry. It was pretense; with all his being he wanted to die, but when Barry made no move to strike he turned desperately to the others.
“Do the job for him. He saved my life and then I used it to sell him. Daniels, Haines, I got no use for livin'.”
“Vic,” he said, “take—this!—and march to your friends outside; and when you get through them, plant a forty-five slug in your own dirty heart and then rot.” Haines held out his gun with a gesture of contempt.
But Kate slipped in front of him, white and anguish.
“It was the girl you told me about, Vic?” she said. “You did it to get back to her?”
He dropped his head.
“Dan, let him go!”
“I got no thought of usin' him.”
“Why not?” cried Vic suddenly. “I'll do the way Haines said. Or else let me stay here and fight 'em off with you. Dan, for God's sake give me one chance to make good.”
It was like talking to a face of stone.
“The door's open for you, and waitin'. One thing before you go. That's the same gang you told me about before? Ronicky Joe, Harry Fisher, Gus Reeve, Mat Henshaw, Sliver Waldron and Pete Glass?”
“Harry Fisher's dead, Dan, if you'll give me one fightin' chance to play square now—”
“Tell 'em that I know 'em. Tell 'em one thing more. I thought Grey Molly was worth only one man. But I was wrong. They've done me dirt and played crooked. They come huntin' me—with a decoy. Now tell 'em from me that Grey Molly is worth seven men, and she's goin' to be paid for in full.”
He stepped to the wall and took down the bridle which Vic had hung there.
“I guess you'll be needin' this?”
It ended all talk; it even seemed to Gregg that as soon as he received the bridle from the hand of Barry the truce ended with a sudden period and war began. He turned slowly away.
As Vic Gregg left the house, the new moon peered at him over a black mountain-top, a sickle of white with a half imaginary line rounding the rest of the circle, and to the shaken mind of Vic it seemed as if a ghostly spectator had come out to watch the tragedy among the peaks. At the line of the rocks the sheriff spoke.
“Gregg, you've busted your contract. You didn't bring him out.”
Vic threw his revolver on the ground.
“I bust the rest of it here and now. I'm through. Put on your irons and take me back. Hang me and be damned to you, but I'll do no more to double-cross him.”
Sliver Waldron drew from his pocket something which jangled faintly, but the sheriff stopped him with a word. He sat up behind his rock.
“I got an idea, Gregg, that you've finished up your job and double-crossed us! Does he know that I'm out here? Sit down there out of sight.”
“I'll do that,” said Gregg, obeying, “because you got the right to make me, but you ain't got the right to make me talk, and nothin' this side of hell can pry a word out of me!”
The sheriff drew down his brows until his eyes were merely cavities of blackness. Very tenderly he fondled the rifle-butt which lay across his knees, and never in the mountain-desert had there been a more humbly unpretentious figure of a man.
He said: “Vic, I been thinkin' that you had the man-sized makin's of a skunk, but I'm considerable glad to see I've judged you wrong. Sit quiet here. I ain't goin' to put no irons on you if you give me your parole.”
“I'll see you in hell before I give you nothin'. I was a man, or a partways man, till I met up with you tonight, and now I'm a houn'-dog that's done my partner dirt! God amighty, what made me do it?”
He beat his knuckles against his forehead.
“What you've done you can't undo,” answered the sheriff. “Vic, I've seen gents do considerable worse than you've done and come clean afterwards. You're goin' to get off for what you've done to Blondy, and you're goin' to live straight afterwards. You're goin' to get married and you're goin' to play white. Why, man, I had to use you as far as I could. But you think I wanted you to bring me out Barry? You couldn't look Betty square in the face if you'd done what you set out to do. Now, I ain't pressin' you, but I done some scouting while you was away, and I heard four men's voices in the house. Can you tell me who's there?”
“You've played square, Pete,” answered Vic hoarsely, “and I'll do my part. Go down and get on your hosses and ride like hell; because in ten minutes you're goin' to have three bad ones around your necks.”
A mutter came from the rest of the posse, for this was rather more than they had planned ahead. The sheriff, however, only sighed, and as the moonlight increased Vic could see that he was deeply, childishly contented, for in the heart of the little dusty man there was that inextinguishable spark, the love of battle. Chance had thrown him on the side of the law, but sooner or later dull times were sure to come and then Pete Glass would cut out work of his own making go bad. The love of the man-trail is a passion that works in two ways, and they who begin by hunting will in the end be the hunted; the mountain-desert is filled with such histories.
“Three to five,” said the sheriff, “sounds more interestin', Vic.”
A sudden passion to destroy that assured calm rose in Gregg.
“Three common men might make you a game,” he said, glowering, “but them ain't common ones. One of 'em I don't know, but he has a damned nervous hand. Another is Lee Haines!”
He had succeeded in part, at least. The sheriff sat bolt erect; he seemed to be hearing distant music.
“Lee Haines!” he murmured. “That was Jim Silent's man. They say he was as fast with a gun as Jim himself.” He sighed again. “They's nothing like a big man, Vic, to fill your sights.”
“Daniels and Haines, suppose you count them off agin' the rest of your gang, Pete. That leaves Barry for you.” He grinned maliciously. “D'you know what Barry it is?”
“It's a kind of common name, Vic.”
“Pete, have you heard of Whistlin' Dan?”
No doubt about it, he had burst the confidence of the sheriff into fragments. The little man began to pant and even in the dim light Vic could see that his face was working.
“Him!” he said at length. And then: “I might of knowed! Him!” He leaned closer. “Keep it to yourself, Vic, or you'll have the rest of the boys runnin' for cover before the fun begins.”
He snuggled a little closer to his rock and turned his head towards the house.
“Him!” he said again.
Columbus, when he saw the land of his dream wavering blue in the distance, might have hailed it with such a heart-filling whisper, and Vic knew that when these two met, these two slender, small men—with the uneasy hands, there would be a battle whose fame would ring from range to range.
“If they was only a bit more light,” muttered the sheriff. “My God, Vic, why ain't the moon jest a mite nearer the full!”
After that, not a word for a long time until the lights in the house were suddenly extinguished.
“So they won't show up agin no background when they make their run,” murmured the sheriff. He pushed up his hat brim so that it covered his eyes more perfectly. “Boys, get ready. They're comin' now!”
Mat Henshaw took up the word, and repeated it, and the whisper ran down the line of men who lay irregularly among the rocks, until at last Sliver Waldron brought it to a stop with a deep murmur. Not even a whisper could altogether disguise his booming bass. It seemed to Vic Gregg that the air about him grew more tense; his arm muscles commenced to ache from the gripping of his hands. Then a door creaked—they could tell the indubitable sound as if there were a light to see it swing cautiously wide.
“They're goin' out the back way,” interpreted the sheriff, “but they'll come around in front. They ain't any other way they can get out of here. Pass that down the line, Mat.”
Before the whisper had trailed out half its course, a woman screamed in the house. It sent a jag of lightning through the brain of Vic Gregg; he started up.
“Get down,” commanded the sheriff 'curtly. “Or they'll plant you.”
“For God's sake, Pete, he's killin' his wife—an'—he's gone mad—I seen it comin' in his eyes!”
“Shut up,” muttered Glass, “an' listen.”
A pulse of sound floated out to them, and stopped the breath of Gregg; it was a deep, stifled sobbing.
“She's begged him to stay with her; he's gone,” said the sheriff. “Now it'll come quick.”
But the sheriff was wrong. There was not a sound, not a sign of a rush.
Presently: “What sort of a lass is she, Gregg?”
“All yaller hair, Pete, and the softes' blue eyes you ever see.”
The sheriff made no answer, but Vic saw the little bony hand tense about the barrel of the rifle. Still that utter quiet, with the pulse of the sobbing lying like a weight upon the air, and the horror of the waiting mounted and grew, like peak upon peak before the eyes of the climber.
“Watch for 'em sneakin' up on us through the rocks. Watch for 'em close, lads. It ain't goin' to be a rush.”
Once more the sibilant murmur ran down the line, and the voice of Sliver Waldron brought it faintly to a period.
“Three of 'em,” continued the sheriff, “and most likely they'll come at us three ways.”
Through the shadow Vic watched the lips of Glass work and caught the end of his soft murmur to himself: “.... all three!”
He understood; the sheriff had offered up a deep prayer that all three might fall by his gun.
Up from the farther end of the line the whisper ran lightly, swiftly, with a stammer of haste in it: “To the right!”
Ay, there to the right, gliding from the corner of the house, went a dark form, and then another, and disappeared among the rocks. They had offered not enough target for even chance shooting.
“Hold for close range” ordered the sheriff, and the order was repeated. However much he might wish to win all the glory of the fray, the sheriff took no chances—threw none of his odds away. He was a methodical man.
A slight patter caught the ear of Vic, like the running of many small children over a heavy carpet, and then two shades blew around the side of the house, one small and scudding close to the ground, the other vastly larger—a man on horseback. It seemed a naked horse at first, so close to the back did the rider lean, and before Vic could see clearly the vision burst on them all. Several things kept shots from being fired earlier.
The first alarm had called attention to the opposite side of the house from that on which the rider appeared; then, the moon gave only a vague, treacherous light, and the black horse blended into it—the grass lightened the fall of his racing feet.
Like a ship driving through a fog they rushed into view, the black stallion, and Bart fleeting in front, and the surprise was complete. Vic could see it work even in the sheriff, for the latter, having his rifle trained towards his right jerked it about with a short curse and blazed at the new target, again, again, and the line of the posse joined the fire. Before the crack of their guns went from the ears of Vic, long before the echoes bellowed back from the hills, Satan leaped high up. Perhaps that change of position saved both it and its rider. Straight across the pale moon drove the body with head stretched forth, ears back, feet gathered close—a winged horse with a buoyant figure upon it. It cleared a five foot rock, and rushed instantly out of view among the boulders. The fugitive had fired only one shot, and that when the stallion was at the crest of its leap.
The sheriff was on his feet, whining with eagerness and with the rest of his men he sent a shower of lead splashing vainly into the deeper night beside the mountain, where the path wound down.
“It's done! Hold up, lads!” called Pete Glass. “He's beat us!”
The firing ceased, and they heard the rush of the hoofs along the graveled slope and the clanging on rocks.
“It's done,” repeated the sheriff. “How?”
And he stood staring blankly, with a touch or horror in his face.
“By God, Mat's plugged.”
“Mat Henshaw? Wha—?”
“Clean through the head.”
He lay in an oddly twisted heap, as though every bone in his body were broken, and when they drew him about they found the red mark in his forehead and even made out the dull surprise in his set face. There had been no pain in that death, the second for the sake of Grey Molly.
“The other two!” said the sheriff, more to himself than to Vic, who stood beside him.
“Easy, Pete,” he cautioned. “You got nothin' agin Haines and Daniels.”
The sheriff flashed at him that hungry, baffled glance.
“Maybe I can find something. You Gregg, keep your mouth shut and stand back. Halloo!”
He sent a long call quavering between the lonely mountains.
“You yonder—Lee Haines! D'you give up to the law?”
A burst of savage laughter flung back at him, and then: “Why the hell should I?”
“Haines, I give you fair warnin'! For resistin' the law and interferin', I ask you, do you surrender?”
“Who are you?”
The big voice fairly swallowed the rather shrill tone of the sheriff.
“I'm sheriff Pete Glass.”
“You lie. Whoever heard of a sheriff come sneakin' round like a coyote lookin' for dead meat?”
Pete Glass grinned with rage.
“Haines, you ain't much better'n spoiled meat if you keep back. I gave you till I count ten—”
“Why, you bob-tailed skunk,” shouted a new voice. “You bone-spavined, pink-eyed rat-catcher,” continued this very particular describer, “what have you got on us? Come out and dicker and we'll do the same!”
The sheriff sighed, softly, deeply.
“I thought maybe they wouldn't get down to talk,” he murmured. But since the last chance for a battle was gone, he stepped fearlessly from behind his rock and advanced into the open. Two tall figures came to meet him.
“Now,” said Lee Haines, stalking forward. “One bad move, just the glint of a single gun from the rest of you sheep thieves, and I'll tame your pet sheriff and send him to hell for a model.”
They halted, close to each other, the two big men, Haines in the front, and the sheriff.
“You're Lee Haines?”
“You've named me.”
“And you're Buck Daniels?”
“That's me.”
“Gents, you've resisted an officer of the law in the act of makin' an arrest. I s'pose you know what that means?”
Big Lee Haines laughed.
“Don't start a bluff, sheriff. I know a bit about the law.”
“Maybe by experience?”
It was an odd thing to watch the three, every one of them a practiced fighter, every one of them primed for trouble, but each ostentatiously keeping his hands away from the holsters.
“What we might have done if we had come to a pinch,” said Haines, “is one thing, and what we did do is another. Barry was started and off before we had a chance to show teeth, my friend, and you never even caught the flash of our guns. If he'd waited but he didn't. There's nothing left for us to do except say good-by.”
The little dusty man stroked his moustaches thoughtfully. He had gone out there hoping against hope that his chance might come—to trick the two into violence, even to start an arrest for reasons which he knew his posse would swear to; but it must be borne in mind that Pete Glass was a careful man by instinct. Taking in probable speed of hand and a thousand other details at a glance, Pete sensed the danger of these two and felt in his heart of hearts that he was more than master of either of them, considered alone; better than Buck Daniels by an almost safe margin of steadiness; better than Lee Haines by a flickering instant of speed. Had either of them alone faced him, he would have taken his chance, perhaps, to kill or be killed, for the long trail and the escape had fanned that spark within him to a cold, hungry fire; but to attempt a play with both at the same time was death, and he knew it. Seeing that the game was up, he laid his cards on the table with characteristic frankness.
“Gents,” he said, “I reckon you've come clean with me. You ain't my meat and I ain't goin' to clutter up your way. Besides”—even in the dull moonshine they caught the humorous glint of his eyes—“a friend is a friend, and I'll say I'm glad that you didn't step into the shady side of the law while Barry was gettin' away.”
No one could know what it cost Pete Glass to be genial at that instant, for this night he felt that he had just missed the great moment which he had yearned for since the day when he learned to love the kick of a six-shooter against the heel of his hand. It was the desire to meet face to face one whose metal of will and mind was equal to his own, whose nerves were electric energies perfectly under command, whose muscles were fine spun steel. He had gone half a lifetime on the trail of fighters and always he had known that when the crisis came his hand would be the swifter, his eyes the more steady; the trailing was a delight always, but the actual kill was a matter of slaughter rather than a game of hazard. Only the rider of the black stallion had given him the sense of equal power, and his whole soul had risen for the great chance of All. That chance was gone; he pushed the thought of it away—for the time—and turned back to the business at hand.
“They's only one thing,” he went on. “Sliver! Ronicky! Step along, gents, and we'll have a look at the insides of that house.”
“Steady!” broke in Haines. He barred the path to the front door. “Sheriff, you don't know me, but I'm going to ask you to take my word for what's in that house.”
Glass swept him with a look of a new nature.
“I got an idea your word might do. Well, what's in the house?”
“A little five-year-old girl and her mother; nothing else worth seeing.”
“Nothing else,” considered the sheriff, “but that's quite a lot. Maybe his wife could tell me where he's going? Give me an idea where I might call on him?”
“Partner, you can't see her.”
“Can't?”
“No, by God!”
“H-m-m!” murmured the sheriff. He watched the big man plant himself, swaying a little on his feet as though poising for action, and beside him a slightly smaller figure not less determined.
“That girl in there is old man Cumberlan's daughter,” said Daniels, “and no matter what her—what Dan Barry may be, Kate Cumberland is white folks.”
The sheriff remembered what Vic had said of yellow hair and soft blue eyes.
“Leastways,” he said, “she seems to have a sort of way with the men.”
“Sheriff you're on a cold trail,” said Haines. “Inside that house is just a heart-broken girl and her baby. If you want to see them—go ahead!”
“She might know something,” mused the sheriff, “and I s'pose I'd ought to pry it out of her right now: but I don't care for that sort of pickin's.” He repeated softly: “A girl and a baby!” and turned on his heel. “All right, boys, climb your hosses. Two of you take Mat. We'll bury him where we put Harry. I guess we can pack him that far.”
“How's that?” This from Haines. “One of your gang dropped?”
“He is.”
They followed him and stood presently beside the body. Aside from the red mark in the forehead he seemed asleep, and smiling at some pleasant dream; a handsome fellow in the strength of first manhood, this man who was the second to die for Grey Molly.
“It's the end of Dan Barry,” said Buck. “Lee, we'll never have Whistlin' Dan for a friend again. He's wild for good.”
The sheriff turned and eyed him closely.
“He's got to come back,” said Haines. “He's got to come back for the sake of Kate.”
“He'd better be dead for the sake of Kate,” answered Buck.
“Why, partner, this isn't the first time he's gone wild.”
“Don't you see, Lee?”
“Well?”
“He's fighting to kill. He's shooting to kill, and he ain't ever done that before. He crippled his men; he put 'em out of the way with a busted leg or a plugged shoulder; but now he's out to finish 'em. Lee, he'll never come back.”
He looked to the white face of Vic Gregg, standing by, and he said without anger; “Maybe it ain't your fault, but you've started a pile of harm. Look at these gents around you, the sheriff and all—they're no better'n dead, Gregg, and that's all along of you. Barry has started on the trail of all of you. Look at that house back there. It's packed full of hell, and all along of you. Lee, let's get back. I'm feelin' sick inside.”
There were three things discussed by Lee Haines and Buck Daniels in the dreary days which followed. The first was to keep on their way across the mountains and cut themselves away from the sorrow of that cabin. The second was to strike the trail of Barry and hunt until they found his refuge and attempt to lead him back to his family. The third was simply to stay on and where they found the opportunity, help Kate. They discarded the first idea without much talk; it would be yellow, they decided, and the debt they owed to the Dan Barry of the old days was too great to be shouldered off so easily: they cast away the second thought still more quickly, for the trail which baffled the shrewd sheriff, as they knew, would be too much for them. It remained to stay with Kate, making excursions through the mountains from day to day to maintain the pretence of carrying on their own business, and always at hand in time of need.
It was no easy part to play, for in the house they found Kate more and more silent, more and more thoughtful, never speaking of her trouble, but behind her eyes a ghost of waiting that haunted them. If the wind shrilled down the pass, if a horse neighed from the corral, there was always the start in her, the thrill of hope, and afterwards the pitiful deadening of her smile. She was not less beautiful they thought, as she grew paler, but the terrible silence of the place drove them away time and again. Even Joan no longer pattered about the house, and when they came down out of the mountains they never heard her shrill laughter. She sat cross-legged by the hearth in her old place during the evenings with her chin resting on one hand and her eyes fixed wistfully upon the fire; and sometimes they found her on the little hillock behind the house, from the top of which she could view every approach to the cabin. Of Dan and even of Black Bart, her playmate she soon learned not to speak, for the mention of them made her mother shrink and whiten. Indeed, the saddest thing in that house was the quiet in which the child waited, waited, waited, and never spoke.
“She ain't more'n a baby,” said Buck Daniels, “and you can leave it to time to make her forget.”
“But,” growled Lee Haines, “Kate isn't a baby. Buck, it drives me damn near crazy to see her fade this way.”
“Now you lay to this,” answered Buck. “She'll pull through. She'll never forget, maybe, but she'll go on livin' for the sake of the kid.”
“You know a hell of a lot about women, don't you?” said Haines.
“I know enough, son,” nodded Buck.
He had, in fact, reduced women to a few distinct categories, and he only waited to place a girl in her particular class before he felt quite intimate acquaintance with her entire mind and soul.
“It'll kill her,” pronounced Lee Haines. “Why, she's like a flower, Buck, and sorrow will cut her off at the root. Think of a girl like that thrown away in these damned deserts! It makes me sick—sick! She ought to have nothing but velvet to touch—nothing but a millionaire for a husband, and never a worry in her life.” He grew excited. “But here's the flower thrown away and the heel crushing it without mercy.”
Buck Daniels regarded him with pity.
“I feel kind of sorry for you, Lee, when I hear you talk about girls. No wonder they make a fool of you. A flower crushed under the foot, eh? You just listen to me, my boy. You and me figure to be pretty hard, don't we? Well, soft pine stacked up agin' quartzite, is what we are compared to Kate.”
Lee Haines gaped at him, too astonished to be angry. He suggested softening of the brain to Buck, but the latter waved aside the implications.
“Now, supposin' Kate was one of these dark girls with eyes like black diamonds and a lot of snap and zip to her. If she was like that I s'pose you'd figure her to forget all about Dan inside of a month—and maybe marry you?”
“You be damned!”
“Maybe I am. Them hard, snappy lookin' girls are the ones that smash. They're brittle, that's why; but you take a soft lookin' girl like Kate, maybe she ain't a diamond point to cut glass, but she's tempered steel that'll bend, and bend, and bend, and then when you wait for it to break it flips up and knocks you down. That's Kate.”
Lee Haines rolled a cigarette in silence. He was too disgusted to answer, until his first puff of smoke dissolved Buck in a cloud of thin blue.
“You ought to sing to a congregation instead of to cows, Buck. You have the tune, and you might get by in a church; but cows have sense.”
“Kate will buckle and bend and fade for a while,” went on Buck, wholly unperturbed, “but just when you go out to pick daisies for her you'll come back and find her singing to the stove. Her strength is down deep, like some of these outlaw hosses that got a filmy, sleepy lookin' eye. They save their hell till you sink the spurs in 'em. You think she loves Dan, don't you?”
“I have a faint suspicion of it,” sneered Haines. “I suppose I'm wrong?”
“You are.”
“Buck, I may have slipped a nickel into you, but you're playing the wrong tune. Knock off and talk sense, will you?”
“When you grow up, son, you'll understand some of the things I'm tryin' to explain in words of one syllable.
“She don't love Dan. She thinks she does, but down deep they ain't a damned thing in the world she gives a rap about exceptin' Joan. Men? What are they to her? Marriage? That's simply an accident that's needed so she can have a baby. Delicate, shrinkin' flower, is she? I tell you, my boy, if it was necessary for Joan she'd tear out your heart and mine and send Dan plumb to hell. You fasten on to them words, because they're gospel.”
It was late afternoon while they talked, and they were swinging slowly down a gulch towards the home cabin. At that very time Kate, from the door of the house where she sat, saw a dark form slink from rock to rock at the rim of the little plateau, a motion so swift that it flicked through the corner of her eye, a thing to be sensed rather than seen. She set up very stiff, her lips white as chalk, but nothing more stirred. A few minutes later, when her heart was beating almost at normal she heard Joan scream from behind the house, not in terror, or pain, as her keen mother-ear knew perfectly well, but with a wild delight. She whipped about the corner of the house and there she saw Joan with her pudgy arms around the neck of Black Bart.
“Bart! Dear old Bart! Has he come? Has he come?”
And she strained her eyes against the familiar mountains around her as if she would force her vision through rock. There was no trace of Dan, no sign or sound when she would even have welcomed the eerie whistle. The wolf-dog was already at play with Joan. She was on his back and he darted off in an effortless gallop, winding to and fro among the rocks. Most children would have toppled among the stones at the first of his swerves, but Joan clung like a burr, both hands dug into his hair, shrieking with excitement. Sometimes she reeled and almost slid at one of those lightning turns, for the game was to almost unseat her, but just as she was sliding off Bart would slacken his pace and let her find a firm seat once more. They wound farther and farther away, and suddenly Kate cried, terror-stricken: “Joan! Come back!”
A tug at the ear of the wolf-dog swung them around; then as they approached, the fear left the mind of the mother and a new thought came in its place. She coaxed Joan from Bart—they could play later on, she promised, to their heart's desire—and led her into the house. Black Bart followed to the door, but not all their entreaty or scolding could make him cross the threshold. He merely snarled at Kate, and even Joan's tugging at his ears could not budge him. He stood canting his head and watching them wistfully while Kate changed Joan's clothes.
She dressed her as if for a festival, with a blue bonnet that let the yellow hair curl out from the edges, and a little blue cloak, and shiny boots incredibly small, and around the bonnet she laid a wreath of yellow wild flowers. Then she wrote her letter, closed it in an envelope, and fastened it securely in the pocket of the cloak.
She drew Joan in front of her and held her by both hands.
“Joan, darling,” she said, “munner wants you to go with Bart up through the mountains. Will you be afraid?”
A very decided shake of the head answered her, for Joan's eyes were already over her shoulder looking towards the big dog. And she was a little sullen at these unnecessary words.
“It might grow dark,” she said. “You wouldn't care?”
Here Joan became a little dubious, but a whine from Bart seemed to reassure her.
“Bart will keep Joan,” she said.
“He will. And he'll take you up through the rocks to Daddy Dan.”
The face of the child grew brilliant.
“Daddy Dan?” she whispered.
“And when you get to him, take this little paper out of your pocket and give it to him. You won't forget?”
“Give the paper to Daddy Dan,” repeated Joan solemnly.
Kate dropped to her knees and gathered the little close, close, until Joan cried out, but when she was eased the child reached up an astonished hand, touched the face of Kate with awe, and then stared at her finger tips.
A moment later, Joan stood in front of Black Bart, with the head of the wolf-dog seized firmly between her hands while she frowned intently into his face.
“Take Joan to Daddy Dan,” she ordered.
At the name, the sharp ears pricked; a speaking intelligence grew up in his eyes.
“Giddap,” commanded Joan, when she was in position on the back of Bart. And she thumped her heels against the furry ribs.
Towards Kate, who stood trembling in the door, Bart cast the departing favor of a throat-tearing growl, and then shambled across the meadow with that smooth trot which wears down all other four-footed creatures. He was already on the far side of the meadow, and beginning the ascent of the first slope when the glint of the sun on the yellow wild flowers flashed on the eye of Kate. It had all seemed natural until that moment, the only possible thing to do, but now she felt suddenly that Joan was thrown away thought of the darkness which would soon come—remembered the yellow terror which sometimes gleamed in the eyes of Black Bart after nightfall.
She cried out, but the wolf-dog kept swiftly on his way. She began to run, still calling, but rapidly as she went, Black Bart slid steadily away from her, and when she reached the shoulder of the mountain, she saw the dark form of Bart with the blue patch above it drifting up the wall of the opposite ravine.
She knew where they were going now; it was the old cave upon which she and Dan had come one day in their rides, and Dan had prowled for a long time through the shadowy recesses.