XX

KEYEFFKEYEFF

I was mistaken. All the picture people are collected here, and more than picture ever saw. No sober imagination could conceive the scene at the end of the Galata bridge. To present it a painter would have to inebriate himself, spill his colors all about the place and wind up with the jimjams. What do these people do there? They indulge in keyeff. There is no English word for keyeff—no word in any language, probably, except Turkish. It is not done in any other language. Keyeff is a condition of pure enjoyment, unimpaired even by thought. Over his coffee and nargileh the Turk will sit for hours in a thought-vacancy which the Western mind can comprehend no more than it can grasp the fourth dimension. It is not contemplation—that would require mental exercise. It is absence of thought—utter absence of effort—oblivion—the condition for which the Western mind requires chloroform.

From the end of the Galata bridge the thronged streets diverge, and into these a motley procession flows. Men of every calling under the sun—merchants, clerks, mechanics, laborers, peddlers, beggars, bandits—all men—or nearly all, for the Mohammedan woman mostly bides at home.

It is just as well that she does, if one may judgefrom the samples. She is not interesting, I think. She may be, but my opinion is the other way. She dresses in a sort of domino, usually of dingy goods, her feet and ankles showing disreputable stockings and shoes. Even the richest silk garments, when worn by women—those one sees on the street—have a way of revealing disgusting foot-gear and hosiery. No, the Mohammedan woman is not interesting and she has no soul. I believe the Prophet decided that, and I agree with him. If she had one—a real feminine soul—she would be more particular about these details.

The Turk is a dingy person altogether, and his city is unholy in its squalor. Yet the religion of these people commands cleanliness. Only the command was not clear enough as to terms. The Prophet bade his followers to be as cleanly as possible. There was latitude in an order like that, and they have been widening it ever since. I don't believe they are as "clean as possible." They pray five times a day, and they wash before prayer, but they wash too little and pray too much for the best results. I mean so far as outward appearance is concerned. Very likely their souls are perfect.

At all events they are sober. The Prophet commanded abstinence, and I saw no drunkenness. There are no saloons in Constantinople. One may buy "brandy-sticks"—canes with long glass phials concealed in them and a tiny glass for tippling—though I suspect these are sold mostly to visitors.

You are in the business part of Constantinople as soon as you leave the bridge—in the markets andshops, and presently in the bazaars. The streets are only a few feet wide, and are swarming with men and beasts of burden, yet carriages dash through, and the population falls out of the way, cursing the "Christian dogs," no doubt, in the case of tourists. Yet let a carriage but stop and there is eager attention on every hand—a lavish willingness to serve, to dance attendance, to grovel, to do anything that will bring return.

The excursionist, in fact, presently gets an idea that these people are conducting a sort of continuous entertainment for his benefit—a permanent World's Fair Midway Plaisance, as it were, where curious wares and sights are arranged for his special diversion. He is hardly to be blamed for this notion. He sees every native ready to jump to serve him—to leave everything else for his pleasure. The shopkeeper will let a native customer wait and fume till doomsday as long as the tourist is even a prospect. The native piastre is nothing to him when American gold is in sight. That is what he lives for by day and dreams of by night. He will sweat for it, lie for it, steal for it, die for it. It is his life, his hope, his salvation. He will give everything but his immortal soul for the gold of the West, and he would give that too, if it would bring anything.

Most places along the Mediterranean deal in mixed moneys, but compared with Constantinople the financial problem elsewhere is simple. Here the traveller's pocket is a medley of francs, lire, crowns, piastres, drachmas, marks, and American coins of various denominations. He tries feebly to keep track oftable values, but it is no use. The crafty shopkeepers, who have all the world's monetary lore at their fingertips, rob him every time they make change, and the more he tries to figure the more muddled he gets, until he actually can't calculate the coin of his own realm.

As for Turkish money, in my opinion it is worth nothing whatever. It is mostly a lot of tinware and plated stuff, and the plating is worn off, and the hieroglyphics, and it was never anything more than a lot of silly medals in the beginning. Whenever I get any of it I work it off on beggars as quickly as possible for baksheesh, and I always feel guilty, and look the other way and sing a little to forget.

Nobody really knows what any of those Turkish metallic coins are supposed to be worth. One of them will pay for a shine, but then the shine isn't worth anything, either, so that is no basis of value. There is actually no legal tender in Turkey. How could there be, with a make-believe money like that?

Speaking of bootblacks, they all sit in a row at the other end of the Galata bridge, and they go to sleep over your shoes and pretend to work on them and take off the polish you gave them yourself in the morning. They have curious-looking boxes, and their work is as nearly useless as any effort, if it is that, I have ever known.

I have been trying for a page or two to say something more about the streets of Constantinople, and now I've forgotten what it was I wanted to say. Most of them are not streets at all, in fact, but alleys, wretched alleys—some of them roofed over—and asyou drive through them your face gets all out of shape trying to fit itself to the sights and smells. I remember now; I wanted to mention the donkeys—the poor, patient little beasts of burden that plod through those thoroughfares, weighed down with great loads of brick and dirt and wood and every sort of heavy thing, enough to make a camel sway-backed, I should think. They are the gentlest creatures alive, and the most imposed upon. If Mohammed provided a heaven for the donkeys, I hope it isn't the one the Turks go to.

Then there are the fountains—that is, the public watering-places. They are nearly all carved in relief and belong to an earlier period, when art here was worth something. Here and there is a modern one—gaudy, tinsel, wretched.

But one has to stop a minute to remember that these old streets are not always occupied by the turbans and fezzes of the unspeakable Turk. Constantinople was Greek in the beginning, founded away back, six hundred years or moreb.c., and named Byzantium, after one Byzas, its founder. The colony had started to settle several miles farther up the Golden Horn, when a crow came along and carried off a piece of their sacrificial meat. They were mad at first; but when they found he had dropped it over on Bosporus Point they concluded to take his judgment and settle there instead.

Then came a good many changes. Persians and Greeks held the place by turns, and by and by it was allied to Rome. The Christian Emperor Constantine made it his capital about 328a.d. and called it NewRome. But the people wouldn't have that title. Constantine had rebuilt the city, and they insisted on giving it his name. So Constantinople it became and remained—the names Galata, Pera, Stamboul, and Skutari (accent on the "Sku") being merely divisions, the last-named on the Asiatic side.

It was not until eleven hundred years after Constantine that the Turkomans swarmed in and possessed themselves of what had become a tottering empire. So the Turkish occupation is comparatively recent—only since 1453.

Still, that is a good while ago, when one considers what has been done elsewhere. Christopher Columbus was playing marbles in Genoa, or helping his father comb wool, then. America was a place of wigwams—a habitation of Indian tribes. We have done a good deal in the four and a half centuries since—more than the Turk will do in four and a half million years. The Turk is not an express train. He is not even a slow freight. He is not a train at all, but an old caboose on the hind end of day before yesterday. By the way, I know now why these old cities have still older cities buried under them. They never clean the streets, and a city gets entirely covered up at last with dirt.

I have been wanting to speak of the dogs of Constantinople ever since I began this chapter. They have been always in my mind, but I wanted to work off my ill-nature, first, on the Turk. For I have another feeling for the dogs—a friendly feeling—a sympathetic feeling—an affectionate feeling.

Every morning at four o'clock the dogs of Constantinople turn their faces toward Mecca and howl their heartbreak to the sky. At least, I suppose they turn toward Mecca—that being the general habit here when one has anything official to give out. I know they howl and bark and make such a disturbance as is heard nowhere else on earth. In America, two or three dogs will keep a neighborhood awake, but imagine a vast city of dogs all barking at once—forty or fifty dogs to the block, counting the four sides! Do you think you could sleep during that morning orison? If you could, then you are sound-proof.

I have said that I have an affection for the dogs, but not at that hour. It develops later, when things have quieted down, and I have had breakfast and am considering them over the ship's side. There is a band of them owns this section of the water-front, and they are worth studying.

They are not as unsightly and as wretched as I expected to find them. Life for them is not a path of roses, but neither is it a trail of absolute privation. They live on refuse, and there is plenty of refuse. They are in fair condition, therefore, as to flesh, and they do not look particularly unhappy, though they are dirty enough, and sometimes mangy and moth-eaten and tufty; but then the Turks themselves are all of these things, and why should the dogs be otherwise?

The type of these dogs impresses me. They have reverted to the original pattern—they are wolf-dogs. They vary only in color—usually some tone of grizzly gray—and not widely in that. They have returned torace—to the old wild breed that made his bed in the grass and revolved three times before he was ready to lie down. One might expect them to be ugly and dangerous, but they are not. They are the kindest, gentlest members of the dog family notwithstanding the harsh treatment they receive, and the most intelligent. No one really human can study them without sympathy and admiration.

I have watched these dogs a good deal since we came here, and a lady of Constantinople, the wife of a foreign minister, has added largely to my information on the subject.

They are quite wonderful in many ways. They have divided themselves into groups or squads, and their territory into districts, with borders exactly defined. They know just about how much substance each district will supply and the squads are not allowed to grow. There is a captain to each of these companies, and his rule is absolute. When the garbage from each house is brought out and dumped into the street, he oversees the distribution and keeps order. He keeps it, too. There is no fighting and very little discord, unless some outlaw dog from a neighboring group attempts to make an incursion. Then there is a wild outbreak, and if the dog escapes undamaged he is lucky.

The captain of a group is a sultan with the power of life and death over his subjects. When puppies come along he designates the few—the very few—that are to live, and one mother nurses several of the reduced litters—the different mothers taking turns. When a dog gets too old to be useful in the strenuousround—when he is no longer valuable to the band—he is systematically put out of the way by starvation. A day comes when the captain issues some kind of an edict that he is no longer to have food. From that moment, until his death, not a morsel passes his lips. With longing eyes he looks at the others eating, but he makes no attempt to join them. Now and again a bit of something falls his way. The temptation is too strong—he reaches toward the morsel. The captain, who overlooks nothing, gives a low growl. The dying creature shrinks back without a murmur. He knows the law. Perhaps he, too, was once a captain.

The minister's wife told me that she had tried to feed one of those dying dogs, but that even when the food was placed in front of him he would only look pleadingly at the captain and refuse to touch it. She brought him inside, at last, where he was no longer under that deadly surveillance. He ate then, but lived only a little while. Perhaps it was too late; perhaps the decree was not to be disobeyed, even there.

As a rule, it is unwise to show kindness or the least attention to these dogs, she said. The slightest word or notice unlocks such a store-house of gratitude and heart-hunger in those poor creatures that one can never venture near that neighborhood again without being fairly overwhelmed with devotion. Speak a word to one of them and he will desert his companions and follow you for miles.

The minister's wife told how once a male member of her household had shown some mark of attentionto one of the dogs of their neighborhood group. A day or two later she set out for a walk, carrying her parasol, holding it downward. Suddenly she felt it taken from her hand. Looking down, she saw a dog walking by her side, carrying it. It was the favored animal, trying to make return to any one who came out of that heavenly house.

She told me how in the winter the dogs pile up in pyramids to keep warm, and how those underneath, when they have smothered as long as they can, will work out and get to the top of the heap and let the others have a chance to get warm and smothered too.

Once, when some excavations were going on in her neighborhood the dogs of several bands, made kin by a vigorous touch of nature, cold, had packed themselves into a sort of tunnel which the workmen had made. One dog who had come a little late was left outside. He made one or two efforts to get a position, but it was no use. He reflected upon the situation and presently set up a loud barking. That was too much for those other dogs. They came tumbling out to see what had happened, but before they had a chance to find out, the late arrival had slipped quietly in and established himself in the warmest place.

Once a pasha visited a certain neighborhood in Pera, and the dogs kept him awake. In his irritation he issued an order that the dogs of that environment should be killed. The order was carried out, and for a day and a night there was silence there. But then the word had gone forth that a section of rich territory had been vacated, and there was a rush for it that was like the occupation of the Oklahoma strip.

There was trouble, too, in establishing the claim and electing officers. No such excitement and commotion and general riot had ever been known in that street before. It lasted two days and nights. Then everything was peaceable enough. Captains had fought their way to a scarred and limping victory. Claims had been duly surveyed and distributed. The pasha had retired permanently from the neighborhood.

It is against the law for the ordinary citizen to kill one of the dogs. They are scavengers, and the law protects them. One may kick and beat and scald and maim them, and the Turk has a habit of doing these things; but he must not kill them—not unless he is a pasha. And, after all, the dogs own Constantinople—the pariah dogs, I mean; there are few of the other kind. One seldom sees a pet dog on the streets. The pariah dogs do not care for him. They do not attack him, they merely set up a racket which throws that pet dog into a fever and fills him with an abiding love of home. But I am dwelling too long on this subject. I enjoy writing about these wonderful dogs. They interest me.

Perhaps the "Young Turks" will improve Constantinople. Already they have made the streets safer; perhaps they will make them cleaner. Also, they may improve the Turkish postal service. That would be a good place to begin, I should think. Constantinople has a native post-office, but it isn't worth anything. Anybody who wants a letter to arrive sends it through one of the foreign post-offices, of which each European nation supports one on its own account. To trust a letter to the Turkish post-office is to bid it apermanent good-bye. The officials will open it for money first, and soak off the stamp afterward. If you inquire about it, they will tell you it was probably seditionary and destroyed by the sultan's orders. Perhaps that will not be so any more. The sultan's late force of twenty thousand spies has been disbanded, and things to-day are on a much more liberal basis. Two royal princes came aboard our vessel to-day, unattended except by an old marshal—something which has never happened here before.

These princes have been virtually in prison all their lives. Until very recently they had never left the palace except under guard. They had never been aboard a vessel until they came aboard theKurfürst, and though grown men, they were like children in their manner and their curiosity. They had never seen a type-writer. They had never seen a steam-engine. Our chief engineer took them down among the machinery and they were delighted. They greeted everybody, saluted everybody, and drove away at last in their open victoria drawn by two white horses, with no outriders, no guards, no attendants of any kind except the old marshal—a thing which only a little while ago would not have been dreamed of as possible.

Perhaps there is hope for Turkey, after all.

It was on our second day in Constantinople that we saw the Selamlik—that is, the Sultan Abdul Hamid II. on his way to prayer. It was Friday, which is the Mohammedan Sunday, and the sultan, according to his custom, went to the mosque in state. The ceremony was, in fact, a grand military review, with twenty-five thousand soldiers drawn up on the hillside surrounding the royal mosque, and many bands of music; the whole gay and resplendent with the varied uniforms of different brigades, the trappings of high officials, the flutter of waving banners, the splendor of royal cortége—all the fuss and fanfare of this fallen king.[3]

For Abdul Hamid is no longer monarch except by sufferance. A tyrant who in his time has ordered the massacre of thousands; has imprisoned and slain members of his own family; has sent a multitude to the Bosporus and into exile; has maintained in thisenlightened day a court and a rule of the Middle Ages—he is only a figurehead now, likely to be removed at a moment's warning.

The Young Turk is in the saddle. Hamid's force of twenty thousand spies has been disbanded. Men-of-war lie in the Bosporus just under Yildiz, ready to open fire on that royal palace at the first sign of any disturbance there. The tottering old man is still allowed his royal guard, his harem, and this weekly ceremonial and display to keep up a semblance of imperial power. But he is only a make-believe king; the people know that, and he knows it, too, best of all.

We had special invitations from the palace and a special enclosure from which to view the ceremony. We had cakes, too, and sherbet served while we waited—by the sultan's orders, it was said—but I didn't take any. I thought Abdul might have heard I didn't care for him and put poison in mine. That would be like him.

I was tempted, though, for we had driven a long way through the blinding dust. It was hot there, and we had to stand up and keep on standing up while all that great review got together and arranged and rearranged itself; while officials and black Nubian eunuchs, those sexless slaves of the harem, ran up and down, and men sanded the track—that is, the road over which his majesty was to drive—and did a hundred other things to consume time.

One does not hurry the Orient—one waits on it. That is a useful maxim—I'm glad I invented it. I said it over about a hundred times while we stood there waiting for Abdul Hamid, who was dallyingwith certain favorites, like as not, and remembering us not at all.

It was worth seeing, though. Brigade after brigade swung by to the weird music of their bands—billow after billow of brown, red, and blue uniforms. The hillside became a perfect storm of fezzes; the tide of spectators rose till its waves touched the housetops.

Still we waited and watched the clock on the mosque. Nobody can tell time by a Turkish clock, but there was some comfort in watching it. Presently an informing person at my side explained that Turkish chronology is run on an altogether different basis from ours. There are only three hundred and fifty-four days in a Turkish year, he said, which makes the seasons run out a good deal faster, so that it is usually about year after next in Turkey; but as it is only about day before yesterday by the clock, the balance is kept fairly even.

He was a very entertaining person. Referring to the music, he said that once the sultan's special brass band had played before him so pleasingly that he ordered all their instruments filled with gold, which was well enough, except for the piccolo-player, who said: "Sire, I am left out of this reward." "Never mind," said the sultan, "your turn will come." And it did, next day, for the band played so badly that the sultan roared out: "Ram all their instruments down their throats," which was impossible, of course, except in the case of the piccolo-player.

My entertainer said that formerly cameras were allowed at the Selamlik, but that an incident occurred which resulted in prohibiting cameras and all suspiciousarticles. He said that a gentleman engaged a carriage for the Selamlik, and explained to the driver that he had invented a wonderful new camera—one that would take pictures in all the colors—and instructed him just how to work the machine.

The gentleman had to make a train, he said, and couldn't wait for the sultan to arrive, but if the driver would press the button when the sultan reached a certain place the picture would take, after which the driver could bring the camera to the Pera Palace Hotel on a certain day and get a hundred piastres, a sum larger than the driver had ever owned at one time. Then the gentleman left in a good deal of a hurry, and the driver told all the other drivers about his good-fortune while they waited; and by and by, when the sultan came, and got just to the place where the gentleman had said, the driver pressed the button, and blew a hole seventy-five feet wide and thirty feet deep right on that spot, and it rained drivers and horses and fezzes and things for seven minutes. It didn't damage the sultan any, but it gave him a permanent distaste for cameras and other suspicious objects.

Laura, age fourteen, who had been listening to the story, said:

"Did they do anything to the driver who did it?"

"Yes; they gathered him up in a cigar box and gave him a funeral. No, the man didn't call for the camera."

I am sorry I have kept the reader waiting for the Selamlik, but the sultan is to blame. One may not hurry a sultan, and one must fill in the time, somehow.

Some carriages go by at last, and enter the mosque enclosure, but they do not contain the sultan, only some of his favorite wives, with those long black eunuchs running behind. Then there is a carriage with a little boy in it—the sultan's favorite son, it is said—the most beautiful child I ever saw.

A blare of trumpets—all the bayonets straight up—a gleaming forest of them. Oh, what a bad time to fall out of a balloon!

A shout from the troops—a huzzah, timed and perfunctory, but general. Then men in uniform, walking ahead; a carriage with a splendid driver; a pale, bearded, hook-nosed old man with a tired, rather vacant face. Here and there he touches his forehead and his lips with his fingers, waving the imperial salute. For a moment every eye of that vast concourse is upon him—he is the one important bauble of that splendid setting. Then he has passed between the gates and is gone.

Thus it was that Sultan Abdul Hamid attended mosque. It seemed a good deal of fuss to make over an old man going to prayer.

We drove from the Selamlik to the Dancing Dervishes. I have always heard of them and now I have seen them. I am not sorry to have it over.

Their headquarters are in a weather-beaten-frame-barn of a place, and we stood outside for a long time before the doors were open. Inside it was hot and close and crowded, and everybody twisted this way and that and stood up on things to get a look. I held two women together on one chair—they werestanding up—and I expected to give out any minute and turn loose a disaster that would break up the show. There wasn't anything to see, either; not a thing, for hours.

We were in a sort of circular gallery and the dancing-floor was below. We could see squatted there a ring of men—a dozen or so bowed, solemn, abstracted high priests in gowns of different colors and tall fezzes. These were the dervishes, no doubt, but they didn't do anything—not a thing—and we didn't care to stare at them and at the dancing-floor and the rest of the suffering audience forever.

Then we noticed in our gallery a little reserved section with some more abstracted men in gowns and fezzes, and after a long time—as much as a thousand years, I should think—there was an almost imperceptible movement in this reserved compartment, and one of the elect produced some kind of reed and began to blow a strain that must have been born when the woods were temples and the winds were priests—it was so weirdly, mournfully enthralling. I could have listened to that music and forgotten all the world if I hadn't been busy holding those two women on that chair.

The perspiration ran down and my joints petrified while that music droned on and on. Then there was another diversion: a man got up and began to sing. I don't know why they picked that particular man—certainly not for his voice. It was Oriental singing—a sort of chanting monotone in a nasal pitch. Yet there was something wild and seductive about it—something mystical—and I liked it well enough.Only I didn't want it to go on forever, situated as I was. I wanted the dancing to begin, and pretty soon, too. It didn't, however. Nothing begins soon in the Orient.

But by-and-by, when that songster had wailed for as much as a week, those high priests on the dancing-floor began to show signs of life. They moved a little; they got up; they went through some slow evolutions—to limber themselves, perhaps—then they began to whirl.

The dance is a religious rite, and it is supposed to represent the planets revolving about the sun. The dancers serve an apprenticeship of one thousand and one days, and they can whirl and keep on whirling forever without getting dizzy. The central figure, who represents the sun, has had the most practice, no doubt, for he revolves just twice as fast as the planets, who are ranged in two circles around him. His performance is really wonderful. I did not think so much of the others, except as to their ability to stand upright. I thought I could revolve as fast as they did, myself, and I would have given four dollars for a little freedom just then to try it.

Would that constellation never run down? The satellites whirled on and on, and the high priest in the middle either got faster or I imagined it. Then at last they stopped—just stopped—that was all; only I let go of those two women then and clawed my way to fresh air.

We went to the bazaars after that. There is where theKurfürsterfinds real bliss. He may talk learnedly of historic sites and rave over superb ruinsand mosques and such things, when you drag him in carriages to see them. But only say the word bazaar to him and he will walk three miles to find it. To price the curious things of the East; to barter and beat down; to walk away and come back a dozen times; to buy at last at a third of the asking price—such is the passion that presently gets hold of the irresponsible tourist who lives on one ship and has a permanent state-room for his things.

You should see some of those state-rooms! Jars, costumes, baskets, rugs, draperies, statuary—piled everywhere, hung everywhere, stowed everywhere—why, we could combine the stuff on this ship and open a floating bazaar that would be the wonder of the world.

The bazaars of Constantinople are crowded together and roofed over, and there are narrow streets and labyrinthine lanes. One can buy anything there—anything Eastern: ornaments, inlaid work, silks, curious weapons, picture postals (whatdidthoseQuaker Citypilgrims do without them?), all the wares of the Orient—he can get a good deal for a little if he is patient and unyielding—and he will be cheated every time he makes change. Never mind; one's experience is always worth something, and this particular tariff is not likely to be high.

We bought several things in Constantinople, but we did not buy any confections. The atmosphere did not seem suited to bonbons, and the places where such things were sold did not look inviting. Laura inspected the assortment and decided that the best Turkish Delight is made in America, and that Broadwayis plenty far enough east for nougat. In one bazaar they had a marvellous collection of royal jewels: swords with incrusted handles; caskets "worth a king's ransom"—simply a mass of rubies, emeralds, and diamonds—half a barrel of such things, at least, but we didn't buy any of those goods, either. We would have done so, of course, only they were not for sale.

We called at the bazaar of Far-away Moses, but he wasn't there. He died only a little while ago, and has gone to that grand bazaar of delight which the Mohammedans have selected as their heaven.

As usual, Laura and I were the last to leave. We were still pulling over some things when our driver, whom we call Suleiman because he has such a holy, villanous look, came suddenly to the entrance, waving frantically. We started then and piled into our carriage. The rest of our party were already off, and we set out helter-skelter after them, Suleiman probably believing that the ship had its anchors up ready to sail.

We were doing very well when right in front of a great arch one of our horses fell down. We had a crowd in a minute, and as it was getting dusk I can't say that I liked the situation. But Suleiman got the horse on his feet somehow, and we pushed along and once more entered that diabolical Street of Smells. It had been bad day by day, but nothing to what it was now. There were no lights, except an oil-lamp here and there; the place was swarming with humanity and dogs, general vileness permeating everything. The woman who thought she had died and gone to hell could be certain of it here.

It seemed that we would never get out of that street. We had to go slower, and the horrible gully was eternal in its length. How far ahead our party was we did not know. We were entirely alone in that unholy neighborhood with our faithful Suleiman, who looked like a cutthroat, anyhow. I wished he didn't look like that, and Laura said quietly that she never expected to see the light of another dawn.

Bumpety-bump—bark, howl, clatter, darkness, stench—rolling and pitching through that mess, and then, heavenly sight—a vision of lights, water, the end of the Galata bridge!

We made our way through the evening jam and the wild bedlam at the other end, crossing a crimson tide of fezzes, to reach the one clean place we have seen in Constantinople—that is, the ship. The ship is clean—too clean, we think, when we hear them scrubbing and mopping and thumping the decks at four o'clock in the morning, just about dog-howling time. Which brings me to a specimen of our ship German—American German—produced by a gentle soul named Fosdick, of Ohio. He used it on the steward after being kept awake by the ship-cleaning. This is what he said:

"Vas in damnation is das noise? How can I schlaff mit das hellgefired donner-wetter going on oben mine head?"

That is the sort of thing we can do when we get really stirred up. It is effective, too. There was no unseemly noise this morning.

Heretofore, during our stay here, whenever any one happened to mention the less attractive aspects of Constantinople, I have said:

"Yes, the city is pretty bad, but I'll wager the country is a dream. Remember Algiers and her suburban villas? It will be the same here."

I do not say that any more, now that we have been to the country. We went over to Skutari (Asiatic Constantinople) this morning, and took carriages to Bulgurlu Mountain, which overlooks all the city and a vast stretch of country. It is a good view, but it should be, considering what it costs to get there—in wear and tear, I mean.

Of all villanous roads, those outside Skutari are the most depraved. They are not roads at all, but just washes and wallows and ditches and stone gullies. I have seen bad roads in Virginia—roads surveyed by George Washington, and never touched since—but they were a dream of luxury as compared with these of Turkey. Our carriages billowed and bobbed and pitched and humped themselves until I got out and walked to keep from being lamed for life.

And then the houses—the villas I had expected to see; dear me, how can I picture those cheap, ugly, unpainted, overdecorated architectural crimes? Theyare wooden and belong to the jig-saw period gone mad. They suggest an owner who has been too busy saving money for a home to acquire any taste; who has spent his savings for lumber and trimmings and has nothing left for paint. Still, he managed to reserve enough to put iron bars on his windows—that is, on part of the house—the harem—every man becoming his own jailer, as it were. I remarked:

"I suppose that is to keep the neighbors from stealing their wives."

But the Horse-Doctor—wiser and more observant—said:

"No, it is to keep a neighbor from breaking in and leaving another."

Standing on the top of Bulgurlu—looking down on the Bosporus and the royal palaces—the wife of a foreign minister told us something of the history that has been written there:

When Abdul Aziz, in 1876, became Abdul "as was"[4](his veins were opened with a penknife, I believe), one Murad, his nephew, an educated and travelled prince, came into power. But Murad was for progress—bridges and railroads—so Murad retired to Cheragan Palace, where for thirty-two years he sat at a window and looked out on a world in which he had no part, while Abdul Hamid II. reigned in his stead. Murad was wise and gentle, and did not reproach Abdul, who came to him now and again for advice concerning matters of state.

But Murad was fond of watching the people from his window—excursion parties such as ours, and thelike—and these in turn used to look up at Murad's window; which things in time came to Abdul Hamid's ears. Then Abdul decided that this indulgence was not good for Murad—nor for the people. Thirty-two years was already too long for that sort of thing. So Murad's face disappeared from the window, and it was given out that he had died—the bulletin did not say what of, but merely mentioned that it had been a "general death"—that is to say, a natural death, under the circumstances—the kind of death a retired Sultan is likely to die. And Abdul mourned for Murad many days, and gave him a costly funeral.

That was Abdul's way. He was always a good brother—always a generous soul—according to a guide-book published in Constantinople during the time when there were twenty thousand secret agents inspecting such things. The author of that book wanted those twenty thousand secret agents to tell Abdul how good and gentle the book said he was; otherwise, the modest and humble Abdul might not remember. Besides, that author did not wish to disappear from among his friends and be sewed up in a sack and dropped into the Bosporus some quiet evening. But I wander— I always wander.

Abdul Hamid is said to be affectionate with his family—all his family—and quick—very quick—that is to say, impulsive. He is a crack shot, too, and keeps pistols on his dressing-table. One day he saw one of his little sons—or it may have been one of his little daughters (it isn't always easy to tell them apart, when they are so plentiful and dress a good deal alike), but anyway this was a favorite of Abdul's—he sawthis child handling one of his pistols, perhaps playfully pointing it in his direction.

Hamid didn't tell the child to put the weapon down, and then lecture him. No, he couldn't scold the child, he was too impulsive for that—and quick, as I have mentioned. He drew a revolver of his own and shot the child dead. There were rumors of plots floating around the palace just then, and Hamid wasn't taking any chances. It must have made his heart bleed to have to punish the child in that sudden way.

But by-and-by the times were out of joint for sultans. A spirit of discontent was spreading—there was a cry for freer government. Enver Bey and Niazi Bey, those two young officers whose names are being perpetuated by male babies in every Turkish household, disguised themselves as newsboys or bootblacks, and going among the people of the streets whispered the gospel of freedom. Then one day came the upheaval of which all the world has read. Abdul Hamid one morning, looking out of his window in Yildiz Palace, saw, lying in the Bosporus just below, the men-of-war which all the years of his reign had been turning to rust and wormwood in the Golden Horn.

Abdul did not believe it at first. He thought he was just having one of those bad dreams that had pestered him now and then since spies and massacres had become unpopular. He pinched himself and rubbed his eyes, but the ships stayed there. Then he sent for the Grand Vizier. (At least, I suppose it was the Grand Vizier—that is what a sultan generally sends for in a case like that.) When he arrived theSultan was fingering his artillery and looking dangerous.

"What in h—— that is, Allah be praised, but why, sirrah, are those ships lying down there?" he roared.

The G. V. was not full of vain knowledge.

"I—I really don't know, Your Majesty," he said, soothingly. "I will go and see."

He was standing near the door and dodged as he went out. He did not come back. When he had inquired about the ships he decided not to seek Abdul himself, but to send a man—a cheap man—to tell him about it. This was just a dull fellow with not much politeness and no imagination.

"The ships are there by the order of the Minister of Marine, Your Majesty," he said.

Abdul was so astonished that he forgot to slay the fellow.

"Bring the Minister of Marine!" he gasped, when at last he could catch his breath.

The Minister of Marine came—a new minister—one of the Young Turk Party. He was polite, but not upset by the Sultan's emotion. When Abdul demanded the reason why the old ships had been furbished up and brought down into the Bosporus, he replied that they were there by his orders, and added:

"We think they look better there, Your Majesty, as in the old days."

"But, by the beard of the Prophet, I will not have them there! Take them away!"

"Your Majesty, it grieves me to seem discourteous, not to say rude, but those ships are to remain at their present anchorage. It grieves me still further toappear to be firm, not to say harsh, but if there is any show of resistance in this neighborhood they have orders to open fire on Your Majesty's palace."

Abdul took a chair and sat down. His jaw dropped, and he looked at the Minister of Marine a good while without seeming to see him. Then he got up and tottered over to the window and gazed out on those ships lying just below, on the Bosporus. By-and-by, he went to a little ornamental table and took a pen and some paper and wrote an order in this wise:

Owing to my declining years and my great burdens of responsibility, it is my wish that in future all matters pertaining to the army and navy be under the supervision of the Secretary of War and the Minister of Marine.

Owing to my declining years and my great burdens of responsibility, it is my wish that in future all matters pertaining to the army and navy be under the supervision of the Secretary of War and the Minister of Marine.

Abdul Hamid, Kahn II.Son of the Prophet—Shadow of God, etc., etc.

At all events, that was the purport of it. In reality, it was a succession of wriggly marks which only a Moslem could read. Never mind, it was a graceful surrender.

There is a wonderful old Moslem cemetery near Bulgurlu—one of the largest in the world and the most thickly planted. It is favored by Moslems because it is on the side of the city nearest Mecca, and they are lying there three deep and have overflowed into the roads and byways. Their curiously shaped and elaborately carved headstones stand as thick as grain—some of them crowned with fezzes—some with suns—all of them covered with emblems and poetry and passages from the Koran. They are tumbled this way and that; they are lying everywherealong the road; they have been built into the wayside walls.

I WANTED TO CARRY AWAY ONE OF THOSE TOMBSTONESI WANTED TO CARRY AWAY ONE OF THOSE TOMBSTONES

I wanted to carry away one of those tombstones—one of the old ones—and I would have done it if I had known enough Moslem to corrupt the driver. A thing like that would be worth it—adding to one's collection, I mean. The palace was full of great cypresses, too—tall, funereal trees—wonderfully impressive and beautiful.

We drove back to Skutari and there saw our driver Suleiman for the last time. I had already tipped him at the end of each day, but I suppose he expected something rather unusual as a farewell token. Unfortunately, I was low in fractional currency. I scraped together all I had left—a few piastres—and handed them to him and turned quickly away. There came a sudden explosion as of a bomb. I did not look to see what it was—I knew. It was the bursting of Suleiman's heart.

Up the Golden Horn in the afternoon, as far as the Sweet Waters of Europe. It is a beautiful sail, and there is a mosque where the ceremony of conferring the sword on a new Sultan is performed; also, a fine view across the Sweet Waters, with Jewish graveyards whitening the distant hills. But there was nothing of special remark—we being a little tired of the place by this time—except the homecoming.

There werecaiqueslying about the little steamer-landing when we were ready to return, and Laura and I decided to take one of these down the Horn to the ship. Thecaiqueis a curiously shaped canoe-sort of a craft, and you have to get in carefully and sit still.But once in and seated, it moves as silently and smoothly as a gliding star.

It was sunset, and the Golden Horn was true to its name. Ships at anchor, barges drifting up and down, were aglow with the sheen of evening—the water a tawny, molten flood, the still atmosphere like an impalpable dust of gold.Caiquescarrying merchants to their homes somewhere along the upper shores were burnished with the aureate hue. Domes and minarets caught and reflected the wonder of it—the Galata bridge ahead of us had become such a span as might link the shores of the River of Peace.

Once more Constantinople was a dream of Paradise—a vision of enchantment—a city of illusion.

Like Oriental harbors generally, Smyrna from the sea has a magic charm. When we slowly sailed down a long reach of water between quiet hills and saw the ancient city rising from the morning mist, we had somehow a feeling that we had reached a hitherto undiscovered port—a mirage, perhaps, of some necromancer's spell.

We landed, found our train, and went joggling away through the spring landscape, following the old highway that from time immemorial has led from Ephesus to Smyrna—the highway which long ago St. Paul travelled, and St. John, too, no doubt, and the Virgin Mary and Mary Magdalen. For all these journeyed between Ephesus and Smyrna in their time, and the ancient road would be crowded with countless camel trains and laden donkeys then; also with the wheeled vehicles of that period—cars and chariots and cages of wild animals for the games—and there would be elephants, too, gaudily caparisoned, carrying some rich potentate of the East and his retinue—a governor, perhaps, or a king. It was a mighty thoroughfare in those older days and may be still, though it is no longer crowded, and we did not notice any kings.

We did notice some Reprobates—the ones we havealways with us. They sat just across the aisle, engaged in their usual edifying discussion as to the identity of the historic sites we were supposed to be passing. Finally they got into a particularly illuminating dispute as to the period of St. Paul's life and ministrations. It began by the Apostle (our Apostle) casually remarking that St. Paul had lived about twenty-one hundred years ago.

It was a mild remark—innocent enough in its trifling inaccuracy of two or three centuries—but it disturbed the Colonel, who has fallen into the guide-book habit, and is set up with the knowledge thereof.

"Look here," he said, "if I knew as little as you do about such things I'd restrain the desire to give out information before company."

The Apostle was undisturbed by this sarcasm. He folded his hands across his comfortable forward elevation and smiled in his angel way.

"Oh, you think so," he said placidly. "Well, you think like a camel's hump. You never heard of St. Paul till you started on this trip. I used to study about him at Sunday-school when a mere child."

"Yes, you did! as a child! Why, you old lobscouse" (lobscouse is an article on theKurfürstbill of fare) "you never saw the inside of a Sunday-school. You heard somebody last night say something about twenty-one hundred years ago, and with your genius for getting facts mixed you saddled that date on St. Paul."

The Colonel turned for corroboration to the Horse-Doctor, who regarded critically the outlines of theApostle, which for convenience required an entire seat; then, speaking thoughtfully:

"It isn't worth while to notice the remarks of a person who looks like that. Why, he's all malformed. He'll probably explode before we reach Ephesus."

I felt sorry for the Apostle, and was going over to sit with him, only there wasn't room, and just then somebody noticed a camel train—the first we have seen—huge creatures heavily loaded and plodding along on the old highway. This made a diversion. Then there was another camel train, and another. Then came a string of donkeys—all laden with the wares of the East going to Smyrna. The lagging Oriental day was awake; the old road was still alive, after all.

Like the first "Innocents," we had brought a carload or so of donkeys—four-legged donkeys—from Smyrna, and I think they were the same ones, from their looks. They were aged and patchy, and they filled the bill in other ways. They wrung our hearts with their sad, patient faces and their decrepitude, and they exasperated us with their indifference to our desires.

I suppose excursion parties look pretty much alike, and that theQuaker Citypilgrims forty-two years ago looked a good deal like ours as we strung away down the valley toward the ancient city. I hope they did not look any worse than ours. To see long-legged men and stout ladies perched on the backs of those tiny asses, in rickety saddles that feel as if they would slip (and do slip if one is not careful), may be diverting enough, but it is not pretty. If the donkey stays inthe middle of the narrow, worn pathway, it is very well; but if he goes to experimenting and wandering off over the rocks, then look out. You can't steer him with the single remnant of rope on his halter (he has no bridle), and he pitches a good deal when he gets off his course. Being a tall person, I was closed up like a grasshopper, and felt fearfully top-heavy. Laura, age fourteen, kept behind me—commenting on my appearance and praying for my overthrow.

It was a good way to the ruins—the main ruins—though in reality there were ruins everywhere: old mosques, gray with age and half-buried in the soil—a thousand years old, but young compared with the more ancient city; crumbling Roman aqueducts leading away to the mountains—old even before the mosques were built, but still new when Ephesus was already hoary with antiquity; broken columns sticking everywhere out of the weeds and grass—scarred, crumbling, and moss-grown, though still not of that first, far, unrecorded period.

But by-and-by we came to mighty walls of stone—huge abutments rising from the marshy plain—and these were really old. The Phœnicians may have laid them in some far-off time, but tradition goes still farther back and declares they were laid by giants—the one-eyed kind, the Cyclops—when all this marsh was sea. These huge abutments were piers in that ancient day. A blue harbor washed them, and the merchant ships of mighty Ephesus lay alongside and loaded for every port.

That was a long time ago. Nobody can say when these stone piers were built, but Diana and Apollowere both born in Ephesus, and there was probably a city here even then. What we know is that by the beginning of the Christian era Ephesus was a metropolis with a temple so amazing, a theatre so vast and a library so beautiful that we stand amid the desolation to-day, helplessly trying to reconstruct the proportions of a community which could require these things; could build them and then vanish utterly, leaving not a living trace behind.

For nobody to-day lives in Ephesus—not a soul. A wandering shepherd may build his camp-fire here, or an Arab who is tilling a bit of ground; but his home will be in Ayasaluk, several miles away, not here. Once the greatest port of trade in western Asia, Ephesus is voiceless and vacant now, except when a party like ours comes to disturb its solitude and trample among its forlorn glories.

There is no lack of knowledge concerning certain of the structures here—the more recent ones, we may call them, though they were built two thousand years ago. There are descriptions everywhere, and some of them are as cleanly cut to-day as they were when the tool left them. This library was built in honor of Augustus Cæsar and Livia, and it must have been a veritable marble vision. Here in its corners the old students sat and pored over books and precious documents that filled these crumbling recesses and the long-vanished shelves. St. Paul doubtless came here to study during the three years of his residence, and before him St. John, for he wrote his gospel in Ephesus, and would be likely to seek out the place of books. And Mary would walk with him to the doorsometimes, I think, and Mary of Magdala, for these three passed their final days in Ephesus, and would be drawn close together by their sacred bond.

The great theatre where St. Paul battled with the wild beasts stands just across the way. It seated twenty-five thousand, and its stone benches stretch upward to the sky. The steep marble flight that carries you from tier to tier is there to-day exactly as when troops of fair ladies and handsome beaux climbed up and still up to find their places from which to look down on the play or the gladiatorial combat or the massacre of the Christians in the arena below.

These old theatres were built in a semicircle dug out of the mountain-side, so that the seats were solid against the ground and rose one above the other with the slope of the hill, which gave everybody a good view. There were no columns to interfere with one's vision, for there was no roof to be supported, except, perhaps, over the stage, but the top seats were so remote from the arena and the proscenium that the players must have seemed miniatures. Yet even above these there was still mountain-side, and little boys who could not get money for an entrance fee or carry water to the animals for a ticket sat up in that far perch, no doubt, and looked down and shouted at the show.

Laura and I, who, as usual, had dropped behind the party, climbed far up among the seats and tried to imagine we had come to the afternoon performance—had come early, not to miss any of it. But it was difficult, even when we shut our eyes. Weeds and grass grew everywhere in the crevices; dandelionsbloomed and briers tangled where sat the beaux and belles of twenty centuries ago. Just here at our feet the mobs of Demetrius the silversmith gathered, crying, "Great is Diana of the Ephesians!" because the religion of St. Paul was spoiling their trade for miniature temples. Down there in the arena Paul did battle with the beasts, very likely as punishment. This is the spot—these are the very benches—but we cannot see the picture: we cannot wake the tread of the vanished years.

Behind the arena are the columns that support the stage, and back of these are the dressing-rooms, their marble walls as solid and perfect to-day as when the ancient players dallied and gossiped there. At one end is a dark, cave-like place where we thought the wild beasts might have been kept. I stood at the entrance and Laura made my picture, but she complained that I did not look fierce enough for her purpose.

On another slope of the hill a smaller theatre, the Odeon, has recently been uncovered. A gem of beauty it was, and much of its wonder is still preserved. Here the singers of a forgotten time gave forth their melody to a group of music-lovers, gathered in this close circle of seats that not a note or shading might be lost.


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