They had passed into the studio again. Slade spoke with all his old decision, the energy of action replacing the bitterness of his former meditative mood. He glanced at the clock, and took his leave in a quick, impersonal manner. Beecher, ignoring the looks Mrs. Kildair sent him, departed with Slade, refusing an invitation to join him in the automobile, and continuing on foot.He was absolutely at a loss to account for Miss Charters' returning to the studio after having gone to her apartment. If she had any suggestion to offer, why had she not waited, or even requested him to return with her? Why, in fact, could she not have waited until the following day—instead of risking the journey at such an hour?Full of disturbing surmises, he continued his walk until he reached the great thoroughfare of Forty-second Street, where he turned eastward toward the station, oblivious to the excitement in the street, the break-neck arrival of the newspaper wagons and the sudden, shrill scattering of urchins, extras in hand.All at once, at the western corner of the station, he raised his eyes instinctively. A coupé with trunks behind it disengaged itself from the confusion of traffic and, turning, slowly passed him. Inside, he recognized the dark, defiant eyes of Mrs. Enos Bloodgood.In a moment he guessed the full significance of her presence: she had come to meet Majendie, to burn all bridges behind her, in the supreme sacrifice of everything for the possession of a happiness she had never known.The next instant he was gazing horror-stricken at the head-lines of an extra that a newsboy flung in his face:SUICIDE OF BERNARD L. MAJENDIEHe became perfectly collected, clear in mind and instinctive in action, with the decision he had felt in the last charges of a wounded elephant. If Mrs. Bloodgood were here, it was because she expected to meet Majendie; because she was ignorant of the tragedy that had taken place.Retracing his steps, he arrived at the carriage the moment Mrs. Bloodgood's hand had thrown open the door."Excuse me," he said, with an authority which instantly impressed the woman by its ominous seriousness. "Something terrible has happened. I must speak to you." Then, turning to the coachman, without being overheard, he gave him Mrs. Kildair's address, saying: "Drive there quickly. Five dollars to you if you get me there in ten minutes."Then he opened the door and joined the woman who, drawn back in the corner like an animal at bay, already trembling with what she did not know, awaited him.CHAPTER XIFor an interval, while the coachman, spurred on by the prospect of reward, tore through the short streets, Beecher continued looking into Mrs. Bloodgood's eyes—eyes that were aghast with mute, terrified interrogations which she did not dare to phrase.Suddenly she perceived the extra which he had bought. She extended her hand, looking at it fearfully."Give it to me," she said.He hesitated, and in the moment of irresolution she seized it. A cry of pain, a low cry torn from the soul, made him stiffen in his seat, steeling himself against the expected. But no further sound came. When he turned, she was sitting transfixed, staring wide-eyed at the newspaper which seemed glued to her fingers. Alarmed at the rigidity of her emotion, he leaned over and disengaged the paper from her unresisting fingers. The action seemed abruptly to revive her. She gave another cry, and tore the newspaper from him with such energy that a great, ill-shaped fragment remained in her clutch."No, no, not that—no, no!" she cried, frantically seeking to decipher the bare six lines that recorded the tragedy. All at once she flung the sheet from her, turning to read the truth in his face."Ah, it is true!" she cried, and her hand, as though holding him guilty of the fact, violently pushed him from her."Mrs. Bloodgood—" Beecher began hesitatingly, frightened at the paroxysm that shook her body.But the emotion was still of horror, without as yet the realization of the finality that had come. She felt that Majendie was in danger—in terrible danger; that she must get to him, somehow, some way, and fling herself in front of that awful something that threatened him, ward off, in some way prevent, the thing that was coming. She seized the arm of the terrified young man, imploring him, still dry-eyed:"Take me to him—at once—no—I must—take me—Bernard—oh!"She fell back exhausted, faint."Be calm; please be calm," he repeated, helpless before the utter disorder of her suffering.All at once the annihilation of self into which she had fallen was succeeded by a quick paroxysm of energy. She bounded upright on the seat, seizing his arm so that the nails hurt him."I will go to him!" she cried. "You shall not stop me. He may be only wounded. The report is false—must be false. I will go to him!""The very thing that you must not do—that you can not do," he said firmly; and then, seized with an inspiration, he added: "Listen—listen to me, Mrs. Bloodgood, I am taking you to Rita's; if you must go to him, go with her. Two women can go; one would cause a great scandal. You can not put that on him—you must think of him now. We are going to Rita's—Rita's!" he added, putting his lips to her ears to make her hear him.He put his hand on her shoulder and forced her gently back. She held her clasped hands rigidly strained between her knees, staring out beyond the confines of the carriage."He is not dead," she said in a whisper; "he is wounded.""As soon as we get to Rita's," he continued reassuringly, "I will telephone. I'll find out everything.""Wounded," she repeated, nodding—without hearing him."If he is, we three can go—it will seem quite natural," he said hastily, eying nervously her dry, uncomprehending grief, fearing the coming outburst of realization."Almost there," he said, looking out of the window. "Hold on to yourself. Be game. There are always a few persons below."She did not answer, but her lips curled slightly in contempt, and she put her hand spasmodically to her throat."You're right, the whole thing may be false—a wild rumor," he said quickly, talking to her as to a child. "A fake story—who knows? See, there are no details. Here we are. A little courage! Go right into the elevator."He signaled the driver to wait, and followed her hastily into the elevator, standing between her bowed figure and the boy.Mrs. Kildair was in the studio, pacing the floor; and at the first glance each saw that she knew the report, and that it was true. Mrs. Bloodgood crumpled on the floor, without consciousness."My smelling-salts are on my bureau," said Mrs. Kildair quickly. "Lift her on the sofa first, and then get them.""Is it true?" he said, raising the slender, lifeless body."Yes.""Dead?""Yes.""When did it happen?""At two o'clock.""She wishes to go to him," he said warningly. "The carriage is below. She has her trunks. She was to have met him at the station. What shall I do?""She must be gotten back to her house as soon as possible," said Mrs. Kildair with energy. "The trunks must return at once. Everything hangs on a hair; I know Bloodgood." She cast a glance at the still inanimate body and added: "Wait. Spirits of ammonia will be better. I'll get it."Mrs. Bloodgood returned to consciousness slowly, looking from one to the other with a dazed, pleading look."Then it is so," she said at last.The two looked at her without being able to answer. Suddenly she bounded up erect, her fists striking her forehead."It is I who have done it!" she cried, and for the second time fell back lifeless on the floor."Go down now; send the trunks back," said Mrs. Kildair to Beecher. "Tell him to do it as quickly as possible—no, tell him nothing. Go quickly."When Beecher returned, Mrs. Bloodgood was on her feet again, passing from spot to spot ceaselessly, one hand clutching a handkerchief to press back the sobs that shook her from time to time, the other stretched out in front of her, beating a mechanical time to the one phrase which she repeated again and again:"I've done it—I've done it—I've done it!"Mrs. Kildair, leaning by the piano, knowing that each period must have its expression, awaited the right moment. Beecher, at a sign from her, slipped quietly into a chair."Yes, it's I—it's I—I!" said the indistinguishable voice."You have done nothing," said Mrs. Kildair solemnly. "It is fate.""No, no. Only I am to blame," she answered, stopping short, each word coming slowly through the torrents of tears.Mrs. Kildair passed quietly to her side."You are not to blame, dear," she said; "don't think that.""Oh, you don't know," she said, suddenly acquiring a terrible calm that froze the young man. "At what time did he—did it happen?""At two.""I knew it! Ten minutes before, he telephoned me; he said—oh, what do I know?—said a thousand things but the one in his mind. Asked me if I still was resolved to go.""But then, Elise—""You don't understand! It was I who insisted on his going—I—I! I told him, if he would not go, I would come openly to his house—I would not be separated from him. Oh, my God! I didn't know—I didn't!"She abandoned herself to her transports once more, flinging herself on her knees and praying, as an uncomprehending child prays:"O God, don't let it be true—please don't let it be so!"Beecher covered his eyes suddenly with his hands. Mrs. Kildair allowed her for a moment to tire herself in supplication and anguish. Then she went to her, grasping her shoulder."Elise."Mrs. Bloodgood stopped, rose, and went to the window, where she stood swaying."I'm going to him," she said, pressing her knuckles against her temples."Get hold of yourself," said Mrs. Kildair, avoiding the error of opposition.For a long moment neither spoke, while Mrs. Bloodgood, passing to and fro, struggled to fight down the sobs that were choking her. At last she stopped, facing Mrs. Kildair."I am going to him," she said.The other woman, with a look of great compassion, shook her head in a slow negation, looking full at her."But he said I could!" she cried, stretching out her hands toward Beecher."You can't.""But he said so—he promised.""No; it is impossible.""Iwillgo!""There are twenty reporters waiting for just that," Said Mrs. Kildair. Then, raising her voice, she said impressively: "Elise, there is something you must do—something ten times more terrible.""What?""Return home—and at once.""Never!" The cry burst from her as her whole body was shaken with indignation. "Never in the world—never again!""Listen," said Mrs. Kildair, seizing her arm, and Beecher was struck with the savageness of her energy. "Things are no longer the same. You are alone—absolutely alone. Do you understand what that means—without a cent—alone?""What do I care?""Not now; but in a week, in a month— You think you know the greatest suffering in the world; you don't—the greatest is poverty. Whatever has happened, you are Mrs. Enos Bloodgood. Only yourself can destroy that. One life is ended in you. You have loved. That will never come again—not the same. Life is long and terrible.""What, you can suggest such a thing?" said Mrs. Bloodgood, raising her head indignantly. "Such an infamy?""Yes—because I know. The world is not an equal one. A woman can not fight as a man can. A year from now, when you can suffer no further, do you want to wake up in a dingy boarding-house, cut off from all you have lived in? For a great love—perhaps—but to be alone? No, no! Elise, you will do as I say because I can see better than you. You are Mrs. Enos Bloodgood—you have everything that a million women covet. It is your life; you will go back.""Ah, how can you say that to me now?" said Mrs. Bloodgood, pressing her handkerchief to her eyes."Because the world is different from the world of this morning—because everything is different, Elise. There are no longer the reasons that existed. You are alone against the world. You know your husband—one public word or action, and he will cast you off like an old shoe.""How can I go back?" she said, sitting down, half subdued. "How can I get the strength? I don't know yet what has happened. I can't realize it—oh, if I had only had my way! If he had only let me leave a month—two months ago. If I'd only been firm; if we had gone that night—that night we were here—when I begged him to. If he had only loved me more than his honor, as I loved him. If only I—""Elise," said the quiet voice of Mrs. Kildair.The young woman checked herself, breaking off and moving again; but almost immediately broke out again:"And now you want me to go back tohim. Oh, if you knew how I hate him, how I loathe him—what that life means—how cruel he can be, how he can make me suffer by a word or a look—how he enjoys—""Elise, Elise!""I can't go, Rita, I can't! Don't ask me to go now. Let me stay a while here, just tonight, where I can weep," she cried."No, no. It must be now—soon. You have left your home with your trunks—he knows it. If you return—you return because you are worried—the panic—on his account.""Ah, what a lie!""Elise," said Mrs. Kildair, coming forward again and arresting the other's arm, "listen. You are not what I am. You are not strong—you are weak. You are a woman of the world, worldly, loving worldly things, who for a moment has been transformed by a great passion. The whole earth has no such passion any longer. Do you understand? Something is gone—your youth is ended. Keep tight hold of the little that is left. Come, be strong. Dissimulate as you have before. Come.""Not now," said Mrs. Bloodgood, terrified."Yes, now. If possible, you must be back before he returns."And Beecher, from his chair where he had watched, forgotten by both women, saw Mrs. Kildair, who not for a moment had deviated from the vital issue, draw the unresisting woman by the very force of her energy into the bedroom, from which shortly they emerged again."I am ready," said Mrs. Bloodgood in a voice that was scarcely distinguishable. She had thrown over her head a thick veil, behind which her features were only dimly visible."Telephone for a carriage," said Mrs. Kildair."I have done so," said Beecher, who had availed himself of the interval."But the trunks?" said Mrs. Bloodgood, turning helplessly."They went back long ago.""Ah!" She took a few weak steps and turned. "But I shall see him?""I give you my word.""Tonight?""Tonight."Mrs. Bloodgood made a little sign of acquiescence, and passed out of the door. The carriage was waiting. Beecher silently handed her into it, feeling the sudden heaviness on his arm. They rolled away. She did not lift her veil, and he could not guess what look was on her face. Twice she made him change their course, in order to put off the final dreaded moment."You have been kind," she said at last. "I owe you much. Thank you. Now I will go back.""Don't speak of thanks at such a time," he said hastily. "If I can help you in any way, any time—""I know." All at once, forgetting his presence, she burst out: "Oh, how I loved him! I would have done anything for him—anything! I can't believe it. It doesn't seem possible!""Be careful, Mrs. Bloodgood," he said, alarmed. "Be careful—please.""You need have no fear," she said slowly. "All that is over." But, still obsessed, she seized his arm. "Only I want you to know that I loved him so that nothing made any difference. Any one can know it. I would have gone—""I know it," he said quickly, taking her hand to quiet her."Oh, yes, I loved him—the only real thing in my life!" she repeated, sinking back.Ahead he saw the great Italian façade of the Bloodgood residence, where twenty servants awaited the call of this shadow at his side, whose invitation could make a social reputation. Then his quick eye, as they neared the steps, perceived the squat, stolid figure of Mr. Enos Bloodgood at the door."He is just come out—your husband," he said hurriedly, with a sudden new sensation of dread. And he repeated, a little excitement in his voice, fearing she did not understand the danger: "Be careful; he is there—your husband.""Yes, I saw him."She took the veil from her hat, and, folding it, handed it to him, her face set in hardness and contempt."You might say Mrs. Kildair had invited—""I know what to say," she said, checking him, and a smile incongruous at the moment gave the last touch of tragedy to the imagination of her companion. "Open the door."He gazed at her, struck with the strange, dual personality in the frail, proud body—the abandon of the woman who loved and the calm of the woman who hated. She who a moment before had cared nothing for what she revealed to him in the unrestraint of her sorrow, did not hesitate now a moment, face to face with the peril of such a confrontation."Open the door," she repeated sharply.Recalled to his senses, he sprang out and gave her his hand, accompanying her to the chiseled marble steps, where he left her, with a lift of his hat to the husband above who awaited her with a quiet, cynical enjoyment."I thought, my dear, you had gone off for a jolly little jaunt," said Mr. Bloodgood, without variation in the provoking evenness of his voice.She came up the steps to his level, and acknowledged his presence with an inclination of her head."I intended to," she said, in the same ceremonious tone. "But I was so alarmed at the news from Wall Street that I did not wish to leave you at such a time.""Indeed? I am quite touched," he answered, with perfect solemnity. "You are always so thoughtful, my dear."She entered. He followed her as though shutting off all retreat, and the gorgeous flunky who had run out disappeared, too. To Beecher, with all the anguish of the scene at Rita Kildair's still vivid in his mind, it was as though he had seen a living woman enter her appointed tomb."Where shall I drive, sir?" said the driver."Anywhere!" he cried furiously.But at the end of five minutes he emerged from the stupor into which he had been plunged, the somber horror rolling away like scudding storm-clouds. A new emotion—the inevitable personal application—broke over him like a ray of light."To be loved like that—" he thought suddenly, with a feeling of envy. "Terrible, terrible—and yet how marvelous!"He gave directions to drive to Nan Charters' with a new curiosity in his soul—the inevitable personal emotion that, strangely enough, even against his will, dominated all the somber melancholy which this reverse of a glittering medal had brought him.CHAPTER XIIHe had completely forgotten, in the press of dramatic events, the disturbing fact of Nan Charters' return the night of the theft. He remembered it suddenly, as one remembers sorrow after a profound sleep. But the recalling of it affected him differently. The revelation of Mrs. Bloodgood's hidden life had left him in a dangerous and vulnerable mood—a mood of quickened compassion and outgoing sympathy. He was still determined to force a direct answer from Miss Charters, but already he had formed that answer in his heart, as he for the hour felt no longer the selfish combat of vanity, but the need of charity and gentleness.In one of the profound moods which color the visible world, he stood at the window of the little sitting-room, awaiting her arrival, looking out on the serried flight of unutterably commonplace roofs, gray and drab with the gray of the turning day. And it seemed to him that this twilight was different from other twilights, heavily weighted down with more of the sadness of inexplicable lives. One tragedy seemed to invoke a thousand tragedies, in the cramped immobility of these inscrutable windows which had not yet begun to warm with the flicker of human cheer. He saw only the brutal struggle to live, and felt only the mystery of suffering, which was still a thing apart from his life. Standing reverently thus, he asked himself two questions which, sooner or later, each man of heart and sensibility puts to himself in the awakening to conscious existence:"Why do they go on?""What is my justification?"And in his heart, still young and stirred to sympathy, he felt the beginning of a revolt at what he had been, at his inability to find a satisfying answer to that second question. He no longer awaited the interview in the spirit of strife, but with a sudden feeling of impulsive friendliness which, had he been an older man, might have alarmed him with its dangers. The profound melancholy of youth, violent because unconquered and strange, had him still in its grip when, all at once, he felt an emotion of well-being and returning comfort.She came into the room and without formal greeting gave him her hand with a welcome in her eyes, as though their friendship were of such strong duration that formalities were out of place."Draw the curtains," she said, going to the electric lamp on the table, which woke like a golden sun from the shadows. "It's cozier. Shall we light the fire? Yes, it's more cheery.""Let me," he said hastily."Quite unnecessary."He watched her sudden stooping movement, that brought the loose, intricate tea-gown about her agile body, outlining the limbs, which had the quick animal grace that is peculiar to the unconquered maiden. Her pose, strong and alive with power and self-reliance, recalled to him sharply the sense of opposition. He was annoyed that she should have done so naturally what he should have done, feeling in her too much self-reliance.She rose, looking down with a childish delight at the sudden burst and roar of the flame. Then she turned, studying his face. The artist in her made her quickly aware of the remnants of the emotion which had stirred him."What is it?" she said, with the gentleness that was tantalizing to him. "You have a strange look.""Yes," he answered; "I have been behind the scenes.""What do you mean?""I have been with Mrs. Bloodgood all the afternoon—found her at the station as she was leaving.""Mrs. Bloodgood was running away," she said, puzzled, but with a fear in her eyes that did not escape him."What—you did not know!" he exclaimed. "Majendie killed himself this afternoon at two o'clock.""Majendie—Mrs. Bloodgood!"She looked at him a moment with a face struck with horror, and then fell back into a chair, seized with the suddenness of the climax."I beg your pardon; I thought you knew," he blurted out."No, no—nothing. Tell me—tell me all," she said; and he saw that back of her alarm was a significance to her that heightened the effect of the tragedy.He told her first the bare details of the suicide as he knew them; and then, in response to her hurried questions, began to retell the afternoon. He spoke impulsively, almost as an echo of the drama he had witnessed. Occasionally she stopped him with a more detailed question. Moved out of his self-consciousness, he described, more eloquently than he knew, the conflict between the two women at Mrs. Kildair's, and the emotions which had suddenly brought him wide-eyed to the spectacle of the black, turbulent river of despair."I can't forget it—it haunts me now," he said, when he had ended with Mrs. Bloodgood's return into the home of her husband. "It makes me see something in life I didn't understand—that I am just beginning to see."He looked at her. Her face was wet with tears. All at once, astonished, he recalled what he had told."What have I done?" he cried, aghast. "I had no right to repeat it. I didn't realize what I was saying!""Don't fear," she said, shuddering, and she extended her hands to the fire, as though the recital had frozen her body. "Poor woman—poor, lonely woman!"He sat down near her, close to the fire, and, stretching out his hand, touched her arm."Listen, Nan," he said, so profoundly that she could not mistake the emotion. "It has made a great difference in me. It may be a mood—it may pass; but I hope it won't. It makes me dissatisfied. Look here—I don't want to go on as we have, thrusting and parrying. I don't want it to be just a game. The real feeling in me toward a woman is different—it's one of chivalry, I know. Let's drop all artifices. Let's be honest with each other—good friends, or something else, as it may come."She considered the depths of the fire a moment, and turned, looking at him dreamily, feeling how much older she was in the knowledge of the doubts of the world than the young, impulsive nature that looked out at her from such honest eyes."Will you?" he asked, as she looked away again.She shook her head, in doubt as to an answer; but the good in her stirred by the good in him expressed itself in the quick pressure of thanks which her hand conveyed to him."I am not the least in love," he said quickly. "What I say I say because—oh, I don't know! I'm dissatisfied with myself. This thing has gotten below my skin. Life's too rotten. I want you to believe in me—in my strength. You are sympathetic—multa sympatica. I don't know; I hate to think of your fighting alone such a rotten hard fight."She nodded slowly, understanding perhaps better than he his thought, yet half won to his appeal already.She took his hand in both of hers, pressing it in emphasis from time to time, not looking at him, staring at something that formed before her eyes."No one has ever spoken to me just like this," she said gently. "One thing I would never want to happen, Teddy—I would never want to hurt you! That is why I hesitate—why I am afraid. You are only a great big boy. You won't understand me. I am very selfish—very worldly.""You are nothing of the sort," he said furiously, withdrawing his hand. "You may think so, but I know you better."She turned, amused; but her smile left her as she looked into his eyes. To her surprise, a feeling of unease came to her; she felt a new longing—to be for a moment quite childlike and helpless."Don't blunder into anything, Teddy," she answered, shaking her head, herself a little disturbed. "With some men I would not care. With you—yes, it would make me feel like a criminal to hurt you."He understood that she was warning him of the futility of expecting to find in her a woman. But if she had calculated, which she had not, on any move surer to arouse him, she could have found no better expedient. The impossibility implied, coupled with the impulsive generosity in her voice, made her a thousand times more desirable. He rose brusquely, and, standing with his back to the fire, looked down at the dramatic face, which the flames lighted with the flare of footlights."There are certain things that we must understand together," he said with authority, obeying the instinct which told him that to succeed he must take the upper hand.Her eyebrows came together in a straight flight."I have not hesitated to trust in you—you must in me. Tell me. You have reason to suspect that Mrs. Bloodgood took the ring—at least, the first time?"[image]"'I have not hesitated to trust in you—you must in me'"She shook her head, but without anger."Don't you understand," he said quickly, "that I must know why you acted as you did?"Still her only answer was a deep-taken breath."I swear to you, if Mrs. Bloodgood did take it," he said, "I would not condemn her. On the contrary, I would pity her.""Why should Mrs. Bloodgood, who has millions, do such a thing?" she said quietly."Because, from what I know, Mrs. Bloodgood, who has millions, as the wife of Enos Bloodgood, has not as much money in her pocket as you or I." He stopped. "She took it to have some means of escape, didn't she?""No, she did not take it," she answered, but in a tone that brought no conviction."You see, I know that you returned to Mrs. Kildair's that night," he said, irritated."How did you know?" she said quickly."Mrs. Kildair told me—no, that's not true; some one else did.""Mrs. Kildair herself called me on the telephone and asked me to come," she said slowly."And questioned you?""Yes.""As to what you had seen?" he said, with a great feeling of relief that should have warned him of his true interest."Yes.""What did you answer?"She rose and approached him, looking at him with only friendliness."If the ring is not restored in two weeks," she said, "then I will tell you what you wish to know.""You think that, if Mrs. Bloodgood took it, she will now have no use for it," he persisted, seizing the idea."I know nothing at all," she answered, emphasizing the "know." "This promise must satisfy you. I only have a suspicion, and I don't want to do an injustice to another—remember that. I have never said it was Mrs. Bloodgood I suspected. Now I want to talk to you about my own affairs."He was covered with contrition that he should have forgotten her difficulties."Good heavens!" he said hastily. "What have I been thinking of? Please don't think I don't care; I've been in such a whirl—"She checked him with a gesture and a smile, motioning him to sit down again."Have you had any word?"She shook her head."Of course, it's a terrible day on the Street," he hastened to reply. "Everything's up in the air—they're like a lot of lunatics. Garraboy hasn't had time to think. That oughtn't to alarm you.""But I left word at his office for him to telephone me, and it is now," she said, glancing at the clock, "an hour and a half since the close.""There are probably a hundred inquiries of the same sort awaiting him," he said to reassure her. "What are you afraid of?""I don't know—and yet I am a little anxious. Suppose he has used my stocks? Such things happen every day.""The best thing is to find out at once how Garraboy stands—if he's been caught in the drop or not. Then we can take our measures.""How'll you do that?""Call up Bruce Gunther and get him on the trail. May I telephone?""Do so.""He's probably at the club now," he said, taking up the receiver and giving a number. "Yes, he's in. That's lucky. I'll get him in a moment." Then he added irritably: "How the deuce did you ever come to deal with Garraboy?""Why, I've known him ever since I came to New York. I wanted to invest some money—I didn't know any one else; and then, he was very—friendly; wanted to make some money for me. That's how it was.""Hello," said Beecher. "Is that you, Bruce? It's I—Ted.""Where the deuce have you been?" said the voice at the other end. "I've been trying to get you all over town.""You have?""You bet I have; McKenna's turned up a real clue—wants to see you at once. Pick me up here at the club, will you?""All right. But say, Bruce, I want you to do something for me. Find out all you can about Garraboy—you know, the fellow we spoke about. Has he been on the wrong side of the market or not? Understand? It's important.""I'll do it. Anything else?""Yes. A friend of mine has some stocks with him, about twenty thousand worth—you see the situation—and she's a little bit worried. Can't get any satisfaction.""Wants 'em back?""Yes. What's the best way to do?""Um! Get a transfer to you and call for them tomorrow.""Of course; see you later."He put down the telephone and turned gaily to his companion, who was waiting with anxiety."That's all right. Bruce will get the information and I'll telephone you this evening. Now, the best way to operate is this." He took out his check-book and wrote a check for twenty thousand dollars to her name. "I'll buy those stocks. Here's my check; give me an acknowledgment for the shares, with an order on Garraboy to deliver."She looked at him doubtfully, holding the check gingerly in her fingers."What's the matter?" he said. "If there's any little difference one way or the other, we can arrange that later.""Supposing Garraboy has failed and sold my stocks?""He hasn't.""But if he has?""That's my risk," he started to say, but checked himself. "Why, of course, then it's off. This is just to give me the power to get them away at once. A man can do what a woman can't."She was grateful to him for his perception of delicacy."On that basis, yes," she said. Then she stopped and looked at him with a whimsical but favoring smile. "As it is, Teddy, what do you know of me to take even this chance?"The opening was too direct. She saw it at once, and, to forestall his answer, said more lightly:"It is a great service. Tell me what to write."As she was drawing up the paper under his directions, a placid, emotionless woman of forty entered from the rear."That Mr. Hargrave is here, Nan dear," she said. "You gave him an appointment, you know.""Mrs. Tilbury, my companion," said Miss Charters. "Very well; in a moment."Mrs. Tilbury passed patiently out to deliver the message. Beecher was delighted with the correctness and cold respectability of such a chaperon."Mr. Hargrave is a young dramatist," said Miss Charters, finishing the document. "He's coming to read some masterpiece to me. He wrote a one-act piece three years ago that was very clever, and now, of course, I can't risk refusing to hear him—he might have a work of genius at last. This is my fourth trial." She put the paper from her impatiently. "I'm sorry."He was displeased also at this sudden recall of the other life in her, the world of the theater, which crowded the walls with its signed photographs."I'll telephone as soon as I know," he said, dissembling his irritation.She went to the door with him, annoyed also at the interruption."I'm coming tomorrow," he said, and he held out his hand with a little defiance.She did not resent the assumption of right, still introspectively puzzled at the new moods into which she had fallen. And, still pensive, she said:"Come."Below, in the anteroom, he sent a look of antagonism and scorn at a young man, a little extravagantly dressed, who carried a portfolio under his arm with a sense, too, of irritation and pride.
They had passed into the studio again. Slade spoke with all his old decision, the energy of action replacing the bitterness of his former meditative mood. He glanced at the clock, and took his leave in a quick, impersonal manner. Beecher, ignoring the looks Mrs. Kildair sent him, departed with Slade, refusing an invitation to join him in the automobile, and continuing on foot.
He was absolutely at a loss to account for Miss Charters' returning to the studio after having gone to her apartment. If she had any suggestion to offer, why had she not waited, or even requested him to return with her? Why, in fact, could she not have waited until the following day—instead of risking the journey at such an hour?
Full of disturbing surmises, he continued his walk until he reached the great thoroughfare of Forty-second Street, where he turned eastward toward the station, oblivious to the excitement in the street, the break-neck arrival of the newspaper wagons and the sudden, shrill scattering of urchins, extras in hand.
All at once, at the western corner of the station, he raised his eyes instinctively. A coupé with trunks behind it disengaged itself from the confusion of traffic and, turning, slowly passed him. Inside, he recognized the dark, defiant eyes of Mrs. Enos Bloodgood.
In a moment he guessed the full significance of her presence: she had come to meet Majendie, to burn all bridges behind her, in the supreme sacrifice of everything for the possession of a happiness she had never known.
The next instant he was gazing horror-stricken at the head-lines of an extra that a newsboy flung in his face:
SUICIDE OF BERNARD L. MAJENDIE
He became perfectly collected, clear in mind and instinctive in action, with the decision he had felt in the last charges of a wounded elephant. If Mrs. Bloodgood were here, it was because she expected to meet Majendie; because she was ignorant of the tragedy that had taken place.
Retracing his steps, he arrived at the carriage the moment Mrs. Bloodgood's hand had thrown open the door.
"Excuse me," he said, with an authority which instantly impressed the woman by its ominous seriousness. "Something terrible has happened. I must speak to you." Then, turning to the coachman, without being overheard, he gave him Mrs. Kildair's address, saying: "Drive there quickly. Five dollars to you if you get me there in ten minutes."
Then he opened the door and joined the woman who, drawn back in the corner like an animal at bay, already trembling with what she did not know, awaited him.
CHAPTER XI
For an interval, while the coachman, spurred on by the prospect of reward, tore through the short streets, Beecher continued looking into Mrs. Bloodgood's eyes—eyes that were aghast with mute, terrified interrogations which she did not dare to phrase.
Suddenly she perceived the extra which he had bought. She extended her hand, looking at it fearfully.
"Give it to me," she said.
He hesitated, and in the moment of irresolution she seized it. A cry of pain, a low cry torn from the soul, made him stiffen in his seat, steeling himself against the expected. But no further sound came. When he turned, she was sitting transfixed, staring wide-eyed at the newspaper which seemed glued to her fingers. Alarmed at the rigidity of her emotion, he leaned over and disengaged the paper from her unresisting fingers. The action seemed abruptly to revive her. She gave another cry, and tore the newspaper from him with such energy that a great, ill-shaped fragment remained in her clutch.
"No, no, not that—no, no!" she cried, frantically seeking to decipher the bare six lines that recorded the tragedy. All at once she flung the sheet from her, turning to read the truth in his face.
"Ah, it is true!" she cried, and her hand, as though holding him guilty of the fact, violently pushed him from her.
"Mrs. Bloodgood—" Beecher began hesitatingly, frightened at the paroxysm that shook her body.
But the emotion was still of horror, without as yet the realization of the finality that had come. She felt that Majendie was in danger—in terrible danger; that she must get to him, somehow, some way, and fling herself in front of that awful something that threatened him, ward off, in some way prevent, the thing that was coming. She seized the arm of the terrified young man, imploring him, still dry-eyed:
"Take me to him—at once—no—I must—take me—Bernard—oh!"
She fell back exhausted, faint.
"Be calm; please be calm," he repeated, helpless before the utter disorder of her suffering.
All at once the annihilation of self into which she had fallen was succeeded by a quick paroxysm of energy. She bounded upright on the seat, seizing his arm so that the nails hurt him.
"I will go to him!" she cried. "You shall not stop me. He may be only wounded. The report is false—must be false. I will go to him!"
"The very thing that you must not do—that you can not do," he said firmly; and then, seized with an inspiration, he added: "Listen—listen to me, Mrs. Bloodgood, I am taking you to Rita's; if you must go to him, go with her. Two women can go; one would cause a great scandal. You can not put that on him—you must think of him now. We are going to Rita's—Rita's!" he added, putting his lips to her ears to make her hear him.
He put his hand on her shoulder and forced her gently back. She held her clasped hands rigidly strained between her knees, staring out beyond the confines of the carriage.
"He is not dead," she said in a whisper; "he is wounded."
"As soon as we get to Rita's," he continued reassuringly, "I will telephone. I'll find out everything."
"Wounded," she repeated, nodding—without hearing him.
"If he is, we three can go—it will seem quite natural," he said hastily, eying nervously her dry, uncomprehending grief, fearing the coming outburst of realization.
"Almost there," he said, looking out of the window. "Hold on to yourself. Be game. There are always a few persons below."
She did not answer, but her lips curled slightly in contempt, and she put her hand spasmodically to her throat.
"You're right, the whole thing may be false—a wild rumor," he said quickly, talking to her as to a child. "A fake story—who knows? See, there are no details. Here we are. A little courage! Go right into the elevator."
He signaled the driver to wait, and followed her hastily into the elevator, standing between her bowed figure and the boy.
Mrs. Kildair was in the studio, pacing the floor; and at the first glance each saw that she knew the report, and that it was true. Mrs. Bloodgood crumpled on the floor, without consciousness.
"My smelling-salts are on my bureau," said Mrs. Kildair quickly. "Lift her on the sofa first, and then get them."
"Is it true?" he said, raising the slender, lifeless body.
"Yes."
"Dead?"
"Yes."
"When did it happen?"
"At two o'clock."
"She wishes to go to him," he said warningly. "The carriage is below. She has her trunks. She was to have met him at the station. What shall I do?"
"She must be gotten back to her house as soon as possible," said Mrs. Kildair with energy. "The trunks must return at once. Everything hangs on a hair; I know Bloodgood." She cast a glance at the still inanimate body and added: "Wait. Spirits of ammonia will be better. I'll get it."
Mrs. Bloodgood returned to consciousness slowly, looking from one to the other with a dazed, pleading look.
"Then it is so," she said at last.
The two looked at her without being able to answer. Suddenly she bounded up erect, her fists striking her forehead.
"It is I who have done it!" she cried, and for the second time fell back lifeless on the floor.
"Go down now; send the trunks back," said Mrs. Kildair to Beecher. "Tell him to do it as quickly as possible—no, tell him nothing. Go quickly."
When Beecher returned, Mrs. Bloodgood was on her feet again, passing from spot to spot ceaselessly, one hand clutching a handkerchief to press back the sobs that shook her from time to time, the other stretched out in front of her, beating a mechanical time to the one phrase which she repeated again and again:
"I've done it—I've done it—I've done it!"
Mrs. Kildair, leaning by the piano, knowing that each period must have its expression, awaited the right moment. Beecher, at a sign from her, slipped quietly into a chair.
"Yes, it's I—it's I—I!" said the indistinguishable voice.
"You have done nothing," said Mrs. Kildair solemnly. "It is fate."
"No, no. Only I am to blame," she answered, stopping short, each word coming slowly through the torrents of tears.
Mrs. Kildair passed quietly to her side.
"You are not to blame, dear," she said; "don't think that."
"Oh, you don't know," she said, suddenly acquiring a terrible calm that froze the young man. "At what time did he—did it happen?"
"At two."
"I knew it! Ten minutes before, he telephoned me; he said—oh, what do I know?—said a thousand things but the one in his mind. Asked me if I still was resolved to go."
"But then, Elise—"
"You don't understand! It was I who insisted on his going—I—I! I told him, if he would not go, I would come openly to his house—I would not be separated from him. Oh, my God! I didn't know—I didn't!"
She abandoned herself to her transports once more, flinging herself on her knees and praying, as an uncomprehending child prays:
"O God, don't let it be true—please don't let it be so!"
Beecher covered his eyes suddenly with his hands. Mrs. Kildair allowed her for a moment to tire herself in supplication and anguish. Then she went to her, grasping her shoulder.
"Elise."
Mrs. Bloodgood stopped, rose, and went to the window, where she stood swaying.
"I'm going to him," she said, pressing her knuckles against her temples.
"Get hold of yourself," said Mrs. Kildair, avoiding the error of opposition.
For a long moment neither spoke, while Mrs. Bloodgood, passing to and fro, struggled to fight down the sobs that were choking her. At last she stopped, facing Mrs. Kildair.
"I am going to him," she said.
The other woman, with a look of great compassion, shook her head in a slow negation, looking full at her.
"But he said I could!" she cried, stretching out her hands toward Beecher.
"You can't."
"But he said so—he promised."
"No; it is impossible."
"Iwillgo!"
"There are twenty reporters waiting for just that," Said Mrs. Kildair. Then, raising her voice, she said impressively: "Elise, there is something you must do—something ten times more terrible."
"What?"
"Return home—and at once."
"Never!" The cry burst from her as her whole body was shaken with indignation. "Never in the world—never again!"
"Listen," said Mrs. Kildair, seizing her arm, and Beecher was struck with the savageness of her energy. "Things are no longer the same. You are alone—absolutely alone. Do you understand what that means—without a cent—alone?"
"What do I care?"
"Not now; but in a week, in a month— You think you know the greatest suffering in the world; you don't—the greatest is poverty. Whatever has happened, you are Mrs. Enos Bloodgood. Only yourself can destroy that. One life is ended in you. You have loved. That will never come again—not the same. Life is long and terrible."
"What, you can suggest such a thing?" said Mrs. Bloodgood, raising her head indignantly. "Such an infamy?"
"Yes—because I know. The world is not an equal one. A woman can not fight as a man can. A year from now, when you can suffer no further, do you want to wake up in a dingy boarding-house, cut off from all you have lived in? For a great love—perhaps—but to be alone? No, no! Elise, you will do as I say because I can see better than you. You are Mrs. Enos Bloodgood—you have everything that a million women covet. It is your life; you will go back."
"Ah, how can you say that to me now?" said Mrs. Bloodgood, pressing her handkerchief to her eyes.
"Because the world is different from the world of this morning—because everything is different, Elise. There are no longer the reasons that existed. You are alone against the world. You know your husband—one public word or action, and he will cast you off like an old shoe."
"How can I go back?" she said, sitting down, half subdued. "How can I get the strength? I don't know yet what has happened. I can't realize it—oh, if I had only had my way! If he had only let me leave a month—two months ago. If I'd only been firm; if we had gone that night—that night we were here—when I begged him to. If he had only loved me more than his honor, as I loved him. If only I—"
"Elise," said the quiet voice of Mrs. Kildair.
The young woman checked herself, breaking off and moving again; but almost immediately broke out again:
"And now you want me to go back tohim. Oh, if you knew how I hate him, how I loathe him—what that life means—how cruel he can be, how he can make me suffer by a word or a look—how he enjoys—"
"Elise, Elise!"
"I can't go, Rita, I can't! Don't ask me to go now. Let me stay a while here, just tonight, where I can weep," she cried.
"No, no. It must be now—soon. You have left your home with your trunks—he knows it. If you return—you return because you are worried—the panic—on his account."
"Ah, what a lie!"
"Elise," said Mrs. Kildair, coming forward again and arresting the other's arm, "listen. You are not what I am. You are not strong—you are weak. You are a woman of the world, worldly, loving worldly things, who for a moment has been transformed by a great passion. The whole earth has no such passion any longer. Do you understand? Something is gone—your youth is ended. Keep tight hold of the little that is left. Come, be strong. Dissimulate as you have before. Come."
"Not now," said Mrs. Bloodgood, terrified.
"Yes, now. If possible, you must be back before he returns."
And Beecher, from his chair where he had watched, forgotten by both women, saw Mrs. Kildair, who not for a moment had deviated from the vital issue, draw the unresisting woman by the very force of her energy into the bedroom, from which shortly they emerged again.
"I am ready," said Mrs. Bloodgood in a voice that was scarcely distinguishable. She had thrown over her head a thick veil, behind which her features were only dimly visible.
"Telephone for a carriage," said Mrs. Kildair.
"I have done so," said Beecher, who had availed himself of the interval.
"But the trunks?" said Mrs. Bloodgood, turning helplessly.
"They went back long ago."
"Ah!" She took a few weak steps and turned. "But I shall see him?"
"I give you my word."
"Tonight?"
"Tonight."
Mrs. Bloodgood made a little sign of acquiescence, and passed out of the door. The carriage was waiting. Beecher silently handed her into it, feeling the sudden heaviness on his arm. They rolled away. She did not lift her veil, and he could not guess what look was on her face. Twice she made him change their course, in order to put off the final dreaded moment.
"You have been kind," she said at last. "I owe you much. Thank you. Now I will go back."
"Don't speak of thanks at such a time," he said hastily. "If I can help you in any way, any time—"
"I know." All at once, forgetting his presence, she burst out: "Oh, how I loved him! I would have done anything for him—anything! I can't believe it. It doesn't seem possible!"
"Be careful, Mrs. Bloodgood," he said, alarmed. "Be careful—please."
"You need have no fear," she said slowly. "All that is over." But, still obsessed, she seized his arm. "Only I want you to know that I loved him so that nothing made any difference. Any one can know it. I would have gone—"
"I know it," he said quickly, taking her hand to quiet her.
"Oh, yes, I loved him—the only real thing in my life!" she repeated, sinking back.
Ahead he saw the great Italian façade of the Bloodgood residence, where twenty servants awaited the call of this shadow at his side, whose invitation could make a social reputation. Then his quick eye, as they neared the steps, perceived the squat, stolid figure of Mr. Enos Bloodgood at the door.
"He is just come out—your husband," he said hurriedly, with a sudden new sensation of dread. And he repeated, a little excitement in his voice, fearing she did not understand the danger: "Be careful; he is there—your husband."
"Yes, I saw him."
She took the veil from her hat, and, folding it, handed it to him, her face set in hardness and contempt.
"You might say Mrs. Kildair had invited—"
"I know what to say," she said, checking him, and a smile incongruous at the moment gave the last touch of tragedy to the imagination of her companion. "Open the door."
He gazed at her, struck with the strange, dual personality in the frail, proud body—the abandon of the woman who loved and the calm of the woman who hated. She who a moment before had cared nothing for what she revealed to him in the unrestraint of her sorrow, did not hesitate now a moment, face to face with the peril of such a confrontation.
"Open the door," she repeated sharply.
Recalled to his senses, he sprang out and gave her his hand, accompanying her to the chiseled marble steps, where he left her, with a lift of his hat to the husband above who awaited her with a quiet, cynical enjoyment.
"I thought, my dear, you had gone off for a jolly little jaunt," said Mr. Bloodgood, without variation in the provoking evenness of his voice.
She came up the steps to his level, and acknowledged his presence with an inclination of her head.
"I intended to," she said, in the same ceremonious tone. "But I was so alarmed at the news from Wall Street that I did not wish to leave you at such a time."
"Indeed? I am quite touched," he answered, with perfect solemnity. "You are always so thoughtful, my dear."
She entered. He followed her as though shutting off all retreat, and the gorgeous flunky who had run out disappeared, too. To Beecher, with all the anguish of the scene at Rita Kildair's still vivid in his mind, it was as though he had seen a living woman enter her appointed tomb.
"Where shall I drive, sir?" said the driver.
"Anywhere!" he cried furiously.
But at the end of five minutes he emerged from the stupor into which he had been plunged, the somber horror rolling away like scudding storm-clouds. A new emotion—the inevitable personal application—broke over him like a ray of light.
"To be loved like that—" he thought suddenly, with a feeling of envy. "Terrible, terrible—and yet how marvelous!"
He gave directions to drive to Nan Charters' with a new curiosity in his soul—the inevitable personal emotion that, strangely enough, even against his will, dominated all the somber melancholy which this reverse of a glittering medal had brought him.
CHAPTER XII
He had completely forgotten, in the press of dramatic events, the disturbing fact of Nan Charters' return the night of the theft. He remembered it suddenly, as one remembers sorrow after a profound sleep. But the recalling of it affected him differently. The revelation of Mrs. Bloodgood's hidden life had left him in a dangerous and vulnerable mood—a mood of quickened compassion and outgoing sympathy. He was still determined to force a direct answer from Miss Charters, but already he had formed that answer in his heart, as he for the hour felt no longer the selfish combat of vanity, but the need of charity and gentleness.
In one of the profound moods which color the visible world, he stood at the window of the little sitting-room, awaiting her arrival, looking out on the serried flight of unutterably commonplace roofs, gray and drab with the gray of the turning day. And it seemed to him that this twilight was different from other twilights, heavily weighted down with more of the sadness of inexplicable lives. One tragedy seemed to invoke a thousand tragedies, in the cramped immobility of these inscrutable windows which had not yet begun to warm with the flicker of human cheer. He saw only the brutal struggle to live, and felt only the mystery of suffering, which was still a thing apart from his life. Standing reverently thus, he asked himself two questions which, sooner or later, each man of heart and sensibility puts to himself in the awakening to conscious existence:
"Why do they go on?"
"What is my justification?"
And in his heart, still young and stirred to sympathy, he felt the beginning of a revolt at what he had been, at his inability to find a satisfying answer to that second question. He no longer awaited the interview in the spirit of strife, but with a sudden feeling of impulsive friendliness which, had he been an older man, might have alarmed him with its dangers. The profound melancholy of youth, violent because unconquered and strange, had him still in its grip when, all at once, he felt an emotion of well-being and returning comfort.
She came into the room and without formal greeting gave him her hand with a welcome in her eyes, as though their friendship were of such strong duration that formalities were out of place.
"Draw the curtains," she said, going to the electric lamp on the table, which woke like a golden sun from the shadows. "It's cozier. Shall we light the fire? Yes, it's more cheery."
"Let me," he said hastily.
"Quite unnecessary."
He watched her sudden stooping movement, that brought the loose, intricate tea-gown about her agile body, outlining the limbs, which had the quick animal grace that is peculiar to the unconquered maiden. Her pose, strong and alive with power and self-reliance, recalled to him sharply the sense of opposition. He was annoyed that she should have done so naturally what he should have done, feeling in her too much self-reliance.
She rose, looking down with a childish delight at the sudden burst and roar of the flame. Then she turned, studying his face. The artist in her made her quickly aware of the remnants of the emotion which had stirred him.
"What is it?" she said, with the gentleness that was tantalizing to him. "You have a strange look."
"Yes," he answered; "I have been behind the scenes."
"What do you mean?"
"I have been with Mrs. Bloodgood all the afternoon—found her at the station as she was leaving."
"Mrs. Bloodgood was running away," she said, puzzled, but with a fear in her eyes that did not escape him.
"What—you did not know!" he exclaimed. "Majendie killed himself this afternoon at two o'clock."
"Majendie—Mrs. Bloodgood!"
She looked at him a moment with a face struck with horror, and then fell back into a chair, seized with the suddenness of the climax.
"I beg your pardon; I thought you knew," he blurted out.
"No, no—nothing. Tell me—tell me all," she said; and he saw that back of her alarm was a significance to her that heightened the effect of the tragedy.
He told her first the bare details of the suicide as he knew them; and then, in response to her hurried questions, began to retell the afternoon. He spoke impulsively, almost as an echo of the drama he had witnessed. Occasionally she stopped him with a more detailed question. Moved out of his self-consciousness, he described, more eloquently than he knew, the conflict between the two women at Mrs. Kildair's, and the emotions which had suddenly brought him wide-eyed to the spectacle of the black, turbulent river of despair.
"I can't forget it—it haunts me now," he said, when he had ended with Mrs. Bloodgood's return into the home of her husband. "It makes me see something in life I didn't understand—that I am just beginning to see."
He looked at her. Her face was wet with tears. All at once, astonished, he recalled what he had told.
"What have I done?" he cried, aghast. "I had no right to repeat it. I didn't realize what I was saying!"
"Don't fear," she said, shuddering, and she extended her hands to the fire, as though the recital had frozen her body. "Poor woman—poor, lonely woman!"
He sat down near her, close to the fire, and, stretching out his hand, touched her arm.
"Listen, Nan," he said, so profoundly that she could not mistake the emotion. "It has made a great difference in me. It may be a mood—it may pass; but I hope it won't. It makes me dissatisfied. Look here—I don't want to go on as we have, thrusting and parrying. I don't want it to be just a game. The real feeling in me toward a woman is different—it's one of chivalry, I know. Let's drop all artifices. Let's be honest with each other—good friends, or something else, as it may come."
She considered the depths of the fire a moment, and turned, looking at him dreamily, feeling how much older she was in the knowledge of the doubts of the world than the young, impulsive nature that looked out at her from such honest eyes.
"Will you?" he asked, as she looked away again.
She shook her head, in doubt as to an answer; but the good in her stirred by the good in him expressed itself in the quick pressure of thanks which her hand conveyed to him.
"I am not the least in love," he said quickly. "What I say I say because—oh, I don't know! I'm dissatisfied with myself. This thing has gotten below my skin. Life's too rotten. I want you to believe in me—in my strength. You are sympathetic—multa sympatica. I don't know; I hate to think of your fighting alone such a rotten hard fight."
She nodded slowly, understanding perhaps better than he his thought, yet half won to his appeal already.
She took his hand in both of hers, pressing it in emphasis from time to time, not looking at him, staring at something that formed before her eyes.
"No one has ever spoken to me just like this," she said gently. "One thing I would never want to happen, Teddy—I would never want to hurt you! That is why I hesitate—why I am afraid. You are only a great big boy. You won't understand me. I am very selfish—very worldly."
"You are nothing of the sort," he said furiously, withdrawing his hand. "You may think so, but I know you better."
She turned, amused; but her smile left her as she looked into his eyes. To her surprise, a feeling of unease came to her; she felt a new longing—to be for a moment quite childlike and helpless.
"Don't blunder into anything, Teddy," she answered, shaking her head, herself a little disturbed. "With some men I would not care. With you—yes, it would make me feel like a criminal to hurt you."
He understood that she was warning him of the futility of expecting to find in her a woman. But if she had calculated, which she had not, on any move surer to arouse him, she could have found no better expedient. The impossibility implied, coupled with the impulsive generosity in her voice, made her a thousand times more desirable. He rose brusquely, and, standing with his back to the fire, looked down at the dramatic face, which the flames lighted with the flare of footlights.
"There are certain things that we must understand together," he said with authority, obeying the instinct which told him that to succeed he must take the upper hand.
Her eyebrows came together in a straight flight.
"I have not hesitated to trust in you—you must in me. Tell me. You have reason to suspect that Mrs. Bloodgood took the ring—at least, the first time?"
[image]"'I have not hesitated to trust in you—you must in me'"
[image]
[image]
"'I have not hesitated to trust in you—you must in me'"
She shook her head, but without anger.
"Don't you understand," he said quickly, "that I must know why you acted as you did?"
Still her only answer was a deep-taken breath.
"I swear to you, if Mrs. Bloodgood did take it," he said, "I would not condemn her. On the contrary, I would pity her."
"Why should Mrs. Bloodgood, who has millions, do such a thing?" she said quietly.
"Because, from what I know, Mrs. Bloodgood, who has millions, as the wife of Enos Bloodgood, has not as much money in her pocket as you or I." He stopped. "She took it to have some means of escape, didn't she?"
"No, she did not take it," she answered, but in a tone that brought no conviction.
"You see, I know that you returned to Mrs. Kildair's that night," he said, irritated.
"How did you know?" she said quickly.
"Mrs. Kildair told me—no, that's not true; some one else did."
"Mrs. Kildair herself called me on the telephone and asked me to come," she said slowly.
"And questioned you?"
"Yes."
"As to what you had seen?" he said, with a great feeling of relief that should have warned him of his true interest.
"Yes."
"What did you answer?"
She rose and approached him, looking at him with only friendliness.
"If the ring is not restored in two weeks," she said, "then I will tell you what you wish to know."
"You think that, if Mrs. Bloodgood took it, she will now have no use for it," he persisted, seizing the idea.
"I know nothing at all," she answered, emphasizing the "know." "This promise must satisfy you. I only have a suspicion, and I don't want to do an injustice to another—remember that. I have never said it was Mrs. Bloodgood I suspected. Now I want to talk to you about my own affairs."
He was covered with contrition that he should have forgotten her difficulties.
"Good heavens!" he said hastily. "What have I been thinking of? Please don't think I don't care; I've been in such a whirl—"
She checked him with a gesture and a smile, motioning him to sit down again.
"Have you had any word?"
She shook her head.
"Of course, it's a terrible day on the Street," he hastened to reply. "Everything's up in the air—they're like a lot of lunatics. Garraboy hasn't had time to think. That oughtn't to alarm you."
"But I left word at his office for him to telephone me, and it is now," she said, glancing at the clock, "an hour and a half since the close."
"There are probably a hundred inquiries of the same sort awaiting him," he said to reassure her. "What are you afraid of?"
"I don't know—and yet I am a little anxious. Suppose he has used my stocks? Such things happen every day."
"The best thing is to find out at once how Garraboy stands—if he's been caught in the drop or not. Then we can take our measures."
"How'll you do that?"
"Call up Bruce Gunther and get him on the trail. May I telephone?"
"Do so."
"He's probably at the club now," he said, taking up the receiver and giving a number. "Yes, he's in. That's lucky. I'll get him in a moment." Then he added irritably: "How the deuce did you ever come to deal with Garraboy?"
"Why, I've known him ever since I came to New York. I wanted to invest some money—I didn't know any one else; and then, he was very—friendly; wanted to make some money for me. That's how it was."
"Hello," said Beecher. "Is that you, Bruce? It's I—Ted."
"Where the deuce have you been?" said the voice at the other end. "I've been trying to get you all over town."
"You have?"
"You bet I have; McKenna's turned up a real clue—wants to see you at once. Pick me up here at the club, will you?"
"All right. But say, Bruce, I want you to do something for me. Find out all you can about Garraboy—you know, the fellow we spoke about. Has he been on the wrong side of the market or not? Understand? It's important."
"I'll do it. Anything else?"
"Yes. A friend of mine has some stocks with him, about twenty thousand worth—you see the situation—and she's a little bit worried. Can't get any satisfaction."
"Wants 'em back?"
"Yes. What's the best way to do?"
"Um! Get a transfer to you and call for them tomorrow."
"Of course; see you later."
He put down the telephone and turned gaily to his companion, who was waiting with anxiety.
"That's all right. Bruce will get the information and I'll telephone you this evening. Now, the best way to operate is this." He took out his check-book and wrote a check for twenty thousand dollars to her name. "I'll buy those stocks. Here's my check; give me an acknowledgment for the shares, with an order on Garraboy to deliver."
She looked at him doubtfully, holding the check gingerly in her fingers.
"What's the matter?" he said. "If there's any little difference one way or the other, we can arrange that later."
"Supposing Garraboy has failed and sold my stocks?"
"He hasn't."
"But if he has?"
"That's my risk," he started to say, but checked himself. "Why, of course, then it's off. This is just to give me the power to get them away at once. A man can do what a woman can't."
She was grateful to him for his perception of delicacy.
"On that basis, yes," she said. Then she stopped and looked at him with a whimsical but favoring smile. "As it is, Teddy, what do you know of me to take even this chance?"
The opening was too direct. She saw it at once, and, to forestall his answer, said more lightly:
"It is a great service. Tell me what to write."
As she was drawing up the paper under his directions, a placid, emotionless woman of forty entered from the rear.
"That Mr. Hargrave is here, Nan dear," she said. "You gave him an appointment, you know."
"Mrs. Tilbury, my companion," said Miss Charters. "Very well; in a moment."
Mrs. Tilbury passed patiently out to deliver the message. Beecher was delighted with the correctness and cold respectability of such a chaperon.
"Mr. Hargrave is a young dramatist," said Miss Charters, finishing the document. "He's coming to read some masterpiece to me. He wrote a one-act piece three years ago that was very clever, and now, of course, I can't risk refusing to hear him—he might have a work of genius at last. This is my fourth trial." She put the paper from her impatiently. "I'm sorry."
He was displeased also at this sudden recall of the other life in her, the world of the theater, which crowded the walls with its signed photographs.
"I'll telephone as soon as I know," he said, dissembling his irritation.
She went to the door with him, annoyed also at the interruption.
"I'm coming tomorrow," he said, and he held out his hand with a little defiance.
She did not resent the assumption of right, still introspectively puzzled at the new moods into which she had fallen. And, still pensive, she said:
"Come."
Below, in the anteroom, he sent a look of antagonism and scorn at a young man, a little extravagantly dressed, who carried a portfolio under his arm with a sense, too, of irritation and pride.