* Setten, incline.+ Gilt, what injury have I done, etc.
In the midst of his musing, as he casts his eye downward, he beholds “the fairest and the freshest young floure” that ever he had seen. It is the lovely Lady Jane, walking in the garden to enjoy the beauty of that “fresh May morrowe.” Breaking thus suddenly upon his sight in a moment of loneliness and excited susceptibility, she at once captivates the fancy of the romantic prince, and becomes the object of his wandering wishes, the sovereign of his ideal world.
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There is, in this charming scene, an evident resemblance to the early part of Chaucer’s Knight’s Tale, where Palamon and Arcite fall in love with Emilia, whom they see walking in the garden of their prison. Perhaps the similarity of the actual fact to the incident which he had read in Chaucer may have induced James to dwell on it in his poem. His description of the Lady Jane is given in the picturesque and minute manner of his master, and, being doubtless taken from the life, is a perfect portrait of a beauty of that day. He dwells with the fondness of a lover on every article of her apparel, from the net of pearl, splendent with emeralds and sapphires, that confined her golden hair, even to the “goodly chaine of small orfeverye” * about her neck, whereby there hung a ruby in shape of a heart, that seemed, he says, like a spark of fire burning upon her white bosom. Her dress of white tissue was looped up to enable her to walk with more freedom. She was accompanied by two female attendants, and about her sported a little hound decorated with bells, probably the small Italian hound of exquisite symmetry which was a parlor favorite and pet among the fashionable dames of ancient times. James closes his description by a burst of general eulogium:
In her was youth, beauty, with humble port,Bounty, richesse, and womanly feature:God better knows than my pen can report,Wisdom, largesse,+ estate,++ and cunning& sure.In every point so guided her measure,In word, in deed, in shape, in countenance,That nature might no more her child advance.
* Wrought gold.+ Largesse, bounty.++ Estate, dignity.& Cunning, discretion.
The departure of the Lady Jane from the garden puts an end to this transient riot of the heart. With her departs the amorous illusion that had shed a temporary charm over the scene of his captivity, and he relapses into loneliness, now rendered tenfold more intolerable by this passing beam of unattainable beauty. Through the long and weary day he repines at his unhappy lot, and when evening approaches, and Phoebus, as he beautifully expresses it, had “bade farewell to every leaf and flower,” he still lingers at the window, and, laying his head upon the cold stone, gives vent to a mingled flow of love and sorrow, until, gradually lulled by the mute melancholy of the twilight hour, he lapses, “half-sleeping, half swoon,” into a vision, which occupies the remainder of the poem, and in which is allegorically shadowed out the history of his passion.
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When he wakes from his trance, he rises from his stony pillow, and, pacing his apartment, full of dreary reflections, questions his spirit, whither it has been wandering; whether, indeed, all that has passed before his dreaming fancy has been conjured up by preceding circumstances, or whether it is a vision intended to comfort and assure him in his despondency. If the latter, he prays that some token may be sent to confirm the promise of happier days, given him in his slumbers. Suddenly, a turtledove of the purest whiteness comes flying in at the window, and alights upon his hand, bearing in her bill a branch of red gilliflower, on the leaves of which is written, in letters of gold, the following sentence:
Awake! Awake! I bring, lover, I bringThe newis glad, that blissful is and sureOf thy comfort; now laugh, and play, and sing,For in the heaven decretit is thy cure.
He receives the branch with mingled hope and dread; reads it with rapture; and this he says was the first token of his succeeding happiness. Whether this is a mere poetic fiction, or whether the Lady Jane did actually send him a token of her favor in this romantic way, remains to be determined according to the fate or fancy of the reader. He concludes his poem by intimating that the promise conveyed in the vision and by the flower, is fulfilled by his being restored to liberty, and made happy in the possession of the sovereign of his heart.
Such is the poetical account given by James of his love adventures in Windsor Castle. How much of it is absolute fact, and how much the embellishment of fancy, it is fruitless to conjecture; let us not, however, reject every romantic incident as incompatible with real life, but let us sometimes take a poet at his word. I have noticed merely those parts of the poem immediately connected with the tower, and have passed over a large part which was in the allegorical vein, so much cultivated at that day. The language, of course, is quaint and antiquated, so that the beauty of many of its golden phrases will scarcely be perceived at the present day, but it is impossible not to be charmed with the genuine sentiment, the delightful artlessness and urbanity, which prevail throughout it. The descriptions of Nature too, with which it is embellished, are given with a truth, a discrimination, and a freshness, worthy of the most cultivated periods of the art.
As an amatory poem, it is edifying, in these days of coarser thinking, to notice the nature, refinement, and exquisite delicacy which pervade it; banishing every gross thought, or immodest expression, and presenting female loveliness, clothed in all its chivalrous attributes of almost supernatural purity and grace.
James flourished nearly about the time of Chaucer and Gower, and was evidently an admirer and studier of their writings. Indeed, in one of his stanzas he acknowledges them as his masters; and in some parts of his poem we find traces of similarity to their productions, more especially to those of Chaucer. There are always, however, general features of resemblance in the works of contemporary authors, which are not so much borrowed from each other as from the times. Writers, like bees, toll their sweets in the wide world; they incorporate with their own conceptions, the anecdotes and thoughts current in society; and thus each generation has some features in common, characteristic of the age in which it lives.
James belongs to one of the most brilliant eras of our literary history, and establishes the claims of his country to a participation in its primitive honors. Whilst a small cluster of English writers are constantly cited as the fathers of our verse, the name of their great Scottish compeer is apt to be passed over in silence; but he is evidently worthy of being enrolled in that little constellation of remote but never-failing luminaries who shine in the highest firmament of literature, and who, like morning stars, sang together at the bright dawning of British poesy.
Such of my readers as may not be familiar with Scottish history (though the manner in which it has of late been woven with captivating fiction has made it a universal study) may be curious to learn something of the subsequent history of James and the fortunes of his love. His passion for the Lady Jane, as it was the solace of his captivity, so it facilitated his release, it being imagined by the Court that a connection with the blood-royal of England would attach him to its own interests. He was ultimately restored to his liberty and crown, having previously espoused the Lady Jane, who accompanied him to Scotland, and made him a most tender and devoted wife.
He found his kingdom in great confusion, the feudal chieftains having taken advantage of the troubles and irregularities of a long interregnum, to strengthen themselves in their possessions, and place themselves above the power of the laws. James sought to found the basis of his power in the affections of his people. He attached the lower orders to him by the reformation of abuses, the temperate and equable administration of justice, the encouragement of the arts of peace, and the promotion of every thing that could diffuse comfort, competency, and innocent enjoyment through the humblest ranks of society. He mingled occasionally among the common people in disguise; visited their firesides; entered into their cares, their pursuits, and their amusements; informed himself of the mechanical arts, and how they could best be patronized and improved; and was thus an all-pervading spirit, watching with a benevolent eye over the meanest of his subjects. Having in this generous manner made himself strong in the hearts of the common people, he turned himself to curb the power of the factious nobility; to strip them of those dangerous immunities which they had usurped; to punish such as had been guilty of flagrant offences; and to bring the whole into proper obedience to the Crown. For some time they bore this with outward submission, but with secret impatience and brooding resentment. A conspiracy was at length formed against his life, at the head of which was his own uncle, Robert Stewart, Earl of Athol, who, being too old himself for the perpetration of the deed of blood, instigated his grandson, Sir Robert Stewart, together with Sir Robert Graham, and others of less note, to commit the deed. They broke into his bedchamber at the Dominican convent near Perth, where he was residing, and barbarously murdered him by oft-repeated wounds. His faithful queen, rushing to throw her tender body between him and the sword, was twice wounded in the ineffectual attempt to shield him from the assassin; and it was not until she had been forcibly torn from his person, that the murder was accomplished.
It was the recollection of this romantic tale of former times, and of the golden little poem, which had its birthplace in this tower, that made me visit the old pile with more than common interest. The suit of armor hanging up in the hall, richly gilt and embellished, as if to figure in the tourney, brought the image of the gallant and romantic prince vividly before my imagination. I paced the deserted chambers where he had composed his poem; I leaned upon the window, and endeavored to persuade myself it was the very one where he had been visited by his vision; I looked out upon the spot where he had first seen the Lady Jane. It was the same genial and joyous month; the birds were again vying with each other in strains of liquid melody; every thing was bursting into vegetation, and budding forth the tender promise of the year. Time, which delights to obliterate the sterner memorials of human pride, seems to have passed lightly over this little scene of poetry and love, and to have withheld his desolating hand. Several centuries have gone by, yet the garden still flourishes at the foot of the tower. It occupies what was once the moat of the keep; and, though some parts have been separated by dividing walls, yet others have still their arbors and shaded walks, as in the days of James, and the whole is sheltered, blooming, and retired. There is a charm about the spot that has been printed by the footsteps of departed beauty, and consecrated by the inspirations of the poet, which is heightened, rather than impaired, by the lapse of ages. It is, indeed, the gift of poetry, to hallow every place in which it moves; to breathe around nature an odor more exquisite than the perfume of the rose, and to shed over it a tint more magical than the blush of morning.
Others may dwell on the illustrious deeds of James as a warrior and a legislator; but I have delighted to view him merely as the companion of his fellow-men, the benefactor of the human heart, stooping from his high estate to sow the sweet flowers of poetry and song in the paths of common life. He was the first to cultivate the vigorous and hardy plant of Scottish genius, which has since become so prolific of the most wholesome and highly flavored fruit. He carried with him into the sterner regions of the north, all the fertilizing arts of southern refinement. He did every thing in his power to win his countrymen to the gay, the elegant, and gentle arts, which soften and refine the character of a people, and wreathe a grace round the loftiness of a proud and warlike spirit. He wrote many poems, which, unfortunately for the fulness of his fame, are now lost to the world; one, which is still preserved, called “Christ’s Kirk of the Green,” shows how diligently he had made himself acquainted with the rustic sports and pastimes, which constitute such a source of kind and social feeling among the Scottish peasantry; and with what simple and happy humor he could enter into their enjoyments. He contributed greatly to improve the national music; and traces of his tender sentiment and elegant taste are said to exist in those witching airs, still piped among the wild mountains and lonely glens of Scotland. He has thus connected his image with whatever is most gracious and endearing in the national character; he has embalmed his memory in song, and floated his name to after-ages in the rich streams of Scottish melody. The recollection of these things was kindling at my heart, as I paced the silent scene of his imprisonment. I have visited Vaucluse with as much enthusiasm as a pilgrim would visit the shrine at Loretto; but I have never felt more poetical devotion than when contemplating the old tower and the little garden at Windsor, and musing over the romantic loves of the Lady Jane, and the Royal Poet of Scotland.
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A gentleman!What o’ the woolpack? or the sugar-chest?Or lists of velvet? which is ‘t, pound, or yard,You vend your gentry by?BEGGAR’S BUSH.
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HERE are few places more favorable to the study of character than an English country church. I was once passing a few weeks at the seat of a friend who resided in, the vicinity of one the appearance of which particularly struck my fancy. It was one of those rich morsels of quaint antiquity, which gives such a peculiar charm to English landscape. It stood in the midst of a country filled with ancient families, and contained within its cold and silent aisles the congregated dust of many noble generations. The interior walls were encrusted with monuments of every age and style. The light streamed through windows dimmed with armorial bearings, richly emblazoned in stained glass. In various parts of the church were tombs of knights, and highborn dames, of gorgeous workmanship, with their effigies in colored marble. On every side, the eye was struck with some instance of aspiring mortality, some haughty memorial which human pride had erected over its kindred dust in this temple of the most humble of all religions.
The congregation was composed of the neighboring people of rank, who sat in pews sumptuously lined and cushioned, furnished with richly-gilded prayer-books, and decorated with their arms upon the pew doors; of the villagers and peasantry, who filled the back seats and a small gallery beside the organ; and of the poor of the parish, who were ranged on benches in the aisles.
The service was performed by a snuffling, well-fed vicar, who had a snug dwelling near the church. He was a privileged guest at all the tables of the neighborhood, and had been the keenest fox-hunter in the country, until age and good living had disabled him from doing anything more than ride to see the hounds throw off, and make one at the hunting dinner.
Under the ministry of such a pastor, I found it impossible to get into the train of thought suitable to the time and place; so, having, like many other feeble Christians, compromised with my conscience, by laying the sin of my own delinquency at another person’s threshold, I occupied myself by making observations on my neighbors.
I was as yet a stranger in England, and curious to notice the manners of its fashionable classes. I found, as usual, that there was the least pretension where there was the most acknowledged title to respect. I was particularly struck, for instance, with the family of a nobleman of high rank, consisting of several sons and daughters. Nothing could be more simple and unassuming than their appearance. They generally came to church in the plainest equipage, and often on foot. The young ladies would stop and converse in the kindest manner with the peasantry, caress the children, and listen to the stories of the humble cottagers. Their countenances were open and beautifully fair, with an expression of high refinement, but at the same time a frank cheerfulness and engaging affability. Their brothers were tall, and elegantly formed. They were dressed fashionably, but simply—with strict neatness and propriety, but without any mannerism or foppishness. Their whole demeanor was easy and natural, with that lofty grace and noble frankness which bespeak free-born souls that have never been checked in their growth by feelings of inferiority. There is a healthful hardiness about real dignity, that never dreads contact and communion with others, however humble. It is only spurious pride that is morbid and sensitive, and shrinks from every touch. I was pleased to see the manner in which they would converse with the peasantry about those rural concerns and field-sports in which the gentlemen of the country so much delight. In these conversations there was neither haughtiness on the one part, nor servility on the other, and you were only reminded of the difference of rank by the habitual respect of the peasant.
In contrast to these was the family of a wealthy citizen, who had amassed a vast fortune, and, having purchased the estate and mansion of a ruined nobleman in the neighborhood, was endeavoring to assume all the style and dignity of an hereditary lord of the soil. The family always came to church en prince. They were rolled majestically along in a carriage emblazoned with arms. The crest glittered in silver radiance from every part of the harness where a crest could possibly be placed. A fat coachman, in a three-cornered hat richly laced and a flaxen wig, curling close round his rosy face, was seated on the box, with a sleek Danish dog beside him. Two footmen in gorgeous liveries, with huge bouquets, and gold-headed canes, lolled behind. The carriage rose and sunk on its long springs with a peculiar stateliness of motion. The very horses champed their bits, arched their necks, and glanced their eyes more proudly than common horses; either because they had caught a little of the family feeling, or were reined up more tightly than ordinary.
I could not but admire the style with which this splendid pageant was brought up to the gate of the churchyard. There was a vast effect produced at the turning of an angle of the wall—a great smacking of the whip, straining and scrambling of the horses, glistening of harness, and flashing of wheels through gravel. This was the moment of triumph and vainglory to the coachman. The horses were urged and checked, until they were fretted into a foam. They threw out their feet in a prancing trot, dashing about pebbles at every step. The crowd of villagers sauntering quietly to church opened precipitately to the right and left, gaping in vacant admiration. On reaching the gate, the horses were pulled up with a suddenness that produced an immediate stop, and almost threw them on their haunches.
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There was an extraordinary hurry of the footmen to alight, pull down the steps, and prepare everything for the descent on earth of this august family. The old citizen first emerged his round red face from out the door, looking about him with the pompous air of a man accustomed to rule on ‘Change, and shake the Stock Market with a nod. His consort, a fine, fleshy, comfortable dame, followed him. There seemed, I must confess, but little pride in her composition. She was the picture of broad, honest, vulgar enjoyment. The world went well with her; and she liked the world. She had fine clothes, a fine house, a fine carriage, fine children—everything was fine about her: it was nothing but driving about and visiting and feasting. Life was to her a perpetual revel; it was one long Lord Mayor’s Day.
Two daughters succeeded to this goodly couple. They certainly were handsome, but had a supercilious air that chilled admiration and disposed the spectator to be critical. They were ultrafashionable in dress, and, though no one could deny the richness of their decorations, yet their appropriateness might be questioned amidst the simplicity of a country church. They descended loftily from the carriage, and moved up the line of peasantry with a step that seemed dainty of the soil it trod on. They cast an excursive glance around, that passed coldly over the burly faces of the peasantry, until they met the eyes of the nobleman’s family, when their countenances immediately brightened into smiles, and they made the most profound and elegant courtesies, which were returned in a manner that showed they were but slight acquaintances.
I must not forget the two sons of this inspiring citizen, who came to church in a dashing curricle with outriders. They were arrayed in the extremity of the mode, with all that pedantry of dress which marks the man of questionable pretensions to style. They kept entirely by themselves, eying every one askance that came near them, as if measuring his claims to respectability; yet they were without conversation, except the exchange of an occasional cant phrase. They even moved artificially, for their bodies, in compliance with the caprice of the day, had been disciplined into the absence of all ease and freedom. Art had done everything to accomplish them as men of fashion, but Nature had denied them the nameless grace. They were vulgarly shaped, like men formed for the common purposes of life, and had that air of supercilious assumption which is never seen in the true gentleman.
I have been rather minute in drawing the pictures of these two families, because I considered them specimens of what is often to be met with in this country—the unpretending great, and the arrogant little. I have no respect for titled rank, unless it be accompanied with true nobility of soul; but I have remarked, in all countries where artificial distinctions exist, that the very highest classes are always the most courteous and unassuming. Those who are well assured of their own standing are least apt to trespass on that of others; whereas, nothing is so offensive as the aspirings of vulgarity, which thinks to elevate itself by humiliating its neighbor.
As I have brought these families into contrast, I must notice their behavior in church. That of the nobleman’s family was quiet, serious, and attentive. Not that they appeared to have any fervor of devotion, but rather a respect for sacred things, and sacred places, inseparable from good-breeding. The others, on the contrary, were in a perpetual flutter and whisper; they betrayed a continual consciousness of finery, and the sorry ambition of being the wonders of a rural congregation.
The old gentleman was the only one really attentive to the service. He took the whole burden of family devotion upon himself; standing bolt upright, and uttering the responses with a loud voice that might be heard all over the church. It was evident that he was one of these thorough Church-and-king men, who connect the idea of devotion and loyalty; who consider the Deity, somehow or other, of the government party, and religion “a very excellent sort of thing, that ought to be countenanced and kept up.”
When he joined so loudly in the service, it seemed more by way of example to the lower orders, to show them that, though so great and wealthy, he was not above being religious; as I have seen a turtle-fed alderman swallow publicly a basin of charity soup, smacking his lips at every mouthful and pronouncing it “excellent food for the poor.”
When the service was at an end, I was curious to witness the several exits of my groups. The young noblemen and their sisters, as the day was fine, preferred strolling home across the fields, chatting with the country people as they went. The others departed as they came, in grand parade. Again were the equipages wheeled up to the gate. There was again the smacking of whips, the clattering of hoofs, and the glittering of harness. The horses started off almost at a bound; the villagers again hurried to right and left; the wheels threw up a cloud of dust, and the aspirin family was rapt out of sight in a whirlwind.
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Pittie olde age, within whose silver hairesHonour and reverence evermore have rain’d.MARLOWE’S TAMBURLAINE.
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THOSE who are in the habit of remarking such matters must have noticed the passive quiet of an English landscape on Sunday. The clacking of the mill, the regularly recurring stroke of the flail, the din of the blacksmith’s hammer, the whistling of the ploughman, the rattling of the cart, and all other sounds of rural labor are suspended. The very farm-dogs bark less frequently, being less disturbed by passing travellers. At such times I have almost fancied the wind sunk into quiet, and that the sunny landscape, with its fresh green tints melting into blue haze, enjoyed the hallowed calm.
Sweet day, so pure, so calm, so brigh’The bridal of the earth and sky.
Well was it ordained that the day of devotion should be a day of rest. The holy repose which reigns over the face of nature has its moral influence; every restless passion is charmed down, and we feel the natural religion of the soul gently springing up within us. For my part, there are feelings that visit me, in a country church, amid the beautiful serenity of nature, which I experience nowhere else; and if not a more religious, I think I am a better man on Sunday than on any other day of the seven.
During my recent residence in the country, I used frequently to attend at the old village church. Its shadowy aisles, its mouldering monuments, its dark oaken panelling, all reverend with the gloom of departed years, seemed to fit it for the haunt of solemn meditation; but, being in a wealthy, aristocratic neighborhood, the glitter of fashion penetrated even into the sanctuary; and I felt myself continually thrown back upon the world, by the frigidity and pomp of the poor worms around me. The only being in the whole congregation who appeared thoroughly to feel the humble and prostrate piety of a true Christian was a poor decrepit old woman, bending under the weight of years and infirmities. She bore the traces of something better than abject poverty. The lingerings of decent pride were visible in her appearance. Her dress, though humble in the extreme, was scrupulously clean. Some trivial respect, too, had been awarded her, for she did not take her seat among the village poor, but sat alone on the steps of the altar. She seemed to have survived all love, all friendship, all society, and to have nothing left her but the hopes of heaven. When I saw her feebly rising and bending her aged form in prayer; habitually conning her prayer-book, which her palsied hand and failing eyes could not permit her to read, but which she evidently knew by heart, I felt persuaded that the faltering voice of that poor woman arose to heaven far before the responses of the clerk, the swell of the organ, or the chanting of the choir.
I am fond of loitering about country churches, and this was so delightfully situated, that it frequently attracted me. It stood on a knoll, round which a small stream made a beautiful bend and then wound its way through a long reach of soft meadow scenery. The church was surrounded by yew trees, which seemed almost coeval with itself. Its tall Gothic spire shot up lightly from among them, with rooks and crows generally wheeling about it. I was seated there one still sunny morning watching two laborers who were digging a grave. They had chosen one of the most remote and neglected corners of the churchyard, where, from the number of nameless graves around, it would appear that the indigent and friendless were huddled into the earth. I was told that the new-made grave was for the only son of a poor widow. While I was meditating on the distinctions of worldly rank, which extend thus down into the very dust, the toll of the bell announced the approach of the funeral. They were the obsequies of poverty, with which pride had nothing to do. A coffin of the plainest materials, without pall or other covering, was borne by some of the villagers. The sexton walked before with an air of cold indifference. There were no mock mourners in the trappings of affected woe, but there was one real mourner who feebly tottered after the corpse. It was the aged mother of the deceased, the poor old woman whom I had seen seated on the steps of the altar. She was supported by a humble friend, who was endeavoring to comfort her. A few of the neighboring poor had joined the train, and some children of the village were running hand in hand, now shouting with unthinking mirth, and now pausing to gaze, with childish curiosity on the grief of the mourner.
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As the funeral train approached the grave, the parson issued from the church-porch, arrayed in the surplice, with prayer-book in hand, and attended by the clerk. The service, however, was a mere act of charity. The deceased had been destitute, and the survivor was penniless. It was shuffled through, therefore, in form, but coldly and unfeeling. The well-fed priest moved but a few steps from the church door; his voice could scarcely be heard at the grave; and never did I hear the funeral service, that sublime and touching ceremony, turned into such a frigid mummery of words.
I approached the grave. The coffin was placed on the ground. On it were inscribed the name and age of the deceased—“George Somers, aged 26 years.” The poor mother had been assisted to kneel down at the head of it. Her withered hands were clasped, as if in prayer; but I could perceive, by a feeble rocking of the body, and a convulsive motion of the lips, that she was gazing on the last relics of her son with the yearnings of a mother’s heart.
Preparations were made to deposit the coffin in the earth. There was that bustling stir, which breaks so harshly on the feelings of grief and affection; directions given in the cold tones of business; the striking of spades into sand and gravel; which, at the grave of those we love, is, of all sounds, the most withering. The bustle around seemed to waken the mother from a wretched revery. She raised her glazed eyes, and looked about with a faint wildness. As the men approached with cords to lower the coffin into the grave, she wrung her hands, and broke into an agony of grief. The poor woman who attended her took her by the arm endeavoring to raise her from the earth, and to whisper something like consolation: “Nay, now—nay, now—don’t take it so sorely to heart.” She could only shake her head, and wring her hands, as one not to be comforted.
As they lowered the body into the earth, the creaking of the cords seemed to agonize her; but when, on some accidental obstruction, there was a jostling of the coffin, all the tenderness of the mother burst forth, as if any harm could come to him who was far beyond the reach of worldly suffering.
I could see no more—my heart swelled into my throat—my eyes filled with tears; I felt as if I were acting a barbarous part in standing by and gazing idly on this scene of maternal anguish. I wandered to another part of the churchyard, where I remained until the funeral train had dispersed.
When I saw the mother slowly and painfully quitting the grave, leaving behind her the remains of all that was dear to her on earth, and returning to silence and destitution, my heart ached for her. What, thought I, are the distresses of the rich? They have friends to soothe—pleasures to beguile—a world to divert and dissipate their griefs. What are the sorrows of the young? Their growing minds soon close above the wound—their elastic spirits soon rise beneath the pressure—their green and ductile affections soon twine round new objects. But the sorrows of the poor, who have no outward appliances to soothe—the sorrows of the aged, with whom life at best is but a wintry day, and who can look for no after-growth of joy—the sorrows of a widow, aged, solitary, destitute, mourning over an only son, the last solace of her years,—these are indeed sorrows which make us feel the impotency of consolation.
It was some time before I left the churchyard. On my way homeward, I met with the woman who had acted as comforter: she was just returning from accompanying the mother to her lonely habitation, and I drew from her some particulars connected with the affecting scene I had witnessed.
The parents of the deceased had resided in the village from childhood. They had inhabited one of the neatest cottages, and by various rural occupations, and the assistance of a small garden, had supported themselves creditably and comfortably, and led a happy and a blameless life. They had one son, who had grown up to be the staff and pride of their age. “Oh, sir!” said the good woman, “he was such a comely lad, so sweet-tempered, so kind to every one around him, so dutiful to his parents! It did one’s heart good to see him of a Sunday, drest out in his best, so tall, so straight, so cheery, supporting his old mother to church; for she was always fonder of leaning on George’s arm than on her good man’s; and, poor soul, she might well be proud of him, for a finer lad there was not in the country round.”
Unfortunately, the son was tempted, during a year of scarcity and agricultural hardship, to enter into the service of one of the small craft that plied on a neighboring river. He had not been long in this employ, when he was entrapped by a press-gang, and carried off to sea. His parents received tidings of his seizure, but beyond that they could learn nothing. It was the loss of their main prop. The father, who was already infirm, grew heartless and melancholy and sunk into his grave. The widow, left lonely in her age and feebleness, could no longer support herself, and came upon the parish. Still there was a kind feeling towards her throughout the village, and a certain respect as being one of the oldest inhabitants. As no one applied for the cottage in which she had passed so many happy days, she was permitted to remain in it, where she lived solitary and almost helpless. The few wants of nature were chiefly supplied from the scanty productions of her little garden, which the neighbors would now and then cultivate for her. It was but a few days before the time at which these circumstances were told me, that she was gathering some vegetables for her repast, when she heard the cottage-door which faced the garden, suddenly opened. A stranger came out, and seemed to be looking eagerly and wildly around. He was dressed in seamen’s clothes, was emaciated and ghastly pale, and bore the air of one broken by sickness and hardships. He saw her and hastened towards her, but his steps were faint and faltering; he sank on his knees before her and sobbed like a child. The poor woman gazed upon him with a vacant and wandering eye. “Oh, my dear, dear mother! don’t you know your son? your poor boy, George?” It was, indeed, the wreck of her once noble lad; who shattered by wounds, by sickness and foreign imprisonment, had, at length, dragged his wasted limbs homeward, to repose among the scenes of his childhood.
I will not attempt to detail the particulars of such a meeting, where sorrow and joy were so completely blended: still, he was alive! he was come home! he might yet live to comfort and cherish her old age! Nature, however, was exhausted in him; and if any thing had been wanting to finish the work of fate, the desolation of his native cottage would have been sufficient. He stretched himself on the pallet on which his widowed mother had passed many a sleepless night, and he never rose from it again.
The villagers, when they heard that George Somers had returned, crowded to see him, offering every comfort and assistance that their humble means afforded. He was too weak, however, to talk—he could only look his thanks. His mother was his constant attendant; and he seemed unwilling to be helped by any other hand.
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There is something in sickness that breaks down the pride of manhood, that softens the heart, and brings it back to the feelings of infancy. Who that has languished, even in advanced life, in sickness and despondency, who that has pined on a weary bed in the neglect and loneliness of a foreign land, but has thought on the mother “that looked on his childhood,” that smoothed his pillow, and administered to his helplessness? Oh, there is an enduring tenderness in the love of a mother to a son, that transcends all other affections of the heart. It is neither to be chilled by selfishness, nor daunted by danger, nor weakened by worthlessness, nor stifled by ingratitude. She will sacrifice every comfort to his convenience; she will surrender every pleasure to his enjoyment; she will glory in his fame and exult in his prosperity; and, if misfortune overtake him, he will be the dearer to her from misfortune; and if disgrace settle upon his name, she will still love and cherish him in spite of his disgrace; and if all the world beside cast him off, she will be all the world to him.
Poor George Somers had known what it was to be in sickness, and none to soothe—lonely and in prison, and none to visit him. He could not endure his mother from his sight; if she moved away, his eye would follow her. She would sit for hours by his bed watching him as he slept. Sometimes he would start from a feverish dream, and look anxiously up until he saw her bending over him; when he would take her hand, lay it on his bosom, and fall asleep with the tranquillity of a child. In this way he died.
My first impulse on hearing this humble tale of affliction was to visit the cottage of the mourner, and administer pecuniary assistance, and, if possible, comfort. I found, however, on inquiry, that the good feelings of the villagers had prompted them to do everything that the case admitted; and as the poor know best how to console each other’s sorrows, I did not venture to intrude.
The next Sunday I was at the village church, when, to my surprise, I saw the poor old woman tottering down the aisle to her accustomed seat on the steps of the altar.
She had made an effort to put on something like mourning for her son; and nothing could be more touching than this struggle between pious affection and utter poverty—a black ribbon or so, a faded black handkerchief, and one or two more such humble attempts to express by outward signs that grief which passes show. When I looked round upon the storied monuments, the stately hatchments, the cold marble pomp with which grandeur mourned magnificently over departed pride, and turned to this poor widow, bowed down by age and sorrow at the altar of her God, and offering up the prayers and praises of a pious though a broken heart, I felt that this living monument of real grief was worth them all.
I related her story to some of the wealthy members of the congregation, and they were moved by it. They exerted themselves to render her situation more comfortable, and to lighten her afflictions. It was, however, but smoothing a few steps to the grave. In the course of a Sunday or two after, she was missed from her usual seat at church, and before I left the neighborhood I heard, with a feeling of satisfaction, that she had quietly breathed her last, and had gone to rejoin those she loved, in that world where sorrow is never known and friends are never parted.
* Part of a sketch omitted in the preceding editions.
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IN a preceding paper I have spoken of an English Sunday in the country and its tranquillizing effect upon the landscape; but where is its sacred influence more strikingly apparent than in the very heart of that great Babel, London? On this sacred day the gigantic monster is charmed into repose. The intolerable din and struggle of the week are at an end. The shops are shut. The fires of forges and manufactories are extinguished, and the sun, no longer obscured by murky clouds of smoke, pours down a sober yellow radiance into the quiet streets. The few pedestrians we meet, instead of hurrying forward with anxious countenances, move leisurely along; their brows are smoothed from the wrinkles of business and care; they have put on their Sunday looks and Sunday manners with their Sunday clothes, and are cleansed in mind as well as in person.
And now the melodious clangor of bells from church towers summons their several flocks to the fold. Forth issues from his mansion the family of the decent tradesman, the small children in the advance; then the citizen and his comely spouse, followed by the grown-up daughters, with small morocco-bound prayer-books laid in the folds of their pocket-handkerchiefs. The housemaid looks after them from the window, admiring the finery of the family, and receiving, perhaps, a nod and smile from her young mistresses, at whose toilet she has assisted.
Now rumbles along the carriage of some magnate of the city, peradventure an alderman or a sheriff, and now the patter of many feet announces it procession of charity scholars in uniforms of antique cut, and each with a prayer-book under his arm.
The ringing of bells is at an end; the rumbling of the carriage has ceased; the pattering of feet is heard no more; the flocks are folded in ancient churches, cramped up in by-lanes and corners of the crowded city, where the vigilant beadle keeps watch, like the shepherd’s dog, round the threshold of the sanctuary. For a time everything is hushed, but soon is heard the deep, pervading sound of the organ, rolling and vibrating through the empty lanes and courts, and the sweet chanting of the choir making them resound with melody and praise. Never have I been more sensible of the sanctifying effect of church music than when I have heard it thus poured forth, like a river of joy, through the inmost recesses of this great metropolis, elevating it, as it were, from all the sordid pollutions of the week, and bearing the poor world-worn soul on a tide of triumphant harmony to heaven.
The morning service is at an end. The streets are again alive with the congregations returning to their homes, but soon again relapse into silence. Now comes on the Sunday dinner, which, to the city tradesman, is a meal of some importance. There is more leisure for social enjoyment at the board. Members of the family can now gather together, who are separated by the laborious occupations of the week. A school-boy may be permitted on that day to come to the paternal home; an old friend of the family takes his accustomed Sunday seat at the board, tells over his well-known stories, and rejoices young and old with his well-known jokes.
On Sunday afternoon the city pours forth its lesions to breathe the fresh air and enjoy the sunshine of the parks and rural environs. Satirists may say what they please about the rural enjoyments of a London citizen on Sunday, but to me there is something delightful in beholding the poor prisoner of the crowded and dusty city enabled thus to come forth once a week and throw himself upon the green bosom of nature. He is like a child restored to the mother’s breast; and they who first spread out these noble parks and magnificent pleasure-grounds which surround this huge metropolis have done at least as much for its health and morality as if they had expended the amount of cost in hospitals, prisons, and penitentiaries.
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“A tavern is the rendezvous, the exchange, the staple of good fellows. I have heard my great-grandfather tell, how his great-great-grandfather should say, that it was an old proverb when his great-grandfather was a child, that ‘it was a good wind that blew a man to the wine.’”
MOTHER BOMBIE.
IT is a pious custom in some Catholic countries to honor the memory of saints by votive lights burnt before their pictures. The popularity of a saint, therefore, may be known by the number of these offerings. One, perhaps, is left to moulder in the darkness of his little chapel; another may have a solitary lamp to throw its blinking rays athwart his effigy; while the whole blaze of adoration is lavished at the shrine of some beatified father of renown. The wealthy devotee brings his huge luminary of wax, the eager zealot, his seven-branched candlestick; and even the mendicant pilgrim is by no means satisfied that sufficient light is thrown upon the deceased unless he hangs up his little lamp of smoking oil. The consequence is, that in the eagerness to enlighten, they are often apt to obscure; and I have occasionally seen an unlucky saint almost smoked out of countenance by the officiousness of his followers.
In like manner has it fared with the immortal Shakespeare. Every writer considers it his bounden duty to light up some portion of his character or works, and to rescue some merit from oblivion. The commentator, opulent in words, produces vast tomes of dissertations; the common herd of editors send up mists of obscurity from their notes at the bottom of each page; and every casual scribbler brings his farthing rushlight of eulogy or research to swell the cloud of incense and of smoke.
As I honor all established usages of my brethren of the quill, I thought it but proper to contribute my mite of homage to the memory of the illustrious bard. I was for some time, however, sorely puzzled in what way I should discharge this duty. I found myself anticipated in every attempt at a new reading; every doubtful line had been explained a dozen different ways, and perplexed beyond the reach of elucidation; and as to fine passages, they had all been amply praised by previous admirers; nay, so completely had the bard, of late, been overlarded with panegyric by a great German critic that it was difficult now to find even a fault that had not been argued into a beauty.
In this perplexity I was one morning turning over his pages when I casually opened upon the comic scenes of Henry IV., and was, in a moment, completely lost in the madcap revelry of the Boar’s Head Tavern. So vividly and naturally are these scenes of humor depicted, and with such force and consistency are the characters sustained, that they become mingled up in the mind with the facts and personages of real life. To few readers does it occur that these are all ideal creations of a poet’s brain, and that, in sober truth, no such knot of merry roisterers ever enlivened the dull neighborhood of Eastcheap.