Chapter XXVI

Chapter XXVIThe Eve of the FiestaIt is now the tenth of November, the eve of the fiesta. Emerging from its habitual monotony, the town has given itself over to unwonted activity in house, church, cockpit, and field. Windows are covered with banners and many-hued draperies. All space is filled with noise and music, and the air is saturated with rejoicings.On little tables with embroidered covers thedalagasarrange in bright-hued glass dishes different kinds of sweetmeats made from native fruits. In the yard the hens cackle, the cocks crow, and the hogs grunt, all terrified by this merriment of man. Servants move in and out carrying fancy dishes and silver cutlery. Here there is a quarrel over a broken plate, there they laugh at the simple country girl. Everywhere there is ordering, whispering, shouting. Comments and conjectures are made, one hurries the other,—all is commotion, noise, and confusion. All this effort and all this toil are for the stranger as well as the acquaintance, to entertain every one, whether he has been seen before or not, or whether he is expected to be seen again, in order that the casual visitor, the foreigner, friend, enemy, Filipino, Spaniard, the poor and the rich, may go away happy and contented. No gratitude is even asked of them nor is it expected that they do no damage to the hospitable family either during or after digestion! The rich, those who have ever been to Manila and have seen a little more than their neighbors, have bought beer, champagne, liqueurs, wines, and food-stuffs from Europe, of which they will hardly taste a bite or drink a drop.Their tables are luxuriously furnished. In the centeris a well-modeled artificial pineapple in which are arranged toothpicks elaborately carved by convicts in their rest-hours. Here they have designed a fan, there a bouquet of flowers, a bird, a rose, a palm leaf, or a chain, all wrought from a single piece of wood, the artisan being a forced laborer, the tool a dull knife, and the taskmaster’s voice the inspiration. Around this toothpick-holder are placed glass fruit-trays from which rise pyramids of oranges, lansons, ates, chicos, and even mangos in spite of the fact that it is November. On wide platters upon bright-hued sheets of perforated paper are to be seen hams from Europe and China, stuffed turkeys, and a big pastry in the shape of an Agnus Dei or a dove, the Holy Ghost perhaps. Among all these are jars of appetizingacharaswith fanciful decorations made from the flowers of the areca palm and other fruits and vegetables, all tastefully cut and fastened with sirup to the sides of the flasks.Glass lamp globes that have been handed down from father to son are cleaned, the copper ornaments polished, the kerosene lamps taken out of the red wrappings which have protected them from the flies and mosquitoes during the year and which have made them unserviceable; the prismatic glass pendants shake to and fro, they clink together harmoniously in song, and even seem to take part in the fiesta as they flash back and break up the rays of light, reflecting them on the white walls in all the colors of the rainbow. The children play about amusing themselves by chasing the colors, they stumble and break the globes, but this does not interfere with the general merriment, although at other times in the year the tears in their round eyes would be taken account of in a different way.Along with these venerated lamps there also come forth from their hiding-places the work of the girls: crocheted scarfs, rugs, artificial flowers. There appear old glass trays, on the bottoms of which are sketched miniature lakes with little fishes, caymans, shell-fish, seaweeds, coral, and glassy stones of brilliant hues. These are heapedwith cigars, cigarettes, and diminutive buyos prepared by the delicate fingers of the maidens. The floor of the house shines like a mirror, curtains of piña and husi festoon the doorways, from the windows hang lanterns covered with glass or with paper, pink, blue, green, or red. The house itself is filled with plants and flower-pots on stands of Chinese porcelain. Even the saints bedeck themselves, the images and relics put on a festive air, the dust is brushed from them and on the freshly-washed glass of their cases are hung flowery garlands.In the streets are raised at intervals fanciful bamboo arches, known assinkában, constructed in various ways and adorned withkaluskús, the curling bunches of shavings scraped on their sides, at the sight of which alone the hearts of the children rejoice. About the front of the church, where the procession is to pass, is a large and costly canopy upheld on bamboo posts. Beneath this the children run and play, climbing, jumping, and tearing the new camisas in which they should shine on the principal day of the fiesta.There on the plaza a platform has been erected, the scenery being of bamboo, nipa, and wood; there the Tondo comedians will perform wonders and compete with the gods in improbable miracles, there will sing and dance Marianito, Chananay, Balbino, Ratia, Carvajal, Yeyeng, Liceria, etc. The Filipino enjoys the theater and is a deeply interested spectator of dramatic representations, but he listens in silence to the song, he gazes delighted at the dancing and mimicry, he never hisses or applauds.If the show is not to his liking, he chews his buyo or withdraws without disturbing the others who perhaps find pleasure in it. Only at times the commoner sort will howl when the actors embrace or kiss the actresses, but they never go beyond that. Formerly, dramas only were played; the local poet composed a piece in which there must necessarily be a fight every second minute, a clown, and terrifying transformations. But since the Tondo artisthave begun to fight every fifteen seconds, with two clowns, and even greater marvels than before, they have put to rout their provincial compeers. The gobernadorcillo was very fond of this sort of thing, so, with the approval of the curate, he chose a spectacle with magic and fireworks, entitled, “The Prince Villardo or the Captives Rescued from the Infamous Cave.”1From time to time the bells chime out merrily, those same bells that ten days ago were tolling so mournfully. Pin-wheels and mortars rend the air, for the Filipino pyrotechnist, who learned the art from no known instructor, displays his ability by preparing fire bulls, castles of Bengal lights, paper balloons inflated with hot air, bombs, rockets, and the like.Now distant strains of music are heard and the small boys rush headlong toward the outskirts of the town to meet the bands of music, five of which have been engaged, as well as three orchestras. The band of Pagsanhan belonging to the escribano must not be lacking nor that of San Pedro de Tunasan, at that time famous because it was directed by the maestro Austria, the vagabond “Corporal Mariano” who, according to report, carried fame and harmony in the tip of his baton. Musicians praise his funeral march, “El Sauce,”2and deplore his lack of musical education, since with his genius he might have brought glory to his country. The bands enter the town playing lively airs, followed by ragged or half-naked urchins, one in the camisa of his brother, another in his father’s pantaloons. As soon as the band ceases, the boys know the piece by heart, they hum and whistle it with rare skill, they pronounce their judgment upon it.Meanwhile, there are arriving in conveyances of all kinds relatives, friends, strangers, the gamblers with their best game-cocks and their bags of gold, ready to risk their fortune on the green cloth or within the arena of the cockpit.“The alferez has fifty pesos for each night,” murmurs a small, chubby individual into the ears of the latest arrivals. “Capitan Tiago’s coming and will set up a bank; Capitan Joaquin’s bringing eighteen thousand. There’ll beliam-pó: Carlos the Chinaman will set it up with ten thousand. Big stakes are coming from Tanawan, Lipa, and Batangas, as well as from Santa Cruz.3It’s going to be on a big scale, yes, sir, on a grand scale! But have some chocolate! This year Capitan Tiago won’t break us as he did last, since he’s paid for only three thanksgiving masses and I’ve got a cacaomutyâ. And how’s your family?”“Well, thank you,” the visitors respond, “and Padre Damaso?”“Padre Damaso will preach in the morning and sit in with us at night.”“Good enough! Then there’s no danger.”“Sure, we’re sure! Carlos the Chinaman will loosen up also.” Here the chubby individual works his fingers as though counting out pieces of money.Outside the town the hill-folk, thekasamá, are putting on their best clothes to carry to the houses of their landlords well-fattened chickens, wild pigs, deer, and birds. Some load firewood on the heavy carts, others fruits, ferns, and orchids, the rarest that grow in the forests, others bring broad-leafed caladiums and flame-coloredtikas-tikasblossoms to decorate the doors of the houses.But the place where the greatest activity reigns, where it is converted into a tumult, is there on a little plot ofraised ground, a few steps from Ibarra’s house. Pulleys screech and yells are heard amid the metallic sound of iron striking upon stone, hammers upon nails, of axes chopping out posts. A crowd of laborers is digging in the earth to open a wide, deep trench, while others place in line the stones taken from the town quarries. Carts are unloaded, piles of sand are heaped up, windlasses and derricks are set in place.“Hey, you there! Hurry up!” cries a little old man with lively and intelligent features, who has for a cane a copper-bound rule around which is wound the cord of a plumb-bob. This is the foreman of the work, Ñor Juan, architect, mason, carpenter, painter, locksmith, stonecutter, and, on occasions, sculptor. “It must be finished right now! Tomorrow there’ll be no work and the day after tomorrow is the ceremony. Hurry!”“Cut that hole so that this cylinder will fit it exactly,” he says to some masons who are shaping a large square block of stone. “Within that our names will be preserved.”He repeats to every newcomer who approaches the place what he has already said a thousand times: “You know what we’re going to build? Well, it’s a schoolhouse, a model of its kind, like those in Germany, and even better. A great architect has drawn the plans, and I—I am bossing the job! Yes, sir, look at it, it’s going to be a palace with two wings, one for the boys and the other for the girls. Here in the middle a big garden with three fountains, there on the sides shaded walks with little plots for the children to sow and cultivate plants in during their recess-time, that they may improve the hours and not waste them. Look how deep the foundations are, three meters and seventy-five centimeters! This building is going to have storerooms, cellars, and for those who are not diligent students dungeons near the playgrounds so that the culprits may hear how the studious children are enjoying themselves. Do you see that big space? That will be a lawn for running and exercising in the open air. The little girlswill have a garden with benches, swings, walks where they can jump the rope, fountains, bird-cages, and so on. It’s going to be magnificent!”Then Ñor Juan would rub his hands together as he thought of the fame that he was going to acquire. Strangers would come to see it and would ask, “Who was the great artisan that built this?” and all would answer, “Don’t you know? Can it be that you’ve never heard of Ñor Juan? Undoubtedly you’ve come from a great distance!” With these thoughts he moved from one part to the other, examining and reexamining everything.“It seems to me that there’s too much timber for one derrick,” he remarked to a yellowish man who was overseeing some laborers. “I should have enough with three large beams for the tripod and three more for the braces.”“Never mind!” answered the yellowish man, smiling in a peculiar way. “The more apparatus we use in the work, so much the greater effect we’ll get. The whole thing will look better and of more importance, so they’ll say, ‘How hard they’ve worked!’ You’ll see, you’ll see what a derrick I’ll put up! Then I’ll decorate it with banners, and garlands of leaves and flowers. You’ll say afterwards that you were right in hiring me as one of your laborers, and Señor Ibarra couldn’t ask for more!” As he said this the man laughed and smiled. Ñor Juan also smiled, but shook his head.Some distance away were seen two kiosks united by a kind of arbor covered with banana leaves. The schoolmaster and some thirty boys were weaving crowns and fastening banners upon the frail bamboo posts, which were wrapped in white cloth.“Take care that the letters are well written,” he admonished the boys who were preparing inscriptions. “The alcalde is coming, many curates will be present, perhaps even the Captain-General, who is now in the province. If they see that you draw well, maybe they’ll praise you.”“And give us a blackboard?”“Perhaps, but Señor Ibarra has already ordered one from Manila. Tomorrow some things will come to be distributed among you as prizes. Leave those flowers in the water and tomorrow we’ll make the bouquets. Bring more flowers, for it’s necessary that the table be covered with them—flowers please the eye.”“My father will bring some water-lilies and a basket of sampaguitas tomorrow.”“Mine has brought three cartloads of sand without pay.”“My uncle has promised to pay a teacher,” added a nephew of Capitan Basilio.Truly, the project was receiving help from all. The curate had asked to stand sponsor for it and himself bless the laying of the corner-stone, a ceremony to take place on the last day of the fiesta as one of its greatest solemnities. The very coadjutor had timidly approached Ibarra with an offer of all the fees for masses that the devout would pay until the building was finished. Even more, the rich and economical Sister Rufa had declared that if money should be lacking she would canvass other towns and beg for alms, with the mere condition that she be paid her expenses for travel and subsistence. Ibarra thanked them all, as he answered, “We aren’t going to have anything very great, since I am not rich and this building is not a church. Besides, I didn’t undertake to erect it at the expense of others.”The younger men, students from Manila, who had come to take part in the fiesta, gazed at him in admiration and took him for a model; but, as it nearly always happens, when we wish to imitate great men, that we copy only their foibles and even their defects, since we are capable of nothing else, so many of these admirers took note of the way in which he tied his cravat, others of the style of his collar, and not a few of the number of buttons on his coat and vest.The funereal presentiments of old Tasio seemed to have been dissipated forever. So Ibarra observed to him one day, but the old pessimist answered: “Remember what Baltazar says:Kung ang isalúbong sa iyong pagdatingAy masayang maukha’t may pakitang giliw,Lalong pag-iñgata’t kaaway na lihim4—Baltazar was no less a thinker than a poet.”Thus in the gathering shadows before the setting of the sun events were shaping themselves.1These spectacular performances, known as “Moro-Moro,” often continued for several days, consisting principally of noisy combats between Moros and Christians, in which the latter were, of course, invariably victorious. Typical sketches of them may be found in Foreman’sThe Philippine Islands, Chap. XXIII, and Stuntz’sThe Philippines and the Far East, Chap. III.—TR.2“The Willow.”3The capital of Laguna Province, not to be confused with the Santa Cruz mentioned before, which is a populous and important district in the city of Manila. Tanawan, Lipa, and Batangas are towns in Batangas Province, the latter being its capital.—TR.4“If on your return you are met with a smile, beware! for it means that you have a secret enemy.”—From theFlorante, being the advice given to the hero by his old teacher when he set out to return to his home.Francisco Baltazar was a Tagalog poet, native of the province of Bulacan, born about 1788, and died in 1862. The greater part of his life was spent in Manila,—in Tondo and in Pandakan, a quaint little village on the south bank of the Pasig, now included in the city, where he appears to have shared the fate largely of poets of other lands, from suffering “the pangs of disprized love” and persecution by the religious authorities, to seeing himself considered by the people about him as a crack-brained dreamer. He was educated in the Dominican school of San Juan de Letran, one of his teachers being Fray Mariano Pilapil, about whose services to humanity there may be some difference of opinion on the part of those who have ever resided in Philippine towns, since he was the author of the “Passion Song” which enlivens the Lenten evenings. This “Passion Song,” however, seems to have furnished the model for Baltazar’sFlorante, with the pupil surpassing the master, for while it has the subject and characters of a medieval European romance, the spirit and settings are entirely Malay. It is written in the peculiar Tagalog verse, in the form of acorridoor metrical romance, and has been declared by Fray Toribio Menguella, Rizal himself, and others familiar with Tagalog, to be a work of no mean order, by far the finest and most characteristic composition in that, the richest of the Malay dialects.—TR.Chapter XXVIIIn the TwilightIn Capitan Tiago’s house also great preparations had been made. We know its owner, whose love of ostentation and whose pride as a Manilan imposed the necessity of humiliating the provincials with his splendor. Another reason, too, made it his duty to eclipse all others: he had his daughter Maria Clara with him, and there was present his future son-in-law, who was attracting universal attention.In fact one of the most serious newspapers in Manila had devoted to Ibarra an article on its front page, entitled, “Imitate him!” heaping him with praise and giving him some advice. It had called him, “The cultivated young gentleman and rich capitalist;” two lines further on, “The distinguished philanthropist;” in the following paragraph, “The disciple of Minerva who had gone to the mother country to pay his respects to the true home of the arts and sciences;” and a little further on, “The Filipino Spaniard.” Capitan Tiago burned with generous zeal to imitate him and wondered whether he ought not to erect a convento at his own expense.Some days before there had arrived at the house where Maria Clara and Aunt Isabel were staying a profusion of eases of European wines and food-stuffs, colossal mirrors, paintings, and Maria Clara’s piano. Capitan Tiago had arrived on the day before the fiesta and as his daughter kissed his hand, had presented her with a beautiful locket set with diamonds and emeralds, containing a sliver fromSt.Peter’s boat, in which Our Savior sat during the fishing. His first interview with his future son-in-law could nothave been more cordial. Naturally, they talked about the school, and Capitan Tiago wanted it named “School ofSt.Francis.” “Believe me,” he said, “St.Francis is a good patron. If you call it ‘School of Primary Instruction,’ you will gain nothing. Who is Primary Instruction, anyhow?”Some friends of Maria Clara came and asked her to go for a walk. “But come back quickly,” said Capitan Tiago to his daughter, when she asked his permission, “for you know that Padre Damaso, who has just arrived, will dine with us.”Then turning to Ibarra, who had become thoughtful, he said, “You dine with us also, you’ll be all alone in your house.”“I would with the greatest pleasure, but I have to be at home in case visitors come,” stammered the youth, as he avoided the gaze of Maria Clara.“Bring your friends along,” replied Capitan Tiago heartily. “In my house there’s always plenty to eat. Also, I want you and Padre Damaso to get on good terms.”“There’ll be time enough for that,” answered Ibarra with a forced smile, as he prepared to accompany the girls.They went downstairs, Maria Clara in the center between Victoria and Iday, Aunt Isabel following. The people made way for them respectfully. Maria Clara was startling in her beauty; her pallor was all gone, and if her eyes were still pensive, her mouth on the contrary seemed to know only smiles. With maiden friendliness the happy young woman greeted the acquaintances of her childhood, now the admirers of her promising youth. In less than a fortnight she had succeeded in recovering that frank confidence, that childish prattle, which seemed to have been benumbed between the narrow walls of the nunnery. It might be said that on leaving the cocoon the butterfly recognized all the flowers, for it seemed to be enough for her to spread her wings for a moment and warm herselfin the sun’s rays to lose all the stiffness of the chrysalis. This new life manifested itself in her whole nature. Everything she found good and beautiful, and she showed her love with that maiden modesty which, having never been conscious of any but pure thoughts, knows not the meaning of false blushes. While she would cover her face when she was teased, still her eyes smiled, and a light thrill would course through her whole being.The houses were beginning to show lights, and in the streets where the music was moving about there were lighted torches of bamboo and wood made in imitation of those in the church. From the streets the people in the houses might be seen through the windows in an atmosphere of music and flowers, moving about to the sounds of piano, harp, or orchestra. Swarming in the streets were Chinese, Spaniards, Filipinos, some dressed in European style, some in the costumes of the country. Crowding, elbowing, and pushing one another, walked servants carrying meat and chickens, students in white, men and women, all exposing themselves to be knocked down by the carriages which, in spite of the drivers’ cries, made their way with difficulty.In front of Capitan Basilio’s house some young women called to our acquaintances and invited them to enter. The merry voice of Sinang as she ran down the stairs put an end to all excuses. “Come up a moment so that I may go with you,” she said. “I’m bored staying here among so many strangers who talk only of game-cocks and cards.”They were ushered into a large room filled with people, some of whom came forward to greet Ibarra, for his name was now well known. All gazed in ecstasy at the beauty of Maria Clara and some old women murmured, as they chewed their buyo, “She looks like the Virgin!”There they had to have chocolate, as Capitan Basilio had become a warm friend and defender of Ibarra since the day of the picnic. He had learned from the half of thetelegram given to his daughter Sinang that Ibarra had known beforehand about the court’s decision in the latter’s favor, so, not wishing to be outdone in generosity, he had tried to set aside the decision of the chess-match. But when Ibarra would not consent to this, he had proposed that the money which would have been spent in court fees should be used to pay a teacher in the new school. In consequence, the orator employed all his eloquence to the end that other litigants should give up their extravagant claims, saying to them, “Believe me, in a lawsuit the winner is left without a camisa.” But he had succeeded in convincing no one, even though he cited the Romans.After drinking the chocolate our young people had to listen to piano-playing by the town organist. “When I listen to him in the church,” exclaimed Sinang, pointing to the organist, “I want to dance, and now that he’s playing here I feel like praying, so I’m going out with you.”“Don’t you want to join us tonight?” whispered Capitan Basilio into Ibarra’s ear as they were leaving. “Padre Damaso is going to set up a little bank.” Ibarra smiled and answered with an equivocal shake of his head.“Who’s that?” asked Maria Clara of Victoria, indicating with a rapid glance a youth who was following them.“He’s—he’s a cousin of mine,” she answered with some agitation.“And the other?”“He’s no cousin of mine,” put in Sinang merrily. “He’s my uncle’s son.”They passed in front of the parish rectory, which was not one of the least animated buildings. Sinang was unable to repress an exclamation of surprise on seeing the lamps burning, those lamps of antique pattern which Padre Salvi had never allowed to be lighted, in order not to waste kerosene. Loud talk and resounding bursts of laughter might be heard as the friars moved slowly about, nodding their heads in unison with the big cigars that adorned theirlips. The laymen with them, who from their European garments appeared to be officials and employees of the province, were endeavoring to imitate whatever the good priests did. Maria Clara made out the rotund figure of Padre Damaso at the side of the trim silhouette of Padre Sibyla. Motionless in his place stood the silent and mysterious Fray Salvi.“He’s sad,” observed Sinang, “for he’s thinking about how much so many visitors are going to cost. But you’ll see how he’ll not pay it himself, but the sacristans will. His visitors always eat at other places.”“Sinang!” scolded Victoria.“I haven’t been able to endure him since he tore up theWheel of Fortune. I don’t go to confession to him any more.”Of all the houses one only was to be noticed without lights and with all the windows closed—that of the alferez. Maria Clara expressed surprise at this.“The witch! The Muse of the Civil Guard, as the old man says,” exclaimed the irrepressible Sinang. “What has she to do with our merrymakings? I imagine she’s raging! But just let the cholera come and you’d see her give a banquet.”“But, Sinang!” again her cousin scolded.“I never was able to endure her and especially since she disturbed our picnic with her civil-guards. If I were the Archbishop I’d marry Her to Padre Salvi—then think what children! Look how she tried to arrest the poor pilot, who threw himself into the water simply to please—”She was not allowed to finish, for in the corner of the plaza where a blind man was singing to the accompaniment of a guitar, a curious spectacle was presented. It was a man miserably dressed, wearing a broad salakot of palm leaves. His clothing consisted of a ragged coat and wide pantaloons, like those worn by the Chinese, torn in many places. Wretched sandals covered his feet. His countenance remained hidden in the shadow of his widehat, but from this shadow there flashed intermittently two burning rays. Placing a flat basket on the ground, he would withdraw a few paces and utter strange, incomprehensible sounds, remaining the while standing entirely alone as if he and the crowd were mutually avoiding each other. Then some women would approach the basket and put into it fruit, fish, or rice. When no one any longer approached, from the shadows would issue sadder but less pitiful sounds, cries of gratitude perhaps. Then he would take up the basket and make his way to another place to repeat the same performance.Maria Clara divined that there must be some misfortune there, and full of interest she asked concerning the strange creature.“He’s a leper,” Iday told her. “Four years ago he contracted the disease, some say from taking care of his mother, others from lying in a damp prison. He lives in the fields near the Chinese cemetery, having intercourse with no one, because all flee from him for fear of contagion. If you might only see his home! It’s a tumbledown shack, through which the wind and rain pass like a needle through cloth. He has been forbidden to touch anything belonging to the people. One day when a little child fell into a shallow ditch as he was passing, he helped to get it out. The child’s father complained to the gobernadorcillo, who ordered that the leper be flogged through the streets and that the rattan be burned afterwards. It was horrible! The leper fled with his flogger in pursuit, while the gobernadorcillo cried, ‘Catch him! Better be drowned than get the disease you have!’”“Can it be true!” murmured Maria Clara, then, without saying what she was about to do, went up to the wretch’s basket and dropped into it the locket her father had given her.“What have you done?” her friends asked.“I hadn’t anything else,” she answered, trying to conceal her tears with a smile.“What is he going to do with your locket?” Victoria asked her. “One day they gave him some money, but he pushed it away with a stick; why should he want it when no one accepts anything that comes from him? As if the locket could be eaten!”Maria Clara gazed enviously at the women who were selling food-stuffs and shrugged her shoulders. The leper approached the basket, picked up the jeweled locket, which glittered in his hands, then fell upon his knees, kissed it, and taking off his salakot buried his forehead in the dust where the maiden had stepped. Maria Clara hid her face behind her fan and raised her handkerchief to her eyes.Meanwhile, a poor woman had approached the leper, who seemed to be praying. Her long hair was loose and unkempt, and in the light of the torches could be recognized the extremely emaciated features of the crazy Sisa. Feeling the touch of her hand, the leper jumped up with a cry, but to the horror of the onlooker’s Sisa caught him by the arm and said:“Let us pray, let us pray! Today is All Souls’ day! Those lights are the souls of men! Let us pray for my sons!”“Separate them! Separate them! The madwoman will get the disease!” cried the crowd, but no one dared to go near them.“Do you see that light in the tower? That is my son Basilio sliding down a rope! Do you see that light in the convento? That is my son Crispin! But I’m not going to see them because the curate is sick and had many gold pieces and the gold pieces are lost! Pray, let us pray for the soul of the curate! I took him the finest fruits, for my garden was full of flowers and I had two sons! I had a garden, I used to take care of my flowers, and I had two sons!”Then releasing her hold of the leper, she ran away singing, “I had a garden and flowers, I had two sons, a garden, and flowers!”“What have you been able to do for that poor woman?” Maria Clara asked Ibarra.“Nothing! Lately she has been missing from the totem and wasn’t to be found,” answered the youth, rather confusedly. “Besides, I have been very busy. But don’t let it trouble you. The curate has promised to help me, but advised that I proceed with great tact and caution, for the Civil Guard seems to be mixed up in it. The curate is greatly interested in her case.”“Didn’t the alferez say that he would have search made for her sons?”“Yes, but at the time he was somewhat—drunk.” Scarcely had he said this when they saw the crazy woman being led, or rather dragged along, by a soldier. Sisa was offering resistance.“Why are you arresting her? What has she done?” asked Ibarra.“Why, haven’t you seen how she’s been raising a disturbance?” was the reply of the guardian of the public peace.The leper caught up his basket hurriedly and ran away.Maria Clara wanted to go home, as she had lost all her mirth and good humor. “So there are people who are not happy,” she murmured. Arriving at her door, she felt her sadness increase when her fiancé declined to go in, excusing himself on the plea of necessity. Maria Clara went upstairs thinking what a bore are the fiesta days, when strangers make their visits.Chapter XXVIIICorrespondenceCada uno habla de la feria como le va en ella.1As nothing of importance to our characters happened during the first two days, we should gladly pass on to the third and last, were it not that perhaps some foreign reader may wish to know how the Filipinos celebrate their fiestas. For this reason we shall faithfully reproduce in this chapter several letters, one of them being that of the correspondent of a noted Manila newspaper, respected for its grave tone and deep seriousness. Our readers will correct some natural and trifling slips of the pen. Thus the worthy correspondent of the respectable newspaper wrote:“TO THE EDITOR, MY DISTINGUISHED FRIEND,—Never did I witness, nor had I ever expected to see in the provinces, a religious fiesta so solemn, so splendid, and so impressive as that now being celebrated in this town by the Most Reverend and virtuous Franciscan Fathers.“Great crowds are in attendance. I have here had the pleasure of greeting nearly all the Spaniards who reside in this province, three Reverend Augustinian Fathers from the province of Batangas, and two Reverend Dominican Fathers. One of the latter is the Very Reverend Fray Hernando Sibyla, who has come to honor this town with his presence, a distinction which its worthy inhabitants should never forget. I have also seen a great number of the best people of Cavite and Pampanga, many wealthy persons from Manila, and many bands of music,—among these the very artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamenand Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the middle of the plaza.“At nine on the night of the 10th, the eve of the fiesta, after a succulent dinner set before us by thehermano mayor, the attention of all the Spaniards and friars in the convento was attracted by strains of music from a surging multitude which, with the noise of bombs and rockets, preceded by the leading citizens of the town, came to the convento to escort us to the place prepared and arranged for us that we might witness the spectacle. Such a courteous offer we had to accept, although I should have preferred to rest in the arms of Morpheus and repose my weary limbs, which were aching, thanks to the joltings of the vehicle furnished us by the gobernadorcillo of B———.“Accordingly we joined them and proceeded to look for our companions, who were dining in the house, owned here by the pious and wealthy Don Santiago de los Santos. The curate of the town, the Very Reverend Fray Bernardo Salvi, and the Very Reverend Fray Damaso Verdolagas, who is now by the special favor of Heaven recovered from the suffering caused him by an impious hand, in company with the Very Reverend Fray Hernando Sibyla and the virtuous curate of Tanawan, with other Spaniards, were guests in the house of the Filipino Croesus. There we had the good fortune of admiring not only the luxury and good taste of the host, which are not usual among the natives, but also the beauty of the charming and wealthy heiress, who showed herself to be a polished disciple ofSt.Cecelia by playing on her elegant piano, with a mastery that recalled Galvez to me, the best German and Italian compositions. It is a matter of regret that such a charming young lady should be so excessively modest as to hide her talents from a society which has only admiration for her. Nor should I leave unwritten that in the house of our host there were set before us champagne and fine liqueurs with the profusion and splendor that characterize the well-known capitalist.“We attended the spectacle. You already know our artists, Ratia, Carvajal, and Fernandez, whose cleverness was comprehendedby us alone, since the uncultured crowd did not understand a jot of it. Chananay and Balbino were very good, though a little hoarse; the latter made one break, but together, and as regards earnest effort, they were admirable. The Indians were greatly pleased with the Tagalog drama, especially the gobernadorcillo, who rubbed his hands and informed us that it was a pity that they had not made the princess join in combat with the giant who had stolen her away, which in his opinion would have been more marvelous, especially if the giant had been represented as vulnerable only in the navel, like a certain Ferragus of whom the stories of the Paladins tell. The Very Reverend Fray Damaso, in his customary goodness of heart, concurred in this opinion, and added that in such case the princess should be made to discover the giant’s weak spot and give him thecoup de grace.“Needless to tell you that during the show the affability of the Filipino Rothschild allowed nothing to be lacking: ice-cream, lemonade, wines, and refreshments of all kinds circulated profusely among us. A matter of reasonable and special note was the absence of the well-known and cultured youth, Don Juan Crisostomo Ibarra, who, as you know, will tomorrow preside at the laying of the corner-stone for the great edifice which he is so philanthropically erecting. This worthy descendant of the Pelayos and Elcanos (for I have learned that one of his paternal ancestors was from our heroic and noble northern provinces, perhaps one of the companions of Magellan or Legazpi) did not show himself during the entire day, owing to a slight indisposition. His name runs from mouth to mouth, being uttered with praises that can only reflect glory upon Spain and true Spaniards like ourselves, who never deny our blood, however mixed it may be.“Today, at eleven o’clock in the morning, we attended a deeply-moving spectacle. Today, as is generally known, is the fiesta of the Virgin of Peace and is being observed by the Brethren of the Holy Rosary. Tomorrow will occur the fiesta of the patron, San Diego, and it will be observed principally by the Venerable Tertiary Order. Between these two societies there exists a pious rivalry in serving God, which piety has reached the extreme of holy quarrels among them, as has just happened in the dispute over the preacher of acknowledgedfame, the oft-mentioned Very Reverend Fray Damaso, who tomorrow will occupy the pulpit of the Holy Ghost with a sermon, which, according to general expectation, will be a literary and religious event.“So,as we were saying, we attended a highly edifying and moving spectacle. Six pious youths, three to recite the mass and three for acolytes, marched out of the sacristy and prostrated themselves before the altar, while the officiating priest, the Very Reverend Fray Hernando Sibyla, chanted theSurge Domine—the signal for commencing the procession around the church—with the magnificent voice and religious unction that all recognize and that make him so worthy of general admiration. When theSurge Dominewas concluded, the gobernadorcillo, in a frock coat, carrying the standard and followed by four acolytes with incense-burners, headed the procession. Behind them came the tall silver candelabra, the municipal corporation, the precious images dressed in satin and gold, representingSt.Dominic and the Virgin of Peace in a magnificent blue robe trimmed with gilded silver, the gift of the pious ex-gobernadorcillo, the so-worthy-of-being-imitated and never-sufficiently-praised Don Santiago de los Santos. All these images were borne on silver cars. Behind the Mother of God came the Spaniards and the rest of the clergy, while the officiating priest was protected by a canopy carried by the cabezas de barangay, and the procession was closed by a squad of the worthy Civil Guard. I believe it unnecessary to state that a multitude of Indians, carrying lighted candles with great devotion, formed the two lines of the procession. The musicians played religious marches, while bombs and pinwheels furnished repeated salutes. It causes admiration to see the modesty and the fervor which these ceremonies inspire in the hearts of the true believers, the grand, pure faith professed for the Virgin of Peace, the solemnity and fervent devotion with which such ceremonies are performed by those of us who have had the good fortune to be born under the sacrosanct and immaculate banner of Spain.“The procession concluded, there began the mass rendered by the orchestra and the theatrical artists. After the reading of the Gospel, the Very Reverend Fray Manuel Martin, an Augustinian from the province of Batangas, ascended thepulpit and kept the whole audience enraptured and hanging on his words, especially the Spaniards, during the exordium in Castilian, as he spoke with vigor and in such flowing and well-rounded periods that our hearts were filled with fervor and enthusiasm. This indeed is the term that should be used for what is felt, or what we feel, when the Virgin of our beloved Spain is considered, and above all when there can be intercalated in the text, if the subject permits, the ideas of a prince of the Church, theSeñor Monescillo,2which are surely those of all Spaniards.“At the conclusion of the services all of us went up into the convento with the leading citizens of the town and other persons of note. There we were especially honored by the refinement, attention, and prodigality that characterize the Very Reverend Fray Salvi, there being set before us cigars and an abundant lunch which thehermano mayorhad prepared under the convento for all who might feel the necessity for appeasing the cravings of their stomachs.“During the day nothing has been lacking to make the fiesta joyous and to preserve the animation so characteristic of Spaniards, and which it is impossible to restrain on such occasions as this, showing itself sometimes in singing and dancing, at other times in simple and merry diversions of so strong and noble a nature that all sorrow is driven away, and it is enough for three Spaniards to be gathered together in one place in order that sadness and ill-humor be banished thence. Then homage was paid to Terpsichore in many homes, but especially in that of the cultured Filipino millionaire, where we were all invited to dine. Needless to say, the banquet, which was sumptuous and elegantly served, was a second edition of the wedding-feast in Cana, or of Camacho,3corrected and enlarged. While we were enjoying the meal, which was directed by a cook from ‘La Campana,’ an orchestra played harmonious melodies. The beautiful young lady of the house, in a mestizagown4and a cascade of diamonds, was as ever the queen of the feast.. All of us deplored from the bottom of our hearts a light sprain in her shapely foot that deprived her of the pleasures of the dance, for if we have to judge by her other conspicuous perfections, the young lady must dance like a sylph.“The alcalde of the province arrived this afternoon for the purpose of honoring with his presence the ceremony of tomorrow. He has expressed regret over the poor health of the distinguished landlord, Señor Ibarra, who in God’s mercy is now, according to report, somewhat recovered.“Tonight there was a solemn procession, but of that I will speak in my letter tomorrow, because in addition to the explosions that have bewildered me and made me somewhat deaf I am tired and falling over with sleep. While, therefore, I recover my strength in the arms of Morpheus—or rather on a cot in the convento—I desire for you, my distinguished friend, a pleasant night and take leave of you until tomorrow, which will be the great day.Your affectionate friend,SAN DIEGO, November 11.THE CORRESPONDENT.”Thus wrote the worthy correspondent. Now let us see what Capitan Martin wrote to his friend, Luis Chiquito:“DEAR CHOY,—Come a-running if you can, for there’s something doing at the fiesta. Just imagine, Capitan Joaquin is almost broke. Capitan Tiago has doubled up on him three times and won at the first turn of the cards each time, so that Capitan Manuel, the owner of the house, is growing smaller every minute from sheer joy. Padre Damaso smashed a lamp with his fist because up to now he hasn’t won on a single card. The Consul has lost on his cocks and in the bank allthat he won from us at the fiesta of Biñan and at that of the Virgin of the Pillar in Santa Cruz.“We expected Capitan Tiago to bring us his future son-in-law, the rich heir of Don Rafael, but it seems that he wishes to imitate his father, for he does not even show himself. It’s a pity, for it seems he never will be any use to us.“Carlos the Chinaman is making a big fortune with theliam-pó. I suspect that he carries something hidden, probably a charm, for he complains constantly of headaches and keeps his head bandaged, and when the wheel of theliam-póis slowing down he leans over, almost touching it, as if he were looking at it closely. I am shocked, because I know more stories of the same kind.“Good-by, Choy. My birds are well and my wife is happy and having a good time.Your friend,MARTIN ARISTORENAS.”Ibarra had received a perfumed note which Andeng, Maria Clara’s foster-sister, delivered to him on the evening of the first day of the fiesta. This note said:“CRISOSTOMO,—It has been over a day since you have shown yourself. I have heard that you are ill and have prayed for you and lighted two candles, although papa says that you are not seriously ill. Last night and today I’ve been bored by requests to play on the piano and by invitations to dance. I didn’t know before that there are so many tiresome people in the world! If it were not for Padre Damaso, who tries to entertain me by talking to me and telling me many things, I would have shut myself up in my room and gone to sleep. Write me what the matter is with you and I’ll tell papa to visit you. For the present I send Andeng to make you some tea, as she knows how to prepare it well, probably better than your servants do.MARIA CLARA.”“P.S. If you don’t come tomorrow, I won’t go to the ceremony.Vale!”1Every one talks of the fiesta according to the way he fared at it.2A Spanish prelate, notable for his determined opposition in the Constituent Cortes of 1869 to the clause in the new Constitution providing for religious liberty.—TR.3“Camacho’s wedding” is an episode inDon Quixote, wherein a wealthy man named Camacho is cheated out of his bride after he has prepared a magnificent wedding-feast.—TR.4The full dress of the Filipino women, consisting of thecamisa, pañuelo, andsaya suelta, the latter a heavy skirt with a long train. The namemestizais not inappropriate, as well from its composition as its use, since the first two are distinctly native, antedating the conquest, while thesaya sueltawas no doubt introduced by the Spaniards.

Chapter XXVIThe Eve of the FiestaIt is now the tenth of November, the eve of the fiesta. Emerging from its habitual monotony, the town has given itself over to unwonted activity in house, church, cockpit, and field. Windows are covered with banners and many-hued draperies. All space is filled with noise and music, and the air is saturated with rejoicings.On little tables with embroidered covers thedalagasarrange in bright-hued glass dishes different kinds of sweetmeats made from native fruits. In the yard the hens cackle, the cocks crow, and the hogs grunt, all terrified by this merriment of man. Servants move in and out carrying fancy dishes and silver cutlery. Here there is a quarrel over a broken plate, there they laugh at the simple country girl. Everywhere there is ordering, whispering, shouting. Comments and conjectures are made, one hurries the other,—all is commotion, noise, and confusion. All this effort and all this toil are for the stranger as well as the acquaintance, to entertain every one, whether he has been seen before or not, or whether he is expected to be seen again, in order that the casual visitor, the foreigner, friend, enemy, Filipino, Spaniard, the poor and the rich, may go away happy and contented. No gratitude is even asked of them nor is it expected that they do no damage to the hospitable family either during or after digestion! The rich, those who have ever been to Manila and have seen a little more than their neighbors, have bought beer, champagne, liqueurs, wines, and food-stuffs from Europe, of which they will hardly taste a bite or drink a drop.Their tables are luxuriously furnished. In the centeris a well-modeled artificial pineapple in which are arranged toothpicks elaborately carved by convicts in their rest-hours. Here they have designed a fan, there a bouquet of flowers, a bird, a rose, a palm leaf, or a chain, all wrought from a single piece of wood, the artisan being a forced laborer, the tool a dull knife, and the taskmaster’s voice the inspiration. Around this toothpick-holder are placed glass fruit-trays from which rise pyramids of oranges, lansons, ates, chicos, and even mangos in spite of the fact that it is November. On wide platters upon bright-hued sheets of perforated paper are to be seen hams from Europe and China, stuffed turkeys, and a big pastry in the shape of an Agnus Dei or a dove, the Holy Ghost perhaps. Among all these are jars of appetizingacharaswith fanciful decorations made from the flowers of the areca palm and other fruits and vegetables, all tastefully cut and fastened with sirup to the sides of the flasks.Glass lamp globes that have been handed down from father to son are cleaned, the copper ornaments polished, the kerosene lamps taken out of the red wrappings which have protected them from the flies and mosquitoes during the year and which have made them unserviceable; the prismatic glass pendants shake to and fro, they clink together harmoniously in song, and even seem to take part in the fiesta as they flash back and break up the rays of light, reflecting them on the white walls in all the colors of the rainbow. The children play about amusing themselves by chasing the colors, they stumble and break the globes, but this does not interfere with the general merriment, although at other times in the year the tears in their round eyes would be taken account of in a different way.Along with these venerated lamps there also come forth from their hiding-places the work of the girls: crocheted scarfs, rugs, artificial flowers. There appear old glass trays, on the bottoms of which are sketched miniature lakes with little fishes, caymans, shell-fish, seaweeds, coral, and glassy stones of brilliant hues. These are heapedwith cigars, cigarettes, and diminutive buyos prepared by the delicate fingers of the maidens. The floor of the house shines like a mirror, curtains of piña and husi festoon the doorways, from the windows hang lanterns covered with glass or with paper, pink, blue, green, or red. The house itself is filled with plants and flower-pots on stands of Chinese porcelain. Even the saints bedeck themselves, the images and relics put on a festive air, the dust is brushed from them and on the freshly-washed glass of their cases are hung flowery garlands.In the streets are raised at intervals fanciful bamboo arches, known assinkában, constructed in various ways and adorned withkaluskús, the curling bunches of shavings scraped on their sides, at the sight of which alone the hearts of the children rejoice. About the front of the church, where the procession is to pass, is a large and costly canopy upheld on bamboo posts. Beneath this the children run and play, climbing, jumping, and tearing the new camisas in which they should shine on the principal day of the fiesta.There on the plaza a platform has been erected, the scenery being of bamboo, nipa, and wood; there the Tondo comedians will perform wonders and compete with the gods in improbable miracles, there will sing and dance Marianito, Chananay, Balbino, Ratia, Carvajal, Yeyeng, Liceria, etc. The Filipino enjoys the theater and is a deeply interested spectator of dramatic representations, but he listens in silence to the song, he gazes delighted at the dancing and mimicry, he never hisses or applauds.If the show is not to his liking, he chews his buyo or withdraws without disturbing the others who perhaps find pleasure in it. Only at times the commoner sort will howl when the actors embrace or kiss the actresses, but they never go beyond that. Formerly, dramas only were played; the local poet composed a piece in which there must necessarily be a fight every second minute, a clown, and terrifying transformations. But since the Tondo artisthave begun to fight every fifteen seconds, with two clowns, and even greater marvels than before, they have put to rout their provincial compeers. The gobernadorcillo was very fond of this sort of thing, so, with the approval of the curate, he chose a spectacle with magic and fireworks, entitled, “The Prince Villardo or the Captives Rescued from the Infamous Cave.”1From time to time the bells chime out merrily, those same bells that ten days ago were tolling so mournfully. Pin-wheels and mortars rend the air, for the Filipino pyrotechnist, who learned the art from no known instructor, displays his ability by preparing fire bulls, castles of Bengal lights, paper balloons inflated with hot air, bombs, rockets, and the like.Now distant strains of music are heard and the small boys rush headlong toward the outskirts of the town to meet the bands of music, five of which have been engaged, as well as three orchestras. The band of Pagsanhan belonging to the escribano must not be lacking nor that of San Pedro de Tunasan, at that time famous because it was directed by the maestro Austria, the vagabond “Corporal Mariano” who, according to report, carried fame and harmony in the tip of his baton. Musicians praise his funeral march, “El Sauce,”2and deplore his lack of musical education, since with his genius he might have brought glory to his country. The bands enter the town playing lively airs, followed by ragged or half-naked urchins, one in the camisa of his brother, another in his father’s pantaloons. As soon as the band ceases, the boys know the piece by heart, they hum and whistle it with rare skill, they pronounce their judgment upon it.Meanwhile, there are arriving in conveyances of all kinds relatives, friends, strangers, the gamblers with their best game-cocks and their bags of gold, ready to risk their fortune on the green cloth or within the arena of the cockpit.“The alferez has fifty pesos for each night,” murmurs a small, chubby individual into the ears of the latest arrivals. “Capitan Tiago’s coming and will set up a bank; Capitan Joaquin’s bringing eighteen thousand. There’ll beliam-pó: Carlos the Chinaman will set it up with ten thousand. Big stakes are coming from Tanawan, Lipa, and Batangas, as well as from Santa Cruz.3It’s going to be on a big scale, yes, sir, on a grand scale! But have some chocolate! This year Capitan Tiago won’t break us as he did last, since he’s paid for only three thanksgiving masses and I’ve got a cacaomutyâ. And how’s your family?”“Well, thank you,” the visitors respond, “and Padre Damaso?”“Padre Damaso will preach in the morning and sit in with us at night.”“Good enough! Then there’s no danger.”“Sure, we’re sure! Carlos the Chinaman will loosen up also.” Here the chubby individual works his fingers as though counting out pieces of money.Outside the town the hill-folk, thekasamá, are putting on their best clothes to carry to the houses of their landlords well-fattened chickens, wild pigs, deer, and birds. Some load firewood on the heavy carts, others fruits, ferns, and orchids, the rarest that grow in the forests, others bring broad-leafed caladiums and flame-coloredtikas-tikasblossoms to decorate the doors of the houses.But the place where the greatest activity reigns, where it is converted into a tumult, is there on a little plot ofraised ground, a few steps from Ibarra’s house. Pulleys screech and yells are heard amid the metallic sound of iron striking upon stone, hammers upon nails, of axes chopping out posts. A crowd of laborers is digging in the earth to open a wide, deep trench, while others place in line the stones taken from the town quarries. Carts are unloaded, piles of sand are heaped up, windlasses and derricks are set in place.“Hey, you there! Hurry up!” cries a little old man with lively and intelligent features, who has for a cane a copper-bound rule around which is wound the cord of a plumb-bob. This is the foreman of the work, Ñor Juan, architect, mason, carpenter, painter, locksmith, stonecutter, and, on occasions, sculptor. “It must be finished right now! Tomorrow there’ll be no work and the day after tomorrow is the ceremony. Hurry!”“Cut that hole so that this cylinder will fit it exactly,” he says to some masons who are shaping a large square block of stone. “Within that our names will be preserved.”He repeats to every newcomer who approaches the place what he has already said a thousand times: “You know what we’re going to build? Well, it’s a schoolhouse, a model of its kind, like those in Germany, and even better. A great architect has drawn the plans, and I—I am bossing the job! Yes, sir, look at it, it’s going to be a palace with two wings, one for the boys and the other for the girls. Here in the middle a big garden with three fountains, there on the sides shaded walks with little plots for the children to sow and cultivate plants in during their recess-time, that they may improve the hours and not waste them. Look how deep the foundations are, three meters and seventy-five centimeters! This building is going to have storerooms, cellars, and for those who are not diligent students dungeons near the playgrounds so that the culprits may hear how the studious children are enjoying themselves. Do you see that big space? That will be a lawn for running and exercising in the open air. The little girlswill have a garden with benches, swings, walks where they can jump the rope, fountains, bird-cages, and so on. It’s going to be magnificent!”Then Ñor Juan would rub his hands together as he thought of the fame that he was going to acquire. Strangers would come to see it and would ask, “Who was the great artisan that built this?” and all would answer, “Don’t you know? Can it be that you’ve never heard of Ñor Juan? Undoubtedly you’ve come from a great distance!” With these thoughts he moved from one part to the other, examining and reexamining everything.“It seems to me that there’s too much timber for one derrick,” he remarked to a yellowish man who was overseeing some laborers. “I should have enough with three large beams for the tripod and three more for the braces.”“Never mind!” answered the yellowish man, smiling in a peculiar way. “The more apparatus we use in the work, so much the greater effect we’ll get. The whole thing will look better and of more importance, so they’ll say, ‘How hard they’ve worked!’ You’ll see, you’ll see what a derrick I’ll put up! Then I’ll decorate it with banners, and garlands of leaves and flowers. You’ll say afterwards that you were right in hiring me as one of your laborers, and Señor Ibarra couldn’t ask for more!” As he said this the man laughed and smiled. Ñor Juan also smiled, but shook his head.Some distance away were seen two kiosks united by a kind of arbor covered with banana leaves. The schoolmaster and some thirty boys were weaving crowns and fastening banners upon the frail bamboo posts, which were wrapped in white cloth.“Take care that the letters are well written,” he admonished the boys who were preparing inscriptions. “The alcalde is coming, many curates will be present, perhaps even the Captain-General, who is now in the province. If they see that you draw well, maybe they’ll praise you.”“And give us a blackboard?”“Perhaps, but Señor Ibarra has already ordered one from Manila. Tomorrow some things will come to be distributed among you as prizes. Leave those flowers in the water and tomorrow we’ll make the bouquets. Bring more flowers, for it’s necessary that the table be covered with them—flowers please the eye.”“My father will bring some water-lilies and a basket of sampaguitas tomorrow.”“Mine has brought three cartloads of sand without pay.”“My uncle has promised to pay a teacher,” added a nephew of Capitan Basilio.Truly, the project was receiving help from all. The curate had asked to stand sponsor for it and himself bless the laying of the corner-stone, a ceremony to take place on the last day of the fiesta as one of its greatest solemnities. The very coadjutor had timidly approached Ibarra with an offer of all the fees for masses that the devout would pay until the building was finished. Even more, the rich and economical Sister Rufa had declared that if money should be lacking she would canvass other towns and beg for alms, with the mere condition that she be paid her expenses for travel and subsistence. Ibarra thanked them all, as he answered, “We aren’t going to have anything very great, since I am not rich and this building is not a church. Besides, I didn’t undertake to erect it at the expense of others.”The younger men, students from Manila, who had come to take part in the fiesta, gazed at him in admiration and took him for a model; but, as it nearly always happens, when we wish to imitate great men, that we copy only their foibles and even their defects, since we are capable of nothing else, so many of these admirers took note of the way in which he tied his cravat, others of the style of his collar, and not a few of the number of buttons on his coat and vest.The funereal presentiments of old Tasio seemed to have been dissipated forever. So Ibarra observed to him one day, but the old pessimist answered: “Remember what Baltazar says:Kung ang isalúbong sa iyong pagdatingAy masayang maukha’t may pakitang giliw,Lalong pag-iñgata’t kaaway na lihim4—Baltazar was no less a thinker than a poet.”Thus in the gathering shadows before the setting of the sun events were shaping themselves.1These spectacular performances, known as “Moro-Moro,” often continued for several days, consisting principally of noisy combats between Moros and Christians, in which the latter were, of course, invariably victorious. Typical sketches of them may be found in Foreman’sThe Philippine Islands, Chap. XXIII, and Stuntz’sThe Philippines and the Far East, Chap. III.—TR.2“The Willow.”3The capital of Laguna Province, not to be confused with the Santa Cruz mentioned before, which is a populous and important district in the city of Manila. Tanawan, Lipa, and Batangas are towns in Batangas Province, the latter being its capital.—TR.4“If on your return you are met with a smile, beware! for it means that you have a secret enemy.”—From theFlorante, being the advice given to the hero by his old teacher when he set out to return to his home.Francisco Baltazar was a Tagalog poet, native of the province of Bulacan, born about 1788, and died in 1862. The greater part of his life was spent in Manila,—in Tondo and in Pandakan, a quaint little village on the south bank of the Pasig, now included in the city, where he appears to have shared the fate largely of poets of other lands, from suffering “the pangs of disprized love” and persecution by the religious authorities, to seeing himself considered by the people about him as a crack-brained dreamer. He was educated in the Dominican school of San Juan de Letran, one of his teachers being Fray Mariano Pilapil, about whose services to humanity there may be some difference of opinion on the part of those who have ever resided in Philippine towns, since he was the author of the “Passion Song” which enlivens the Lenten evenings. This “Passion Song,” however, seems to have furnished the model for Baltazar’sFlorante, with the pupil surpassing the master, for while it has the subject and characters of a medieval European romance, the spirit and settings are entirely Malay. It is written in the peculiar Tagalog verse, in the form of acorridoor metrical romance, and has been declared by Fray Toribio Menguella, Rizal himself, and others familiar with Tagalog, to be a work of no mean order, by far the finest and most characteristic composition in that, the richest of the Malay dialects.—TR.

It is now the tenth of November, the eve of the fiesta. Emerging from its habitual monotony, the town has given itself over to unwonted activity in house, church, cockpit, and field. Windows are covered with banners and many-hued draperies. All space is filled with noise and music, and the air is saturated with rejoicings.

On little tables with embroidered covers thedalagasarrange in bright-hued glass dishes different kinds of sweetmeats made from native fruits. In the yard the hens cackle, the cocks crow, and the hogs grunt, all terrified by this merriment of man. Servants move in and out carrying fancy dishes and silver cutlery. Here there is a quarrel over a broken plate, there they laugh at the simple country girl. Everywhere there is ordering, whispering, shouting. Comments and conjectures are made, one hurries the other,—all is commotion, noise, and confusion. All this effort and all this toil are for the stranger as well as the acquaintance, to entertain every one, whether he has been seen before or not, or whether he is expected to be seen again, in order that the casual visitor, the foreigner, friend, enemy, Filipino, Spaniard, the poor and the rich, may go away happy and contented. No gratitude is even asked of them nor is it expected that they do no damage to the hospitable family either during or after digestion! The rich, those who have ever been to Manila and have seen a little more than their neighbors, have bought beer, champagne, liqueurs, wines, and food-stuffs from Europe, of which they will hardly taste a bite or drink a drop.

Their tables are luxuriously furnished. In the centeris a well-modeled artificial pineapple in which are arranged toothpicks elaborately carved by convicts in their rest-hours. Here they have designed a fan, there a bouquet of flowers, a bird, a rose, a palm leaf, or a chain, all wrought from a single piece of wood, the artisan being a forced laborer, the tool a dull knife, and the taskmaster’s voice the inspiration. Around this toothpick-holder are placed glass fruit-trays from which rise pyramids of oranges, lansons, ates, chicos, and even mangos in spite of the fact that it is November. On wide platters upon bright-hued sheets of perforated paper are to be seen hams from Europe and China, stuffed turkeys, and a big pastry in the shape of an Agnus Dei or a dove, the Holy Ghost perhaps. Among all these are jars of appetizingacharaswith fanciful decorations made from the flowers of the areca palm and other fruits and vegetables, all tastefully cut and fastened with sirup to the sides of the flasks.

Glass lamp globes that have been handed down from father to son are cleaned, the copper ornaments polished, the kerosene lamps taken out of the red wrappings which have protected them from the flies and mosquitoes during the year and which have made them unserviceable; the prismatic glass pendants shake to and fro, they clink together harmoniously in song, and even seem to take part in the fiesta as they flash back and break up the rays of light, reflecting them on the white walls in all the colors of the rainbow. The children play about amusing themselves by chasing the colors, they stumble and break the globes, but this does not interfere with the general merriment, although at other times in the year the tears in their round eyes would be taken account of in a different way.

Along with these venerated lamps there also come forth from their hiding-places the work of the girls: crocheted scarfs, rugs, artificial flowers. There appear old glass trays, on the bottoms of which are sketched miniature lakes with little fishes, caymans, shell-fish, seaweeds, coral, and glassy stones of brilliant hues. These are heapedwith cigars, cigarettes, and diminutive buyos prepared by the delicate fingers of the maidens. The floor of the house shines like a mirror, curtains of piña and husi festoon the doorways, from the windows hang lanterns covered with glass or with paper, pink, blue, green, or red. The house itself is filled with plants and flower-pots on stands of Chinese porcelain. Even the saints bedeck themselves, the images and relics put on a festive air, the dust is brushed from them and on the freshly-washed glass of their cases are hung flowery garlands.

In the streets are raised at intervals fanciful bamboo arches, known assinkában, constructed in various ways and adorned withkaluskús, the curling bunches of shavings scraped on their sides, at the sight of which alone the hearts of the children rejoice. About the front of the church, where the procession is to pass, is a large and costly canopy upheld on bamboo posts. Beneath this the children run and play, climbing, jumping, and tearing the new camisas in which they should shine on the principal day of the fiesta.

There on the plaza a platform has been erected, the scenery being of bamboo, nipa, and wood; there the Tondo comedians will perform wonders and compete with the gods in improbable miracles, there will sing and dance Marianito, Chananay, Balbino, Ratia, Carvajal, Yeyeng, Liceria, etc. The Filipino enjoys the theater and is a deeply interested spectator of dramatic representations, but he listens in silence to the song, he gazes delighted at the dancing and mimicry, he never hisses or applauds.

If the show is not to his liking, he chews his buyo or withdraws without disturbing the others who perhaps find pleasure in it. Only at times the commoner sort will howl when the actors embrace or kiss the actresses, but they never go beyond that. Formerly, dramas only were played; the local poet composed a piece in which there must necessarily be a fight every second minute, a clown, and terrifying transformations. But since the Tondo artisthave begun to fight every fifteen seconds, with two clowns, and even greater marvels than before, they have put to rout their provincial compeers. The gobernadorcillo was very fond of this sort of thing, so, with the approval of the curate, he chose a spectacle with magic and fireworks, entitled, “The Prince Villardo or the Captives Rescued from the Infamous Cave.”1

From time to time the bells chime out merrily, those same bells that ten days ago were tolling so mournfully. Pin-wheels and mortars rend the air, for the Filipino pyrotechnist, who learned the art from no known instructor, displays his ability by preparing fire bulls, castles of Bengal lights, paper balloons inflated with hot air, bombs, rockets, and the like.

Now distant strains of music are heard and the small boys rush headlong toward the outskirts of the town to meet the bands of music, five of which have been engaged, as well as three orchestras. The band of Pagsanhan belonging to the escribano must not be lacking nor that of San Pedro de Tunasan, at that time famous because it was directed by the maestro Austria, the vagabond “Corporal Mariano” who, according to report, carried fame and harmony in the tip of his baton. Musicians praise his funeral march, “El Sauce,”2and deplore his lack of musical education, since with his genius he might have brought glory to his country. The bands enter the town playing lively airs, followed by ragged or half-naked urchins, one in the camisa of his brother, another in his father’s pantaloons. As soon as the band ceases, the boys know the piece by heart, they hum and whistle it with rare skill, they pronounce their judgment upon it.

Meanwhile, there are arriving in conveyances of all kinds relatives, friends, strangers, the gamblers with their best game-cocks and their bags of gold, ready to risk their fortune on the green cloth or within the arena of the cockpit.

“The alferez has fifty pesos for each night,” murmurs a small, chubby individual into the ears of the latest arrivals. “Capitan Tiago’s coming and will set up a bank; Capitan Joaquin’s bringing eighteen thousand. There’ll beliam-pó: Carlos the Chinaman will set it up with ten thousand. Big stakes are coming from Tanawan, Lipa, and Batangas, as well as from Santa Cruz.3It’s going to be on a big scale, yes, sir, on a grand scale! But have some chocolate! This year Capitan Tiago won’t break us as he did last, since he’s paid for only three thanksgiving masses and I’ve got a cacaomutyâ. And how’s your family?”

“Well, thank you,” the visitors respond, “and Padre Damaso?”

“Padre Damaso will preach in the morning and sit in with us at night.”

“Good enough! Then there’s no danger.”

“Sure, we’re sure! Carlos the Chinaman will loosen up also.” Here the chubby individual works his fingers as though counting out pieces of money.

Outside the town the hill-folk, thekasamá, are putting on their best clothes to carry to the houses of their landlords well-fattened chickens, wild pigs, deer, and birds. Some load firewood on the heavy carts, others fruits, ferns, and orchids, the rarest that grow in the forests, others bring broad-leafed caladiums and flame-coloredtikas-tikasblossoms to decorate the doors of the houses.

But the place where the greatest activity reigns, where it is converted into a tumult, is there on a little plot ofraised ground, a few steps from Ibarra’s house. Pulleys screech and yells are heard amid the metallic sound of iron striking upon stone, hammers upon nails, of axes chopping out posts. A crowd of laborers is digging in the earth to open a wide, deep trench, while others place in line the stones taken from the town quarries. Carts are unloaded, piles of sand are heaped up, windlasses and derricks are set in place.

“Hey, you there! Hurry up!” cries a little old man with lively and intelligent features, who has for a cane a copper-bound rule around which is wound the cord of a plumb-bob. This is the foreman of the work, Ñor Juan, architect, mason, carpenter, painter, locksmith, stonecutter, and, on occasions, sculptor. “It must be finished right now! Tomorrow there’ll be no work and the day after tomorrow is the ceremony. Hurry!”

“Cut that hole so that this cylinder will fit it exactly,” he says to some masons who are shaping a large square block of stone. “Within that our names will be preserved.”

He repeats to every newcomer who approaches the place what he has already said a thousand times: “You know what we’re going to build? Well, it’s a schoolhouse, a model of its kind, like those in Germany, and even better. A great architect has drawn the plans, and I—I am bossing the job! Yes, sir, look at it, it’s going to be a palace with two wings, one for the boys and the other for the girls. Here in the middle a big garden with three fountains, there on the sides shaded walks with little plots for the children to sow and cultivate plants in during their recess-time, that they may improve the hours and not waste them. Look how deep the foundations are, three meters and seventy-five centimeters! This building is going to have storerooms, cellars, and for those who are not diligent students dungeons near the playgrounds so that the culprits may hear how the studious children are enjoying themselves. Do you see that big space? That will be a lawn for running and exercising in the open air. The little girlswill have a garden with benches, swings, walks where they can jump the rope, fountains, bird-cages, and so on. It’s going to be magnificent!”

Then Ñor Juan would rub his hands together as he thought of the fame that he was going to acquire. Strangers would come to see it and would ask, “Who was the great artisan that built this?” and all would answer, “Don’t you know? Can it be that you’ve never heard of Ñor Juan? Undoubtedly you’ve come from a great distance!” With these thoughts he moved from one part to the other, examining and reexamining everything.

“It seems to me that there’s too much timber for one derrick,” he remarked to a yellowish man who was overseeing some laborers. “I should have enough with three large beams for the tripod and three more for the braces.”

“Never mind!” answered the yellowish man, smiling in a peculiar way. “The more apparatus we use in the work, so much the greater effect we’ll get. The whole thing will look better and of more importance, so they’ll say, ‘How hard they’ve worked!’ You’ll see, you’ll see what a derrick I’ll put up! Then I’ll decorate it with banners, and garlands of leaves and flowers. You’ll say afterwards that you were right in hiring me as one of your laborers, and Señor Ibarra couldn’t ask for more!” As he said this the man laughed and smiled. Ñor Juan also smiled, but shook his head.

Some distance away were seen two kiosks united by a kind of arbor covered with banana leaves. The schoolmaster and some thirty boys were weaving crowns and fastening banners upon the frail bamboo posts, which were wrapped in white cloth.

“Take care that the letters are well written,” he admonished the boys who were preparing inscriptions. “The alcalde is coming, many curates will be present, perhaps even the Captain-General, who is now in the province. If they see that you draw well, maybe they’ll praise you.”

“And give us a blackboard?”

“Perhaps, but Señor Ibarra has already ordered one from Manila. Tomorrow some things will come to be distributed among you as prizes. Leave those flowers in the water and tomorrow we’ll make the bouquets. Bring more flowers, for it’s necessary that the table be covered with them—flowers please the eye.”

“My father will bring some water-lilies and a basket of sampaguitas tomorrow.”

“Mine has brought three cartloads of sand without pay.”

“My uncle has promised to pay a teacher,” added a nephew of Capitan Basilio.

Truly, the project was receiving help from all. The curate had asked to stand sponsor for it and himself bless the laying of the corner-stone, a ceremony to take place on the last day of the fiesta as one of its greatest solemnities. The very coadjutor had timidly approached Ibarra with an offer of all the fees for masses that the devout would pay until the building was finished. Even more, the rich and economical Sister Rufa had declared that if money should be lacking she would canvass other towns and beg for alms, with the mere condition that she be paid her expenses for travel and subsistence. Ibarra thanked them all, as he answered, “We aren’t going to have anything very great, since I am not rich and this building is not a church. Besides, I didn’t undertake to erect it at the expense of others.”

The younger men, students from Manila, who had come to take part in the fiesta, gazed at him in admiration and took him for a model; but, as it nearly always happens, when we wish to imitate great men, that we copy only their foibles and even their defects, since we are capable of nothing else, so many of these admirers took note of the way in which he tied his cravat, others of the style of his collar, and not a few of the number of buttons on his coat and vest.

The funereal presentiments of old Tasio seemed to have been dissipated forever. So Ibarra observed to him one day, but the old pessimist answered: “Remember what Baltazar says:

Kung ang isalúbong sa iyong pagdatingAy masayang maukha’t may pakitang giliw,Lalong pag-iñgata’t kaaway na lihim4—

Kung ang isalúbong sa iyong pagdatingAy masayang maukha’t may pakitang giliw,Lalong pag-iñgata’t kaaway na lihim4—

Kung ang isalúbong sa iyong pagdating

Ay masayang maukha’t may pakitang giliw,

Lalong pag-iñgata’t kaaway na lihim4—

Baltazar was no less a thinker than a poet.”

Thus in the gathering shadows before the setting of the sun events were shaping themselves.

1These spectacular performances, known as “Moro-Moro,” often continued for several days, consisting principally of noisy combats between Moros and Christians, in which the latter were, of course, invariably victorious. Typical sketches of them may be found in Foreman’sThe Philippine Islands, Chap. XXIII, and Stuntz’sThe Philippines and the Far East, Chap. III.—TR.2“The Willow.”3The capital of Laguna Province, not to be confused with the Santa Cruz mentioned before, which is a populous and important district in the city of Manila. Tanawan, Lipa, and Batangas are towns in Batangas Province, the latter being its capital.—TR.4“If on your return you are met with a smile, beware! for it means that you have a secret enemy.”—From theFlorante, being the advice given to the hero by his old teacher when he set out to return to his home.Francisco Baltazar was a Tagalog poet, native of the province of Bulacan, born about 1788, and died in 1862. The greater part of his life was spent in Manila,—in Tondo and in Pandakan, a quaint little village on the south bank of the Pasig, now included in the city, where he appears to have shared the fate largely of poets of other lands, from suffering “the pangs of disprized love” and persecution by the religious authorities, to seeing himself considered by the people about him as a crack-brained dreamer. He was educated in the Dominican school of San Juan de Letran, one of his teachers being Fray Mariano Pilapil, about whose services to humanity there may be some difference of opinion on the part of those who have ever resided in Philippine towns, since he was the author of the “Passion Song” which enlivens the Lenten evenings. This “Passion Song,” however, seems to have furnished the model for Baltazar’sFlorante, with the pupil surpassing the master, for while it has the subject and characters of a medieval European romance, the spirit and settings are entirely Malay. It is written in the peculiar Tagalog verse, in the form of acorridoor metrical romance, and has been declared by Fray Toribio Menguella, Rizal himself, and others familiar with Tagalog, to be a work of no mean order, by far the finest and most characteristic composition in that, the richest of the Malay dialects.—TR.

1These spectacular performances, known as “Moro-Moro,” often continued for several days, consisting principally of noisy combats between Moros and Christians, in which the latter were, of course, invariably victorious. Typical sketches of them may be found in Foreman’sThe Philippine Islands, Chap. XXIII, and Stuntz’sThe Philippines and the Far East, Chap. III.—TR.

2“The Willow.”

3The capital of Laguna Province, not to be confused with the Santa Cruz mentioned before, which is a populous and important district in the city of Manila. Tanawan, Lipa, and Batangas are towns in Batangas Province, the latter being its capital.—TR.

4“If on your return you are met with a smile, beware! for it means that you have a secret enemy.”—From theFlorante, being the advice given to the hero by his old teacher when he set out to return to his home.

Francisco Baltazar was a Tagalog poet, native of the province of Bulacan, born about 1788, and died in 1862. The greater part of his life was spent in Manila,—in Tondo and in Pandakan, a quaint little village on the south bank of the Pasig, now included in the city, where he appears to have shared the fate largely of poets of other lands, from suffering “the pangs of disprized love” and persecution by the religious authorities, to seeing himself considered by the people about him as a crack-brained dreamer. He was educated in the Dominican school of San Juan de Letran, one of his teachers being Fray Mariano Pilapil, about whose services to humanity there may be some difference of opinion on the part of those who have ever resided in Philippine towns, since he was the author of the “Passion Song” which enlivens the Lenten evenings. This “Passion Song,” however, seems to have furnished the model for Baltazar’sFlorante, with the pupil surpassing the master, for while it has the subject and characters of a medieval European romance, the spirit and settings are entirely Malay. It is written in the peculiar Tagalog verse, in the form of acorridoor metrical romance, and has been declared by Fray Toribio Menguella, Rizal himself, and others familiar with Tagalog, to be a work of no mean order, by far the finest and most characteristic composition in that, the richest of the Malay dialects.—TR.

Chapter XXVIIIn the TwilightIn Capitan Tiago’s house also great preparations had been made. We know its owner, whose love of ostentation and whose pride as a Manilan imposed the necessity of humiliating the provincials with his splendor. Another reason, too, made it his duty to eclipse all others: he had his daughter Maria Clara with him, and there was present his future son-in-law, who was attracting universal attention.In fact one of the most serious newspapers in Manila had devoted to Ibarra an article on its front page, entitled, “Imitate him!” heaping him with praise and giving him some advice. It had called him, “The cultivated young gentleman and rich capitalist;” two lines further on, “The distinguished philanthropist;” in the following paragraph, “The disciple of Minerva who had gone to the mother country to pay his respects to the true home of the arts and sciences;” and a little further on, “The Filipino Spaniard.” Capitan Tiago burned with generous zeal to imitate him and wondered whether he ought not to erect a convento at his own expense.Some days before there had arrived at the house where Maria Clara and Aunt Isabel were staying a profusion of eases of European wines and food-stuffs, colossal mirrors, paintings, and Maria Clara’s piano. Capitan Tiago had arrived on the day before the fiesta and as his daughter kissed his hand, had presented her with a beautiful locket set with diamonds and emeralds, containing a sliver fromSt.Peter’s boat, in which Our Savior sat during the fishing. His first interview with his future son-in-law could nothave been more cordial. Naturally, they talked about the school, and Capitan Tiago wanted it named “School ofSt.Francis.” “Believe me,” he said, “St.Francis is a good patron. If you call it ‘School of Primary Instruction,’ you will gain nothing. Who is Primary Instruction, anyhow?”Some friends of Maria Clara came and asked her to go for a walk. “But come back quickly,” said Capitan Tiago to his daughter, when she asked his permission, “for you know that Padre Damaso, who has just arrived, will dine with us.”Then turning to Ibarra, who had become thoughtful, he said, “You dine with us also, you’ll be all alone in your house.”“I would with the greatest pleasure, but I have to be at home in case visitors come,” stammered the youth, as he avoided the gaze of Maria Clara.“Bring your friends along,” replied Capitan Tiago heartily. “In my house there’s always plenty to eat. Also, I want you and Padre Damaso to get on good terms.”“There’ll be time enough for that,” answered Ibarra with a forced smile, as he prepared to accompany the girls.They went downstairs, Maria Clara in the center between Victoria and Iday, Aunt Isabel following. The people made way for them respectfully. Maria Clara was startling in her beauty; her pallor was all gone, and if her eyes were still pensive, her mouth on the contrary seemed to know only smiles. With maiden friendliness the happy young woman greeted the acquaintances of her childhood, now the admirers of her promising youth. In less than a fortnight she had succeeded in recovering that frank confidence, that childish prattle, which seemed to have been benumbed between the narrow walls of the nunnery. It might be said that on leaving the cocoon the butterfly recognized all the flowers, for it seemed to be enough for her to spread her wings for a moment and warm herselfin the sun’s rays to lose all the stiffness of the chrysalis. This new life manifested itself in her whole nature. Everything she found good and beautiful, and she showed her love with that maiden modesty which, having never been conscious of any but pure thoughts, knows not the meaning of false blushes. While she would cover her face when she was teased, still her eyes smiled, and a light thrill would course through her whole being.The houses were beginning to show lights, and in the streets where the music was moving about there were lighted torches of bamboo and wood made in imitation of those in the church. From the streets the people in the houses might be seen through the windows in an atmosphere of music and flowers, moving about to the sounds of piano, harp, or orchestra. Swarming in the streets were Chinese, Spaniards, Filipinos, some dressed in European style, some in the costumes of the country. Crowding, elbowing, and pushing one another, walked servants carrying meat and chickens, students in white, men and women, all exposing themselves to be knocked down by the carriages which, in spite of the drivers’ cries, made their way with difficulty.In front of Capitan Basilio’s house some young women called to our acquaintances and invited them to enter. The merry voice of Sinang as she ran down the stairs put an end to all excuses. “Come up a moment so that I may go with you,” she said. “I’m bored staying here among so many strangers who talk only of game-cocks and cards.”They were ushered into a large room filled with people, some of whom came forward to greet Ibarra, for his name was now well known. All gazed in ecstasy at the beauty of Maria Clara and some old women murmured, as they chewed their buyo, “She looks like the Virgin!”There they had to have chocolate, as Capitan Basilio had become a warm friend and defender of Ibarra since the day of the picnic. He had learned from the half of thetelegram given to his daughter Sinang that Ibarra had known beforehand about the court’s decision in the latter’s favor, so, not wishing to be outdone in generosity, he had tried to set aside the decision of the chess-match. But when Ibarra would not consent to this, he had proposed that the money which would have been spent in court fees should be used to pay a teacher in the new school. In consequence, the orator employed all his eloquence to the end that other litigants should give up their extravagant claims, saying to them, “Believe me, in a lawsuit the winner is left without a camisa.” But he had succeeded in convincing no one, even though he cited the Romans.After drinking the chocolate our young people had to listen to piano-playing by the town organist. “When I listen to him in the church,” exclaimed Sinang, pointing to the organist, “I want to dance, and now that he’s playing here I feel like praying, so I’m going out with you.”“Don’t you want to join us tonight?” whispered Capitan Basilio into Ibarra’s ear as they were leaving. “Padre Damaso is going to set up a little bank.” Ibarra smiled and answered with an equivocal shake of his head.“Who’s that?” asked Maria Clara of Victoria, indicating with a rapid glance a youth who was following them.“He’s—he’s a cousin of mine,” she answered with some agitation.“And the other?”“He’s no cousin of mine,” put in Sinang merrily. “He’s my uncle’s son.”They passed in front of the parish rectory, which was not one of the least animated buildings. Sinang was unable to repress an exclamation of surprise on seeing the lamps burning, those lamps of antique pattern which Padre Salvi had never allowed to be lighted, in order not to waste kerosene. Loud talk and resounding bursts of laughter might be heard as the friars moved slowly about, nodding their heads in unison with the big cigars that adorned theirlips. The laymen with them, who from their European garments appeared to be officials and employees of the province, were endeavoring to imitate whatever the good priests did. Maria Clara made out the rotund figure of Padre Damaso at the side of the trim silhouette of Padre Sibyla. Motionless in his place stood the silent and mysterious Fray Salvi.“He’s sad,” observed Sinang, “for he’s thinking about how much so many visitors are going to cost. But you’ll see how he’ll not pay it himself, but the sacristans will. His visitors always eat at other places.”“Sinang!” scolded Victoria.“I haven’t been able to endure him since he tore up theWheel of Fortune. I don’t go to confession to him any more.”Of all the houses one only was to be noticed without lights and with all the windows closed—that of the alferez. Maria Clara expressed surprise at this.“The witch! The Muse of the Civil Guard, as the old man says,” exclaimed the irrepressible Sinang. “What has she to do with our merrymakings? I imagine she’s raging! But just let the cholera come and you’d see her give a banquet.”“But, Sinang!” again her cousin scolded.“I never was able to endure her and especially since she disturbed our picnic with her civil-guards. If I were the Archbishop I’d marry Her to Padre Salvi—then think what children! Look how she tried to arrest the poor pilot, who threw himself into the water simply to please—”She was not allowed to finish, for in the corner of the plaza where a blind man was singing to the accompaniment of a guitar, a curious spectacle was presented. It was a man miserably dressed, wearing a broad salakot of palm leaves. His clothing consisted of a ragged coat and wide pantaloons, like those worn by the Chinese, torn in many places. Wretched sandals covered his feet. His countenance remained hidden in the shadow of his widehat, but from this shadow there flashed intermittently two burning rays. Placing a flat basket on the ground, he would withdraw a few paces and utter strange, incomprehensible sounds, remaining the while standing entirely alone as if he and the crowd were mutually avoiding each other. Then some women would approach the basket and put into it fruit, fish, or rice. When no one any longer approached, from the shadows would issue sadder but less pitiful sounds, cries of gratitude perhaps. Then he would take up the basket and make his way to another place to repeat the same performance.Maria Clara divined that there must be some misfortune there, and full of interest she asked concerning the strange creature.“He’s a leper,” Iday told her. “Four years ago he contracted the disease, some say from taking care of his mother, others from lying in a damp prison. He lives in the fields near the Chinese cemetery, having intercourse with no one, because all flee from him for fear of contagion. If you might only see his home! It’s a tumbledown shack, through which the wind and rain pass like a needle through cloth. He has been forbidden to touch anything belonging to the people. One day when a little child fell into a shallow ditch as he was passing, he helped to get it out. The child’s father complained to the gobernadorcillo, who ordered that the leper be flogged through the streets and that the rattan be burned afterwards. It was horrible! The leper fled with his flogger in pursuit, while the gobernadorcillo cried, ‘Catch him! Better be drowned than get the disease you have!’”“Can it be true!” murmured Maria Clara, then, without saying what she was about to do, went up to the wretch’s basket and dropped into it the locket her father had given her.“What have you done?” her friends asked.“I hadn’t anything else,” she answered, trying to conceal her tears with a smile.“What is he going to do with your locket?” Victoria asked her. “One day they gave him some money, but he pushed it away with a stick; why should he want it when no one accepts anything that comes from him? As if the locket could be eaten!”Maria Clara gazed enviously at the women who were selling food-stuffs and shrugged her shoulders. The leper approached the basket, picked up the jeweled locket, which glittered in his hands, then fell upon his knees, kissed it, and taking off his salakot buried his forehead in the dust where the maiden had stepped. Maria Clara hid her face behind her fan and raised her handkerchief to her eyes.Meanwhile, a poor woman had approached the leper, who seemed to be praying. Her long hair was loose and unkempt, and in the light of the torches could be recognized the extremely emaciated features of the crazy Sisa. Feeling the touch of her hand, the leper jumped up with a cry, but to the horror of the onlooker’s Sisa caught him by the arm and said:“Let us pray, let us pray! Today is All Souls’ day! Those lights are the souls of men! Let us pray for my sons!”“Separate them! Separate them! The madwoman will get the disease!” cried the crowd, but no one dared to go near them.“Do you see that light in the tower? That is my son Basilio sliding down a rope! Do you see that light in the convento? That is my son Crispin! But I’m not going to see them because the curate is sick and had many gold pieces and the gold pieces are lost! Pray, let us pray for the soul of the curate! I took him the finest fruits, for my garden was full of flowers and I had two sons! I had a garden, I used to take care of my flowers, and I had two sons!”Then releasing her hold of the leper, she ran away singing, “I had a garden and flowers, I had two sons, a garden, and flowers!”“What have you been able to do for that poor woman?” Maria Clara asked Ibarra.“Nothing! Lately she has been missing from the totem and wasn’t to be found,” answered the youth, rather confusedly. “Besides, I have been very busy. But don’t let it trouble you. The curate has promised to help me, but advised that I proceed with great tact and caution, for the Civil Guard seems to be mixed up in it. The curate is greatly interested in her case.”“Didn’t the alferez say that he would have search made for her sons?”“Yes, but at the time he was somewhat—drunk.” Scarcely had he said this when they saw the crazy woman being led, or rather dragged along, by a soldier. Sisa was offering resistance.“Why are you arresting her? What has she done?” asked Ibarra.“Why, haven’t you seen how she’s been raising a disturbance?” was the reply of the guardian of the public peace.The leper caught up his basket hurriedly and ran away.Maria Clara wanted to go home, as she had lost all her mirth and good humor. “So there are people who are not happy,” she murmured. Arriving at her door, she felt her sadness increase when her fiancé declined to go in, excusing himself on the plea of necessity. Maria Clara went upstairs thinking what a bore are the fiesta days, when strangers make their visits.

In Capitan Tiago’s house also great preparations had been made. We know its owner, whose love of ostentation and whose pride as a Manilan imposed the necessity of humiliating the provincials with his splendor. Another reason, too, made it his duty to eclipse all others: he had his daughter Maria Clara with him, and there was present his future son-in-law, who was attracting universal attention.

In fact one of the most serious newspapers in Manila had devoted to Ibarra an article on its front page, entitled, “Imitate him!” heaping him with praise and giving him some advice. It had called him, “The cultivated young gentleman and rich capitalist;” two lines further on, “The distinguished philanthropist;” in the following paragraph, “The disciple of Minerva who had gone to the mother country to pay his respects to the true home of the arts and sciences;” and a little further on, “The Filipino Spaniard.” Capitan Tiago burned with generous zeal to imitate him and wondered whether he ought not to erect a convento at his own expense.

Some days before there had arrived at the house where Maria Clara and Aunt Isabel were staying a profusion of eases of European wines and food-stuffs, colossal mirrors, paintings, and Maria Clara’s piano. Capitan Tiago had arrived on the day before the fiesta and as his daughter kissed his hand, had presented her with a beautiful locket set with diamonds and emeralds, containing a sliver fromSt.Peter’s boat, in which Our Savior sat during the fishing. His first interview with his future son-in-law could nothave been more cordial. Naturally, they talked about the school, and Capitan Tiago wanted it named “School ofSt.Francis.” “Believe me,” he said, “St.Francis is a good patron. If you call it ‘School of Primary Instruction,’ you will gain nothing. Who is Primary Instruction, anyhow?”

Some friends of Maria Clara came and asked her to go for a walk. “But come back quickly,” said Capitan Tiago to his daughter, when she asked his permission, “for you know that Padre Damaso, who has just arrived, will dine with us.”

Then turning to Ibarra, who had become thoughtful, he said, “You dine with us also, you’ll be all alone in your house.”

“I would with the greatest pleasure, but I have to be at home in case visitors come,” stammered the youth, as he avoided the gaze of Maria Clara.

“Bring your friends along,” replied Capitan Tiago heartily. “In my house there’s always plenty to eat. Also, I want you and Padre Damaso to get on good terms.”

“There’ll be time enough for that,” answered Ibarra with a forced smile, as he prepared to accompany the girls.

They went downstairs, Maria Clara in the center between Victoria and Iday, Aunt Isabel following. The people made way for them respectfully. Maria Clara was startling in her beauty; her pallor was all gone, and if her eyes were still pensive, her mouth on the contrary seemed to know only smiles. With maiden friendliness the happy young woman greeted the acquaintances of her childhood, now the admirers of her promising youth. In less than a fortnight she had succeeded in recovering that frank confidence, that childish prattle, which seemed to have been benumbed between the narrow walls of the nunnery. It might be said that on leaving the cocoon the butterfly recognized all the flowers, for it seemed to be enough for her to spread her wings for a moment and warm herselfin the sun’s rays to lose all the stiffness of the chrysalis. This new life manifested itself in her whole nature. Everything she found good and beautiful, and she showed her love with that maiden modesty which, having never been conscious of any but pure thoughts, knows not the meaning of false blushes. While she would cover her face when she was teased, still her eyes smiled, and a light thrill would course through her whole being.

The houses were beginning to show lights, and in the streets where the music was moving about there were lighted torches of bamboo and wood made in imitation of those in the church. From the streets the people in the houses might be seen through the windows in an atmosphere of music and flowers, moving about to the sounds of piano, harp, or orchestra. Swarming in the streets were Chinese, Spaniards, Filipinos, some dressed in European style, some in the costumes of the country. Crowding, elbowing, and pushing one another, walked servants carrying meat and chickens, students in white, men and women, all exposing themselves to be knocked down by the carriages which, in spite of the drivers’ cries, made their way with difficulty.

In front of Capitan Basilio’s house some young women called to our acquaintances and invited them to enter. The merry voice of Sinang as she ran down the stairs put an end to all excuses. “Come up a moment so that I may go with you,” she said. “I’m bored staying here among so many strangers who talk only of game-cocks and cards.”

They were ushered into a large room filled with people, some of whom came forward to greet Ibarra, for his name was now well known. All gazed in ecstasy at the beauty of Maria Clara and some old women murmured, as they chewed their buyo, “She looks like the Virgin!”

There they had to have chocolate, as Capitan Basilio had become a warm friend and defender of Ibarra since the day of the picnic. He had learned from the half of thetelegram given to his daughter Sinang that Ibarra had known beforehand about the court’s decision in the latter’s favor, so, not wishing to be outdone in generosity, he had tried to set aside the decision of the chess-match. But when Ibarra would not consent to this, he had proposed that the money which would have been spent in court fees should be used to pay a teacher in the new school. In consequence, the orator employed all his eloquence to the end that other litigants should give up their extravagant claims, saying to them, “Believe me, in a lawsuit the winner is left without a camisa.” But he had succeeded in convincing no one, even though he cited the Romans.

After drinking the chocolate our young people had to listen to piano-playing by the town organist. “When I listen to him in the church,” exclaimed Sinang, pointing to the organist, “I want to dance, and now that he’s playing here I feel like praying, so I’m going out with you.”

“Don’t you want to join us tonight?” whispered Capitan Basilio into Ibarra’s ear as they were leaving. “Padre Damaso is going to set up a little bank.” Ibarra smiled and answered with an equivocal shake of his head.

“Who’s that?” asked Maria Clara of Victoria, indicating with a rapid glance a youth who was following them.

“He’s—he’s a cousin of mine,” she answered with some agitation.

“And the other?”

“He’s no cousin of mine,” put in Sinang merrily. “He’s my uncle’s son.”

They passed in front of the parish rectory, which was not one of the least animated buildings. Sinang was unable to repress an exclamation of surprise on seeing the lamps burning, those lamps of antique pattern which Padre Salvi had never allowed to be lighted, in order not to waste kerosene. Loud talk and resounding bursts of laughter might be heard as the friars moved slowly about, nodding their heads in unison with the big cigars that adorned theirlips. The laymen with them, who from their European garments appeared to be officials and employees of the province, were endeavoring to imitate whatever the good priests did. Maria Clara made out the rotund figure of Padre Damaso at the side of the trim silhouette of Padre Sibyla. Motionless in his place stood the silent and mysterious Fray Salvi.

“He’s sad,” observed Sinang, “for he’s thinking about how much so many visitors are going to cost. But you’ll see how he’ll not pay it himself, but the sacristans will. His visitors always eat at other places.”

“Sinang!” scolded Victoria.

“I haven’t been able to endure him since he tore up theWheel of Fortune. I don’t go to confession to him any more.”

Of all the houses one only was to be noticed without lights and with all the windows closed—that of the alferez. Maria Clara expressed surprise at this.

“The witch! The Muse of the Civil Guard, as the old man says,” exclaimed the irrepressible Sinang. “What has she to do with our merrymakings? I imagine she’s raging! But just let the cholera come and you’d see her give a banquet.”

“But, Sinang!” again her cousin scolded.

“I never was able to endure her and especially since she disturbed our picnic with her civil-guards. If I were the Archbishop I’d marry Her to Padre Salvi—then think what children! Look how she tried to arrest the poor pilot, who threw himself into the water simply to please—”

She was not allowed to finish, for in the corner of the plaza where a blind man was singing to the accompaniment of a guitar, a curious spectacle was presented. It was a man miserably dressed, wearing a broad salakot of palm leaves. His clothing consisted of a ragged coat and wide pantaloons, like those worn by the Chinese, torn in many places. Wretched sandals covered his feet. His countenance remained hidden in the shadow of his widehat, but from this shadow there flashed intermittently two burning rays. Placing a flat basket on the ground, he would withdraw a few paces and utter strange, incomprehensible sounds, remaining the while standing entirely alone as if he and the crowd were mutually avoiding each other. Then some women would approach the basket and put into it fruit, fish, or rice. When no one any longer approached, from the shadows would issue sadder but less pitiful sounds, cries of gratitude perhaps. Then he would take up the basket and make his way to another place to repeat the same performance.

Maria Clara divined that there must be some misfortune there, and full of interest she asked concerning the strange creature.

“He’s a leper,” Iday told her. “Four years ago he contracted the disease, some say from taking care of his mother, others from lying in a damp prison. He lives in the fields near the Chinese cemetery, having intercourse with no one, because all flee from him for fear of contagion. If you might only see his home! It’s a tumbledown shack, through which the wind and rain pass like a needle through cloth. He has been forbidden to touch anything belonging to the people. One day when a little child fell into a shallow ditch as he was passing, he helped to get it out. The child’s father complained to the gobernadorcillo, who ordered that the leper be flogged through the streets and that the rattan be burned afterwards. It was horrible! The leper fled with his flogger in pursuit, while the gobernadorcillo cried, ‘Catch him! Better be drowned than get the disease you have!’”

“Can it be true!” murmured Maria Clara, then, without saying what she was about to do, went up to the wretch’s basket and dropped into it the locket her father had given her.

“What have you done?” her friends asked.

“I hadn’t anything else,” she answered, trying to conceal her tears with a smile.

“What is he going to do with your locket?” Victoria asked her. “One day they gave him some money, but he pushed it away with a stick; why should he want it when no one accepts anything that comes from him? As if the locket could be eaten!”

Maria Clara gazed enviously at the women who were selling food-stuffs and shrugged her shoulders. The leper approached the basket, picked up the jeweled locket, which glittered in his hands, then fell upon his knees, kissed it, and taking off his salakot buried his forehead in the dust where the maiden had stepped. Maria Clara hid her face behind her fan and raised her handkerchief to her eyes.

Meanwhile, a poor woman had approached the leper, who seemed to be praying. Her long hair was loose and unkempt, and in the light of the torches could be recognized the extremely emaciated features of the crazy Sisa. Feeling the touch of her hand, the leper jumped up with a cry, but to the horror of the onlooker’s Sisa caught him by the arm and said:

“Let us pray, let us pray! Today is All Souls’ day! Those lights are the souls of men! Let us pray for my sons!”

“Separate them! Separate them! The madwoman will get the disease!” cried the crowd, but no one dared to go near them.

“Do you see that light in the tower? That is my son Basilio sliding down a rope! Do you see that light in the convento? That is my son Crispin! But I’m not going to see them because the curate is sick and had many gold pieces and the gold pieces are lost! Pray, let us pray for the soul of the curate! I took him the finest fruits, for my garden was full of flowers and I had two sons! I had a garden, I used to take care of my flowers, and I had two sons!”

Then releasing her hold of the leper, she ran away singing, “I had a garden and flowers, I had two sons, a garden, and flowers!”

“What have you been able to do for that poor woman?” Maria Clara asked Ibarra.

“Nothing! Lately she has been missing from the totem and wasn’t to be found,” answered the youth, rather confusedly. “Besides, I have been very busy. But don’t let it trouble you. The curate has promised to help me, but advised that I proceed with great tact and caution, for the Civil Guard seems to be mixed up in it. The curate is greatly interested in her case.”

“Didn’t the alferez say that he would have search made for her sons?”

“Yes, but at the time he was somewhat—drunk.” Scarcely had he said this when they saw the crazy woman being led, or rather dragged along, by a soldier. Sisa was offering resistance.

“Why are you arresting her? What has she done?” asked Ibarra.

“Why, haven’t you seen how she’s been raising a disturbance?” was the reply of the guardian of the public peace.

The leper caught up his basket hurriedly and ran away.

Maria Clara wanted to go home, as she had lost all her mirth and good humor. “So there are people who are not happy,” she murmured. Arriving at her door, she felt her sadness increase when her fiancé declined to go in, excusing himself on the plea of necessity. Maria Clara went upstairs thinking what a bore are the fiesta days, when strangers make their visits.

Chapter XXVIIICorrespondenceCada uno habla de la feria como le va en ella.1As nothing of importance to our characters happened during the first two days, we should gladly pass on to the third and last, were it not that perhaps some foreign reader may wish to know how the Filipinos celebrate their fiestas. For this reason we shall faithfully reproduce in this chapter several letters, one of them being that of the correspondent of a noted Manila newspaper, respected for its grave tone and deep seriousness. Our readers will correct some natural and trifling slips of the pen. Thus the worthy correspondent of the respectable newspaper wrote:“TO THE EDITOR, MY DISTINGUISHED FRIEND,—Never did I witness, nor had I ever expected to see in the provinces, a religious fiesta so solemn, so splendid, and so impressive as that now being celebrated in this town by the Most Reverend and virtuous Franciscan Fathers.“Great crowds are in attendance. I have here had the pleasure of greeting nearly all the Spaniards who reside in this province, three Reverend Augustinian Fathers from the province of Batangas, and two Reverend Dominican Fathers. One of the latter is the Very Reverend Fray Hernando Sibyla, who has come to honor this town with his presence, a distinction which its worthy inhabitants should never forget. I have also seen a great number of the best people of Cavite and Pampanga, many wealthy persons from Manila, and many bands of music,—among these the very artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamenand Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the middle of the plaza.“At nine on the night of the 10th, the eve of the fiesta, after a succulent dinner set before us by thehermano mayor, the attention of all the Spaniards and friars in the convento was attracted by strains of music from a surging multitude which, with the noise of bombs and rockets, preceded by the leading citizens of the town, came to the convento to escort us to the place prepared and arranged for us that we might witness the spectacle. Such a courteous offer we had to accept, although I should have preferred to rest in the arms of Morpheus and repose my weary limbs, which were aching, thanks to the joltings of the vehicle furnished us by the gobernadorcillo of B———.“Accordingly we joined them and proceeded to look for our companions, who were dining in the house, owned here by the pious and wealthy Don Santiago de los Santos. The curate of the town, the Very Reverend Fray Bernardo Salvi, and the Very Reverend Fray Damaso Verdolagas, who is now by the special favor of Heaven recovered from the suffering caused him by an impious hand, in company with the Very Reverend Fray Hernando Sibyla and the virtuous curate of Tanawan, with other Spaniards, were guests in the house of the Filipino Croesus. There we had the good fortune of admiring not only the luxury and good taste of the host, which are not usual among the natives, but also the beauty of the charming and wealthy heiress, who showed herself to be a polished disciple ofSt.Cecelia by playing on her elegant piano, with a mastery that recalled Galvez to me, the best German and Italian compositions. It is a matter of regret that such a charming young lady should be so excessively modest as to hide her talents from a society which has only admiration for her. Nor should I leave unwritten that in the house of our host there were set before us champagne and fine liqueurs with the profusion and splendor that characterize the well-known capitalist.“We attended the spectacle. You already know our artists, Ratia, Carvajal, and Fernandez, whose cleverness was comprehendedby us alone, since the uncultured crowd did not understand a jot of it. Chananay and Balbino were very good, though a little hoarse; the latter made one break, but together, and as regards earnest effort, they were admirable. The Indians were greatly pleased with the Tagalog drama, especially the gobernadorcillo, who rubbed his hands and informed us that it was a pity that they had not made the princess join in combat with the giant who had stolen her away, which in his opinion would have been more marvelous, especially if the giant had been represented as vulnerable only in the navel, like a certain Ferragus of whom the stories of the Paladins tell. The Very Reverend Fray Damaso, in his customary goodness of heart, concurred in this opinion, and added that in such case the princess should be made to discover the giant’s weak spot and give him thecoup de grace.“Needless to tell you that during the show the affability of the Filipino Rothschild allowed nothing to be lacking: ice-cream, lemonade, wines, and refreshments of all kinds circulated profusely among us. A matter of reasonable and special note was the absence of the well-known and cultured youth, Don Juan Crisostomo Ibarra, who, as you know, will tomorrow preside at the laying of the corner-stone for the great edifice which he is so philanthropically erecting. This worthy descendant of the Pelayos and Elcanos (for I have learned that one of his paternal ancestors was from our heroic and noble northern provinces, perhaps one of the companions of Magellan or Legazpi) did not show himself during the entire day, owing to a slight indisposition. His name runs from mouth to mouth, being uttered with praises that can only reflect glory upon Spain and true Spaniards like ourselves, who never deny our blood, however mixed it may be.“Today, at eleven o’clock in the morning, we attended a deeply-moving spectacle. Today, as is generally known, is the fiesta of the Virgin of Peace and is being observed by the Brethren of the Holy Rosary. Tomorrow will occur the fiesta of the patron, San Diego, and it will be observed principally by the Venerable Tertiary Order. Between these two societies there exists a pious rivalry in serving God, which piety has reached the extreme of holy quarrels among them, as has just happened in the dispute over the preacher of acknowledgedfame, the oft-mentioned Very Reverend Fray Damaso, who tomorrow will occupy the pulpit of the Holy Ghost with a sermon, which, according to general expectation, will be a literary and religious event.“So,as we were saying, we attended a highly edifying and moving spectacle. Six pious youths, three to recite the mass and three for acolytes, marched out of the sacristy and prostrated themselves before the altar, while the officiating priest, the Very Reverend Fray Hernando Sibyla, chanted theSurge Domine—the signal for commencing the procession around the church—with the magnificent voice and religious unction that all recognize and that make him so worthy of general admiration. When theSurge Dominewas concluded, the gobernadorcillo, in a frock coat, carrying the standard and followed by four acolytes with incense-burners, headed the procession. Behind them came the tall silver candelabra, the municipal corporation, the precious images dressed in satin and gold, representingSt.Dominic and the Virgin of Peace in a magnificent blue robe trimmed with gilded silver, the gift of the pious ex-gobernadorcillo, the so-worthy-of-being-imitated and never-sufficiently-praised Don Santiago de los Santos. All these images were borne on silver cars. Behind the Mother of God came the Spaniards and the rest of the clergy, while the officiating priest was protected by a canopy carried by the cabezas de barangay, and the procession was closed by a squad of the worthy Civil Guard. I believe it unnecessary to state that a multitude of Indians, carrying lighted candles with great devotion, formed the two lines of the procession. The musicians played religious marches, while bombs and pinwheels furnished repeated salutes. It causes admiration to see the modesty and the fervor which these ceremonies inspire in the hearts of the true believers, the grand, pure faith professed for the Virgin of Peace, the solemnity and fervent devotion with which such ceremonies are performed by those of us who have had the good fortune to be born under the sacrosanct and immaculate banner of Spain.“The procession concluded, there began the mass rendered by the orchestra and the theatrical artists. After the reading of the Gospel, the Very Reverend Fray Manuel Martin, an Augustinian from the province of Batangas, ascended thepulpit and kept the whole audience enraptured and hanging on his words, especially the Spaniards, during the exordium in Castilian, as he spoke with vigor and in such flowing and well-rounded periods that our hearts were filled with fervor and enthusiasm. This indeed is the term that should be used for what is felt, or what we feel, when the Virgin of our beloved Spain is considered, and above all when there can be intercalated in the text, if the subject permits, the ideas of a prince of the Church, theSeñor Monescillo,2which are surely those of all Spaniards.“At the conclusion of the services all of us went up into the convento with the leading citizens of the town and other persons of note. There we were especially honored by the refinement, attention, and prodigality that characterize the Very Reverend Fray Salvi, there being set before us cigars and an abundant lunch which thehermano mayorhad prepared under the convento for all who might feel the necessity for appeasing the cravings of their stomachs.“During the day nothing has been lacking to make the fiesta joyous and to preserve the animation so characteristic of Spaniards, and which it is impossible to restrain on such occasions as this, showing itself sometimes in singing and dancing, at other times in simple and merry diversions of so strong and noble a nature that all sorrow is driven away, and it is enough for three Spaniards to be gathered together in one place in order that sadness and ill-humor be banished thence. Then homage was paid to Terpsichore in many homes, but especially in that of the cultured Filipino millionaire, where we were all invited to dine. Needless to say, the banquet, which was sumptuous and elegantly served, was a second edition of the wedding-feast in Cana, or of Camacho,3corrected and enlarged. While we were enjoying the meal, which was directed by a cook from ‘La Campana,’ an orchestra played harmonious melodies. The beautiful young lady of the house, in a mestizagown4and a cascade of diamonds, was as ever the queen of the feast.. All of us deplored from the bottom of our hearts a light sprain in her shapely foot that deprived her of the pleasures of the dance, for if we have to judge by her other conspicuous perfections, the young lady must dance like a sylph.“The alcalde of the province arrived this afternoon for the purpose of honoring with his presence the ceremony of tomorrow. He has expressed regret over the poor health of the distinguished landlord, Señor Ibarra, who in God’s mercy is now, according to report, somewhat recovered.“Tonight there was a solemn procession, but of that I will speak in my letter tomorrow, because in addition to the explosions that have bewildered me and made me somewhat deaf I am tired and falling over with sleep. While, therefore, I recover my strength in the arms of Morpheus—or rather on a cot in the convento—I desire for you, my distinguished friend, a pleasant night and take leave of you until tomorrow, which will be the great day.Your affectionate friend,SAN DIEGO, November 11.THE CORRESPONDENT.”Thus wrote the worthy correspondent. Now let us see what Capitan Martin wrote to his friend, Luis Chiquito:“DEAR CHOY,—Come a-running if you can, for there’s something doing at the fiesta. Just imagine, Capitan Joaquin is almost broke. Capitan Tiago has doubled up on him three times and won at the first turn of the cards each time, so that Capitan Manuel, the owner of the house, is growing smaller every minute from sheer joy. Padre Damaso smashed a lamp with his fist because up to now he hasn’t won on a single card. The Consul has lost on his cocks and in the bank allthat he won from us at the fiesta of Biñan and at that of the Virgin of the Pillar in Santa Cruz.“We expected Capitan Tiago to bring us his future son-in-law, the rich heir of Don Rafael, but it seems that he wishes to imitate his father, for he does not even show himself. It’s a pity, for it seems he never will be any use to us.“Carlos the Chinaman is making a big fortune with theliam-pó. I suspect that he carries something hidden, probably a charm, for he complains constantly of headaches and keeps his head bandaged, and when the wheel of theliam-póis slowing down he leans over, almost touching it, as if he were looking at it closely. I am shocked, because I know more stories of the same kind.“Good-by, Choy. My birds are well and my wife is happy and having a good time.Your friend,MARTIN ARISTORENAS.”Ibarra had received a perfumed note which Andeng, Maria Clara’s foster-sister, delivered to him on the evening of the first day of the fiesta. This note said:“CRISOSTOMO,—It has been over a day since you have shown yourself. I have heard that you are ill and have prayed for you and lighted two candles, although papa says that you are not seriously ill. Last night and today I’ve been bored by requests to play on the piano and by invitations to dance. I didn’t know before that there are so many tiresome people in the world! If it were not for Padre Damaso, who tries to entertain me by talking to me and telling me many things, I would have shut myself up in my room and gone to sleep. Write me what the matter is with you and I’ll tell papa to visit you. For the present I send Andeng to make you some tea, as she knows how to prepare it well, probably better than your servants do.MARIA CLARA.”“P.S. If you don’t come tomorrow, I won’t go to the ceremony.Vale!”1Every one talks of the fiesta according to the way he fared at it.2A Spanish prelate, notable for his determined opposition in the Constituent Cortes of 1869 to the clause in the new Constitution providing for religious liberty.—TR.3“Camacho’s wedding” is an episode inDon Quixote, wherein a wealthy man named Camacho is cheated out of his bride after he has prepared a magnificent wedding-feast.—TR.4The full dress of the Filipino women, consisting of thecamisa, pañuelo, andsaya suelta, the latter a heavy skirt with a long train. The namemestizais not inappropriate, as well from its composition as its use, since the first two are distinctly native, antedating the conquest, while thesaya sueltawas no doubt introduced by the Spaniards.

Cada uno habla de la feria como le va en ella.1

Cada uno habla de la feria como le va en ella.1

As nothing of importance to our characters happened during the first two days, we should gladly pass on to the third and last, were it not that perhaps some foreign reader may wish to know how the Filipinos celebrate their fiestas. For this reason we shall faithfully reproduce in this chapter several letters, one of them being that of the correspondent of a noted Manila newspaper, respected for its grave tone and deep seriousness. Our readers will correct some natural and trifling slips of the pen. Thus the worthy correspondent of the respectable newspaper wrote:

“TO THE EDITOR, MY DISTINGUISHED FRIEND,—Never did I witness, nor had I ever expected to see in the provinces, a religious fiesta so solemn, so splendid, and so impressive as that now being celebrated in this town by the Most Reverend and virtuous Franciscan Fathers.“Great crowds are in attendance. I have here had the pleasure of greeting nearly all the Spaniards who reside in this province, three Reverend Augustinian Fathers from the province of Batangas, and two Reverend Dominican Fathers. One of the latter is the Very Reverend Fray Hernando Sibyla, who has come to honor this town with his presence, a distinction which its worthy inhabitants should never forget. I have also seen a great number of the best people of Cavite and Pampanga, many wealthy persons from Manila, and many bands of music,—among these the very artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamenand Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the middle of the plaza.“At nine on the night of the 10th, the eve of the fiesta, after a succulent dinner set before us by thehermano mayor, the attention of all the Spaniards and friars in the convento was attracted by strains of music from a surging multitude which, with the noise of bombs and rockets, preceded by the leading citizens of the town, came to the convento to escort us to the place prepared and arranged for us that we might witness the spectacle. Such a courteous offer we had to accept, although I should have preferred to rest in the arms of Morpheus and repose my weary limbs, which were aching, thanks to the joltings of the vehicle furnished us by the gobernadorcillo of B———.“Accordingly we joined them and proceeded to look for our companions, who were dining in the house, owned here by the pious and wealthy Don Santiago de los Santos. The curate of the town, the Very Reverend Fray Bernardo Salvi, and the Very Reverend Fray Damaso Verdolagas, who is now by the special favor of Heaven recovered from the suffering caused him by an impious hand, in company with the Very Reverend Fray Hernando Sibyla and the virtuous curate of Tanawan, with other Spaniards, were guests in the house of the Filipino Croesus. There we had the good fortune of admiring not only the luxury and good taste of the host, which are not usual among the natives, but also the beauty of the charming and wealthy heiress, who showed herself to be a polished disciple ofSt.Cecelia by playing on her elegant piano, with a mastery that recalled Galvez to me, the best German and Italian compositions. It is a matter of regret that such a charming young lady should be so excessively modest as to hide her talents from a society which has only admiration for her. Nor should I leave unwritten that in the house of our host there were set before us champagne and fine liqueurs with the profusion and splendor that characterize the well-known capitalist.“We attended the spectacle. You already know our artists, Ratia, Carvajal, and Fernandez, whose cleverness was comprehendedby us alone, since the uncultured crowd did not understand a jot of it. Chananay and Balbino were very good, though a little hoarse; the latter made one break, but together, and as regards earnest effort, they were admirable. The Indians were greatly pleased with the Tagalog drama, especially the gobernadorcillo, who rubbed his hands and informed us that it was a pity that they had not made the princess join in combat with the giant who had stolen her away, which in his opinion would have been more marvelous, especially if the giant had been represented as vulnerable only in the navel, like a certain Ferragus of whom the stories of the Paladins tell. The Very Reverend Fray Damaso, in his customary goodness of heart, concurred in this opinion, and added that in such case the princess should be made to discover the giant’s weak spot and give him thecoup de grace.“Needless to tell you that during the show the affability of the Filipino Rothschild allowed nothing to be lacking: ice-cream, lemonade, wines, and refreshments of all kinds circulated profusely among us. A matter of reasonable and special note was the absence of the well-known and cultured youth, Don Juan Crisostomo Ibarra, who, as you know, will tomorrow preside at the laying of the corner-stone for the great edifice which he is so philanthropically erecting. This worthy descendant of the Pelayos and Elcanos (for I have learned that one of his paternal ancestors was from our heroic and noble northern provinces, perhaps one of the companions of Magellan or Legazpi) did not show himself during the entire day, owing to a slight indisposition. His name runs from mouth to mouth, being uttered with praises that can only reflect glory upon Spain and true Spaniards like ourselves, who never deny our blood, however mixed it may be.“Today, at eleven o’clock in the morning, we attended a deeply-moving spectacle. Today, as is generally known, is the fiesta of the Virgin of Peace and is being observed by the Brethren of the Holy Rosary. Tomorrow will occur the fiesta of the patron, San Diego, and it will be observed principally by the Venerable Tertiary Order. Between these two societies there exists a pious rivalry in serving God, which piety has reached the extreme of holy quarrels among them, as has just happened in the dispute over the preacher of acknowledgedfame, the oft-mentioned Very Reverend Fray Damaso, who tomorrow will occupy the pulpit of the Holy Ghost with a sermon, which, according to general expectation, will be a literary and religious event.“So,as we were saying, we attended a highly edifying and moving spectacle. Six pious youths, three to recite the mass and three for acolytes, marched out of the sacristy and prostrated themselves before the altar, while the officiating priest, the Very Reverend Fray Hernando Sibyla, chanted theSurge Domine—the signal for commencing the procession around the church—with the magnificent voice and religious unction that all recognize and that make him so worthy of general admiration. When theSurge Dominewas concluded, the gobernadorcillo, in a frock coat, carrying the standard and followed by four acolytes with incense-burners, headed the procession. Behind them came the tall silver candelabra, the municipal corporation, the precious images dressed in satin and gold, representingSt.Dominic and the Virgin of Peace in a magnificent blue robe trimmed with gilded silver, the gift of the pious ex-gobernadorcillo, the so-worthy-of-being-imitated and never-sufficiently-praised Don Santiago de los Santos. All these images were borne on silver cars. Behind the Mother of God came the Spaniards and the rest of the clergy, while the officiating priest was protected by a canopy carried by the cabezas de barangay, and the procession was closed by a squad of the worthy Civil Guard. I believe it unnecessary to state that a multitude of Indians, carrying lighted candles with great devotion, formed the two lines of the procession. The musicians played religious marches, while bombs and pinwheels furnished repeated salutes. It causes admiration to see the modesty and the fervor which these ceremonies inspire in the hearts of the true believers, the grand, pure faith professed for the Virgin of Peace, the solemnity and fervent devotion with which such ceremonies are performed by those of us who have had the good fortune to be born under the sacrosanct and immaculate banner of Spain.“The procession concluded, there began the mass rendered by the orchestra and the theatrical artists. After the reading of the Gospel, the Very Reverend Fray Manuel Martin, an Augustinian from the province of Batangas, ascended thepulpit and kept the whole audience enraptured and hanging on his words, especially the Spaniards, during the exordium in Castilian, as he spoke with vigor and in such flowing and well-rounded periods that our hearts were filled with fervor and enthusiasm. This indeed is the term that should be used for what is felt, or what we feel, when the Virgin of our beloved Spain is considered, and above all when there can be intercalated in the text, if the subject permits, the ideas of a prince of the Church, theSeñor Monescillo,2which are surely those of all Spaniards.“At the conclusion of the services all of us went up into the convento with the leading citizens of the town and other persons of note. There we were especially honored by the refinement, attention, and prodigality that characterize the Very Reverend Fray Salvi, there being set before us cigars and an abundant lunch which thehermano mayorhad prepared under the convento for all who might feel the necessity for appeasing the cravings of their stomachs.“During the day nothing has been lacking to make the fiesta joyous and to preserve the animation so characteristic of Spaniards, and which it is impossible to restrain on such occasions as this, showing itself sometimes in singing and dancing, at other times in simple and merry diversions of so strong and noble a nature that all sorrow is driven away, and it is enough for three Spaniards to be gathered together in one place in order that sadness and ill-humor be banished thence. Then homage was paid to Terpsichore in many homes, but especially in that of the cultured Filipino millionaire, where we were all invited to dine. Needless to say, the banquet, which was sumptuous and elegantly served, was a second edition of the wedding-feast in Cana, or of Camacho,3corrected and enlarged. While we were enjoying the meal, which was directed by a cook from ‘La Campana,’ an orchestra played harmonious melodies. The beautiful young lady of the house, in a mestizagown4and a cascade of diamonds, was as ever the queen of the feast.. All of us deplored from the bottom of our hearts a light sprain in her shapely foot that deprived her of the pleasures of the dance, for if we have to judge by her other conspicuous perfections, the young lady must dance like a sylph.“The alcalde of the province arrived this afternoon for the purpose of honoring with his presence the ceremony of tomorrow. He has expressed regret over the poor health of the distinguished landlord, Señor Ibarra, who in God’s mercy is now, according to report, somewhat recovered.“Tonight there was a solemn procession, but of that I will speak in my letter tomorrow, because in addition to the explosions that have bewildered me and made me somewhat deaf I am tired and falling over with sleep. While, therefore, I recover my strength in the arms of Morpheus—or rather on a cot in the convento—I desire for you, my distinguished friend, a pleasant night and take leave of you until tomorrow, which will be the great day.Your affectionate friend,SAN DIEGO, November 11.THE CORRESPONDENT.”

“TO THE EDITOR, MY DISTINGUISHED FRIEND,—Never did I witness, nor had I ever expected to see in the provinces, a religious fiesta so solemn, so splendid, and so impressive as that now being celebrated in this town by the Most Reverend and virtuous Franciscan Fathers.

“Great crowds are in attendance. I have here had the pleasure of greeting nearly all the Spaniards who reside in this province, three Reverend Augustinian Fathers from the province of Batangas, and two Reverend Dominican Fathers. One of the latter is the Very Reverend Fray Hernando Sibyla, who has come to honor this town with his presence, a distinction which its worthy inhabitants should never forget. I have also seen a great number of the best people of Cavite and Pampanga, many wealthy persons from Manila, and many bands of music,—among these the very artistic one of Pagsanhan belonging to the escribano, Don Miguel Guevara,—swarms of Chinamenand Indians, who, with the curiosity of the former and the piety of the latter, awaited anxiously the day on which was to be celebrated the comic-mimic-lyric-lightning-change-dramatic spectacle, for which a large and spacious theater had been erected in the middle of the plaza.

“At nine on the night of the 10th, the eve of the fiesta, after a succulent dinner set before us by thehermano mayor, the attention of all the Spaniards and friars in the convento was attracted by strains of music from a surging multitude which, with the noise of bombs and rockets, preceded by the leading citizens of the town, came to the convento to escort us to the place prepared and arranged for us that we might witness the spectacle. Such a courteous offer we had to accept, although I should have preferred to rest in the arms of Morpheus and repose my weary limbs, which were aching, thanks to the joltings of the vehicle furnished us by the gobernadorcillo of B———.

“Accordingly we joined them and proceeded to look for our companions, who were dining in the house, owned here by the pious and wealthy Don Santiago de los Santos. The curate of the town, the Very Reverend Fray Bernardo Salvi, and the Very Reverend Fray Damaso Verdolagas, who is now by the special favor of Heaven recovered from the suffering caused him by an impious hand, in company with the Very Reverend Fray Hernando Sibyla and the virtuous curate of Tanawan, with other Spaniards, were guests in the house of the Filipino Croesus. There we had the good fortune of admiring not only the luxury and good taste of the host, which are not usual among the natives, but also the beauty of the charming and wealthy heiress, who showed herself to be a polished disciple ofSt.Cecelia by playing on her elegant piano, with a mastery that recalled Galvez to me, the best German and Italian compositions. It is a matter of regret that such a charming young lady should be so excessively modest as to hide her talents from a society which has only admiration for her. Nor should I leave unwritten that in the house of our host there were set before us champagne and fine liqueurs with the profusion and splendor that characterize the well-known capitalist.

“We attended the spectacle. You already know our artists, Ratia, Carvajal, and Fernandez, whose cleverness was comprehendedby us alone, since the uncultured crowd did not understand a jot of it. Chananay and Balbino were very good, though a little hoarse; the latter made one break, but together, and as regards earnest effort, they were admirable. The Indians were greatly pleased with the Tagalog drama, especially the gobernadorcillo, who rubbed his hands and informed us that it was a pity that they had not made the princess join in combat with the giant who had stolen her away, which in his opinion would have been more marvelous, especially if the giant had been represented as vulnerable only in the navel, like a certain Ferragus of whom the stories of the Paladins tell. The Very Reverend Fray Damaso, in his customary goodness of heart, concurred in this opinion, and added that in such case the princess should be made to discover the giant’s weak spot and give him thecoup de grace.

“Needless to tell you that during the show the affability of the Filipino Rothschild allowed nothing to be lacking: ice-cream, lemonade, wines, and refreshments of all kinds circulated profusely among us. A matter of reasonable and special note was the absence of the well-known and cultured youth, Don Juan Crisostomo Ibarra, who, as you know, will tomorrow preside at the laying of the corner-stone for the great edifice which he is so philanthropically erecting. This worthy descendant of the Pelayos and Elcanos (for I have learned that one of his paternal ancestors was from our heroic and noble northern provinces, perhaps one of the companions of Magellan or Legazpi) did not show himself during the entire day, owing to a slight indisposition. His name runs from mouth to mouth, being uttered with praises that can only reflect glory upon Spain and true Spaniards like ourselves, who never deny our blood, however mixed it may be.

“Today, at eleven o’clock in the morning, we attended a deeply-moving spectacle. Today, as is generally known, is the fiesta of the Virgin of Peace and is being observed by the Brethren of the Holy Rosary. Tomorrow will occur the fiesta of the patron, San Diego, and it will be observed principally by the Venerable Tertiary Order. Between these two societies there exists a pious rivalry in serving God, which piety has reached the extreme of holy quarrels among them, as has just happened in the dispute over the preacher of acknowledgedfame, the oft-mentioned Very Reverend Fray Damaso, who tomorrow will occupy the pulpit of the Holy Ghost with a sermon, which, according to general expectation, will be a literary and religious event.

“So,as we were saying, we attended a highly edifying and moving spectacle. Six pious youths, three to recite the mass and three for acolytes, marched out of the sacristy and prostrated themselves before the altar, while the officiating priest, the Very Reverend Fray Hernando Sibyla, chanted theSurge Domine—the signal for commencing the procession around the church—with the magnificent voice and religious unction that all recognize and that make him so worthy of general admiration. When theSurge Dominewas concluded, the gobernadorcillo, in a frock coat, carrying the standard and followed by four acolytes with incense-burners, headed the procession. Behind them came the tall silver candelabra, the municipal corporation, the precious images dressed in satin and gold, representingSt.Dominic and the Virgin of Peace in a magnificent blue robe trimmed with gilded silver, the gift of the pious ex-gobernadorcillo, the so-worthy-of-being-imitated and never-sufficiently-praised Don Santiago de los Santos. All these images were borne on silver cars. Behind the Mother of God came the Spaniards and the rest of the clergy, while the officiating priest was protected by a canopy carried by the cabezas de barangay, and the procession was closed by a squad of the worthy Civil Guard. I believe it unnecessary to state that a multitude of Indians, carrying lighted candles with great devotion, formed the two lines of the procession. The musicians played religious marches, while bombs and pinwheels furnished repeated salutes. It causes admiration to see the modesty and the fervor which these ceremonies inspire in the hearts of the true believers, the grand, pure faith professed for the Virgin of Peace, the solemnity and fervent devotion with which such ceremonies are performed by those of us who have had the good fortune to be born under the sacrosanct and immaculate banner of Spain.

“The procession concluded, there began the mass rendered by the orchestra and the theatrical artists. After the reading of the Gospel, the Very Reverend Fray Manuel Martin, an Augustinian from the province of Batangas, ascended thepulpit and kept the whole audience enraptured and hanging on his words, especially the Spaniards, during the exordium in Castilian, as he spoke with vigor and in such flowing and well-rounded periods that our hearts were filled with fervor and enthusiasm. This indeed is the term that should be used for what is felt, or what we feel, when the Virgin of our beloved Spain is considered, and above all when there can be intercalated in the text, if the subject permits, the ideas of a prince of the Church, theSeñor Monescillo,2which are surely those of all Spaniards.

“At the conclusion of the services all of us went up into the convento with the leading citizens of the town and other persons of note. There we were especially honored by the refinement, attention, and prodigality that characterize the Very Reverend Fray Salvi, there being set before us cigars and an abundant lunch which thehermano mayorhad prepared under the convento for all who might feel the necessity for appeasing the cravings of their stomachs.

“During the day nothing has been lacking to make the fiesta joyous and to preserve the animation so characteristic of Spaniards, and which it is impossible to restrain on such occasions as this, showing itself sometimes in singing and dancing, at other times in simple and merry diversions of so strong and noble a nature that all sorrow is driven away, and it is enough for three Spaniards to be gathered together in one place in order that sadness and ill-humor be banished thence. Then homage was paid to Terpsichore in many homes, but especially in that of the cultured Filipino millionaire, where we were all invited to dine. Needless to say, the banquet, which was sumptuous and elegantly served, was a second edition of the wedding-feast in Cana, or of Camacho,3corrected and enlarged. While we were enjoying the meal, which was directed by a cook from ‘La Campana,’ an orchestra played harmonious melodies. The beautiful young lady of the house, in a mestizagown4and a cascade of diamonds, was as ever the queen of the feast.. All of us deplored from the bottom of our hearts a light sprain in her shapely foot that deprived her of the pleasures of the dance, for if we have to judge by her other conspicuous perfections, the young lady must dance like a sylph.

“The alcalde of the province arrived this afternoon for the purpose of honoring with his presence the ceremony of tomorrow. He has expressed regret over the poor health of the distinguished landlord, Señor Ibarra, who in God’s mercy is now, according to report, somewhat recovered.

“Tonight there was a solemn procession, but of that I will speak in my letter tomorrow, because in addition to the explosions that have bewildered me and made me somewhat deaf I am tired and falling over with sleep. While, therefore, I recover my strength in the arms of Morpheus—or rather on a cot in the convento—I desire for you, my distinguished friend, a pleasant night and take leave of you until tomorrow, which will be the great day.

Your affectionate friend,

SAN DIEGO, November 11.

THE CORRESPONDENT.”

Thus wrote the worthy correspondent. Now let us see what Capitan Martin wrote to his friend, Luis Chiquito:

“DEAR CHOY,—Come a-running if you can, for there’s something doing at the fiesta. Just imagine, Capitan Joaquin is almost broke. Capitan Tiago has doubled up on him three times and won at the first turn of the cards each time, so that Capitan Manuel, the owner of the house, is growing smaller every minute from sheer joy. Padre Damaso smashed a lamp with his fist because up to now he hasn’t won on a single card. The Consul has lost on his cocks and in the bank allthat he won from us at the fiesta of Biñan and at that of the Virgin of the Pillar in Santa Cruz.“We expected Capitan Tiago to bring us his future son-in-law, the rich heir of Don Rafael, but it seems that he wishes to imitate his father, for he does not even show himself. It’s a pity, for it seems he never will be any use to us.“Carlos the Chinaman is making a big fortune with theliam-pó. I suspect that he carries something hidden, probably a charm, for he complains constantly of headaches and keeps his head bandaged, and when the wheel of theliam-póis slowing down he leans over, almost touching it, as if he were looking at it closely. I am shocked, because I know more stories of the same kind.“Good-by, Choy. My birds are well and my wife is happy and having a good time.Your friend,MARTIN ARISTORENAS.”

“DEAR CHOY,—Come a-running if you can, for there’s something doing at the fiesta. Just imagine, Capitan Joaquin is almost broke. Capitan Tiago has doubled up on him three times and won at the first turn of the cards each time, so that Capitan Manuel, the owner of the house, is growing smaller every minute from sheer joy. Padre Damaso smashed a lamp with his fist because up to now he hasn’t won on a single card. The Consul has lost on his cocks and in the bank allthat he won from us at the fiesta of Biñan and at that of the Virgin of the Pillar in Santa Cruz.

“We expected Capitan Tiago to bring us his future son-in-law, the rich heir of Don Rafael, but it seems that he wishes to imitate his father, for he does not even show himself. It’s a pity, for it seems he never will be any use to us.

“Carlos the Chinaman is making a big fortune with theliam-pó. I suspect that he carries something hidden, probably a charm, for he complains constantly of headaches and keeps his head bandaged, and when the wheel of theliam-póis slowing down he leans over, almost touching it, as if he were looking at it closely. I am shocked, because I know more stories of the same kind.

“Good-by, Choy. My birds are well and my wife is happy and having a good time.

Your friend,

MARTIN ARISTORENAS.”

Ibarra had received a perfumed note which Andeng, Maria Clara’s foster-sister, delivered to him on the evening of the first day of the fiesta. This note said:

“CRISOSTOMO,—It has been over a day since you have shown yourself. I have heard that you are ill and have prayed for you and lighted two candles, although papa says that you are not seriously ill. Last night and today I’ve been bored by requests to play on the piano and by invitations to dance. I didn’t know before that there are so many tiresome people in the world! If it were not for Padre Damaso, who tries to entertain me by talking to me and telling me many things, I would have shut myself up in my room and gone to sleep. Write me what the matter is with you and I’ll tell papa to visit you. For the present I send Andeng to make you some tea, as she knows how to prepare it well, probably better than your servants do.MARIA CLARA.”“P.S. If you don’t come tomorrow, I won’t go to the ceremony.Vale!”

“CRISOSTOMO,—It has been over a day since you have shown yourself. I have heard that you are ill and have prayed for you and lighted two candles, although papa says that you are not seriously ill. Last night and today I’ve been bored by requests to play on the piano and by invitations to dance. I didn’t know before that there are so many tiresome people in the world! If it were not for Padre Damaso, who tries to entertain me by talking to me and telling me many things, I would have shut myself up in my room and gone to sleep. Write me what the matter is with you and I’ll tell papa to visit you. For the present I send Andeng to make you some tea, as she knows how to prepare it well, probably better than your servants do.

MARIA CLARA.”

“P.S. If you don’t come tomorrow, I won’t go to the ceremony.Vale!”

1Every one talks of the fiesta according to the way he fared at it.2A Spanish prelate, notable for his determined opposition in the Constituent Cortes of 1869 to the clause in the new Constitution providing for religious liberty.—TR.3“Camacho’s wedding” is an episode inDon Quixote, wherein a wealthy man named Camacho is cheated out of his bride after he has prepared a magnificent wedding-feast.—TR.4The full dress of the Filipino women, consisting of thecamisa, pañuelo, andsaya suelta, the latter a heavy skirt with a long train. The namemestizais not inappropriate, as well from its composition as its use, since the first two are distinctly native, antedating the conquest, while thesaya sueltawas no doubt introduced by the Spaniards.

1Every one talks of the fiesta according to the way he fared at it.

2A Spanish prelate, notable for his determined opposition in the Constituent Cortes of 1869 to the clause in the new Constitution providing for religious liberty.—TR.

3“Camacho’s wedding” is an episode inDon Quixote, wherein a wealthy man named Camacho is cheated out of his bride after he has prepared a magnificent wedding-feast.—TR.

4The full dress of the Filipino women, consisting of thecamisa, pañuelo, andsaya suelta, the latter a heavy skirt with a long train. The namemestizais not inappropriate, as well from its composition as its use, since the first two are distinctly native, antedating the conquest, while thesaya sueltawas no doubt introduced by the Spaniards.


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