Chapter 2

IIITHE GLAMOUR OF THE FRONTThere is an undoubted glamour about the Front, which when at home, in England, cannot be explained. In the army or out of it, the wine of life is white and still, but at the Front it runs red and sparkling. One day I got a lift in a motor-wagon and sat on a box by the side of one of the servants of the officer's mess at the Aerodrome near by. He was going into Doullens, a market town, to buy food and some little luxuries. Captain Ball, V.C., the prince of English flyers, was, up to the time of his death in the air, a member of the mess, and the servant was telling me how comfortable all the officers make their quarters. In a phrase he defined the glamour of the Front."One day," he said, "when we were helping him to make his room comfortable, Captain Ball burst out into a merry laugh and chuckled, 'We haven't long to live, but we live well while we do live.'"There you have it. Life is concentrated. Death is near--just round the corner--so the men make the most of their time and "live well." It has the same quality as "leave" at home. Leave is short and uncertain, so we "live well." Our friends know it may be the last sight of us, and we know it may be our last sight of them. They are kind and generous to us, as we are to them; and so, the ten days of "leave" are just glorious. Ruskin says that the full splendor of the sunset lasts but a second, and that Turner went out early in the evening and watched with rapt attention for that one second of supreme splendor and delight. He lived for sunsets and while others were balancing their accounts, or taking tea, he went out to see the daily miracle. The one second in which he saw God pass by in the glory of the sunset was to him worth all the twenty-four hours. For one second in each day he caught the glamour of earth and heaven, and went back to his untidy studios blind to all but the splendor he had seen.That second each day was life, indeed, and the glamour of the Front is like unto it. It is the place where life sets, and the darkness of death draws on. The commonest soldier feels it and with true instinct, not less true because unconscious, he describes death at the Front as "going West." It is the presence of death that gives the Front its glamour, and life its concentrated joy and fascination. Captain Ball saw it with the intuition of genius when he said: "We haven't long to live, but we live well while wedolive."The immediate presence of death at the Front gives tone to every expression of life, and makes it the kindest place in the world. No one feels he can do too much for you, and there is nothing you would not do for another. Whether you are an officer or a private, you can get a lift on any road, in any vehicle, that has an inch of room in it. How often have I seen a dozen tired Tommies clambering up the back of an empty motor-lorry which has stopped, or slowed down, to let them get in. It is one of the merriest sights of the war and redounds to the credit of human nature. Cigarettes are passed round by those who have, to those who have not, with a generosity that reminds one of nothing so much as that of the early Christians who "had all things common; and sold their possessions and goods, and parted them to all men, as every man had need." You need never go hungry while others have food. Officers are welcome at every mess they go near, and privates will get food in the servants' kitchen or may go shares with the men in any billet. It may be a man's own fault that he took no food on the march, and his comrades may tell him so in plain strong language, but they will compel him to share what they have just the same.One wet night on the Somme I got lost in "Happy Valley" and could not find my regiment. Seeing a light in a tent, I made for it. It was a pioneers' tent, but they invited me to come in out of the storm and stay the night. They were at supper and had only a small supply of bully-beef, biscuits and strong tea; but they insisted on me sharing what they had. I was dripping with rain, and they gave me one of their blankets. One of them gave me a box to sleep on, while he shared his chum's. Some lost privates came in later wet to the skin, and the pioneers gave them all the eatables left over from supper, and shared out their blankets and clothes. It was pure Christianity--whatever creeds they may think they believe. And it is the glamour of the Front. England feels cold and dull after it. Kindness and comradeship pervade the air in France. You feel that everyone is a friend and brother. It will be pretty hard for chaplains to go back to their churches. They have been spoiled by too much kindness. How can they go back to the cold atmosphere of criticism and narrow judgments which prevail in so many churches--that is, unless the war has brought changes there also? And after preaching to dying men who listen as it their destiny depended upon their hearing, how can they go back to pulpits where large numbers in the congregations regard their messages as of less importance than dinner, and as merely supplying material for an exercise in more or less kindly criticism during the discussion of that meal?The glamour of the services at the Front! How the scenes are photographed on my heart! As a congregation sits in a church at home how stolid its features often are--how dull its eyes! One glance around and the preacher's heart sinks within him and his inspiration flies away. Nothing is expected of him, and nothing particularly desired. People have come by force of habit, and not of need. But how the eyes of the soldiers in France glow and burn; how their features speak, and make the preacher speak in reply! Who could help being eloquent there! Such faces would make the dumb speak. One can see the effect of his words as plainly in their expressions as he can see the effect of wind on a cornfield. Every emotion from humor to concern leaps from the heart to the face as the subject touches them at, first this point of their life, then at that. The men's eyes are unforgettable. Months afterwards they come vividly to mind, and one is back again answering the questions they silently ask, and seeing the look of content or gratitude that takes the place of the perplexed or troubled expression. Eyes are said to be the windows of the soul, and as I have spoken I have seen men's souls looking out. At home the windows are darkened and there seemed to be no souls behind the panes. The dwellers within the houses are busy with other matters, and will not come to the windows. The preacher feels like an organ-grinder in the street--those who hear do not heed nor come to the windows of the soul. In France there is a soul looking out at every window; and the preacher sings--for his words grow rhythmic--to his listeners of the love of God and of the love of women and children which make sweet this vale of tears and light man on his lone way beyond the grave.One Sunday in hospital, when we heard the singing of a hymn in the ward below, a young officer, in the next bed, turned to me and said: "Why doesn't the chaplain hold a service for us? Why does he only hold them for the Tommies? We need them and want them, just as much as the Tommies. We are officers but we are also men." I passed the word to the chaplain, and he was a joyful man when in the evening he gave us a service and the officers of the next ward asked the orderlies to carry them in.There is the same naturalness and spirit of fellowship between members of various churches. Many lasting friendships have been formed between chaplains of differing communions. There has been no change of creed but something greater, a change of spirit. They have been touched by the common spirit, and have lived and worked in free and happy fellowship. On my last Sunday in a hospital in France, the chaplain, a canon of the Church of England, invited me to read the lesson at the morning parade service, and to administer the wine at Holy Communion. This I did; and a colonel who was present stayed behind to express to us both the pleasure which had been given to him by the sight of Anglican and Methodist churchmen serving together at the Lord's Table.To a chaplain not a little of the glamour of the Front is found in this warm fellowship between men of differing creeds and varying religious communions. We have not knocked down our garden walls but we have taken off the cut glass that had been cemented on them by our fathers; and now we can lean over and talk to our neighbors. We have already found that our neighbors are human beings, and quite normal. The chief difference between us seems to be that while one has an obsession for roses the other has an obsession for dahlias. On pansies, sweet peas and chrysanthemums we seem equally keen and exchange plants. A Roman Catholic officer who had been appointed to the Ulster Division told me that though he was received coldly at first, he had not been with the Division more than a few weeks when every officer in his regiment, and every soldier in his company, accepted him as cordially as if he were a Protestant. He was from Dublin and they from Belfast, but they did not allow it to make any difference, and feelings of the warmest loyalty and friendship sprang up. His Tommies would fight to the death by his side, as readily as around any Ulsterman; and he was just as popular in the officers' mess. When, he said, it passed the Irish Guards or any other Roman Catholic regiment, his regiment would sing some provoking song about "hanging the Pope with a good strong rope," and the Dublin regiment would reply with some song equally obnoxious and defiant; but whereas, in peace time, the songs would have caused a free fight to the accompaniment of bloodshed, now it caused nothing worse than laughter. The songs were just a bit of teasing such as every regiment likes to regale another with--perhaps, too, a common memory of the dear country they have left behind. The men of Belfast and the men of Dublin have learned to respect and value one another. They know that in a scrap with the enemy they can count on one another to the last drop of blood, for, whether from North or South, the Irish are "bonnie fighters." Of such are the miracles at the Front.Most of all, perhaps, the glamour of the Front is found in the nobility to which common men rise. An artillery officer told me that he had in his battery a soldier who seemed utterly worthless. He was dirty in all his ways, and unreliable in character. In despair they made him sanitary orderly, that is, the scavenger whose duty it was to remove all refuse. One night the officer wanted a man to go on a perilous errand and there were few men available. Instantly this lad volunteered. The officer looked at him in amazement, and with a reverence born on the instant. "No," he thought, "I will not let him go and get killed. I'll go myself." He told the lad so, and disappointment was plainly written on his features."But, you'll let me come with you, sir?" he replied."Why should two risk their lives," asked the officer, "when one can do the job?""But you might get wounded, sir," was the quick response; and they went together.An Irish officer told me of one man who seemed bad from top to toe. All the others had some redeeming feature but this man appeared not to possess any. He used the filthiest language and was dirty in his habits and dress. He was drunken and stole the officers' whisky out of the mess. He was unchaste and had been in the hospital with venereal disease; and neither as man nor soldier was there anything good to say of him. The regiment was sent to France, and in due time took its place in the trenches; and then appeared in this man something that had never risen to the surface before. Wherever there were wounded and dying men he proved himself to be the noblest man in the regiment. When a man fell in No Man's Land, he was over the parapet in the twinkling of an eye to bring him in. No barrage could keep him away from the wounded. It was a sort of passion with him that nothing could restrain. To save others he risked his life scores of times. In rest-billets he would revert to some of his evil ways, but in the trenches he was the Greatheart of the regiment and, though he did not receive it, he earned the Victoria Cross over and over again. There is a glamour at the Front that holds the heart with an irresistible grip. In the light of War's deathly fires the hearts of men are revealed and the black sheep often get their chance. Life is intense and deep and men are drawn together by a common peril. They find the things that unite and forget the things that separate."We haven't long to live," said Captain Ball joyfully, "but we live well while wedolive," and in those words he expressed the glamour of the Front. Ball found, as thousands of his comrades-in-arms had found, that"One crowded hour of glorious lifeIs worth an age without a name."IVA WHITE HANDKERCHIEFIn hisHistory of the Somme CampaignJohn Buchan quotes, from an official report, an incident which, though I have tried, I cannot get my imagination to believe. Probably the incident is a true one but, unfortunately for me, my mind will not let it in. I cannot visualize it and the report is turned from the door as an impostor. The report states that in a certain attack our aeroplanes fired on the Germans in their trenches and that the enemy waved white handkerchiefs in token of surrender. Without the slightest difficulty I can imagine all except the white handkerchiefs. Where did they get them to wave? Men in the firing trenches don't carry anything so conspicuous as white handkerchiefs. To draw one out in a thoughtless moment might bring a sniper's bullet, and there are risks enough without inviting more. I doubt if in any English regiment two white handkerchiefs could be found: and I have little expectation that more could be found among the enemy. Furthermore, it is questionable, at this stage of the war, if a white handkerchief would be regarded as a sign, of surrender. It might be taken as a taunt.There is nothing more remarkable in the war than the psychological change that has been wrought in white. A white feather used to be the badge of cowardice and a white flag the token of surrender. It is not so now. White has taken on a peculiar sacredness. If a new medal were to be struck of the same high value as the Victoria Cross it would probably be given a white ribbon, as the other has a red or (for the navy) blue. This change in the moral significance of white was brought home to me by an incident in a billet. I had gone to a barn to give the men some shirts and socks that had been sent to me. I stood on the steps, and like an auctioneer, offered my goods for acceptance. "Who wants a shirt? Who a scarf? Who wants this pair of mittens? Who a pair of socks?" Hands shot up at each question, and the fun grew fast and furious. Then I drew out and held up a white handkerchief. "A-ah! A-ah!" they cried wistfully in chorus. For a moment they stood gazing at it and forgot to raise their hands towards it; then, with a single movement, every hand shot up. Unwittingly I had stirred them to the depths; and I felt sorry for them.The Magic Carpet of Baghdad is not a fiction after all. In the twinkling of an eye my white handkerchief had carried every boy and man to his home, and placed him by the fireside. I saw it in their eyes and heard it in the sadness and wistfulness of their voices as they ejaculated "A-ah!" They had not seen a white handkerchief for months. The last they saw was at home. A vision of home flashed before their minds and they were back in the dear old days of peace when they used white handkerchiefs and khaki ones were unknown to them. If in battle they were to see Germans waving white handkerchiefs, I think it would make them savage and unwilling to give quarter. They would think the enemy was taunting them with all they had lost. And they would be maddened by the thought that here were the very men who, by their war-lust, had caused them to lose it. For a German to wave a white handkerchief before a British soldier would be as dangerous as flaunting a red flag before a bull. It would bring death rather than pity. Anything of pure white is rare at the front, and it has gradually taken on a meaning it never held before. About the only white thing we have is the paper we write home on, and that use of the color helps to sanctify it in the shrine of the heart.In the army it is a term of supreme praise to call a manwhite. When you say a comrade is a "white man" there is no more to be said. It is worth more than the Victoria Cross with its red ribbon, for it includes gallantry, and adds to it goodness. A man must be brave to be called white and he must be generous, noble and good. To reach whiteness is a great achievement. To be dubbed white is, in the army, like being dubbed knight at King Arthur's Court or canonized saint in the Church. He stands out among a soldier's comrades distinct as a white handkerchief among khaki ones.I don't know where the term came from, but, wherever it may have tarried on the way, I think its footprints could be traced back to the Book of Revelation for its starting place. In the first chapter we have a picture of Christ as the first "White Man"--"His Head and His Hairs were white like wool, as white as snow." In the second chapter His faithful followers are given "a white stone, and in the stone a new name written." Is not the new name "White man"? In the third chapter we read of "a few names even in Sardis which havenot defiled their garments; and they shallwalk with Me in white; for they are worthy." There, too, the Laodiceans are counseled to buy "white raiment." In the fourth chapter we see the four and twenty elders, sitting around the throne under the rainbow arch, "clothed in white raiment." In the sixth chapter we have the crowned King going "forth conquering, and to conquer" and He is sitting on "a white horse," that is, He uses "white" instruments to carry out His conquests. Death, in the same chapter, rides on a "pale" horse, but not a "white" one. Under the altar were the souls of the martyrs, "And white robes were given unto every one of them." And surely the climax is reached when we read in the seventh chapter that "a great multitude, which no man could number, of all nations, and kindreds, and people and tongues, stood before the throne, and before the Lamb, clothed with white robes." So striking was the scene that one of the elders asked, "What are these which are arrayed in white robes? and whence came they?" And the answer is given, "These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb. Therefore are they before the throne of God." In the army white has come back to its ancient significance. The brave and noble martyrs of the early Church were given "white robes" and in the army to-day the brave and pure wear "white robes" in the eyes of their comrades. When Clifford Reed was killed by a shell at his Regimental Aid Post his colonel wrote of him that he was the "whitest man" he had ever known. He had done more than wear "the white flower of ablamelesslife." His virtues were positive, not merely negative. He wore a "whiterobe"; not a mere speck of white such as a white flower in a buttonhole would appear. White is a positive color, not a negative. Reed was more than "blameless," he was "white and all white." To our soldiers a white handkerchief speaks of home, and a "white man" speaks of honor and heroism and heaven.VTHE SONGS OUR SOLDIERS SINGThe necessity for poetry and song is fully and officially recognized by the military authorities at the Front. Every Division has its own concert party. These men are chosen out of the ranks because they can sing, and their one task is to furnish nightly concerts for the men. They are provided with a good hall, or tent, or open-air position; and they are given enough money to buy stage scenery and appropriate dress. Everybody attends the concerts from the general to the private; and while the entertainments last, the war is forgotten. A charge is made at the door but the balance sheet is published for all ranks to see; and the profits are distributed among the Divisional charities.Among the many Divisional Concert Parties may be named "The Bow Bells," "The Duds," "The Follies," "The Whizz-bangs," "The Fancies" and, "The Giddigoats." But, after all, the singing in the concert rooms is but a small fraction of the singing one hears in the Army. On every march, in every billet and mess, there is the sound of singing. Nor must the singing at our religious services and in the Y.M.C.A. huts be forgotten. Song seems to be the great renewer of hope and courage. It is the joy bringer. Moreover, it is an expression of emotions that can find no other voice.There is no real difference between the songs sung by the officers, and those sung by the men. All attend the concerts and all sing on the march. The same songs do for both commanders and commanded, and I have heard the same songs in the men's billets as in the officers' mess-rooms. How real these songs are to the soldiers is indicated by one striking omission. There are no patriotic songs at the Front. Except the National Anthem rendered on formal occasions, I have never, in eighteen months, heard a single patriotic song. The reason is not far to seek. The soldiers' patriotism calls for no expression in song. They are expressing it night and day in the endurance of hardship and wounds--in the risking of their lives. Their hearts are satisfied with their deeds, and songs of such a character become superfluous. In peace-time they sing their love of the homeland, but in war-time they suffer for her and are content. They would never think of singing a patriotic song as they march into battle. It would be painting the lily and gilding refined gold. Are not their deathless deeds, songs for which they make a foil by singing some inconsequential and evanescent song such as, "There's something in the sea-side air."On analysis I should say that there are five subjects on which our soldiers sing. First, there are Nonsense Songs or, if you prefer it, songs of soldier-philosophy. They know that no theory will explain the war; it is too big a thing for any sheet of philosophy to cover. It has burst in on our little hum-drum life like a colliding planet. The thing to do is not to evolve a theory as to how the planet got astray but to clear up the mess it has made. Our soldiers show this sense of the vastness of war-happenings, by singing of things having no real importance at all, and keeping steadily at their duties. The path of duty is, they find, the only path of sanity. The would-be war philosopher they put on one side. The war is too big for him. Let him leave his explanation of the war and lend a hand to bring it to an end. So they sing, with laughing irony,"We're here because we're here, becauseWe're here, because we're here."Or,"While you've got a lucifer to light your fag,Smile, boys, that's the style.What's the use of worrying?It never was worth while,So pack up your troubles in your old kit-bagAnd smile, smile, smile."Another favorite is,"Oh, there was a little hen and she had a wooden leg,The best little hen that ever laid an egg,And she laid more eggs than any hen on the farm,And another little drink wouldn't do us any harm."I have seen them dancing round some old piano singing,"Oh, that fascinating Bow Bells' glide,It's a captivating Bow Bells' slide.There's a rumor that the puma does it now,Monkeys have taken to it,Leopards and lions do it.All the elephants wear dancing shoes,They keep hopping with the kangaroos;Hear them chatter, it's a matter for some talk;Now the Jungle's got the Bow Bells' walk."The second class of song is the Love Song, of a more or less serious character. The Tommies came out of England singing "Tipperary," but they dropped it in France, and the only one on whose lips I have heard it was a little French boy sitting on the tail of a cart. The chorus alone gave it popularity for it was the expression, ready to hand, of a long farewell; and with its "long long way to go" showed that, like Kitchener, the soldiers were not deceived by hopes of an early peace.Now another song with verses more expressive of their sentiments has taken its place. The chorus runs:"There's a long, long trail a-windingInto the land of my dreams,Where the nightingales are singingAnd a white moon beams;There's a long, long night of waitingUntil my dreams all come true;Till the day when I'll be going downThat long, long trail with you."Then the mood changes, and we hear the lads piping out,"Taffy's got his Jennie in Glamorgan,Sandy's got his Maggie in Dundee,While Michael O'Leary thinks of his dearieFar across the Irish Sea.Billy's got his Lily up in London,So the boys march on with smiles;For every Tommy's got a girl somewhereIn the dear old British Isles."Again the mood veers round, and we hear,"Every little while I feel so lonely,Every little while I feel so blue,I'm always dreaming, I'm always scheming,Because I want you, and only you.Every little while my heart is aching,Every little while I miss your smile,And all the time I seem to miss you;I want to, want to kiss you,Every, every, every little while."Here is part of a song I have heard sung, many and many a time, by young officers and men whose voices are now silent in death:"If you were the only girl in the world,And I were the only boy,Nothing else would matter in the world to-day,We could go on loving in the same old way;A Garden of Eden just made for two,With nothing to mar our joy;I would say such wonderful things to you,There would be such wonderful things to do,If you were the only girl in the world,And I were the only boy."Sometimes the imagination will wander into the days that are to be--for some--and they sing,"We don't want a lot of flags flying,We don't want your big brass bands;We don't want a lot of speechifying,And we don't want a lot of waving hands;We don't want a lot of interfering,When we've safely crossed the foam;But wedowant to find the girls we left behind,When we all come marching home."Will the girls remember! The words are not without tragedy. How deeply some of the men love may perhaps never be realized by those at home. The longing of their hearts is, at times, almost unbearable. A captain, past middle life, took my arm one day and led me aside. He was, he said, a little anxious about himself, for he was getting into the habit of taking more drink than he was wont to take. He had been taking it when he felt lonely and depressed to ease the longing of his heart."I never touch it at home," he said, "the society of my dear little wife is all the stimulant I need. I would give the world to be with her now--just to sit in my chair and watch her at her sewing or knitting. The separation is too much for me and, you know, it has lasted nearly three years now."I have caught this yearning in more than one of the songs our soldiers sing, but especially in the following, which is called "Absent":"Sometimes, between long shadows on the grass,The little truant waves of sunlight pass;My eyes grow dim with tenderness, the whileThinking I see thee, thinking I see thee smile."And sometimes in the twilight gloom, apart,The tall trees whisper, whisper heart to heart;From my fond lips the eager answers fall,Thinking I hear thee, thinking I hear thee call."The men's thoughts pass easily from the sweetheart to the mother who bore them, and we have a third class, the Home Song. I have been awakened in the night by men, going up to the line, singing "Keep the Home Fires Burning." It is very thrilling to hear in the dead of night, when every singer is within range of the enemy's guns.Another great favorite is,"They built a little garden for the rose,And they called it Dixie-land;They built a summer breeze to keep the snowsFar away from Dixie-land;They built the finest place I've known,When they built my home sweet home;Nothing was forgotten in the land of cotton,From the clover to the honey-comb,And then they took an angel from the skiesAnd they gave her heart to me.She had a bit of heaven in her eyesJust as blue as blue can be;They put some fine spring chickens in the land,And taught my Mammy how to use a frying pan.They made it twice as nice as paradise,And they called it Dixie-land."Being Londoners, the following song called "Leave" never fails in its appeal to our Division:"I'm so delighted, I'm so excited,With my folks I'm going to be united.The train's departing, 'twill soon be starting;I'll see my mother, my dad and my baby brother.My! How I'll meet them, My! how I'll greet them.What a happy happy day.Just see that bustle, I'd better hustle,Good-bye--so long--can't stay--Chorus"I'm on my way back to dear old Shepherd's Bush,That's the spot where I was born,Can't you hear the porter calling,Queen's Road, Piccadilly, Marble Arch and Bond Street?Oh, I'll not hesitate, I'll reach the gate;Through the crowd I mean to push,Find me a seat anywhere--please anywhere,Tram, train, tube, 'bus I don't care--For mother and daddy are waiting there--In dear old Shepherd's Bush."On the eve of one big battle, a soldier handed me a letter in which he gave me the addresses of his father and his sweetheart, so that I could write to them if he fell."In the last battle," he said, "one of my brothers was killed and another wounded. If I fall I shall die without regrets and with a heart content; but it will go hard with those at home; and I want you to break the news gently. These are terrible times for those at home." "These are terrible timesfor those at home." That is their constant refrain, and it finds an echo in a song often sung by them."It's a long long way to my home in Kentucky,Where the blue-bells grow 'round the old cabin door;It's a long, long way and I'll be mighty luckyWhen I see my dear old mammy once more.So weep no more, my lady,Just brush those tears away;It's a long long way to my home in Kentucky,But I'm bound to get there some day."But the chief favorite of all Home Songs is, I think, the following:"There's an old-fashioned house in an old-fashioned street;In a quaint little old-fashioned town;There's a street where the cobble stones harass the feet,As it straggles up hill and then down;And, though to and fro through the world I must go,My heart while it beats in my breast,Where e'er I may roam, to that old-fashioned homeWill fly like a bird to its nest."In that old-fashioned house in that old-fashioned street,Dwell a dear little old-fashioned pair;I can see their two faces so tender and sweet,And I love every wrinkle that's there.I love ev'ry mouse in that old-fashioned houseIn the street that runs up hill and down;Each stone and each stick, ev'ry cobble and brick,In that quaint little old-fashioned town."The charm of the Army is its comradeship. Our soldiers have left their homes and friends but they have found new friends, and some of the friendships have become very precious. Men slept side by side in barn and trench, cooked their rations at the same little wood fire, and stood together in the hour of danger and imminent death. Many of them owe their lives to their comrades. There are few songs that express this wonderful comradeship, but there is one that is known and sung through the army. It represents the Songs of Comradeship:"When you come to the end of a perfect day,And you sit alone with your thought,While the chimes ring out with a carol gay,For the joy that the day has brought;Do you think what the end of a perfect dayCan mean to a tired heart,When the sun goes down with a flaming ray,And the dear friends have to part?"Well, this is the end of a perfect day,Near the end of a journey too;But it leaves a thought that is big and strong,With a wish that is kind and true.For mem'ry has painted this perfect dayWith colors that never fade;And we find at the end of a perfect dayThe soul of a friend we've made."The fifth class of song is that of the inner life. It is the Religious Hymn. The soldiers are extremely fond of hymns in their services. You cannot give them too many. "Rock of Ages," "Jesus lover of my soul," "Fight the good fight," "There is a green hill," "At even ere the sun was set," "O God our help in ages past," and "Eternal Father strong to save" cannot be chosen too often. But there are two hymns which have stood out above all others; they are "Abide with me," and "When I survey the wondrous Cross."There is nothing written by the hand of man which can compete with these two in the blessing and strength which they have brought to our soldiers, especially during an offensive when death has cast his shadow over the hearts of all. During the bitterest weeks in the Somme fighting there was scarcely a service in which we did not sing "When I survey the wondrous Cross." With its assurance of redemption it gave comfort in the face of death. It also gave, for an example, the Supreme Sacrifice.Some of the songs I have quoted look bare and ungainly as trees in winter, but when the musician has clothed them with music and the singer added to them a touch of his own personality they are fair as trees in summer. Still the fact remains that none of these songs will live on their own merits. They are not born to immortality. Like the daisies they have their day and pass away to make room for others. It is best so. There is not room in the world for everything to be immortal, and the transient has a work of its own to do. The charm and rare beauty of the English countryside are due to the transience of its flowers and foliage and little of the evergreen is enough. We tire of the eternal. The transient songs I have quoted here have been meat and drink to our soldiers in the most terrible war ever waged. They may be poor stuff in comparison with our classic songs but a good appetite can get nourishment out of plain food and grow strong on it. For the purpose in hand these songs have been better than the classics; otherwise they would not have been chosen. There is a time and place for all things. The robin may not be compared with the nightingale but it is not the less welcome, for it sings when the nightingale is silent. Our soldiers' songs will die, some are already dead, but they have done their work and justified their existence. They have given pleasure and strength to men as they went out to do immortal deeds. No wounded soldier, or parched traveler, thinks lightly of a cup of water because it perished in the using; and so it is with the songs our soldiers sing.VIEASTER SUNDAYNight and day for a week, the fearful bombardment continued. Our guns were everywhere, and belching forth without intermission. Dumps of shells were almost as common as sheaves in a corn-field, and processions of ammunition-wagons piled the shells up faster than the gorging guns could take them. The noise was something beyond imagination. It was as though all the devils in hell had come out to demoniacally celebrate the end of the world. We were living--two transport officers and I--in an empty farm-house that, some time before we came in, had been a target for direct hits. One shell had gone through the roof, and another through the gable wall. The windows had been shattered, and the garden and fields were pitted with shell-holes. Our first care had been to look at the cellar, but we had decided, if things became too hot, to make for the open fields. We all slept in the same room, and were at times wakened up by "an arrival" and passed an opinion as to its distance. If, for a time, none came nearer, we turned over and went to sleep again, for a man must sleep even though it be on the edge of a volcano.One morning the servants found a shell nose-cap beneath the window--just that, and nothing more. The week was wearing on. Another morning some of the 7th Middlesex Regiment were in the baths in the village over the way, and a company of the London Scottish was passing by. Two shells fell in the road. The bathers scampered out of the bath and ran naked, here and there, for shelter; the Scottish "scattered"; but some forty-five soldiers, mostly kilted, lay in the road dead or wounded. In the dead of night a party of machine gunners, just returned from the firing-trench, stood outside their billet in our village square debating if they should make a cup of tea before turning in to sleep. A shell decided the matter, and, next morning, I laid two of them to rest in the little cemetery, and the others stood by as mourners.The week of terror reached its crisis on the Sunday--an Easter Sunday never to be forgotten. The infantry of the Brigade had been away to a camp, beyond range, for a week's rest. They had now returned ready for the battle. Three of the regiments had taken up their positions in the reserve trenches, but my own regiment was quartered in the fatal village. The day dawned bright and fair, but its smiles were the smiles of a deceiver. The Germans had decided on the destruction of the village, a sort of devil's "hail-and-farewell" before being driven back at the points of bayonets. We were awakened by the firing of machine-guns over our heads, and rushed to the door to see a fight in the air. High up in the blue, two aeroplanes circled about for positions of vantage, and then rushed at one another like hawks in mortal combat. A silence followed. Then one rose and made off towards the battle-line but fell to a shot of our gunners before it could reach safety. The other, with its petrol-tank on fire, was planing down to earth. Down and down an invisible spiral staircase it seemed to rush, while the golden fire burnt at its vitals, and a trailing cloud of smoke marked its path of doom. Breathlessly we watched its descent. It was under perfect control, but its path to the ground was too long and spiral, and the faster it rushed through the air the greater the draught became and the more madly the flames leapt up. Every second was precious and the certainty of its doom made us sick. We saw the body of the observer fall out, and still the flaming machine pursued its course. Then the wings fell away and twirled to the ground like feathers, while the engine and the pilot dropped like a stone. When the bodies were picked up, it was found that the observer had been shot through the head, and that the pilot, with his dead comrade behind him, had worked the wheel until the furious encroaching flame had swept over him, and robbed him of mortal life.Shells were now dropping in the village every few minutes. Our farm-house was on the right wing, and we stood watching the bombardment. With each burst there rose a cloud of black smoke and red brick-dust, and we knew that another cottage has been destroyed. Then the shells began to creep round to the right as if the enemy was feeling for the bridge over which the ammunition wagons were passing. On one side of the little bridge was a white bell-tent, and we watched the shells dropping within a few feet of it without destroying it. Between the tent and our street lay a stagnant pool, and we saw about a dozen shells fall in its water. The range was lengthening and it seemed as if some invisible octopus were stretching out its feelers towards us. A shell smashed against the farm-house at the bottom of our street. The deadly thing was coming nearer. Some of our sergeants were in a farm-house a few doors away, and, hearing a shell fall in the field between them and the pool, they came to the decision that the moment had come "to scatter," but they were too late. It would have been better had they stayed indoors. As they rushed out a shell burst over the yard three of them fell to the ground dead, and three more were blown back into the house by the force of the explosion. The coping stone of the outhouse where the shell burst was blown away and three ragged seams were scored on the green doorway of the yard outside which the three lads lay dead. One of them had, ten days before, shown me to my billet thirty yards farther up. He acted as interpreter to the regiment and as he had not to go into the line, we thought that he was one of those who would see the end of the war. Yet there he lay.But the worst calamity of the day was yet to befall. Some fifteen or sixteen ammunition wagons, unable to get through the village, had halted in the Square--"Wipers Square" it had been named. Each wagon was loaded with nine-point-two shells. An enemy-shot fell on a wagon and set it on fire; then the village became like unto Sodom and Gomorrah on their day of doom. One or two drivers bravely stuck to their wagons, and got them out but the rest of the wagons were lost. The scene that followed was indescribable. Doré could never have pictured such horrors. The wagons all caught fire and their loads of shells began to explode. We stood out in the fields and watched the conflagration, while all the time the Germans continued to shell the village. The large village-hall and the houses on each side of the square were utterly destroyed. Great explosions sent fragments of wagons and houses sky-high, and showers of missiles fell even where we stood. The fore part of one wagon was blown on to the roof of a house. Houses caught fire and blazed all afternoon. Some machine-gunners joined us and told how, when choking smoke began to penetrate into their cellar they had to rush through the square and its bursting shells to preserve their lives. A German shell burst in a billet where a platoon of our men were sheltering in the cellar, and those who were not killed by the shell were crushed to death by the fall of the house. Another shell hit the roof of the house in the cellar of which was our Advanced Dressing Station for the morrow's battle. Two orderlies who happened to be in the street were killed, and the colonel was knocked down. In the cellars of almost every house were soldiers or civilians, and all day the ammunition wagons continued burning; shell after shell getting red hot and exploding.All day the German bombardment continued and, amid a terrific din, our own gunners returned a score or more for every one received. By the bridge another long line of loaded ammunition wagons stood for two hours, and though shells were bursting close by, not one hit the wagons. The drivers stood by them and, as soon as the road was cleared, got them away to the guns. Yet, while the Square was burning and the German shells falling, hundreds of men from the London regiments entered the village from the right, and crossed the bridge to stack their packs so as to be ready for the coming battle. They walked in single file and with wide gaps between, but not a man ran or quickened his pace. My blood tingled with pride at their courage and anger at their carelessness. Whatwouldmake a British soldier run? An officer was walking near the pool. A shell fell near enough for fragments to kill him, but he merely looked round, stopped to light a cigarette and walked leisurely on as if nothing had happened. Three men stood with their backs against a small building near the bridge as if sheltering from the rain. Several shells fell uncomfortably near, so, concluding that the rain had changed its direction, they moved round the corner. And it was not till more shells had fallen near them that they condescended to move away altogether.Yet this was not bravado for, so far as they knew, no one was watching them. It was due to a certain dignity peculiar to our fighting man. He is too proud to acknowledge defeat. He is a man, and whether any one is watching or not, he is not going to run away from a shell. Hundreds of lives must have been lost through this stubborn pride but, on the other hand, thousands of lives must have been saved by it, for it makes the Army absolutely proof against panic, than which, nothing is so fatal in war. In eighteen months on the Front I have never seen or heard of a single case of panic either with many or few. Our soldiers are always masters of themselves. They have the coolness to judge what is the wisest thing to do in the circumstances, and they have the nerve to carry it out. They run unnecessary risks through pride but never through panic. All that day on the bridge, a military policeman stood at his post of duty. Like Vesuvius of old the exploding shells in the Square sent up their deadly eruption, and like the Roman sentry at Pompeii, he stood at his post. As he stood there I saw a young French woman leave her house and pass him on the bridge. She was leaving the village for a safer place but she seemed quite composed and carried a basket on her left arm.While our village was being destroyed we were startled by a tremendous explosion a few miles away; and looking to our left we saw a huge tongue of flame leap up to the sky, followed by a wonderful pillar of smoke which stood rigid for some moments like a monster tower of Babel reaching up to the heavens. Evidently a dump of cordite had been fired by an enemy shell. Farther off still, another dump was on fire. Time and again, bright flames leapt from the ground only to be smothered again by dense curling masses of smoke. It seemed as if our whole front was on fire, and news came to us that our main road of communication had been heavily shelled, and was now strewn with dead horses and men. Before the battle of the Somme there were no signs and portents so terrible as these: It was evident that the enemy knew what was in store for him on the morrow, and was preparing against it, but if the prelude was so magnificent in its terror, what would the battle be? Imagination staggered under the contemplation. By four o'clock the bombardment was almost at an end, and nearly all the shells in the Square had exploded. The soldiers began to creep out of the cellars. On passing through the Square we were amazed at the sight. In fact the Transport Officer passed through at my side without recognizing the place. At the entrance was a team of six dead mules lying prone on the ground and terribly torn. Two rows of houses had disappeared, leaving mere heaps of stones in their places. The pavement was torn up, and the wrecks of the ammunition wagons lay scattered about. Two houses were still burning. Our colonel and adjutant we found by the side of the stream. They had been in a cellar near the Square all day but, fortunately, they were little the worse for the experience. They were giving orders for the assembling of the scattered regiment.By this time, civilians were leaving the cellars, and with armfuls of household goods hastening from the village. To them it seemed the end of all things--the day of doom. Some of them had slight wounds and as they passed us they cried mournfully, "Finis, Messieurs, Finis." All was lost. This exodus of the despairing civilians was the saddest sight of the day. By sunset the regiment had been gathered together--all except the wounded who had been sent to the Main Dressing Station and the dead who had been placed side by side and covered with blankets. Most of our officers and men had lost all their belongings, but in the twilight they marched out of the village and took their places in the reserve trenches near the other battalions. These had suffered no losses. They had been saved the long day's agony. Early in the morning the battle was to begin but the Westminsters knew that no worse experience could await them than that through which they had already passed.Next morning I buried, near the ruined church, the bodies of the sergeants who had been killed a few doors from us; and on the following day I laid to rest, side by side, in one long grave, two drivers who had died at their posts in the Square, together with an officer and twenty men belonging to the 1st Queen's Westminster Rifles.

III

THE GLAMOUR OF THE FRONT

There is an undoubted glamour about the Front, which when at home, in England, cannot be explained. In the army or out of it, the wine of life is white and still, but at the Front it runs red and sparkling. One day I got a lift in a motor-wagon and sat on a box by the side of one of the servants of the officer's mess at the Aerodrome near by. He was going into Doullens, a market town, to buy food and some little luxuries. Captain Ball, V.C., the prince of English flyers, was, up to the time of his death in the air, a member of the mess, and the servant was telling me how comfortable all the officers make their quarters. In a phrase he defined the glamour of the Front.

"One day," he said, "when we were helping him to make his room comfortable, Captain Ball burst out into a merry laugh and chuckled, 'We haven't long to live, but we live well while we do live.'"

There you have it. Life is concentrated. Death is near--just round the corner--so the men make the most of their time and "live well." It has the same quality as "leave" at home. Leave is short and uncertain, so we "live well." Our friends know it may be the last sight of us, and we know it may be our last sight of them. They are kind and generous to us, as we are to them; and so, the ten days of "leave" are just glorious. Ruskin says that the full splendor of the sunset lasts but a second, and that Turner went out early in the evening and watched with rapt attention for that one second of supreme splendor and delight. He lived for sunsets and while others were balancing their accounts, or taking tea, he went out to see the daily miracle. The one second in which he saw God pass by in the glory of the sunset was to him worth all the twenty-four hours. For one second in each day he caught the glamour of earth and heaven, and went back to his untidy studios blind to all but the splendor he had seen.

That second each day was life, indeed, and the glamour of the Front is like unto it. It is the place where life sets, and the darkness of death draws on. The commonest soldier feels it and with true instinct, not less true because unconscious, he describes death at the Front as "going West." It is the presence of death that gives the Front its glamour, and life its concentrated joy and fascination. Captain Ball saw it with the intuition of genius when he said: "We haven't long to live, but we live well while wedolive."

The immediate presence of death at the Front gives tone to every expression of life, and makes it the kindest place in the world. No one feels he can do too much for you, and there is nothing you would not do for another. Whether you are an officer or a private, you can get a lift on any road, in any vehicle, that has an inch of room in it. How often have I seen a dozen tired Tommies clambering up the back of an empty motor-lorry which has stopped, or slowed down, to let them get in. It is one of the merriest sights of the war and redounds to the credit of human nature. Cigarettes are passed round by those who have, to those who have not, with a generosity that reminds one of nothing so much as that of the early Christians who "had all things common; and sold their possessions and goods, and parted them to all men, as every man had need." You need never go hungry while others have food. Officers are welcome at every mess they go near, and privates will get food in the servants' kitchen or may go shares with the men in any billet. It may be a man's own fault that he took no food on the march, and his comrades may tell him so in plain strong language, but they will compel him to share what they have just the same.

One wet night on the Somme I got lost in "Happy Valley" and could not find my regiment. Seeing a light in a tent, I made for it. It was a pioneers' tent, but they invited me to come in out of the storm and stay the night. They were at supper and had only a small supply of bully-beef, biscuits and strong tea; but they insisted on me sharing what they had. I was dripping with rain, and they gave me one of their blankets. One of them gave me a box to sleep on, while he shared his chum's. Some lost privates came in later wet to the skin, and the pioneers gave them all the eatables left over from supper, and shared out their blankets and clothes. It was pure Christianity--whatever creeds they may think they believe. And it is the glamour of the Front. England feels cold and dull after it. Kindness and comradeship pervade the air in France. You feel that everyone is a friend and brother. It will be pretty hard for chaplains to go back to their churches. They have been spoiled by too much kindness. How can they go back to the cold atmosphere of criticism and narrow judgments which prevail in so many churches--that is, unless the war has brought changes there also? And after preaching to dying men who listen as it their destiny depended upon their hearing, how can they go back to pulpits where large numbers in the congregations regard their messages as of less importance than dinner, and as merely supplying material for an exercise in more or less kindly criticism during the discussion of that meal?

The glamour of the services at the Front! How the scenes are photographed on my heart! As a congregation sits in a church at home how stolid its features often are--how dull its eyes! One glance around and the preacher's heart sinks within him and his inspiration flies away. Nothing is expected of him, and nothing particularly desired. People have come by force of habit, and not of need. But how the eyes of the soldiers in France glow and burn; how their features speak, and make the preacher speak in reply! Who could help being eloquent there! Such faces would make the dumb speak. One can see the effect of his words as plainly in their expressions as he can see the effect of wind on a cornfield. Every emotion from humor to concern leaps from the heart to the face as the subject touches them at, first this point of their life, then at that. The men's eyes are unforgettable. Months afterwards they come vividly to mind, and one is back again answering the questions they silently ask, and seeing the look of content or gratitude that takes the place of the perplexed or troubled expression. Eyes are said to be the windows of the soul, and as I have spoken I have seen men's souls looking out. At home the windows are darkened and there seemed to be no souls behind the panes. The dwellers within the houses are busy with other matters, and will not come to the windows. The preacher feels like an organ-grinder in the street--those who hear do not heed nor come to the windows of the soul. In France there is a soul looking out at every window; and the preacher sings--for his words grow rhythmic--to his listeners of the love of God and of the love of women and children which make sweet this vale of tears and light man on his lone way beyond the grave.

One Sunday in hospital, when we heard the singing of a hymn in the ward below, a young officer, in the next bed, turned to me and said: "Why doesn't the chaplain hold a service for us? Why does he only hold them for the Tommies? We need them and want them, just as much as the Tommies. We are officers but we are also men." I passed the word to the chaplain, and he was a joyful man when in the evening he gave us a service and the officers of the next ward asked the orderlies to carry them in.

There is the same naturalness and spirit of fellowship between members of various churches. Many lasting friendships have been formed between chaplains of differing communions. There has been no change of creed but something greater, a change of spirit. They have been touched by the common spirit, and have lived and worked in free and happy fellowship. On my last Sunday in a hospital in France, the chaplain, a canon of the Church of England, invited me to read the lesson at the morning parade service, and to administer the wine at Holy Communion. This I did; and a colonel who was present stayed behind to express to us both the pleasure which had been given to him by the sight of Anglican and Methodist churchmen serving together at the Lord's Table.

To a chaplain not a little of the glamour of the Front is found in this warm fellowship between men of differing creeds and varying religious communions. We have not knocked down our garden walls but we have taken off the cut glass that had been cemented on them by our fathers; and now we can lean over and talk to our neighbors. We have already found that our neighbors are human beings, and quite normal. The chief difference between us seems to be that while one has an obsession for roses the other has an obsession for dahlias. On pansies, sweet peas and chrysanthemums we seem equally keen and exchange plants. A Roman Catholic officer who had been appointed to the Ulster Division told me that though he was received coldly at first, he had not been with the Division more than a few weeks when every officer in his regiment, and every soldier in his company, accepted him as cordially as if he were a Protestant. He was from Dublin and they from Belfast, but they did not allow it to make any difference, and feelings of the warmest loyalty and friendship sprang up. His Tommies would fight to the death by his side, as readily as around any Ulsterman; and he was just as popular in the officers' mess. When, he said, it passed the Irish Guards or any other Roman Catholic regiment, his regiment would sing some provoking song about "hanging the Pope with a good strong rope," and the Dublin regiment would reply with some song equally obnoxious and defiant; but whereas, in peace time, the songs would have caused a free fight to the accompaniment of bloodshed, now it caused nothing worse than laughter. The songs were just a bit of teasing such as every regiment likes to regale another with--perhaps, too, a common memory of the dear country they have left behind. The men of Belfast and the men of Dublin have learned to respect and value one another. They know that in a scrap with the enemy they can count on one another to the last drop of blood, for, whether from North or South, the Irish are "bonnie fighters." Of such are the miracles at the Front.

Most of all, perhaps, the glamour of the Front is found in the nobility to which common men rise. An artillery officer told me that he had in his battery a soldier who seemed utterly worthless. He was dirty in all his ways, and unreliable in character. In despair they made him sanitary orderly, that is, the scavenger whose duty it was to remove all refuse. One night the officer wanted a man to go on a perilous errand and there were few men available. Instantly this lad volunteered. The officer looked at him in amazement, and with a reverence born on the instant. "No," he thought, "I will not let him go and get killed. I'll go myself." He told the lad so, and disappointment was plainly written on his features.

"But, you'll let me come with you, sir?" he replied.

"Why should two risk their lives," asked the officer, "when one can do the job?"

"But you might get wounded, sir," was the quick response; and they went together.

An Irish officer told me of one man who seemed bad from top to toe. All the others had some redeeming feature but this man appeared not to possess any. He used the filthiest language and was dirty in his habits and dress. He was drunken and stole the officers' whisky out of the mess. He was unchaste and had been in the hospital with venereal disease; and neither as man nor soldier was there anything good to say of him. The regiment was sent to France, and in due time took its place in the trenches; and then appeared in this man something that had never risen to the surface before. Wherever there were wounded and dying men he proved himself to be the noblest man in the regiment. When a man fell in No Man's Land, he was over the parapet in the twinkling of an eye to bring him in. No barrage could keep him away from the wounded. It was a sort of passion with him that nothing could restrain. To save others he risked his life scores of times. In rest-billets he would revert to some of his evil ways, but in the trenches he was the Greatheart of the regiment and, though he did not receive it, he earned the Victoria Cross over and over again. There is a glamour at the Front that holds the heart with an irresistible grip. In the light of War's deathly fires the hearts of men are revealed and the black sheep often get their chance. Life is intense and deep and men are drawn together by a common peril. They find the things that unite and forget the things that separate.

"We haven't long to live," said Captain Ball joyfully, "but we live well while wedolive," and in those words he expressed the glamour of the Front. Ball found, as thousands of his comrades-in-arms had found, that

"One crowded hour of glorious lifeIs worth an age without a name."

"One crowded hour of glorious life

Is worth an age without a name."

A WHITE HANDKERCHIEF

In hisHistory of the Somme CampaignJohn Buchan quotes, from an official report, an incident which, though I have tried, I cannot get my imagination to believe. Probably the incident is a true one but, unfortunately for me, my mind will not let it in. I cannot visualize it and the report is turned from the door as an impostor. The report states that in a certain attack our aeroplanes fired on the Germans in their trenches and that the enemy waved white handkerchiefs in token of surrender. Without the slightest difficulty I can imagine all except the white handkerchiefs. Where did they get them to wave? Men in the firing trenches don't carry anything so conspicuous as white handkerchiefs. To draw one out in a thoughtless moment might bring a sniper's bullet, and there are risks enough without inviting more. I doubt if in any English regiment two white handkerchiefs could be found: and I have little expectation that more could be found among the enemy. Furthermore, it is questionable, at this stage of the war, if a white handkerchief would be regarded as a sign, of surrender. It might be taken as a taunt.

There is nothing more remarkable in the war than the psychological change that has been wrought in white. A white feather used to be the badge of cowardice and a white flag the token of surrender. It is not so now. White has taken on a peculiar sacredness. If a new medal were to be struck of the same high value as the Victoria Cross it would probably be given a white ribbon, as the other has a red or (for the navy) blue. This change in the moral significance of white was brought home to me by an incident in a billet. I had gone to a barn to give the men some shirts and socks that had been sent to me. I stood on the steps, and like an auctioneer, offered my goods for acceptance. "Who wants a shirt? Who a scarf? Who wants this pair of mittens? Who a pair of socks?" Hands shot up at each question, and the fun grew fast and furious. Then I drew out and held up a white handkerchief. "A-ah! A-ah!" they cried wistfully in chorus. For a moment they stood gazing at it and forgot to raise their hands towards it; then, with a single movement, every hand shot up. Unwittingly I had stirred them to the depths; and I felt sorry for them.

The Magic Carpet of Baghdad is not a fiction after all. In the twinkling of an eye my white handkerchief had carried every boy and man to his home, and placed him by the fireside. I saw it in their eyes and heard it in the sadness and wistfulness of their voices as they ejaculated "A-ah!" They had not seen a white handkerchief for months. The last they saw was at home. A vision of home flashed before their minds and they were back in the dear old days of peace when they used white handkerchiefs and khaki ones were unknown to them. If in battle they were to see Germans waving white handkerchiefs, I think it would make them savage and unwilling to give quarter. They would think the enemy was taunting them with all they had lost. And they would be maddened by the thought that here were the very men who, by their war-lust, had caused them to lose it. For a German to wave a white handkerchief before a British soldier would be as dangerous as flaunting a red flag before a bull. It would bring death rather than pity. Anything of pure white is rare at the front, and it has gradually taken on a meaning it never held before. About the only white thing we have is the paper we write home on, and that use of the color helps to sanctify it in the shrine of the heart.

In the army it is a term of supreme praise to call a manwhite. When you say a comrade is a "white man" there is no more to be said. It is worth more than the Victoria Cross with its red ribbon, for it includes gallantry, and adds to it goodness. A man must be brave to be called white and he must be generous, noble and good. To reach whiteness is a great achievement. To be dubbed white is, in the army, like being dubbed knight at King Arthur's Court or canonized saint in the Church. He stands out among a soldier's comrades distinct as a white handkerchief among khaki ones.

I don't know where the term came from, but, wherever it may have tarried on the way, I think its footprints could be traced back to the Book of Revelation for its starting place. In the first chapter we have a picture of Christ as the first "White Man"--"His Head and His Hairs were white like wool, as white as snow." In the second chapter His faithful followers are given "a white stone, and in the stone a new name written." Is not the new name "White man"? In the third chapter we read of "a few names even in Sardis which havenot defiled their garments; and they shallwalk with Me in white; for they are worthy." There, too, the Laodiceans are counseled to buy "white raiment." In the fourth chapter we see the four and twenty elders, sitting around the throne under the rainbow arch, "clothed in white raiment." In the sixth chapter we have the crowned King going "forth conquering, and to conquer" and He is sitting on "a white horse," that is, He uses "white" instruments to carry out His conquests. Death, in the same chapter, rides on a "pale" horse, but not a "white" one. Under the altar were the souls of the martyrs, "And white robes were given unto every one of them." And surely the climax is reached when we read in the seventh chapter that "a great multitude, which no man could number, of all nations, and kindreds, and people and tongues, stood before the throne, and before the Lamb, clothed with white robes." So striking was the scene that one of the elders asked, "What are these which are arrayed in white robes? and whence came they?" And the answer is given, "These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb. Therefore are they before the throne of God." In the army white has come back to its ancient significance. The brave and noble martyrs of the early Church were given "white robes" and in the army to-day the brave and pure wear "white robes" in the eyes of their comrades. When Clifford Reed was killed by a shell at his Regimental Aid Post his colonel wrote of him that he was the "whitest man" he had ever known. He had done more than wear "the white flower of ablamelesslife." His virtues were positive, not merely negative. He wore a "whiterobe"; not a mere speck of white such as a white flower in a buttonhole would appear. White is a positive color, not a negative. Reed was more than "blameless," he was "white and all white." To our soldiers a white handkerchief speaks of home, and a "white man" speaks of honor and heroism and heaven.

THE SONGS OUR SOLDIERS SING

The necessity for poetry and song is fully and officially recognized by the military authorities at the Front. Every Division has its own concert party. These men are chosen out of the ranks because they can sing, and their one task is to furnish nightly concerts for the men. They are provided with a good hall, or tent, or open-air position; and they are given enough money to buy stage scenery and appropriate dress. Everybody attends the concerts from the general to the private; and while the entertainments last, the war is forgotten. A charge is made at the door but the balance sheet is published for all ranks to see; and the profits are distributed among the Divisional charities.

Among the many Divisional Concert Parties may be named "The Bow Bells," "The Duds," "The Follies," "The Whizz-bangs," "The Fancies" and, "The Giddigoats." But, after all, the singing in the concert rooms is but a small fraction of the singing one hears in the Army. On every march, in every billet and mess, there is the sound of singing. Nor must the singing at our religious services and in the Y.M.C.A. huts be forgotten. Song seems to be the great renewer of hope and courage. It is the joy bringer. Moreover, it is an expression of emotions that can find no other voice.

There is no real difference between the songs sung by the officers, and those sung by the men. All attend the concerts and all sing on the march. The same songs do for both commanders and commanded, and I have heard the same songs in the men's billets as in the officers' mess-rooms. How real these songs are to the soldiers is indicated by one striking omission. There are no patriotic songs at the Front. Except the National Anthem rendered on formal occasions, I have never, in eighteen months, heard a single patriotic song. The reason is not far to seek. The soldiers' patriotism calls for no expression in song. They are expressing it night and day in the endurance of hardship and wounds--in the risking of their lives. Their hearts are satisfied with their deeds, and songs of such a character become superfluous. In peace-time they sing their love of the homeland, but in war-time they suffer for her and are content. They would never think of singing a patriotic song as they march into battle. It would be painting the lily and gilding refined gold. Are not their deathless deeds, songs for which they make a foil by singing some inconsequential and evanescent song such as, "There's something in the sea-side air."

On analysis I should say that there are five subjects on which our soldiers sing. First, there are Nonsense Songs or, if you prefer it, songs of soldier-philosophy. They know that no theory will explain the war; it is too big a thing for any sheet of philosophy to cover. It has burst in on our little hum-drum life like a colliding planet. The thing to do is not to evolve a theory as to how the planet got astray but to clear up the mess it has made. Our soldiers show this sense of the vastness of war-happenings, by singing of things having no real importance at all, and keeping steadily at their duties. The path of duty is, they find, the only path of sanity. The would-be war philosopher they put on one side. The war is too big for him. Let him leave his explanation of the war and lend a hand to bring it to an end. So they sing, with laughing irony,

"We're here because we're here, becauseWe're here, because we're here."

"We're here because we're here, because

We're here, because we're here."

Or,

"While you've got a lucifer to light your fag,Smile, boys, that's the style.What's the use of worrying?It never was worth while,So pack up your troubles in your old kit-bagAnd smile, smile, smile."

"While you've got a lucifer to light your fag,

Smile, boys, that's the style.

What's the use of worrying?

It never was worth while,

So pack up your troubles in your old kit-bag

And smile, smile, smile."

Another favorite is,

"Oh, there was a little hen and she had a wooden leg,The best little hen that ever laid an egg,And she laid more eggs than any hen on the farm,And another little drink wouldn't do us any harm."

"Oh, there was a little hen and she had a wooden leg,

The best little hen that ever laid an egg,

And she laid more eggs than any hen on the farm,

And another little drink wouldn't do us any harm."

I have seen them dancing round some old piano singing,

"Oh, that fascinating Bow Bells' glide,It's a captivating Bow Bells' slide.There's a rumor that the puma does it now,Monkeys have taken to it,Leopards and lions do it.All the elephants wear dancing shoes,They keep hopping with the kangaroos;Hear them chatter, it's a matter for some talk;Now the Jungle's got the Bow Bells' walk."

"Oh, that fascinating Bow Bells' glide,

It's a captivating Bow Bells' slide.

There's a rumor that the puma does it now,

Monkeys have taken to it,

Leopards and lions do it.

All the elephants wear dancing shoes,

They keep hopping with the kangaroos;

Hear them chatter, it's a matter for some talk;

Now the Jungle's got the Bow Bells' walk."

The second class of song is the Love Song, of a more or less serious character. The Tommies came out of England singing "Tipperary," but they dropped it in France, and the only one on whose lips I have heard it was a little French boy sitting on the tail of a cart. The chorus alone gave it popularity for it was the expression, ready to hand, of a long farewell; and with its "long long way to go" showed that, like Kitchener, the soldiers were not deceived by hopes of an early peace.

Now another song with verses more expressive of their sentiments has taken its place. The chorus runs:

"There's a long, long trail a-windingInto the land of my dreams,Where the nightingales are singingAnd a white moon beams;There's a long, long night of waitingUntil my dreams all come true;Till the day when I'll be going downThat long, long trail with you."

"There's a long, long trail a-winding

Into the land of my dreams,

Where the nightingales are singing

And a white moon beams;

There's a long, long night of waiting

Until my dreams all come true;

Till the day when I'll be going down

That long, long trail with you."

Then the mood changes, and we hear the lads piping out,

"Taffy's got his Jennie in Glamorgan,Sandy's got his Maggie in Dundee,While Michael O'Leary thinks of his dearieFar across the Irish Sea.Billy's got his Lily up in London,So the boys march on with smiles;For every Tommy's got a girl somewhereIn the dear old British Isles."

"Taffy's got his Jennie in Glamorgan,

Sandy's got his Maggie in Dundee,

While Michael O'Leary thinks of his dearie

Far across the Irish Sea.

Billy's got his Lily up in London,

So the boys march on with smiles;

For every Tommy's got a girl somewhere

In the dear old British Isles."

Again the mood veers round, and we hear,

"Every little while I feel so lonely,Every little while I feel so blue,I'm always dreaming, I'm always scheming,Because I want you, and only you.Every little while my heart is aching,Every little while I miss your smile,And all the time I seem to miss you;I want to, want to kiss you,Every, every, every little while."

"Every little while I feel so lonely,

Every little while I feel so blue,

I'm always dreaming, I'm always scheming,

Because I want you, and only you.

Every little while my heart is aching,

Every little while I miss your smile,

And all the time I seem to miss you;

I want to, want to kiss you,

Every, every, every little while."

Here is part of a song I have heard sung, many and many a time, by young officers and men whose voices are now silent in death:

"If you were the only girl in the world,And I were the only boy,Nothing else would matter in the world to-day,We could go on loving in the same old way;A Garden of Eden just made for two,With nothing to mar our joy;I would say such wonderful things to you,There would be such wonderful things to do,If you were the only girl in the world,And I were the only boy."

"If you were the only girl in the world,

And I were the only boy,

Nothing else would matter in the world to-day,

We could go on loving in the same old way;

A Garden of Eden just made for two,

With nothing to mar our joy;

I would say such wonderful things to you,

There would be such wonderful things to do,

If you were the only girl in the world,

And I were the only boy."

Sometimes the imagination will wander into the days that are to be--for some--and they sing,

"We don't want a lot of flags flying,We don't want your big brass bands;We don't want a lot of speechifying,And we don't want a lot of waving hands;We don't want a lot of interfering,When we've safely crossed the foam;But wedowant to find the girls we left behind,When we all come marching home."

"We don't want a lot of flags flying,

We don't want your big brass bands;

We don't want a lot of speechifying,

And we don't want a lot of waving hands;

We don't want a lot of interfering,

When we've safely crossed the foam;

But wedowant to find the girls we left behind,

When we all come marching home."

Will the girls remember! The words are not without tragedy. How deeply some of the men love may perhaps never be realized by those at home. The longing of their hearts is, at times, almost unbearable. A captain, past middle life, took my arm one day and led me aside. He was, he said, a little anxious about himself, for he was getting into the habit of taking more drink than he was wont to take. He had been taking it when he felt lonely and depressed to ease the longing of his heart.

"I never touch it at home," he said, "the society of my dear little wife is all the stimulant I need. I would give the world to be with her now--just to sit in my chair and watch her at her sewing or knitting. The separation is too much for me and, you know, it has lasted nearly three years now."

I have caught this yearning in more than one of the songs our soldiers sing, but especially in the following, which is called "Absent":

"Sometimes, between long shadows on the grass,The little truant waves of sunlight pass;My eyes grow dim with tenderness, the whileThinking I see thee, thinking I see thee smile."And sometimes in the twilight gloom, apart,The tall trees whisper, whisper heart to heart;From my fond lips the eager answers fall,Thinking I hear thee, thinking I hear thee call."

"Sometimes, between long shadows on the grass,The little truant waves of sunlight pass;My eyes grow dim with tenderness, the whileThinking I see thee, thinking I see thee smile.

"Sometimes, between long shadows on the grass,

The little truant waves of sunlight pass;

My eyes grow dim with tenderness, the while

Thinking I see thee, thinking I see thee smile.

"And sometimes in the twilight gloom, apart,The tall trees whisper, whisper heart to heart;From my fond lips the eager answers fall,Thinking I hear thee, thinking I hear thee call."

"And sometimes in the twilight gloom, apart,

The tall trees whisper, whisper heart to heart;

From my fond lips the eager answers fall,

Thinking I hear thee, thinking I hear thee call."

The men's thoughts pass easily from the sweetheart to the mother who bore them, and we have a third class, the Home Song. I have been awakened in the night by men, going up to the line, singing "Keep the Home Fires Burning." It is very thrilling to hear in the dead of night, when every singer is within range of the enemy's guns.

Another great favorite is,

"They built a little garden for the rose,And they called it Dixie-land;They built a summer breeze to keep the snowsFar away from Dixie-land;They built the finest place I've known,When they built my home sweet home;Nothing was forgotten in the land of cotton,From the clover to the honey-comb,And then they took an angel from the skiesAnd they gave her heart to me.She had a bit of heaven in her eyesJust as blue as blue can be;They put some fine spring chickens in the land,And taught my Mammy how to use a frying pan.They made it twice as nice as paradise,And they called it Dixie-land."

"They built a little garden for the rose,

And they called it Dixie-land;

They built a summer breeze to keep the snows

Far away from Dixie-land;

They built the finest place I've known,

When they built my home sweet home;

Nothing was forgotten in the land of cotton,

From the clover to the honey-comb,

And then they took an angel from the skies

And they gave her heart to me.

She had a bit of heaven in her eyes

Just as blue as blue can be;

They put some fine spring chickens in the land,

And taught my Mammy how to use a frying pan.

They made it twice as nice as paradise,

And they called it Dixie-land."

Being Londoners, the following song called "Leave" never fails in its appeal to our Division:

"I'm so delighted, I'm so excited,With my folks I'm going to be united.The train's departing, 'twill soon be starting;I'll see my mother, my dad and my baby brother.My! How I'll meet them, My! how I'll greet them.What a happy happy day.Just see that bustle, I'd better hustle,Good-bye--so long--can't stay--Chorus"I'm on my way back to dear old Shepherd's Bush,That's the spot where I was born,Can't you hear the porter calling,Queen's Road, Piccadilly, Marble Arch and Bond Street?Oh, I'll not hesitate, I'll reach the gate;Through the crowd I mean to push,Find me a seat anywhere--please anywhere,Tram, train, tube, 'bus I don't care--For mother and daddy are waiting there--In dear old Shepherd's Bush."

"I'm so delighted, I'm so excited,

With my folks I'm going to be united.

The train's departing, 'twill soon be starting;

I'll see my mother, my dad and my baby brother.

My! How I'll meet them, My! how I'll greet them.

What a happy happy day.

Just see that bustle, I'd better hustle,

Good-bye--so long--can't stay--

Chorus

"I'm on my way back to dear old Shepherd's Bush,That's the spot where I was born,Can't you hear the porter calling,Queen's Road, Piccadilly, Marble Arch and Bond Street?Oh, I'll not hesitate, I'll reach the gate;Through the crowd I mean to push,Find me a seat anywhere--please anywhere,Tram, train, tube, 'bus I don't care--For mother and daddy are waiting there--In dear old Shepherd's Bush."

"I'm on my way back to dear old Shepherd's Bush,

That's the spot where I was born,

Can't you hear the porter calling,

Queen's Road, Piccadilly, Marble Arch and Bond Street?

Oh, I'll not hesitate, I'll reach the gate;

Through the crowd I mean to push,

Find me a seat anywhere--please anywhere,

Tram, train, tube, 'bus I don't care--

For mother and daddy are waiting there--

In dear old Shepherd's Bush."

On the eve of one big battle, a soldier handed me a letter in which he gave me the addresses of his father and his sweetheart, so that I could write to them if he fell.

"In the last battle," he said, "one of my brothers was killed and another wounded. If I fall I shall die without regrets and with a heart content; but it will go hard with those at home; and I want you to break the news gently. These are terrible times for those at home." "These are terrible timesfor those at home." That is their constant refrain, and it finds an echo in a song often sung by them.

"It's a long long way to my home in Kentucky,Where the blue-bells grow 'round the old cabin door;It's a long, long way and I'll be mighty luckyWhen I see my dear old mammy once more.So weep no more, my lady,Just brush those tears away;It's a long long way to my home in Kentucky,But I'm bound to get there some day."

"It's a long long way to my home in Kentucky,

Where the blue-bells grow 'round the old cabin door;

It's a long, long way and I'll be mighty lucky

When I see my dear old mammy once more.

So weep no more, my lady,

Just brush those tears away;

It's a long long way to my home in Kentucky,

But I'm bound to get there some day."

But the chief favorite of all Home Songs is, I think, the following:

"There's an old-fashioned house in an old-fashioned street;In a quaint little old-fashioned town;There's a street where the cobble stones harass the feet,As it straggles up hill and then down;And, though to and fro through the world I must go,My heart while it beats in my breast,Where e'er I may roam, to that old-fashioned homeWill fly like a bird to its nest."In that old-fashioned house in that old-fashioned street,Dwell a dear little old-fashioned pair;I can see their two faces so tender and sweet,And I love every wrinkle that's there.I love ev'ry mouse in that old-fashioned houseIn the street that runs up hill and down;Each stone and each stick, ev'ry cobble and brick,In that quaint little old-fashioned town."

"There's an old-fashioned house in an old-fashioned street;

In a quaint little old-fashioned town;

There's a street where the cobble stones harass the feet,

As it straggles up hill and then down;

And, though to and fro through the world I must go,

My heart while it beats in my breast,

Where e'er I may roam, to that old-fashioned home

Will fly like a bird to its nest.

"In that old-fashioned house in that old-fashioned street,Dwell a dear little old-fashioned pair;I can see their two faces so tender and sweet,And I love every wrinkle that's there.I love ev'ry mouse in that old-fashioned houseIn the street that runs up hill and down;Each stone and each stick, ev'ry cobble and brick,In that quaint little old-fashioned town."

"In that old-fashioned house in that old-fashioned street,

Dwell a dear little old-fashioned pair;

I can see their two faces so tender and sweet,

And I love every wrinkle that's there.

I love ev'ry mouse in that old-fashioned house

In the street that runs up hill and down;

Each stone and each stick, ev'ry cobble and brick,

In that quaint little old-fashioned town."

The charm of the Army is its comradeship. Our soldiers have left their homes and friends but they have found new friends, and some of the friendships have become very precious. Men slept side by side in barn and trench, cooked their rations at the same little wood fire, and stood together in the hour of danger and imminent death. Many of them owe their lives to their comrades. There are few songs that express this wonderful comradeship, but there is one that is known and sung through the army. It represents the Songs of Comradeship:

"When you come to the end of a perfect day,And you sit alone with your thought,While the chimes ring out with a carol gay,For the joy that the day has brought;Do you think what the end of a perfect dayCan mean to a tired heart,When the sun goes down with a flaming ray,And the dear friends have to part?"Well, this is the end of a perfect day,Near the end of a journey too;But it leaves a thought that is big and strong,With a wish that is kind and true.For mem'ry has painted this perfect dayWith colors that never fade;And we find at the end of a perfect dayThe soul of a friend we've made."

"When you come to the end of a perfect day,

And you sit alone with your thought,

While the chimes ring out with a carol gay,

For the joy that the day has brought;

Do you think what the end of a perfect day

Can mean to a tired heart,

When the sun goes down with a flaming ray,

And the dear friends have to part?

"Well, this is the end of a perfect day,Near the end of a journey too;But it leaves a thought that is big and strong,With a wish that is kind and true.For mem'ry has painted this perfect dayWith colors that never fade;And we find at the end of a perfect dayThe soul of a friend we've made."

"Well, this is the end of a perfect day,

Near the end of a journey too;

But it leaves a thought that is big and strong,

With a wish that is kind and true.

For mem'ry has painted this perfect day

With colors that never fade;

And we find at the end of a perfect day

The soul of a friend we've made."

The fifth class of song is that of the inner life. It is the Religious Hymn. The soldiers are extremely fond of hymns in their services. You cannot give them too many. "Rock of Ages," "Jesus lover of my soul," "Fight the good fight," "There is a green hill," "At even ere the sun was set," "O God our help in ages past," and "Eternal Father strong to save" cannot be chosen too often. But there are two hymns which have stood out above all others; they are "Abide with me," and "When I survey the wondrous Cross."

There is nothing written by the hand of man which can compete with these two in the blessing and strength which they have brought to our soldiers, especially during an offensive when death has cast his shadow over the hearts of all. During the bitterest weeks in the Somme fighting there was scarcely a service in which we did not sing "When I survey the wondrous Cross." With its assurance of redemption it gave comfort in the face of death. It also gave, for an example, the Supreme Sacrifice.

Some of the songs I have quoted look bare and ungainly as trees in winter, but when the musician has clothed them with music and the singer added to them a touch of his own personality they are fair as trees in summer. Still the fact remains that none of these songs will live on their own merits. They are not born to immortality. Like the daisies they have their day and pass away to make room for others. It is best so. There is not room in the world for everything to be immortal, and the transient has a work of its own to do. The charm and rare beauty of the English countryside are due to the transience of its flowers and foliage and little of the evergreen is enough. We tire of the eternal. The transient songs I have quoted here have been meat and drink to our soldiers in the most terrible war ever waged. They may be poor stuff in comparison with our classic songs but a good appetite can get nourishment out of plain food and grow strong on it. For the purpose in hand these songs have been better than the classics; otherwise they would not have been chosen. There is a time and place for all things. The robin may not be compared with the nightingale but it is not the less welcome, for it sings when the nightingale is silent. Our soldiers' songs will die, some are already dead, but they have done their work and justified their existence. They have given pleasure and strength to men as they went out to do immortal deeds. No wounded soldier, or parched traveler, thinks lightly of a cup of water because it perished in the using; and so it is with the songs our soldiers sing.

EASTER SUNDAY

Night and day for a week, the fearful bombardment continued. Our guns were everywhere, and belching forth without intermission. Dumps of shells were almost as common as sheaves in a corn-field, and processions of ammunition-wagons piled the shells up faster than the gorging guns could take them. The noise was something beyond imagination. It was as though all the devils in hell had come out to demoniacally celebrate the end of the world. We were living--two transport officers and I--in an empty farm-house that, some time before we came in, had been a target for direct hits. One shell had gone through the roof, and another through the gable wall. The windows had been shattered, and the garden and fields were pitted with shell-holes. Our first care had been to look at the cellar, but we had decided, if things became too hot, to make for the open fields. We all slept in the same room, and were at times wakened up by "an arrival" and passed an opinion as to its distance. If, for a time, none came nearer, we turned over and went to sleep again, for a man must sleep even though it be on the edge of a volcano.

One morning the servants found a shell nose-cap beneath the window--just that, and nothing more. The week was wearing on. Another morning some of the 7th Middlesex Regiment were in the baths in the village over the way, and a company of the London Scottish was passing by. Two shells fell in the road. The bathers scampered out of the bath and ran naked, here and there, for shelter; the Scottish "scattered"; but some forty-five soldiers, mostly kilted, lay in the road dead or wounded. In the dead of night a party of machine gunners, just returned from the firing-trench, stood outside their billet in our village square debating if they should make a cup of tea before turning in to sleep. A shell decided the matter, and, next morning, I laid two of them to rest in the little cemetery, and the others stood by as mourners.

The week of terror reached its crisis on the Sunday--an Easter Sunday never to be forgotten. The infantry of the Brigade had been away to a camp, beyond range, for a week's rest. They had now returned ready for the battle. Three of the regiments had taken up their positions in the reserve trenches, but my own regiment was quartered in the fatal village. The day dawned bright and fair, but its smiles were the smiles of a deceiver. The Germans had decided on the destruction of the village, a sort of devil's "hail-and-farewell" before being driven back at the points of bayonets. We were awakened by the firing of machine-guns over our heads, and rushed to the door to see a fight in the air. High up in the blue, two aeroplanes circled about for positions of vantage, and then rushed at one another like hawks in mortal combat. A silence followed. Then one rose and made off towards the battle-line but fell to a shot of our gunners before it could reach safety. The other, with its petrol-tank on fire, was planing down to earth. Down and down an invisible spiral staircase it seemed to rush, while the golden fire burnt at its vitals, and a trailing cloud of smoke marked its path of doom. Breathlessly we watched its descent. It was under perfect control, but its path to the ground was too long and spiral, and the faster it rushed through the air the greater the draught became and the more madly the flames leapt up. Every second was precious and the certainty of its doom made us sick. We saw the body of the observer fall out, and still the flaming machine pursued its course. Then the wings fell away and twirled to the ground like feathers, while the engine and the pilot dropped like a stone. When the bodies were picked up, it was found that the observer had been shot through the head, and that the pilot, with his dead comrade behind him, had worked the wheel until the furious encroaching flame had swept over him, and robbed him of mortal life.

Shells were now dropping in the village every few minutes. Our farm-house was on the right wing, and we stood watching the bombardment. With each burst there rose a cloud of black smoke and red brick-dust, and we knew that another cottage has been destroyed. Then the shells began to creep round to the right as if the enemy was feeling for the bridge over which the ammunition wagons were passing. On one side of the little bridge was a white bell-tent, and we watched the shells dropping within a few feet of it without destroying it. Between the tent and our street lay a stagnant pool, and we saw about a dozen shells fall in its water. The range was lengthening and it seemed as if some invisible octopus were stretching out its feelers towards us. A shell smashed against the farm-house at the bottom of our street. The deadly thing was coming nearer. Some of our sergeants were in a farm-house a few doors away, and, hearing a shell fall in the field between them and the pool, they came to the decision that the moment had come "to scatter," but they were too late. It would have been better had they stayed indoors. As they rushed out a shell burst over the yard three of them fell to the ground dead, and three more were blown back into the house by the force of the explosion. The coping stone of the outhouse where the shell burst was blown away and three ragged seams were scored on the green doorway of the yard outside which the three lads lay dead. One of them had, ten days before, shown me to my billet thirty yards farther up. He acted as interpreter to the regiment and as he had not to go into the line, we thought that he was one of those who would see the end of the war. Yet there he lay.

But the worst calamity of the day was yet to befall. Some fifteen or sixteen ammunition wagons, unable to get through the village, had halted in the Square--"Wipers Square" it had been named. Each wagon was loaded with nine-point-two shells. An enemy-shot fell on a wagon and set it on fire; then the village became like unto Sodom and Gomorrah on their day of doom. One or two drivers bravely stuck to their wagons, and got them out but the rest of the wagons were lost. The scene that followed was indescribable. Doré could never have pictured such horrors. The wagons all caught fire and their loads of shells began to explode. We stood out in the fields and watched the conflagration, while all the time the Germans continued to shell the village. The large village-hall and the houses on each side of the square were utterly destroyed. Great explosions sent fragments of wagons and houses sky-high, and showers of missiles fell even where we stood. The fore part of one wagon was blown on to the roof of a house. Houses caught fire and blazed all afternoon. Some machine-gunners joined us and told how, when choking smoke began to penetrate into their cellar they had to rush through the square and its bursting shells to preserve their lives. A German shell burst in a billet where a platoon of our men were sheltering in the cellar, and those who were not killed by the shell were crushed to death by the fall of the house. Another shell hit the roof of the house in the cellar of which was our Advanced Dressing Station for the morrow's battle. Two orderlies who happened to be in the street were killed, and the colonel was knocked down. In the cellars of almost every house were soldiers or civilians, and all day the ammunition wagons continued burning; shell after shell getting red hot and exploding.

All day the German bombardment continued and, amid a terrific din, our own gunners returned a score or more for every one received. By the bridge another long line of loaded ammunition wagons stood for two hours, and though shells were bursting close by, not one hit the wagons. The drivers stood by them and, as soon as the road was cleared, got them away to the guns. Yet, while the Square was burning and the German shells falling, hundreds of men from the London regiments entered the village from the right, and crossed the bridge to stack their packs so as to be ready for the coming battle. They walked in single file and with wide gaps between, but not a man ran or quickened his pace. My blood tingled with pride at their courage and anger at their carelessness. Whatwouldmake a British soldier run? An officer was walking near the pool. A shell fell near enough for fragments to kill him, but he merely looked round, stopped to light a cigarette and walked leisurely on as if nothing had happened. Three men stood with their backs against a small building near the bridge as if sheltering from the rain. Several shells fell uncomfortably near, so, concluding that the rain had changed its direction, they moved round the corner. And it was not till more shells had fallen near them that they condescended to move away altogether.

Yet this was not bravado for, so far as they knew, no one was watching them. It was due to a certain dignity peculiar to our fighting man. He is too proud to acknowledge defeat. He is a man, and whether any one is watching or not, he is not going to run away from a shell. Hundreds of lives must have been lost through this stubborn pride but, on the other hand, thousands of lives must have been saved by it, for it makes the Army absolutely proof against panic, than which, nothing is so fatal in war. In eighteen months on the Front I have never seen or heard of a single case of panic either with many or few. Our soldiers are always masters of themselves. They have the coolness to judge what is the wisest thing to do in the circumstances, and they have the nerve to carry it out. They run unnecessary risks through pride but never through panic. All that day on the bridge, a military policeman stood at his post of duty. Like Vesuvius of old the exploding shells in the Square sent up their deadly eruption, and like the Roman sentry at Pompeii, he stood at his post. As he stood there I saw a young French woman leave her house and pass him on the bridge. She was leaving the village for a safer place but she seemed quite composed and carried a basket on her left arm.

While our village was being destroyed we were startled by a tremendous explosion a few miles away; and looking to our left we saw a huge tongue of flame leap up to the sky, followed by a wonderful pillar of smoke which stood rigid for some moments like a monster tower of Babel reaching up to the heavens. Evidently a dump of cordite had been fired by an enemy shell. Farther off still, another dump was on fire. Time and again, bright flames leapt from the ground only to be smothered again by dense curling masses of smoke. It seemed as if our whole front was on fire, and news came to us that our main road of communication had been heavily shelled, and was now strewn with dead horses and men. Before the battle of the Somme there were no signs and portents so terrible as these: It was evident that the enemy knew what was in store for him on the morrow, and was preparing against it, but if the prelude was so magnificent in its terror, what would the battle be? Imagination staggered under the contemplation. By four o'clock the bombardment was almost at an end, and nearly all the shells in the Square had exploded. The soldiers began to creep out of the cellars. On passing through the Square we were amazed at the sight. In fact the Transport Officer passed through at my side without recognizing the place. At the entrance was a team of six dead mules lying prone on the ground and terribly torn. Two rows of houses had disappeared, leaving mere heaps of stones in their places. The pavement was torn up, and the wrecks of the ammunition wagons lay scattered about. Two houses were still burning. Our colonel and adjutant we found by the side of the stream. They had been in a cellar near the Square all day but, fortunately, they were little the worse for the experience. They were giving orders for the assembling of the scattered regiment.

By this time, civilians were leaving the cellars, and with armfuls of household goods hastening from the village. To them it seemed the end of all things--the day of doom. Some of them had slight wounds and as they passed us they cried mournfully, "Finis, Messieurs, Finis." All was lost. This exodus of the despairing civilians was the saddest sight of the day. By sunset the regiment had been gathered together--all except the wounded who had been sent to the Main Dressing Station and the dead who had been placed side by side and covered with blankets. Most of our officers and men had lost all their belongings, but in the twilight they marched out of the village and took their places in the reserve trenches near the other battalions. These had suffered no losses. They had been saved the long day's agony. Early in the morning the battle was to begin but the Westminsters knew that no worse experience could await them than that through which they had already passed.

Next morning I buried, near the ruined church, the bodies of the sergeants who had been killed a few doors from us; and on the following day I laid to rest, side by side, in one long grave, two drivers who had died at their posts in the Square, together with an officer and twenty men belonging to the 1st Queen's Westminster Rifles.

Back to Index Next