For the Southern Literary Messenger.
L. H. S.
Hartford, Conn.
1The Indian name for William Penn.
For the Southern Literary Messenger.
For the Southern Literary Messenger.
BY ALEX. LACEY BEARD, M.D.
BY ALEX. LACEY BEARD, M.D.
For the Southern Literary Messenger.
For the Southern Literary Messenger.
"As the little one turned for the last time, his tenderly beaming eyes on all around, they seemed to say 'Father!—she calls,—I go,—farewell,—farewell.'"
L. H. S.
Hartford, Conn.
For the Southern Literary Messenger.
Hotel des Invalides—Chamber of Deputies—Pont Louis 16th—Bridges of Paris—The Pont Neuf.
PARIS, ——.
My dear Jane:
"Let them gild the dome of the Hotel des Invalides," said Napoleon to an officer, who informed him that unless the war in Italy was discontinued, there would certainly be a revolution in Paris. The mandate was issued, the dome covered with the shining leaf, and the minds of the people immediately turned from the operations of war, to those of the artisans employed on the cupola of the military asylum. Napoleon foresaw this, for well he knew the character of his subjects. A mere trifle, havingnoveltyto recommend it, attracts their notice, engages their attention, and forms the theme of their conversation for a long while—at least, until another new bubble arises. This we must own is a happy disposition, and better calculated to render a nation contented and joyous, than the sober, phlegmatic temperament of our Islanders.
Thus, my dear Jane, have I managed to describe to you in a very few words—the dome of the Invalids and the character of the Parisians. Knowing you hate prolixity, I rejoice at my success, and for the same reason, proceed without delay, to give you an account of the Hospital in question. It is a stately edifice, and was erected by Louis 14th, for the reception of brave and disabled old soldiers. In approaching it, you traverse a vast esplanade embellished with a fountain and bordered by a grove of lofty trees, with seats beneath them, to tempt the lounger and rest the weary; some of them were occupied by veterans whom I readily imagined to be telling "how fields were won." We spent three hours in their noble asylum, examining its spacious halls and dormitories, its cleanly and well arranged kitchen, its library and magnificent church, and its cabinet of architecture, which consists of two large rooms, containing models of all the fortified towns in the kingdom. These are most ingeniously and beautifully executed, and give you a perfect idea of the places they represent. The council chamber adjoins the library, and this and two other apartments are decorated with the portraits of the deceased marshals of France; while the originals are living, their likenesses are deposited in the "Salle des Marécheaux," at the Palace of the Tuilleries. In the church we saw the mausoleum of Turenne and that of the famous engineer Vauban.1The interior of the dome and the ceilings of six chapels surrounding it are richly painted, and the tesselated pavement, interspersed with fleurs de lis and other symbols, is exceedingly beautiful. Three hundred flags, the spoils of different nations, were once suspended from the dome; but when the allies entered Paris theinvalidwarriors tore them down to prevent their being retaken.
1He was deformed, and being once asked by the king what his enemies thought of his back,—"Sire, (he replied) they have never seen it."
From the Hotel des Invalides we rode to the Chamber of Deputies, adjoining the palace of Bourbon, and situated on the southern bank of the Seine, which separates it from the "Place Louis Quinze." It is a handsome building, adorned with statues and corinthian columns, and has a pleasant garden attached to it; the deputies hold their assemblies in a semicircular hall, lighted from the top and appropriately arranged. Monsieur de N—— was so kind and polite as to send us tickets, and we have been twice to hear the debates; they were very animated, though whenever a member wished to speak, he was obliged to curb thespirit that moved him, until he could cross the floor and mount a rostrum, which delay I should think is most unfavorable to extemporary eloquence. Returning, we passed over the Pont Louis Seize, and examined the twelve colossal figures of white marble, that have recently been placed on it; they are masterly pieces of sculpture, but too gigantic for the size of the bridge and their approximation to you. There are no less than seventeen bridges athwart the Seine, but not one of them can be compared to those of Waterloo, Blackfriar's, or Westminster at London, as regards strength or magnitude. The Pont Neuf is the largest; it is more than sixty feet wide, and lined on each side with stalls of every description; the passengers are continually beset by the importunities of the shoe-black, the dog-shaver, the ballad singer, the bird seller, the fruiterer, the pedler, the vender of second-hand books, and various other petty dealers. Good night, dear sister. My paper and candle warn me to conclude, which I fear you will not regret.
LEONTINE.
Arrival of friends—Voyage from London to Calais—Route from Calais to Paris—Levee at the Minister's of the Marine—Expiatory Chapel.
PARIS, ——.
My dear Jane:
We were agreeably surprised the day before yesterday, while at dinner, by the arrival of the Danvilles, the American family with whom we were so charmed at Bath last summer. Leonora is as likely as ever, and delighted at the idea of spending the fall and winter here; she expects too, to be joined by her cousin Marcello, of whom we have heard her speak with such affection and admiration. She has been so good as to let me read her journal, and I have obtained her permission to transcribe a part of it for your perusal. It concerns the journey from Calais to Paris, and as I have given you a sketch of that from Havre here, this will enable you to compare the two routes. I dare say you will like, also, to read her observations about the Thames and our steam boats. She writes thus:
"Soon after leaving London, the Thames quite astonished me. I had no idea it was so considerable a river. For many miles it is broad and winding, and each shore presents fine scenery. We had a good view of several noted towns, and remarked the superb hospital at Greenwich and the royal dock yard at Woolwich, where ships of war are made. At Gravesend we passed two vessels transporting convicts to Botany Bay, and I regretted to observe that the women were more numerous than the men.
"The motion of the English steam boats is still more disagreeable than that of ours, but their machinery is less noisy. Coal being used for fuel instead of wood, the passengers soon look dingy in face and dress: therefore one should not travel in them handsomely clad, as clothes are quickly ruined by the smoke and dust. There is no particular hour for breakfast; each person calls for it when it suits his pleasure, and has a table to himself. Dinner is served at five o'clock.
"We reached Calais about eight P.M. At the custom house the officers were not strict in their examination of our baggage; this surprised us, for we had understood that they were always very rigid in performing this troublesome duty. Perhaps our being Americans was the cause of their moderation in disturbing our trunks and boxes,—for the French likeusalmost as much as they detest theEnglish. On landing, we were highly diverted at the scene on the Quay. The instant we left the boat we were beset with men and boys on every side, recommending different hotels,—and frequently cards of address were absolutely forced into our hands. When one overheard another advising any of us to go to a particular house, he would cry out, 'never do you mind that fellow, ma'am, (or sir) he tells a lie; he always tells lies!' Or, 'no such thing, sir; that house is full, sir; you can't get in, and heknowsit!' Or, 'that hotel is not a good one, sir,—indeed it is not; try mine, sir; mine's a palace to it!' and fifty other such droll speeches, at which (tormented as we were) we could not help laughing. Sometimes they would even seize us by the arm and entreat us to accompany them to their hotel, if only to see how comfortable it was. Thesebesiegers(we have since been told) receive a trifle from every innkeeper to whom they carry a guest, and it is their anxiety to obtain this fee, that renders them so annoying to travellers.
"Ere leaving Calais we had sufficient leisure to walk about the town and visit the church, the town hall on the 'place d'armes,' and the column on the pier commemorating the landing of Louis 18th, on the 24th of April, 1814. It is a plain stone pillar, surmounted by a ball and a fleur de lis. In front of it is a representation in bronze of the print of the king's foot (or rather his shoe) upon the spot he first stepped on from the vessel. We found the country between Calais and Paris uninteresting, and generally barren. Once or twice we had a fine view of the sea. The French villages appeared horribly dirty after the exquisite neatness of those in England. The highways presented a bustling and entertaining scene; for men and women, boys and girls, gaily dressed, continually passed us, carrying baskets of fruit, riding on donkeys, or driving along pigs, sheep, cows, or geese. The venders of fruit would frequently jump up behind our carriage, and thrust in at the window, peaches, pears and grapes, beseeching us to buy them, and assuring us we had never tasted better in all our lives. Whenever we stopped at an inn, or ascended a hill, we were surrounded by dozens of paupers, begging for a sous. Sometimes they looked so miserable, it was impossible to refuse; at others, we were fain to bestow it in order to get rid of them. Little urchins would also solicit a penny, and scamper after us a considerable distance, often springing up behind and sticking their heads into the coach. Upon the whole I am contented with our journey hither, for if it was not picturesque it was highly amusing.
"The principal towns we have passed through, are Boulogne, Abbeville, and Beauvais. The first is said to have been founded by Julius Caesar; and Le Sage, the author of Gil Blas, died there in 1747; the house in which he expired, is yet shewn as a curiosity. Within a mile of Boulogne is a corinthian column, which Bonaparte began to erect as a memento of his victories over the English; he left it unfinished, and Louis 18th had it completed for his own honor and glory."
Thus far, dear sister, I have copied from Leonora's diary; now for something of my own. Last night we were at Mr. de Neuville's grand levee; he has one every week, and being exceedingly popular, his rooms are generally crowded. We saw there, many distinguished characters; among them, Monsieur de Chateaubriand, whose travels have afforded us so much entertainment and instruction, and General Saldanha, the brave Portuguese. He has a commanding figure and face, and wears a pair of tremendous mustachios, which are so frightful and so fashionable! To-day we devoted a portion of our time to the Expiatory Chapel, a beautiful building, constructed in honor of Louis 16th and Marie Antoinette; it covers the spot where their remains were first interred; for since the restoration of the Bourbons, these have been conveyed to the royal vault at St. Denis. The entrance and interior of the chapel are very handsome; the light is admitted from the cupola, beneath which are fifteen niches, destined to hold statues of the chief victims of the revolution. There is a neat altar, and the will of Louis and that of his sister, (the Princess Elizabeth) are engraved in golden letters, on two white marble tablets. A subterranean apartment contains another altar, and in front of this a black marble slab bearing an inscription, still designates the original grave of the royal and unfortunate pair. In the court of the chapel many of their faithful Swiss guards are interred. The testament of Louis, wherein he expresses good will towards his enemies and forgiveness of his unloyal and cruel subjects, is very touching. A peasant girl was reading it when we entered, and her cheeks were bedewed with tears.
I regret to inform you that Mamma has had a return of her consumptive cough, and is compelled to drink asses' milk. She is plentifully supplied with it every morning, by an old man who drives a flock of female asses about the streets, and milks them before the door of each customer. The tingling of a little bell, which he carries, gives notice of his arrival whenever be stops. Farewell: kind greetings to those around you,—and above all, to yourself. From
LEONTINE.
The Luxembourg—The Observatory—Notre Dame—The Pantheon—Madame Malibran—M'lle Sontag.
PARIS, ——.
Dearest Jane:
On inquiring the day of the month, I am quite surprised to find that my pen has been idle nearly a week. I will now try to make up for lost time, by describing to you some of the places we have visited in the interim, and the Luxembourg being first on the list, will commence with that. It is one of the most magnificent palaces in Paris. The exterior is highly embellished; and to use the words of an English tourist, "the architecture throughout is distinguished by its bold and masculine character, and by the regularity and beauty of its proportions." This palace was built by order of Mary de Medici, the widow of Henry 4th; it afterwards became the property of some of the French nobility, but was finally restored to the crown. During the revolution, it was used as a prison; the senate afterwards occupied it; at present it contains the Chamber of Peers,—and its galleries are filled with the chêf d'oeuvres of modern artists, whose productions are not admitted into the Louvre until their death. Of course the collection of paintings here is much smaller than at the Louvre, but the pictures are all on the most interesting subjects and are seen to greater advantage, the light being let in from above instead of from the sides of the rooms, as is the case at the Louvre. There are some choice pieces of sculpture; one of them (by Charles Dupaty) represents the Nymph Biblis, changing to a fountain. It is both a singular and ingenious production. The Chamber of Peers, like that of the Deputies, is semicircular in shape; it is hung with blue velvet; and the marble effigies of several orators, legislators and warriors of old, grace its walls. From the ceiling, which is painted, hangs a splendid chandelier. I will only mention one or two more of the apartments—the Salle du Trone,2as being particularly rich, and the billiard room, which is tapestried with white velvet, with various views of Rome beautifully delineated on it in water colors. On the ground floor is the chapel—this is very plain; near it is the gorgeous chamber of Marie de Medicis,—the ceiling, walls, and shutters of which are covered with gilding and arabesque paintings. The principal staircase of the palace is remarkably grand and magnificent; there are forty-eight steps, each twenty feet in length, and formed of a single stone; on the right and left of it, are statues and trophies. The garden of the Luxembourg is shady and pleasant, and has the usual embellishments of gods and goddesses amid fountains and flowers; as you are fond of the marvellous, I will tell you a tradition I have just read respecting it.
2Hall of the Throne.
There once stood a castle on the site of this garden, which remaining a long while uninhabited, was said to be haunted by frightful demons and apparitions; the whole neighborhood was nightly disturbed by them; no person would venture out after sunset, and finally the inhabitants were compelled, for the sake of rest, to seek other dwellings. In this state of things, the monks of a Carthusian monastery at Gentilly, (who were doubtless at the bottom of the mystery) promised to drive away the malicious spirits by exorcism, if St. Louis would grant them the castle and its appurtenances. Their request was complied with, and they so faithfully performed their part that peace was soon restored and the chateau converted into a convent, which existed about six hundred years.
From the Luxembourg we proceeded through a long sunny avenue, to the observatory. On the left of the road, Arnaud our valet de place, pointed out the spot upon which Marshal Ney was shot. "Regardez, Mesdames! ce fut la (pointing with his finger) l'endroit ou le brave Maréchal Ney fut massacré—Jétais présent et il me semble que je le vois tout sanglant dans le moment," said he, shuddering. We paused to look at the once bloody spot, now verdant with grass and so sadly interesting. The observatory may be considered a wonderful building, for neither iron nor wood have been used in its construction; it is entirely of stone, each piece being ingeniously fitted to another. Four astronomers pursue their avocations here, and have the advantage of a good library and apparatus; there are, likewise, an anemometer for indicating the course of the wind, and a pluviometer for measuring the quantity of rain that falls at Paris. A geometrical staircase leads to the entrance of some spacious caverns where experiments in congelation are made, and these caverns communicate with subterranean galleries that were originally quarries, and extend a considerable distance under the city, containing beautiful stalactites, formed by water oozing through the rocks. We did not see them, for they cannot be entered without a special guide, and a written permission from certain persons appointed by government to superintend and inspect them. But my stars! I have exhausted nearly all my paper, and have yet a dozen places to describe! Well, well, you must be contented with an account of two of the most important; and by the time I have finished with them, I shall have tosqueezein my name, no doubt. And now let me decide which of the various objects we have examined, I ought to regard as chief. Why, the mother church of France "Notre Dame," and the Pantheon, to be sure! The first is the most ancient religious structure in the city, and is pronounced to be one of the handsomest in the kingdom. Being built in the Gothic ages, its architecture is according to the fashion of those times, very singular and bold.—The interior of the building corresponds with the outside in curious carving and designs; the choir and the stalls surrounding it are covered with grotesque sculpture. There are no less than thirty chapels, and all of them contain pictures, but they are generally very indifferent. There are several fine ones around the choir—among them the "Visitation," by Jean Jouvenet; this painting was executed entirely with his left hand, after he lost the use of his right by a paralytic stroke. Behind the altar, is a good piece of sculpture by Coustou; the subject is the "descent from the cross." In the vestry room, we were shewn some extraordinary relics,—such as part of the crown of thorns that was worn by our Saviour, and a bit of his cross!! We also saw the regalia of Charlemagne, and the splendid robes given to the priests of this cathedral by Buonaparte at the period of his coronation, upon which occasion they were used; they are embroidered in the richest manner with gold and silver, and amazingly heavy. Numerous sacred festivals are celebrated at Notre Dame in the course of the year; and in August there is to be a procession in fulfilment of a vow made by Louis XIII. This is done on the 15th of that month annually, and the royal family always join in it. We shall go to see it of course; and how I wish you, aunt Margaret and Albert were to be of our party!
The Pantheon, or Church of Saint Geneviève, is a magnificent structure, and its dome is the most striking object that presents itself as you approach Paris. The interior of it is beautifully painted, the artist having chosen for his subject the apotheosis of Louis XVI and his family. When the work was finished, the king went to see it, and after looking at it attentively for a quarter of an hour, he turned to the painter Gros who was anxiously awaiting his opinion, and said to him, "Eh bien Monsieur leBaronvotre ouvrage est trés bien fait!" thus recompensing his talents, by bestowing on him a title of nobility. Saint Geneviève, the patron Saint of Paris, is buried in the Pantheon, and her tomb is always surrounded by lighted tapers, the votive offerings of those who come to demand her intercession for pardon or blessing. In the vaults beneath the church, many distinguished men are interred. Indeed, it was to receive the ashes of such that the Pantheon was designed; and Louis XV, who was the liberal encourager of science and art, was the founder of it.
Contrary to my expectations, I find I've yet space enough to inform you that we have been twice to the Italian Opera, to hear Madame Malibran and Mademoiselle Sontag. The former seems really adored here. At her benefit, many gentlemen voluntarily paid one hundred francs for a ticket, instead of twenty, the actual price. She sings enchantingly and acts with great spirit; so does her rival Mademoiselle Sontag. In fact, I know not to which of these nightingales I prefer listening. Adieu.
LEONTINE.
For the Southern Literary Messenger.
Shee.
There is no subject on which mankind more unhesitatingly decide, than upon the productions of the pencil, and none perhaps upon which the people of our own country especially, are so little qualified to form a correct judgment. Few works of any excellence ever reach us, and these are for the most part confined to the large cities, where those who visit them are more attracted by thesubjectthan theexecutionof the painting. A striking illustration of this, may be found in the crowds which rushed a short time since, to see the immodest and demoralizing exhibition of ourfirst parents in a state of nudity—an offence for which Ham was accursed to be a servant of servants to his brethren; and yet our modest maidens, attended by their equally modest beaux, hastened in company to view this production of Parisian profligacy. At the same time, the splendid painting of "Christ rejected" by the eminent West, scarcely attracted notice; and the beautiful "Star of Bethlehem" by Cole, twinkled in an empty hall. Still no one doubts his own intuitive knowledge of the arts!—He does not, indeed, profess to understand themodus operandi, by which they are perfected,—but yet he knows exactly whatdelightshim, and with equally becoming modesty, knows how tocensurewhat he does not like,—although to the realconnoisseur, the work condemned may perchance be one of superlative beauty and value. There are some who fall into raptures at Cimmerian darkness and obscurity in a picture; they have heard that the works of the old masters are very dark,—ergo, all black pictures must be very good. Some have heard that Reubens and Rembrandt, painted with a bold free pencil,—and every daub is therefore free and bold; and there are others the very antipodes of these, who would have the canvass ivory smooth, and always test the excellence of a picture with their finger's ends. Such are the arbiters of taste, to whom the artist must look for patronage and favor; to whose critical acumen he must sacrifice the highest professional attainments, and all the poetry of imagery, for the prosing portraiture of vulgar nature as the uninstructed eye perceives it. Against such critics, Sir Joshua Reynolds warned his young academecians. "Study not," said he, "to please the many, but the few of cultivated taste." Alas! how few in any age, have given that attention to the subject which is essential to the formation of a correct judgment. They say,—do we not see and understand what nature is, and can we not tell when the artist has truly represented her?—We answer no. The eye unaccustomed tocontemplatenature, cannot perceive the ever changing beauty of her scenery,—her lights and shades more various than the Dolphins hues; nor can it discern that play of the thoughts and passions in the "human face divine," which eludes common observation, and is beheld only by him who has studied profoundly, that wonderful title page to the volume of mind. Nature, it is true, like a lovely and virtuous maiden, is seen and admired by all; but the blush which reveals her sweetest charm, is only perceived and felt by the devoted lover. That Lover is the artist. To him the revolving year, brings but a change ofbeauty. It is the element in which he breathes,—the aliment on which he lives; his eye detects each flitting shadow—and the whole world of real or imaginary things, is to his mind full of moving pictures, which he can, in a moment, transfix and perpetuate on his canvass. On him the graces attend, and wreathe the flowers of every season into garlands of beauty; the jocund spring strews buds and blossoms in his way, which he transplants to other climes, to live in unfading bloom, and flourish on the same wall with the fruits of summer, or mingle with the sober and varied hues of autumn. Even winter, with frosty locks and snowy visage, is compelled to linger in social companionship with the burning heats of tropical regions. Old Time, in his onward march, strews cities and temples in the path of the artist, but his pencil like the wand of the enchanter, bids their sculptured fragments remain forever, and they obey him. When Aurora comes forth in the chariot of day, and Cynthia lights her pale lamp at Diana's altar,—he snatches promethean fire from heaven, and like Joshua, commands the unwearied sun to stand still, and the glowing canvass receives it. He not only transfers
"Italian skies to English walls,"
"Italian skies to English walls,"
but by the magic of his pencil, the very faces and persons of the fair and the brave of ages gone by, come down to our day in the bloom of youth, and with the daring eye, as they lived and moved when Shakspeare wrote, or lovely Juliet died.
Where do not the trophies of this incomparable art arrest our attention?—from the ruins of Pompeii to imperial Rome, or from the Vatican, where Raphael's immortal pencil traced the transfiguration, to Hampton Court, the gallery of the cartoons, and of that fair but frail society, of which England's voluptuous monarch was the sun and centre.1But these are neither black, nor daubed, nor smooth!—and yet they are excellent in art, and have been so esteemed for three hundred years. To these the painter may appeal as imbodying all that is noble in his profession, or like Sir Joshua, who felt and understood, what others only imagined, he may patiently submit to the ignorance of vanity—and the vanity of ignorance.
G. C.
1The cartoons of Raphael and the court of Charles II by Sir Peter Lely, form a part of the collection at Hampton court.
For the Southern Literary Messenger.
The following tale was translated from the French of M. Florian, by the present hand, about 7 or 8 years ago, for a Richmond newspaper. That translation its author has not seen since 1827; and lately meeting with the original again, it seemed new enough, as well as sufficiently pretty and interesting, to be worth presenting afresh to the public through the Southern Literary Messenger. It is seldom that so much varied incident has been compressed into so short a compass: yet the rapidity of the narrative has not hindered the writer from indulging a humor both playful and caustic, upon the foibles which he banters, and the vices and crimes which he holds up to detestation. And the moral, disclosed in unravelling the mystery of the allegorical personage from whom the story takes its name, is full at once of beauty and truth.
M.
A PERSIAN STORY.
A PERSIAN STORY.
The THOUSAND-AND-ONENIGHTShave always appeared to me charming tales; but I should like them better, if they had oftener a moral scope. Scheherezade, I am aware, is too handsome to be at the trouble of being rational: I know, that with so pretty a face, she has no need of common sense; and that the sultan would have been less enamored, if she had been less silly. These great truths I devoutly believe: and I merely repeat, that for my own part, I would rather read stories whichmake me reflect, while they amuse me. Extravagance is a fine thing, no doubt; but a picture must have shade: and I would fain have reason appear now and then, to make folly go off the better. So an uncle of mine once thought. He had often sailed in the Levant; and had amused himself while there, by composing PERSIANTALES. They are far below theThousand-and-one Nightsin imagination, but exceed them infinitely in number; for my uncle in his life-time made four thousand seven hundred and ninety-eight—all of which are now lost except the following one, preserved by me.
Under the reign of a Persian king, whose name my uncle does not tell, a merchant of Balsora was ruined by commercial disasters; and, collecting the shattered remains of his fortune, retired to the province of Kusistan. He there bought a dwelling, and a farm which he cultivated badly, because he was perpetually regretting his days of opulence and ease. Chagrin shortened his life; he perceived his end to be near; and, calling his four sons around him, he said—"My children, I have nothing to bequeath you but this house, and a secret which I was bound to conceal till now. In the time of my wealth, I had for my friend the genius Alzim; who promised to befriend you when I should be no more, and to divide a treasure amongst you. He dwells some miles hence, in the great forest of Kom. Go—find him: claim the treasure: but take heed not to believe." ... Death here suppressed the merchant's voice.
His four sons, after interring and mourning him, repaired to the forest of Kom. They inquired for the mansion of the genius Alzim: it was readily shewn them. He was known to the whole country: he received kindly all who visited him; he heard their complaints, consoled them, and lent them money if they needed it. But these benefits were upon the sole condition ofimplicitly obeying his directions. This was his whim. No one could enter his palace without an oath to comply with this condition.
The oath did not deter the merchant's three eldest sons: the fourth, whose name was Tai, thought it a very ridiculous ceremony. Yet, being obliged to enter in order to receive the treasure, he swore, like his brothers: but reflecting on the dangerous consequences of so rash a vow, and remembering that his father, who frequently came to this palace, had passed his life in follies, he resolved, without committing perjury, to place himself out of danger; and, whilst they were leading him to the genius, stopped his ears with perfumed wax. Thus fortified, he prostrated himself before Alzim's throne. The genius made the sons of his ancient friend arise; embraced them, shed tears to his memory, and had a large chest brought, full of dariques. "Here," said he, "is the treasure I design for you. I am going to divide it among you; and I will then tell each the way he must take to be perfectly happy."
Tai heard not what the genius said; but watching him attentively, he saw in his eyes and visage traits of cunning and malignity which gave him much food for thought. Still, he received his portion of the treasure gratefully. Alzim, having thus enriched them, assumed an affectionate tone, and said; "My dear children, your good or bad fortune depends upon your meeting sooner or later a certain being named BATHMENDI, of whom all the world speaks, but whom few, very few, know. Wretched mortals grope after him in vain: But I, for the love I bear you, will whisper to each of you where he may be found." At these words, Alzim takes Bekir, the eldest brother, aside, and says—"My son, you were born with courage, and great military talents. The king of Persia has just sent an army against the Turks. Join that army: in the Persian camp you will find Bathmendi." Bekir thanks the genius, and already burns to march.
Alzim beckoned Mesrou, the second son, to approach. "You," said he, "have shrewdness, address, and a great propensity to falsehood. Take the road to Ispahan; 'tis at court that you must seek Bathmendi."
To the third brother, whose name was Sadder, he said, "You are gifted with a lively and fruitful imagination: You see objects not as they are, but as you would have them be; you often possess genius, and not always common sense: be a poet. Take the route to Agra: among the wits and fair ladies of that city, you may find Bathmendi."
Tai, in his turn, advanced; and, thanks to the pallets of wax, heard not one word that Alzim said. It has since been ascertained, that he counselled Tai to become a Dervise.
After thanking the beneficent genius, the four brothers returned home. The three eldest dreamed of nothing but Bathmendi. Tai unstopped his ears, and heard them arrange their departure, and determine to sell their little dwelling to the first bidder, in order to divide the price. Tai offered to become the purchaser: he caused the house and farm to be valued, paid his brothers their respective portions, and embracing them tenderly, with a thousand good wishes, remained alone in the paternal mansion.
He then employed himself in executing a scheme, which he had long meditated. He was enamored of young Amine, the daughter of a neighboring farmer. She was handsome and discreet: she managed her father's household, comforted his declining years, and prayed Heaven for two things—that her father might long live, and that she might be the wife of Tai. Her prayers were heard. Tai asked, and obtained her. Her father went to live with his son-in-law, and taught him the art of enriching the ground, so as to be enriched by it in return. Tai had some gold still remaining of Alzim's gift: he employed it in extending his farm, and in buying a flock. The farm doubled its value; the fleeces of the sheep were sold; plenty reigned in Tai's house; and, as he was industrious and his wife frugal, each year augmented their income. Children, that ruin wealthy idlers, in the cities, enrich laborers. At the end of seven years, Tai, the father of six lovely children, the husband of a sweet and virtuous wife, son-in-law to an aged, yet a hale and amiable man, master of several slaves, and of two flocks,—was the happiest and the most independent farmer of Kusistan.
Meantime his three brothers were in chase of Bathmendi. Bekir arrived at the Persian camp; presented himself to the grand vizier, and begged to be employed in the most hazardous services. His mien, and his gallant bearing, pleased the vizier, who admitted him into a squadron of cavalry. In a few days, a bloody battle took place. Bekir achieved prodigies; saved his general's life, and captured the general of the enemy. The camp rung with the praises of Bekir: all the soldiers called him the champion of Persia; and the grateful vizier promoted his deliverer to the rank of general. "Alzim was right," said Bekir to himself; "'tis here that fortune awaits me; I am evidently about to find Bathmendi."
Bekir's glory, and especially his promotion, aroused the envy and the murmurs of all the satraps. Some of them came to ask him about his father; complaining that they had suffered by his bankruptcy: others pretended to have heldmadam his motheras a slave: all refused to serve under him, because they were his seniors in office. Bekir, made miserable by his very successes, lived alone, ever on the watch, ever in danger of some outrage, which he might amply revenge but could not prevent. He regretted the time when he was a mere private soldier, and awaited impatiently the close of the war; when the Turks, reinforced by fresh troops, and led by a new general, made an attack upon his division. It was the juncture, for which the satraps of the army had long wished. They exerted a hundred times more ability in procuring the defeat of their leader, than they had ever shewn to avoid defeat themselves. Bekir defended himself like a lion: but he was neither obeyed nor seconded. In vain did the Persian soldiers wish to fight: their officers restrained them, and led them only to flight. The valiant Bekir, abandoned, covered with wounds, and overwhelmed by numbers, was taken by the Janissaries. The Turkish commander unworthily loaded him with irons, and sent him to Constantinople, where he was thrown into a frightful dungeon. "Alas!" cried Bekir, "I begin to think that Alzim has deceived me: for I cannot hope to meet Bathmendi here."
The war lasted fifteen years, and the satraps always obstructed the exchange of Bekir. His dungeon was not opened until peace came: he hurried to Ispahan, to seek his patron the vizier, whose life he had saved. It was three weeks before he could obtain an audience. Fifteen years, in prison, make some change in the appearance of a handsome young man. Bekir was not easily to be recognized: and the vizier did not know him again. However, on calling to mind the various events of his own illustrious life, he did remember that Bekir had done him some trifling service. "Aye—yes, friend," said he; "I will requite you. A brave man—but the empire is deeply in debt: a long war, and grand feastings have exhausted our finances. However—come and see me again—I will try—I will see"—"Alas, my lord!" said Bekir, "I have not a morsel of bread; and in the fifteen days that I have been waiting for a moment's interview with your highness, I should have died of hunger, but for a soldier of the guard, my old comrade, who shared his pay with me." "That was very good of the soldier," said the vizier; "really, it is quite touching. I will report it to the king. Come and see me again; you know I love you." And with these words, he turned his back upon him. Bekir returned the next day, and found the gate closed. In despair, he left the palace and the city, resolving never to enter them again.
Throwing himself at the foot of a tree, on the bank of the river Zenderou, he reflected upon the ingratitude of viziers, his own past misfortunes, and those which menaced him; and, unable to endure thoughts so dismal, he arose, to plunge into the stream—when he felt himself clasped by a beggar, who bathed his face with tears, and sobbed out, "it is my brother; it is my dear Bekir!" Looking up, Bekir recognised Mesrou. No one can find a long-lost brother without pleasure; but an unfortunate, needy, friendless, and hopeless, who is about to end his life in despair, thinks, that in a brother whom he loves, he sees an angel from Heaven. Mesrou and Bekir at once felt this sentiment: they press each other to their bosoms—they mingle their tears—and, after the first moments of tenderness, they gaze at each other with affliction and surprise. "You too, then, are unhappy!" cried Bekir. "This is the first moment of happiness," said Mesrou, "that I have enjoyed since our separation." At these words, embracing again, they leaned upon each other; and Mesrou, seated beside Bekir, began his narrative as follows:
"You remember the fatal day, when we went to Alzim's abode. That perfidious genius told me, that I should find Bathmendi, the object of our desires, at court. I followed his advice, and soon arrived at Ispahan. There I became acquainted with a young female slave to the mistress of the grand vizier's first secretary. This slave took a liking for me, and made me known to her mistress; who finding me younger and handsomer than her lover, lodged me in her own house, as her half-brother. The half-brother was soon presented to the vizier: and some days afterwards, obtained an office in the palace. I had only to let my fortune lead me on, and to remember the path which had brought me thus far. I never quitted that path: and, the sultana mother being old, ugly, and all-powerful, I failed not to pay my court assiduously to her. She distinguished me, by a friendship as intimate as that of the slave and her mistress had been. Thenceforward, honors and riches began to rain upon me. The sultana caused me to be presented with all the money in the treasury, and all the dignities of the state. The monarch himself testified affection for me: he loved to converse with me, because I flattered him adroitly, and always advised him to what I knew he wished to do. This was the way to induce him to do what I wished; and it soon succeeded. At the end of three years, I was at once prime minister, favorite of the king, lover of his mother, with power to appoint and displace viziers; deciding every thing by my influence, and giving audience every morning to the grandees of the empire, who came to wait for my awaking to obtain a smile of protection. Amidst all my wealth and glory, I was surprised at not finding Bathmendi. 'I want for nothing,' said I; 'why does not Bathmendi present himself?' This thought, and the frightful solicitude of my life, poisoned all my pleasures. As the sultana grew older, she became more difficult to please, and my gratitude grew more irksome. Her tenderness for me was a torment. On the other hand, my station procured me a thousand tiresome flatterers, and a hundred thousand powerful enemies. For every favor I conferred, hardly a single mouth thanked, and a thousand reviled me. The generals whom I appointed were defeated, and all was attributed to me. Whatever good the king did, belonged only to himself; all the evil was laid at my door. The people detested me—the whole court hated, a hundred libels excoriated me: my master often frowned, the sultana-mother sickened me by her fondness; and Bathmendi seemed more distant than ever.
"At length, the king's passion for a young Mingrelian gave the finishing stroke to my fortunes. The whole court united with her, in hopes that the mistress would expel the minister. I parried the blow, by joining the Mingrelian, and flattering the king's passion. But his love became so violent, that, being resolved to espouse her, he demanded my advice. I evaded an answer for some days. The sultana mother, who was afraid of losing her power by her son's marriage, declared to me, that unless I broke off the match, she would have me assassinated on the very day of its consummation. An hour afterwards, the fair Mingrelian vowed, thatunless I procured her marriage with the king the next day, I should be strangled on the day following. My position was embarrassing. I must choose the dagger, the bowstring, or flight. I chose the last. Disguised as you see, I escaped from the palace with some diamonds, which will sustain us in some nook of Hindostan, far from courts, Mingrelians, and sultana mothers."
Bekir then recited his adventures to Mesrou. They agreed, that it would have been as well for them not to run over the world; and that their wisest course was, to return to Kusistan, to the neighborhood of their brother Tai, where Mesrou's diamonds would procure them a peaceful and easy life. Thus resolved, they took the road, and travelled for some days without an adventure. As they passed through the province of Farsistan, they arrived one evening at a village, where they proposed to spend the night. It was a holiday. Upon entering the village, they saw many children of the peasants' returning from a procession, led by a sort of master, ill clad, marching with downcast look and pensive air. The two brothers approach, and observe him attentively. What was their surprise! It was Sadder—their brother Sadder, whom they embraced!
"Ah!" said Bekir, "is genius thus rewarded?"—"You perceive," answered Sadder, "that genius is treated much like valor. But philosophy finds in misfortune an ample subject for meditation; and that is somewhat consoling." He then sent his pupils to their home, conducted Bekir and Mesrou to his little cabin, served them up a little rice for supper, and, after having heard their histories, told his own:
"Alzim, who, I strongly suspect, delights in the woes of mankind, counselled me to seek this undiscoverable Bathmendi in the great city of Agra, among men of genius and fair ladies. I arrived in Agra; and determined, before I appeared in public, to herald myself by some brilliant production. At the end of a month, my work appeared: it was a complete course of all human sciences, in a small octodecimo volume of sixty pages, divided into chapters. Each chapter comprised a tale; and each tale taught a science perfectly. My book had prodigious success. Some reviews cavilled at it, as too prolix: but all people of fashion bought it; and I was consoled for the criticisms. My book and I became all the rage. I was sought for—invited into every circle that had any pretension to wit or genius: all that I did was charming: I was the theme of every tongue, and every wish; and the favorite sultana with her own hand wrote me a badly spelled note, praying me to visit the court. 'Bravo!' thought I; 'Alzim has not deceived me. My glory is at its height: I shall sustain myself by surer means than intrigue: I shall please—I shall captivate—I shall find Bathmendi!' I was favorably received at the great Mogul's palace. The sultana loudly proclaimed herself my patroness; called upon me for verses; gave me pensions; admitted me to her select suppers; and, a hundred times a day, swore to me an unalterable friendship. For my part, I gave myself up to the liveliest gratitude. I promised to devote my days to singing the renown of my benefactress; and made a poem, in which the sun was but a mock-diamond beside her eyes, and ivory, coral, and the pearls of the Persian gulf, were dim and homely compared with her face, neck, and teeth. These refined and delicate compliments completed my assurance of her perpetual favor.
"I thought myself on the point of meeting Bathmendi, when my protectress quarrelled with the grand vizier, about the government of a province, which he refused to the son of her confectioner. The sultana, exasperated at such audacity, demanded of the sultan the banishment of the insolent minister; but the sultan loved the vizier, and refused the favorite. The next thing was to organize an intrigue, to destroy the cherished vizier. Being in the plot, I received orders to compose a bloody satire against the minister, and circulate it. The satire was soon made—that is not difficult: it was even good—which is still easy: it was read with avidity—and that is sure to tell. The vizier soon learned that I was the author. Going to the favorite, he carries her the commission which he had before denied, and a draft upon the royal treasury for one hundred darics; only asking in return, permission to put me to death in a dungeon. 'He is a vile wretch,' answered the favorite; 'and I am happy in having the power to do what may please you. I will instantly have the insolent sought for, who has dared insult you against my positive orders; and he shall be put into your hands.' Happily, a slave who was present, ran to tell me of this conversation; and I had barely time to escape. Ever since, I have been traversing Hindostan, gaining a meager subsistence by writing tales, making verses, and toiling for booksellers who cheated me, and who, less indulgent to my talents than to their own consciences, continually asserted that mystyle was not pure enough. Whilst I was wealthy, my works had been master-pieces: now that I was poor and friendless, my effusions were trash. Tired at length of enlightening the universe, I preferred teaching the peasants to read: and I am now schoolmaster in this village, where I eat black bread, and have no hope of seeing Bathmendi."
"You must go hence," said Mesrou, "and return with us to Kusistan, where some diamonds of mine will ensure us an easy and quiet life." It was not difficult to persuade Sadder; and the three brothers, setting out early next morning, took the way to Kusistan. They were on the last day of their journey; and not far from Tai's dwelling. This thought consoled them: but their hope was mingled with fear. "Shall we find our brother? We left him poor—he cannot have found Bathmendi, since he has been unable to go in quest of him." "My dear friends," said Sadder, "I have reflected much on this Bathmendi, that Alzim told us of; and really, I believe he deluded us. Bathmendi does not, and never did exist: for, since Bekir did not meet him when he commanded half the Persian army—since Mesrou did not hear of him when he was the favorite of the great king—and I could not even divine who or what he was, whilst the favors of glory and fortune were heaped upon me—it is evident, Bathmendi is a creature of fancy; a chimera; an illusion, which men chase merely from the love of chasing illusions." Sadder was proceeding to prove that Bathmendi dwelt no where on earth, when a band of robbers issued from some rocks on the road-side, and ordered the brothers to strip. Bekir offered resistance; but he was disarmed; and four of these gentry, holding a dagger at his breast, unrigged him, while their comrades did the like to Mesrou and Sadder. After this ceremony, which was the work of a moment, the captain of the robbers wished them a pleasant journey, and left them half naked in the highway.
"This confirms my position:" said Sadder, looking at his brothers. "Ah, the cowards!" cried Bekir; "they took away my sword!" "Oh, my poor diamonds!" said Mesrou, sorrowfully.
It was now night: the three unfortunates hastened on towards the mansion of their brother: and on arriving there, the sight of it made their tears flow fast. They stopped at the door, but durst not knock. All their fears, all their doubts, returned. While they hesitated, Bekir rolled up a large stone below the window, and mounting upon it, looked in. He saw, in a neat and simply furnished apartment, his brother Tai at table, amid ten children, who were eating, laughing, and prattling all together. On his right was Amine, mincing some meat for her youngest son; and on his left was a little old man of a mild and lively countenance, who was filling Tai's cup. At this spectacle, Bekir threw himself into the arms of his brothers, and knocked at the door with all his might. A servant opened it, but uttered cries of alarm on seeing three half-naked men. Tai runs out: they fall upon his neck, call him "brother!" and bathe him in tears. Though confounded at first, he soon recognises them, and locks them in his arms. The children run to the spectacle; and so does Amine, but retires with her daughters, on seeing the three strange men. The old man alone did not leave the table.
Tai clothed his brothers; presented them to his wife, and made them kiss his children. "Alas!" said Bekir, much affected, "your happy lot consoles us for all that we have suffered. Since the moment of our separation, our lives have been but a series of calamities; and we have not so much as had a glimpse of that Bathmendi, after whom we have been running." "I believe you"—said the little old man who continued still at the table; "I have never stirred from this place." "What!" exclaimed Mesrou, "are you ..." "I am BATHMENDI," said the old man. "It is quite natural that you should not know me, since you never saw me before: but ask Tai—ask Amine—and all these children, every one of whom knows my name. I have lived with them fifteen years; and am perfectly at home here. I have been away but for one day; it was when Amine's father died: but I returned, and now hope never to go hence a single step. It rests only with yourselves, gentlemen adventurers, to become acquainted with me. If it so please you, I am willing: if not, why I shall be content. I trouble no one: I stay in my corner, never dispute, and detest noise." The three brothers, whose eyes had been eagerly fixed upon the little old man, wished to embrace him. "O, softly!" said he: "I do not like all these violent emotions: I am rather delicate; and too close an embrace stifles me. Besides—we must become friends before we caress. If you wish us to become friends, do not busy yourselves too much about me. I value freedom more than politeness; and have an antipathy to all excess." At these words he arose, kissed the foreheads of all the children, slightly saluted the three brothers, smiled upon Amine and Tai; and went to await them in their chamber.
Tai sat down again with his brothers, and had beds prepared for them. The next morning, he shewed them his fields, his flocks, his working beasts; and unfolded to them all the pleasures he enjoyed. Bekir wished to begin work that very day; and he was the first to become the friend of Bathmendi. Mesrou, who had been prime minister, was the chief shepherd; and the poet assumed the task of selling the corn, wool, and milk, which were sent to market in the city. His eloquence attracted customers; and he was as useful as the others. At the end of six months, Bathmendi became attached to them; and their days, many and tranquil, flowed softly on to the bosom of felicity.
[It is needless to say, thatBathmendi, in the Persian tongue, signifiesHappiness.]