But to return to our Female Heads. The Ladies have been for some time in a kind of
moulting Season
, with regard to that Part of their Dress, having cast great Quantities of Ribbon, Lace, and Cambrick, and in some measure reduced that Part of the human Figure to the beautiful globular Form, which is natural to it. We have for a great while expected what kind of Ornament would be substituted in the Place of those antiquated Commodes. But our Female Projectors were all the last Summer so taken up with the Improvement of their Petticoats, that they had not time to attend to any thing else; but having at length sufficiently adorned their lower Parts, they now begin to turn their Thoughts upon the other Extremity, as well remembring the old Kitchen Proverb, that if you light your Fire at both Ends, the middle will shift for it self.
I am engaged in this Speculation by a Sight which I lately met with at the Opera. As I was standing in the hinder Part of the Box, I took notice of a little Cluster of Women sitting together in the prettiest coloured Hoods that I ever saw.
One
of them was Blue, another Yellow, and another Philomot
2
; the fourth was of a Pink Colour, and the fifth of a pale Green. I looked with as much Pleasure upon this little party-coloured Assembly, as upon a Bed of Tulips, and did not know at first whether it might not be an Embassy of
Indian
Queens; but upon my going about into the Pit, and taking them in Front, I was immediately undeceived, and saw so much Beauty in every Face, that I found them all to be
English
. Such Eyes and Lips, Cheeks and Foreheads, could be the Growth of no other Country. The Complection of their Faces hindred me from observing any farther the Colour of their Hoods, though I could easily perceive by that unspeakable Satisfaction which appeared in their Looks, that their own Thoughts were wholly taken up on those pretty Ornaments they wore upon their Heads.
I am informed that this Fashion spreads daily, insomuch that the Whig and Tory Ladies begin already to hang out different Colours, and to shew their Principles in their Head-dress. Nay if I may believe my Friend
Will. Honeycomb
, there is a certain old Coquet of his Acquaintance who intends to appear very suddenly in a Rainbow Hood, like the
Iris
in
Dryden's Virgil
, not questioning but that among such a variety of Colours she shall have a Charm for every Heart.
My Friend
Will
., who very much values himself upon his great Insights into Gallantry, tells me, that he can already guess at the Humour a Lady is in by her Hood, as the Courtiers of
Morocco
know the Disposition of their present Emperor by the Colour of the Dress which he puts on. When
Melesinda
wraps her Head in Flame Colour, her Heart is set upon Execution. When she covers it with Purple, I would not, says he, advise her Lover to approach her; but if she appears in White, it is Peace, and he may hand her out of her Box with Safety.
Will, informs me likewise, that these Hoods may be used as Signals. Why else, says he, does
Cornelia
always put on a Black Hood when her Husband is gone into the Country?
Such are my Friend
Honeycomb's
Dreams of Gallantry. For my own part, I impute this Diversity of Colours in the Hoods to the Diversity of Complexion in the Faces of my pretty Country Women.
Ovid
in his Art of Love has given some Precepts as to this Particular, though I find they are different from those which prevail among the Moderns. He recommends a Red striped Silk to the pale Complexion; White to the Brown, and Dark to the Fair. On the contrary my Friend
Will
., who pretends to be a greater Master in this Art than
Ovid
, tells me, that the palest Features look the most agreeable in white Sarsenet; that a Face which is overflushed appears to advantage in the deepest Scarlet, and that the darkest Complexion is not a little alleviated by a Black Hood. In short, he is for losing the Colour of the Face in that of the Hood, as a Fire burns dimly, and a Candle goes half out, in the Light of the Sun. This, says he, your
Ovid
himself has hinted, where he treats of these Matters, when he tells us that the blue Water Nymphs are dressed in Sky coloured Garments; and that
Aurora
, who always appears in the Light of the Rising Sun, is robed in Saffron.
Whether these his Observations are justly grounded I cannot tell: but I have often known him, as we have stood together behind the Ladies, praise or dispraise the Complexion of a Face which he never saw, from observing the Colour of her Hood, and has been very seldom out in these his Guesses.
As
I have Nothing more at Heart than the Honour and Improvement of the Fair Sex
3
, I cannot conclude this Paper without an Exhortation to the
British
Ladies, that they would excel the Women of all other Nations as much in Virtue and good Sense, as they do in Beauty; which they may certainly do, if they will be as industrious to cultivate their Minds, as they are to adorn their Bodies: In the mean while I shall recommend to their most serious Consideration the Saying of an old
Greek
Poet,
Greek: Gynaikì kósmos ho trópos, k' ou chrysía.
C.
4
Footnote 1:
On the contrary as Nature
return to footnote mark
Footnote 2:
Feuille mort
, the russet yellow of dead leaves.
return
Footnote 3:
'I will not meddle with the Spectator. Let himfair-sexit to the world's end.'
Swift's Journal to Stella.
return
Footnote 4:
T
. corrected by an erratum in No.
268
.
return
ContentsContents, p.3
Id vero est, quod ego mihi puto palmarium,Me reperisse, quomodo adolescentulusMeretricum ingenia et mores possit noscere:Mature ut cum cognórit perpetuo oderit.Ter.Eun. Act. 5, Sc. 4.
No Vice or Wickedness which People fall into from Indulgence to Desire
s
which are natural to all, ought to place them below the Compassion of the virtuous Part of the World; which indeed often makes me a little apt to suspect the Sincerity of their Virtue, who are too warmly provoked at other Peoples personal Sins. The unlawful Commerce of the Sexes is of all other the hardest to avoid; and yet there is no one which you shall hear the rigider Part of Womankind speak of with so little Mercy. It is very certain that a modest Woman cannot abhor the Breach of Chastity too much; but pray let her hate it for her self, and only pity it in others.
Will. Honeycomb
calls these over-offended Ladies, the Outragiously Virtuous.
I do not design to fall upon Failures in general, with relation to the Gift of Chastity, but at present only enter upon that large Field, and begin with the Consideration of poor and publick Whores. The other Evening passing along near
Covent-Garden
, I was jogged on the Elbow as I turned into the Piazza, on the right Hand coming out of
James-street
, by a slim young Girl of about Seventeen, who with a pert Air asked me if I was for a Pint of Wine. I do not know but I should have indulged my Curiosity in having some Chat with her, but that I am informed the Man of the
Bumper
knows me; and it would have made a Story for him not very agreeable to some Part of my Writings, though I have in others so frequently said that I am wholly unconcerned in any Scene I am in, but meerly as a Spectator.
This
Impediment being in my Way, we stood
under
1
one of the Arches by Twilight; and there I could observe as exact Features as I had ever seen, the most agreeable Shape, the finest Neck and Bosom, in a Word, the whole Person of a Woman exquisitely Beautiful. She affected to allure me with a forced Wantonness in her Look and Air; but I saw it checked with Hunger and Cold: Her Eyes were wan and eager, her Dress thin and tawdry, her Mein genteel and childish. This strange Figure gave me much Anguish of Heart, and to avoid being seen with her I went away, but could not forbear giving her a Crown. The poor thing sighed, curtisied, and with a Blessing, expressed with the utmost Vehemence, turned from me. This Creature is what they call
newly come upon the Town
, but who, I suppose, falling into cruel Hands was left in the first Month from her Dishonour, and exposed to pass through the Hands and Discipline of one of those Hags of Hell whom we call Bawds. But lest I should grow too suddenly grave on this Subject, and be my self outragiously good, I shall turn to a Scene in one of
Fletcher's
Plays, where this Character is drawn, and the Œconomy of Whoredom most admirably described. The Passage I would point to is in the third Scene of the second Act of
The Humorous Lieutenant. Leucippe
who is Agent for the King's Lust, and bawds at the same time for the whole Court, is very pleasantly introduced, reading her Minutes as a Person of Business, with two Maids, her Under-Secretaries, taking Instructions at a Table before her. Her Women, both those under her present Tutelage, and those which she is laying wait for, are alphabetically set down in her Book; and as she is looking over the Letter
C
, in a muttering Voice, as if between Soliloquy and speaking out, she says,
Her Maidenhead will yield me; let me see now;She is not Fifteen they say: For her Complexion—-Cloe, Cloe, Cloe,here I have her,Cloe,the Daughter of a Country Gentleman;Here Age upon Fifteen. Now her Complexion,A lovely brown; here 'tis; Eyes black and rolling,The Body neatly built; she strikes a Lute well,Sings most enticingly: These Helps consider'd,Her Maidenhead will amount to some three hundred,Or three hundred and fifty Crowns, 'twill bear it handsomly.Her Father's poor, some little Share deducted,To buy him a Hunting Nag—
These Creatures are very well instructed in the Circumstances and Manners of all who are any Way related to the Fair One whom they have a Design upon.
As
Cloe
is to be purchased with
350
2
Crowns, and the Father taken off with a Pad; the Merchant's Wife next to her, who abounds in Plenty, is not to have downright Money, but the mercenary Part of her Mind is engaged with a Present of Plate and a little Ambition. She is made to understand that it is a Man of Quality who dies for her. The Examination of a young Girl for Business, and the crying down her Value for being a slight Thing, together with every other Circumstance in the Scene, are inimitably excellent, and have the true Spirit of Comedy; tho' it were to be wished the Author had added a Circumstance which should make
Leucippe's
Baseness more odious.
It must not be thought a Digression from my intended Speculation, to talk of Bawds in a Discourse upon Wenches; for a Woman of the Town is not thoroughly and properly such, without having gone through the Education of one of these Houses. But the compassionate Case of very many is, that they are taken into such Hands without any the least Suspicion, previous Temptation, or Admonition to what Place they are going. The last Week I went to an Inn in the City to enquire for some Provisions which were sent by a Waggon out of the Country; and as I waited in one of the Boxes till the Chamberlain had looked over his Parcel, I heard an old and a young Voice repeating the Questions and Responses of the Church-Catechism. I thought it no Breach of good Manners to peep at a Crevice, and look in at People so well employed; but who should I see there but the most artful Procuress in the Town, examining a most beautiful Country-Girl, who had come up in the same Waggon with my Things,
Whether she was well educated, could forbear playing the Wanton with Servants, and idle fellows, of which this Town
, says she,
is too full
: At the same time,
Whether she knew enough of Breeding, as that if a Squire or a Gentleman, or one that was her Betters, should give her a civil Salute, she should curtsy and be humble, nevertheless.
Her innocent
forsooths, yes's, and't please you's, and she would do her Endeavour
, moved the good old Lady to take her out of the Hands of a Country Bumpkin her Brother, and hire her for her own Maid. I staid till I saw them all marched out to take Coach; the brother loaded with a great Cheese, he prevailed upon her to take for her Civilities to
his
Sister. This poor Creature's Fate is not far off that of her's whom I spoke of above,
and
it is not to be doubted, but after she has been long enough a Prey to Lust she will be delivered over to Famine; the Ironical Commendation of the Industry and Charity of these antiquated Ladies
, these
3
Directors of Sin, after they can no longer commit it, makes up the Beauty of the inimitable Dedication to the
Plain-Dealer
4
, and is a Masterpiece of Raillery on this Vice. But to understand all the Purleues of this Game the better, and to illustrate this Subject in future Discourses, I must venture my self, with my Friend
Will
, into the Haunts of Beauty and Gallantry; from pampered Vice in the Habitations of the Wealthy, to distressed indigent Wickedness expelled the Harbours of the Brothel.
T.
Footnote 1:
under in
return to footnote mark
Footnote 2:
fifty
return
Footnote 3:
. These
return
Footnote 4:
Wycherley's
Plain-Dealer
having given offence to many ladies, was inscribed in a satirical
billet doux
dedicatory 'To My Lady B .'
return
ContentsContents, p.3
Cedite Romani Scriptores, cedite Graii.1Propert
There
is nothing in Nature
more irksome than
2
general Discourses, especially when they turn chiefly upon Words. For this Reason I shall wave the Discussion of that Point which was started some Years since, whether
Milton's Paradise Lost
may be called an Heroick Poem? Those who will not give it that Title, may call it (if they please) a
Divine Poem
. It
will
be sufficient to its Perfection, if it has in it all the Beauties of the highest kind of Poetry; and as for those who
alledge
3
it is not an Heroick Poem, they advance no more to the Diminution of it, than if they should say
Adam
is not
Æneas
, nor
Eve
Helen
.
I shall therefore examine it by the Rules of Epic Poetry, and see whether it falls short of the
Iliad
or
Æneid
, in the Beauties which are essential to that kind of Writing.
The
first thing to be considered in an Epic Poem, is the Fable
4
, which is perfect or imperfect, according as the Action which it relates is more or less so. This Action should have three Qualifications in it. First, It
should
be but One Action. Secondly, It should be an entire Action; and, Thirdly, It should be a great Action
5
. To consider the Action of the
Iliad
,
Æneid
, and
Paradise Lost
, in these three several Lights.
Homer
to
preserve the Unity of his Action hastens into the Midst of Things, as
Horace
has observed
6
: Had he
gone
up to
Leda's Egg
, or begun much later, even at the Rape of
Helen
, or the Investing of
Troy
, it is manifest that the Story of the Poem would have been a Series of several Actions. He therefore opens his Poem with the Discord of his Princes, and
artfully
7
interweaves, in the several succeeding Parts of it, an Account of every Thing
material
which relates to
them
8
and had passed before that fatal Dissension. After the same manner,
Æneas
makes his first Appearance in the
Tyrrhene
Seas, and within Sight of
Italy
, because the Action proposed to be celebrated was that of his settling himself in
Latium
. But because it was necessary for the Reader to know what had happened to him in the taking of
Troy
, and in the preceding Parts of his Voyage,
Virgil
makes his Hero relate it by way of Episode in the second and third Books of the
Æneid
. The Contents of both which Books come before those of the first Book in the Thread of the Story, tho' for preserving of this Unity of Action they follow them in the Disposition of the Poem.
Milton
, in imitation of these two great Poets, opens his
Paradise Lost
with an Infernal Council plotting the Fall of Man, which is the Action he proposed to celebrate; and as for those great Actions, which preceded, in point of Time, the Battle of the Angels, and the Creation of the World, (which would have entirely destroyed the Unity of his principal Action, had he related them in the same Order that they happened) he cast them into the fifth, sixth, and seventh Books, by way of Episode to this noble Poem.
Aristotle
himself
allows, that
Homer
has nothing to boast of as to the Unity of his Fable
9
, tho' at the same time that great Critick and Philosopher endeavours to palliate this Imperfection in the
Greek
Poet, by imputing it in some measure to the very Nature of an Epic Poem.
Some
have been of opinion, that the
Æneid
also labours
10
in this Particular, and has Episodes which may be looked upon as Excrescencies rather than as Parts of the Action.
On
the contrary, the Poem, which we have now under our Consideration, hath no other Episodes than such as naturally arise from the Subject, and yet is filled with such a Multitude of astonishing
Incidents
11
, that it gives us at the same time a Pleasure of the greatest Variety, and of the greatest
Simplicity; uniform in its Nature, tho' diversified in the Execution.
12
I must observe also, that as
Virgil
, in the Poem which was designed to celebrate the Original of the
Roman
Empire, has described the Birth of its great Rival, the
Carthaginian
Commonwealth:
Milton
, with the like Art, in his Poem on the
Fall of Man
, has related the Fall of those Angels who are his professed Enemies. Besides the many other Beauties in such an Episode, its running parallel with the great Action of the Poem hinders it from breaking the Unity so much as another Episode would have done, that had not so great an Affinity with the principal Subject. In
short
, this is the same kind of Beauty which the Criticks admire in
The Spanish Frier
, or
The Double Discovery
13
where the two different Plots look like Counter-parts and Copies of one another.
The second Qualification required in the Action of an Epic Poem, is, that it should be an
entire
Action: An Action is entire when it is complete in all its Parts; or, as