. He has not indeed so many Thoughts that are Low and Vulgar; but at the same time has not so many Thoughts that are Sublime and Noble. The Truth of it is,
Virgil
seldom rises into very astonishing Sentiments, where he is not fired by the
Iliad
. He every where charms and pleases us by the Force of his own Genius; but seldom elevates and transports us where he does not fetch his Hints from
Homer
.
Milton's
chief Talent, and indeed his distinguishing Excellence, lies in the Sublimity of his Thoughts. There are others of the Moderns who rival him in every other part of Poetry; but in the Greatness of his Sentiments he triumphs over all the Poets both Modern and Ancient,
Homer
only excepted. It is impossible for the Imagination of Man to distend itself with greater Ideas, than those which he has laid together in his first,
second
, and sixth Book
s
. The seventh, which describes the Creation of the World, is likewise wonderfully Sublime, tho' not so apt to stir up Emotion in the Mind of the Reader, nor consequently so perfect in the Epic Way of Writing, because it is filled with less Action.
Let
the judicious Reader compare what
Longinus
has observed
6
on several Passages in
Homer
, and he will find Parallels for most of them in the
Paradise Lost
.
From what has been said we may infer, that as there are two kinds of Sentiments, the Natural and the Sublime, which are always to be pursued in an Heroic Poem, there are also two kinds of Thoughts which are carefully to be avoided. The first are such as are affected and unnatural; the second such as are mean and vulgar. As for the first kind of Thoughts, we meet with little or nothing that is like them in
Virgil:
He
has none of those
trifling
7
Points and Puerilities that are so often to be met with in
Ovid
, none of the Epigrammatick Turns of
Lucan
, none of those swelling Sentiments which are so frequent in
Statins
and
Claudian
, none of those mixed Embellishments of
Tasso
. Every thing is just and natural.
His
Sentiments shew that he had a perfect Insight into human Nature, and that he knew every thing which was the most proper to
affect it
8
.
Mr.
Dryden
has in some Places, which I may hereafter take notice of, misrepresented
Virgil's
way of thinking as to this Particular, in the Translation he has given us of the
Æneid
. I do not remember that
Homer
any where falls into the Faults above-mentioned, which were indeed the false Refinements of later Ages.
Milton
, it must be confest, has sometimes erred in this Respect, as I shall shew more at large in another Paper; tho' considering how all the Poets of the Age in which he writ were infected with this wrong way of thinking, he is rather to be admired that he did not give more into it, than that he did sometimes comply with the vicious Taste which still prevails so much among Modern Writers.
But
since
several Thoughts may be natural which are low and groveling, an Epic Poet should not only avoid such Sentiments as are unnatural or affected, but also such as are
mean
9
and vulgar.
Homer
has opened a great Field of Raillery to Men of more Delicacy than Greatness of Genius, by the Homeliness of some of his Sentiments. But, as I have before said, these are rather to be imputed to the Simplicity of the Age in which he lived, to which I may also add, of that which he described, than to any Imperfection in that Divine Poet.
Zoilus
10
among the Ancients, and Monsieur
Perrault
,
11
among the Moderns, pushed their Ridicule very far upon him, on account of some such Sentiments. There is no Blemish to be observed in
Virgil
under this Head, and but
a
very few in Milton.
I
shall
give but one Instance of this Impropriety of
Thought
12
in
Homer
, and at the same time compare it with an Instance of the same Nature, both in
Virgil
and
Milton
. Sentiments which raise Laughter, can very seldom be admitted with any Decency into an Heroic Poem, whose Business it is to excite Passions of a much nobler Nature.
Homer
, however, in his Characters of
Vulcan
13
and
Thersites
14
, in his Story of
Mars
and
Venus
,
15
in his Behaviour of
Irus
16
and in other Passages, has been observed to have lapsed into the Burlesque Character, and to have departed from that serious Air which seems essential to the Magnificence of an Epic Poem. I remember but one Laugh in the whole Æneid, which rises in the fifth Book, upon
Monætes
, where he is represented as thrown overboard, and drying himself upon a Rock. But this Piece. of Mirth is so well timed, that the severest Critick can have nothing to say against it; for it is in the Book of Games and Diversions, where the Reader's Mind may be supposed to be sufficiently relaxed for such an Entertainment. The only Piece of Pleasantry in
Paradise Lost
, is where the Evil Spirits are described as rallying the Angels upon the Success of their new invented Artillery. This Passage I look upon to be the most exceptionable in the whole Poem, as being nothing else but a String of Punns, and those too very indifferent ones.
—Satanbeheld their Plight,And to his Mates thus in Derision call'd.O Friends, why come not on those Victors proud?Ere-while they fierce were coming, and when we,To entertain them fair with open Front,And Breast, (what could we more?) propounded termsOf Composition, straight they chang'd their Minds,*Flew off,and into strange Vagaries fellAs they would dance: yet for a Dance they seem'dSomewhat extravagant, and wild; perhapsFor Joy of offer'd Peace; but I supposeIf our Proposals once again wereheard,We should compel them to a quickResult.To whom thusBelialin like gamesome Mood:Leader, the Terms we sent were Terms ofWeight,Ofhard Contents,and full of force urg'd home;Such as we might perceive amus'd them all,Andstumbledmany: who receives them right,Had need, from Head to Foot, willunderstand;Notunderstood,this Gift they have besides,They shew us when our Foeswalk not upright.Thus they among themselves in pleasant veinStood scoffing17——
I.
Footnote 1:
It is in Part II. of the
Poetics
, when treating of Tragedy, that Aristotle lays down his main principles. Here after treating of the Fable and the Manners, he proceeds to the Diction and the Sentiments. By Fable, he says (§ 2),
'I mean the contexture of incidents, or the Plot. By Manners, I mean, whatever marks the Character of the Persons. By Sentiments, whatever they say, whether proving any thing, or delivering a general sentiment, &c.'
In dividing Sentiments from Diction, he says (§22): The Sentiments include whatever is the Object of speech, Diction (§ 23-25) the words themselves. Concerning Sentiment, he refers his reader to the rhetoricians.
return to footnote mark
Footnote 2:
argues or explains, magnifies or diminishes, raises
return
Footnote 3:
these
return
Footnote 4:
René le Bossu says in his treatise on the Epic, published in 1675, Bk, vi. ch. 3:
'What is base and ignoble at one time and in one country, is not always so in others. We are apt to smile at Homer's comparing Ajax to an Ass in his Iliad. Such a comparison now-a-days would be indecent and ridiculous; because it would be indecent and ridiculous for a person of quality to ride upon such a steed. But heretofore this Animal was in better repute: Kings and princes did not disdain the best so much as mere tradesman do in our time. 'Tis just the same with many other smiles which in Homer's time were allowable. We should now pity a Poet that should be so silly and ridiculous as to compare a Hero to a piece of Fat. Yet Homer does it in a comparison he makes of Ulysses... The reason is that in these Primitive Times, wherein the Sacrifices ... were living creatures, the Blood and the Fat were the most noble, the most august, and the most holy things.'
return
Footnote 5:
such Beautiful
return
Footnote 6:
Longimus on the Sublime, I. § 9. of Discord, Homer says (Pope's tr.):
While scarce the skies her horrid head can bound,She stalks on earth.(Iliadiv.)
Of horses of the gods:
Far as a shepherd from some spot on highO'er the wide main extends his boundless eye,Through such a space of air, with thund'ring sound,At one long leap th' immortal coursers bound.(Iliadv.)
Longinus quotes also from the
Iliad
xix., the combat of the Gods, the description of Neptune,
Iliad
xi., and the Prayer of Ajax,
Iliad
xvii.
return
Footnote 7:
little
return
Footnote 8:
affect it. I remember but one line in him which has been objected against, by the Criticks, as a point of Wit. It is in his ninth Book, whereJuno, speaking of theTrojans, how they survived the Ruins of their City, expresses her self in the following words;
Num copti potuere copi, num incense cremorunt Pergama?
Were the Trojans taken even after they were Captives, or didTroyburn even when it was in Flames?
return
Footnote 9:
low
return
Footnote 10:
Zoilus, who lived about 270 B. C., in the time of Ptolemy Philadelphus, made himself famous for attacks upon Homer and on Plato and Isocrates, taking pride in the title of Homeromastix. Circe's men turned into swine Zoilus ridiculed as weeping porkers. When he asked sustenance of Ptolemy he was told that Homer sustained many thousands, and as he claimed to be a better man than Homer, he ought to be able to sustain himself. The tradition is that he was at last crucified, stoned, or burnt for his heresy.
return
Footnote 11:
Charles Perrault, brother of Claude Perrault the architect and ex-physician, was himself Controller of Public Buildings under Colbert, and after his retirement from that office, published in 1690 his Parallel between the Ancients and Moderns, taking the side of the moderns in the controversy, and dealing sometimes disrespectfully with Homer. Boileau replied to him in
Critical Reflections on Longinus
.
return
cross-reference: return to Footnote 3 of No. 303
Footnote 12:
Sentiments
return
Footnote 13:
Iliad
, Bk. i., near the close.
return
Footnote 14:
Iliad
, Bk. ii.
return
Footnote 15:
Bk. v., at close.
return
Footnote 16:
Odyssey
, Bk. xviii
return
Footnote 17:
Paradise Lost
, Bk. vi. 1. 609, &c. Milton meant that the devils should be shown as scoffers, and their scoffs as mean.
return
Contents
Principibus Placuisse viris non ultima I laus est.Hor.translation
The Desire of Pleasing makes a Man agreeable or unwelcome to those with whom he converses, according to the Motive from which that Inclination appears to flow. If your Concern for pleasing others arises from innate Benevolence, it never fails of Success; if from a Vanity to excel, its Disappointment is no less certain.
What
we call an agreeable Man, is he who is endowed with
the
1
natural Bent to do acceptable things from a Delight he takes in them meerly as such; and the Affectation of that Character is what constitutes a Fop. Under these Leaders one may draw up all those who make any Manner of Figure, except in dumb Show. A rational and select Conversation is composed of Persons, who have the Talent of Pleasing with Delicacy of Sentiments flowing from habitual Chastity of Thought; but mixed Company is frequently made up of Pretenders to Mirth, and is usually pestered with constrained, obscene, and painful Witticisms. Now and then you meet with a Man so exactly formed for Pleasing, that it is no matter what he is doing or saying, that is to say, that there need no Manner of Importance in it, to make him gain upon every Body who hears or beholds him. This Felicity is not the Gift of Nature only, but must be attended with happy Circumstances, which add a Dignity to the familiar Behaviour which distinguishes him whom we call an agreeable Man. It is from this that every Body loves and esteems
Polycarpus
. He is in the Vigour of his Age and the Gayety of Life, but has passed through very conspicuous Scenes in it; though no Soldier, he has shared the Danger, and acted with great Gallantry and Generosity on a decisive Day of Battle. To have those Qualities which only make other Men conspicuous in the World as it were supernumerary to him, is a Circumstance which gives Weight to his most indifferent Actions; for as a known Credit is ready Cash to a Trader, so is acknowledged Merit immediate Distinction, and serves in the Place of Equipage to a Gentleman. This renders
Polycarpus
graceful in Mirth, important in Business, and regarded with Love in every ordinary Occurrence. But not to dwell upon Characters which have such particular Recommendations to our Hearts, let us turn our Thoughts rather to the Methods of Pleasing which must carry Men through the World who cannot pretend to such Advantages. Falling in with the particular Humour or Manner of one above you, abstracted from the general Rules of good Behaviour, is the Life of a Slave. A Parasite differs in nothing from the meanest Servant, but that the Footman hires himself for bodily Labour, subjected to go and come at the Will of his Master, but the other gives up his very Soul: He is prostituted to speak, and professes to think after the Mode of him whom he courts. This Servitude to a Patron, in an honest Nature, would be more grievous than that of wearing his Livery; therefore we will speak of those Methods only which are worthy and ingenuous.
The happy Talent of Pleasing either those above you or below you, seems to be wholly owing to the Opinion they have of your Sincerity. This Quality is to attend the agreeable Man in all the Actions of his Life; and I think there need no more be said in Honour of it, than that it is what forces the Approbation even of your Opponents. The guilty Man has an Honour for the Judge who with Justice pronounces against him the Sentence of Death it self. The Author of the Sentence at the Head of this Paper, was an excellent Judge of human Life, and passed his own in Company the most agreeable that ever was in the World.
Augustus
lived amongst his Friends as if he had his Fortune to make in his own Court: Candour and Affability, accompanied with as much Power as ever Mortal was vested with, were what made him in the utmost Manner agreeable among a Set of admirable Men, who had Thoughts too high for Ambition, and Views too large to be gratified by what he could give them in the Disposal of an Empire, without the Pleasures of their mutual Conversation. A certain Unanimity of Taste and Judgment, which is natural to all of the same Order in the Species, was the Band of this Society; and the Emperor assumed no Figure in it but what he thought was his Due from his private Talents and Qualifications, as they contributed to advance the Pleasures and Sentiments of the Company.
Cunning People, Hypocrites, all who are but half virtuous, or half wise, are incapable of tasting the refined Pleasure of such an equal Company as could wholly exclude the Regard of Fortune in their Conversations.
Horace
, in the Discourse from whence I take the Hint of the present Speculation, lays down excellent Rules for Conduct in Conversation with Men of Power; but he speaks it with an Air of one who had no Need of such an Application for any thing which related to himself. It shews he understood what it was to be a skilful Courtier, by just Admonitions against Importunity, and shewing how forcible it was to speak Modestly of your own Wants. There is indeed something so shameless in taking all Opportunities to speak of your own Affairs, that he who is guilty of it towards him upon whom he depends, fares like the Beggar who exposes his Sores, which instead of moving Compassion makes the Man he begs of turn away from the Object.
I cannot tell what is become of him, but I remember about sixteen Years ago an honest Fellow, who so justly understood how disagreeable the Mention or Appearance of his Wants would make him, that I have often reflected upon him as a Counterpart of
Irus
, whom I have formerly mentioned. This Man, whom I have missed for some Years in my Walks, and have heard was someway employed about the Army, made it a Maxim, That good Wigs, delicate Linen, and a chearful Air, were to a poor Dependent the same that working Tools are to a poor Artificer. It was no small Entertainment to me, who knew his Circumstances, to see him, who had fasted two Days, attribute the Thinness they told him of to the Violence of some Gallantries he had lately been guilty of. The skilful Dissembler carried this on with the utmost Address; and if any suspected his Affairs were narrow, it was attributed to indulging himself in some fashionable Vice rather than an irreproachable Poverty, which saved his Credit with those on whom he depended.
The main Art is to be as little troublesome as you can, and make all you hope for come rather as a Favour from your Patron than Claim from you. But I am here prating of what is the Method of Pleasing so as to succeed in the World, when there are Crowds who have, in City, Town, Court, and Country, arrived at considerable Acquisitions, and yet seem incapable of acting in any constant Tenour of Life, but have gone on from one successful Error to another: Therefore I think I may shorten this Enquiry after the Method of Pleasing; and as the old Beau said to his Son, once for all, Pray, Jack,
be a fine Gentleman
, so may I, to my Reader, abridge my Instructions, and finish the Art of Pleasing in a Word, Be rich.
T.
Footnote 1:
that
return to footnote mark
Contents
Pectoribus inhians spirantia consulit exta.Virg.translation
Having already given an Account of the Dissection of a Beau's Head, with the several Discoveries made on that Occasion; I shall here, according to my Promise, enter upon the Dissection of a Coquet's Heart, and communicate to the Public such Particularities as we observed in that curious Piece of Anatomy.
I should perhaps have waved this Undertaking, had not I been put in mind of my Promise by several of my unknown Correspondents, who are very importunate with me to make an Example of the Coquet, as I have already done of the Beau. It is therefore in Compliance with the Request of Friends, that I have looked over the Minutes of my former Dream, in order to give the Publick an exact Relation to it, which I shall enter upon without further Preface.