AAlberti, Duccio degli, his tomb,iii. 74,80.Alexander III., his defence by Venetians,i. 7.Ambrose, St., his verbal subtleties,ii. 320.Angelico, Frà, artistical power of,i. 400; his influence on Protestants,ii. 105; his coloring,ii. 145.Aristotle, his evil influence on the modern mind,ii. 319.Averulinus, his book on architecture,iii. 63.BBarbaro, monuments of the family,iii. 125.Barbarossa, Emperor,i. 7,9.Baseggio, Pietro,iii. 199.Bellini, John,i. 11; his kindness to Albert Durer,i. 383; general power of, see Venetian Index, under head “Giovanni Grisostomo;” Gentile, his brother,iii. 21.Berti, Bellincion,ii. 263.Browning, Elizabeth B., her poetry,ii. 206.Bunsen, Chevalier, his work on Romanesque Churches,ii. 381.Bunyan, John, his portraiture of constancy,ii. 333; of patience,ii. 334; of vanity,ii. 346; of sin,iii. 147.CCalendario, Filippo,iii. 199.Canaletto,i. 24; and see Venetian Index under head “Carità.”Canova,i. 217; and see Venetian Index under head “Frari.”Cappello, Vincenzo, his tomb,iii. 122.Caracci, school of the,i. 24.Cary, his translation of Dante,ii. 264.Cavalli, Jacopo, his tomb,iii. 82.Cicero, influence of his philosophy,ii. 317,318.Claude Lorraine,i. 24.Comnenus, Manuel,ii. 263.Cornaro, Marco, his tomb,iii. 79.Correggio,ii. 192.Crabbe, naturalism in his poetry,ii. 195.DDandolo, Andrea, tomb of,ii. 70; Francesco, tomb of,iii. 74; character of,iii. 76; Simon, tomb of,iii. 79.Dante, his central position,ii. 340,iii. 158; his system of virtue,ii. 323; his portraiture of sin,iii. 147.Daru, his character as a historian,iii. 213.Dolci, Carlo,ii. 105.Dolfino, Giovanni, tomb of,iii. 78.Durer, Albert, his rank as a landscape painter,i. 383; his power in grotesque,iii. 145.EEdwin, King, his conversion,iii. 62.FFaliero, Bertuccio, his tomb,iii. 94; Marino, his house,ii. 254; Vitale, miracle in his time,ii. 61.Fergusson, James, his system of beauty,i. 388.Foscari, Francesco, his reign,i. 4,iii. 165; his tomb,iii. 84; his countenance,iii. 86.GGarbett, answer to Mr.,i. 403.Ghiberti, his sculpture,i. 217.Giotto, his system of the virtues,ii. 323,329,341; his rank as a painter,ii. 188,iii. 172.Giulio Romano,i. 23.Giustiniani, Marco, his tomb,i. 315; Sebastian, ambassador to England,iii. 224.Godfrey of Bouillon, his piety,iii. 62.Gozzoli, Benozzo,ii. 195.Gradenigo, Pietro,ii. 290.Grande, Can, della Scala, his tomb,i. 268(the corniceginPlate XVI.is taken from it),iii. 71.Guariento, his Paradise,ii. 296.Guercino,ii. 105.HHamilton, Colonel, his paper on the Serapeum,ii. 220.Hobbima,iii. 184.Hunt, William, his painting of peasant boys,ii. 192; of still life,ii. 394.Hunt, William Holman, relation of his works to modern and ancient art,iii. 185.KKnight, Gally, his work on Architecture,i. 378.LLeonardo da Vinci,ii. 171.Louis XI.,iii. 194.MMartin, John,ii. 104.Mastino, Can, della Scala, his tomb,ii. 224,iii. 72.Maynard, Miss, her poems,ii. 397.Michael Angelo,ii. 134,188,iii. 56,90,99,158.Millais, John E., relation of his works to older art,iii. 185; aerial perspective in his “Huguenot,”iii. 47.Milton, how inferior to Dante,iii. 147.Mocenigo, Tomaso, his character,i. 4; his speech on rebuilding the Ducal Palace,ii. 299; his tomb,i. 26,iii. 84.Morosini, Carlo, Count, note on Daru’s History by,iii. 213.Morosini, Marino, his tomb,iii. 93.Morosini, Michael, his character,iii. 213; his tomb,iii. 80.Murillo, his sensualism,ii. 192.NNapoleon, his genius in civil administration,i. 399.Niccolo Pisano,i. 215.OOrcagna, his system of the virtues,ii. 329.Orseolo, Pietro (Doge),iii. 120.Otho the Great, his vow at Murano,ii. 32.PPalladio,i. 24,146; and see Venetian Index, under head “Giorgio Maggiore.”Participazio, Angelo, founds the Ducal Palace,ii. 287.Pesaro, Giovanni, tomb of,iii. 92; Jacopo, tomb of,iii. 91.Philippe de Commynes,i. 12.Plato, influence of his philosophy,ii. 317,338; his playfulness,iii. 127.Poussin, Nicolo and Gaspar,i. 23.Procaccini, Camillo,ii. 188.Prout, Samuel, his style,i. 250,iii. 19,134.Pugin, Welby, his rank as an architect,i. 385.QQuerini, Marco, his palace,ii. 255.RRaffaelle,ii. 188,iii. 56,108,136.Reynolds, Sir J., his painting at New College,ii. 323; his general manner,iii. 184.Rogers, Samuel, his works,ii. 195,iii. 113.Rubens, intellectual rank of,i. 400; coarseness of,ii. 145.SSalvator Rosa,i. 24,ii. 105,145,188.Scaligeri, tombs of, at Verona; see “Grande,” “Mastino,” “Signorio;” palace of,ii. 257.Scott, Sir W., his feelings of romance,iii. 191.Shakspeare, his “Seven Ages,” whence derived,ii. 361.Sharpe, Edmund, his works,i. 342,408.Signorio, Can, della Scala, his tomb, character,i. 268,iii. 73.Simplicius, St.,ii. 356.Spenser, value of his philosophy,ii. 327,341; his personifications of the months,ii. 272; his system of the virtues,ii. 326; scheme of the first book of the Faërie Queen,iii. 205.Steno, Michael,ii. 306; his tomb,ii. 296.Stothard (the painter), his works,ii. 187,195.Symmachus, St.,ii. 357.TTeniers, David,ii. 188.Tiepolo, Jacopo and Lorenzo, their tombs,iii. 69; Bajamonte,ii. 255.Tintoret,i. 12; his genius and function,ii. 149; his Paradise,ii. 304,372; his rank among the men of Italy,iii. 158.Titian,i. 12; his function and fall,ii. 149,187.Turner, his rank as a landscape painter,i. 382,ii. 187.UUguccione, Benedetto, destroys Giotto’s façade at Florence,i. 197.VVendramin, Andrea (Doge), his tomb,i. 27,iii. 88.Verocchio, Andrea,iii. 11,13.Veronese, Paul, artistical rank of,i. 400; his designs of balustrades,ii. 247; and see in Venetian Index, “Ducal Palace,” “Pisani,” “Sebastian,” “Redentore,” “Accademia.”WWest, Benjamin,ii. 104.Wordsworth, his observation of nature,i. 247(note).ZZeno, Carlo,i. 4,iii. 80.Ziani, Sebastian (Doge), builds Ducal Palace,ii. 289.
Alberti, Duccio degli, his tomb,iii. 74,80.
Alexander III., his defence by Venetians,i. 7.
Ambrose, St., his verbal subtleties,ii. 320.
Angelico, Frà, artistical power of,i. 400; his influence on Protestants,ii. 105; his coloring,ii. 145.
Aristotle, his evil influence on the modern mind,ii. 319.
Averulinus, his book on architecture,iii. 63.
Barbaro, monuments of the family,iii. 125.
Barbarossa, Emperor,i. 7,9.
Baseggio, Pietro,iii. 199.
Bellini, John,i. 11; his kindness to Albert Durer,i. 383; general power of, see Venetian Index, under head “Giovanni Grisostomo;” Gentile, his brother,iii. 21.
Berti, Bellincion,ii. 263.
Browning, Elizabeth B., her poetry,ii. 206.
Bunsen, Chevalier, his work on Romanesque Churches,ii. 381.
Bunyan, John, his portraiture of constancy,ii. 333; of patience,ii. 334; of vanity,ii. 346; of sin,iii. 147.
Calendario, Filippo,iii. 199.
Canaletto,i. 24; and see Venetian Index under head “Carità.”
Canova,i. 217; and see Venetian Index under head “Frari.”
Cappello, Vincenzo, his tomb,iii. 122.
Caracci, school of the,i. 24.
Cary, his translation of Dante,ii. 264.
Cavalli, Jacopo, his tomb,iii. 82.
Cicero, influence of his philosophy,ii. 317,318.
Claude Lorraine,i. 24.
Comnenus, Manuel,ii. 263.
Cornaro, Marco, his tomb,iii. 79.
Correggio,ii. 192.
Crabbe, naturalism in his poetry,ii. 195.
Dandolo, Andrea, tomb of,ii. 70; Francesco, tomb of,iii. 74; character of,iii. 76; Simon, tomb of,iii. 79.
Dante, his central position,ii. 340,iii. 158; his system of virtue,ii. 323; his portraiture of sin,iii. 147.
Daru, his character as a historian,iii. 213.
Dolci, Carlo,ii. 105.
Dolfino, Giovanni, tomb of,iii. 78.
Durer, Albert, his rank as a landscape painter,i. 383; his power in grotesque,iii. 145.
Edwin, King, his conversion,iii. 62.
Faliero, Bertuccio, his tomb,iii. 94; Marino, his house,ii. 254; Vitale, miracle in his time,ii. 61.
Fergusson, James, his system of beauty,i. 388.
Foscari, Francesco, his reign,i. 4,iii. 165; his tomb,iii. 84; his countenance,iii. 86.
Garbett, answer to Mr.,i. 403.
Ghiberti, his sculpture,i. 217.
Giotto, his system of the virtues,ii. 323,329,341; his rank as a painter,ii. 188,iii. 172.
Giulio Romano,i. 23.
Giustiniani, Marco, his tomb,i. 315; Sebastian, ambassador to England,iii. 224.
Godfrey of Bouillon, his piety,iii. 62.
Gozzoli, Benozzo,ii. 195.
Gradenigo, Pietro,ii. 290.
Grande, Can, della Scala, his tomb,i. 268(the corniceginPlate XVI.is taken from it),iii. 71.
Guariento, his Paradise,ii. 296.
Guercino,ii. 105.
Hamilton, Colonel, his paper on the Serapeum,ii. 220.
Hobbima,iii. 184.
Hunt, William, his painting of peasant boys,ii. 192; of still life,ii. 394.
Hunt, William Holman, relation of his works to modern and ancient art,iii. 185.
Knight, Gally, his work on Architecture,i. 378.
Leonardo da Vinci,ii. 171.
Louis XI.,iii. 194.
Martin, John,ii. 104.
Mastino, Can, della Scala, his tomb,ii. 224,iii. 72.
Maynard, Miss, her poems,ii. 397.
Michael Angelo,ii. 134,188,iii. 56,90,99,158.
Millais, John E., relation of his works to older art,iii. 185; aerial perspective in his “Huguenot,”iii. 47.
Milton, how inferior to Dante,iii. 147.
Mocenigo, Tomaso, his character,i. 4; his speech on rebuilding the Ducal Palace,ii. 299; his tomb,i. 26,iii. 84.
Morosini, Carlo, Count, note on Daru’s History by,iii. 213.
Morosini, Marino, his tomb,iii. 93.
Morosini, Michael, his character,iii. 213; his tomb,iii. 80.
Murillo, his sensualism,ii. 192.
Napoleon, his genius in civil administration,i. 399.
Niccolo Pisano,i. 215.
Orcagna, his system of the virtues,ii. 329.
Orseolo, Pietro (Doge),iii. 120.
Otho the Great, his vow at Murano,ii. 32.
Palladio,i. 24,146; and see Venetian Index, under head “Giorgio Maggiore.”
Participazio, Angelo, founds the Ducal Palace,ii. 287.
Pesaro, Giovanni, tomb of,iii. 92; Jacopo, tomb of,iii. 91.
Philippe de Commynes,i. 12.
Plato, influence of his philosophy,ii. 317,338; his playfulness,iii. 127.
Poussin, Nicolo and Gaspar,i. 23.
Procaccini, Camillo,ii. 188.
Prout, Samuel, his style,i. 250,iii. 19,134.
Pugin, Welby, his rank as an architect,i. 385.
Querini, Marco, his palace,ii. 255.
Raffaelle,ii. 188,iii. 56,108,136.
Reynolds, Sir J., his painting at New College,ii. 323; his general manner,iii. 184.
Rogers, Samuel, his works,ii. 195,iii. 113.
Rubens, intellectual rank of,i. 400; coarseness of,ii. 145.
Salvator Rosa,i. 24,ii. 105,145,188.
Scaligeri, tombs of, at Verona; see “Grande,” “Mastino,” “Signorio;” palace of,ii. 257.
Scott, Sir W., his feelings of romance,iii. 191.
Shakspeare, his “Seven Ages,” whence derived,ii. 361.
Sharpe, Edmund, his works,i. 342,408.
Signorio, Can, della Scala, his tomb, character,i. 268,iii. 73.
Simplicius, St.,ii. 356.
Spenser, value of his philosophy,ii. 327,341; his personifications of the months,ii. 272; his system of the virtues,ii. 326; scheme of the first book of the Faërie Queen,iii. 205.
Steno, Michael,ii. 306; his tomb,ii. 296.
Stothard (the painter), his works,ii. 187,195.
Symmachus, St.,ii. 357.
Teniers, David,ii. 188.
Tiepolo, Jacopo and Lorenzo, their tombs,iii. 69; Bajamonte,ii. 255.
Tintoret,i. 12; his genius and function,ii. 149; his Paradise,ii. 304,372; his rank among the men of Italy,iii. 158.
Titian,i. 12; his function and fall,ii. 149,187.
Turner, his rank as a landscape painter,i. 382,ii. 187.
Uguccione, Benedetto, destroys Giotto’s façade at Florence,i. 197.
Vendramin, Andrea (Doge), his tomb,i. 27,iii. 88.
Verocchio, Andrea,iii. 11,13.
Veronese, Paul, artistical rank of,i. 400; his designs of balustrades,ii. 247; and see in Venetian Index, “Ducal Palace,” “Pisani,” “Sebastian,” “Redentore,” “Accademia.”
West, Benjamin,ii. 104.
Wordsworth, his observation of nature,i. 247(note).
Zeno, Carlo,i. 4,iii. 80.
Ziani, Sebastian (Doge), builds Ducal Palace,ii. 289.
AAbbeville, door of church at,ii. 225; parapet at,ii. 245.Alexandria, Church at,i. 381.Alhambra, ornamentation of,i. 429.Alps, how formed for distant effect,i. 247; how seen from Venice,ii. 2,28.Amiens, pillars of Cathedral at,i. 102.Arqua, hills of, how seen from Venice,ii. 2.Assisi, Giotto’s paintings at,ii. 323.BBeauvais, piers of Cathedral at,i. 93; grandeur of its buttress structure,i. 170.Bergamo, Duomo at,i. 275.Bologna, Palazzo Pepoli at,i. 275.Bourges, Cathedral at,i. 43,102,228,271,299;ii. 92,186; house of Jacques Cœur at,i. 346.CChamouni, glacier forms at,i. 222.Como, Broletto of,i. 141,339.DDijon, pillars in Church of Notre Dame at,i. 102; tombs of Dukes of Burgundy,iii. 68.EEdinburgh, college at,i. 207.FFalaise (St. Gervaise at), piers of,i. 103.Florence, Cathedral of,i. 197,iii. 13.GGloucester, Cathedral of,i. 192.LLombardy, geology of,ii. 5.London, Church in Margaret Street, Portland Place,iii. 196; Temple Church,i. 412; capitals in Belgrave and Grosvenor Squares,i. 330; Bank of England, base of,i. 283; wall of, typical of accounts,i. 295; statue in King William Street,i. 210; shops in Oxford Street,i. 202; Arthur Club-house,i. 295; Athenæum Club-house,i. 157,283; Duke of York’s Pillar,i. 283; Treasury,i. 205; Whitehall,i. 205; Westminster, fall of houses at,ii. 268; Monument,i. 82,283; Nelson Pillar,i. 216; Wellington Statue,i. 257.Lucca, Cathedral of,ii. 275; San Michele at,i. 375.Lyons, porch of cathedral at,i. 379.MMatterhorn (Mont Cervin), structure of,i. 58; lines of, applied to architecture,i. 308,310,332.Mestre, scene in street of,i. 355.Milan, St. Ambrogio, piers of,i. 102; capital of,i. 324; St. Eustachio, tomb of St. Peter Martyr,i. 218.Moulins, brickwork at,i. 296.Murano, general aspect of,ii. 29; Duomo of,ii. 32; balustrades of,ii. 247; inscriptions at,ii. 384.NNineveh, style of its decorations,i. 234,239;iii. 159.OOrange (South France), arch at,i. 250.Orleans, Cathedral of,i. 95.PPadua, Arena chapel at,ii. 324; St. Antonio at,i. 135; St. Sofia at,i. 327; Eremitani, Church of, at,i. 135.Paris, Hotel des Invalides,i. 214; Arc de l’Etoile,i. 291; Colonne Vendome,i. 212.Pavia, St. Michele at, piers of,i. 102,337; ornaments of,i. 376.Pisa, Baptistery of,ii. 275.Pistoja, San Pietro at,i. 295.RRavenna, situation of,ii. 6.Rouen, Cathedral, piers of,i. 103,153; pinnacles of,ii. 213; St. Maclou at, sculptures of,ii. 197.SSalisbury Cathedral, piers of,i. 102; windows at,ii. 224.Sens, Cathedral of,i. 135.Switzerland, cottage architecture of,i. 156,203,iii. 133.VVerona, San Fermo at,i. 136,ii. 259; Sta. Anastasia at,i. 142; Duomo of,i. 373; St. Zeno at,i. 373; balconies at,ii. 247; archivolt at,i. 335; tombs at, see in Personal Index, “Grande,” “Mastino,” “Signorio.”Vevay, architecture of,i. 136.Vienne (South France), Cathedral of,i. 274.WWarwick, Guy’s tower at,i. 168.Wenlock (Shropshire), Abbey of,i. 270.Winchester, Cathedral of,i. 192.YYork, Minster of,i. 205,313.
Abbeville, door of church at,ii. 225; parapet at,ii. 245.
Alexandria, Church at,i. 381.
Alhambra, ornamentation of,i. 429.
Alps, how formed for distant effect,i. 247; how seen from Venice,ii. 2,28.
Amiens, pillars of Cathedral at,i. 102.
Arqua, hills of, how seen from Venice,ii. 2.
Assisi, Giotto’s paintings at,ii. 323.
Beauvais, piers of Cathedral at,i. 93; grandeur of its buttress structure,i. 170.
Bergamo, Duomo at,i. 275.
Bologna, Palazzo Pepoli at,i. 275.
Bourges, Cathedral at,i. 43,102,228,271,299;ii. 92,186; house of Jacques Cœur at,i. 346.
Chamouni, glacier forms at,i. 222.
Como, Broletto of,i. 141,339.
Dijon, pillars in Church of Notre Dame at,i. 102; tombs of Dukes of Burgundy,iii. 68.
Edinburgh, college at,i. 207.
Falaise (St. Gervaise at), piers of,i. 103.
Florence, Cathedral of,i. 197,iii. 13.
Gloucester, Cathedral of,i. 192.
Lombardy, geology of,ii. 5.
London, Church in Margaret Street, Portland Place,iii. 196; Temple Church,i. 412; capitals in Belgrave and Grosvenor Squares,i. 330; Bank of England, base of,i. 283; wall of, typical of accounts,i. 295; statue in King William Street,i. 210; shops in Oxford Street,i. 202; Arthur Club-house,i. 295; Athenæum Club-house,i. 157,283; Duke of York’s Pillar,i. 283; Treasury,i. 205; Whitehall,i. 205; Westminster, fall of houses at,ii. 268; Monument,i. 82,283; Nelson Pillar,i. 216; Wellington Statue,i. 257.
Lucca, Cathedral of,ii. 275; San Michele at,i. 375.
Lyons, porch of cathedral at,i. 379.
Matterhorn (Mont Cervin), structure of,i. 58; lines of, applied to architecture,i. 308,310,332.
Mestre, scene in street of,i. 355.
Milan, St. Ambrogio, piers of,i. 102; capital of,i. 324; St. Eustachio, tomb of St. Peter Martyr,i. 218.
Moulins, brickwork at,i. 296.
Murano, general aspect of,ii. 29; Duomo of,ii. 32; balustrades of,ii. 247; inscriptions at,ii. 384.
Nineveh, style of its decorations,i. 234,239;iii. 159.
Orange (South France), arch at,i. 250.
Orleans, Cathedral of,i. 95.
Padua, Arena chapel at,ii. 324; St. Antonio at,i. 135; St. Sofia at,i. 327; Eremitani, Church of, at,i. 135.
Paris, Hotel des Invalides,i. 214; Arc de l’Etoile,i. 291; Colonne Vendome,i. 212.
Pavia, St. Michele at, piers of,i. 102,337; ornaments of,i. 376.
Pisa, Baptistery of,ii. 275.
Pistoja, San Pietro at,i. 295.
Ravenna, situation of,ii. 6.
Rouen, Cathedral, piers of,i. 103,153; pinnacles of,ii. 213; St. Maclou at, sculptures of,ii. 197.
Salisbury Cathedral, piers of,i. 102; windows at,ii. 224.
Sens, Cathedral of,i. 135.
Switzerland, cottage architecture of,i. 156,203,iii. 133.
Verona, San Fermo at,i. 136,ii. 259; Sta. Anastasia at,i. 142; Duomo of,i. 373; St. Zeno at,i. 373; balconies at,ii. 247; archivolt at,i. 335; tombs at, see in Personal Index, “Grande,” “Mastino,” “Signorio.”
Vevay, architecture of,i. 136.
Vienne (South France), Cathedral of,i. 274.
Warwick, Guy’s tower at,i. 168.
Wenlock (Shropshire), Abbey of,i. 270.
Winchester, Cathedral of,i. 192.
York, Minster of,i. 205,313.