“I hate the thought of growing up,” said the Story Girl reflectively, “because I can never go barefooted then, and nobody will ever see what beautiful feet I have.”
She was sitting, the July sunlight, on the ledge of the open hayloft window in Uncle Roger’s big barn; and the bare feet below her print skirt WERE beautiful. They were slender and shapely and satin smooth with arched insteps, the daintiest of toes, and nails like pink shells.
We were all in the hayloft. The Story Girl had been telling us a tale
“Of old, unhappy, far-off things,And battles long ago.”
Felicity and Cecily were curled up in a corner, and we boys sprawled idly on the fragrant, sun-warm heaps. We had “stowed” the hay in the loft that morning for Uncle Roger, so we felt that we had earned the right to loll on our sweet-smelling couch. Haylofts are delicious places, with just enough of shadow and soft, uncertain noises to give an agreeable tang of mystery. The swallows flew in and out of their nest above our heads, and whenever a sunbeam fell through a chink the air swarmed with golden dust. Outside of the loft was a vast, sunshiny gulf of blue sky and mellow air, wherein floated argosies of fluffy cloud, and airy tops of maple and spruce.
Pat was with us, of course, prowling about stealthily, or making frantic, bootless leaps at the swallows. A cat in a hayloft is a beautiful example of the eternal fitness of things. We had not heard of this fitness then, but we all felt that Paddy was in his own place in a hayloft.
“I think it is very vain to talk about anything you have yourself being beautiful,” said Felicity.
“I am not a bit vain,” said the Story Girl, with entire truthfulness. “It is not vanity to know your own good points. It would just be stupidity if you didn’t. It’s only vanity when you get puffed up about them. I am not a bit pretty. My only good points are my hair and eyes and feet. So I think it’s real mean that one of them has to be covered up the most of the time. I’m always glad when it gets warm enough to go barefooted. But, when I grow up they’ll have to covered all the time. It IS mean.”
“You’ll have to put your shoes and stockings on when you go to the magic lantern show to-night,” said Felicity in a tone of satisfaction.
“I don’t know that. I’m thinking of going barefooted.”
“Oh, you wouldn’t! Sara Stanley, you’re not in earnest!” exclaimed Felicity, her blue eyes filling with horror.
The Story Girl winked with the side of her face next to Felix and me, but the side next the girls changed not a muscle. She dearly loved to “take a rise” out of Felicity now and then.
“Indeed, I would if I just made up my mind to. Why not? Why not bare feet—if they’re clean—as well as bare hands and face?”
“Oh, you wouldn’t! It would be such a disgrace!” said poor Felicity in real distress.
“We went to school barefooted all June,” argued that wicked Story Girl. “What is the difference between going to the schoolhouse barefooted in the daytime and going in the evening?”
“Oh, there’s EVERY difference. I can’t just explain it—but every one KNOWS there is a difference. You know it yourself. Oh, PLEASE, don’t do such a thing, Sara.”
“Well, I won’t, just to oblige you,” said the Story Girl, who would have died the death before she would have gone to a “public meeting” barefooted.
We were all rather excited over the magic lantern show which an itinerant lecturer was to give in the schoolhouse that evening. Even Felix and I, who had seen such shows galore, were interested, and the rest were quite wild. There had never been such a thing in Carlisle before. We were all going, Peter included. Peter went everywhere with us now. He was a regular attendant at church and Sunday School, where his behaviour was as irreproachable as if he had been “raised” in the caste of Vere de Vere. It was a feather in the Story Girl’s cap, for she took all the credit of having started Peter on the right road. Felicity was resigned, although the fatal patch on Peter’s best trousers was still an eyesore to her. She declared she never got any good of the singing, because Peter stood up then and every one could see the patch. Mrs. James Clark, whose pew was behind ours, never took her eye off it—or so Felicity averred.
But Peter’s stockings were always darned. Aunt Olivia had seen to that, ever since she heard of Peter’s singular device regarding them on his first Sunday. She had also given Peter a Bible, of which he was so proud that he hated to use it lest he should soil it.
“I think I’ll wrap it up and keep it in my box,” he said. “I’ve an old Bible of Aunt Jane’s at home that I can use. I s’pose it’s just the same, even if it is old, isn’t it?”
“Oh, yes,” Cecily had assured him. “The Bible is always the same.”
“I thought maybe they’d got some new improvements on it since Aunt Jane’s day,” said Peter, relieved.
“Sara Ray is coming along the lane, and she’s crying,” announced Dan, who was peering out of a knot-hole on the opposite side of the loft.
“Sara Ray is crying half her time,” said Cecily impatiently. “I’m sure she cries a quartful of tears a month. There are times when you can’t help crying. But I hide then. Sara just goes and cries in public.”
The lachrymose Sara presently joined us and we discovered the cause of her tears to be the doleful fact that her mother had forbidden her to go to the magic lantern show that night. We all showed the sympathy we felt.
“She SAID yesterday you could go,” said the Story Girl indignantly. “Why has she changed her mind?”
“Because of the measles in Markdale,” sobbed Sara. “She says Markdale is full of them, and there’ll be sure to be some of the Markdale people at the show. So I’m not to go. And I’ve never seen a magic lantern—I’ve never seen ANYTHING.”
“I don’t believe there’s any danger of catching measles,” said Felicity. “If there was we wouldn’t be allowed to go.”
“I wish I COULD get the measles,” said Sara defiantly. “Maybe I’d be of some importance to ma then.”
“Suppose Cecily goes down with you and coaxes your mother,” suggested the Story Girl. “Perhaps she’d let you go then. She likes Cecily. She doesn’t like either Felicity or me, so it would only make matters worse for us to try.”
“Ma’s gone to town—pa and her went this afternoon—and they’re not coming back till to-morrow. There’s nobody home but Judy Pineau and me.”
“Then,” said the Story Girl, “why don’t you just go to the show anyhow? Your mother won’t ever know, if you coax Judy to hold her tongue.”
“Oh, but that’s wrong,” said Felicity. “You shouldn’t put Sara up to disobeying her mother.”
Now, Felicity for once was undoubtedly right. The Story Girl’s suggestion WAS wrong; and if it had been Cecily who protested, the Story Girl would probably have listened to her, and proceeded no further in the matter. But Felicity was one of those unfortunate people whose protests against wrong-doing serve only to drive the wrong-doer further on her sinful way.
The Story Girl resented Felicity’s superior tone, and proceeded to tempt Sara in right good earnest. The rest of us held our tongues. It was, we told ourselves, Sara’s own lookout.
“I have a good mind to do it,” said Sara, “but I can’t get my good clothes; they’re in the spare room, and ma locked the door, for fear somebody would get at the fruit cake. I haven’t a single thing to wear, except my school gingham.”
“Well, that’s new and pretty,” said the Story Girl. “We’ll lend you some things. You can have my lace collar. That’ll make the gingham quite elegant. And Cecily will lend you her second best hat.”
“But I’ve no shoes or stockings. They’re locked up too.”
“You can have a pair of mine,” said Felicity, who probably thought that since Sara was certain to yield to temptation, she might as well be garbed decently for her transgression.
Sara did yield. When the Story Girl’s voice entreated it was not easy to resist its temptation, even if you wanted to. That evening, when we started for the schoolhouse, Sara Ray was among us, decked out in borrowed plumes.
“Suppose she DOES catch the measles?” Felicity said aside.
“I don’t believe there’ll be anybody there from Markdale. The lecturer is going to Markdale next week. They’ll wait for that,” said the Story Girl airily.
It was a cool, dewy evening, and we walked down the long, red hill in the highest of spirits. Over a valley filled with beech and spruce was a sunset afterglow—creamy yellow and a hue that was not so much red as the dream of red, with a young moon swung low in it. The air was sweet with the breath of mown hayfields where swaths of clover had been steeping in the sun. Wild roses grew pinkly along the fences, and the roadsides were star-dusted with buttercups.
Those of us who had nothing the matter with our consciences enjoyed our walk to the little whitewashed schoolhouse in the valley. Felicity and Cecily were void of offence towards all men. The Story Girl walked uprightly like an incarnate flame in her crimson silk. Her pretty feet were hidden in the tan-coloured, buttoned Paris boots which were the secret envy of every school girl in Carlisle.
But Sara Ray was not happy. Her face was so melancholy that the Story Girl lost patience with her. The Story Girl herself was not altogether at ease. Probably her own conscience was troubling her. But admit it she would not.
“Now, Sara,” she said, “you just take my advice and go into this with all your heart if you go at all. Never mind if it is bad. There’s no use being naughty if you spoil your fun by wishing all the time you were good. You can repent afterwards, but there is no use in mixing the two things together.”
“I’m not repenting,” protested Sara. “I’m only scared of ma finding it out.”
“Oh!” The Story Girl’s voice expressed her scorn. For remorse she had understanding and sympathy; but fear of her fellow creatures was something unknown to her. “Didn’t Judy Pineau promise you solemnly she wouldn’t tell?”
“Yes; but maybe some one who sees me there will mention it to ma.”
“Well, if you’re so scared you’d better not go. It isn’t too late. Here’s your own gate,” said Cecily.
But Sara could not give up the delights of the show. So she walked on, a small, miserable testimony that the way of the transgressor is never easy, even when said transgressor is only a damsel of eleven.
The magic lantern show was a splendid one. The views were good and the lecturer witty. We repeated his jokes to each other all the way home. Sara, who had not enjoyed the exhibition at all, seemed to feel more cheerful when it was over and she was going home. The Story Girl on the contrary was gloomy.
“There WERE Markdale people there,” she confided to me, “and the Williamsons live next door to the Cowans, who have measles. I wish I’d never egged Sara on to going—but don’t tell Felicity I said so. If Sara Ray had really enjoyed the show I wouldn’t mind. But she didn’t. I could see that. So I’ve done wrong and made her do wrong—and there’s nothing to show for it.”
The night was scented and mysterious. The wind was playing an eerie fleshless melody in the reeds of the brook hollow. The sky was dark and starry, and across it the Milky Way flung its shimmering misty ribbons.
“There’s four hundred million stars in the Milky Way,” quoth Peter, who frequently astonished us by knowing more than any hired boy could be expected to. He had a retentive memory, and never forgot anything he heard or read. The few books left to him by his oft-referred-to Aunt Jane had stocked his mind with a miscellaneous information which sometimes made Felix and me doubt if we knew as much as Peter after all. Felicity was so impressed by his knowledge of astronomy that she dropped back from the other girls and walked beside him. She had not done so before because he was barefooted. It was permissible for hired boys to go to public meetings—when not held in the church—with bare feet, and no particular disgrace attached to it. But Felicity would not walk with a barefooted companion. It was dark now, so nobody would notice his feet.
“I know a story about the Milky Way,” said the Story Girl, brightening up. “I read it in a book of Aunt Louisa’s in town, and I learned it off by heart. Once there were two archangels in heaven, named Zerah and Zulamith—”
“Have angels names—same as people?” interrupted Peter.
“Yes, of course. They MUST have. They’d be all mixed up if they hadn’t.”
“And when I’m an angel—if I ever get to be one—will my name still be Peter?”
“No. You’ll have a new name up there,” said Cecily gently. “It says so in the Bible.”
“Well, I’m glad of that. Peter would be such a funny name for an angel. And what is the difference between angels and archangels?”
“Oh, archangels are angels that have been angels so long that they’ve had time to grow better and brighter and more beautiful than newer angels,” said the Story Girl, who probably made that explanation up on the spur of the moment, just to pacify Peter.
“How long does it take for an angel to grow into an archangel?” pursued Peter.
“Oh, I don’t know. Millions of years likely. And even then I don’t suppose ALL the angels do. A good many of them must just stay plain angels, I expect.”
“I shall be satisfied just to be a plain angel,” said Felicity modestly.
“Oh, see here, if you’re going to interrupt and argue over everything, we’ll never get the story told,” said Felix. “Dry up, all of you, and let the Story Girl go on.”
We dried up, and the Story Girl went on.
“Zerah and Zulamith loved each other, just as mortals love, and this is forbidden by the laws of the Almighty. And because Zerah and Zulamith had so broken God’s law they were banished from His presence to the uttermost bounds of the universe. If they had been banished TOGETHER it would have been no punishment; so Zerah was exiled to a star on one side of the universe, and Zulamith was sent to a star on the other side of the universe; and between them was a fathomless abyss which thought itself could not cross. Only one thing could cross it—and that was love. Zulamith yearned for Zerah with such fidelity and longing that he began to build up a bridge of light from his star; and Zerah, not knowing this, but loving and longing for him, began to build a similar bridge of light from her star. For a thousand thousand years they both built the bridge of light, and at last they met and sprang into each other’s arms. Their toil and loneliness and suffering were all over and forgotten, and the bridge they had built spanned the gulf between their stars of exile.
“Now, when the other archangels saw what had been done they flew in fear and anger to God’s white throne, and cried to Him,
“‘See what these rebellious ones have done! They have built them a bridge of light across the universe, and set Thy decree of separation at naught. Do Thou, then, stretch forth Thine arm and destroy their impious work.’
“They ceased—and all heaven was hushed. Through the silence sounded the voice of the Almighty.
“‘Nay,’ He said, ‘whatsoever in my universe true love hath builded not even the Almighty can destroy. The bridge must stand forever.’
“And,” concluded the Story Girl, her face upturned to the sky and her big eyes filled with starlight, “it stands still. That bridge is the Milky Way.”
“What a lovely story,” sighed Sara Ray, who had been wooed to a temporary forgetfulness of her woes by its charm.
The rest of us came back to earth, feeling that we had been wandering among the hosts of heaven. We were not old enough to appreciate fully the wonderful meaning of the legend; but we felt its beauty and its appeal. To us forevermore the Milky Way would be, not Peter’s overwhelming garland of suns, but the lucent bridge, love-created, on which the banished archangels crossed from star to star.
We had to go up Sara Ray’s lane with her to her very door, for she was afraid Peg Bowen would catch her if she went alone. Then the Story Girl and I walked up the hill together. Peter and Felicity lagged behind. Cecily and Dan and Felix were walking before us, hand in hand, singing a hymn. Cecily had a very sweet voice, and I listened in delight. But the Story Girl sighed.
“What if Sara does take the measles?” she asked miserably.
“Everyone has to have the measles sometime,” I said comfortingly, “and the younger you are the better.”
Ten days later, Aunt Olivia and Uncle Roger went to town one evening, to remain over night, and the next day. Peter and the Story Girl were to stay at Uncle Alec’s during their absence.
We were in the orchard at sunset, listening to the story of King Cophetua and the beggar maid—all of us, except Peter, who was hoeing turnips, and Felicity, who had gone down the hill on an errand to Mrs. Ray.
The Story Girl impersonated the beggar maid so vividly, and with such an illusion of beauty, that we did not wonder in the least at the king’s love for her. I had read the story before, and it had been my opinion that it was “rot.” No king, I felt certain, would ever marry a beggar maid when he had princesses galore from whom to choose. But now I understood it all.
When Felicity returned we concluded from her expression that she had news. And she had.
“Sara is real sick,” she said, with regret, and something that was not regret mingled in her voice. “She has a cold and sore throat, and she is feverish. Mrs. Ray says if she isn’t better by the morning she’s going to send for the doctor. AND SHE IS AFRAID IT’S THE MEASLES.”
Felicity flung the last sentence at the Story Girl, who turned very pale.
“Oh, do you suppose she caught them at the magic lantern show?” she said miserably.
“Where else could she have caught them?” said Felicity mercilessly. “I didn’t see her, of course—Mrs. Ray met me at the door and told me not to come in. But Mrs. Ray says the measles always go awful hard with the Rays—if they don’t die completely of them it leaves them deaf or half blind, or something like that. Of course,” added Felicity, her heart melting at sight of the misery in the Story Girl’s piteous eyes, “Mrs. Ray always looks on the dark side, and it may not be the measles Sara has after all.”
But Felicity had done her work too thoroughly. The Story Girl was not to be comforted.
“I’d give anything if I’d never put Sara up to going to that show,” she said. “It’s all my fault—but the punishment falls on Sara, and that isn’t fair. I’d go this minute and confess the whole thing to Mrs. Ray; but if I did it might get Sara into more trouble, and I mustn’t do that. I sha’n’t sleep a wink to-night.”
I don’t think she did. She looked very pale and woebegone when she came down to breakfast. But, for all that, there was a certain exhilaration about her.
“I’m going to do penance all day for coaxing Sara to disobey her mother,” she announced with chastened triumph.
“Penance?” we murmured in bewilderment.
“Yes. I’m going to deny myself everything I like, and do everything I can think of that I don’t like, just to punish myself for being so wicked. And if any of you think of anything I don’t, just mention it to me. I thought it out last night. Maybe Sara won’t be so very sick if God sees I’m truly sorry.”
“He can see it anyhow, without your doing anything,” said Cecily.
“Well, my conscience will feel better.”
“I don’t believe Presbyterians ever do penance,” said Felicity dubiously. “I never heard of one doing it.”
But the rest of us rather looked with favour on the Story Girl’s idea. We felt sure that she would do penance as picturesquely and thoroughly as she did everything else.
“You might put peas in your shoes, you know,” suggested Peter.
“The very thing! I never thought of that. I’ll get some after breakfast. I’m not going to eat a single thing all day, except bread and water—and not much of that!”
This, we felt, was a heroic measure indeed. To sit down to one of Aunt Janet’s meals, in ordinary health and appetite, and eat nothing but bread and water—that would be penance with a vengeance! We felt WE could never do it. But the Story Girl did it. We admired and pitied her. But now I do not think that she either needed our pity or deserved our admiration. Her ascetic fare was really sweeter to her than honey of Hymettus. She was, though quite unconsciously, acting a part, and tasting all the subtle joy of the artist, which is so much more exquisite than any material pleasure.
Aunt Janet, of course, noticed the Story Girl’s abstinence and asked if she was sick.
“No. I am just doing penance, Aunt Janet, for a sin I committed. I can’t confess it, because that would bring trouble on another person. So I’m going to do penance all day. You don’t mind, do you?”
Aunt Janet was in a very good humour that morning, so she merely laughed.
“Not if you don’t go too far with your nonsense,” she said tolerantly.
“Thank you. And will you give me a handful of hard peas after breakfast, Aunt Janet? I want to put them in my shoes.”
“There isn’t any; I used the last in the soup yesterday.”
“Oh!” The Story Girl was much disappointed. “Then I suppose I’ll have to do without. The new peas wouldn’t hurt enough. They’re so soft they’d just squash flat.”
“I’ll tell you,” said Peter, “I’ll pick up a lot of those little round pebbles on Mr. King’s front walk. They’ll be just as good as peas.”
“You’ll do nothing of the sort,” said Aunt Janet. “Sara must not do penance in that way. She would wear holes in her stockings, and might seriously bruise her feet.”
“What would you say if I took a whip and whipped my bare shoulders till the blood came?” demanded the Story Girl aggrieved.
“I wouldn’t SAY anything,” retorted Aunt Janet. “I’d simply turn you over my knee and give you a sound, solid spanking, Miss Sara. You’d find that penance enough.”
The Story Girl was crimson with indignation. To have such a remark made to you—when you were fourteen and a half—and before the boys, too! Really, Aunt Janet could be very dreadful.
It was vacation, and there was not much to do that day; we were soon free to seek the orchard. But the Story Girl would not come. She had seated herself in the darkest, hottest corner of the kitchen, with a piece of old cotton in her hand.
“I am not going to play to-day,” she said, “and I’m not going to tell a single story. Aunt Janet won’t let me put pebbles in my shoes, but I’ve put a thistle next my skin on my back and it sticks into me if I lean back the least bit. And I’m going to work buttonholes all over this cotton. I hate working buttonholes worse than anything in the world, so I’m going to work them all day.”
“What’s the good of working buttonholes on an old rag?” asked Felicity.
“It isn’t any good. The beauty of penance is that it makes you feel uncomfortable. So it doesn’t matter what you do, whether it’s useful or not, so long as it’s nasty. Oh, I wonder how Sara is this morning.”
“Mother’s going down this afternoon,” said Felicity. “She says none of us must go near the place till we know whether it is the measles or not.”
“I’ve thought of a great penance,” said Cecily eagerly. “Don’t go to the missionary meeting to-night.”
The Story Girl looked piteous.
“I thought of that myself—but I CAN’T stay home, Cecily. It would be more than flesh and blood could endure. I MUST hear that missionary speak. They say he was all but eaten by cannibals once. Just think how many new stories I’d have to tell after I’d heard him! No, I must go, but I’ll tell you what I’ll do. I’ll wear my school dress and hat. THAT will be penance. Felicity, when you set the table for dinner, put the broken-handled knife for me. I hate it so. And I’m going to take a dose of Mexican Tea every two hours. It’s such dreadful tasting stuff—but it’s a good blood purifier, so Aunt Janet can’t object to it.”
The Story Girl carried out her self-imposed penance fully. All day she sat in the kitchen and worked buttonholes, subsisting on bread and water and Mexican Tea.
Felicity did a mean thing. She went to work and made little raisin pies, right there in the kitchen before the Story Girl. The smell of raisin pies is something to tempt an anchorite; and the Story Girl was exceedingly fond of them. Felicity ate two in her very presence, and then brought the rest out to us in the orchard. The Story Girl could see us through the window, carousing without stint on raisin pies and Uncle Edward’s cherries. But she worked on at her buttonholes. She would not look at the exciting serial in the new magazine Dan brought home from the post-office, neither would she open a letter from her father. Pat came over, but his most seductive purrs won no notice from his mistress, who refused herself the pleasure of even patting him.
Aunt Janet could not go down the hill in the afternoon to find out how Sara was because company came to tea—the Millwards from Markdale. Mr. Millward was a doctor, and Mrs. Millward was a B.A. Aunt Janet was very desirous that everything should be as nice as possible, and we were all sent to our rooms before tea to wash and dress up. The Story Girl slipped over home, and when she came back we gasped. She had combed her hair out straight, and braided it in a tight, kinky, pudgy braid; and she wore an old dress of faded print, with holes in the elbows and ragged flounces, which was much too short for her.
“Sara Stanley, have you taken leave of your senses?” demanded Aunt Janet. “What do you mean by putting on such a rig! Don’t you know I have company to tea?”
“Yes, and that is just why I put it on, Aunt Janet. I want to mortify the flesh—”
“I’ll ‘mortify’ you, if I catch you showing yourself to the Millwards like that, my girl! Go right home and dress yourself decently—or eat your supper in the kitchen.”
The Story Girl chose the latter alternative. She was highly indignant. I verily believe that to sit at the dining-room table, in that shabby, outgrown dress, conscious of looking her ugliest, and eating only bread and water before the critical Millwards would have been positive bliss to her.
When we went to the missionary meeting that evening, the Story Girl wore her school dress and hat, while Felicity and Cecily were in their pretty muslins. And she had tied her hair with a snuff-brown ribbon which was very unbecoming to her.
The first person we saw in the church porch was Mrs. Ray. She told us that Sara had nothing worse than a feverish cold.
The missionary had at least seven happy listeners that night. We were all glad that Sara did not have measles, and the Story Girl was radiant.
“Now you see all your penance was wasted,” said Felicity, as we walked home, keeping close together because of the rumour that Peg Bowen was abroad.
“Oh, I don’t know. I feel better since I punished myself. But I’m going to make up for it to-morrow,” said the Story Girl energetically. “In fact, I’ll begin to-night. I’m going to the pantry as soon as I get home, and I’ll read father’s letter before I go to bed. Wasn’t the missionary splendid? That cannibal story was simply grand. I tried to remember every word, so that I can tell it just as he told it. Missionaries are such noble people.”
“I’d like to be a missionary and have adventures like that,” said Felix.
“It would be all right if you could be sure the cannibals would be interrupted in the nick of time as his were,” said Dan. “But sposen they weren’t?”
“Nothing would prevent cannibals from eating Felix if they once caught him,” giggled Felicity. “He’s so nice and fat.”
I am sure Felix felt very unlike a missionary at that precise moment.
“I’m going to put two cents more a week in my missionary box than I’ve been doing,” said Cecily determinedly.
Two cents more a week out of Cecily’s egg money, meant something of a sacrifice. It inspired the rest of us. We all decided to increase our weekly contribution by a cent or so. And Peter, who had had no missionary box at all, up to this time, determined to start one.
“I don’t seem to be able to feel as int’rested in missionaries as you folks do,” he said, “but maybe if I begin to give something I’ll get int’rested. I’ll want to know how my money’s being spent. I won’t be able to give much. When your father’s run away, and your mother goes out washing, and you’re only old enough to get fifty cents a week, you can’t give much to the heathen. But I’ll do the best I can. My Aunt Jane was fond of missions. Are there any Methodist heathen? I s’pose I ought to give my box to them, rather than to Presbyterian heathen.”
“No, it’s only after they’re converted that they’re anything in particular,” said Felicity. “Before that, they’re just plain heathen. But if you want your money to go to a Methodist missionary you can give it to the Methodist minister at Markdale. I guess the Presbyterians can get along without it, and look after their own heathen.”
“Just smell Mrs. Sampson’s flowers,” said Cecily, as we passed a trim white paling close to the road, over which blew odours sweeter than the perfume of Araby’s shore. “Her roses are all out and that bed of Sweet William is a sight by daylight.”
“Sweet William is a dreadful name for a flower,” said the Story Girl. “William is a man’s name, and men are NEVER sweet. They are a great many nice things, but they are NOT sweet and shouldn’t be. That is for women. Oh, look at the moonshine on the road in that gap between the spruces! I’d like a dress of moonshine, with stars for buttons.”
“It wouldn’t do,” said Felicity decidedly. “You could see through it.”
Which seemed to settle the question of moonshine dresses effectually.
“It’s utterly out of the question,” said Aunt Janet seriously. When Aunt Janet said seriously that anything was out of the question it meant that she was thinking about it, and would probably end up by doing it. If a thing really was out of the question she merely laughed and refused to discuss it at all.
The particular matter in or out of the question that opening day of August was a project which Uncle Edward had recently mooted. Uncle Edward’s youngest daughter was to be married; and Uncle Edward had written over, urging Uncle Alec, Aunt Janet and Aunt Olivia to go down to Halifax for the wedding and spend a week there.
Uncle Alec and Aunt Olivia were eager to go; but Aunt Janet at first declared it was impossible.
“How could we go away and leave the place to the mercy of all those young ones?” she demanded. “We’d come home and find them all sick, and the house burned down.”
“Not a bit of fear of it,” scoffed Uncle Roger. “Felicity is as good a housekeeper as you are; and I shall be here to look after them all, and keep them from burning the house down. You’ve been promising Edward for years to visit him, and you’ll never have a better chance. The haying is over and harvest isn’t on, and Alec needs a change. He isn’t looking well at all.”
I think it was Uncle Roger’s last argument which convinced Aunt Janet. In the end she decided to go. Uncle Roger’s house was to be closed, and he and Peter and the Story Girl were to take up their abode with us.
We were all delighted. Felicity, in especial, seemed to be in seventh heaven. To be left in sole charge of a big house, with three meals a day to plan and prepare, with poultry and cows and dairy and garden to superintend, apparently furnished forth Felicity’s conception of Paradise. Of course, we were all to help; but Felicity was to “run things,” and she gloried in it.
The Story Girl was pleased, too.
“Felicity is going to give me cooking lessons,” she confided to me, as we walked in the orchard. “Isn’t that fine? It will be easier when there are no grown-ups around to make me nervous, and laugh if I make mistakes.”
Uncle Alec and aunts left on Monday morning. Poor Aunt Janet was full of dismal forebodings, and gave us so many charges and warnings that we did not try to remember any of them; Uncle Alec merely told us to be good and mind what Uncle Roger said. Aunt Olivia laughed at us out of her pansy-blue eyes, and told us she knew exactly what we felt like and hoped we’d have a gorgeous time.
“Mind they go to bed at a decent hour,” Aunt Janet called back to Uncle Roger as she drove out of the gate. “And if anything dreadful happens telegraph us.”
Then they were really gone and we were all left “to keep house.”
Uncle Roger and Peter went away to their work. Felicity at once set the preparations for dinner a-going, and allotted to each of us his portion of service. The Story Girl was to prepare the potatoes; Felix and Dan were to pick and shell the peas; Cecily was to attend the fire; I was to peel the turnips. Felicity made our mouths water by announcing that she was going to make a roly-poly jam pudding for dinner.
I peeled my turnips on the back porch, put them in their pot, and set them on the stove. Then I was at liberty to watch the others, who had longer jobs. The kitchen was a scene of happy activity. The Story Girl peeled her potatoes, somewhat slowly and awkwardly—for she was not deft at household tasks; Dan and Felix shelled peas and tormented Pat by attaching pods to his ears and tail; Felicity, flushed and serious, measured and stirred skilfully.
“I am sitting on a tragedy,” said the Story Girl suddenly.
Felix and I stared. We were not quite sure what a “tragedy” was, but we did not think it was an old blue wooden chest, such as the Story Girl was undoubtedly sitting on, if eyesight counted for anything.
The old chest filled up the corner between the table and the wall. Neither Felix nor I had ever thought about it particularly. It was very large and heavy, and Felicity generally said hard things of it when she swept the kitchen.
“This old blue chest holds a tragedy,” explained the Story Girl. “I know a story about it.”
“Cousin Rachel Ward’s wedding things are all in that old chest,” said Felicity.
Who was Cousin Rachel Ward? And why were her wedding things shut up in an old blue chest in Uncle Alec’s kitchen? We demanded the tale instantly. The Story Girl told it to us as she peeled her potatoes. Perhaps the potatoes suffered—Felicity declared the eyes were not properly done at all—but the story did not.
“It is a sad story,” said the Story Girl, “and it happened fifty years ago, when Grandfather and Grandmother King were quite young. Grandmother’s cousin Rachel Ward came to spend a winter with them. She belonged to Montreal and she was an orphan too, just like the Family Ghost. I have never heard what she looked like, but she MUST have been beautiful, of course.”
“Mother says she was awful sentimental and romantic,” interjected Felicity.
“Well, anyway, she met Will Montague that winter. He was handsome—everybody says so”—
“And an awful flirt,” said Felicity.
“Felicity, I WISH you wouldn’t interrupt. It spoils the effect. What would you feel like if I went and kept stirring things that didn’t belong to it into that pudding? I feel just the same way. Well, Will Montague fell in love with Rachel Ward, and she with him, and it was all arranged that they were to be married from here in the spring. Poor Rachel was so happy that winter; she made all her wedding things with her own hands. Girls did, then, you know, for there was no such thing as a sewing-machine. Well, at last in April the wedding day came, and all the guests were here, and Rachel was dressed in her wedding robes, waiting for her bridegroom. And”—the Story Girl laid down her knife and potato and clasped her wet hands—“WILL MONTAGUE NEVER CAME!”
We felt as much of a shock as if we had been one of the expectant guests ourselves.
“What happened to him? Was HE killed too?” asked Felix.
The Story Girl sighed and resumed her work.
“No, indeed. I wish he had been. THAT would have been suitable and romantic. No, it was just something horrid. He had to run away for debt! Fancy! He acted mean right through, Aunt Janet says. He never sent even a word to Rachel, and she never heard from him again.”
“Pig!” said Felix forcibly.
“She was broken-hearted of course. When she found out what had happened, she took all her wedding things, and her supply of linen, and some presents that had been given her, and packed them all away in this old blue chest. Then she went away back to Montreal, and took the key with her. She never came back to the Island again—I suppose she couldn’t bear to. And she has lived in Montreal ever since and never married. She is an old woman now—nearly seventy-five. And this chest has never been opened since.”
“Mother wrote to Cousin Rachel ten years ago,” said Cecily, “and asked her if she might open the chest to see if the moths had got into it. There’s a crack in the back as big as your finger. Cousin Rachel wrote back that if it wasn’t for one thing that was in the trunk she would ask mother to open the chest and dispose of the things as she liked. But she could not bear that any one but herself should see or touch that one thing. So she wanted it left as it was. Ma said she washed her hands of it, moths or no moths. She said if Cousin Rachel had to move that chest every time the floor had to be scrubbed it would cure her of her sentimental nonsense. But I think,” concluded Cecily, “that I would feel just like Cousin Rachel in her place.”
“What was the thing she couldn’t bear any one to see?” I asked.
“Ma thinks it was her wedding dress. But father says he believes it was Will Montague’s picture,” said Felicity. “He saw her put it in. Father knows some of the things that are in the chest. He was ten years old, and he saw her pack it. There’s a white muslin wedding dress and a veil—and—and—a—a”—Felicity dropped her eyes and blushed painfully.
“A petticoat, embroidered by hand from hem to belt,” said the Story Girl calmly.
“And a china fruit basket with an apple on the handle,” went on Felicity, much relieved. “And a tea set, and a blue candle-stick.”
“I’d dearly love to see all the things that are in it,” said the Story Girl.
“Pa says it must never be opened without Cousin Rachel’s permission,” said Cecily.
Felix and I looked at the chest reverently. It had taken on a new significance in our eyes, and seemed like a tomb wherein lay buried some dead romance of the vanished years.
“What happened to Will Montague?” I asked.
“Nothing!” said the Story Girl viciously. “He just went on living and flourishing. He patched up matters with his creditors after awhile, and came back to the Island; and in the end he married a real nice girl, with money, and was very happy. Did you ever HEAR of anything so unjust?”
“Beverley King,” suddenly cried Felicity, who had been peering into a pot, “YOU’VE GONE AND PUT THE TURNIPS ON TO BOIL WHOLE JUST LIKE POTATOES!”
“Wasn’t that right?” I cried, in an agony of shame.
“Right!” but Felicity had already whisked the turnips out, and was slicing them, while all the others were laughing at me. I had added a tradition on my own account to the family archives.
Uncle Roger roared when he heard it; and he roared again at night over Peter’s account of Felix attempting to milk a cow. Felix had previously acquired the knack of extracting milk from the udder. But he had never before tried to “milk a whole cow.” He did not get on well; the cow tramped on his foot, and finally upset the bucket.
“What are you to do when a cow won’t stand straight?” spluttered Felix angrily.
“That’s the question,” said Uncle Roger, shaking his head gravely.
Uncle Roger’s laughter was hard to bear, but his gravity was harder.
Meanwhile, in the pantry the Story Girl, apron-enshrouded, was being initiated into the mysteries of bread-making. Under Felicity’s eyes she set the bread, and on the morrow she was to bake it.
“The first thing you must do in the morning is knead it well,” said Felicity, “and the earlier it’s done the better—because it’s such a warm night.”
With that we went to bed, and slept as soundly as if tragedies of blue chests and turnips and crooked cows had no place in the scheme of things at all.