136;Last Supper,63;S. Francis d’Assisi,64Ribera, José (Lo Spagnoletto),54,59,63,64,65,151,165;chapter on,136;life,136,137;Italian influence,139;S. Januariusscandal,140;stories associated with,142;point of view,143;Hermits and Ascetics,142;Martyrdom of S. Bartholomew,138,144;Martyrdom of S. Januarius,141;Hermit Saint,142;Immaculate Conception,144;Assumption of the Magdalen,144;Holy Trinity,144;S. John the Baptist in the Desert,145;Penitent Magdalen,145;Isaac Blessing Jacob,145;S. Simon,146;S. Bartholomew,146;Jacob’s Ladder,146Ribera, Luis,136Rincon,13Rizi, Antonio,60Rizi, Francisco,61;auto-da-fé depicted,62Rizi, Fray Juan,61;Portrait of Don Tiburcio de Redin,61;S. Benedict Celebrating Mass,61Roelas, Juan de las,64,165,169Roman, Bartolomé,131Romanticists,187Rome,6,173Rome, influence of school of,47,51,66,137,151“Room of the Two Sisters,â€36Rubens,56,103,121,151Ruisdael,125Ryks Museum,62SSalamanca,13Sanguineto, Don Rafael,162Santa Forma, La[Coello],63Santiago[El Greco],88Santos Cruz,44Sardinia,41Sassoferrato,139Scene of May3, 1808[Goya],185“School of Madrid,â€106,123,134Scipio the Younger,6Sebastian, S.[Carreño],133Self-Portrait[Murillo],160Seven Joys of Mary, The[Cano],164Seville,42,47,62,65,89,102,150,151,152,162,164,165,169Sicily,22,41Siguenza, Father,71Silva, Juan Rodriguez de, father of Velasquez,102Simon, S.[Ribera],146Solis, Antonio de, poet, historian, dramatist,18Sorolla (Joaquin Sorolla y Bastida),65,192Soult, Marshal,23Spagnoletto, Lo. SeeRiberaSpain, historical sketch of,3-24;decline of,171,184;character of art of,4,8,25,38,39,125,133,137,145,165,171,190;source of,41,46;geographical description of,4,5,41,129“Spaniard of Jativa,â€136Spanish character,5,11,14,27,30,47,66,87;demoralization of,171,191Spanish Succession, War of the,22Spinola, Marquis of,103,112Stephen Conducted to Martyrdom, S.[Juanes],46Stevenson, R. A. M.,110Stirling-Maxwell, Sir John,71Suetonius,6Surrender of Breda[Leonardo],60Surrender of Breda[Velasquez],56,103,111,126TTagus, the,73Taking of Acqui[Leonardo],60Tapestry works, royal,174Taureaux de Bordeaux[Goya],187Telmo, San,89Temptation of Adam and Eve[Titian],56Temptation of S. Antony[unknown],43Teniers,174Theotocopuli, Domenico. SeeGrecoTheotocopuli, George Manuel,71,87,89Thomas, Apotheosis of S.[Zurbarán],166Thomas, S., Church of,167Tibaldi, Pelegrino,52Tiburcio de Redin, Portrait of[Rizi],61Tiepolo,23,65Tintoretto,66,71,103,108,111,138Titian,19,52,53,56,66,67,78,89,111,121,126,139,151;Gloria,16;Portraits of Charles I,19;Philip II,19,20Toledo,10,13,42,51,56,61,66,69,70,71,74,86,87Tomé, Church of San,82Trinity, Holy[Ribera],144Tristan, Luis,89“Truth not painting,â€95,101,108,120Truth of appearances,67,119Truth of representation,92Turner,130UUrsula, S.,43Utrecht, treaty of,22VValencia, province of,10,41;school of,41,46,54,63,64,136,162Valladolid,58Van Dyke,62,151Van Eyck, Jan,94,99Van Goyen,125Van Loo,22Velasquez, Don Diego Rodriguez de Silva y,19,54,55,56,57,60,61,65,67,143,148,151,157,161,165,171,178,187,189;chapter on,92-120;point of view,93;“truth not painting,â€95;artist’s vision,96;color,97,98;impressionism,100;study of light,100;early life,101,102;friendship with king,103;first visit to Italy,103;first period,103,104;Aposentador Mayor,104;second period,105;second visit to Italy,105;Marshal of the Palace,105;third period,105,106;death,106;alteration of canvases,110;neglect of,120,121;pictures copied by Mazo,122;interest in landscape,126;compared with Goya,181;pictures by—first period:Surrender of Breda,103,104,111;Forge of Vulcan,103,108;Joseph’s Coat,103;Villa Medici,103;Adoration of the Shepherds,107;Adoration of the Kings,107;Lady with the Fan,107;Los Borrachos,107;Expulsion of the Morescoes,111;Doña Maria,103;Philip IV, Young,107. Second period:Christ at the Pillar,105;Sculptor Montañés,105;Don Juan de Austria,105;Don Baltasar Carlos,98;Equestrian Portraits of Philip IV,105,109;Don Baltasar Carlos,105,109;Count Olivares,105,108,109;Sportsman Portraits of Philip IV,105,113,122;Don Baltasar Carlos,105,113;Don Fernando de Austria,105,113.Third Period:S. Antony Visiting S. Paul,105;Las Hilanderas,105,116;Venus,116;Æsopus,106;MÅ“nippus,106;The God Mars,106;The Dwarf Antonio El Inglese,106;Las Meniñas,95,105,108,116,119;Pope Innocent X,93,105,123;Queen Mariana,105;Doña Maria Teresa,105;La Infanta Doña Margarita Maria,105;Philip IV, Old,97,105;Cristobal de PernÃa,106Velasquez, Geronimo,102Velasquez, Ignacia and Francisca,102,121Velez de Guevara,18Venice,51,66,74Venus[Velasquez],105,116Vermeer, Jan,126Veronese,121View of Buen Retiro[Mazo],128View of Delft[Vermeer],126View of the Arch of Titus[Mazo],126View of Zaragoza[Mazo],127Villa Medici[Velasquez],103,126Vinci, Da,45,49,99Virgin and Saints, The[El Greco],87Virgin Blessing Various Monks, The[Zurbarán],168Virgin Caressing the Infant Jesus[Morales],50Visigoths,8Vision of Ezekiel[Collantes],59Vista of Toledo[El Greco],71Vocation of S. Matthew[Pareja],58WWallace collection,104Weavers, The,105,116Weiss, Madame,187Wellington, Duke of,23,186Weyden, Roger van der,42Whistler,120XXimenes de Cisneros, Cardinal,13ZZamacois, Edoardo,192Zaragoza,173Zegri,11Zucchero, Frederico,52Zuloaga, Ignacio,65,89,192Zurbarán, Francisco de,44,65,146;life,165;sympathy with monastic life,166;death,169;pictures by:Apotheosis of S. Thomas Aquinas,166;Virgin Blessing Various Monks,168;Miracle of S. Hugo,169