Quite suddenly Peter's house, built on the sand, collapsed. The shock came on Christmas-Day, after young McLean, now frankly infatuated, had been driven home by Peter.
Peter did it after his own fashion. Harmony, with unflagging enthusiasm, was looking tired. Suggestions to this effect rolled off McLean's back like rain off a roof. Finally Peter gathered up the fur-lined coat, the velours hat, gloves, and stick, and placed them on the piano in front of the younger man.
“I'm sorry you must go,” said Peter calmly, “but, as you say, Miss Wells is tired and there is supper to be eaten. Don't let me hurry you.”
The Portier was at the door as McLean, laughing and protesting, went out. He brought a cablegram for Anna. Peter took it to her door and waited uneasily while she read it.
It was an urgent summons home; the old father was very low. He was calling for her, and a few days or week' would see the end. There were things that must be looked after. The need of her was imperative. With the death the old man's pension would cease and Anna was the bread-winner.
Anna held the paper out to Peter and sat down. Her nervous strength seemed to have deserted her. All at once she was a stricken, elderly woman, with hope wiped out of her face and something nearer resentment than grief in its place.
“It has come, Peter,” she said dully. “I always knew it couldn't last. They've always hung about my neck, and now—”
“Do you think you must go? Isn't there some way? If things are so bad you could hardly get there in time, and—you must think of yourself a little, Anna.”
“I am not thinking of anything else. Peter, I'm an uncommonly selfish woman, but I—”
Quite without warning she burst out crying, unlovely, audible weeping that shook her narrow shoulders. Harmony heard the sound and joined them. After a look at Anna she sat down beside her and put a white arm over her shoulders. She did not try to speak. Anna's noisy grief subsided as suddenly as it came. She patted Harmony's hand in mute acknowledgment and dried her eyes.
“I'm not grieving, child,” she said; “I'm only realizing what a selfish old maid I am. I'm crying because I'm a disappointment to myself. Harry, I'm going back to America.”
And that, after hours of discussion, was where they ended. Anna must go at once. Peter must keep the apartment, having Jimmy to look after and to hide. What was a frightful dilemma to him and to Harmony Anna took rather lightly.
“You'll find some one else to take my place,” she said. “If I had a day I could find a dozen.”
“And in the interval?” Harmony asked, without looking at Peter.
“The interval! Tut! Peter is your brother, to all intents and purposes. And if you are thinking of scandal-mongers, who will know?”
Having determined to go, no arguments moved Anna, nor could either of the two think of anything to urge beyond a situation she refused to see, or rather a situation she refused to acknowledge. She was not as comfortable as she pretended. During all that long night, while snow sifted down into the ugly yard and made it beautiful, while Jimmy slept and the white mice played, while Harmony tossed and tried to sleep and Peter sat in his cold room and smoked his pipe, Anna packed her untidy belongings and added a name now and then to a list that was meant for Peter, a list of possible substitutes for herself in the little household.
She left early the next morning, a grim little person who bent over the sleeping boy hungrily, and insisted on carrying her own bag down the stairs. Harmony did not go to the station, but stayed at home, pale and silent, hovering around against Jimmy's awakening and struggling against a feeling of panic. Not that she feared Peter or herself. But she was conventional; shielded girls are accustomed to lean for a certain support on the proprieties, as bridgeplayers depend on rules.
Peter came back to breakfast, but ate little. Harmony did not even sit down, but drank her cup of coffee standing, looking down at the snow below. Jimmy still slept.
“Won't you sit down?” said Peter.
“I'm not hungry, thank you.”
“You can sit down without eating.”
Peter was nervous. To cover his uneasiness he was distinctly gruff. He pulled a chair out for her and she sat down. Now that they were face to face the tension was lessened. Peter laid Anna's list on the table between them and bent over it toward her.
“You are hurting me very much, Harry,” he said. “Do you know why?”
“I? I am only sorry about Anna. I miss her. I—I was fond of her.”
“So was I. But that isn't it, Harry. It's something else.”
“I'm uncomfortable, Peter.”
“So am I. I'm sorry you don't trust me. For that's it.”
“Not at all. But, Peter, what will people say?”
“A great deal, if they know. Who is to know? How many people know about us? A handful, at the most, McLean and Mrs. Boyer and one or two others. Of course I can go away until we get some one to take Anna's place, but you'd be here alone at night, and if the youngster had an attack—”
“Oh, no, don't leave him!”
“It's holiday time. There are no clinics until next week. If you'll put up with me—”
“Put up with you, when it is your apartment I use, your food I eat!” She almost choked. “Peter, I must talk about money.”
“I'm coming to that. Don't you suppose you more than earn everything? Doesn't it humiliate me hourly to see you working here?”
“Peter! Would you rob me of my last vestige of self-respect?”
This being unanswerable, Peter fell back on his major premise.
“If you'll put up with me for a day or so I'll take this list of Anna's and hunt up some body. Just describe the person you desire and I'll find her.” He assumed a certainty he was far from feeling, but it reassured the girl. “A woman, of course?”
“Of course. And not young.”
“'Not young,'” wrote Peter. “Fat?”
Harmony recalled Mrs. Boyer's ample figure and shook her head.
“Not too stout. And agreeable. That's most important.”
“'Agreeable,'” wrote Peter. “Although Anna was hardly agreeable, in the strict sense of the word, was she?”
“She was interesting, and—and human.”
“'Human!'” wrote Peter. “Wanted, a woman, not young, not too stout, agreeable and human. Shall I advertise?”
The strain was quite gone by that time. Harmony was smiling. Jimmy, waking, called for food, and the morning of the first day was under way.
Peter was well content that morning, in spite of an undercurrent of uneasiness. Before this Anna had shared his proprietorship with him. Now the little household was his. His vicarious domesticity pleased him. He strutted about, taking a new view of his domain; he tightened a doorknob and fastened a noisy window. He inspected the coal-supply and grumbled over its quality. He filled the copper kettle on the stove, carried in the water for Jimmy's morning bath, cleaned the mouse cage. He even insisted on peeling the little German potatoes, until Harmony cried aloud at his wastefulness and took the knife from him.
And afterward, while Harmony in the sickroom read aloud and Jimmy put the wooden sentry into the cage to keep order, he got out his books and tried to study. But he did little work. His book lay on his knee, his pipe died beside him. The strangeness of the situation came over him, sitting there, and left him rather frightened. He tried to see it from the viewpoint of an outsider, and found himself incredulous and doubting. McLean would resent the situation. Even the Portier was a person to reckon with. The skepticism of the American colony was a thing to fear and avoid.
And over all hung the incessant worry about money; he could just manage alone. He could not, by any method he knew of, stretch his resources to cover a separate arrangement for himself. But he had undertaken to shield a girl-woman and a child, and shield them he would and could.
Brave thoughts were Peter's that snowy morning in the great salon of Maria Theresa, with the cat of the Portier purring before the fire; brave thoughts, cool reason, with Harmony practicing scales very softly while Jimmy slept, and with Anna speeding through a white world, to the accompaniment of bitter meditation.
Peter had meant to go to Semmering that day, but even the urgency of Marie's need faded before his own situation. He wired Stewart that he would come as soon as he could, and immediately after lunch departed for the club, Anna's list in his pocket, Harmony's requirements in mind. He paused at Jimmy's door on his way out.
“What shall it be to-day?” he inquired. “A postcard or a crayon?”
“I wish I could have a dog.”
“We'll have a dog when you are better and can take him walking. Wait until spring, son.”
“Some more mice?”
“You will have them—but not to-day.”
“What holiday comes next?”
“New Year's Day. Suppose I bring you a New Year's card.”
“That's right,” agreed Jimmy. “One I can send to Dad. Do you think he will come back this year?” wistfully.
Peter dropped on his baggy knees beside the bed and drew the little wasted figure to him.
“I think you'll surely see him this year, old man,” he said huskily.
Peter walked to the Doctors' Club. On the way he happened on little Georgiev, the Bulgarian, and they went on together. Peter managed to make out that Georgiev was studying English, and that he desired to know the state of health and the abode of the Fraulein Wells. Peter evaded the latter by the simple expedient of pretending not to understand. The little Bulgarian watched him earnestly, his smouldering eyes not without suspicion. There had been much talk in the Pension Schwarz about the departure together of the three Americans. The Jew from Galicia still raved over Harmony's beauty.
Georgiev rather hoped, by staying by Peter, to be led toward his star. But Peter left him at the Doctors' Club, still amiable, but absolutely obtuse to the question nearest the little spy's heart.
The club was almost deserted. The holidays had taken many of the members out of town. Other men were taking advantage of the vacation to see the city, or to make acquaintance again with families they had hardly seen during the busy weeks before Christmas. The room at the top of the stairs where the wives of the members were apt to meet for chocolate and to exchange the addresses of dressmakers was empty; in the reading room he found McLean. Although not a member, McLean was a sort of honorary habitue, being allowed the privilege of the club in exchange for a dependable willingness to play at entertainments of all sorts.
It was in Peter's mind to enlist McLean's assistance in his difficulties. McLean knew a good many people. He was popular, goodlooking, and in a colony where, unlike London and Paris, the great majority were people of moderate means, he was conspicuously well off. But he was also much younger than Peter and intolerant with the insolence of youth. Peter was thinking hard as he took off his overcoat and ordered beer.
The boy was in love with Harmony already; Peter had seen that, as he saw many things. How far his love might carry him, Peter had no idea. It seemed to him, as he sat across the reading-table and studied him over his magazine, that McLean would resent bitterly the girl's position, and that when he learned it a crisis might be precipitated.
One of three things might happen: He might bend all his energies to second Peter's effort to fill Anna's place, to find the right person; he might suggest taking Anna's place himself, and insist that his presence in the apartment would be as justifiable as Peter's; or he might do at once the thing Peter felt he would do eventually, cut the knot of the difficulty by asking Harmony to marry him. Peter, greeting him pleasantly, decided not to tell him anything, to keep him away if possible until the thing was straightened out, and to wait for an hour at the club in the hope that a solution might stroll in for chocolate and gossip.
In any event explanation to McLean would have required justification. Peter disliked the idea. He could humble himself, if necessary, to a woman; he could admit his asininity in assuming the responsibility of Jimmy, for instance, and any woman worthy of the name, or worthy of living in the house with Harmony, would understand. But McLean was young, intolerant. He was more than that, though Peter, concealing from himself just what Harmony meant to him, would not have admitted a rival for what he had never claimed. But a rival the boy was. Peter, calmly reading a magazine and drinking his Munich beer, was in the grip of the fiercest jealousy. He turned pages automatically, to recall nothing of what he had read.
McLean, sitting across from him, watched him surreptitiously. Big Peter, aggressively masculine, heavy of shoulder, direct of speech and eye, was to him the embodiment of all that a woman should desire in a man. He, too, was jealous, but humbly so. Unlike Peter he knew his situation, was young enough to glory in it. Shameless love is always young; with years comes discretion, perhaps loss of confidence. The Crusaders were youths, pursuing an idea to the ends of the earth and flaunting a lady's guerdon from spear or saddle-bow. The older men among them tucked the handkerchief or bit of a gauntleted glove under jerkin and armor near the heart, and flung to the air the guerdon of some light o' love. McLean would have shouted Harmony's name from the housetops. Peter did not acknowledge even to himself that he was in love with her.
It occurred to McLean after a time that Peter being in the club, and Harmony being in all probability at home, it might be possible to see her alone for a few minutes. He had not intended to go back to the house in the Siebensternstrasse so soon after being peremptorily put out; he had come to the club with the intention of clinching his resolution with a game of cribbage. But fate was playing into his hands. There was no cribbage player round, and Peter himself sat across deeply immersed in a magazine. McLean rose, not stealthily, but without unnecessary noise.
So far so good. Peter turned a page and went on reading. McLean sauntered to a window, hands in pockets. He even whistled a trifle, under his breath, to prove how very casual were his intentions. Still whistling, he moved toward the door. Peter turned another page, which was curiously soon to have read two columns of small type without illustrations.
Once out in the hall McLean's movements gained aim and precision. He got his coat, hat and stick, flung the first over his arm and the second on his head, and—
“Going out?” asked Peter calmly.
“Yes, nothing to do here. I've read all the infernal old magazines until I'm sick of them.” Indignant, too, from his tone.
“Walking?”
“Yes.”
“Mind if I go with you?”
“Not at all.”
Peter, taking down his old overcoat from its hook, turned and caught the boy's eye. It was a swift exchange of glances, but illuminating—Peter's whimsical, but with a sort of grim determination; McLean's sheepish, but equally determined.
“Rotten afternoon,” said McLean as they started for the stairs. “Half rain, half snow. Streets are ankle-deep.”
“I'm not particularly keen about walking, but—I don't care for this tomb alone.”
Nothing was further from McLean's mind than a walk with Peter that afternoon. He hesitated halfway down the upper flight.
“You don't care for cribbage, do you?”
“Don't know anything about it. How about pinochle?”
They had both stopped, equally determined, equally hesitating.
“Pinochle it is,” acquiesced McLean. “I was only going because there was nothing to do.”
Things went very well for Peter that afternoon—up to a certain point. He beat McLean unmercifully, playing with cold deliberation. McLean wearied, fidgeted, railed at his luck. Peter played on grimly.
The club filled up toward the coffee-hour. Two or three women, wives of members, a young girl to whom McLean had been rather attentive before he met Harmony and who bridled at the abstracted bow he gave her. And, finally, when hope in Peter was dead, one of the women on Anna's list.
Peter, laying down pairs and marking up score, went over Harmony's requirements. Dr. Jennings seemed to fit them all, a woman, not young, not too stout, agreeable and human. She was a large, almost bovinely placid person, not at all reminiscent of Anna. She was neat where Anna had been disorderly, well dressed and breezy against Anna's dowdiness and sharpness. Peter, having totaled the score, rose and looked down at McLean.
“You're a nice lad,” he said, smiling. “Sometime I shall teach you the game.”
“How about a lesson to-night in Seven-Star Street?”
“To-night? Why, I'm sorry. We have an engagement for to-night.”
The “we” was deliberate and cruel. McLean writhed. Also the statement was false, but the boy was spared that knowledge for the moment.
Things went well. Dr. Jennings was badly off for quarters. She would make a change if she could better herself. Peter drew her off to a corner and stated his case. She listened attentively, albeit not without disapproval.
She frankly discredited the altruism of Peter's motives when he told her about Harmony. But as the recital went on she found herself rather touched. The story of Jimmy appealed to her. She scolded and lauded Peter in one breath, and what was more to the point, she promised to visit the house in the Siebensternstrasse the next day.
“So Anna Gates has gone home!” she reflected. “When?”
“This morning.”
“Then the girl is there alone?”
“Yes. She is very young and inexperienced, and the boy—it's myocarditis. She's afraid to be left with him.”
“Is she quite alone?”
“Absolutely, and without funds, except enough for her lessons. Our arrangement was that she should keep the house going; that was her share.”
Dr. Jennings was impressed. It was impossible to talk to Peter and not believe him. Women trusted Peter always.
“You've been very foolish, Dr. Byrne,” she said as she rose; “but you've been disinterested enough to offset that and to put some of us to shame. To-morrow at three, if it suits you. You said the Siebensternstrasse?”
Peter went home exultant.
Christmas-Day had had a softening effect on Mrs. Boyer. It had opened badly. It was the first Christmas she had spent away from her children, and there had been little of the holiday spirit in her attitude as she prepared the Christmas breakfast. After that, however, things happened.
In the first place, under her plate she had found a frivolous chain and pendant which she had admired. And when her eyes filled up, as they did whenever she was emotionally moved, the doctor had come round the table and put both his arms about her.
“Too young for you? Not a bit!” he said heartily. “You're better-looking then you ever were, Jennie; and if you weren't you're the only woman for me, anyhow. Don't you think I realize what this exile means to you and that you're doing it for me?”
“I—I don't mind it.”
“Yes, you do. To-night we'll go out and make a night of it, shall we? Supper at the Grand, the theater, and then the Tabarin, eh?”
She loosened herself from his arms.
“What shall I wear? Those horrible things the children bought me—”
“Throw 'em away.”
“They're not worn at all.”
“Throw them out. Get rid of the things the children got you. Go out to-morrow and buy something you like—not that I don't like you in anything or without—”
“Frank!”
“Be happy, that's the thing. It's the first Christmas without the family, and I miss them too. But we're together, dear. That's the big thing. Merry Christmas.”
An auspicious opening, that, to Christmas-Day. And they had carried out the program as outlined. Mrs. Boyer had enjoyed it, albeit a bit horrified at the Christmas gayety at the Tabarin.
The next morning, however, she awakened with a keen reaction. Her head ached. She had a sense of taint over her. She was virtue rampant again, as on the day she had first visited the old lodge in the Siebensternstrasse.
It is hardly astonishing that by association of ideas Harmony came into her mind again, a brand that might even yet be snatched from the burning. She had been a bit hasty before, she admitted to herself. There was a woman doctor named Gates, although her address at the club was given as Pension Schwarz. She determined to do her shopping early and then to visit the house in the Siebensternstrasse. She was not a hard woman, for all her inflexible morality, and more than once she had had an uneasy memory of Harmony's bewildered, almost stricken face the afternoon of her visit. She had been a watchful mother over a not particularly handsome family of daughters. This lovely young girl needed mothering and she had refused it. She would go back, and if she found she had been wrong and the girl was deserving and honest, she would see what could be done.
The day was wretched. The snow had turned to rain. Mrs. Boyer, shopping, dragged wet skirts and damp feet from store to store. She found nothing that she cared for after all. The garments that looked chic in the windows or on manikins in the shops, were absurd on her. Her insistent bosom bulged, straight lines became curves or tortuous zigzags, plackets gaped, collars choked her or shocked her by their absence. In the mirror of Marie Jedlicka, clad in familiar garments that had accommodated themselves to the idiosyncrasies of her figure, Mrs. Boyer was a plump, rather comely matron. Here before the plate glass of the modiste, under the glare of a hundred lights, side by side with a slim Austrian girl who looked like a willow wand, Mrs. Boyer was grotesque, ridiculous, monstrous. She shuddered. She almost wept.
It was bad preparation for a visit to the Siebensternstrasse. Mrs. Boyer, finding her vanity gone, convinced that she was an absurdity physically, fell back for comfort on her soul. She had been a good wife and mother; she was chaste, righteous. God had been cruel to her in the flesh, but He had given her the spirit.
“Madame wishes not the gown? It is beautiful—see the embroidery! And the neck may be filled with chiffon.”
“Young woman,” she said grimly, “I see the embroidery; and the neck may be filled with chiffon, but not for me! And when you have had five children, you will not buy clothes like that either.”
All the kindliness was gone from the visit to the Siebensternstrasse; only the determination remained. Wounded to the heart of her self-esteem, her pride in tatters, she took her way to the old lodge and climbed the stairs.
She found a condition of mild excitement. Jimmy had slept long after his bath. Harmony practiced, cut up a chicken for broth, aired blankets for the chair into which Peter on his return was to lift the boy.
She was called to inspect the mouse-cage, which, according to Jimmy, had strawberries in it.
“Far back,” he explained. “There in the cotton, Harry.”
But it was not strawberries. Harmony opened the cage and very tenderly took out the cotton nest. Eight tiny pink baby mice, clean washed by the mother, lay curled in a heap.
It was a stupendous moment. The joy of vicarious parentage was Jimmy's. He named them all immediately and demanded food for them. On Harmony's delicate explanation that this was unnecessary, life took on a new meaning for Jimmy. He watched the mother lest she slight one. His responsibility weighed on him. Also his inquiring mind was very busy.
“But how did they get there?” he demanded.
“God sent them, just as he sends babies of all sorts.”
“Did he send me?”
“Of course.”
“That's a good one on you, Harry. My father found me in a hollow tree.”
“But don't you think God had something to do with it?”
Jimmy pondered this.
“I suppose,” he reflected, “God sent Daddy to find me so that I would be his little boy. You never happened to see any babies when you were out walking, did you, Harry?”
“Not in stumps—but I probably wasn't looking.”
Jimmy eyed her with sympathy.
“You may some day. Would you like to have one?”
“Very much,” said Harmony, and flushed delightfully.
Jimmy was disposed to press the matter, to urge immediate maternity on her.
“You could lay it here on the bed,” he offered, “and I'd watch it. When they yell you let 'em suck your finger. I knew a woman once that had a baby and she did that. And it could watch Isabella.” Isabella was the mother mouse. “And when I'm better I could take it walking.”
“That,” said Harmony gravely, “is mighty fine of you, Jimmy boy. I—I'll think about it.” She never denied Jimmy anything, so now she temporized.
“I'll ask Peter.”
Harmony had a half-hysterical moment; then:
“Wouldn't it be better,” she asked, “to keep anything of that sort a secret? And to surprise Peter?”
The boy loved a secret. He played with it in lieu of other occupation. His uncertain future was sown thick with secrets that would never flower into reality. Thus Peter had shamelessly promised him a visit to the circus when he was able to go, Harmony not to be told until the tickets were bought. Anna had similarly promised to send him from America a pitcher's glove and a baseball bat. To this list of futurities he now added Harmony's baby.
Harmony brought in her violin and played softly to him, not to disturb the sleeping mice. She sang, too, a verse that the Big Soprano had been fond of and that Jimmy loved. Not much of a voice was Harmony's, but sweet and low and very true, as became her violinist's ear.
“Ah, well! For us all some sweet hope liesDeeply buried from human eyes,”
she sang, her clear eyes luminous.
“And in the hereafter, angels mayRoll the stone from its grave away!”
Mrs. Boyer mounted the stairs. She was in a very bad humor. She had snagged her skirt on a nail in the old gate, and although that very morning she had detested the suit, her round of shopping had again endeared it to her. She told the Portier in English what she thought of him, and climbed ponderously, pausing at each landing to examine the damage.
Harmony, having sung Jimmy to sleep, was in the throes of an experiment. She was trying to smoke.
A very human young person was Harmony, apt to be exceedingly wretched if her hat were of last year's fashion, anxious to be inconspicuous by doing what every one else was doing, conventional as are the very young, fearful of being an exception.
And nearly every one was smoking. Many of the young women whom she met at the master's house had yellowed fingers and smoked in the anteroom; the Big Soprano had smoked; Anna and Scatchy had smoked; in the coffee-houses milliners' apprentices produced little silver mouth-pieces to prevent soiling their pretty lips and smoked endlessly. Even Peter had admitted that it was not a vice, but only a comfortable bad habit. And Anna had left a handful of cigarettes.
Harmony was not smoking; she was experimenting. Peter and Anna had smoked together and it had looked comradely. Perhaps, without reasoning it out, Harmony was experimenting toward the end of establishing her relations with Peter still further on friendly and comradely grounds. Two men might smoke together; a man and a woman might smoke together as friends. According to Harmony's ideas, a girl paring potatoes might inspire sentiment, but smoking a cigarette—never!
She did not like it. She thought, standing before her little mirror, that she looked fast, after all. She tried pursing her lips together, as she had seen Anna do, and blowing out the smoke in a thin line. She smoked very hard, so that she stood in the center of a gray nimbus. She hated it, but she persisted. Perhaps it grew on one; perhaps, also, if she walked about it would choke her less. She practiced holding the thing between her first and second fingers, and found that easier than smoking. Then she went to the salon where there was more air, and tried exhaling through her nose. It made her sneeze.
On the sneeze came Mrs. Boyer's ring. Harmony thought very fast. It might be the bread or the milk, but again—She flung the cigarette into the stove, shut the door, and answered the bell.
Mrs. Boyer's greeting was colder than she had intended. It put Harmony on the defensive at once, made her uncomfortable. Like all the innocent falsely accused she looked guiltier than the guiltiest. Under Mrs. Boyer's searching eyes the enormity of her situation overwhelmed her. And over all, through salon and passage, hung the damning odor of the cigarette. Harmony, leading the way in, was a sheep before her shearer.
“I'm calling on all of you,” said Mrs. Boyer, sniping. “I meant to bring Dr. Boyer's cards for every one, including Dr. Byrne.”
“I'm sorry. Dr. Byrne is out.”
“And Dr. Gates?”
“She—she is away.”
Mrs. Boyer raised her eyebrows and ostentatiously changed the subject, requesting a needle and thread to draw the rent together. It had been in Harmony's mind to explain the situation, to show Jimmy to Mrs. Boyer, to throw herself on the older woman's sympathy, to ask advice. But the visitor's attitude made this difficult. To add to her discomfort, through the grating in the stove door was coming a thin thread of smoke.
It was, after all, Mrs. Boyer who broached the subject again. She had had a cup of tea, and Harmony, sitting on a stool, had mended the rent so that it could hardly be seen. Mrs. Boyer, softened by the tea and by the proximity of Harmony's lovely head bent over her task, grew slightly more expansive.
“I ought to tell you something, Miss Wells,” she said. “You remember my other visit?”
“Perfectly.” Harmony bent still lower.
“I did you an injustice at that time. I've been sorry ever since. I thought that there was no Dr. Gates. I'm sorry, but I'm not going to deny it. People do things in this wicked city that they wouldn't do at home. I confess I misjudged Peter Byrne. You can give him my apologies, since he won't see me.”
“But he isn't here or of course he'd see you.”
“Then,” demanded Mrs. Boyer grimly, “if Peter Byrne is not here, who has been smoking cigarettes in this room? There is one still burning in that stove!”
Harmony's hand was forced. She was white as she cut the brown-silk thread and rose to her feet.
“I think,” she said, “that I'd better go back a few weeks, Mrs. Boyer, and tell you a story, if you have time to listen.”
“If it is disagreeable—”
“Not at all. It is about Peter Byrne and myself, and—some others. It is really about Peter. Mrs. Boyer, will you come very quietly across the hall?”
Mrs. Boyer, expecting Heaven knows what, rose with celerity. Harmony led the way to Jimmy's door and opened it. He was still asleep, a wasted small figure on the narrow bed. Beside him the mice frolicked in their cage, the sentry kept guard over Peter's shameless letters from the Tyrol, the strawberry babies wriggled in their cotton.
“We are not going to have him very long,” said Harmony softly. “Peter is making him happy for a little while.”
Back in the salon of Maria Theresa she told the whole story. Mrs. Boyer found it very affecting. Harmony sat beside her on a stool and she kept her hand on the girl's shoulder. When the narrative reached Anna's going away, however, she took it away. From that point on she sat uncompromisingly rigid and listened.
“Then you mean to say,” she exploded when Harmony had finished, “that you intend to stay on here, just the two of you?”
“And Jimmy.”
“Bah! What has the child to do with it?”
“We will find some one to take Anna's place.”
“I doubt it. And until you do?”
“There is nothing wicked in what we are doing. Don't you see, Mrs. Boyer, I can't leave the boy.”
“Since Peter is so altruistic, let him hire a nurse.”
Bad as things were, Harmony smiled.
“A nurse!” she said. “Why, do you realize that he is keeping three people now on what is starvation for one?”
“Then he's a fool!” Mrs. Boyer rose in majesty. “I'm not going to leave you here.”
“I'm sorry. You must see—”
“I see nothing but a girl deliberately putting herself in a compromising portion and worse.”
“Mrs. Boyer!”
“Get your things on. I guess Dr. Boyer and I can look after you until we can send you home.”
“I am not going home—yet,” said poor Harmony, biting her lip to steady it.
Back and forth waged the battle, Mrs. Boyer assailing, Harmony offering little defense but standing firm on her refusal to go as long as Peter would let her remain.
“It means so much to me,” she ventured, goaded. “And I earn my lodging and board. I work hard and—I make him comfortable. It costs him very little and I give him something in exchange. All men are not alike. If the sort you have known are—are different—”
This was unfortunate. Mrs. Boyer stiffened. She ceased offensive tactics, and retired grimly into the dignity of her high calling of virtuous wife and mother. She washed her hands of Harmony and Peter. She tied on her veil with shaking hands, and prepared to leave Harmony to her fate.
“Give me your mother's address,” she demanded.
“Certainly not.”
“You absolutely refuse to save yourself?”
“From what? From Peter? There are many worse people than Peter to save myself from, Mrs. Boyer—uncharitable people, and—and cruel people.”
Mrs. Boyer shrugged her plump shoulders.
“Meaning me!” she retorted. “My dear child, people are always cruel who try to save us from ourselves.”
Unluckily for Harmony, one of Anna's specious arguments must pop into her head at that instant and demand expression.
“People are living their own lives these days, Mrs. Boyer; old standards have gone. It is what one's conscience condemns that is wrong, isn't it? Not merely breaking laws that were made to fit the average, not the exception.”
Anna! Anna!
Mrs. Boyer flung up her hands.
“You are impossible!” she snapped. “After all, I believe it is Peter who needs protection! I shall speak to him.”
She started down the staircase, but turned for a parting volley.
“And just a word of advice: Perhaps the old standards have gone. But if you really expect to find a respectable woman to chaperon YOU, keep your views to yourself.”
Harmony, a bruised and wounded thing, crept into Jimmy's room and sank on her knees beside the bed. One small hand lay on the coverlet; she dared not touch it for fear of waking him—but she laid her cheek close to it for comfort. When Peter came in, much later, he found the boy wide awake and Harmony asleep, a crumpled heap beside the bed.
“I think she's been crying,” Jimmy whispered. “She's been sobbing in her sleep. And strike a match, Peter; there may be more mice.”
Mrs. Boyer, bursting with indignation, went to the Doctors' Club. It was typical of the way things were going with Peter that Dr. Boyer was not there, and that the only woman in the clubrooms should be Dr. Jennings. Young McLean was in the reading room, eating his heart out with jealousy of Peter, vacillating between the desire to see Harmony that night and fear lest Peter forbid him the house permanently if he made the attempt. He had found a picture of the Fraulein Engel, from the opera, in a magazine, and was sitting with it open before him. Very deeply and really in love was McLean that afternoon, and the Fraulein Engel and Harmony were not unlike. The double doors between the reading room and the reception room adjoining were open. McLean, lost in a rosy future in which he and Harmony sat together for indefinite periods, with no Peter to scowl over his books at them, a future in which life was one long piano-violin duo, with the candles in the chandelier going out one by one, leaving them at last alone in scented darkness together—McLean heard nothing until the mention of the Siebensternstrasse roused him.
After that he listened. He heard that Dr. Jennings was contemplating taking Anna's place at the lodge, and he comprehended after a moment that Anna was already gone. Even then the significance of the situation was a little time in dawning on him. When it did, however, he rose with a stifled oath.
Mrs. Boyer was speaking.
“It is exactly as I tell you,” she was saying. “If Peter Byrne is trying to protect her reputation he is late doing it. Personally I have been there twice. I never saw Anna Gates. And she is registered here at the club as living in the Pension Schwarz. Whatever the facts may be, one thing remains, she is not there now.”
McLean waited to hear no more. He was beside himself with rage. He found a “comfortable” at the curb. The driver was asleep inside the carriage. McLean dragged him out by the shoulder and shouted an address to him. The cab bumped along over the rough streets to an accompaniment of protests from its frantic passenger.
The boy was white-lipped with wrath and fear. Peter's silence that afternoon as to the state of affairs loomed large and significant. He had thought once or twice that Peter was in love with Harmony; he knew it now in the clearer vision of the moment. He recalled things that maddened him: the dozen intimacies of the little menage, the caress in Peter's voice when he spoke to the girl, Peter's steady eyes in the semi-gloom of the salon while Harmony played.
At a corner they must pause for the inevitable regiment. McLean cursed, bending out to see how long the delay would be. Peter had been gone for half an hour, perhaps, but Peter would walk. If he could only see the girl first, talk to her, tell her what she would be doing by remaining—
He was there at last, flinging across the courtyard like a madman. Peter was already there; his footprints were fresh in the slush of the path. The house door was closed but not locked. McLean ran up the stairs. It was barely twilight outside, but the staircase well was dark. At the upper landing he was compelled to fumble for the bell.
Peter admitted him. The corridor was unlighted, but from the salon came a glow of lamplight. McLean, out of breath and furious, faced Peter.
“I want to see Harmony,” he said without preface.
Peter eyed him. He knew what had happened, had expected it when the bell rang, had anticipated it when Harmony told him of Mrs. Boyer's visit. In the second between the peal of the bell and his opening the door he had decided what to do.
“Come in.”
McLean stepped inside. He was smaller than Peter, not so much shorter as slenderer. Even Peter winced before the look in his eyes.
“Where is she?”
“In the kitchen, I think. Come into the salon.”
McLean flung off his coat. Peter closed the door behind him and stood just inside. He had his pipe as usual. “I came to see her, not you, Byrne.”
“So I gather. I'll let you see her, of course, but don't you want to see me first?”
“I want to take her away from here.”
“Why? Are you better able to care for her than I am?”
McLean stood rigid. He had thrust his clenched hands into his pockets.
“You're a scoundrel, Byrne,” he said steadily. “Why didn't you tell me this this afternoon?”
“Because I knew if I did you'd do just what you are doing.”
“Are you going to keep her here?”
Peter changed color at the thrust, but he kept himself in hand.
“I'm not keeping her here,” he said patiently. “I'm doing the best I can under the circumstances.”
“Then your best is pretty bad.”
“Perhaps. If you would try to remember the circumstances, McLean,—that the girl has no place else to go, practically no money, and that I—”
“I remember one circumstance, that you are living here alone with her and that you're crazy in love with her.”
“That has nothing to do with you. As long as I treat her—”
“Bah!”
“Will you be good enough to let me finish what I am trying to say? She's safe with me. When I say that I mean it. She will not go away from here with you or with any one else if I can prevent it. And if you care enough about her to try to keep her happy you'll not let her know you have been here. I've got a woman coming to take Anna's place. That ought to satisfy you.”
“Dr. Jennings?”
“Yes.”
“She'll not come. Mrs. Boyer has been talking to her. Inside of an hour the whole club will have it—every American in Vienna will know about it in a day or so. I tell you, Byrne, you're doing an awful thing.”
Peter drew a long breath. He had had his bad half-hour before McLean came; had had to stand by, wordless, and see Harmony trying to smile, see her dragging about, languid and white, see her tragic attempts to greet him on the old familiar footing. Through it all he had been sustained by the thought that a day or two days would see the old footing reestablished, another woman in the house, life again worth the living and Harmony smiling up frankly into his eyes. Now this hope had departed.
“You can't keep me from seeing her, you know,” McLean persisted. “I've got to put this thing to her. She's got to choose.”
“What alternative have you to suggest?”
“I'd marry her if she'd have me.”
After all Peter had expected that. And, if she cared for the boy wouldn't that be best for her? What had he to offer against that? He couldn't marry. He could only offer her shelter, against everything else. Even then he did not dislike McLean. He was a man, every slender inch of him, this boy musician. Peter's heart sank, but he put down his pipe and turned to the door.
“I'll call her,” he said. “But, since this concerns me very vitally, I should like to be here while you put the thing to her. After that if you like—”
He called Harmony. She had given Jimmy his supper and was carrying out a tray that seemed hardly touched.
“He won't eat to-night,” she said miserably. “Peter, if he stops eating, what can we do? He is so weak!”
Peter, took the tray from her gently.
“Harry dear,” he said, “I want you to come into the salon. Some one wishes to speak to you.”
“To me?”
“Yes. Harry, do you remember that evening in the kitchen when—Do you recall what I promised?”
“Yes, Peter.”
“You are sure you know what I mean?”
“Yes.”
“That's all right, then. McLean wants to see you.”
She hesitated, looking up at him.
“McLean? You look so grave, Peter. What is it?”
“He will tell you. Nothing alarming.”
Peter gave McLean a minute alone after all, while he carried the tray to the kitchen. He had no desire to play watchdog over the girl, he told himself savagely; only to keep himself straight with her and to save her from McLean's impetuosity. He even waited in the kitchen to fill and light his pipe.
McLean had worked himself into a very fair passion. He was intense, almost theatrical, as he stood with folded arms waiting for Harmony. So entirely did the girl fill his existence that he forgot, or did not care to remember, how short a time he had known her. As Harmony she dominated his life and his thoughts; as Harmony he addressed her when, rather startled, she entered the salon and stood just inside the closed door.
“Peter said you wanted to speak to me.”
McLean groaned. “Peter!” he said. “It is always Peter. Look here, Harmony, you cannot stay here.”
“It is only for a few hours. To-morrow some one is coming. And, anyhow, Peter is going to Semmering. We know it is unusual, but what can we do?”
“Unusual! It's—it's damnable. It's the appearance of the thing, don't you see that?”
“I think it is rather silly to talk of appearance when there is no one to care. And how can I leave? Jimmy needs me all the time—”
“That's another idiocy of Peter's. What does he mean by putting you in this position?”
“I am one of Peter's idiocies.”
Peter entered on that. He took in the situation with a glance, and Harmony turned to him; but if she had expected Peter to support her, she was disappointed. Whatever decision she was to make must be her own, in Peter's troubled mind. He crossed the room and stood at one of the windows, looking out, a passive participant in the scene.
The day had been a trying one for Harmony. What she chose to consider Peter's defection was a fresh stab. She glanced from McLean, flushed and excited, to Peter's impassive back. Then she sat down, rather limp, and threw out her hands helplessly.
“What am I to do?” she demanded. “Every one comes with cruel things to say, but no one tells me what to do.”
Peter turned away from the window.
“You can leave here,” ventured McLean. “That's the first thing. After that—”
“Yes, and after that, what?”
McLean glanced at Peter. Then he took a step toward the girl.
“You could marry me, Harmony,” he said unsteadily. “I hadn't expected to tell you so soon, or before a third person.” He faltered before Harmony's eyes, full of bewilderment. “I'd be very happy if you—if you could see it that way. I care a great deal, you see.”
It seemed hours to Peter before she made any reply, and that her voice came from miles away.
“Is it really as bad as that?” she asked. “Have I made such a mess of things that some one, either you or Peter, must marry me to straighten things out? I don't want to marry any one. Do I have to?”
“Certainly you don't have to,” said Peter. There was relief in his voice, relief and also something of exultation. “McLean, you mean well, but marriage isn't the solution. We were getting along all right until our friends stepped in. Let Mrs. Boyer howl all over the colony; there will be one sensible woman somewhere to come and be comfortable here with us. In the interval we'll manage, unless Harmony is afraid. In that case—”
“Afraid of what?”
The two men exchanged glances, McLean helpless, Peter triumphant.
“I do not care what Mrs. Boyer says, at least not much. And I am not afraid of anything else at all.”
McLean picked up his overcoat.
“At least,” he appealed to Peter, “you'll come over to my place?”
“No!” said Peter.
McLean made a final appeal to Harmony.
“If this gets out,” he said, “you are going to regret it all your life.”
“I shall have nothing to regret,” she retorted proudly.
Had Peter not been there McLean would have made a better case, would have pleaded with her, would have made less of a situation that roused her resentment and more of his love for her. He was very hard hit, very young. He was almost hysterical with rage and helplessness; he wanted to slap her, to take her in his arms. He writhed under the restraint of Peter's steady eyes.
He got to the door and turned, furious.
“Then it's up to you,” he flung at Peter. “You're old enough to know better; she isn't. And don't look so damned superior. You're human, like the rest of us. And if any harm comes to her—”
Here unexpectedly Peter held out his hand, and after a sheepish moment McLean took it.
“Good-night, old man,” said Peter. “And—don't be an ass.”
As was Peter's way, the words meant little, the tone much. McLean knew what in his heart he had known all along—that the girl was safe enough; that all that was to fear was the gossip of scandal-lovers. He took Peter's hand, and then going to Harmony stood before her very erect.
“I suppose I've said too much; I always do,” he said contritely. “But you know the reason. Don't forget the reason, will you?”
“I am only sorry.”
He bent over and kissed her hand lingeringly. It was a tragic moment for him, poor lad! He turned and went blindly out the door and down the dark stone staircase. It was rather anticlimax, after all that, to have Peter discover he had gone without his hat and toss it down to him a flight below.
All the frankness had gone out of the relationship between Harmony and Peter. They made painful efforts at ease, talked during the meal of careful abstractions, such as Jimmy, and Peter's proposed trip to Semmering, avoided each other's eyes, ate little or nothing. Once when Harmony passed Peter his coffee-cup their fingers touched, and between them they dropped the cup. Harmony was flushed and pallid by turns, Peter wretched and silent.
Out of the darkness came one ray of light. Stewart had wired from Semmering, urging Peter to come. He would be away for two days. In two days much might happen; Dr. Jennings might come or some one else. In two days some of the restraint would have worn off. Things would never be the same, but they would be forty-eight hours better.
Peter spent the early part of the evening with Jimmy, reading aloud to him. After the child had dropped to sleep he packed a valise for the next day's journey and counted out into an envelope half of the money he had with him. This he labeled “Household Expenses” and set it up on his table, leaning against his collar-box. There was no sign of Harmony about. The salon was dark except for the study lamp turned down.
Peter was restless. He put on his shabby dressing-gown and worn slippers and wandered about. The Portier had brought coal to the landing; Peter carried it in. He inspected the medicine bottles on Jimmy's stand and wrote full directions for every emergency he could imagine. Then, finding it still only nine o'clock, he turned up the lamp in the salon and wrote an exciting letter from Jimmy's father, in which a lost lamb, wandering on the mountain-side, had been picked up by an avalanche and carried down into the fold and the arms of the shepherd. And because he stood so in loco parentis, and because it seemed so inevitable that before long Jimmy would be in the arms of the Shepherd, and, of course, because it had been a trying day all through, Peter's lips were none too steady as he folded up the letter.
The fire was dead in the stove; Peter put out the salon lamp and closed the shutters. In the warm darkness he put out his hand to feel his way through the room. It touched a little sweater coat of Harmony's, hanging over the back of a chair. Peter picked it up in a very passion of tenderness and held it to him.
“Little girl!” he choked. “My little girl! God help me!”
He was rather ashamed, considerably startled. It alarmed him to find that the mere unexpected touch of a familiar garment could rouse such a storm in him. It made him pause. He put down the coat and pulled himself up sharply. McLean was right; he was only human stuff, very poor human stuff. He put the little coat down hastily, only to lift it again gently to his lips.
“Good-night, dear,” he whispered. “Goodnight, Harmony.”
Frau Schwarz had had two visitors between the hours of coffee and supper that day. The reason of their call proved to be neither rooms nor pension. They came to make inquiries.
The Frau Schwarz made this out at last, and sat down on the edge of the bed in the room that had once been Peter's and that still lacked an occupant.
Mrs. Boyer had no German; Dr. Jennings very little and that chiefly medical. There is, however, a sort of code that answers instead of language frequently, when two or three women of later middle life are gathered together, a code born of mutual understanding, mutual disillusion, mutual distrust, a language of outspread hands, raised eyebrows, portentous shakings of the head. Frau Schwarz, on the edge of Peter's tub-shaped bed, needed no English to convey the fact that Peter was a bad lot. Not that she resorted only to the sign language.
“The women were also wicked,” she said. “Of a man what does one expect? But of a woman! And the younger one looked—Herr Gott! She had the eyes of a saint! The little Georgiev was mad for her. When the three of them left, disgraced, as one may say, he came to me, he threatened me. The Herr Schwarz, God rest his soul, was a violent man, but never spoke he so to me!”
“She says,” interpreted Dr. Jennings, “that they were a bad lot—that the younger one made eyes at the Herr Schwarz!”
Mrs. Boyer drew her ancient sables about her and put a tremulous hand on the other woman's arm.
“What an escape for you!” she said. “If you had gone there to live and then found the establishment—queer!”
From the kitchen of the pension, Olga was listening, an ear to the door. Behind her, also listening, but less advantageously, was Katrina.
“American ladies!” said Olga. “Two, old and fat.”
“More hot water!” growled Katrina. “Why do not the Americans stay in their own country, where the water, I have learned, comes hot from the earth.”
Olga, bending forward, opened the door a crack wider.
“Sh! They do not come for rooms. They inquire for the Herr Doktor Byrne and the others!”
“No!”
“Of a certainty.”
“Then let me to the door!”
“A moment. She tells them everything and more. She says—how she is wicked, Katrina! She says the Fraulein Harmony was not good, that she sent them all away. Here, take the door!”
Thus it happened that Dr. Jennings and Mrs. Boyer, having shaken off the dust of a pension that had once harbored three malefactors, and having retired Peter and Anna and Harmony into the limbo of things best forgotten or ignored, found themselves, at the corner, confronted by a slovenly girl in heelless slippers and wearing a knitted shawl over her head. “The Frau Schwarz is wrong,” cried Olga passionately in Vienna dialect. “They were good, all of them!”
“What in the world—”
“And, please, tell me where lives the Fraulein Harmony. The Herr Georgiev eats not nor sleeps that he cannot find her.”
Dr. Jennings was puzzled.
“She wishes to know where the girl lives,” she interpreted to Mrs. Boyer. “A man wishes to know.”
“Naturally!” said Mrs. Boyer. “Well, don't tell her.”
Olga gathered from the tone rather than the words that she was not to be told. She burst into a despairing appeal in which the Herr Georgiev, Peter, a necktie Peter had forgotten, open windows, and hot water were inextricably confused. Dr. Jennings listened, then waved her back with a gesture.
“She says,” she interpreted as they walked on, “that Dr. Peter—by which I suppose she means Dr. Byrne—has left a necktie, and that she'll be in hot water if she does not return it.”
Mrs. Boyer sniffed.
“In love with him, probably, like the others!” she said.