“Ne’er did eternal Jove such laws ordain,Or Justice, throned amid th’ infernal powers,Who on mankind these holier rites imposed—Nor can I deem thine edict armed with powerTo contravene the firm unwritten lawsOf the just gods, thyself a weak frail mortal!...I knew beforeThat I must die, though thou had’st ne’er proclaimed it,And if I perish ere th’ allotted term,I deem that death a blessing. Who that livesLike me encompassed by unnumbered ills,But would account it blessedness to die?If then I meet the doom thy laws assign,It nothing grieves me. Had I left my brother,From my own mother sprung, on the bare earthTo lie unburied, that, indeed, might grieve me;But for this deed I mourn not.” ...
“Ne’er did eternal Jove such laws ordain,Or Justice, throned amid th’ infernal powers,Who on mankind these holier rites imposed—Nor can I deem thine edict armed with powerTo contravene the firm unwritten lawsOf the just gods, thyself a weak frail mortal!...I knew beforeThat I must die, though thou had’st ne’er proclaimed it,And if I perish ere th’ allotted term,I deem that death a blessing. Who that livesLike me encompassed by unnumbered ills,But would account it blessedness to die?If then I meet the doom thy laws assign,It nothing grieves me. Had I left my brother,From my own mother sprung, on the bare earthTo lie unburied, that, indeed, might grieve me;But for this deed I mourn not.” ...
“Ne’er did eternal Jove such laws ordain,Or Justice, throned amid th’ infernal powers,Who on mankind these holier rites imposed—Nor can I deem thine edict armed with powerTo contravene the firm unwritten lawsOf the just gods, thyself a weak frail mortal!...I knew beforeThat I must die, though thou had’st ne’er proclaimed it,And if I perish ere th’ allotted term,I deem that death a blessing. Who that livesLike me encompassed by unnumbered ills,But would account it blessedness to die?If then I meet the doom thy laws assign,It nothing grieves me. Had I left my brother,From my own mother sprung, on the bare earthTo lie unburied, that, indeed, might grieve me;But for this deed I mourn not.” ...
Ques.Who was Æne´as?
Ans.He was a Trojan chief, the son of Venus and Anchi´ses. He was born on Mount Ida, where he was nurtured by the Dryads until he had attained his fifth year, when he was brought to his father. Anchi´ses was not on friendly terms with the family of Priam, but this coldness did not prevent Æne´as from exerting himself to the utmost in defence of his country. Excepting Hector only, there was no Trojan who so distinguished himself by his valor. When Troy was taken, Æne´as made his escape from the burning city, bearing on his shoulders the aged Anchi´ses, and leading his little son Ascanius by the hand. His wife was separated from him in the confusion and darkness, and perished by the sword of the enemy. Anchises bore with him the sacred Penates of Troy, and his household gods. Æne´as was joined by the greater part of the Trojans, both men and women, who had escaped from the horrors of that fatal night. They concealedthemselves in the neighboring mountains until the Greeks had departed, after which they constructed a fleet of twenty sail. In the second year after the destruction of Troy, the remnant of the Trojans embarked under the guidance of Æne´as in search of new settlements. After many wanderings and adventures, they landed at Epi´rus, and were rejoiced to learn that Hel´enus, one of the sons of Priam, was reigning in that country. He had married Androm´ache, and the meeting of Æne´as with the widow of the great Hector is the subject of a very beautiful passage in the Æneid. The Penates of Troy had appeared at night to Anchi´ses, and revealed to him that Italy was the land allotted by the Fates to the exiled Trojans. Æne´as recalled a prediction of Cassandra to the same effect; and Hel´enus, who was endowed with the gift of prophecy, now confirmed what had been already foretold. He rendered his exiled countrymen all the assistance in his power, and dismissed them at length, loaded with costly gifts. Æne´as was destined to pass through many perils before landing on the shores of Italy. In the seventh year of their wanderings, the Trojans were driven by a storm on the coast of Africa; here they were kindly entertained by Dido, who was then engaged in the erection of her new city of Carthage. The queen admired the great qualities of the Trojan chief, and felt her heart moved with compassion at the sight of so much undeserved misfortune. She resolved, therefore, toshare her throne with the hero, and to offer his followers a permanent settlement in the country. This proposal seems not to have been displeasing either to Æne´as or to the Trojans. Forgetful of the decrees of fate, they lingered many months in idle pleasure, and Æne´as was only roused to action by the direct intervention of the gods. Jupiter sent Mercury to the hero, commanding him to embark without delay, and proceed to his destined settlement in Italy. Æne´as obeyed, and made the necessary preparations for departure, disregarding the tears and reproaches of the queen.
When Dido found that all was unavailing, and that the Trojans had already embarked, she killed herself in despair.
Æne´as spent some time in Sicily, where he celebrated funeral games in honor of his father, who had died there the preceding year. He left with Acestes, a Trojan prince who governed a part of the island, the women, the aged men, and all who were likely to be useless in the wars which awaited him. Æne´as next landed at Cumæ, in Italy. This was the abode of a famous Sibyl, of whom we will speak elsewhere. She foretold to the hero much that was to happen during his settlement in Italy; but in order that he might be fully informed of the future destinies of his race, she offered to conduct him to the world of shades. Æne´as having plucked, in the sacred grove, a golden bough as a gift to Proser´pine, descendedwith the Sibyl to the dreary realms of Pluto. After seeing much that was wonderful, and passing through regions inhabited by different classes of departed souls, they entered the happy plains of Elysium. This was the abode of the heroes and other favorites of the gods. Here, in a fragrant meadow, Æne´as found the shade of Anchi´ses, who showed him the souls which were destined to return to earth, and become the future heroes of Rome. Anchi´ses also recounted to Æne´as the glorious deeds which they were one day to perform. In this passage, Virgil takes occasion to gratify the vanity of Augustus and the great families of Rome, by introducing their names and actions in the prophetic discourse of Anchi´ses.
Returning to upper air, Æne´as took leave of the sibyl, and pursued his voyage along the Italian coast, anchoring at length in the mouth of the Tiber.
The country around was governed by a prince named Latinus, the son of Faunus and the nymph Marica. This prince had one child, a daughter named Lavinia. Her hand had been promised to Turnus, prince of the Rutulians, but Latinus was warned by an oracle that his destined son-in-law was to come from afar, and that Lavinia was to wed a foreigner. When Æne´as sent an embassy to Latinus, requesting permission to settle in the country, that prince believed that the Trojan chief was the person pointed out by the oracle,and invited him to his palace. All now seemed to promise a peaceful settlement to the harassed Trojans, but the enmity of Juno was not yet appeased. She sent the Fury Alecto to the palace of Turnus, with orders to excite this prince against the stranger, who was about to rob him of his promised bride. A long war ensued, which forms the subject of the concluding books of the Æneid. At length Turnus fell in a personal combat with Æne´as. The hand of Lavinia was the price of victory, and from the Trojan hero were descended the founders of Rome.
The Æneid concludes with the death of Turnus, but we have some further particulars handed down by tradition. Æneas built a city, called from his bride, Lavinium. Here he governed his Trojan and Italian subjects, who became one people under the common name of Latins. The new kingdom was attacked by several of the neighboring princes, led by Mezentius, king of Etruria. Æneas defeated the allies, but was killed in the moment of victory. The family of Julii, made illustrious by Julius Cæsar, claimed descent from Iulus, grandson of Æneas.
Ques.Who were the Sibyls?
Ans.The Sibyllæ, or Sibyls, were certain females, supposed to be inspired by Heaven, who flourished at different times and in different parts of the world. According to the historian Varro, they were ten in number. The most celebrated was the Cumæan Sibyl, of whom the poets give the following account. Apollo sought the love of the young prophetess, and promised to give her whatever she should demand. The sibyl desired that she might live as many years as she had grains of sand in her hand; but as she forgot to ask for health and youthful bloom, this long life proved rather a burden than a benefit. She had rejected the suit of Apollo, and the god refused, therefore, to withdraw his gift or mitigate the severity of her lot. This sibyl had already lived seven hundred years when Æne´as came to Italy, and six centuries still remained of the time granted by Apollo. She accompanied Æne´as on his visit to the lower world. According to awell-known Roman legend, one of the sibyls came to the palace of the second Tarquin with nine volumes, which she offered to sell at a very high price. The king declined the offer; the sibyl immediately disappeared and burned three of the volumes. Returning soon after, she asked the same price for the remaining six books; and when Tarquin again refused to buy them, she burned three more, and still persisted in demanding the same sum of money for those that were left. This extraordinary conduct astonished the monarch, and with the advice of the Augurs he bought the books, upon which the sibyl disappeared and was never seen after. These books were preserved with great care, and were called the Sibylline Verses. A college of priests was appointed to take charge of them, and they were consulted with the greatest solemnity, whenever the state seemed to be in danger. When the Capitol was burned in the troubles raised by Sylla, the Sibylline Verses are said by some to have perished in the conflagration. It is believed, however, on good authority, that they were in existence as late as the fourth century, when they were destroyed by command of the Emperor Honorius. Various collections were afterwards made, which are generally admitted to be forgeries.
Different opinions have prevailed with regard to the prophecies of the sibyls, some of which, it is said, pointed clearly to the advent of a Redeemer, the time of his coming, and the submissionof Rome to the new dispensation. It has been thought that these passages were invented by later Christian writers, but Bishop Horsley, a learned English divine, thinks it more reasonable to suppose that the sibylline books contained the records of prophecies which were granted in primitive times, to nations outside of the patriarchal and Jewish races. He cites in favor of this opinion, the fact that St. Justin, in his apology addressed to the Emperor Marcus Antoninus, appeals confidently to the sibylline prophecies, and at that time, about the middle of the second century, it was not possible that the Christians should have added anything to them. There are also passages in the fourth Eclogue of Virgil which prove that the expectation of a Saviour, and the belief that the time of his advent was approaching, existed even among the pagans.
Ques.Who were the Augurs?
Ans.They were priests whose office it was to observe and interpret omens. This science was derived from the ancient Etrurians. There were five principal classes of omens from which the Augurs were supposed to foretell future events, the good or ill success of an undertaking, etc. The first were drawn from the phenomena of nature, such as thunder, lightning, comets, etc. The second kind of omen was obtained by observingthe cries and the flight of birds. In the third class we may place the appetite of the sacred chickens; when they did not eat, the omen was so bad that it was considered unlucky to give battle, or undertake anything of importance. It happened once that a Roman commander, (Claudius Pulcher,) when about to engage the fleet of the enemy, was warned by the Augurs that the sacred chickens would not eat. He replied, with very natural contempt, that if they would not eat, they might drink, and had them thrown into the sea. It is believed that the terrible defeat the Romans suffered on that day was owing, in great part, to the discouragement of the sailors, who supposed that their commander had forfeited the favor of the gods by this act of sacrilege.
Omens were drawn from the appearance of the entrails of animals offered in sacrifice, also from the meeting with quadrupeds in any unaccustomed place.
The fifth class of omens was taken from different casualties, such as spilling salt, stumbling on the threshold, sneezing, meeting a hare, wolf, fox, etc. Some of these last superstitions prevail, more or less, to the present day.
Ques.What do you understand by oracles?
Ans.The places where the heathen divinities were supposed to answer those who consulted them, were called oracles. This word was also applied to the responses given.
Ques.Name some of the more famous oracles?
Ans.Among the most celebrated were, the oracles of Jupiter at Dodo´na; of Apollo, at Delphi; of Trophonius, near Lebe´dea in Bœotia; of Jupiter Ammon, in the deserts of Lybia; of Æsculapius at Epidaurus; and the Castalian Fount.
Ques.Describe the oracle of Dodo´na.
Ans.Dodo´na was a town of Epirus, probably situated in the valley now called Joannina, but the exact site has not been ascertained. In the earlier times Jupiter gave answers to his votaries by means of a so-called vocal oak or beach. Brazen instruments, suspended from the higher branches, clashed together when moved by the wind. The priestesses who were appointed toexplain the responses of the oracle could attach whatever meaning they pleased to these inarticulate sounds. Later, the Corcyrians presented to the temple a brazen caldron surmounted by a figure of the same metal; the statue held in its hand a whip, the lash of which consisted of three chains, each having an astragalus (a small bone) at the end. These, when moved by the winds, struck the caldron, and produced so continuous a sound that four hundred vibrations were sometimes counted before it ceased. Demosthenes tells us that the responses delivered to the Athenians at Dodo´na were carefully preserved in the public archives; their reverence for the oracle did not, however, prevent them from accusing the priestess of being influenced by bribes when they were dissatisfied with her answers.
The oracle of Dodo´na was probably the most ancient in Greece. The temple was founded by the Pelasgi long before the siege of Troy; it was partially destroyed by the Ætolians during the Social War, and it would seem that it never recovered from this disaster. The town existed many centuries later; and we read of a bishop of Dodo´na who attended the council of Ephesus.
Ques.What does Diodorus tell us concerning the oracle at Delphi?
Ans.This historian relates that a shepherd, while feeding his flocks on the side of Mount Parnassus, observed that his sheep and goats, on approaching a certain cavity in the earth, beganto skip and dance about in an extraordinary manner. As he drew near to examine the cause of this phenomenon, the vapors, exhaling from the earth, affected him in the same way; his body was convulsed, and he spoke words which revealed futurity. Others experienced similar effects, and the exhalation was supposed to have a certain divine property. The cavity was approached with reverence; a tripod was placed over it; and a priestess or Pythia was appointed to preside. The words which she uttered when under the influence of the vapor were considered to be inspired by Apollo; crowds came to consult the oracle; a temple was built, and the city of Delphi arose insensibly around the spot.
As the oracle grew in repute it became necessary to appoint a second and a third Pythia to answer those who came to consult the god. The Pythia could not prophesy until she had become intoxicated by the vapor from the sanctuary. This effect was not produced at all times, and on some days it was not permitted to consult the oracle. Spring was considered the most propitious season. When Apollo was favorably disposed, his approach was made known by the moving of a laurel that stood before the gate of the temple. The sacred tree was then seen to tremble in every leaf.
The Pythia was obliged to prepare by fasts, sacrifices and purifications before she ascended the tripod. When under the influence of themysterious vapor, her hair stood erect, her eyes flashed, she foamed at the mouth, and a convulsive trembling seized her whole body.
She then spoke prophetic words, which were carefully noted by the attendant priests. The oracles were sometimes in verse, but more commonly in prose; in the latter case they were immediately versified by poets employed for that purpose.
Many remarkable oracles are recorded by Herodotus as having been delivered at Delphi, but as a general thing the answers were ambiguous, and so cautiously worded as to seem true, whatever might be the event. Such was the answer given to Crϫsus, king of Lydia, when he consulted the oracle concerning the result of his expedition against the Medes. The Pythia told him that by crossing the river Halys he would ruin a great empire, but as she did not say what empire, whether his own or that of his enemies, the oracle could not fail of being fulfilled. There is no doubt that the Pythia was often influenced by persuasion or bribes, and many illustrious persons were accused of having bought the oracles they desired.
The temple of Apollo at Delphi was enriched by the offerings of different princes, and the surrounding nations vied with one another in the magnificence of their gifts. The building was destroyed by fire in the year 548 B. C., but was soon rebuilt. Xerxes, after having forced thepass of Thermopylæ, sent a detachment of his army to plunder the treasures of Delphi. The expedition was unsuccessful, owing, as the Delphians asserted, to a manifest interposition of the deity. Afterwards, Philome´lus, a Phocian general, seized these treasures to pay his troops. He is said to have carried off, in gold and silver, a sum equal to ten million dollars. Still later Delphi was threatened by the Gauls, under their king Brennus. According to Pausanias, the city and temple were saved by Pan, as we have seen in the account given of that god; but others declare that the invaders possessed themselves of great booty. Sylla also plundered Delphi, and Nero took from it, at one time, no less than five hundred statues of bronze.
The temple was finally dismantled by Constantine the Great, who adorned his Hippodrome with the sacred tripods.
No traces are known to exist of the cavern whence issued the sacred vapor, but some have thought it might be discovered by searching in the central part of the ruins of the ancient city.
Ques.Who was Trophonius, and for what was his oracle remarkable?
Ans.Trophonius, and his brother Agame´des were the architects of the temple of Apollo at Delphi. According to one legend, when the edifice was finished, they asked the god to reward them for their labor. Apollo promised that he would recompense them on the seventh day, andbade them live happily during the interval. On the seventh night the brothers died in their sleep. The oracle is said to have been discovered on the following occasion: In a time of severe drought the Bœotians consulted Apollo at Delphi, and were directed to seek aid from Trophonius in Lebadea. They proceeded thither, and seeing a swarm of bees enter a chasm in the earth, they followed and discovered a deep cavern. Here they found the oracle of Trophonius, and the aid they sought.
Ques.What ceremonies were observed in consulting this oracle?
Ans.The votary was first purified by solemn ablutions; then, after offering sacrifice, and drinking of a water called Lethe, or oblivion, he descended by means of ladders into the first, or upper cavern. The opening into the lower cave was extremely narrow, and there was apparently nothing to aid the descent. Here, those who were courageous enough to advance, lay upon the ground with their feet within the entrance, taking care to hold in each hand a certain composition of honey. They were then carried downwards with great force, as by the current of a rapid river. In the mysterious depths of the lower cave, the future was revealed, but not to all in the same manner; some saw, others heard what they desired to know.
It has been frequently asserted that those who entered the cave of Trophonius never smiledand we should judge, from the accounts given by ancient writers, that they were subjected to a treatment closely resembling what we now call animal magnetism, or mesmerism.
Ques.Where was the temple of Jupiter Ammon?
Ans.It was situated in an oasis of the Libyan desert, called by the ancients Ammon, and by the modern Arabs, Siwah. It is about five degrees west of Cairo.
The temple is said to have been founded by Bacchus under the following circumstances. While marching through the Libyan desert, Bacchus came to a barren waste of sand where his whole army was in danger of perishing for want of water. He called on Jupiter for aid, and a ram suddenly appeared, which guided them to a verdant oasis, in the midst of which sparkled a clear fountain. Bacchus erected on the spot, a temple which he dedicated to Jupiter. As the surrounding country was called Hammo´des from Hammon or Ammon, sand, the god was worshipped here under this title, and was always represented as having the head and horns of a ram. The temple soon became celebrated as an oracle, and was enriched, like that of Delphi, by splendid offerings. When Camby´ses invaded Egypt, he sent a large body of troops across the desert to seize its treasures. As nothing was ever heard of this expedition, it seems probable that the Persians were purposely misled by their Egyptianguides, and thus perished in the desert. Alexander the Great visited the temple of Jupiter Ammon to question the oracle as to his parentage; and the priests, who were undoubtedly apprised of the object of his visit, did not wait to be questioned, but saluted the king as the son of Jupiter. The site of this temple was discovered in the last century by an English traveller, but the latest and best account is given by Belzoni, who visited it in 1816. The oasis is about six miles in length, with an average breadth of four miles. It is fertile and produces in abundance, rice, wheat and fruits. The ruins of the temple are not extensive; they are, however, interesting, as many pieces of sculpture, including figures of goats with rams’ heads, are found in a good state of preservation. In a beautiful grove of palms, towards the centre of the oasis, is the famous Fons Solis, or Fountain of the Sun, which does not, however, correspond with the description given by Herodotus. According to that historian, this fountain was always tepid at dawn, icy cold at noon; it grew warm again towards sunset, and was boiling hot at midnight. Belzoni says that this account is quite exaggerated, although the water of the fountain felt to him much warmer at midnight than at noon-day. The truth seems to be that little or no change takes place in the fountain, which is well shaded and very deep. The great change which really takes place in the atmosphere is probably the cause of the apparentvariation in the temperature of the fountain. Belzoni had no thermometer with him, so that he was unable to test the truth of this supposition.
Ques.Where was the oracle of Æsculapius?
Ans.This god was consulted by the sick in many places, but his most celebrated oracle was in his native city of Epidaurus in Argolis. This oracle was so famous that in the year 293 B. C., when a terrible pestilence was raging in Rome, the Senate sent a solemn embassy to Epidaurus to implore the aid of Æsculapius. The god was propitious, and accompanied the returning embassy in the form of a serpent. According to another account, the priests sent to Rome a sacred serpent which they nourished in the temple.
Ques.What was particularly remarkable in the oracles of Æsculapius?
Ans.It would seem that the priests, who had probably some skill in medicine, made use of every means calculated to encourage the votaries, and inspire them with a confident hope of recovery. They were obliged to sleep in the temple, and we should judge, from the accounts given by ancient writers, that they were subjected to a treatment closely resembling what we now call animal magnetism, or mesmerism.
The temple of Epidaurus was plundered by Sylla to defray the expenses of the war against Mithridates.
Ques.Where was the Castalian Fount?
Ans.There were two celebrated springs of thatname; one on Mount Parnassus, which was sacred to the Muses, and another near Daphne, in Syria. This last was believed to impart the knowledge of futurity to those who drank of its waters. The oracle of this fountain promised the empire to Hadrian, while he was yet in a private station. When he ascended the throne, he had the fountain shut up with stones.
Ques.What opinions did the early Christian writers hold with regard to the heathen oracles?
Ans.They believed that although the responses were to be attributed, as a general thing, to mere human jugglery and imposture, there were occasions in which it was impossible to doubt the direct agency of evil spirits. We read in Scripture that Satan spoke by the mouths of the possessed, and none were more likely to fall under this demoniac influence than the priests and other ministrants in these shrines of imposture. Many instances are recorded where Christians imposed silence on oracles by pronouncing the name of Jesus Christ, or by the sign of the cross; and sometimes the same effect was produced by their simple presence in the temple.
Ques.At what period did the oracles cease to give responses?
Ans.No exact date can be assigned; as Christianity spread, these impostures fell gradually into disrepute, and were at length entirely abandoned. It has been asserted that the oracles became silent at the birth of Christ, but this is anerror. Milton, however adopts this idea in his beautiful Hymn of the Nativity:
“The oracles are dumb;No voice or hideous humRings through the arched roof in words deceiving.Apollo from his shrineCan no more divine,With hollow shriek the steep of Delphos leaving.No nightly trance or breathed spellInspires the pale-eyed priest from the prophetic cell.”
“The oracles are dumb;No voice or hideous humRings through the arched roof in words deceiving.Apollo from his shrineCan no more divine,With hollow shriek the steep of Delphos leaving.No nightly trance or breathed spellInspires the pale-eyed priest from the prophetic cell.”
“The oracles are dumb;No voice or hideous humRings through the arched roof in words deceiving.Apollo from his shrineCan no more divine,With hollow shriek the steep of Delphos leaving.No nightly trance or breathed spellInspires the pale-eyed priest from the prophetic cell.”
Ques.Why is a notice of these games appropriate in this place?
Ans.Because they were closely connected with the religious observances of the Greeks. They were begun and ended with solemn sacrifices, and formed a part in the celebration of the principal festivals held in honor of the gods. These remarks apply also to the Greek drama.
Ques.What games were solemnized in Greece?
Ans.They were of four kinds: the Olympic, the Pythian, the Ne´mean, and the Isthmian.
Ques.Who instituted the Olympic games?
Ans.They were very ancient; their first institution was attributed by the Greeks to Hercules. They were revived by Iphitus, king of Elis, who obtained for them the solemn sanction of the Delphic oracle. The Olympian games were celebrated at intervals of forty-nine and fifty lunar months alternately, so that they fell sometimes in the month Apollonius, (July); sometimes in themonth Parthenius, (August). The time of their celebration was a period of sacred truce, sufficiently prolonged to enable persons to attend the games from every part of Greece, and return to their homes in safety. The interval between the celebrations was called an Olympiad, and the Greeks usually counted time in this manner. The Olympiads were reckoned only from the year 776, B. C., although the games had been revived by Iphitus more than a century earlier. The Olympic festival lasted five days. The games consisted of chariot, horse and foot races; leaping, wrestling, boxing, throwing the discus or quoit, etc. All persons were admitted to contend in these games who could prove that they were free, of pure Hellenic blood, and that their characters had never been stained by any base or immoral act. So great was the importance attached to race, that even the kings of Macedon were obliged to prove their Hellenic descent before they were allowed to enter as competitors. It is almost impossible for us to realize the importance attached by the Greeks to a victory gained in any of these exercises. The prize itself was a crown of wild olive. This was cut from a tree in the sacred grove of Olympia, which was said to have been brought by Hercules from the land of the Hyperboreans. A palm branch was at the same time placed in the victor’s hand, and his name was proclaimed by the herald. On his return home, more distinguished honors awaitedhim. He entered his native city, not by the gate, but through a breach made in the walls for his reception. Banquets were given to him by his friends, at which odes were sung in honor of his victory. The horse and chariot races held the highest rank, and singularly enough, the honor of the victory belonged to the owner of the horse or chariot, although he himself should not have been present at the games.
The Greek historians relate that three couriers were received by Philip of Macedon on the same day, each being the bearer of joyful tidings. The first announced that his general had gained a great victory; the second, that his horse had won the prize in the Olympic games; while the third brought news of the birth of his son, afterwards Alexander the Great. This passage is sufficient to show what importance was attached to such a victory, when we see it thus classed as an event of equal importance with the success of an army, and the birth of an heir to a great kingdom.
Alcibiades on one occasion entered seven four-horse chariots in the Olympic games, and carried off the first, second and third prizes. The poet Euripides celebrated this victory, and Alcibiades, after offering solemn sacrifices to Jupiter, feasted the entire multitude assembled to witness the games. Ladies were admitted to dispute the prizes at Olympia, and many are mentioned as successful competitors. Cynisca, the sister of Agesilaus, king of Sparta, first opened this pathof glory to her sex, and was proclaimed conqueror in the four-horse chariot race. This victory, till then unexampled, was celebrated with all possible splendor. A magnificent monument was erected in Sparta in honor of Cynisca, and the Lacedæmonians, who were generally indifferent to the charms of verse, engaged a poet to transmit this new triumph to posterity. The princess dedicated a brazen chariot in the temple of Apollo at Delphi; in this votive offering, the charioteer was also represented; which proves that she had not driven the chariot herself at the games. This is a feat which, it is believed, no woman ever attempted. The portrait of Cynisca, drawn by the great Apelles, was afterwards placed in the same temple.
Ques.Were any other exercises admitted at the Olympic games?
Ans.Yes; there was also an intellectual competition, which was perhaps more lively and ardent than any other, as the victory in such a contest was more highly esteemed. The best writers and poets of Greece repaired to the Olympic games, believing that the approbation of so illustrious an assembly was the most certain means of establishing a great reputation in a little time. It was thus that Herodotus read his history to assembled Greece. It was received with enthusiastic applause, and the names of the nine muses were immediately given to the nine books which compose the work. Dionysius was not so fortunate.This prince believed himself the most excellent poet of the time, and employed professional readers to recite some of his pieces at Olympia. When they began to read these verses their clear and harmonious voices pleased the ear, and they were listened to at first with great attention, which gradually decreased as they went on, until the whole assembly burst forth into hooting and shouts of laughter, so absurd did the pretensions of the royal poet appear.
What we have said of the Olympic Games, may be applied with some little variation to those solemnized in other places.
Ques.By whom were the Pythian Games instituted?
Ans.According to Greek fable, by Apollo himself, in commemoration of his victory over the serpent Python; according to the more probable historic account, they originated at the time when the Delphic oracle had already gained some reputation. The Amphictyonic council was charged with the superintendence of the games, which were celebrated at first every ninth, and afterwards every fifth year. The crown bestowed was of bay.
Ques.Where were the Ne´mean games celebrated?
Ans.At Ne´mea, a city of Argolis, celebrated as the haunt of the lion slain by Hercules. They were said to have been restored by that hero, and were celebrated every third year. The crownsbestowed on the victors were of parsley, because these were originally funeral games, and it was customary to lay chaplets of parsley on the tombs of the dead. The ruins of Ne´mea are to be seen near the modern village of Kutchumadi.
Ques.Why were the Isthmian Games so called?
Ans.They were named from the Isthmus of Corinth, where they were celebrated. They were instituted in honor of Melicertes, who was changed into a sea deity. After falling into neglect, these games were restored by Theseus. They were celebrated every five years, and continued to be solemnized even after the destruction of Corinth by the Romans. The victors were at first rewarded with garlands of pine leaves, but this custom was changed, and the pine was replaced by a crown of withered parsley.
Ques.Did the theatrical representations of the Greeks resemble those of modern times?
Ans.They differed widely, both in the arrangement of the drama, and the mode of representation. The greatest distinction lay, perhaps, in the structure of the theatre itself.
Ques.Describe the general plan of a Greek theatre?
Ans.It was quite open above, and the dramas were always acted in the light of day, beneath the bright canopy of a southern heaven. The Romans at a later period introduced awnings to screen the audience from the sun, but the Greeks would have regarded such a precaution as a mark of effeminacy; and it must be admitted that their milder climate rendered it almost unnecessary. If a storm or a shower came on, the play was, of course, interrupted; the gods and heroes disappeared, and the audience sought shelter in the lofty colonnade which always ran behind their seats. They chose to suffer these occasionalinconveniences, rather than shut themselves up in a close and crowded house, and forfeit the sunny brightness of what was to them a national, and even, in some sort, religious solemnity. To have covered in the stage itself, and imprisoned gods and heroes in a gloomy apartment artificially lighted, would have appeared to the ancients in the highest degree absurd.
The great theatre of Bacchus, at Athens, is the only structure of the kind of which a complete description has reached us. It may serve to give a general idea of these edifices.
This theatre stood on the southeastern side of the eminence which was crowned by the noble buildings of the Acropolis. From the level of the plain below, a semicircular excavation ascended far up on the slope of the hill. Round the concavity, seats for an audience of thirty thousand persons arose, range above range; higher still, the whole was enclosed by a lofty portico adorned with statues and surmounted by a balustraded terrace. For the convenience of entering and leaving, the tiers of benches were divided at intervals, by passages extending around the theatre, and again transversely, into wedge-like masses, by flights of steps which radiated from the lowest tier to the portico above. The lower seats, being more conveniently placed for seeing and hearing, were esteemed the most honorable, and were reserved for the high magistrates, the priests and the Senate. Below, was the semicircular orchestra,or pit, which was generally occupied by the chorus. Elevated above the orchestra, and opposite the lower seats, was the stage itself. This had a very wide front and but little depth. The actors usually spoke in the central part, called logeum, or pulpitum. Behind this, the stage grew deeper, and formed a quadrangle called the proscenium. This was enclosed by lofty buildings of stone-work, representing externally a palace-like mansion, and containing within withdrawing rooms for the actors, and receptacles for the stage machinery. When the nature of the play rendered it necessary, these buildings were concealed by painted scenes. In the greater number of tragedies, however, the whole action might be carried on appropriately enough in the portico or court of a palace. There were also contrivances by which a portion of the interior might be exposed to view. The rank of the personages was generally indicated by the particular door at which they entered; that in the centre of the proscenium being reserved for royalty. Wonderful effects were produced by the use of the machinery which was disposed behind the walls of the stage. Supported by ropes, or iron cranes, carefully concealed, gods appeared in the air, descended on the stage, and performed their allotted part in the drama. Heroes also ascended to Olympus, and were hidden at length from view by scenic clouds. In the Prometheus of Æschylus, Oceanus passes through the air,mounted on a griffin, and a choir of fifteen ocean nymphs is introduced in a flying chariot. In another piece, Aurora descends and carries off the dead body of Memnon. Ghosts and infernal deities ascended from beneath the stage, where there were appropriate contrivances for their introduction. When it was necessary to conceal the stage, the curtain was not dropped, but drawn up from beneath the floor.
Ques.Was there anything peculiar in the dress of the actors?
Ans.The costumes were splendid, and carefully adapted to the rank and character of the personages represented. The actors wore masks which covered the entire head. When gods or heroic personages were represented, the masks were larger than life, and the disproportion of the size of the head with the rest of the body, was obviated by two different contrivances. The cothurnus, or buskin, was soled with several layers of cork, which added at least three inches to the height of the actor, and the dress was judiciously padded, so as to give the whole figure the necessary heroic dimensions. Women were not admitted on the Greek stage; the female parts were always performed by men, wearing appropriate wigs and masks.
It has been supposed that the use of masks must have embarrassed the actors, and made them appear stiff and unnatural. This may have been true to a certain extent, but we must rememberthat, at the distance at which the actors were placed from the greater part of their audience, the changes of expression, and the play of feature would have been quite lost, while the large and finely colored masks may have had a very good effect. Nothing would have seemed more out of place to the Greeks, than to see the part of Apollo or Hercules performed by an actor with strongly marked or ordinary features.
The masks were lined with brass, and so constructed that instead of muffling the voice, they gave it depth and volume, almost as a speaking trumpet would have done.
Ques.What was the Chorus?
Ans.It was a choir of singers, varying in number from fifteen to fifty. In the intervals between the acts of the drama, the chorus chanted verses corresponding to the action of the piece, sometimes pouring forth hymns of thanksgiving or supplication to the gods; sometimes chanting odes on the instability of human affairs as exemplified in the scenes which they had just witnessed. At other times the chorus broke forth into lamentations over the untimely fate of some personage of the drama, or denounced the anger of the gods on the head of a tyrant. Besides this more legitimate action of the chorus, it was occasionally permitted to take part in the dialogue. Even in this case they always remained in the orchestra.
The singing was always accompanied by dances which varied according to the nature of the piece.All the movements of a tragic chorus were slow and grave, while in the lighter pieces, the music and the measures of the dance were quick and lively. The dress of the chorus varied in the same manner. In certain tragedies, these singers personated the Eumenides or Furies. These were generally robed in black, with purple girdles. They brandished whips, wreathed with serpents, in their fleshless hands, and their aspect was rendered still more terrible by the frightful masks which appeared beneath their snaky tresses. We are told that when Æschylus introduced such a chorus in one of his tragedies, the terror of the spectators was such that many fainted, and several children died of fright.
In this connection we have an interesting story. Ibycus, a lyric poet, was on his way to the Isthmian games, when he was waylaid by two robbers. The unhappy bard called in vain for aid; no human help was near; but his last, despairing cry was echoed by the hoarse scream of a flock of cranes which was passing overhead. The dying poet heard, and looking upwards, prayed the birds to discover and avenge the crime which they alone had seen. The murderers heard this appeal, to which, however, they paid no heed at the time. The body of Ibycus was found and recognized, and the multitude assembled to witness the Isthmian games were sorely disappointed and dismayed at the sad tidings of his death. They crowded the tribunals and demandedvengeance on the murderers, but no trace could be found which might lead to their discovery. The festival proceeded, the fate of Ibycus being still on every tongue. The assembled people were assisting at a dramatic representation, when the dread chorus of the Furies advanced with measured step, and made the circuit of the Theatre. The sound of instruments was heard no more as their choral hymn swelled and rose, thrilling the hearts of all who heard. They sang of the happiness enjoyed by the pure of heart, of the good man whose dwelling was never darkened by their shadow. Then the blood of the listeners grew cold with fear as they told of the vengeance which it was theirs to wreak on the secret murderer, on him whose crime had been vainly hidden from mortal eye. Thus they sang in measured cadence, and passed from view, while a solemn stillness settled on the vast assembly. At this moment a voice was heard from the upper benches, exclaiming, as if in sudden terror, “Behold, comrade! yonder are the cranes of Ibycus!” and a flight of cranes was seen passing directly over the Theatre. The name of the murdered poet caught the ears of the multitude. Each one asked what this exclamation might mean, and what had the cranes to do with him. A cry was raised to seize the man who had spoken, and the one to whom his speech had been addressed. The wretched murderers, thus betrayed by their own guilty fears, confessed the crime, and sufferedthe punishment they had deserved. Attempts have been made by French and German tragedians, to revive the ancient chorus, but without success, as it is entirely unsuited to the modern drama.
Ques.Were dramatic entertainments as frequent in ancient times as in our own?
Ans.No; but they took place several times in the year, forming a necessary part in the celebration of the principal festivals. The best actors were engaged long beforehand, and were subject to heavy fines if they failed to appear on the appointed day. When such an entertainment was about to take place, the people hastened to the theatre at the dawn of day, that they might secure good seats, as the performance commenced at a very early hour. There were three or four distinct representations during the day, divided by short intervals of repose. During these, the audience walked in the neighboring groves, amused themselves, and partook of the refreshments which they brought with them. When different dramatic poets contended for the prize of excellence, they generally presented two or three pieces each, so that twelve complete dramas were sometimes performed on the same day.
Ques.Were these theatres free to all?
Ans.No; each person was obliged to pay a small sum for admission. When Pericles wished to gain the favor of the Athenians, he reduced the entrance fee to two oboli, and obtained a decreethat even this trifling sum should be furnished by the magistrates to the poorer class of citizens. The theatres themselves were erected, and in a great measure maintained at the expense of the state. The cost of the entertainments must have been heavy, if we are to judge by the descriptions given of the scenic arrangements. It is even said that when groves were required, living trees from the forest were planted on the stage.
Whatever may have been the faults of the Greek drama, there is no doubt that it was intended to inculcate principles of religion and morality.
The theatrical entertainments of the Greeks, and their public games, form a striking contrast to the inhuman sports of the Roman amphitheatre.
Ques.What are the most celebrated statues of the heathen divinities?
Ans.The Olympian Jupiter, the Apollo Belvidere, the Diana à la Biche, the Minerva of the Parthenon and the Venus de Medicis.
Ques.What was the Olympian Jupiter?
Ans.This statue, now lost, was forty feet in height, on a pedestal of twelve feet. It was considered the finest work of art of the great Athenian sculptor, Phidias, and there are still in existence busts taken from it, which are remarkable for their calm majesty of expression. The material was what the Greeks called chryselephantine; that is, the flesh was composed of plates of ivory skillfully laid on; but the drapery and ornaments were pure gold. This circumstance is sufficient to account for the destruction of the statue. It was executed for the temple of Jupiter at Olympia, which was worthy of such an adornment, being one of the most magnificent edifices in Greece.
Ques.Describe the Minerva of the Parthenon?
Ans.The statue was of the same dimensions and was composed of the same materials as the Olympian Jupiter; it was also the work of Phidias. The Parthenon was one of the most beautiful of the Greek temples, and was enriched by the hand of Phidias with statues and other ornaments. This magnificent temple would have been sufficient in itself to confer immortal glory on the administration of Pericles. It existed in its full beauty for more than a century after his death. It was first despoiled by Lachares, who stripped the statue of Minerva of its golden adornments. It is said he obtained in this manner an amount of precious metal equal to nearly half a million of dollars. The temple itself resisted the attacks of time; it was used successively as a Christian church and a Turkish mosque, and was still entire when the Venetians besieged the citadel of Athens in the year 1687. The Turks converted the Parthenon into a powder magazine; it was unfortunately struck by a bomb, and the entire edifice was reduced to its present ruinous condition. Some of the sculptures and bas-reliefs which once adorned this temple may now be seen in the British Museum. They are called “Elgin Marbles,” because they were brought from Greece by Lord Elgin.
Ques.Describe the Venus de Medicis?
Ans.This statue, still perfect, is so called from having been in the possession of the Medicis family. An inscription on its base informs usthat it was carved by Cleomenes, an Athenian sculptor, 200 B. C. The artist has succeeded in producing a figure quite perfect in form; but there is nothing spiritual about the Venus, which is, therefore, far inferior to the Jupiter and Minerva.
Ques.Describe the Apollo Belvidere?
Ans.This statue is so called from the Belvidere gallery of the Pope’s palace. The artist is unknown, but it is believed to be a Roman work. The god is represented as having just discharged an arrow from his bow against the monster Python. The form and attitude are perfect, but the face is particularly admired for its expression of majesty and power.
Ques.Describe the Diana à la Biche?
Ans.This beautiful statue, now at the Louvre, is considered the counterpart of the Apollo. The goddess is engaged in the chase, and a hind is running by her side. One hand is lifted to draw an arrow from the quiver.
PART II.
Ques.Who was Osiris?
Ans.Osiris, Apis and Serapis, are three different names of one and the same god. Osiris was the son of Jupiter and of Niobe, the daughter of Phoroneus. He conquered Egypt, which he governed so well and wisely as to receive divine honors from his subjects even during his life. He married, as we have already learned, Io, the daughter of Inachus, who was more generally known to the Egyptians by the name of Isis.
Osiris was cruelly murdered by his brother Typhon. Isis, after a long search, found his body, which she laid in a monument in an island near Memphis. Osiris became from that time the tutelar deity of the Egyptians. He wasregarded as identical with the sun, while Isis was supposed, like Cybele, to personify the earth.
Ques.How was this goddess represented?
Ans.As a woman with the horns of a cow, sometimes, also, as crowned with lotus. Heads of Isis are common among the decorations of Egyptian temples. After the worship of this goddess was introduced into Rome, her image was adorned with different emblems. The mysterious rites of Isis became a cloak for much secret vice, and were repeatedly forbidden at Rome. Tiberius caused the images of the goddess to be thrown into the Tiber; her worship was, however, afterwards revived. The abuses attending it are mentioned with indignation by the poet Juvenal.
Ques.Who was Apis?
Ans.He was the sacred bull of Memphis. The Egyptians maintained that the soul of Osiris passed after death into the body of Apis; and that as often as the sacred animal died, the soul passed into the body of its successor.
Sacrifices were offered to this strange divinity; his birth-day was celebrated with great magnificence, and it was believed that during this festival the crocodiles forgot their usual ferocity, and became harmless. A temple, two chapels, and a court for exercise, were assigned to this god, whose food was always served in vessels of gold. It may be doubted whether the poor animal wascapable of appreciating these extraordinary honors; he was not permitted, however, to enjoy them beyond a stated period. If he attained the age of twenty-five years, he was drowned by the attendant priests in the sacred cistern; his body was then carefully embalmed, and buried in the temple of Serapis.
On the death of Apis, whether it occurred in the course of nature or by violence, the whole country was plunged into mourning, which lasted until his successor was found. The animal into whom the divinity had passed, was known by many extraordinary marks; a square white spot on the forehead, the figure of an eagle on the back, a white crescent on the right side, and the mark of a beetle under the tongue. The priests always succeeded in finding an animal with these extraordinary marks, and the happy event was immediately celebrated throughout Egypt.
Ques.How did the people obtain replies from the oracle of Apis?
Ans.By various signs: the votary having proposed a question, offered food to the sacred animal; if he ate, it was considered a favorable omen. It was also a good augury if he entered, of his own accord, a particular stall. When Germanicus offered food to Apis, the animal refused to eat, and this circumstance was afterwards considered as ominous of the early fate of the Roman prince.
Ques.Who was Harpocrates?
Ans.Horus or Harpocrates was the son of Osiris. He was worshipped as the god of Silence, and is represented as a boy, seated on a lotus-flower, with his finger on his lips.
Besides the gods we have mentioned, the Egyptians worshipped the dog, the wolf, the crocodile, the ibis, and many other animals. They even attributed divinity to certain plants and roots. Juvenal, in one of his Satires, thus ridicules their superstition: