"Friend Isaac,"The 23rd of the 6th month, which is the monthJune."Forasmuch as I love thee, I cannot any longer refrain declaring my mind unto thee concerning some things. Thou didst thyself indite the epistle inserted in one of thy late Lucubrations, as thou wouldst have us call them: for verily thy friend of stone,[328]and I speak according to knowledge, hath no fingers; and though he hath a mouth, yet speaketh he not therewith; nor yet did that epistle at all come unto thee from the mansion-house of the Scarlet Whore. It is plain therefore, that the truth is not in thee: but since thou wouldst lie, couldst thou not lie with more discretion? Wherefore shouldst thou insult over the afflicted, or add sorrow unto the heavy of heart? Truly this gall proceedeth not from the spirit of meekness. I tell thee moreover, the people of this land be marvellously given to change; insomuch that it may likely come to pass, that before thou art many years nearer to thy dissolution, thou mayest behold him sitting on a high place whom thou now laughest to scorn: and then how wilt thou be glad to humble thyself to the ground, and lick the dust of his feet, that thou mayest find favour in his sight? If thou didst meditate as much upon the Word as thou dost upon the profane scribblings of the wise ones of this generation, thou wouldst have remembered what happened unto Shimei, the son of Gera the Benjamite, who cursed the good man David in his distress.[329]David pardoned his transgression, yet was he afterwards taken as in a snare by the words of his own mouth, and fell by the sword ofSolomon the chief ruler.[330]Furthermore, I do not remember to have heard in the days of my youth and vanity, when, like thine, my conversation was with the Gentiles, that the men of Rome, which is Babylon, ever sued unto the men of Carthage for tranquillity, as thou dost aver: neither was Hannibal, the son of Hamilcar, called home by his countrymen, till these saw the sword of their enemies at their gates; and then was it not time for him, thinkest thou, to return? It appeareth therefore that thou dost prophecy backwards; thou dost row one way, and look another; and indeed in all things art thou too much a time-server; yet seemest thou not to consider what a day may bring forth. Think of this, and take tobacco."Thy Friend,"Aminadab."
"Friend Isaac,"The 23rd of the 6th month, which is the monthJune.
"Forasmuch as I love thee, I cannot any longer refrain declaring my mind unto thee concerning some things. Thou didst thyself indite the epistle inserted in one of thy late Lucubrations, as thou wouldst have us call them: for verily thy friend of stone,[328]and I speak according to knowledge, hath no fingers; and though he hath a mouth, yet speaketh he not therewith; nor yet did that epistle at all come unto thee from the mansion-house of the Scarlet Whore. It is plain therefore, that the truth is not in thee: but since thou wouldst lie, couldst thou not lie with more discretion? Wherefore shouldst thou insult over the afflicted, or add sorrow unto the heavy of heart? Truly this gall proceedeth not from the spirit of meekness. I tell thee moreover, the people of this land be marvellously given to change; insomuch that it may likely come to pass, that before thou art many years nearer to thy dissolution, thou mayest behold him sitting on a high place whom thou now laughest to scorn: and then how wilt thou be glad to humble thyself to the ground, and lick the dust of his feet, that thou mayest find favour in his sight? If thou didst meditate as much upon the Word as thou dost upon the profane scribblings of the wise ones of this generation, thou wouldst have remembered what happened unto Shimei, the son of Gera the Benjamite, who cursed the good man David in his distress.[329]David pardoned his transgression, yet was he afterwards taken as in a snare by the words of his own mouth, and fell by the sword ofSolomon the chief ruler.[330]Furthermore, I do not remember to have heard in the days of my youth and vanity, when, like thine, my conversation was with the Gentiles, that the men of Rome, which is Babylon, ever sued unto the men of Carthage for tranquillity, as thou dost aver: neither was Hannibal, the son of Hamilcar, called home by his countrymen, till these saw the sword of their enemies at their gates; and then was it not time for him, thinkest thou, to return? It appeareth therefore that thou dost prophecy backwards; thou dost row one way, and look another; and indeed in all things art thou too much a time-server; yet seemest thou not to consider what a day may bring forth. Think of this, and take tobacco.
"Thy Friend,"Aminadab."
If the zealous writer of the above letter has any meaning, it is of too high a nature to be the subject of my Lucubrations. I shall therefore waive such high points, and be as useful as I can to persons of less moment than any he hints at. When a man runs into a little fame in the world, as he meets with a great deal of reproach which he does not deserve, so does he also a great deal of esteem to which he has in himself no pretensions. Were it otherwise, I am sure no one would offer to put a law case to me: but because I am an adept in physic and astrology, they will needs persuade me that I am no less a proficient in all other sciences. However, the point mentioned in the following letter is so plain a one, that I think I need not trouble myself to cast a figure to be able to discuss it.
"Mr. Bickerstaff,"It is some years ago since the entail of the estate of our family was altered, by passing a fine in favour of me (who now am in possession of it) after some others deceased. The heirs-general, who live beyond sea, were excluded by this settlement, and the whole estate is to pass in a new channel after me and my heirs. But several tenants of the lordship persuade me to let them hereafter hold their lands of me according to the old customs of the barony, and not oblige them to act by the limitations of the last settlement. This, they say, will make me more popular among my dependants, and the ancient vassals of the estate, to whom any deviation from the line of succession is always invidious."Yours," &c.
"Mr. Bickerstaff,
"It is some years ago since the entail of the estate of our family was altered, by passing a fine in favour of me (who now am in possession of it) after some others deceased. The heirs-general, who live beyond sea, were excluded by this settlement, and the whole estate is to pass in a new channel after me and my heirs. But several tenants of the lordship persuade me to let them hereafter hold their lands of me according to the old customs of the barony, and not oblige them to act by the limitations of the last settlement. This, they say, will make me more popular among my dependants, and the ancient vassals of the estate, to whom any deviation from the line of succession is always invidious.
"Yours," &c.
"Sir,"Sheer Lane,June 24."You have by the fine a plain right, in which none else of your family can be your competitor; for which reason, by all means demand vassalage upon that title. The contrary advice can be given for no other purpose in nature but to betray you, and favour other pretenders, by making you place a right which is in you only, upon a level with a right which you have in common with others. I am,"Sir,"Your most faithful"Servant till death,"I. B."
"Sir,"Sheer Lane,June 24.
"You have by the fine a plain right, in which none else of your family can be your competitor; for which reason, by all means demand vassalage upon that title. The contrary advice can be given for no other purpose in nature but to betray you, and favour other pretenders, by making you place a right which is in you only, upon a level with a right which you have in common with others. I am,
"Sir,"Your most faithful"Servant till death,"I. B."
There is nothing so dangerous or so pleasing, as compliments made to us by our enemies: and my correspondent tells me, that though he knows several of those who give him this counsel were at first against passing the fine in favour of him; yet is he so touched with their homage to him, that he can hardly believe they have a mind to set it aside, in order to introduce the heirs-general into his estate.
These are great evils; but since there is no proceeding with success in this world, without complying with the arts of it, I shall use the same method as my correspondent's tenants did with him, in relation to one whom I never had a kindness for; but shall, notwithstanding, presume to give him my advice.
"Isaac Bickerstaff, Esq., of Great Britain, to Lewis XIV. of France."Sir,"Your Majesty will pardon me while I take the liberty to acquaint you, that some passages written from your side of the water do very much obstruct your interests. We take it very unkindly that the prints of Paris are so very partial in favour of one set of men among us, and treat the others as irreconcilable to your interests. Your writers are very large in recounting anything which relates to the figure and power of one party, but are dumb when they should represent the actions of the other. This is a trifling circumstance many here are apt to lay some stress upon; therefore I thought fit to offer it to your consideration before you despatch the next courier."I. B."[331]
"Isaac Bickerstaff, Esq., of Great Britain, to Lewis XIV. of France.
"Sir,
"Your Majesty will pardon me while I take the liberty to acquaint you, that some passages written from your side of the water do very much obstruct your interests. We take it very unkindly that the prints of Paris are so very partial in favour of one set of men among us, and treat the others as irreconcilable to your interests. Your writers are very large in recounting anything which relates to the figure and power of one party, but are dumb when they should represent the actions of the other. This is a trifling circumstance many here are apt to lay some stress upon; therefore I thought fit to offer it to your consideration before you despatch the next courier.
"I. B."[331]
FOOTNOTES:[327]Swift may have been among those who protested at the introduction of politics into theTatler(see No.187), and Nichols thought that he was the writer of the letter signed "Aminadab" in this number. In June 1710, the fall of the Whigs was rapidly approaching.[328]Pasquin. See Nos.129,130,187.[329]2 Sam. xvi. 13.[330]1 Kings ii. 36.[331]"The Tories happen now to have other work upon their hands, and are not at leisure to return the civilities that are paid them; however, having had the honour of a letter from the King of France ... they have sent in their answer to me, and desire me to forward it; but I am at a loss how to do this, unless my brother theTatlerwill convey it under his cover, for I protest I know no man in England but him that holds a correspondence with his Christian Majesty" (Examiner, No. 2, August 10, 1710).
[327]Swift may have been among those who protested at the introduction of politics into theTatler(see No.187), and Nichols thought that he was the writer of the letter signed "Aminadab" in this number. In June 1710, the fall of the Whigs was rapidly approaching.
[327]Swift may have been among those who protested at the introduction of politics into theTatler(see No.187), and Nichols thought that he was the writer of the letter signed "Aminadab" in this number. In June 1710, the fall of the Whigs was rapidly approaching.
[328]Pasquin. See Nos.129,130,187.
[328]Pasquin. See Nos.129,130,187.
[329]2 Sam. xvi. 13.
[329]2 Sam. xvi. 13.
[330]1 Kings ii. 36.
[330]1 Kings ii. 36.
[331]"The Tories happen now to have other work upon their hands, and are not at leisure to return the civilities that are paid them; however, having had the honour of a letter from the King of France ... they have sent in their answer to me, and desire me to forward it; but I am at a loss how to do this, unless my brother theTatlerwill convey it under his cover, for I protest I know no man in England but him that holds a correspondence with his Christian Majesty" (Examiner, No. 2, August 10, 1710).
[331]"The Tories happen now to have other work upon their hands, and are not at leisure to return the civilities that are paid them; however, having had the honour of a letter from the King of France ... they have sent in their answer to me, and desire me to forward it; but I am at a loss how to do this, unless my brother theTatlerwill convey it under his cover, for I protest I know no man in England but him that holds a correspondence with his Christian Majesty" (Examiner, No. 2, August 10, 1710).
No. 191.[Steele.Tuesday, June 27, toThursday, June 29, 1710.——Propter vitam vivendi perdere causas.—Juv., Sat. viii. 84.
Tuesday, June 27, toThursday, June 29, 1710.
——Propter vitam vivendi perdere causas.—Juv., Sat. viii. 84.
——Propter vitam vivendi perdere causas.—Juv., Sat. viii. 84.
From my own Apartment, June 28.
Of all the evils under the sun, that of making vice commendable is the greatest: for it seems to be the basis of society, that applause and contempt should be always given to proper objects. But in this age we behold things for which we ought to have an abhorrence, not only received without disdain, but even valued as motives of emulation. This is naturally the destruction of simplicity of manners, openness of heart, and generosity of temper. When one gives oneself the liberty to range, and run over in one's thoughts the different geniuses of men which one meets in the world, one cannot but observe, that most of the indirection and artifice which is used among men, does not proceed so much from a degeneracy in Nature, as an affectation of appearing men of consequence by such practices. By this means it is, that a cunning man is so far from being ashamed of being esteemed such, that he secretly rejoices in it. It has been a sort of maxim, that the greatest art is to conceal art; but I know not how, among some people we meet with, their greatest cunning is to appear cunning. There is Polypragmon[332]makes it the whole business of his life to be thought acunning fellow, and thinks it a much greater character to be terrible than agreeable. When it has once entered into a man's head to have an ambition to be thought crafty, all other evils are necessary consequences. To deceive is the immediate endeavour of him who is proud of the capacity of doing it. It is certain, Polypragmon does all the ill he possibly can, but pretends to much more than he performs. He is contented in his own thoughts, and hugs himself in his closet, that though he is locked up there and doing nothing, the world does not know but that he is doing mischief. To favour this suspicion, he gives half-looks and shrugs in his general behaviour, to give you to understand that you don't know what he means. He is also wonderfully adverbial in his expressions, and breaks off with a "perhaps" and a nod of the head, upon matters of the most indifferent nature. It is a mighty practice withmen of this genius to avoid frequent appearance in public, and to be as mysterious as possible when they do come into company. There is nothing to be done, according to them, the common way; and let the matter in hand be what it will, it must be carried with an air of importance, and transacted, if we may so speak, with an ostentatious secrecy. These are your persons of long heads, who would fain make the world believe their thoughts and ideas are very much superior to their neighbours', and do not value what these their neighbours think of them, provided they do not reckon them fools. These have such a romantic touch in business, that they hate to perform anything like other men. Were it in their choice, they had rather bring their purposes to bear by overreaching the persons they deal with, than by a plain and simple manner. They make difficulties for the honour of surmounting them. Polypragmon is eternally busied after this manner, with no other prospect, than that he is in hopes to be thought the most cunning of all men, and fears the imputation of want of understanding much more than that of the abuse of it. But alas! how contemptible is such an ambition, which is the very reverse of all that is truly laudable, and the very contradiction to the only means to a just reputation, simplicity of manners? Cunning can in no circumstance imaginable be a quality worthy a man except in his own defence, and merely to conceal himself from such as are so; and in such cases it is no longer craft, but wisdom. The monstrous affectation of being thought artful immediately kills all thoughts of humanity and goodness, and gives men a sense of the soft affections and impulses of the mind (which are imprinted in us for our mutual advantage and succour) as of mere weaknesses and follies. According to the men of cunning, you are to put off the nature of a man as fast as you can, and acquire that of ademon, as if it were a more eligible character to be a powerful enemy than an able friend. But it ought to be a mortification to men affected this way, that there wants but little more than instinct to be considerable in it; for when a man has arrived at being very bad in his inclination, he has not much more to do, but to conceal himself, and he may revenge, cheat, and deceive, without much employment for understanding, and go on with great cheerfulness with the high applause of being a prodigious cunning fellow. But indeed, when we arrive at that pitch of false taste, as not to think cunning a contemptible quality, it is, methinks, a very great injustice that pick-pockets are had in so little veneration, who must be admirably well turned, not only for the theoretic, but also the practical behaviour of cunning fellows. After all the endeavour of this family of men whom we call cunning, their whole work falls to pieces, if others will lay down all esteem for such artifices, and treat it as an unmanly quality, which they forbear to practise only because they abhor it. When the spider is ranging in the different apartments of his web, it is true that he only can weave so fine a thread; but it is in the power of the merest drone that has wings to fly through and destroy it.
Will's Coffee-house, June 28.
Though the taste of wit and pleasure is at present but very low in this town, yet there are some that preserve their relish undebauched with common impressions, and can distinguish between reality and imposture. A gentleman was saying here this evening, that he would go to the play to-morrow night to see heroism, as it has been represented by some of our tragedians, represented in burlesque. It seems, the play of "Alexander" is to be then turned into ridicule for its bombast, and other falseornaments in the thought as well as the language.[333]The bluster Alexander makes, is as much inconsistent with the character of a hero, as the roughness of Clytus is an instance of the sincerity of a bold artless soldier. To be plain is not to be rude, but rather inclines a man to civility and deference; not indeed to show it in the gestures of the body, but in the sentiments of the mind. It is, among other things, from the impertinent figures unskilful dramatists draw of the characters of men, that youth are bewildered and prejudiced in their sense of the world, of which they have no notions but what they draw from books and such representations. Thus talk to a very young man, let him be of never so good sense, and he shall smile when you speak of sincerity in a courtier, good sense in a soldier, or honesty in a politician. The reason of this is, that you hardly see one play wherein each of these ways of life is not drawn by hands that know nothing of any one of them: and the truth is so far of the opposite side to what they paint, that it is more impracticable to live in esteem in Courts than anywhere else without sincerity. Good sense is the great requisite in a soldier, and honesty the only thing that can support a politician. This way of thinking made the gentleman of whom I was just now speaking say, he was glad any one had taken upon him to depreciate such unnatural fustian as the tragedy of "Alexander." The character of that prince indeed was, that he was unequal, and given to intemperance; but in his sober moments, when he had warm in his imagination the precepts of his great instructor, he was a pattern of generous thoughts and dispositions, in opposition to the strongest desires which are incident to a youth and conqueror. But instead of representing that hero in the glorious character of generosity and chastity, in his treatment of the beauteous family of Darius, he is drawn all along as a monster of lust, or of cruelty; as if the way to raise him to the degree of a hero were to make his character as little like that of a worthy man as possible. Such rude and indigested draughts of things are the proper objects of ridicule and contempt, and depreciating Alexander, as we have him drawn, is the only way of restoring him to what he was in himself. It is well contrived of the players to let this part be followed by a true picture of life, in the comedy called, "The Chances,"[334]wherein Don John and Constantia are acted to the utmost perfection. There need not be a greater instance of the force of action than in many incidents of this play, where indifferent passages, and such that conduce only to the tacking of the scenes together, are enlivened with such an agreeable gesture and behaviour, as apparently shows what a play might be, though it is not wholly what a play should be.
FOOTNOTES:[332]In reply to this suggestion that the character of Polypragmon was meant for Harley, Steele said, in theGuardian, No. 53: "I drew it as the most odious image I could paint of ambition.... Whoever seeks employment for his own private interest, vanity, or pride, and not for the good of his prince and country, has his share in the picture of Polypragmon; and let this be the rule in examining that description, and I believe the Examiner will find others to whom he would rather give a part of it, than to the person on whom I believe he bestows it, because he thinks he is the most capable of having his vengeance on me.... I have not, like him, fixed odious images on persons, but on vices." To this theExaminer(vol. iv. No. 2) replied: "He would insinuate, that Timon and Polypragmon are general characters, and stand for a whole species, or, as he quaintly words it, for Knights of the Shire. If this be true, why did he not before now silence the industrious clamours of his party, who both in print and public conversation applied those characters to persons of the first rank, though without any regard to the rules of resemblance?" The writer of "Annotations on theTatler," 1710, in the preface to the second part, regretted that Steele had become a politician, and said, in allusion to Steele's experiments in alchemy: "Turning statesman and drudging for the Philosopher's Stone, are toils not altogether unlike each other; buffeting with fire, labouring in smoke, wearing out of lungs, and tiring oneself with expectation, are misfortunes common to both these projects; 'tis converting real gold to dross, out of a prospect of converting dross into real gold."[333]A burlesque of Lee's "Rival Queens; or, the Death of Alexander the Great," by Gibber, called "The Rival Queans; or, the Humours of Alexander the Great," was acted at Drury Lane in 1710, but not printed until 1729.[334]An adaptation of Beaumont and Fletcher's comedy, by the Duke of Buckingham, 1682.
[332]In reply to this suggestion that the character of Polypragmon was meant for Harley, Steele said, in theGuardian, No. 53: "I drew it as the most odious image I could paint of ambition.... Whoever seeks employment for his own private interest, vanity, or pride, and not for the good of his prince and country, has his share in the picture of Polypragmon; and let this be the rule in examining that description, and I believe the Examiner will find others to whom he would rather give a part of it, than to the person on whom I believe he bestows it, because he thinks he is the most capable of having his vengeance on me.... I have not, like him, fixed odious images on persons, but on vices." To this theExaminer(vol. iv. No. 2) replied: "He would insinuate, that Timon and Polypragmon are general characters, and stand for a whole species, or, as he quaintly words it, for Knights of the Shire. If this be true, why did he not before now silence the industrious clamours of his party, who both in print and public conversation applied those characters to persons of the first rank, though without any regard to the rules of resemblance?" The writer of "Annotations on theTatler," 1710, in the preface to the second part, regretted that Steele had become a politician, and said, in allusion to Steele's experiments in alchemy: "Turning statesman and drudging for the Philosopher's Stone, are toils not altogether unlike each other; buffeting with fire, labouring in smoke, wearing out of lungs, and tiring oneself with expectation, are misfortunes common to both these projects; 'tis converting real gold to dross, out of a prospect of converting dross into real gold."
[332]In reply to this suggestion that the character of Polypragmon was meant for Harley, Steele said, in theGuardian, No. 53: "I drew it as the most odious image I could paint of ambition.... Whoever seeks employment for his own private interest, vanity, or pride, and not for the good of his prince and country, has his share in the picture of Polypragmon; and let this be the rule in examining that description, and I believe the Examiner will find others to whom he would rather give a part of it, than to the person on whom I believe he bestows it, because he thinks he is the most capable of having his vengeance on me.... I have not, like him, fixed odious images on persons, but on vices." To this theExaminer(vol. iv. No. 2) replied: "He would insinuate, that Timon and Polypragmon are general characters, and stand for a whole species, or, as he quaintly words it, for Knights of the Shire. If this be true, why did he not before now silence the industrious clamours of his party, who both in print and public conversation applied those characters to persons of the first rank, though without any regard to the rules of resemblance?" The writer of "Annotations on theTatler," 1710, in the preface to the second part, regretted that Steele had become a politician, and said, in allusion to Steele's experiments in alchemy: "Turning statesman and drudging for the Philosopher's Stone, are toils not altogether unlike each other; buffeting with fire, labouring in smoke, wearing out of lungs, and tiring oneself with expectation, are misfortunes common to both these projects; 'tis converting real gold to dross, out of a prospect of converting dross into real gold."
[333]A burlesque of Lee's "Rival Queens; or, the Death of Alexander the Great," by Gibber, called "The Rival Queans; or, the Humours of Alexander the Great," was acted at Drury Lane in 1710, but not printed until 1729.
[333]A burlesque of Lee's "Rival Queens; or, the Death of Alexander the Great," by Gibber, called "The Rival Queans; or, the Humours of Alexander the Great," was acted at Drury Lane in 1710, but not printed until 1729.
[334]An adaptation of Beaumont and Fletcher's comedy, by the Duke of Buckingham, 1682.
[334]An adaptation of Beaumont and Fletcher's comedy, by the Duke of Buckingham, 1682.
No. 192.[Addison.Thursday, June 29, toSaturday, July 1, 1710.Tecum vivere amem, tecum obeam libens.—Hor., 3 Od. ix. 24.
Thursday, June 29, toSaturday, July 1, 1710.
Tecum vivere amem, tecum obeam libens.—Hor., 3 Od. ix. 24.
Tecum vivere amem, tecum obeam libens.—Hor., 3 Od. ix. 24.
From my own Apartment, June 30.
Some years since I was engaged with a coachful of friends to take a journey as far as the Land's End. We were very well pleased with one another the first day, every one endeavouring to recommend himself by his goodhumour and complaisance to the rest of the company. This good correspondence did not last long; one of our party was soured the very first evening by a plate of butter which had not been melted to his mind, and which spoiled his temper to such a degree, that he continued upon the fret to the end of our journey. A second fell off from his good humour the next morning, for no other reason that I could imagine, but because I chanced to step into the coach before him, and place myself on the shady side. This however was but my own private guess, for he did not mention a word of it, nor indeed of anything else, for three days following. The rest of our company held out very near half the way, when of a sudden Mr. Sprightly fell asleep; and instead of endeavouring to divert and oblige us, as he had hitherto done, carried himself with an unconcerned, careless, drowsy behaviour, till we came to our last stage. There were three of us who still held up our heads, and did all we could to make our journey agreeable; but, to my shame be it spoken, about three miles on this side Exeter, I was taken with an unaccountable fit of sullenness, that hung upon me for above three-score miles; whether it were for want of respect, or from an accidental tread upon my foot, or from a foolish maid's calling me "The old gentleman," I cannot tell. In short, there was but one who kept his good humour to the Land's End.
There was another coach that went along with us, in which I likewise observed, that there were many secret jealousies, heartburnings, and animosities: for when we joined companies at night, I could not but take notice, that the passengers neglected their own company, and studied how to make themselves esteemed by us, who were altogether strangers to them; till at length they grew so well acquainted with us, that they liked us as little as they did one another. When I reflect upon this journey, Ioften fancy it to be a picture of human life, in respect to the several friendships, contracts, and alliances that are made and dissolved in the several periods of it. The most delightful and most lasting engagements are generally those which pass between man and woman; and yet upon what trifles are they weakened, or entirely broken? Sometimes the parties fly asunder, even in the midst of courtship, and sometimes grow cool in the very honey month. Some separate before the first child, and some after the fifth; others continue good till thirty, others till forty; while some few, whose souls are of a happier make, and better fitted to one another, travel on together to the end of their journey in a continual intercourse of kind offices and mutual endearments.
When we therefore choose our companions for life, if we hope to keep both them and ourselves in good humour to the last stage of it, we must be extremely careful in the choice we make, as well as in the conduct on our own part. When the persons to whom we join ourselves can stand an examination, and bear the scrutiny, when they mend upon our acquaintance with them, and discover new beauties the more we search into their characters, our love will naturally rise in proportion to their perfections.
But because there are very few possessed of such accomplishments of body and mind, we ought to look after those qualifications both in ourselves and others, which are indispensably necessary towards this happy union, and which are in the power of every one to acquire, or at least to cultivate and improve. These, in my opinion, are cheerfulness and constancy. A cheerful temper joined with innocence will make beauty attractive, knowledge delightful, and wit good-natured. It will lighten sickness, poverty, and affliction; convert ignorance into an amiable simplicity, and render deformity itself agreeable.
Constancy is natural to persons of even tempers and uniform dispositions, and may be acquired by those of the greatest fickleness, violence, and passion, who consider seriously the terms of union upon which they come together, the mutual interest in which they are engaged, with all the motives that ought to incite their tenderness and compassion towards those who have their dependence upon them, and are embarked with them for life in the same state of happiness or misery. Constancy, when it grows in the mind upon considerations of this nature, becomes a moral virtue, and a kind of good nature, that is not subject to any change of health, age, fortune, or any of those accidents which are apt to unsettle the best dispositions that are founded rather in constitution than in reason. Where such a constancy as this is wanting, the most inflamed passion may fall away into coldness and indifference, and the most melting tenderness degenerate into hatred and aversion. I shall conclude this paper with a story that is very well known in the North of England.
About thirty years ago, a packet-boat that had several passengers on board was cast away upon a rock, and in so great danger of sinking, that all who were in it endeavoured to save themselves as well as they could, though only those who could swim well had a bare possibility of doing it. Among the passengers there were two women of fashion, who seeing themselves in such a disconsolate condition, begged of their husbands not to leave them. One of them chose rather to die with his wife than to forsake her; the other, though he was moved with the utmost compassion for his wife, told her, that for the good of their children it was better one of them should live, than both perish. By a great piece of good luck, next to a miracle, when one of our good men had taken the last and long farewell in order to save himself, and the other held in his arms the personthat was dearer to him than life, the ship was preserved. It is with a secret sorrow and vexation of mind that I must tell the sequel of the story, and let my reader know, that this faithful pair who were ready to have died in each other's arms, about three years after their escape, upon some trifling disgust, grew to a coldness at first, and at length fell out to such a degree, that they left one another and parted for ever. The other couple lived together in an uninterrupted friendship and felicity; and what was remarkable, the husband whom the shipwreck had like to have separated from his wife, died a few months after her, not being able to survive the loss of her.
I must confess, there is something in the changeableness and inconstancy of human nature, that very often both dejects and terrifies me. Whatever I am at present, I tremble to think what I may be. While I find this principle in me, how can I assure myself that I shall be always true to my God, my friend, or myself? In short, without constancy there is neither love, friendship, nor virtue in the world.
No. 193.Steele.[335]Saturday, July 1, toTuesday, July 4, 1710.Qui didicit, patriæ quid debeat et quid amicis,Quo sit amore parens, quo frater amandus, et hospes ...Scribere[336]personæ scit convenientia cuique.Hor., Ars Poet. 312.
Saturday, July 1, toTuesday, July 4, 1710.
Qui didicit, patriæ quid debeat et quid amicis,Quo sit amore parens, quo frater amandus, et hospes ...Scribere[336]personæ scit convenientia cuique.Hor., Ars Poet. 312.
Qui didicit, patriæ quid debeat et quid amicis,Quo sit amore parens, quo frater amandus, et hospes ...Scribere[336]personæ scit convenientia cuique.Hor., Ars Poet. 312.
Will's Coffee-house, July 3.
I have of late received many epistles, wherein the writers treat me as a mercenary person, for some late hints concerning matters which they think I should not have touched upon but for sordid considerations. It is apparent, that my motive could not be of that kind; for when a man declares himself openly on one side, that party will take no more notice of him, because he is sure; and the set of men whom he declares against, for the same reason are violent against him. Thus it is folly in a plain-dealer to expect, that either his friends will reward him, or his enemies forgive him. For which reason, I thought it was the shortest way to impartiality, to put myself beyond further hopes or fears, by declaring myself, at a time when the dispute is not about persons and parties, but things and causes. To relieve myself from the vexation which naturally attends such reflections, I came hither this evening to give my thoughts quite a new turn, and converse with men of pleasure and wit, rather than those of business and intrigue. I had hardly entered the room, when I was accosted by Mr. Thomas Doggett, who desired my favour in relation to the play which was to be acted for his benefit on Thursday. He pleased me in saying itwas "The Old Bachelor,"[337]in which comedy there is a necessary circumstance observed by the author, which most other poets either overlook or do not understand, that is to say, the distinction of characters. It is very ordinary with writers to indulge a certain modesty of believing all men as witty as themselves, and making all the persons of the play speak the sentiments of the author, without any manner of respect to the age, fortune, or quality of him that is on the stage. Ladies talk like rakes, and footmen make similes: but this writer knows men, which makes his plays reasonable entertainments, while the scenes of most others are like the tunes between the acts. They are perhaps agreeable sounds, but they have no ideas affixed to them. Doggett thanked me for my visit to him in the winter,[338]and, after his comical manner, spoke his request with so arch a leer, that I promised the droll I would speak to all my acquaintance to be at his play.
Whatever the world may think of the actors, whether it be that their parts have an effect on their lives, or whatever it is, you see a wonderful benevolence among them towards the interests and necessities of each other. Doggett therefore would not let me go, without delivering me a letter from poor old Downes the prompter,[339]wherein thatretainer to the theatre desires my advice and assistance in a matter of concern to him. I have sent him my private opinion for his conduct; but the stage and the State affairs being so much canvassed by parties and factions, I shall for some time hereafter take leave of subjects which relate to either of them, and employ my care in consideration of matters which regard that part of mankind who live without interesting themselves with the troubles or pleasures of either. However, for a mere notion of the present posture of the stage, I shall give you the letter at large as follows:
"Honoured Sir,July 1, 1710."Finding by divers of your late papers, that you are a friend to the profession of which I was many years an unworthy member, I the rather make bold to crave your advice, touching a proposal that has been lately made me of coming into business, and the sub-administration of stage affairs. I have, from my youth, been bred up behind the curtain, and been a prompter from the time of theRestoration.[340]I have seen many changes, as well of scenes as of actors, and have known men within my remembrance arrive to the highest dignities of the theatre, who made their entrance in the quality of mutes, joint-stools, flowerpots, and tapestry hangings. It cannot be unknown to the nobility and gentry, that a gentleman of the Inns of Court, and a deep intriguer, had some time since worked himself into the sole management and direction of the theatre.[341]Nor is it less notorious, that his restless ambition, and subtle machinations, did manifestly tend to the extirpation of the good old British actors, and the introduction of foreign pretenders; such as harlequins, French dancers, and Roman singers; which, though they impoverished the proprietors, and imposed on the audience, were for some time tolerated, by reason of his dexterous insinuations, which prevailed upon a few deluded women, especially the vizard masks, to believe that the stage was in danger. But his schemes were soon exposed, and the great ones that supported him withdrawing their favour, he made his exit, and remained for a season in obscurity. During this retreat the Machiavelian was not idle, butsecretly fomented divisions, and wrought over to his side some of the inferior actors, reserving a trap-door to himself, to which only he had a key. This entrance secured, this cunning person, to complete his company, bethought himself of calling in the most eminent of strollers from all parts of the kingdom. I have seen them all ranged together behind the scenes; but they are many of them persons that never trod the stage before, and so very awkward and ungainly, that it is impossible to believe the audience will bear them. He was looking over his catalogue of plays, and indeed picked up a good tolerable set of grave faces for counsellors, to appear in the famous scene of 'Venice Preserved,' when the danger is over; but they being but mere outsides, and the actors having a great mind to play 'The Tempest,' there is not a man of them, when he is to perform anything above dumb show, is capable of acting with a good grace so much as the part of Trinculo. However, the master persists in his design, and is fitting up the old 'storm'; but I am afraid he will not be able to procure able sailors or experienced officers for love or money."Besides all this, when he comes to cast the parts, there is so great a confusion amongst them for want of proper actors, that for my part I am wholly discouraged. The play with which they design to open is, 'The Duke and No Duke';[342]and they are so put to it, that the master himself is to act the conjurer, and they have no one for the general but honest George Powell.[343]"Now, sir, they being so much at a loss for thedramatis personæ, viz., the persons to enact, and the whole frame of the house being designed to be altered, I desire your opinion, whether you think it advisable for me to undertake to prompt them? For though I can clash swordswhen they represent a battle, and have yet lungs enough to huzza their victories, I question, if I should prompt them right, whether they would act accordingly. I am"Your Honour's most humble Servant,"J. Downes."P.S. Sir, since I writ this, I am credibly informed, that they design a new house in Lincoln's Inn Fields, near the Popish chapel,[344]to be ready by Michaelmas next; which indeed is but repairing an old one that has already failed. You know the honest man who kept the office is gone already."
"Honoured Sir,July 1, 1710.
"Finding by divers of your late papers, that you are a friend to the profession of which I was many years an unworthy member, I the rather make bold to crave your advice, touching a proposal that has been lately made me of coming into business, and the sub-administration of stage affairs. I have, from my youth, been bred up behind the curtain, and been a prompter from the time of theRestoration.[340]I have seen many changes, as well of scenes as of actors, and have known men within my remembrance arrive to the highest dignities of the theatre, who made their entrance in the quality of mutes, joint-stools, flowerpots, and tapestry hangings. It cannot be unknown to the nobility and gentry, that a gentleman of the Inns of Court, and a deep intriguer, had some time since worked himself into the sole management and direction of the theatre.[341]Nor is it less notorious, that his restless ambition, and subtle machinations, did manifestly tend to the extirpation of the good old British actors, and the introduction of foreign pretenders; such as harlequins, French dancers, and Roman singers; which, though they impoverished the proprietors, and imposed on the audience, were for some time tolerated, by reason of his dexterous insinuations, which prevailed upon a few deluded women, especially the vizard masks, to believe that the stage was in danger. But his schemes were soon exposed, and the great ones that supported him withdrawing their favour, he made his exit, and remained for a season in obscurity. During this retreat the Machiavelian was not idle, butsecretly fomented divisions, and wrought over to his side some of the inferior actors, reserving a trap-door to himself, to which only he had a key. This entrance secured, this cunning person, to complete his company, bethought himself of calling in the most eminent of strollers from all parts of the kingdom. I have seen them all ranged together behind the scenes; but they are many of them persons that never trod the stage before, and so very awkward and ungainly, that it is impossible to believe the audience will bear them. He was looking over his catalogue of plays, and indeed picked up a good tolerable set of grave faces for counsellors, to appear in the famous scene of 'Venice Preserved,' when the danger is over; but they being but mere outsides, and the actors having a great mind to play 'The Tempest,' there is not a man of them, when he is to perform anything above dumb show, is capable of acting with a good grace so much as the part of Trinculo. However, the master persists in his design, and is fitting up the old 'storm'; but I am afraid he will not be able to procure able sailors or experienced officers for love or money.
"Besides all this, when he comes to cast the parts, there is so great a confusion amongst them for want of proper actors, that for my part I am wholly discouraged. The play with which they design to open is, 'The Duke and No Duke';[342]and they are so put to it, that the master himself is to act the conjurer, and they have no one for the general but honest George Powell.[343]
"Now, sir, they being so much at a loss for thedramatis personæ, viz., the persons to enact, and the whole frame of the house being designed to be altered, I desire your opinion, whether you think it advisable for me to undertake to prompt them? For though I can clash swordswhen they represent a battle, and have yet lungs enough to huzza their victories, I question, if I should prompt them right, whether they would act accordingly. I am
"Your Honour's most humble Servant,"J. Downes.
"P.S. Sir, since I writ this, I am credibly informed, that they design a new house in Lincoln's Inn Fields, near the Popish chapel,[344]to be ready by Michaelmas next; which indeed is but repairing an old one that has already failed. You know the honest man who kept the office is gone already."
FOOTNOTES:[335]The authorship of the greater part of this paper is uncertain; see note on next page.[336]"Reddere" (Horace).[337]See No.9.[338]See Nos.120,122. In the continuation of the Tatler which Swift and Harrison conducted (No. 28, March 24, 1710-11) there is this passage: "The person produced as mine in the playhouse, last winter, did in no wise appertain to me. It was such a one, however, as agreed well with the impression my writings had made, and served the purpose I intended it for: which was to continue the awe and reverence due to the character I was vested with, and at the same time to let my enemies see how much I was the delight and favourite of this town," &c.[339]This letter, in ridicule of Harley's newly formed Ministry, has been attributed to the joint authorship of Anthony Henley (see No.11) and Temple Stanyan. Harley is supposed to be the gentleman referred to in the letter, and Downes, it has been suggested, is Thomas Osborne, first Duke of Leeds. Steele expressly disavowed responsibility for the letter from Downes the prompter. In No. 53 of theGuardianhe wrote: "Old Downes is a fine piece of raillery, of which I wish I had been author. All I had to do in it, was to strike out what related to a gentlewoman about the Queen, whom I thought a woman free from ambition, and I did it out of regard to innocence." And in the Preface to theTatler, he said that this letter was by an unknown correspondent. A writer in theExaminer(vol. iv. No. 2) mentions Old Downes among the sufferers of figure under our author's satire. The same writer, or another in the same paper, expresses himself in the following words: "Steele broke his own maxim for trifles in which his country had no manner of concern; and by entering into party disputes, violated the most solemn repeated promises and that perfect neutrality he had engaged to maintain. As a proof that I did not wrong him, he now openly takes upon himself Downes' letter, by wishing the raillery (as he calls it) were his own." In the "Essays Divine, Moral, and Political" (1714), p. 42, Swift is made to say, "I advised him [Steele] to the publishing that letter from Downes the prompter, which was the beginning of his ruin, though I here declare I did not write it." Forster ("Biographical Essays," 3rd ed.) concludes that this fictitious letter was certainly by Mainwaring himself. In the "Journal to Stella" (Oct. 22, 1710), Swift wrote: "He [Steele] has lost his place of Gazetteer, three hundred pounds a year, for writing aTatler, some months ago, against Mr. Harley, who gave it him at first, and raised the salary from sixty to three hundred pounds." See also Swift's "The Importance of theGuardianconsidered."[340]John Downes was prompter to "The Duke's Servants" until 1706. In 1708 he published his valuable "Roscius Anglicanus, or an Historical Review of the Stage."[341]Christopher Rich, who began life as an attorney. See Nos.12, 99.[342]A farce by Nahum Tate, 1685.[343]See No.3.[344]The theatre built by Betterton and his friends in 1695, in Portugal Row, Lincoln's Inn Fields, was pulled down and rebuilt by Christopher Rich in 1714. The Roman Catholic Church here referred to was in Duke (now Sardinia) Street, on the west side of the square.
[335]The authorship of the greater part of this paper is uncertain; see note on next page.
[335]The authorship of the greater part of this paper is uncertain; see note on next page.
[336]"Reddere" (Horace).
[336]"Reddere" (Horace).
[337]See No.9.
[337]See No.9.
[338]See Nos.120,122. In the continuation of the Tatler which Swift and Harrison conducted (No. 28, March 24, 1710-11) there is this passage: "The person produced as mine in the playhouse, last winter, did in no wise appertain to me. It was such a one, however, as agreed well with the impression my writings had made, and served the purpose I intended it for: which was to continue the awe and reverence due to the character I was vested with, and at the same time to let my enemies see how much I was the delight and favourite of this town," &c.
[338]See Nos.120,122. In the continuation of the Tatler which Swift and Harrison conducted (No. 28, March 24, 1710-11) there is this passage: "The person produced as mine in the playhouse, last winter, did in no wise appertain to me. It was such a one, however, as agreed well with the impression my writings had made, and served the purpose I intended it for: which was to continue the awe and reverence due to the character I was vested with, and at the same time to let my enemies see how much I was the delight and favourite of this town," &c.
[339]This letter, in ridicule of Harley's newly formed Ministry, has been attributed to the joint authorship of Anthony Henley (see No.11) and Temple Stanyan. Harley is supposed to be the gentleman referred to in the letter, and Downes, it has been suggested, is Thomas Osborne, first Duke of Leeds. Steele expressly disavowed responsibility for the letter from Downes the prompter. In No. 53 of theGuardianhe wrote: "Old Downes is a fine piece of raillery, of which I wish I had been author. All I had to do in it, was to strike out what related to a gentlewoman about the Queen, whom I thought a woman free from ambition, and I did it out of regard to innocence." And in the Preface to theTatler, he said that this letter was by an unknown correspondent. A writer in theExaminer(vol. iv. No. 2) mentions Old Downes among the sufferers of figure under our author's satire. The same writer, or another in the same paper, expresses himself in the following words: "Steele broke his own maxim for trifles in which his country had no manner of concern; and by entering into party disputes, violated the most solemn repeated promises and that perfect neutrality he had engaged to maintain. As a proof that I did not wrong him, he now openly takes upon himself Downes' letter, by wishing the raillery (as he calls it) were his own." In the "Essays Divine, Moral, and Political" (1714), p. 42, Swift is made to say, "I advised him [Steele] to the publishing that letter from Downes the prompter, which was the beginning of his ruin, though I here declare I did not write it." Forster ("Biographical Essays," 3rd ed.) concludes that this fictitious letter was certainly by Mainwaring himself. In the "Journal to Stella" (Oct. 22, 1710), Swift wrote: "He [Steele] has lost his place of Gazetteer, three hundred pounds a year, for writing aTatler, some months ago, against Mr. Harley, who gave it him at first, and raised the salary from sixty to three hundred pounds." See also Swift's "The Importance of theGuardianconsidered."
[339]This letter, in ridicule of Harley's newly formed Ministry, has been attributed to the joint authorship of Anthony Henley (see No.11) and Temple Stanyan. Harley is supposed to be the gentleman referred to in the letter, and Downes, it has been suggested, is Thomas Osborne, first Duke of Leeds. Steele expressly disavowed responsibility for the letter from Downes the prompter. In No. 53 of theGuardianhe wrote: "Old Downes is a fine piece of raillery, of which I wish I had been author. All I had to do in it, was to strike out what related to a gentlewoman about the Queen, whom I thought a woman free from ambition, and I did it out of regard to innocence." And in the Preface to theTatler, he said that this letter was by an unknown correspondent. A writer in theExaminer(vol. iv. No. 2) mentions Old Downes among the sufferers of figure under our author's satire. The same writer, or another in the same paper, expresses himself in the following words: "Steele broke his own maxim for trifles in which his country had no manner of concern; and by entering into party disputes, violated the most solemn repeated promises and that perfect neutrality he had engaged to maintain. As a proof that I did not wrong him, he now openly takes upon himself Downes' letter, by wishing the raillery (as he calls it) were his own." In the "Essays Divine, Moral, and Political" (1714), p. 42, Swift is made to say, "I advised him [Steele] to the publishing that letter from Downes the prompter, which was the beginning of his ruin, though I here declare I did not write it." Forster ("Biographical Essays," 3rd ed.) concludes that this fictitious letter was certainly by Mainwaring himself. In the "Journal to Stella" (Oct. 22, 1710), Swift wrote: "He [Steele] has lost his place of Gazetteer, three hundred pounds a year, for writing aTatler, some months ago, against Mr. Harley, who gave it him at first, and raised the salary from sixty to three hundred pounds." See also Swift's "The Importance of theGuardianconsidered."
[340]John Downes was prompter to "The Duke's Servants" until 1706. In 1708 he published his valuable "Roscius Anglicanus, or an Historical Review of the Stage."
[340]John Downes was prompter to "The Duke's Servants" until 1706. In 1708 he published his valuable "Roscius Anglicanus, or an Historical Review of the Stage."
[341]Christopher Rich, who began life as an attorney. See Nos.12, 99.
[341]Christopher Rich, who began life as an attorney. See Nos.12, 99.
[342]A farce by Nahum Tate, 1685.
[342]A farce by Nahum Tate, 1685.
[343]See No.3.
[343]See No.3.
[344]The theatre built by Betterton and his friends in 1695, in Portugal Row, Lincoln's Inn Fields, was pulled down and rebuilt by Christopher Rich in 1714. The Roman Catholic Church here referred to was in Duke (now Sardinia) Street, on the west side of the square.
[344]The theatre built by Betterton and his friends in 1695, in Portugal Row, Lincoln's Inn Fields, was pulled down and rebuilt by Christopher Rich in 1714. The Roman Catholic Church here referred to was in Duke (now Sardinia) Street, on the west side of the square.
END OF VOL. III.Printed byBallantyne, Hanson & Co.London & Edinburgh
Transcriber's Notes:Standardized PunctuationPage 163: Changed confess, where to confess, werePage 301: Changed Ho Nec to Ho Nee"