"My dear archdeacon, where did he get it? Why, he has lived most of his life with savages!"
"Vandyke might have painted the man," Lord Dargan had added.
"Vandyke did paint him," had put in Delia Gasgoyne from behind her mother.
"How do you mean, Delia?" Mrs. Gasgoyne had added, looking curiously at her.
"His picture hangs in the dining-room."
Then the picture had been discussed, and the girl's eyes had followed Gaston—followed him until he had caught their glance. Without an introduction, he had come and dropped into conversation with her, till her mother cleverly interrupted.
Inside the library Lady Belward was comfortably placed, and looking up atGaston, said:
"You have your father's ways: I hope that you will be wiser."
"If you will teach me!" he answered gently.
There came two little bright spots on her cheeks, and her hands clasped in her lap. They all sat down. Sir William spoke:
"It is much to ask that you should tell us of your life now, but it is better that we should start with some knowledge of each other."
At that moment Gaston's eyes caught the strange picture on the wall.
"I understand," he answered. "But I would be starting in the middle of a story."
"You mean that you wish to hear your father's history? Did he not tell you?"
"Trifles—that is all."
"Did he ever speak of me?" asked Lady Belward with low anxiety.
"Yes, when he was dying."
"What did he say?"
"He said: 'Tell my mother that Truth waits long, but whips hard. Tell her that I always loved her.'" She shrank in her chair as if from a blow, and then was white and motionless.
"Let us hear your story," Sir William said with a sort of hauteur."You know your own, much of your father's lies buried with him."
"Very well, sir."
Sir William drew a chair up beside his wife. Gaston sat back, and for a moment did not speak. He was looking into distance. Presently the blue of his eyes went all black, and with strange unwavering concentration he gazed straight before him. A light spread over his face, his hands felt for the chair-arms and held them firmly. He began:
"I first remember swinging in a blanket from a pine-tree at a buffalo- hunt while my mother cooked the dinner. There were scores of tents, horses, and many Indians and half-breeds, and a few white men. My father was in command. I can see my mother's face as she stood over the fire. It was not darker than mine; she always seemed more French than Indian, and she was thought comely."
Lady Belward shuddered a little, but Gaston did not notice.
"I can remember the great buffalo-hunt. You heard a heavy rumbling sound; you saw a cloud on the prairie. It heaved, a steam came from it, and sometimes you caught the flash of ten thousand eyes as the beasts tossed their heads and then bent them again to the ground and rolled on, five hundred men after them, our women shouting and laughing, and arrows and bullets flying. . . . I can remember a time also when a great Indian battle happened just outside the fort, and, with my mother crying after him, my father went out with a priest to stop it. My father was wounded, and then the priest frightened them, and they gathered their dead together and buried them. We lived in a fort for a long time, and my mother died there. She was a good woman, and she loved my father. I have seen her on her knees for hours praying when he was away.—I have her rosary now. They called her Ste. Heloise. Afterwards I was always with my father. He was a good man, but he was never happy; and only at the last would he listen to the priest, though they were always great friends. He was not a Catholic of course, but he said that didn't matter."
Sir William interrupted huskily. "Why did he never come back?"
"I do not know quite, but he said to me once, 'Gaston, you'll tell them of me some day, and it will be a soft pillow for their heads! You can mend a broken life, but the ring of it is gone.' I think he meant to come back when I was about fourteen; but things happened, and he stayed."
There was a pause. Gaston seemed brooding, and Lady Belward said:
"Go on, please."
"There isn't so very much to tell. The life was the only one I had known, and it was all right. But my father had told me of this life. He taught me himself—he and Father Decluse and a Moravian missionary for awhile. I knew some Latin and history, a bit of mathematics, a good deal of astronomy, some French poets, and Shakespere. Shakespere is wonderful. . . . My father wanted me to come here at once after he died, but I knew better—I wanted to get sense first. So I took a place in the Company. It wasn't all fun.
"I had to keep my wits sharp. I was only a youngster, and I had to do with men as crafty and as silly as old Polonius. I was sent to Labrador. That was not a life for a Christian. Once a year a ship comes to the port, bringing the year's mail and news from the world. When you watch that ship go out again, and you turn round and see the filthy Esquimaux and Indians, and know that you've got to live for another year with them, sit in their dirty tepees, eat their raw frozen meat, with an occasional glut of pemmican, and the thermometer 70 degrees below zero, you get a lump in your throat.
"Then came one winter. I had one white man, two half-breeds, and an Indian with me. There was darkness day after day, and because the Esquimaux and Indians hadn't come up to the fort that winter, it was lonely as a tomb. One by one the men got melancholy and then went mad, and I had to tie them up, and care for them and feed them. The Indian was all right, but he got afraid, and wanted to start to a mission station three hundred miles on. It was a bad look-out for me, but I told him to go. I was left alone. I was only twenty-one, but I was steel to my toes—good for wear and tear. Well, I had one solid month all alone with my madmen. Their jabbering made me sea-sick some times. At last one day I felt I'd go staring mad myself if I didn't do something exciting to lift me, as it were. I got a revolver, sat at the opposite end of the room from the three lunatics, and practised shooting at them. I had got it into my head that they ought to die, but it was only fair, I thought, to give them a chance. I would try hard to shoot all round them—make a halo of bullets for the head of every one, draw them in silhouettes of solid lead on the wall.
"I talked to them first, and told them what I was going to do. They seemed to understand, and didn't object. I began with the silhouettes, of course. I had a box of bullets beside me. They never squealed. I sent the bullets round them as pretty as the pattern of a milliner. Then I began with their heads. I did two all right. They sat and never stirred. But when I came to the last something happened. It was Jock Lawson."
Sir William interposed:
"Jock Lawson—Jock Lawson from here?"
"Yes. His mother keeps 'The Whisk o' Barley.'"
"So, that is where Jock Lawson went? He followed your father?"
"Yes. Jock was mad enough when I began—clean gone. But, somehow, the game I was playing cured him. 'Steady, Jock!' I said. 'Steady!' for I saw him move. I levelled for the second bead of the halo. My finger was on the trigger. 'My God, don't shoot!' he called. It startled me, my hand shook, the thing went off, and Jock had a bullet through his brain.
". . . Then I waked up. Perhaps I had been mad myself—I don't know. But my brain never seemed clearer than when I was playing that game. It was like a magnifying glass: and my eyes were so clear and strong that I could see the pores on their skin, and the drops of sweat breaking out on Jock's forehead when he yelled."
A low moan came from Lady Belward. Her face was drawn and pale, but her eyes were on Gaston with a deep fascination. Sir William whispered to her.
"No," she said, "I will stay."
Gaston saw the impression he had made.
"Well, I had to bury poor Jock all alone. I don't think I should have minded it so much, if it hadn't been for the faces of those other two crazy men. One of them sat still as death, his eyes following me with one long stare, and the other kept praying all the time—he'd been a lay preacher once before he backslided, and it came back on him now naturally. Now it would be from Revelation, now out of the Psalms, and again a swingeing exhortation for the Spirit to come down and convict me of sin. There was a lot of sanity in it too, for he kept saying at last: 'O shut not up my soul with the sinners: nor my life with the bloodthirsty.' I couldn't stand it, with Jock dead there before me, so I gave him a heavy dose of paregoric out of the Company's stores. Before he took it he raised his finger and said to me, with a beastly stare: 'Thou art the man!' But the paregoric put him to sleep. . . .
"Then I gave the other something to eat, and dragged Jock out to bury him. I remembered then that he couldn't be buried, for the ground was too hard and the ice too thick; so I got ropes, and, when he stiffened, slung him up into a big cedar tree, and then went up myself and arranged the branches about him comfortably. It seemed to me that Jock was a baby and I was his father. You couldn't see any blood, and I fixed his hair so that it covered the hole in the forehead. I remember I kissed him on the cheek, and then said a prayer—one that I'd got out of my father's prayer-book: 'That it may please Thee to preserve all that travel by land or by water, all women labouring of child, all sick persons and young children; and to show Thy pity upon all prisoners and captives.' Somehow I had got it into my head that Jock was going on a long journey, and that I was a prisoner and a captive."
Gaston broke off, and added presently:
"Perhaps this is all too awful to hear, but it gives you an idea of what kind of things went to make me." Lady Belward answered for both:
"Tell us all—everything."
"It is late," said Sir William, nervously.
"What does it matter? It is once in a lifetime," she answered sadly.
Gaston took up the thread:
"Now I come to what will shock you even more, perhaps. So, be prepared. I don't know how many days went, but at last I had three visitors—in time I should think: a Moravian missionary, and an Esquimaux and his daughter. I didn't tell the missionary about Jock—there was no use, it could do no good. They stayed four weeks, and during that time one of the crazy men died. The other got better, but had to be watched. I could do anything with him, if I got my eye on him. Somehow, I must tell you, I've got a lot of power that way. I don't know where it comes from. Well, the missionary had to go. The old Esquimaux thought that he and his daughter would stay on if I'd let them. I was only too glad. But it wasn't wise for the missionary to take the journey alone—it was a bad business in any case. I urged the man that had been crazy to go, for I thought activity would do him good. He agreed, and the two left and got to the Mission Station all right, after wicked trouble. I was alone with the Esquimaux and his daughter. You never know why certain things happen, and I can't tell why that winter was so weird; why the old Esquimaux should take sick one morning, and in the evening should call me and his daughter Lucy—she'd been given a Christian name, of course— and say that he was going to die, and he wanted me to marry her" (Lady Belward exclaimed, Sir William's hands fingered the chair-arm nervously) "there and then, so that he'd know she would be cared for. He was a heathen, but he had been primed by the missionaries about his daughter. She was a fine, clever girl, and well educated—the best product of their mission. So he called for a Bible. There wasn't one in the place, but I had my mother's Book of the Mass. I went to get it, but when I set my eyes on it, I couldn't—no, I couldn't do it, for I hadn't the least idea but what I should bid my lady good-bye when it suited, and I didn't want any swearing at all—not a bit. I didn't do any. But what happened had to be with or without any ring or book and 'Forasmuch as.' There had been so much funeral and sudden death that a marriage would be a godsend anyhow. So the old Esquimaux got our two hands in his, babbled away in half-English, half-Esquimaux, with the girl's eyes shining like a she- moose over a dying buck, and about the time we kissed each other, his head dropped back—and that is all there was about that."
Gaston now kept his eyes on his listeners. He was aware that his story must sound to them as brutal as might be, but it was a phase of his life, and, so far as he could, he wanted to start with a clean sheet; not out of love of confidence, for he was self-contained, but he would have enough to do to shepherd his future without shepherding his past. He saw that Lady Belward had a sickly fear in her face, while Sir William had gone stern and hard.
He went on:
"It saved the situation, did that marriage; though it was no marriage you will say. Neither was it one way, and I didn't intend at the start to stand by it an hour longer than I wished. But she was more than I looked for, and it seems to me that she saved my life that winter, or my reason anyhow. There had been so much tragedy that I used to wonder every day what would happen before night; and that's not a good thing for the brain of a chap of twenty-one or two. The funny part of it is that she wasn't a pagan—not a bit. She could read and speak English in a sweet old- fashioned way, and she used to sing to me—such a funny, sorry little voice she had—hymns the Moravians had taught her, and one or two English songs. I taught her one or two besides, 'Where the Hawthorn Tree is Blooming,' and 'Allan Water'—the first my father had taught me, the other an old Scotch trader. It's different with a woman and a man in a place like that. Two men will go mad together, but there's a saving something in the contact of a man's brain with a woman's. I got fond of her, any man would have, for she had something that I never saw in any heathen, certainly in no Indian; you'll see it in women from Iceland. I determined to marry her in regular style when spring and a missionary came. You can't understand, maybe, how one can settle to a life where you've got companionship, and let the world go by. About that time, I thought that I'd let Ridley Court and the rest of it go as a boy's dreams go. I didn't seem to know that I was only satisfied in one set of my instincts. Spring came, so did a missionary, and for better or worse it was."
Sir William came to his feet. "Great Heaven!" he broke out.
His wife tried to rise, but could not.
"This makes everything impossible," added the baronet shortly.
"No, no, it makes nothing impossible—if you will listen."
Gaston was cool. He had begun playing for the stakes from one stand- point, and he would not turn back.
He continued:
"I lived with her happily: I never expect to have happiness like that again,—never,—and after two years at another post in Labrador, came word from the Company that I might go to Quebec, there to be given my choice of posts. I went. By this time I had again vague ideas that sometime I should come here, but how or why I couldn't tell; I was drifting, and for her sake willing to drift. I was glad to take her to Quebec, for I guessed she would get ideas, and it didn't strike me that she would be out of place. So we went. But she was out of place in many ways. It did not suit at all. We were asked to good houses, for I believe I have always had enough of the Belward in me to keep my end up anywhere. The thing went on pretty well, but at last she used to beg me to go without her to excursions and parties. There were always one or two quiet women whom she liked to sit with, and because she seemed happier for me to go, I did. I was popular, and got along with women well; but I tell you honestly I loved my wife all the time; so that when a Christian busy-body poured into her ears some self-made scandal, it was a brutal, awful lie—brutal and awful, for she had never known jealousy; it did not belong to her old social creed. But it was in the core of her somewhere, and an aboriginal passion at work naked is a thing to be remembered. I had to face it one night. . . .
"I was quiet, and did what I could. After that I insisted on her going with me wherever I went, but she had changed, and I saw that, in spite of herself, the thing grew. One day we went on an excursion down the St. Lawrence. We were merry, and I was telling yarns. We were just nearing a landing-stage, when a pretty girl, with more gush than sense, caught me by the arm and begged some ridiculous thing of me—an autograph, or what not. A minute afterwards I saw my wife spring from the bulwarks down on the landing-stage, and rush up the shore into the woods. . . . We were two days finding her. That settled it. I was sick enough at heart, and I determined to go back to Labrador. We did so. Every thing had gone on the rocks. My wife was not, never would be, the same again. She taunted me and worried me, and because I would not quarrel, seemed to have a greater grievance—jealousy is a kind of madness. One night she was most galling, and I sat still and said nothing. My life seemed gone of a heap: I was sick—sick to the teeth; hopeless, looking forward to nothing. I imagine my hard quietness roused her. She said something hateful—something about having married her, and not a woman from Quebec. I smiled—I couldn't help it; then I laughed, a bit wild, I suppose. I saw the flash of steel. . . . I believe I laughed in her face as I fell. When I came to she was lying with her head on my breast—dead— stone dead."
Lady Belward sat with closed eyes, her fingers clasping and unclasping on the top of her cane; but Sir William wore a look half-satisfied, half- excited.
He now hurried his story.
"I got well, and after that stayed in the North for a year. Then I passed down the continent to Mexico and South America. There I got a commission to go to New Zealand and Australia to sell a lot of horses. I did so, and spent some time in the South Sea Islands. Again I drifted back to the Rockies and over into the plains; found Jacques Brillon, my servant, had a couple of years' work and play, gathered together some money, as good a horse and outfit as the North could give, and started with Brillon and his broncho—having got both sense and experience, I hope—for Ridley Court. And here I am. There's a lot of my life that I haven't told you of, but it doesn't matter, because it's adventure mostly, and it can be told at any time; but these are essential facts, and it is better that you should hear them. And that is all, grandfather and grandmother."
After a minute Lady Belward rose, leaned on her crutch, and looked at him wistfully. Sir William said: "Are you sure that you will suit this life, or it you?"
"It is the only idea I have at present; and, anyhow, it is my rightful home, sir."
"I was not thinking of your rights, but of the happiness of us all."
Lady Belward limped to him, and laid a hand on his shoulder.
"You have had one great tragedy, so have we: neither could bear another.Try to be worthy—of your home."
Then she solemnly kissed him on the cheek. Soon afterwards they went to their rooms.
In his bedroom Gaston made a discovery. He chanced to place his hand in the tail-pocket of the coat he had worn. He drew forth a letter. The ink was faded, and the lines were scrawled. It ran:
It's no good. Mr. Ian's been! It's face the musik now. If youwant me, say so. I'm for kicks or ha'pence—no diffrense.Yours, J.
He knew the writing very well—Jock Lawson's. There had been some trouble, and Mr. Ian had "been," bringing peril. What was it? His father and Jock had kept the secret from him.
He put his hand in the pocket again. There was another note—this time in a woman's handwriting:
Oh, come to me, if you would save us both! Do not fail. God helpus! Oh, Robert!
It was signed "Agnes."
Well, here was something of mystery; but he did not trouble himself about that. He was not at Ridley Court to solve mysteries, to probe into the past, to set his father's wrongs right; but to serve himself, to reap for all those years wherein his father had not reaped. He enjoyed life, and he would search this one to the full of his desires. Before he retired he studied the room, handling things that lay where his father placed them so many years before. He was not without emotions in this, but he held himself firm.
As he stood ready to get into bed, his eyes chanced upon a portrait of his uncle Ian.
"There's where the tug comes!" he said, nodding at it. "Shake hands, and ten paces, Uncle Ian?"
Then he blew out the candle, and in five minutes was sound asleep.
He was out at six o'clock. He made for the stables, and found Jacques pacing the yard. He smiled at Jacques's dazed look.
"What about the horse, Brillon?" he said, nodding as he came up.
"Saracen's had a slice of the stable-boy's shoulder—sir."
Amusement loitered in Gaston's eyes. The "sir" had stuck in Jacques's throat.
"Saracen has established himself, then? Good! And the broncho?"
"Bien, a trifle only. They laugh much in the kitchen—"
"The hall, Brillon."
"—in the hall last night. That hired man over there—"
"That groom, Brillon."
"—that groom, he was a fool, and fat. He was the worst. This morning he laugh at my broncho. He say a horse like that is nothing: no pace, no travel. I say the broncho was not so ver' bad, and I tell him try the paces. I whisper soft, and the broncho stand like a lamb. He mount, and sneer, and grin at the high pommel, and start. For a minute it was pretty; and then I give a little soft call, and in a minute there was the broncho bucking—doubling like a hoop, and dropping same as lead. Once that—groom—come down on the pommel, then over on the ground like a ball, all muck and blood."
The half-breed paused, looking innocently before him. Gaston's mouth quirked.
"A solid success, Brillon. Teach them all the tricks you can. At ten o'clock come to my room. The campaign begins then."
Jacques ran a hand through his long black hair, and fingered his sash.Gaston understood.
"The hair and ear-rings may remain, Brillon; but the beard and clothes must go—except for occasions. Come along."
For the next two hours Gaston explored the stables and the grounds. Nothing escaped him. He gathered every incident of the surroundings, and talked to the servants freely, softly, and easily, yet with a superiority, which suddenly was imposed in the case of the huntsman at the kennels—for the Whipshire hounds were here. Gaston had never ridden to hounds. It was not, however, his cue to pretend knowledge. He was strong enough to admit ignorance. He stood leaning against the door of the kennels, arms folded, eyes half-closed, with the sense of a painter, before the turning bunch of brown and white, getting the charm of distance and soft tones. His blood beat hard, for suddenly he felt as if he had been behind just such a pack one day, one clear desirable day of spring. He saw people gathering at the kennels; saw men drink beer and eat sandwiches at the door of the huntsman's house,—a long, low dwelling, with crumbling arched doorways like those of a monastery, watched them get away from the top of the moor, he among them; heard the horn, the whips; and saw the fox break cover.
Then came a rare run for five sweet miles—down a long valley—over quick-set hedges, with stiffish streams—another hill—a great combe— a lovely valley stretching out—a swerve to the right—over a gate— and the brush got at a farmhouse door.
Surely, he had seen it all; but what kink of the brain was it that the men wore flowing wigs and immense boot-legs, and sported lace in the hunting-field? And why did he see within that picture another of two ladies and a gentleman hawking?
He was roused from his dream by hearing the huntsman say in a quizzical voice:
"How do you like the dogs, sir?"
To his last day Lugley, the huntsman, remembered the slow look of cold surprise, of masterful malice, scathing him from head to foot. The words that followed the look, simple as they were, drove home the naked reproof:
"What is your name, my man?"
"Lugley, sir."
"Lugley! Lugley! H'm! Well, Lugley, I like the hounds better thanI like you. Who is Master of the Hounds, Lugley?"
"Captain Maudsley, sir."
"Just so. You are satisfied with your place, Lugley?"
"Yes, sir," said the man in a humble voice, now cowed.
The news of the arrival of the strangers had come to him late at night, and, with Whipshire stupidity, he had thought that any one coming from the wilds of British America must be but a savage after all.
"Very well; I wouldn't throw myself out of a place, if I were you."
"Oh, no, sir! Beg pardon, sir, I—"
"Attend to your hounds there, Lugley."
So saying, Gaston nodded Jacques away with him, leaving the huntsman sick with apprehension.
"You see how it is to be done, Brillon?" said Gaston. Jacques's brown eyes twinkled.
"You have the grand trick, sir."
"I enjoy the game; and so shall you, if you will. You've begun well. I don't know much of this life yet; but it seems to me that they are all part of a machine, not the idea behind the machine. They have no invention. Their machine is easy to learn. Do not pretend; but for every bit you learn show something better, something to make them dizzy now and then."
He paused on a knoll and looked down. The castle, the stables, the cottages of labourers and villagers lay before them. In a certain highly-cultivated field, men were working. It was cut off in squares and patches. It had an air which struck Gaston as unusual; why, he could not tell. But he had a strange divining instinct, or whatever it may be called. He made for the field and questioned the workmen.
The field was cut up into allotment gardens. Here, at a nominal rent, the cottager could grow his vegetables; a little spot of the great acre of England, which gave the labourer a tiny sense of ownership, of manhood. Gaston was interested. More, he was determined to carry that experiment further, if he ever got the chance. There was no socialism in him. The true barbarian is like the true aristocrat: more a giver of gifts than a lover of co-operation; conserving ownership by right of power and superior independence, hereditary or otherwise. Gaston was both barbarian and aristocrat.
"Brillon," he said, as they walked on, "do you think they would be happier on the prairies with a hundred acres of land, horses, cows, and a pen of pigs?"
"Can I be happy here all at once, sir?"
"That's just it. It's too late for them. They couldn't grasp it unless they went when they were youngsters. They'd long for 'Home and Old England' and this grub-and-grind life. Gracious heaven, look at them— crumpled-up creatures! And I'll stake my life, they were as pretty children as you'd care to see. They are out of place in the landscape, Brillon; for it is all luxury and lush, and they are crumples—crumples! But yet there isn't any use being sorry for them, for they don't grasp anything outside the life they are living. Can't you guess how they live? Look at the doors of the houses shut, and the windows sealed; yet they've been up these three hours! And they'll suck in bad air, and bad food; and they'll get cancer, and all that; and they'll die and be trotted away to the graveyard for 'passun' to hurry them into their little dark cots, in the blessed hope of everlasting life! I'm going to know this thing, Brillon, from tooth to ham-string; and, however it goes, we'll have lived up and down the whole scale; and that's something."
He suddenly stopped, and then added:
"I'm likely to go pretty far in this. I can't tell how or why, but it's so. Now, once more, as yesterday afternoon, for good or for bad, for long or for short, for the gods or for the devil, are you with me? There's time to turn back even yet, and I'll say no word to your going."
"But no, no! a vow is a vow. When I cannot run I will walk, when I cannot walk I will crawl after you—comme ca!"
Lady Belward did not appear at breakfast. Sir William and Gaston breakfasted alone at half past nine o'clock. The talk was of the stables and the estate generally.
The breakfast-room looked out on a soft lawn, stretching away into a broad park, through which a stream ran; and beyond was a green hillside. The quiet, the perfect order and discipline, gave a pleasant tingle to Gaston's veins. It was all so easy, and yet so admirable—elegance without weight. He felt at home. He was not certain of some trifles of etiquette; but he and Sir William were alone, and he followed his instincts. Once he frankly asked his grandfather of a matter of form, of which he was uncertain the evening before. The thing was done so naturally that the conventional mind of the baronet was not disturbed. The Belwards were notable for their brains, and Sir William saw that the young man had an unusual share. He also felt that this startling individuality might make a hazardous future; but he liked the fellow, and he had a debt to pay to the son of his own dead son. Of course, if their wills came into conflict, there could be but one thing—the young man must yield; or, if he played the fool, there must be an end. Still, he hoped the best. When breakfast was finished, he proposed going to the library.
There Sir William talked of the future, asked what Gaston's ideas were, and questioned him as to his present affairs. Gaston frankly said that he wanted to live as his father would have done, and that he had no property, and no money beyond a hundred pounds, which would last him a couple of years on the prairies, but would be fleeting here.
Sir William at once said that he would give him a liberal allowance, with, of course, the run of his own stables and their house in town: and when he married acceptably, his allowance would be doubled.
"And I wish to say, Gaston," he added, "that your uncle Ian, though heir to the title, does not necessarily get the property, which is not entailed. Upon that point I need hardly say more. He has disappointed us.
"Through him Robert left us. Of his character I need not speak. Of his ability the world speaks variably: he is an artist. Of his morals I need only say that they are scarcely those of an English gentleman, though whether that is because he is an artist, I cannot say—I really cannot say. I remember meeting a painter at Lord Dunfolly's,—Dunfolly is a singular fellow—and he struck me chiefly as harmless, distinctly harmless. I could not understand why he was at Dunfolly's, he seemed of so little use, though Lady Malfire, who writes or something, mooned with him a good deal. I believe there was some scandal or something afterwards. I really do not know. But you are not a painter, and I believe you have character—I fancy so."
"If you mean that I don't play fast and loose, sir, you are right.What I do, I do as straight as a needle." The old man sighed carefully.
"You are very like Robert, and yet there is something else. I don't know, I really don't know what!"
"I ought to have more in me than the rest of the family, sir."
This was somewhat startling. Sir William's fingers stroked his beardless cheek uncertainly. "Possibly—possibly."
"I've lived a broader life, I've got wider standards, and there are three races at work in me."
"Quite so, quite so;" and Sir William fumbled among his papers nervously.
"Sir," said Gaston suddenly, "I told you last night the honest story of my life. I want to start fair and square. I want the honest story of my father's life here; how and why he left, and what these letters mean."
He took from his pocket the notes he had found the night before, and handed them. Sir William read them with a disturbed look, and turned them over and over. Gaston told where he had found them.
Sir William spoke at last.
"The main story is simple enough. Robert was extravagant, and Ian was vicious and extravagant also. Both got into trouble. I was younger then, and severe. Robert hid nothing, Ian all he could. One day things came to a climax. In his wild way, Robert—with Jock Lawson—determined to rescue a young man from the officers of justice, and to get him out of the country. There were reasons. He was the son of a gentleman; and, as we discovered afterwards, Robert had been too intimate with the wife—his one sin of the kind, I believe. Ian came to know, and prevented the rescue. Meanwhile, Robert was liable to the law for the attempt. There was a bitter scene here, and I fear that my wife and I said hard things to Robert."
Gaston's eyes were on Lady Belward's portrait. "What did my grandmother say?"
There was a pause, then:
"That she would never call him son again, I believe; that the shadow of his life would be hateful to her always. I tell you this because I see you look at that portrait. What I said, I think, was no less. So, Robert, after a wild burst of anger, flung away from us out of the house. His mother, suddenly repenting, ran to follow him, but fell on the stone steps at the door, and became a cripple for life. At first she remained bitter against Robert, and at that time Ian painted that portrait. It is clever, as you may see, and weird. But there came a time when she kept it as a reproach to herself, not Robert. She is a good woman—a very good woman. I know none better, really no one."
"What became of the arrested man?" Gaston asked quietly, with the oblique suggestiveness of a counsel.
"He died of a broken blood-vessel on the night of the intended rescue, and the matter was hushed up."
"What became of the wife?"
"She died also within a year."
"Were there any children?"
"One—a girl."
"Whose was the child?"
"You mean—?"
"The husband's or the lover's?" There was a pause.
"I cannot tell you."
"Where is the girl?"
"My son, do not ask that. It can do no good—really no good."
"Is it not my due?"
"Do not impose your due. Believe me, I know best. If ever there is need to tell you, you shall be told. Trust me. Has not the girl her due also?"
Gaston's eyes held Sir William's a moment. "You are right, sir," he said, "quite right. I shall not try to know. But if—" He paused.
Sir William spoke:
"There is but one person in the world who knows the child's father; and I could not ask him, though I have known him long and well—indeed, no."
"I do not ask to understand more," Gaston replied. "I almost wish I had known nothing. And yet I will ask one thing: is the girl in comfort and good surroundings?"
"The best—ah, yes, the very best."
There was a pause, in which both sat thinking; then Sir William wrote out a cheque and offered it, with a hint of emotion. He was recalling how he had done the same with this boy's father.
Gaston understood. He got up, and said: "Honestly, sir, I don't know how I shall turn out here; for, if I didn't like it, it couldn't hold me, or, if it did, I should probably make things uncomfortable. But I think I shall like it, and I will do my best to make things go well. Good- morning, sir."
With courteous attention Sir William let his grandson out of the room.
And thus did a young man begin his career as Gaston Belward, gentleman.
How that career was continued there are many histories: Jock Lawson's mother tells of it in her way, Mrs. Gasgoyne in hers, Hovey in hers, Captain Maudsley in his; and so on. Each looks at it from an individual stand-point. But all agree on two matters: that he did things hitherto unknown in the countryside; and that he was free and affable, but could pull one up smartly if necessary.
He would sit by the hour and talk with Bimley, the cottager; with Rosher, the hotel-keeper, who when young had travelled far; with a sailorman, home for a holiday, who said he could spin a tidy yarn; and with Pogan, the groom, who had at last won Saracen's heart. But one day when the meagre village chemist saw him cracking jokes with Beard, the carpenter, and sidled in with a silly air of equality, which was merely insolence, Gaston softly dismissed him, with his ears tingling. The carpenter proved his right to be a friend of Gaston's by not changing countenance and by never speaking of the thing afterwards.
His career was interesting during the eighteen months wherein society papers chatted of him amiably and romantically. He had entered into the joys of hunting with enthusiasm and success, and had made a fast and admiring friend of Captain Maudsley; while Saracen held his own grandly. He had dined with country people, and had dined them; had entered upon the fag-end of the London season with keen, amused enjoyment; and had engrafted every little use of the convention. The art was learned, but the man was always apart from it; using it as a toy, yet not despising it; for, as he said, it had its points, it was necessary. There was yachting in the summer; but he was keener to know the life of England and his heritage than to roam afar, and most of the year was spent on the estate and thereabouts: with the steward, with the justices of the peace, in the fields, in the kennels, among the accounts.
To-day he was in London, haunting Tattersall's, the East End, the docks, his club, the London Library—he had a taste for English history, especially for that of the seventeenth century; he saturated himself with it: to-morrow he would present to his grandfather a scheme for improving the estate and benefiting the cottagers. Or he would suddenly enter the village school, and daze and charm the children by asking them strange yet simple questions, which sent a shiver of interest to their faces.
One day at the close of his second hunting-season there was to be a ball at the Court, the first public declaration of acceptance by his people; for, at his wish, they did not entertain for him in town the previous season—Lady Belward had not lived in town for years. But all had gone so well, if not with absolute smoothness, and with some strangeness,— that Gaston had become an integral part of their life, and they had ceased to look for anything sensational.
This ball was to be the seal of their approval. It had been mentioned in'Truth' with that freshness and point all its own. What character thanGaston's could more appeal to his naive imagination? It said in apiquant note that he did not wear a dagger and sombrero.
Everything was ready. Decorations were up, the cook and the butler had done their parts. At eleven in the morning Gaston had time on his hands. Walking out, he saw two or three children peeping in at the gateway.
He would visit the village school. He found the junior curate troubling the youthful mind with what their godfathers and godmothers did for them, and begging them to do their duty "in that state of life," etc. He listened, wondering at the pious opacity, and presently asked the children to sing. With inimitable melancholy they sang: "Oh, the Roast Beef of Old England!"
Gaston sat back and laughed softly till the curate felt uneasy, till the children, waking to his humour, gurgled a little in the song. With his thumbs caught lightly in his waistcoat pockets, he presently began to talk with the children in an easy, quiet voice. He asked them little out-of-the-way questions, he lifted the school-room from their minds, and then he told them a story, showing them on the map where the place was, giving them distances, the kind of climate, and a dozen other matters of information, without the nature of a lesson. Then he taught them the chorus—the Board forbade it afterwards—of a negro song, which told how those who behaved themselves well in this world should ultimately:
"Blow on, blow on, blow on dat silver horn!"
It was on this day that, as he left the school, he saw Ian Belward driving past. He had not met his uncle since his arrival,—the artist had been in Morocco,—nor had he heard of him save through a note in a newspaper which said that he was giving no powerful work to the world, nor, indeed, had done so for several years; and that he preferred the purlieus of Montparnasse to Holland Park.
They recognised each other. Ian looked his nephew up and down with a cool kind of insolence as he passed, but did not make any salutation. Gaston went straight to the castle. He asked for his uncle, and was told that he had gone to Lady Belward. He wandered to the library: it was empty. He lit a cigar, took down a copy of Matthew Arnold's poems, opening at "Sohrab and Rustum," read it with a quick-beating heart, and then came to "Tristram and Iseult." He knew little of "that Arthur" and his knights of the Round Table, and Iseult of Brittany was a new figure of romance to him. In Tennyson, he had got no further than "Locksley Hall," which, he said, had a right tune and wrong words; and "Maud," which "was big in pathos." The story and the metre of "Tristram and Iseult" beat in his veins. He got to his feet, and, standing before the window, repeated a verse aloud:
"Cheer, cheer thy dogs into the brake,O hunter! and without a fearThy golden-tassell'd bugle blow,And through the glades thy pasture takeFor thou wilt rouse no sleepers here!For these thou seest are unmoved;Cold, cold as those who lived and lovedA thousand years ago."
He was so engrossed that he did not hear the door open. He again repeated the lines with the affectionate modulation of a musician. He knew that they were right. They were hot with life—a life that was no more a part of this peaceful landscape than a palm-tree would be. He felt that he ought to read the poem in a desert, out by the Polar Sea, down on the Amazon, yonder at Nukualofa; that it would fit in with bearding the Spaniards two hundred years ago. Bearding the Spaniards— what did he mean by that? He shut his eyes and saw a picture: A Moorish castle, men firing from the battlements under a blazing sun, a multitude of troops before a tall splendid-looking man, in armour chased with gold and silver, and fine ribbons flying. A woman was lifted upon the battlements. He saw the gold of her necklace shake on her flesh like sunlight on little waves. He heard a cry:
At that moment some one said behind him: "You have your father's romantic manner."
He quietly put down the book, and met the other's eyes with a steady directness.
"Your memory is good, sir."
"Less than thirty years—h'm, not so very long!"
"Looking back—no. You are my father's brother, Ian Belward?"
"Your uncle Ian."
There was a kind of quizzical loftiness in Ian Belward's manner.
"Well, Uncle Ian, my father asked me to say that he hoped you would get as much out of life as he had, and that you would leave it as honest."
"Thank you. That is very like Robert. He loved making little speeches.It is a pity we did not pull together; but I was hasty, and he was rash.He had a foolish career, and you are the result. My mother has told methe story—his and yours."
He sat down, ran his fingers through his grey-brown hair, and looking into a mirror, adjusted the bow of his tie, and flipped the flying ends. The kind of man was new to Gaston: self-indulgent, intelligent, heavily nourished, nonchalant, with a coarse kind of handsomeness. He felt that here was a man of the world, equipped mentally cap-a-pie, as keen as cruel. Reading that in the light of the past, he was ready.
"And yet his rashness will hurt you longer than your haste hurt him."
The artist took the hint bravely.
"That you will have the estate, and I the title, eh? Well, that looks likely just now; but I doubt it all the same. You'll mess the thing one way or another."
He turned from the contemplation of himself, and eyed Gaston lazily.Suddenly he started.
"Begad," he said, "where did you get it?" He rose.
Gaston understood that he saw the resemblance to Sir Gaston Belward.
"Before you were, I am. I am nearer the real stuff."
The other measured his words insolently:
"But the Pocahontas soils the stream—that's plain."
A moment after Gaston was beside the prostrate body of his uncle, feeling his heart.
"Good God," he said, "I didn't think I hit so hard!" He felt the pulse, looked at the livid face, then caught open the waistcoat and put his ear to the chest. He did it all coolly, though swiftly—he was' born for action and incident. And during that moment of suspense he thought of a hundred things, chiefly that, for the sake of the family—the family! —he must not go to trial. There were easier ways.
But presently he found that the heart beat.
"Good! good!" he said, undid the collar, got some water, and rang abell. Falby came. Gaston ordered some brandy, and asked for SirWilliam. After the brandy had been given, consciousness returned.Gaston lifted him up.
He presently swallowed more brandy, and while yet his head was atGaston's shoulder, said:
"You are a hard hitter. But you've certainly lost the game now."
Here he made an effort, and with Gaston's assistance got to his feet. At that moment Falby entered to say that Sir William was not in the house. With a wave of the hand Gaston dismissed him. Deathly pale, his uncle lifted his eyebrows at the graceful gesture.
"You do it fairly, nephew," he said ironically yet faintly,—"fairly in such little things; but a gentleman, your uncle, your elder, with fists —that smacks of low company!"
Gaston made a frank reply as he smothered his pride
"I am sorry for the blow, sir; but was the fault all mine?"
"The fault? Is that the question? Faults and manners are not the same.At bottom you lack in manners; and that will ruin you at last."
"You slighted my mother!"
"Oh, no! and if I had, you should not have seen it."
"I am not used to swallow insults. It is your way, sir. I know your dealings with my father."
"A little more brandy, please. But your father had manners, after all. You are as rash as he; and in essential matters clownish—which he was not."
Gaston was well in hand now, cooler even than his uncle.
"Perhaps you will sum up your criticism now, sir, to save future explanation; and then accept my apology."
"To apologise for what no gentleman pardons or does, or acknowledges openly when done—H'm! Were it not well to pause in time, and go back to your wild North? Why so difficult a saddle—Tartarin after Napoleon? Think—Tartarin's end!"
Gaston deprecated with a gesture: "Can I do anything for you, sir?"
His uncle now stood up, but swayed a little, and winced from sudden pain.A wave of malice crossed his face.
"It's a pity we are relatives, with France so near," he said, "for I see you love fighting." After an instant he added, with a carelessness as much assumed as natural: "You may ring the bell, and tell Falby to come to my room. And because I am to appear at the flare-up to-night—all in honour of the prodigal's son—this matter is between us, and we meet as loving relatives. You understand my motives, Gaston Robert Belward?"
"Thoroughly."
Gaston rang the bell, and went to open the door for his uncle to pass out. Ian Belward buttoned his close-fitting coat, cast a glance in the mirror, and then eyed Gaston's fine figure and well-cut clothes. In the presence of his nephew, there grew the envy of a man who knew that youth was passing while every hot instinct and passion remained. For his age he was impossibly young. Well past fifty he looked thirty-five, no more. His luxurious soul loathed the approach of age. Unlike many men of indulgent natures, he loved youth for the sake of his art, and he had sacrificed upon that altar more than most men-sacrificed others. His cruelty was not as that of the roughs of Seven Dials or Belleville, but it was pitiless. He admitted to those who asked him why and wherefore when his selfishness became brutality, that everything had to give way for his work. His painting of Ariadne represented the misery of two women's lives. And of such was his kingdom of Art.
As he now looked at Gaston he was again struck with the resemblance to the portrait in the dining-room, with his foreign out-of-the-way air: something that should be seen beneath the flowing wigs of the Stuart period. He had long wanted to do a statue of the ill-fated Monmouth, and another greater than that. Here was the very man: with a proud, daring, homeless look, a splendid body, and a kind of cavalier conceit. It was significant of him, of his attitude towards himself where his work was concerned, that he suddenly turned and shut the door again, telling Falby, who appeared, to go to his room; and then said:
"You are my debtor, Cadet—I shall call you that: you shall have a chance of paying."
"How?"
In a few concise words he explained, scanning the other's face eagerly.
Gaston showed nothing. He had passed the apogee of irritation.
"A model?" he questioned drily.
"Well, if you put it that way. 'Portrait' sounds better. It shall beGaston Belward, gentleman; but we will call it in public, 'Monmouth theTrespasser.'"
Gaston did not wince. He had taken all the revenge he needed. The idea rather pleased him than other wise. He had instincts about art, and he liked pictures; statuary, poetry, romance; but he had no standards. He was keen also to see the life of the artist, to touch that aristocracy more distinguished by mind than manners.
"If that gives 'clearance,' yes. And your debt to me?"
"I owe you nothing. You find your own meaning in my words. I was railing, you were serious. Do not be serious. Assume it sometimes, if you will; be amusing mostly. So, you will let me paint you—on your own horse, eh?"
"That is asking much. Where?"
"Well, a sketch here this afternoon, while the thing is hot—if this damned headache stops! Then at my studio in London in the spring, or" —here he laughed—"in Paris. I am modest, you see."
"As you will."
Gaston had had a desire for Paris, and this seemed to give a cue for going. He had tested London nearly all round. He had yet to be presented at St. James's, and elected a member of the Trafalgar Club. Certainly he had not visited the Tower, Windsor Castle, and the Zoo; but that would only disqualify him in the eyes of a colonial.
His uncle's face flushed slightly. He had not expected such good fortune. He felt that he could do anything with this romantic figure. He would do two pictures: Monmouth, and an ancient subject—that legend of the ancient city of Ys, on the coast of Brittany. He had had it in his mind for years. He came back and sat down, keen, eager.
"I've a big subject brewing," he said; "better than the Monmouth, though it is good enough as I shall handle it. It shall be royal, melancholy, devilish: a splendid bastard with creation against him; the best, most fascinating subject in English history. The son dead on against the father—and the uncle!"
He ceased for a minute, fashioning the picture in his mind; his face pale, but alive with interest, which his enthusiasm made into dignity. Then he went on:
"But the other: when the king takes up the woman—his mistress—and rides into the sea with her on his horse, to save the town! By Heaven, with you to sit, it's my chance! You've got it all there in you—the immense manner. You, a nineteenth century gentleman, to do this game of Ridley Court, and paddle round the Row? Not you! You're clever, and you're crafty, and you've a way with you. But you'll come a cropper at this as sure as I shall paint two big pictures—if you'll stand to your word."
"We need not discuss my position here. I am in my proper place—in my father's home. But for the paintings and Paris, as you please."
"That is sensible—Paris is sensible; for you ought to see it right, and I'll show you what half the world never see, and wouldn't appreciate if they did. You've got that old, barbaric taste, romance, and you'll find your metier in Paris."
Gaston now knew the most interesting side of his uncle's character—which few people ever saw, and they mostly women who came to wish they had never felt the force of that occasional enthusiasm. He had been in the National Gallery several times, and over and over again he had visited the picture places in Bond Street as he passed; but he wanted to get behind art life, to dig out the heart of it.
He was strong enough to admit ignoranceNot to show surprise at anythingTruth waits long, but whips hard