CHAPTER XI

A few months before her first meeting with Ferguson, Mary Radford had come West with the avowed purpose of "absorbing enough local color for a Western novel." Friends in the East had encouraged her; an uncle (her only remaining relative, beside her brother) had assisted her. So she had come.

The uncle (under whose care she had been since the death of her mother, ten years before) had sent her to a medical college, determined to make her a finished physician. But Destiny had stepped in. Quite by accident Miss Radford had discovered that she could write, and the uncle's hope that she might one day grace the medical profession had gone glimmering—completely buried under a mass of experimental manuscript.

He professed to have still a ray of hope until after several of the magazines had accepted Mary's work. Then hope died and was succeeded by silent acquiescence and patient resignation. Having a knowledge of human nature far beyond that possessed by the average person, the uncle had realized that if Mary's inclination led to literature it was worse than useless to attempt to interest her in any other profession. Therefore, when she had announced her intention of going West he had interposed no objection; on the contrary had urged her to the venture. What might have been his attitude had not Ben Radford been already in the West is problematical. Very seldom do we decide a thing until it confronts us.

Mary Radford had been surprised at the West. From Ben's cabin in the flat she had made her first communion with this new world that she had worshipped at first sight. It was as though she had stepped out of an old world into one that was just experiencing the dawn of creation's first morning. At least so it had seemed to her on the morning she had first stepped outside her brother's cabin to view her first sunrise.

She had breathed the sweet, moisture-laden breezes that had seemed to almost steal over the flat where she had stood watching the shadows yield to the coming sun. The somber hills had become slowly outlined; the snow caps of the distant mountain peaks glinted with the brilliant shafts that struck them and reflected into the dark recesses below. Nature was king here and showed its power in a mysterious, though convincing manner.

In the evening there would come a change. Through rifts in the mountains descended the sun, spreading an effulgent expanse of yellow light—like burnished gold. In the shadows were reflected numerous colors, all quietly blended, making contrasts of perfect harmony. There were the sinuous buttes that bordered the opposite shore of the river—solemn sentinels guarding the beauty and purity of this virgin land. Near her were sloping hills, dotted with thorny cactus and other prickly plants, and now rose a bald rock spire with its suggestion of grim lonesomeness. In the southern and eastern distances were the plains, silent, vast, unending. It seemed she had come to dwell in a land deserted by some cyclopean race. Its magnificent, unchanging beauty had enthralled her.

She had not lacked company. She found that the Two Diamond punchers were eager to gain her friendship. Marvelous excuses were invented for their appearance at the cabin in the flat. She thought that Ben's friendship was valued above that of all other persons in the surrounding country.

But she found the punchers gentlemen. Though their conversation was unique and their idioms picturesque, they compared favorably with the men she had known in the East. Did they lack the subtleties, they made up for this by their unfailing deference. And they were never rude; their very bashfulness prevented that.

Through them she came to know much of many things. They contrived to acquaint her with the secretive peculiarities of the prairie dog, and—when she would listen with more than ordinary attention—they would loose their wonderful imaginations in the hope of continuing the conversation. Then it was that the subject under discussion would receive exhaustive, and altogether unnecessary, elucidation. The habits of the prairie-dog were not alone betrayed to the ears of the young lady. The sage-fowl's inherent weaknesses were paraded before her; the hoot of the owl was imitated with ludicrous solemnity; other fowl were described with wonderful attention to detail; and the inevitable rattlesnake was pointed out to her as a serpent whose chief occupation in life was that of posing in the shadow of the sage-brush as a target for the revolver of the cowpuncher.

The quaintness of the cowboy speech, his incomparable bashfulness, amused her, while she was strangely affected by his earnestness. She attended to the chickens and immediately her visitors became interested in them and fell to discussing them as though they had done nothing all their days but build hen-houses and runways. But she had them on botany. The flower beds were deep, unfathomable mysteries to them, and they stood afar while she cultivated the more difficult plants and encouraged the hardier to increased beauty.

But she had not been content to view this land of mystery from her brother's cabin. The dignity of nature had cast its thrall upon her. She was impressed with the sublimity of the climate, the wonderful sunshine, the crystal light of the days and the quiet peace and beauty of the nights. The lure of the plains had taken her upon long rides, and the cottonwood, filling a goodly portion of the flat, was the scene of many of her explorations.

The pony with which her brother had provided her was—Ben Radford declared—a shining example of sterling horse-honesty. She did not know that Ben knew horses quite as well as he knew men or she would not have allowed him to see the skeptical glance she had thrown over the drowsy-eyed beast that he saddled for her. But she was overjoyed at finding the pony all that her brother had said of it. The little animal was tireless, and often, after a trip over the plains, or to Dry Bottom to mail a letter, she would return by a roundabout trail.

Meanwhile the novel still remained unwritten. Perhaps she had not yet "absorbed" the "local color"; perhaps inspiration was tardy. At all events she had not written a word. But she was beginning to realize the possibilities; deep in her soul something was moving that would presently flow from her pen.

It would not be commonplace—that she knew. Real people would move among the pages of her book; real deeds would be done. And as the days passed she decided. She would write herself into her book; there would be the first real character. The story would revolve about her and another character—a male one—upon whom she had not decided—until the appearance of Ferguson. After he had come she was no longer undecided—she would make him the hero of her story.

The villain she had already met—in Leviatt. Something about this man was repellant. She already had a description of him in the note book that she always carried. Had Leviatt read the things she had written of him he would have discontinued his visits to the cabin.

Several of the Two Diamond punchers, also, were noted as being possible secondary characters. She had found them very amusing. But the hero would be the one character to whom she would devote the concentrated effort of her mind. She would make him live in the pages; a real, forceful magnetic human being that the reader would instantly admire. She would bare his soul to the reader; she would reveal his mental processes—not involved, but leading straight and true to——

But would she? Had she not so far discovered a certain craftiness in the character of the Two Diamond stray-man that would indicate subtlety of thought?

This knowledge had been growing gradually upon her since their second meeting, and it had become an obstacle that promised difficulties. Of course she could make Ferguson talk and act as she pleased—in the book. But if she wanted a real character she would have to portray him as he was. To do this would require study. Serious study of any character would inspire faithful delineation.

She gave much thought to him now, keeping this purpose in view. She questioned Ben concerning him, but was unable to gain satisfying information. He had been hired by Stafford, her brother told her, holding the position of stray-man.

"I've seen him once, down the other side of the cottonwood," the young man had said. "He ain't saying much to anyone. Seems to be a quiet sort—and deep. Pretty good sort though."

She was pleased over Ben's brief estimate of the stray-man. It vindicated her judgment. Besides, it showed that her brother was not averse to friendship with him.

Leviatt she saw with her brother often, and occasionally he came to the cabin. His attitude toward her was one of frank admiration, but he had received no encouragement. How could he know that he was going to be the villain in her book—soon to be written?

Shall we take a peep into that mysterious note book? Yes, for later we shall see much of it.

"Dave Leviatt," she had written in one place. "Age thirty-five. Tall, slender; walks with a slight stoop. One rather gets the impression that the stoop is a reflection of the man's nature, which seems vindictive and suggests a low cunning. His eyes are small, deep set, and glitter when he talks. But they are steady, and cold—almost merciless. One's thoughts go instantly to the tiger. I shall try to create that impression in the reader's mind."

In another place she had jotted this down: "I shouldn't want anyone killed in my book, but if I find this to be necessary Leviatt must do the murder. But I think it would be better to have him employ some other person to do it for him; that would give him just the character that would fit him best. I want to make him seem too cowardly—no, not cowardly, because I don't think he is a coward: but too cunning—to take chances of being caught."

Evidently she had been questioning Ben, for in another place she had written:

"Ferguson. I must remember this—all cowboys do not carry two guns. Ben does, because he says he is ambidextrous, shooting equally well with either hand. But he does not tie the bottoms of his holsters down, like Ferguson; he says some men do this, but usually they are men who are exceptionally rapid in getting their revolvers out and that tying down the bottoms of the holsters facilitates removing the weapons. They are accounted to be dangerous men.

"Ben says when a man is quick to shoot out here he is called a gun-man, and that if he carries two revolvers he is a two-gun man. Ben laughs at me when I speak of a 'revolver'; they are known merely as 'guns' out here. I must remember this. Ben says that though he likes Ferguson quite well, he is rather suspicious of him. He seems to be unable to understand why Stafford should employ a two-gun man to look up stray cows."

Below this appeared a brief reference to Ferguson.

"He is not a bit conceited—rather bashful, I should say. But embarrassment in him is attractive. No hero should be conceited. There is a wide difference between impertinence and frankness. Ferguson seems to speak frankly, but with a subtle shade. I think this is a very agreeable trait for a hero in a novel."

There followed more interesting scraps concerning Leviatt, which would have caused the range boss many bad moments. And there were interesting bits of description—jotted down when she became impressed with a particularly odd view of the country. But there were no more references to Ferguson. He—being the hero of her novel—must be studied thoroughly.

Miss Radford tied her pony to the trunk of a slender fir-balsam and climbed to the summit of a small hill. There were some trees, quite a bit of grass, some shrubbery, on the hill—and no snakes. She made sure of this before seating herself upon a little shelf of rock, near a tall cedar.

Half a mile down the river she could see a corner of Ben's cabin, a section of the corral fence, and one of the small outbuildings. Opposite the cabin, across the river, rose the buttes that met her eyes always when she came to the cabin door. This hill upon which she sat was one that she saw often, when in the evening, watching the setting sun, she followed its golden rays with her eyes. Many times, as the sun had gone slowly down into a rift of the mountains, she had seen the crest of this hill shimmering in a saffron light; the only spot in the flat that rose above the somber, oncoming shadows of the dusk.

From here, it seemed, began the rose veil that followed the broad saffron shaft that led straight to the mountains. Often, watching the beauty of the hill during the long sunset, she had felt a deep awe stirring her. Romance was here, and mystery; it was a spot favored by the Sun-Gods, who surrounded it with a glorious halo, lingeringly, reluctantly withdrawing as the long shadows of the twilight crept over the face of the world.

It was not her first visit to the hill. Many times she had come here, charmed with the beauty of the view, and during one of those visits she had decided that seated on the shelf rock on the summit of the hill she would write the first page of the book. It was for this purpose that she had now come.

After seating herself she opened a small handbag, producing therefrom many sheets of paper, a much-thumbed copy of Shakespeare, and a pencil. She was tempted to begin with a description of the particular bit of country upon which she looked, for long ago she had decided upon Bear Flat for the locale of the story. But she sat long nibbling at the end of the pencil, delaying the beginning for fear of being unable to do justice to it.

She began at length, making several false starts and beginning anew. Finally came a paragraph that remained. Evidently this was satisfactory, for another paragraph followed; and then another, and still another. Presently a complete page. Then she looked up with a long-drawn sigh of relief. The start had been made.

She had drawn a word picture of the flat; dwelling upon the solitude, the desolation, the vastness, the swimming sunlight, the absence of life and movement. But as she looked, critically comparing what she had written with the reality, there came a movement—a horseman had ridden into her picture. He had come down through a little gully that led into the flat and was loping his pony through the deep saccatone grass toward the cabin.

It couldn't be Ben. Ben had told her that he intended riding some thirty miles down the river and he couldn't be returning already. She leaned forward, watching intently, the story forgotten.

The rider kept steadily on for a quarter of an hour. Then he reached the clearing in which the cabin stood; she saw him ride through it and disappear. Five minutes later he reappeared, hesitated at the edge of the clearing and then urged his pony toward the hill upon which she sat. As he rode out of the shadows of the trees within an eighth of a mile of her the sunlight shone fairly upon the pony. She would have known Mustard among many other ponies.

She drew a sudden, deep breath and sat erect, tucking back some stray wisps of hair from her forehead. Did the rider see her?

For a moment it seemed that the answer would be negative, for he disappeared behind some dense shrubbery on the plain below and seemed to be on the point of passing the hill. But just at the edge of the shrubbery Mustard suddenly swerved and came directly toward her. Through the corners of her eyes she watched while Ferguson dismounted, tied Mustard close to her own animal, and stood a moment quietly regarding her.

"You want to look at the country all by yourself?" he inquired.

She pretended a start, looking down at him in apparent surprise.

"Why," she prevaricated, "I thought there was no one within miles of me!"

She saw his eyes flash in the sunlight. "Of course," he drawled, "there's such an awful darkness that no one could see a pony comin' across the flat. You think you'll be able to find your way home?"

She flushed guiltily and did not reply. She heard him clambering up over the loose stones, and presently he stood near her. She made a pretense of writing.

"Did you stop at the cabin?" she asked without looking up.

He regarded her with amused eyes, standing loosely, his arms folded, the fingers of his right hand pulling at his chin. "Did I stop?" he repeated. "I couldn't rightly say. Seems to me as though I did. You see, I didn't intend to, but I was ridin' down that way an' I thought I'd stop in an' have a talk with Ben."

"Oh!" Sometimes even a monosyllable is pregnant with mockery.

"But he wasn't there. Nobody was there. I wasn't reckonin' on everybody runnin' off."

She turned and looked straight at him. "Why," she said, "I shouldn't think our running away would surprise you. You see, you set us an example in running away the other day."

He knew instantly that she referred to his precipitate retreat on the night she had hinted that she intended putting him into her story. She shot another glance at him and saw his face redden with embarrassment, but he showed no intention of running now.

"I've been thinkin' of what you said," he returned. "You couldn't put me into no book. You don't know anything about me. You don't know what I think. Then how could you do it?"

"Of course," she returned, turning squarely around to him and speaking seriously, "the story will be fiction, and the plot will have no foundation in fact. But I shall be very careful to have my characters talk and act naturally. To do this I shall have to study the people whom I wish to characterize."

He was moved by an inward mirth. "You're still thinkin' of puttin' me into the book?" he questioned.

She nodded, smiling.

"Then," he said, very gravely, "you hadn't ought to have told me. You didn't show so clever there. Ain't you afraid that I'll go to actin' swelled? If I do that, you'd not have the character you wanted."

"I had thought of that, too," she returned seriously. "If you were that kind of a man I shouldn't want you in the book. How do you know that I haven't told you for the purpose of discovering if you would be affected in that manner?"

He scratched his head, contemplating her gravely. "I reckon you're travelin' too fast for me, ma'am," he said.

His expression of frank amusement was good to see. He stood before her, plainly ready to surrender. Absolutely boyish, he seemed to her—a grown-up boy to be sure, but with a boy's enthusiasms, impulses, and generosity. Yet in his eyes was something that told of maturity, of conscious power, of perfect trust in his ability to give a good account of himself, even in this country where these qualities constituted the chief rule of life.

A strange emotion stirred her, a sudden quickening of the pulse told her that something new had come into her life. She drew a deep, startled breath and felt her cheeks crimsoning. She swiftly turned her head and gazed out over the flat, leaving him standing there, scarcely comprehending her embarrassment.

"I reckon you've been writin' some of that book, ma'am," he said, seeing the papers lying on the rock beside her. "I don't see why you should want to write a Western story. Do folks in the East get interested in knowin' what's goin' on out here?"

She suddenly thought of herself. Had she found it interesting? She looked swiftly at him, appraising him from a new viewpoint, feeling a strange, new interest in him.

"It would be strange if they didn't," she returned. "Why, it is the only part of the country in which there still remains a touch of romance. You must remember that this is a young country; that its history began at a comparatively late date. England can write of its feudal barons; France of its ancient aristocracy; but America can look back only to the Colonial period—and the West."

"Mebbe you're right," he said, not convinced. "But I expect there ain't a heap of romance out here. Leastways, if there is it manages to keep itself pretty well hid."

She smiled, thinking of the romance that surrounded him—of which, plainly, he was not conscious. To him, romance meant the lights, the crowds, the amusements, the glitter and tinsel of the cities of the East, word of which had come to him through various channels. To her these things were no longer novel,—if they had ever been so—and so for her romance must come from the new, the unusual, the unconventional. The West was all this, therefore romance dwelt here.

"Of course it all seems commonplace to you," she returned; "perhaps even monotonous. For you have lived here long."

He laughed. "I've traveled a heap," he said. "I've been inCalifornia, Dakota, Wyoming, Texas, an' Arizona. An' now I'm here.Savin' a man meets different people, this country is pretty much allthe same."

"You must have had a great deal of experience," she said. "And you are not very old."

He gravely considered her. "I would say that I am about the average age for this country. You see, folks don't live to get very old out here—unless they're mighty careful."

"And you haven't been careful?"

He smiled gravely. "I expect you wouldn't call it careful. But I'm still livin'."

His words were singularly free from boast.

"That means that you have escaped the dangers," she said. "I have heard that a man's safety in this country depends largely upon his ability to shoot quickly and accurately. I suppose you are accounted a good shot?"

The question was too direct. His eyes narrowed craftily.

"I expect you're thinkin' of that book now ma'am," he said. "There's a heap of men c'n shoot. You might say they're all good shots. I've told you about the men who can't shoot good. They're either mighty careful, or they ain't here any more. It's always one or the other."

"Oh, dear!" she exclaimed, shuddering slightly. "In that case I suppose the hero in my story will have to be a good shot." She laughed. "I shouldn't want him to get half way through the story and then be killed because he was clumsy in handling his weapon. I am beginning to believe that I shall have to make him a 'two-gun' man. I understand they are supposed to be very good shots."

"I've seen them that wasn't," he returned gravely and shortly.

"How did you prove that?" she asked suddenly.

But he was not to be snared. "I didn't say I'd proved it," he stated."But I've seen it proved."

"How proved?"

"Why," he said, his eyes glinting with amusement, "they ain't here any more, ma'am."

"Oh. Then it doesn't follow that because a man wears two guns he is more likely to survive than is the man who wears only one?"

"I reckon not, ma'am."

"I see that you have the bottoms of your holsters tied down," she said, looking at them. "Why have you done that?"

"Well," he declared, drawling his words a little, "I've always found that there ain't any use of takin' chances on an accident. You mightn't live to tell about it. An' havin' the bottoms of your holsters tied down keeps your guns from snaggin'. I've seen men whose guns got snagged when they wanted to use them. They wasn't so active after."

"Then I shall have to make my hero a 'two-gun' man," she said. "That is decided. Now, the next thing to do is to give some attention to his character. I think he ought to be absolutely fearless and honest and incapable of committing a dishonorable deed. Don't you think so?"

While they had talked he had come closer to her and stood beside the shelf rock, one foot resting on it. At her question he suddenly looked down at the foot, shifting it nervously, while a flush started from above the blue scarf at his throat and slowly suffused his face.

"Don't you think so?" she repeated, her eyes meeting his for an instant.

"Why, of course, ma'am," he suddenly answered, the words coming sharply, as though he had only at that instant realized the import of the question.

"Why," said she, aware of his embarrassment, "don't you think there are such men?"

"I expect there are, ma'am," he returned; "but in this country there's a heap of argument could be made about what would be dishonorable. If your two-gun should happen to be a horse thief, or a rustler, I reckon we could get at it right off."

"He shan't be either of those," she declared stoutly. "I don't think he would stoop to such contemptible deeds. In the story he is employed by a ranch owner to kill a rustler whom the owner imagines has been stealing his cattle."

His hands were suddenly behind him, the fingers clenched. His eyes searched her face with an alert, intense gaze. His embarrassment was gone; his expression was saturnine, his eyes narrowed with a slight mockery. And his voice came, cold, deliberate, even.

"I reckon you've got your gun-man true to life, ma'am," he said.

She laughed lightly, amused over the sudden change that she saw and felt in him. "Of course the gun-man doesn't really intend to kill the rustler," she said. "I don't believe I shall have any one killed in the story. The gun-man is merely attracted by the sum of money promised him by the ranch owner, and when he accepts it is only because he is in dire need of work. Don't you think that could be possible?"

"That could happen easy in this country, ma'am," he returned.

She laughed delightedly. "That vindicates my judgment," she declared.

He was regarding her with unwavering eyes. "Is that gun-man goin' to be the hero in your story, ma'am?" he asked quietly.

"Why, of course."

"An' I'm to be him?"

She gave him a defiant glance, though she blushed immediately.

"Why do you ask?" she questioned in reply. "You need have no fear thatI will compel my hero to do anything dishonorable."

"I ain't fearin' anything," he returned. "But I'd like to know how you come to think of that. Do writers make them things up out of their own minds, or does someone tell them?"

"Those things generally have their origin in the mind of the writer," she replied.

"Meanin' that you thought of that yourself?" he persisted.

"Of course."

He lifted his foot from the rock and stood looking gravely at her. "In most of the books I have read there's always a villain. I reckon you're goin' to have one?"

"There will be a villain," she returned.

His eyes flashed queerly. "Would you mind tellin' me who you have picked out for your villain?" he continued.

"I don't mind," she said. "It is Leviatt."

He suddenly grinned broadly and held out his right hand to her. "Shake, ma'am," he said. "I reckon if I was writin' a book Leviatt would be the villain."

She rose from the rock and took his outstretched hand, her eyes drooping as they met his. He felt her hand tremble a little, and he looked at it, marveling. She glanced up, saw him looking at her hand, swiftly withdrew it, and turned from him, looking down into the flat at the base of the hill. She started, uttering the sharp command:

"Look!"

Perhaps a hundred yards distant, sitting on his pony in a lounging attitude, was a horseman. While they looked the horseman removed his broad brimmed hat, bowed mockingly, and urged his pony out into the flat. It was Leviatt.

On the slight breeze a laugh floated back to them, short, sharp, mocking.

For a time they stood silent, watching the departing rider. ThenFerguson's lips wreathed into a feline smile.

"Kind of dramatic, him ridin' up that-a-way," he said. "Don't you think puttin' him in the book will spoil it, ma'am?"

Leviatt rode down through the gully where Miss Radford had first caught sight of Ferguson when he had entered the flat. He disappeared in this and five minutes later came out upon a ridge above it. The distance was too great to observe whether he turned to look back. But just before he disappeared finally they saw him sweep his hat from his head. It was a derisive motion, and Miss Radford colored and shot a furtive glance at Ferguson.

The latter stood loosely beside her, his hat brim pulled well down over his forehead. As she looked she saw his eyes narrow and his lips curve ironically.

"What do you suppose he thought?" she questioned, her eyes drooping away from his.

"Him?" Ferguson laughed. "I expect you could see from his actions that he wasn't a heap tickled." Some thought was moving him mightily. He chuckled gleefully. "Now if you could only put what he was thinkin' into your book, ma'am, it sure would make interestin' readin'."

"But he saw you holding my hand!" she declared, aware of the uselessness of telling him this, but unable to repress her indignation over the thought that Leviatt had seen.

"Why, I expect he did, ma'am!" he returned, trying hard to keep the pleasure out of his voice. "You see, he must have been lookin' right at us. But there ain't nothin' to be flustered over. I reckon that some day, if he's around, he'll see me holdin' your hand again."

The red in her cheeks deepened. "Why, how conceited you are!" she said, trying to be very severe, but only succeeding in making him think that her eyes were prettier than he had thought.

"I don't think I am conceited, ma'am," he returned, smiling. "I've liked you right well since the beginning. I don't think it's conceit to tell a lady that you're thinkin' of holdin' her hand."

She was looking straight at him, trying to be very defiant. "And so you have liked me?" she taunted. "I am considering whether to tell you that I was not thinking of you as a possible admirer."

His eyes flashed. "I don't think you mean that, ma'am," he said. "You ain't treated me like you treated some others."

"Some others?" she questioned, not comprehending.

He laughed. "Them other Two Diamond men that took a shine to you. I've heard that you talked right sassy to them. But you ain't never been sassy to me. Leastways, you ain't never told me to 'evaporate'."

She was suddenly convulsed. "They have told you that?" she questioned. And then not waiting for an answer she continued more soberly: "And so you thought that in view of what I have said to those men you had been treated comparatively civilly. I am afraid I have underestimated you. Hereafter I shall talk less intimately to you."

"I wouldn't do that, ma'am," he pleaded. "You don't need to be afraid that I'll be too fresh."

"Oh, dear!" she exclaimed, with a pretense of delight. "It will be very nice to know that I can talk to you without fear of your placing a false construction on my words. But I am not afraid of you."

He stepped back from the rock, hitching at his cartridge belt. "I'm goin' over to the Two Diamond now, ma'am," he said. "And since you've said you ain't afraid of me, I'm askin' you if you won't go ridin' with me tomorrow. There's a right pretty stretch of country about fifteen miles up the crick that you'd be tickled over."

Should she tell him that she had explored all of the country within thirty miles? The words trembled on her lips but remained unspoken.

"Why, I don't know," she objected. "Do you think it is quite safe?"

He smiled and stepped away from her, looking back over his shoulder. "Thank you, ma'am," he said. "I'll ride over for you some time in the mornin'." He continued down the hill, loose stones rattling ahead of him. She looked after him, radiant.

"But I didn't say I would go," she called. And then, receiving no answer to this, she waited until he had swung into the saddle and was waving a farewell to her.

"Don't come before ten o'clock!" she advised.

She saw him smile and then she returned to her manuscript.

When the Sun-Gods kissed the crest of the hill and bathed her in the rich rose colors that came straight down to the hill through the rift in the mountains, she rose and gathered up her papers. She had not written another line.

It was late in the afternoon when Leviatt rode up to the door of Stafford's office and dismounted. He took plenty of time walking the short distance that lay between him and the door, and growled a savage reply to a loafing puncher, who asked him a question. Once in the office he dropped glumly into a chair, his eyes glittering vengefully as his gaze rested on Stafford, who sat at his desk, engaged in his accounts. Through the open window Stafford had seen the range boss coming and therefore when the latter had entered he had not looked up.

Presently he finished his work and drew back from the desk. Then he took up a pipe, filled it with tobacco, lighted it, and puffed with satisfaction.

"Nothin's happened?" he questioned, glancing at his range boss.

Leviatt's reply was short. "No. Dropped down to see how things was runnin'."

"Things is quiet," returned Stafford. "There ain't been any cattle missed for a long time. I reckon the new stray-man is doin' some good."

Leviatt's eyes glowed. "If you call gassin' with Mary Radford doin' good, why then, he's doin' it!" he snapped.

"I ain't heard that he's doin' that," returned Stafford.

"I'm tellin' you about it now," said Leviatt. "I seen him to-day; him an' her holdin' hands on top of a hill in Bear Flat." He sneered. "He's a better ladies' man than a gunfighter. I reckon we made a mistake in pickin' him up."

Stafford smiled indulgently. "He's cert'nly a good looker," he said. "I reckon some girls would take a shine to him. But I ain't questionin' his shootin'. I've been in this country a right smart while an' I ain't never seen another man that could bore a can six times while it's in the air."

Leviatt's lips drooped. "He could do that an' not have nerve enough to shoot a coyote. Him not clashin' with Ben Radford proves he ain't got nerve."

Stafford smiled. The story of how the stray-man had closed Leviatt's mouth was still fresh in his memory. He was wondering whether Leviatt knew that he had heard about the incident.

"Suppose you try him?" he suggested. "That'd be as good a way as any to find out if he's got nerve."

Leviatt's face bloated poisonously, but he made no answer. Apparently unaware that he had touched a tender spot Stafford continued.

"Mebbe his game is to get in with the girl, figgerin' that he'll be more liable that way to get a chancst at Ben Radford. But whatever his game is, I ain't interferin'. He's got a season contract an' I ain't breakin' my word with the cuss. I ain't takin' no chances with him."

Leviatt rose abruptly, his face swelling with an anger that he was trying hard to suppress. "He'd better not go to foolin' with Mary Radford, damn him!" he snapped.

"I reckon that wind is blowin' in two directions," grinned Stafford. "When I see him I'll tell him——" A clatter of hoofs reached the ears of the two men, and Stafford turned to the window. "Here's the stray-man now," he said gravely.

Both men were silent when Ferguson reached the door. He stood just inside, looking at Stafford and Leviatt with cold, alert eyes. He nodded shortly to Stafford, not removing his gaze from the range boss. The latter deliberately turned his back and looked out of the window.

There was insolence in the movement, but apparently it had no effect upon the stray-man, beyond bringing a queer twitch into the corners of his mouth. He smiled at Stafford.

"Anything new?" questioned the latter, as he had questioned Leviatt.

"Nothin' doin'," returned Ferguson.

Leviatt now turned from the window. He spoke to Stafford, sneering. "Ben Radford's quite a piece away from where he's hangin' out," he said. He again turned to the window.

Ferguson's lips smiled, but his eyes narrowed. Stafford stiffened in his chair. He watched the stray-man's hands furtively, fearing the outcome of this meeting. But Ferguson's hands were nowhere near his guns. They were folded over his chest—lightly—the fingers of his right hand caressing his chin.

"You ridin' up the crick to-day?" he questioned of Leviatt. His tone was mild, yet there was a peculiar quality in it that hinted at hardness.

"No," answered Leviatt, without turning.

Ferguson began rolling a cigarette. When he had done this he lighted it and puffed slowly. "Well, now," he said, "that's mighty peculiar. I'd swore that I saw you over in Bear Flat."

Leviatt turned. "You've been pickin' posies too long with MaryRadford," he sneered.

Ferguson smiled. "Mebbe I have," he returned. "There's them that she'll let pick posies with her, an' them that she won't."

Leviatt's face crimsoned with anger. "I reckon if you hadn't been monkeyin' around too much with the girl, you'd have run across that dead Two Diamond cow an' the dogie that she left," he sneered.

Ferguson's lips straightened. "How far off was you standin' when that cow died?" he drawled.

A curse writhed through Leviatt's lips. "Why, you damned——"

"Don't!" warned Ferguson. He coolly stepped toward Leviatt, holding by the thongs the leather tobacco pouch from which he had obtained the tobacco to make his cigarette. When he had approached close to the range boss he held the pouch up before his eyes.

"I reckon you'd better have a smoke," he said quietly; "they say it's good for the nerves." He took a long pull at the cigarette. "It's pretty fair tobacco," he continued. "I found it about ten miles up the crick, on a ridge above a dry arroyo. I reckon it's your'n. It's got your initials on it."

The eyes of the two men met in a silent battle. Leviatt's were the first to waver. Then he reached out and took the pouch. "It's mine," he said shortly. Again he looked straight at Ferguson, his eyes carrying a silent message.

"You see anything else?" he questioned.

Ferguson smiled. "I ain't sayin' anything about anything else," he returned.

Thus, unsuspectingly, did Stafford watch and listen while these two men arranged to carry on their war man to man, neither asking any favor from the man who, with a word, might have settled it. With his reply that he wasn't "sayin' anything about anything else," Ferguson had told Leviatt that he had no intention of telling his suspicions to any man. Nor from this moment would Leviatt dare whisper a derogatory word into the manager's ear concerning Ferguson.

Now that Ferguson was satisfied beyond doubt that Leviatt had been concealed in the thicket above the bed of the arroyo where he had come upon the dead Two Diamond cow, there remained but one disturbing thought: who was the man he had seen riding along the ridge away from the arroyo? Until he discovered the identity of the rider he must remain absolutely in the dark concerning Leviatt's motive in concealing the name of this other actor in the incident. He was positive that Leviatt knew the rider, but he was equally positive that Leviatt would keep this knowledge to himself.

But on this morning he was not much disturbed over the mystery. Other things were troubling him. Would Miss Radford go riding with him? Would she change her mind over night?

As he rode he consulted his silver timepiece. She had told him not to come before ten. The hands of his watch pointed to ten thirty when he entered the flat, and it was near eleven when he rode up to the cabin door—to find Miss Radford—arrayed in riding skirt, dainty boots, gauntleted gloves, blouse, and soft felt hat—awaiting him at the door.

"You're late," she said, smiling as she came out upon the porch.

If he had been less wise he might have told her that she had told him not to come until after ten and that he had noticed that she had been waiting for him in spite of her apparent reluctance of yesterday. But he steered carefully away from this pitfall. He dismounted and threw the bridle rein over Mustard's head, coming around beside the porch.

"I wasn't thinkin' to hurry you, ma'am," he said. "But I reckon we'll go now. It's cert'nly a fine day for ridin'." He stood silent for a moment, looking about him. Then he flushed. "Why, I'm gettin' right box-headed, ma'am," he declared. "Here I am standin' an' makin' you sick with my palaver, an' your horse waitin' to be caught up."

He stepped quickly to Mustard's side and uncoiled his rope. She stood on the porch, watching him as he proceeded to the corral, caught the pony, and flung a bridle on it. Then he led the animal to the porch and cinched the saddle carefully. Throwing the reins over the pommel of the saddle, he stood at the animal's head, waiting.

She came to the edge of the porch, placed a slender, booted foot into the ox-bow stirrup, and swung gracefully up. In an instant he had vaulted into his own saddle, and together they rode out upon the gray-white floor of the flat.

They rode two miles, keeping near the fringe of cottonwoods, and presently mounted a long slope. Half an hour later Miss Radford looked back and saw the flat spread out behind, silent, vast, deserted, slumbering in the swimming white sunlight. A little later she looked again, and the flat was no longer there, for they had reached the crest of the slope and their trail had wound them round to a broad level, from which began another slope, several miles distant.

They had ridden for more than two hours, talking very little, when they reached the crest of the last rise and saw, spreading before them, a level many miles wide, stretching away in three directions. It was a grass plateau, but the grass was dry and drooping and rustled under the ponies' hoofs. There were no trees, but a post oak thicket skirted the southern edge, and it was toward this that he urged his pony. She followed, smiling to think that he was deceiving himself in believing that she had not yet explored this place.

They came close to the thicket, and he swung off his horse and stood at her stirrup.

"I was wantin' you to see the country from here," he said, as he helped her down. She watched him while he picketed the horses, so that they might not stray. Then they went together to the edge of the thicket, seating themselves in a welcome shade.

At their feet the plateau dropped sheer, as though cut with a knife, and a little way out from the base lay a narrow ribbon of water that flowed slowly in its rocky bed, winding around the base of a small hill, spreading over a shallow bottom, and disappearing between the buttes farther down.

Everything beneath them was distinguishable, though distant. Knobs rose here; there a flat spread. Mountains frowned in the distance, but so far away that they seemed like papier-mache shapes towering in a sea of blue. Like a map the country seemed as Miss Radford and Ferguson looked down upon it, yet a big map, over which one might wonder; more vast, more nearly perfect, richer in detail than any that could be evolved from the talents of man.

Ridges, valleys, gullies, hills, knobs, and draws were all laid out in a vast basin. Miss Radford's gaze swept down into a section of flat near the river.

"Why, there are some cattle down there!" she exclaimed.

"Sure," he returned; "they're Two Diamond. Way off there behind that ridge is where the wagon is." He pointed to a long range of flat hills that stretched several miles. "The boys that are workin' on the other side of that ridge can't see them cattle like we can. Looks plum re-diculous."

"There are no men with those cattle down there," she said, pointing to those below in the flat.

"No," he returned quietly; "they're all off on the other side of the ridge."

She smiled demurely at him. "Then we won't be interrupted—as we were yesterday," she said.

Did she know that this was why he had selected this spot for the end of the ride? He looked quickly at her, but answered slowly.

"They couldn't see us," he said. "If we was out in the open we'd be right on the skyline. Then anyone could see us. But we've got this thicket behind us, an' I reckon from down there we'd be pretty near invisible."

He turned around, clasping his hands about one knee and looking squarely at her. "I expect you done a heap with your book yesterday—after I went away?"

Her cheeks colored a little under his straight gaze.

"I didn't stay there long," she equivocated. "But I got some very good ideas, and I am glad that I didn't write much. I should have had to destroy it, because I have decided upon a different beginning. Ben made the trip to Dry Bottom yesterday, and last night he told something that had happened there that has given me some very good material for a beginning."

"That's awful interestin'," he observed. "So now you'll be able to start your book with somethin' that really happened?"

"Real and original," she returned, with a quick glance at him. "Ben told me that about a month ago some men had a shooting match in Dry Bottom. They used a can for a target, and one man kept it in the air until he put six bullet holes through it. Ben says he is pretty handy with his weapons, but he could never do that. He insists that few men can, and he is inclined to think that the man who did do it must have been a gunfighter. I suppose you have never tried it?"

Over his lips while she had been speaking had crept the slight mocking smile which always told better than words of the cold cynicism that moved him at times. Did she know anything? Did she suspect him? The smile masked an interest that illumined his eyes very slightly as he looked at her.

"I expect that is plum slick shootin'," he returned slowly. "But some men can do it. I've knowed them. But I ain't heard that it's been done lately in this here country. I reckon Ben told you somethin' of how this man looked?"

He had succeeded in putting the question very casually, and she had not caught the note of deep interest in his voice.

"Why it's very odd," she said, looking him over carefully; "from Ben's description I should assume that the man looked very like you!"

If her reply had startled him he gave little evidence of it. He sat perfectly quiet, gazing with steady eyes out over the big basin. For a time she sat silent also, her gaze following his. Then she turned.

"That would be odd, wouldn't it?" she said.

"What would?" he answered, not looking at her.

"Why, if youwerethe man who had done that shooting! It would follow out the idea of my plot perfectly. For in my story the hero is hired to shoot a supposed rustler, and of course he would have to be a good shot. And since Ben has told me the story of the shooting match I have decided that the hero in my story shall be tested in that manner before being employed to shoot the rustler. Then he comes to the supposed rustler's cabin and meets the heroine, in much the same manner that you came. Now if it should turn out that you were the man who did the shooting in Dry Bottom my story up to this point would be very nearly real. And that would be fine!"

She had allowed a little enthusiasm to creep into her voice, and he looked up at her quickly, a queer expression in his eyes.

"You goin' to have your 'two-gun' man bit by a rattler?" he questioned.

"Well, I don't know about that. It would make very little difference. But I should be delighted to find that you were the man who did the shooting over at Dry Bottom. Say that you are!"

Even now he could not tell whether there was subtlety in her voice The old doubt rose again in his mind. Was she really serious in saying that she intended putting all this in her story, or was this a ruse, concealing an ulterior purpose? Suppose she and her brother suspected him of being the man who had participated in the shooting match in Dry Bottom? Suppose the brother, or she, had invented this tale about the book to draw him out? He was moved to an inward humor, amused to think that either of them should imagine him shallow enough to be caught thus.

But what if they did catch him? Would they gain by it? They couldgain nothing, but the knowledge would serve to put them on their guard.But if she did suspect him, what use was there in evasion or denial?He smiled whimsically.

"I reckon your story is goin' to be real up to this point," he returned. "A while back I did shoot at a can in Dry Bottom."

She gave an exclamation of delight. "Now, isn't that marvelous? No one shall be able to say that my beginning will be strictly fiction." She leaned closer to him, her eyes alight with eagerness. "Now please don't say that you are the man who shot the can five times," she pleaded. "I shouldn't want my hero to be beaten at anything he undertook. But I know that you were not beaten. Were you?"

He smiled gravely. "I reckon I wasn't beat," he returned.

She sat back and surveyed him with satisfaction.

"I knew it," she stated, as though in her mind there had never existed any doubt of the fact. "Now," she said, plainly pleased over the result of her questioning, "I shall be able to proceed, entirely confident that my hero will be able to give a good account of himself in any situation."

Her eyes baffled him. He gave up watching her and turned to look at the world beneath him. He would have given much to know her thoughts. She had said that from her brother's description of the man who had won the shooting match at Dry Bottom she would assume that that man had looked very like him. Did her brother hold this opinion also?

Ferguson cared very little if he did. He was accustomed to danger, and he had gone into this business with his eyes open. And if Ben did know—— Unconsciously his lips straightened and his chin went forward slightly, giving his face an expression of hardness that made him look ten years older. Watching him, the girl drew a slow, full breath. It was a side of his character with which she was as yet unacquainted, and she marveled over it, comparing it to the side she already knew—the side that he had shown her—quiet, thoughtful, subtle. And now at a glance she saw him as men knew him—unyielding, unafraid, indomitable.

Yet there was much in this sudden revelation of character to admire. She liked a man whom other men respected for the very traits that his expression had revealed. No man would be likely to adopt an air of superiority toward him; none would attempt to trifle with him. She felt that she ought not to trifle, but moved by some unaccountable impulse, she laughed.

He turned his head at the laugh and looked quizzically at her.

"I hope you were not thinking of killing some one?" she taunted.

His right hand slowly clenched. Something metallic suddenly glinted his eyes, to be succeeded instantly by a slight mockery. "You afraid some one's goin' to be killed?" he inquired slowly.

"Well—no," she returned, startled by the question. "But you looked so—so determined that I—I thought——"

He suddenly seized her arm and drew her around so that she faced the little stretch of plain near the ridge about which they had been speaking previously. His lips were in straight lines again, his eyes gleaming interestedly.

"You see that man down there among them cattle?" he questioned.

Following his gaze, she saw a man among perhaps a dozen cattle. At the moment she looked the man had swung a rope, and she saw the loop fall true over the head of a cow the man had selected, saw the pony pivot and drag the cow prone. Then the man dismounted, ran swiftly to the side of the fallen cow, and busied himself about her hind legs.

"What is he doing?" she asked, a sudden excitement shining in her eyes.

"He's hog-tieing her now," returned Ferguson.

She knew what that meant. She had seen Ben throw cattle in this manner when he was branding them. "Hog-tieing" meant binding their hind legs with a short piece of rope to prevent struggling while the brand was being applied.

Apparently this was what the man was preparing to do. Smoke from a nearby fire curled lazily upward, and about this fire the man now worked—evidently turning some branding irons. He gave some little time to this, and while Miss Radford watched she heard Ferguson's voice again.

"I reckon we're goin' to see some fun pretty soon," he said quietly.

"Why?" she inquired quickly.

He smiled. "Do you see that man ridin' through that break on the ridge?" he asked, pointing the place out to her. She nodded, puzzled by his manner. He continued dryly.

"Well, if that man that's comin' through the break is what he ought to be he'll be shootin' pretty soon."

"Why?" she gasped, catching at his sleeve, "why should he shoot?"

He laughed again—grimly. "Well," he returned, "if a puncher ketches a rustler with the goods on he's got a heap of right to do some shootin'."

She shuddered. "And do you think that man among the cattle is a rustler?" she asked.

"Wait," he advised, peering intently toward the ridge. "Why," he continued presently, "there's another man ridin' this way. An' he's hidin' from the other—keepin' in the gullies an' the draws so's the first man can't see him if he looks back." He laughed softly. "It's plum re-diculous. Here we are, able to see all that's goin' on down there an' not able to take a hand in it. An' there's them three goin' ahead with what they're thinkin' about, not knowin' that we're watchin' them, an' two of them not knowin' that the third man is watchin'. I'd call that plum re-diculous."

The first man was still riding through the break in the ridge, coming boldly, apparently unconscious of the presence of the man among the cattle, who was well concealed from the first man's eyes by a rocky promontory at the corner of the break. The third man was not over an eighth of a mile behind the first man, and riding slowly and carefully. At the rate the first man was riding not five minutes would elapse before he would come out into the plain full upon the point where the man among the cattle was working at his fire.

Ferguson and Miss Radford watched the scene with interest. Plainly the first man was intruding. Or if not, he was the rustler's confederate and the third man was spying upon him. Miss Radford and Ferguson were to discover the key to the situation presently.

"Do you think that man among the cattle is a rustler?" questioned Miss Radford. In her excitement she had pressed very close to Ferguson and was clutching his arm very tightly.

"I reckon he is," returned Ferguson. "I ain't rememberin' that any ranch has cows that run the range unbranded; especially when the cow has got a calf, unless that cow is a maverick, an' that ain't likely, since she's runnin' with the Two Diamond bunch."

He leaned forward, for the man had left the fire and was running toward the fallen cow. Once at her side the man bent over her, pressing the hot irons against the bottoms of her hoofs. A thin wreath of smoke curled upward; the cow struggled.

Ferguson looked at Miss Radford. "Burnt her hoofs," he said shortly, "so she can't follow when he runs her calf off."

"The brute!" declared Miss Radford, her face paling with anger.

The man was fumbling with the rope that bound the cow's legs, when the first man rode around the edge of the break and came full upon him. From the distance at which Miss Radford and Ferguson watched they could not see the expression of either man's face, but they saw the rustler's right hand move downward; saw his pistol glitter in the sunlight.

But the pistol was not raised. The first man's pistol had appeared just a fraction of a second sooner, and they saw that it was poised, menacing the rustler.

For an instant the two men were motionless. Ferguson felt the grasp on his arm tighten, and he turned his head to see Miss Radford's face, pale and drawn; her eyes lifted to his with a slow, dawning horror in them.

"Oh!" she exclaimed. "They are going to shoot!" She withdrew her hand from Ferguson's arm and held it, with the other, to her ears, cringing away from the edge of the cliff. She waited, breathless, for—it seemed to her—the space of several minutes, her head turned from the men, her eyes closed for fear that she might, in the dread of the moment, look toward the plain. She kept telling herself that she would not turn, but presently, in spite of her determination, the suspense was too great, and she turned quickly and fearfully, expecting to see at least one riderless horse. That would have been horrible enough.

To her surprise both men still kept the positions that they had held when she had turned away. The newcomer's revolver still menaced the rustler. She looked up into Ferguson's face, to see a grim smile on it, to see his eyes, chilled and narrowed, fixed steadily upon the two horsemen.

"Oh!" she said, "is it over?"

Ferguson heard the question, and smiled mirthlessly without turning his head.

"I reckon it ain't over—yet," he returned. "But I expect it'll be over pretty soon, if that guy that's got his gun on the rustler don't get a move on right quick. That other guy is comin' around the corner of that break, an' if he's the rustler's friend that man with the gun will get his pretty rapid." His voice raised a trifle, a slightly anxious note in it.

"Why don't the damn fool turn around? He could see that last man now if he did. Now, what do you think of that?" Ferguson's voice was sharp and tense, and, in spite of herself, Miss Radford's gaze shifted again to the plains below her. Fascinated, her fear succumbing to the intense interest of the moment, she followed the movements of the trio.

From around the corner of the break the third man had ridden. He was not over a hundred feet from the man who had caught the rustler and he was walking his horse now. The watchers on the edge of the plateau could see that he had taken in the situation and was stealing upon the captor, who sat in his saddle, his back to the advancing rider.

Drawing a little closer, the third man stealthily dropped from his pony and crept forward. The significance of this movement dawned upon Miss Radford in a flash, and she again seized Ferguson's arm, tugging at it fiercely.

"Why, he's going to kill that man!" she cried. "Can't you do something? For mercy's sake do! Shout, or shoot off your pistol—do something to warn him!"

Ferguson flashed a swift glance at her, and she saw that his face wore a queer pallor. His expression had grown grimmer, but he smiled—a little sadly, she thought.

"It ain't a bit of use tryin' to do anything," he returned, his gaze again on the men. "We're two miles from them men an' a thousand feet above them. There ain't any pistol report goin' to stop what's goin' on down there. All we can do is to watch. Mebbe we can recognize one of them. . . . Shucks!"

The exclamation was called from him by a sudden movement on the part of the captor. The third man must have made a noise, for the captor turned sharply. At the instant he did so the rustler's pistol flashed in the sunlight.

The watchers on the plateau did not hear the report at once, and when they did it came to them only faintly—a slight sound which was barely distinguishable. But they saw a sudden spurt of flame and smoke. The captor reeled drunkenly in his saddle, caught blindly at the pommel, and then slid slowly down into the grass of the plains.

Ferguson drew a deep breath and, turning, looked sharply at Miss Radford. She had covered her face with her hands and was swaying dizzily. He was up from the rock in a flash and was supporting her, leading her away from the edge of the plateau. She went unresisting, her slender figure shuddering spasmodically, her hands still covering her face.

"Oh!" she exclaimed, as the horror of the scene rose in her mind. "The brutes! The brutes!"

Feeling that if he kept quiet she would recover from the shock of the incident sooner, Ferguson said nothing in reply to her outbreaks as he led her toward the ponies. For a moment after reaching them she leaned against her animal's shoulder, her face concealed from Ferguson by the pony's mane. Then he was at her side, speaking firmly.

"You must get away from here," he said, "I ought to have got you away before—before that happened."

She looked up, showing him a pair of wide, dry eyes, in which there was still a trace of horror. An expression of grave self-accusation shone in his.

"You were not to blame," she said dully. "You may have anticipated a meeting of those men, but you could not have foreseen the end. Oh!" She shuddered again. "To think of seeing a man deliberately murdered!"

"That's just what it was," he returned quietly; "just plain murder. They had him between them. He didn't have a chance. He was bound to get it from one or the other. Looks like they trapped him; run him down there on purpose." He held her stirrup.

"I reckon you've seen enough, ma'am," he added. "You'd better hop right on your horse an' get back to Bear Flat."

She shivered and raised her head, looking at him—a flash of fear in her eyes. "You are going down there!" she cried, her eyes dilating.

He laughed grimly. "I cert'nly am, ma'am," he returned. "You'd better go right off. I'm ridin' down there to see how bad that man is hit."

She started toward him, protesting. "Why, they will kill you, too!" she declared.

He laughed again, with a sudden grim humor. "There ain't any danger," he returned. "They've sloped."

Involuntarily she looked down. Far out on the plains, through the break in the ridge of hills, she could see two horsemen racing away.

"The cowards!" she cried, her voice shaking with anger. "To shoot a man in cold blood and then run!" She looked at Ferguson, her figure stiffening with decision.

"If you go down there I am going, too!" she declared. "He might need some help," she added, seeing the objection in his eyes, "and if he does I may be able to give it to him. You know," she continued, smiling wanly, "I have had some experience with sick people."

He said nothing more, but silently assisted her into the saddle and swung into his own. They urged the animals to a rapid pace, she following him eagerly.

It was a rough trail, leading through many gullies, around miniature hills, into bottoms where huge boulders and treacherous sand barred the way, along the face of dizzy cliffs, and through lava beds where the footing was uncertain and dangerous. But in an hour they were on the plains and riding toward the break in the ridge of hills, where the shooting had been done.

The man's pony had moved off a little and was grazing unconcernedly when they arrived. A brown heap in the grass told where the man lay, and presently Ferguson was down beside him, one of his limp wrists between his fingers. He stood up after a moment, to confront Miss Radford, who had fallen behind during the last few minutes of the ride. Ferguson's face was grave, and there was a light in his eyes that thrilled her for a moment as she looked at him.

"He ain't dead, ma'am," he said as he assisted her down from her pony."The bullet got him in the shoulder."

She caught a queer note in his voice—something approaching appeal.She looked swiftly at him, suspicious. "Do you know him?" she asked.

"I reckon I do, ma'am," he returned. "It's Rope Jones. Once he stood by me when he thought I needed a friend. If there's any chance I'm goin' to get him to your cabin—where you can take care of him till he gets over this—if he ever does."

She realized now how this tragedy had shocked her. She reeled and the world swam dizzily before her. Again she saw Ferguson dart forward, but she steadied herself and smiled reassuringly.

"It is merely the thought that I must now put my little knowledge to a severe test," she said. "It rather frightened me. I don't know whether anything can be done."

She succeeded in forcing herself to calmness and gave orders rapidly.

"Get something under his head," she commanded. "No, that will be too high," she added, as she saw Ferguson start to unbuckle the saddle cinch on his pony. "Raise his head only a very little. That round thing that you have fastened to your saddle (the slicker) would do very well. There. Now get some water!"

She was down beside the wounded man in another instant, cutting away a section of the shirt near the shoulder, with a knife that she had borrowed from Ferguson. The wound had not bled much and was lower than Ferguson had thought. But she gave it what care she could, and when Ferguson arrived with water—from the river, a mile away—she dressed the wound and applied water to Rope's forehead.


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