Inthe warmth of a late June morning the long shaded stretch of raked earth, gravel-walk and rhododendron bush that is known affectionately as the Row was alive with the monotonous movement and alert stagnation appropriate to the time and place. The seekers after health, the seekers after notoriety and recognition, and the lovers of good exercise were all well represented on the galloping ground; the gravel-walk and chairs and long seats held a population whose varied instincts and motives would have baffled a social catalogue-maker. The children, handled or in perambulators, might be excused from instinct or motive; they were brought.
Pleasingly conspicuous among a bunch of indifferent riders pacing along by the rails where the onlookers were thickest was Courtenay Youghal, on his handsome plum-roan gelding Anne de Joyeuse. That delicately stepping animal had taken a prize at Islington and nearly taken the life of a stable-boy of whom he disapproved, but his strongest claims to distinction were his good looks and his high opinion of himself. Youghal evidently believed in thorough accord between horse and rider.
“Please stop and talk to me,” said a quiet beckoning voice from the other side of the rails, and Youghal drew rein and greeted Lady Veula Croot. Lady Veula had married into a family of commercial solidity and enterprising political nonentity. She had a devoted husband, some blonde teachable children, and a look of unutterable weariness in her eyes. To see her standing at the top of an expensively horticultured staircase receiving her husband’s guests was rather like watching an animal performing on a music-hall stage.
One always tells oneself that the animal likes it, and one always knows that it doesn’t.
“Lady Veula is an ardent Free Trader, isn’t she?” someone once remarked to Lady Caroline.
“I wonder,” said Lady Caroline, in her gently questioning voice; “a woman whose dresses are made in Paris and whose marriage has been made in Heaven might be equally biassed for and against free imports.”
Lady Veula looked at Youghal and his mount with slow critical appraisement, and there was a note of blended raillery and wistfulness in her voice.
“You two dear things, I should love to stroke you both, but I’m not sure how Joyeuse would take it. So I’ll stroke you down verbally instead. I admired your attack on Sir Edward immensely, though of course I don’t agree with a word of it. Your description of him building a hedge round the German cuckoo and hoping he was isolating it was rather sweet. Seriously though, I regard him as one of the pillars of the Administration.”
“So do I,” said Youghal; “the misfortune is that he is merely propping up a canvas roof. It’s just his regrettable solidity and integrity that makes him so expensively dangerous. The average Briton arrives at the same judgment about Roan’s handling of foreign affairs as Omar does of the Supreme Being in his dealings with the world: He’s a good fellow and ’twill all be well.’”
Lady Veula laughed lightly. “My Party is in power so I may exercise the privilege of being optimistic. Who is that who bowed to you?” she continued, as a dark young man with an inclination to stoutness passed by them on foot; “I’ve seen him about a good deal lately. He’s been to one or two of my dances.”
“Andrei Drakoloff,” said Youghal; “he’s just produced a play that has had a big success in Moscow and is certain to be extremely popular all over Russia. In the first three acts the heroine is supposed to be dying of consumption; in the last act they find she is really dying of cancer.”
“Are the Russians really such a gloomy people?”
“Gloom-loving but not in the least gloomy. They merely take their sadness pleasurably, just as we are accused of taking our pleasures sadly. Have you noticed that dreadful Klopstock youth has been pounding past us at shortening intervals. He’ll come up and talk if he half catches your eye.”
“I only just know him. Isn’t he at an agricultural college or something of the sort?”
“Yes, studying to be a gentleman farmer, he told me. I didn’t ask if both subjects were compulsory.”
“You’re really rather dreadful,” said Lady Veula, trying to look as if she thought so; “remember, we are all equal in the sight of Heaven.”
For a preacher of wholesome truths her voice rather lacked conviction.
“If I and Ernest Klopstock are really equal in the sight of Heaven,” said Youghal, with intense complacency, “I should recommend Heaven to consult an eye specialist.”
There was a heavy spattering of loose earth, and a squelching of saddle-leather, as the Klopstock youth lumbered up to the rails and delivered himself of loud, cheerful greetings. Joyeuse laid his ears well back as the ungainly bay cob and his appropriately matched rider drew up beside him; his verdict was reflected and endorsed by the cold stare of Youghal’s eyes.
“I’ve been having a nailing fine time,” recounted the newcomer with clamorous enthusiasm; “I was over in Paris last month and had lots of strawberries there, then I had a lot more in London, and now I’ve been having a late crop of them in Herefordshire, so I’ve had quite a lot this year.” And he laughed as one who had deserved well and received well of Fate.
“The charm of that story,” said Youghal, “is that it can be told in any drawing-room.” And with a sweep of his wide-brimmed hat to Lady Veula he turned the impatient Joyeuse into the moving stream of horse and horsemen.
“That woman reminds me of some verse I’ve read and liked,” thought Youghal, as Joyeuse sprang into a light showy canter that gave full recognition to the existence of observant human beings along the side walk. “Ah, I have it.”
And he quoted almost aloud, as one does in the exhilaration of a canter:
“How much I loved that way you hadOf smiling most, when very sad,A smile which carried tender hintsOf sun and spring,And yet, more than all other thing,Of weariness beyond all words.”
“How much I loved that way you hadOf smiling most, when very sad,A smile which carried tender hintsOf sun and spring,And yet, more than all other thing,Of weariness beyond all words.”
And having satisfactorily fitted Lady Veula on to a quotation he dismissed her from his mind. With the constancy of her sex she thought about him, his good looks and his youth and his railing tongue, till late in the afternoon.
While Youghal was putting Joyeuse through his paces under the elm trees of the Row a little drama in which he was directly interested was being played out not many hundred yards away. Elaine and Comus were indulging themselves in two pennyworths of Park chair, drawn aside just a little from the serried rows of sitters who were set out like bedded plants over an acre or so of turf. Comus was, for the moment, in a mood of pugnacious gaiety, disbursing a fund of pointed criticism and unsparing anecdote concerning those of the promenaders or loungers whom he knew personally or by sight. Elaine was rather quieter than usual, and the grave serenity of the Leonardo da Vinci portrait seemed intensified in her face this morning. In his leisurely courtship Comus had relied almost exclusively on his physical attraction and the fitful drollery of his wit and high spirits, and these graces had gone far to make him seem a very desirable and rather lovable thing in Elaine’s eyes. But he had left out of account the disfavour which he constantly risked and sometimes incurred from his frank and undisguised indifference to other people’s interests and wishes, including, at times, Elaine’s. And the more that she felt that she liked him the more she was irritated by his lack of consideration for her. Without expecting that her every wish should become a law to him she would at least have liked it to reach the formality of a Second Reading. Another important factor he had also left out of his reckoning, namely the presence on the scene of another suitor, who also had youth and wit to recommend him, and who certainly did not lack physical attractions. Comus, marching carelessly through unknown country to effect what seemed already an assured victory, made the mistake of disregarding the existence of an unbeaten army on his flank.
To-day Elaine felt that, without having actually quarrelled, she and Comus had drifted a little bit out of sympathy with one another. The fault she knew was scarcely hers, in fact from the most good-natured point of view it could hardly be denied that it was almost entirely his. The incident of the silver dish had lacked even the attraction of novelty; it had been one of a series, all bearing a strong connecting likeness. There had been small unrepaid loans which Elaine would not have grudged in themselves, though the application for them brought a certain qualm of distaste; with the perversity which seemed inseparable from his doings, Comus had always flung away a portion of his borrowings in some ostentatious piece of glaring and utterly profitless extravagance, which outraged all the canons of her upbringing without bringing him an atom of understandable satisfaction. Under these repeated discouragements it was not surprising that some small part of her affection should have slipped away, but she had come to the Park that morning with an unconfessed expectation of being gently wooed back to the mood of gracious forgetfulness that she was only too eager to assume. It was almost worth while being angry with Comus for the sake of experiencing the pleasure of being coaxed into friendliness again with the charm which he knew so well how to exert. It was delicious here under the trees on this perfect June morning, and Elaine had the blessed assurance that most of the women within range were envying her the companionship of the handsome merry-hearted youth who sat by her side. With special complacence she contemplated her cousin Suzette, who was self-consciously but not very elatedly basking in the attentions of her fiancé, an earnest-looking young man who was superintendent of a People’s something-or-other on the south side of the river, and whose clothes Comus had described as having been made in Southwark rather than in anger.
Most of the pleasures in life must be paid for, and the chair-ticket vendor in due time made his appearance in quest of pennies.
Comus paid him from out of a varied assortment of coins and then balanced the remainder in the palm of his hand. Elaine felt a sudden foreknowledge of something disagreeable about to happen and a red spot deepened in her cheeks.
“Four shillings and fivepence and a half-penny,” said Comus, reflectively. “It’s a ridiculous sum to last me for the next three days, and I owe a card debt of over two pounds.”
“Yes?” commented Elaine dryly and with an apparent lack of interest in his exchequer statement. Surely, she was thinking hurriedly to herself, he could not be foolish enough to broach the matter of another loan.
“The card debt is rather a nuisance,” pursued Comus, with fatalistic persistency.
“You won seven pounds last week, didn’t you?” asked Elaine; “don’t you put by any of your winnings to balance losses?”
“The four shillings and the fivepence and the half-penny represent the rearguard of the seven pounds,” said Comus; “the rest have fallen by the way. If I can pay the two pounds to-day I daresay I shall win something more to go on with; I’m holding rather good cards just now. But if I can’t pay it of course I shan’t show up at the club. So you see the fix I am in.”
Elaine took no notice of this indirect application. The Appeal Court was assembling in haste to consider new evidence, and this time there was the rapidity of sudden determination about its movement.
The conversation strayed away from the fateful topic for a few moments and then Comus brought it deliberately back to the danger zone.
“It would be awfully nice if you would let me have a fiver for a few days, Elaine,” he said quickly; “if you don’t I really don’t know what I shall do.”
“If you are really bothered about your card debt I will send you the two pounds by messenger boy early this afternoon.” She spoke quietly and with great decision. “And I shall not be at the Connor’s dance to-night,” she continued; “it’s too hot for dancing. I’m going home now; please don’t bother to accompany me, I particularly wish to go alone.”
Comus saw that he had overstepped the mark of her good nature. Wisely he made no immediate attempt to force himself back into her good graces. He would wait till her indignation had cooled.
His tactics would have been excellent if he had not forgotten that unbeaten army on his flank.
Elaine de Frey had known very clearly what qualities she had wanted in Comus, and she had known, against all efforts at self-deception, that he fell far short of those qualities. She had been willing to lower her standard of moral requirements in proportion as she was fond of the boy, but there was a point beyond which she would not go. He had hurt her pride besides alarming her sense of caution.
Suzette, on whom she felt a thoroughly justified tendency to look down, had at any rate an attentive and considerate lover. Elaine walked towards the Park gates feeling that in one essential Suzette possessed something that had been denied to her, and at the gates she met Joyeuse and his spruce young rider preparing to turn homeward.
“Get rid of Joyeuse and come and take me out to lunch somewhere,” demanded Elaine.
“How jolly,” said Youghal. “Let’s go to the Corridor Restaurant. The head waiter there is an old Viennese friend of mine and looks after me beautifully. I’ve never been there with a lady before, and he’s sure to ask me afterwards, in his fatherly way, if we’re engaged.”
The lunch was a success in every way. There was just enough orchestral effort to immerse the conversation without drowning it, and Youghal was an attentive and inspired host. Through an open doorway Elaine could see the café reading-room, with its imposing array ofNeue Freie Presse,Berliner Tageblatt, and other exotic newspapers hanging on the wall. She looked across at the young man seated opposite her, who gave one the impression of having centred the most serious efforts of his brain on his toilet and his food, and recalled some of the flattering remarks that the press had bestowed on his recent speeches.
“Doesn’t it make you conceited, Courtenay,” she asked, “to look at all those foreign newspapers hanging there and know that most of them have got paragraphs and articles about your Persian speech?”
Youghal laughed.
“There’s always a chastening corrective in the thought that some of them may have printed your portrait. When once you’ve seen your features hurriedly reproduced in theMatin, for instance, you feel you would like to be a veiled Turkish woman for the rest of your life.”
And Youghal gazed long and lovingly at his reflection in the nearest mirror, as an antidote against possible incitements to humility in the portrait gallery of fame.
Elaine felt a certain soothed satisfaction in the fact that this young man, whose knowledge of the Middle East was an embarrassment to Ministers at question time and in debate, was showing himself equally well-informed on the subject of her culinary likes and dislikes. If Suzette could have been forced to attend as a witness at a neighbouring table she would have felt even happier.
“Did the head waiter ask if we were engaged?” asked Elaine, when Courtenay had settled the bill, and she had finished collecting her sunshade and gloves and other impedimenta from the hands of obsequious attendants.
“Yes,” said Youghal, “and he seemed quite crestfallen when I had to say ‘no.’”
“It would be horrid to disappoint him when he’s looked after us so charmingly,” said Elaine; “tell him that we are.”
TheRutland Galleries were crowded, especially in the neighbourhood of the tea-buffet, by a fashionable throng of art-patrons which had gathered to inspect Mervyn Quentock’s collection of Society portraits. Quentock was a young artist whose abilities were just receiving due recognition from the critics; that the recognition was not overdue he owed largely to his perception of the fact that if one hides one’s talent under a bushel one must be careful to point out to everyone the exact bushel under which it is hidden. There are two manners of receiving recognition: one is to be discovered so long after one’s death that one’s grandchildren have to write to the papers to establish their relationship; the other is to be discovered, like the infant Moses, at the very outset of one’s career. Mervyn Quentock had chosen the latter and happier manner. In an age when many aspiring young men strive to advertise their wares by imparting to them a freakish imbecility, Quentock turned out work that was characterised by a pleasing delicate restraint, but he contrived to herald his output with a certain fanfare of personal eccentricity, thereby compelling an attention which might otherwise have strayed past his studio. In appearance he was the ordinary cleanly young Englishman, except, perhaps, that his eyes rather suggested a library edition of the Arabian Nights; his clothes matched his appearance and showed no taint of the sartorial disorder by which the bourgeois of the garden-city and the Latin Quarter anxiously seeks to proclaim his kinship with art and thought. His eccentricity took the form of flying in the face of some of the prevailing social currents of the day, but as a reactionary, never as a reformer. He produced a gasp of admiring astonishment in fashionable circles by refusing to paint actresses—except, of course, those who had left the legitimate drama to appear between the boards of Debrett. He absolutely declined to execute portraits of Americans unless they hailed from certain favoured States. His “water-colour-line,” as a New York paper phrased it, earned for him a crop of angry criticisms and a shoal of Transatlantic commissions, and criticism and commissions were the things that Quentock most wanted.
“Of course he is perfectly right,” said Lady Caroline Benaresq, calmly rescuing a piled-up plate of caviare sandwiches from the neighbourhood of a trio of young ladies who had established themselves hopefully within easy reach of it. “Art,” she continued, addressing herself to the Rev. Poltimore Vardon, “has always been geographically exclusive. London may be more important from most points of view than Venice, but the art of portrait painting, which would never concern itself with a Lord Mayor, simply grovels at the feet of the Doges. As a Socialist I’m bound to recognise the right of Ealing to compare itself with Avignon, but one cannot expect the Muses to put the two on a level.”
“Exclusiveness,” said the Reverend Poltimore, “has been the salvation of Art, just as the lack of it is proving the downfall of religion. My colleagues of the cloth go about zealously proclaiming the fact that Christianity, in some form or other, is attracting shoals of converts among all sorts of races and tribes, that one had scarcely ever heard of, except in reviews of books of travel that one never read. That sort of thing was all very well when the world was more sparsely populated, but nowadays, when it simply teems with human beings, no one is particularly impressed by the fact that a few million, more or less, of converts, of a low stage of mental development, have accepted the teachings of some particular religion. It not only chills one’s enthusiasm, it positively shakes one’s convictions when one hears that the things one has been brought up to believe as true are being very favourably spoken of by Buriats and Samoyeds and Kanakas.”
The Rev. Poltimore Vardon had once seen a resemblance in himself to Voltaire, and had lived alongside the comparison ever since.
“No modern cult or fashion,” he continued, “would be favourably influenced by considerations based on statistics; fancy adopting a certain style of hat or cut of coat, because it was being largely worn in Lancashire and the Midlands; fancy favouring a certain brand of champagne because it was being extensively patronised in German summer resorts. No wonder that religion is falling into disuse in this country under such ill-directed methods.”
“You can’t prevent the heathen being converted if they choose to be,” said Lady Caroline; “this is an age of toleration.”
“You could always deny it,” said the Rev. Poltimore, “like the Belgians do with regrettable occurrences in the Congo. But I would go further than that. I would stimulate the waning enthusiasm for Christianity in this country by labelling it as the exclusive possession of a privileged few. If one could induce the Duchess of Pelm, for instance, to assert that the Kingdom of Heaven, as far as the British Isles are concerned, is strictly limited to herself, two of the under-gardeners at Pelmby, and, possibly, but not certainly, the Dean of Dunster, there would be an instant reshaping of the popular attitude towards religious convictions and observances. Once let the idea get about that the Christian Church is rather more exclusive than the Lawn at Ascot, and you would have a quickening of religious life such as this generation has never witnessed. But as long as the clergy and the religious organisations advertise their creed on the lines of ‘Everybody ought to believe in us: millions do,’ one can expect nothing but indifference and waning faith.”
“Time is just as exclusive in its way as Art,” said Lady Caroline.
“In what way?” said the Reverend Poltimore.
“Your pleasantries about religion would have sounded quite clever and advanced in the early ’nineties. To-day they have a dreadfully warmed-up flavour. That is the great delusion of you would-be advanced satirists; you imagine you can sit down comfortably for a couple of decades saying daring and startling things about the age you live in, which, whatever other defects it may have, is certainly not standing still. The whole of the Sherard Blaw school of discursive drama suggests, to my mind, Early Victorian furniture in a travelling circus. However, you will always have relays of people from the suburbs to listen to the Mocking Bird of yesterday, and sincerely imagine it is the harbinger of something new and revolutionising.”
“Wouldyou mind passing that plate of sandwiches,” asked one of the trio of young ladies, emboldened by famine.
“With pleasure,” said Lady Caroline, deftly passing her a nearly empty plate of bread-and-butter.
“I meant the place of caviare sandwiches. So sorry to trouble you,” persisted the young lady.
Her sorrow was misapplied; Lady Caroline had turned her attention to a newcomer.
“A very interesting exhibition,” Ada Spelvexit was saying; “faultless technique, as far as I am a judge of technique, and quite a master-touch in the way of poses. But have you noticed how very animal his art is? He seems to shut out the soul from his portraits. I nearly cried when I saw dear Winifred depicted simply as a good-looking healthy blonde.”
“I wish you had,” said Lady Caroline; “the spectacle of a strong, brave woman weeping at a private view in the Rutland Galleries would have been so sensational. It would certainly have been reproduced in the next Drury Lane drama. And I’m so unlucky; I never see these sensational events. I was ill with appendicitis, you know, when Lulu Braminguard dramatically forgave her husband, after seventeen years of estrangement, during a State luncheon party at Windsor. The old queen was furious about it. She said it was so disrespectful to the cook to be thinking of such a thing at such a time.”
Lady Caroline’s recollections of things that hadn’t happened at the Court of Queen Victoria were notoriously vivid; it was the very widespread fear that she might one day write a book of reminiscences that made her so universally respected.
“As for his full-length picture of Lady Brickfield,” continued Ada, ignoring Lady Caroline’s commentary as far as possible, “all the expression seems to have been deliberately concentrated in the feet; beautiful feet, no doubt, but still, hardly the most distinctive part of a human being.”
“To paint the right people at the wrong end may be an eccentricity, but it is scarcely an indiscretion,” pronounced Lady Caroline.
One of the portraits which attracted more than a passing flutter of attention was a costume study of Francesca Bassington. Francesca had secured some highly desirable patronage for the young artist, and in return he had enriched her pantheon of personal possessions with a clever piece of work into which he had thrown an unusual amount of imaginative detail. He had painted her in a costume of the great Louis’s brightest period, seated in front of a tapestry that was so prominent in the composition that it could scarcely be said to form part of the background. Flowers and fruit, in exotic profusion, were its dominant note; quinces, pomegranates, passion-flowers, giant convolvulus, great mauve-pink roses, and grapes that were already being pressed by gleeful cupids in a riotous Arcadian vintage, stood out on its woven texture. The same note was struck in the beflowered satin of the lady’s kirtle, and in the pomegranate pattern of the brocade that draped the couch on which she was seated. The artist had called his picture “Recolte.” And after one had taken in all the details of fruit and flower and foliage that earned the composition its name, one noted the landscape that showed through a broad casement in the left-hand corner. It was a landscape clutched in the grip of winter, naked, bleak, black-frozen; a winter in which things died and knew no rewakening. If the picture typified harvest, it was a harvest of artificial growth.
“It leaves a great deal to the imagination, doesn’t it?” said Ada Spelvexit, who had edged away from the range of Lady Caroline’s tongue.
“At any rate one can tell who it’s meant for,” said Serena Golackly.
“Oh, yes, it’s a good likeness of dear Francesca,” admitted Ada; “of course, it flatters her.”
“That, too, is a fault on the right side in portrait painting,” said Serena; “after all, if posterity is going to stare at one for centuries it’s only kind and reasonable to be looking just a little better than one’s best.”
“What a curiously unequal style the artist has,” continued Ada, almost as if she felt a personal grievance against him; “I was just noticing what a lack of soul there was in most of his portraits. Dear Winifred, you know, who speaks so beautifully and feelingly at my gatherings for old women, he’s made her look just an ordinary dairy-maidish blonde; and Francesca, who is quite the most soulless woman I’ve ever met, well, he’s given her quite—”
“Hush,” said Serena, “the Bassington boy is just behind you.”
Comus stood looking at the portrait of his mother with the feeling of one who comes suddenly across a once-familiar half-forgotten acquaintance in unfamiliar surroundings. The likeness was undoubtedly a good one, but the artist had caught an expression in Francesca’s eyes which few people had ever seen there. It was the expression of a woman who had forgotten for one short moment to be absorbed in the small cares and excitements of her life, the money worries and little social plannings, and had found time to send a look of half-wistful friendliness to some sympathetic companion. Comus could recall that look, fitful and fleeting, in his mother’s eyes when she had been a few years younger, before her world had grown to be such a committee-room of ways and means. Almost as a re-discovery he remembered that she had once figured in his boyish mind as a “rather good sort,” more ready to see the laughable side of a piece of mischief than to labour forth a reproof. That the bygone feeling of good fellowship had been stamped out was, he knew, probably in great part his own doing, and it was possible that the old friendliness was still there under the surface of things, ready to show itself again if he willed it, and friends were becoming scarcer with him than enemies in these days. Looking at the picture with its wistful hint of a long ago comradeship, Comus made up his mind that he very much wanted things to be back on their earlier footing, and to see again on his mother’s face the look that the artist had caught and perpetuated in its momentary flitting. If the projected Elaine-marriage came off, and in spite of recent maladroit behaviour on his part he still counted it an assured thing, much of the immediate cause for estrangement between himself and his mother would be removed, or at any rate, easily removable. With the influence of Elaine’s money behind him he promised himself that he would find some occupation that would remove from himself the reproach of being a waster and idler. There were lots of careers, he told himself, that were open to a man with solid financial backing and good connections. There might yet be jolly times ahead, in which his mother would have her share of the good things that were going, and carking thin-lipped Henry Greech and other of Comus’s detractors could take their sour looks and words out of sight and hearing. Thus, staring at the picture as though he were studying its every detail, and seeing really only that wistful friendly smile, Comus made his plans and dispositions for a battle that was already fought and lost.
The crowd grew thicker in the galleries, cheerfully enduring an amount of overcrowding that would have been fiercely resented in a railway carriage. Near the entrance Mervyn Quentock was talking to a Serene Highness, a lady who led a life of obtrusive usefulness, largely imposed on her by a good-natured inability to say “No.” “That woman creates a positive draught with the number of bazaars she opens,” a frivolously-spoken ex-Cabinet Minister had once remarked. At the present moment she was being whimsically apologetic.
“When I think of the legions of well-meaning young men and women to whom I’ve given away prizes for proficiency in art-school curriculum, I feel that I ought not to show my face inside a picture gallery. I always imagine that my punishment in another world will be perpetually sharpening pencils and cleaning palettes for unending relays of misguided young people whom I deliberately encouraged in their artistic delusions.”
“Do you suppose we shall all get appropriate punishments in another world for our sins in this?” asked Quentock.
“Not so much for our sins as for our indiscretions; they are the things which do the most harm and cause the greatest trouble. I feel certain that Christopher Columbus will undergo the endless torment of being discovered by parties of American tourists. You see I am quite old fashioned in my ideas about the terrors and inconveniences of the next world. And now I must be running away; I’ve got to open a Free Library somewhere. You know the sort of thing that happens—one unveils a bust of Carlyle and makes a speech about Ruskin, and then people come in their thousands and read ‘Rabid Ralph, or Should he have Bitten Her?’ Don’t forget, please, I’m going to have the medallion with the fat cupid sitting on a sundial. And just one thing more—perhaps I ought not to ask you, but you have such nice kind eyes, you embolden one to make daring requests, would you send me the recipe for those lovely chestnut-and-chicken-liver sandwiches? I know the ingredients of course, but it’s the proportions that make such a difference—just how much liver to how much chestnut, and what amount of red pepper and other things. Thank you so much. I really am going now.”
Staring round with a vague half-smile at everybody within nodding distance, Her Serene Highness made one of her characteristic exits, which Lady Caroline declared always reminded her of a scrambled egg slipping off a piece of toast. At the entrance she stopped for a moment to exchange a word or two with a young man who had just arrived. From a corner where he was momentarily hemmed in by a group of tea-consuming dowagers, Comus recognised the newcomer as Courtenay Youghal, and began slowly to labour his way towards him. Youghal was not at the moment the person whose society he most craved for in the world, but there was at least the possibility that he might provide an opportunity for a game of bridge, which was the dominant desire of the moment. The young politician was already surrounded by a group of friends and acquaintances, and was evidently being made the recipient of a salvo of congratulation—presumably on his recent performances in the Foreign Office debate, Comus concluded. But Youghal himself seemed to be announcing the event with which the congratulations were connected. Had some dramatic catastrophe overtaken the Government, Comus wondered. And then, as he pressed nearer, a chance word, the coupling of two names, told him the news.
Afterthe momentous lunch at the Corridor Restaurant Elaine had returned to Manchester Square (where she was staying with one of her numerous aunts) in a frame of mind that embraced a tangle of competing emotions. In the first place she was conscious of a dominant feeling of relief; in a moment of impetuosity, not wholly uninfluenced by pique, she had settled the problem which hours of hard thinking and serious heart-searching had brought no nearer to solution, and, although she felt just a little inclined to be scared at the headlong manner of her final decision, she had now very little doubt in her own mind that the decision had been the right one. In fact the wonder seemed rather that she should have been so long in doubt as to which of her wooers really enjoyed her honest approval. She had been in love, these many weeks past with an imaginary Comus, but now that she had definitely walked out of her dreamland she saw that nearly all the qualities that had appealed to her on his behalf had been absent from, or only fitfully present in, the character of the real Comus. And now that she had installed Youghal in the first place of her affections he had rapidly acquired in her eyes some of the qualities which ranked highest in her estimation. Like the proverbial buyer she had the happy feminine tendency of magnifying the worth of her possession as soon as she had acquired it. And Courtenay Youghal gave Elaine some justification for her sense of having chosen wisely. Above all other things, selfish and cynical though he might appear at times, he was unfailingly courteous and considerate towards her. That was a circumstance which would always have carried weight with her in judging any man; in this case its value was enormously heightened by contrast with the behaviour of her other wooer. And Youghal had in her eyes the advantage which the glamour of combat, even the combat of words and wire-pulling, throws over the fighter. He stood well in the forefront of a battle which however carefully stage-managed, however honeycombed with personal insincerities and overlaid with calculated mock-heroics, really meant something, really counted for good or wrong in the nation’s development and the world’s history. Shrewd parliamentary observers might have warned her that Youghal would never stand much higher in the political world than he did at present, as a brilliant Opposition freelance, leading lively and rather meaningless forays against the dull and rather purposeless foreign policy of a Government that was scarcely either to be blamed for or congratulated on its handling of foreign affairs. The young politician had not the strength of character or convictions that keeps a man naturally in the forefront of affairs and gives his counsels a sterling value, and on the other hand his insincerity was not deep enough to allow him to pose artificially and successfully as a leader of men and shaper of movements. For the moment, however, his place in public life was sufficiently marked out to give him a secure footing in that world where people are counted individually and not in herds. The woman whom he would make his wife would have the chance, too, if she had the will and the skill, to become an individual who counted.
There was balm to Elaine in this reflection, yet it did not wholly suffice to drive out the feeling of pique which Comus had called into being by his slighting view of her as a convenient cash supply in moments of emergency. She found a certain satisfaction in scrupulously observing her promise, made earlier on that eventful day, and sent off a messenger with the stipulated loan. Then a reaction of compunction set in, and she reminded herself that in fairness she ought to write and tell her news in as friendly a fashion as possible to her dismissed suitor before it burst upon him from some other quarter. They had parted on more or less quarrelling terms it was true, but neither of them had foreseen the finality of the parting nor the permanence of the breach between them; Comus might even now be thinking himself half-forgiven, and the awakening would be rather cruel. The letter, however, did not prove an easy one to write; not only did it present difficulties of its own but it suffered from the competing urgency of a desire to be doing something far pleasanter than writing explanatory and valedictory phrases. Elaine was possessed with an unusual but quite overmastering hankering to visit her cousin Suzette Brankley. They met but rarely at each other’s houses and very seldom anywhere else, and Elaine for her part was never conscious of feeling that their opportunities for intercourse lacked anything in the way of adequacy. Suzette accorded her just that touch of patronage which a moderately well-off and immoderately dull girl will usually try to mete out to an acquaintance who is known to be wealthy and suspected of possessing brains. In return Elaine armed herself with that particular brand of mock humility which can be so terribly disconcerting if properly wielded. No quarrel of any description stood between them and one could not legitimately have described them as enemies, but they never disarmed in one another’s presence. A misfortune of any magnitude falling on one of them would have been sincerely regretted by the other, but any minor discomfiture would have produced a feeling very much akin to satisfaction. Human nature knows millions of these inconsequent little feuds, springing up and flourishing apart from any basis of racial, political, religious or economic causes, as a hint perhaps to crass unseeing altruists that enmity has its place and purpose in the world as well as benevolence.
Elaine had not personally congratulated Suzette since the formal announcement of her engagement to the young man with the dissentient tailoring effects. The impulse to go and do so now, overmastered her sense of what was due to Comus in the way of explanation. The letter was still in its blank unwritten stage, an unmarshalled sequence of sentences forming in her brain, when she ordered her car and made a hurried but well-thought-out change into her most sumptuously sober afternoon toilette. Suzette, she felt tolerably sure, would still be in the costume that she had worn in the Park that morning, a costume that aimed at elaboration of detail, and was damned with overmuch success.
Suzette’s mother welcomed her unexpected visitor with obvious satisfaction. Her daughter’s engagement, she explained, was not so brilliant from the social point of view as a girl of Suzette’s attractions and advantages might have legitimately aspired to, but Egbert was a thoroughly commendable and dependable young man, who would very probably win his way before long to membership of the County Council.
“From there, of course, the road would be open to him to higher things.”
“Yes,” said Elaine, “he might become an alderman.”
“Have you seen their photographs, taken together?” asked Mrs. Brankley, abandoning the subject of Egbert’s prospective career.
“No, do show me,” said Elaine, with a flattering show of interest; “I’ve never seen that sort of thing before. It used to be the fashion once for engaged couples to be photographed together, didn’t it?”
“It’sverymuch the fashion now,” said Mrs. Brankley assertively, but some of the complacency had filtered out of her voice. Suzette came into the room, wearing the dress that she had worn in the Park that morning.
“Of course, you’ve been hearing all abouttheengagement from mother,” she cried, and then set to work conscientiously to cover the same ground.
“We met at Grindelwald, you know. He always calls me his Ice Maiden because we first got to know each other on the skating rink. Quite romantic, wasn’t it? Then we asked him to tea one day, and we got to be quite friendly. Then he proposed.”
“He wasn’t the only one who was smitten with Suzette,” Mrs. Brankley hastened to put in, fearful lest Elaine might suppose that Egbert had had things all his own way. “There was an American millionaire who was quite taken with her, and a Polish count of a very old family. I assure you I felt quite nervous at some of our tea-parties.”
Mrs. Brankley had given Grindelwald a sinister but rather alluring reputation among a large circle of untravelled friends as a place where the insolence of birth and wealth was held in precarious check from breaking forth into scenes of savage violence.
“My marriage with Egbert will, of course, enlarge the sphere of my life enormously,” pursued Suzette.
“Yes,” said Elaine; her eyes were rather remorselessly taking in the details of her cousin’s toilette. It is said that nothing is sadder than victory except defeat. Suzette began to feel that the tragedy of both was concentrated in the creation which had given her such unalloyed gratification, till Elaine had come on the scene.
“A woman can be so immensely helpful in the social way to a man who is making a career for himself. And I’m so glad to find that we’ve a great many ideas in common. We each made out a list of our idea of the hundred best books, and quite a number of them were the same.”
“He looks bookish,” said Elaine, with a critical glance at the photograph.
“Oh, he’s not at all a bookworm,” said Suzette quickly, “though he’s tremendously well-read. He’s quite the man of action.”
“Does he hunt?” asked Elaine.
“No, he doesn’t get much time or opportunity for riding.”
“What a pity,” commented Elaine; “I don’t think I could marry a man who wasn’t fond of riding.”
“Of course that’s a matter of taste,” said Suzette, stiffly; “horsey men are not usually gifted with overmuch brains, are they?”
“There is as much difference between a horseman and a horsey man as there is between a well-dressed man and a dressy one,” said Elaine, judicially; “and you may have noticed how seldom a dressy woman really knows how to dress. As an old lady of my acquaintance observed the other day, some people are born with a sense of how to clothe themselves, others acquire it, others look as if their clothes had been thrust upon them.”
She gave Lady Caroline her due quotation marks, but the sudden tactfulness with which she looked away from her cousin’s frock was entirely her own idea.
A young man entering the room at this moment caused a diversion that was rather welcome to Suzette.
“Here comes Egbert,” she announced, with an air of subdued triumph; it was at least a satisfaction to be able to produce the captive of her charms, alive and in good condition, on the scene. Elaine might be as critical as she pleased, but a live lover outweighed any number of well-dressed straight-riding cavaliers who existed only as a distant vision of the delectable husband.
Egbert was one of those men who have no small talk, but possess an inexhaustible supply of the larger variety. In whatever society he happened to be, and particularly in the immediate neighbourhood of an afternoon-tea table, with a limited audience of womenfolk, he gave the impression of someone who was addressing a public meeting, and would be happy to answer questions afterwards. A suggestion of gas-lit mission-halls, wet umbrellas, and discreet applause seemed to accompany him everywhere. He was an exponent, among other things, of what he called New Thought, which seemed to lend itself conveniently to the employment of a good deal of rather stale phraseology. Probably in the course of some thirty odd years of existence he had never been of any notable use to man, woman, child or animal, but it was his firmly-announced intention to leave the world a better, happier, purer place than he had found it; against the danger of any relapse to earlier conditions after his disappearance from the scene, he was, of course, powerless to guard. ’Tis not in mortals to insure succession, and Egbert was admittedly mortal.
Elaine found him immensely entertaining, and would certainly have exerted herself to draw him out if such a proceeding had been at all necessary. She listened to his conversation with the complacent appreciation that one bestows on a stage tragedy, from whose calamities one can escape at any moment by the simple process of leaving one’s seat. When at last he checked the flow of his opinions by a hurried reference to his watch, and declared that he must be moving on elsewhere, Elaine almost expected a vote of thanks to be accorded him, or to be asked to signify herself in favour of some resolution by holding up her hand.
When the young man had bidden the company a rapid business-like farewell, tempered in Suzette’s case by the exact degree of tender intimacy that it would have been considered improper to omit or overstep, Elaine turned to her expectant cousin with an air of cordial congratulation.
“He is exactly the husband I should have chosen for you, Suzette.”
For the second time that afternoon Suzette felt a sense of waning enthusiasm for one of her possessions.
Mrs. Brankley detected the note of ironical congratulation in her visitor’s verdict.
“I suppose she means he’s not her idea of a husband, but, he’s good enough for Suzette,” she observed to herself, with a snort that expressed itself somewhere in the nostrils of the brain. Then with a smiling air of heavy patronage she delivered herself of her one idea of a damaging counter-stroke.
“And when are we to hear of your engagement, my dear?”
“Now,” said Elaine quietly, but with electrical effect; “I came to announce it to you but I wanted to hear all about Suzette first. It will be formally announced in the papers in a day or two.”
“But who is it? Is it the young man who was with you in the Park this morning?” asked Suzette.
“Let me see, who was I with in the Park this morning? A very good-looking dark boy? Oh no, not Comus Bassington. Someone you know by name, anyway, and I expect you’ve seen his portrait in the papers.”
“A flying-man?” asked Mrs. Brankley.
“Courtenay Youghal,” said Elaine.
Mrs. Brankley and Suzette had often rehearsed in the privacy of their minds the occasion when Elaine should come to pay her personal congratulations to her engaged cousin. It had never been in the least like this.
On her return from her enjoyable afternoon visit Elaine found an express messenger letter waiting for her. It was from Comus, thanking her for her loan—and returning it.
“I suppose I ought never to have asked you for it,” he wrote, “but you are always so deliciously solemn about money matters that I couldn’t resist. Just heard the news of your engagement to Courtenay. Congrats. to you both. I’m far too stoney broke to buy you a wedding present so I’m going to give you back the bread-and-butter dish. Luckily it still has your crest on it. I shall love to think of you and Courtenay eating bread-and-butter out of it for the rest of your lives.”
That was all he had to say on the matter about which Elaine had been preparing to write a long and kindly-expressed letter, closing a rather momentous chapter in her life and his. There was not a trace of regret or upbraiding in his note; he had walked out of their mutual fairyland as abruptly as she had, and to all appearances far more unconcernedly. Reading the letter again and again Elaine could come to no decision as to whether this was merely a courageous gibe at defeat, or whether it represented the real value that Comus set on the thing that he had lost.
And she would never know. If Comus possessed one useless gift to perfection it was the gift of laughing at Fate even when it had struck him hardest. One day, perhaps, the laughter and mockery would be silent on his lips, and Fate would have the advantage of laughing last.
A doorclosed and Francesca Bassington sat alone in her well-beloved drawing-room. The visitor who had been enjoying the hospitality of her afternoon-tea table had just taken his departure. The tête-à-tête had not been a pleasant one, at any rate as far as Francesca was concerned, but at least it had brought her the information for which she had been seeking. Her rôle of looker-on from a tactful distance had necessarily left her much in the dark concerning the progress of the all-important wooing, but during the last few hours she had, on slender though significant evidence, exchanged her complacent expectancy for a conviction that something had gone wrong. She had spent the previous evening at her brother’s house, and had naturally seen nothing of Comus in that uncongenial quarter; neither had he put in an appearance at the breakfast table the following morning. She had met him in the hall at eleven o’clock, and he had hurried past her, merely imparting the information that he would not be in till dinner that evening. He spoke in his sulkiest tone, and his face wore a look of defeat, thinly masked by an air of defiance; it was not the defiance of a man who is losing, but of one who has already lost.
Francesca’s conviction that things had gone wrong between Comus and Elaine de Frey grew in strength as the day wore on. She lunched at a friend’s house, but it was not a quarter where special social information of any importance was likely to come early to hand. Instead of the news she was hankering for, she had to listen to trivial gossip and speculation on the flirtations and “cases” and “affairs” of a string of acquaintances whose matrimonial projects interested her about as much as the nesting arrangements of the wildfowl in St. James’s Park.
“Of course,” said her hostess, with the duly impressive emphasis of a privileged chronicler, “we’ve always regarded Claire as the marrying one of the family, so when Emily came to us and said, ‘I’ve got some news for you,’ we all said, ‘Claire’s engaged!’ ‘Oh, no,’ said Emily, ‘it’s not Claire this time, it’s me.’ So then we had to guess who the lucky man was. ‘It can’t be Captain Parminter,’ we all said, ‘because he’s always been sweet on Joan.’ And then Emily said—”
The recording voice reeled off the catalogue of inane remarks with a comfortable purring complacency that held out no hope of an early abandoning of the topic. Francesca sat and wondered why the innocent acceptance of a cutlet and a glass of indifferent claret should lay one open to such unsparing punishment.
A stroll homeward through the Park after lunch brought no further enlightenment on the subject that was uppermost in her mind; what was worse, it brought her, without possibility of escape, within hailing distance of Merla Blathington, who fastened on to her with the enthusiasm of a lonely tsetse fly encountering an outpost of civilisation.
“Just think,” she buzzed inconsequently, “my sister in Cambridgeshire has hatched out thirty-three White Orpington chickens in her incubator!”
“What eggs did she put in it?” asked Francesca.
“Oh, some very special strain of White Orpington.”
“Then I don’t see anything remarkable in the result. If she had put in crocodile’s eggs and hatched out White Orpingtons, there might have been something to write toCountry Lifeabout.”
“What funny fascinating things these little green park-chairs are,” said Merla, starting off on a fresh topic; “they always look so quaint and knowing when they’re stuck away in pairs by themselves under the trees, as if they were having a heart-to-heart talk or discussing a piece of very private scandal. If they could only speak, what tragedies and comedies they could tell us of, what flirtations and proposals.”
“Let us be devoutly thankful that they can’t,” said Francesca, with a shuddering recollection of the luncheon-table conversation.
“Of course, it would make one very careful what one said before them—or above them rather,” Merla rattled on, and then, to Francesca’s infinite relief, she espied another acquaintance sitting in unprotected solitude, who promised to supply a more durable audience than her present rapidly moving companion. Francesca was free to return to her drawing-room in Blue Street to await with such patience as she could command the coming of some visitor who might be able to throw light on the subject that was puzzling and disquieting her. The arrival of George St. Michael boded bad news, but at any rate news, and she gave him an almost cordial welcome.
“Well, you see I wasn’t far wrong about Miss de Frey and Courtenay Youghal, was I?” he chirruped, almost before he had seated himself. Francesca was to be spared any further spinning-out of her period of uncertainty. “Yes, it’s officially given out,” he went on, “and it’s to appear in theMorning Postto-morrow. I heard it from Colonel Deel this morning, and he had it direct from Youghal himself. Yes, please, one lump; I’m not fashionable, you see.” He had made the same remark about the sugar in his tea with unfailing regularity for at least thirty years. Fashions in sugar are apparently stationary. “They say,” he continued, hurriedly, “that he proposed to her on the Terrace of the House, and a division bell rang, and he had to hurry off before she had time to give her answer, and when he got back she simply said, ‘the Ayes have it.’” St. Michael paused in his narrative to give an appreciative giggle.
“Just the sort of inanity that would go the rounds,” remarked Francesca, with the satisfaction of knowing that she was making the criticism direct to the author and begetter of the inanity in question. Now that the blow had fallen and she knew the full extent of its weight, her feeling towards the bringer of bad news, who sat complacently nibbling at her tea-cakes and scattering crumbs of tiresome small-talk at her feet, was one of wholehearted dislike. She could sympathise with, or at any rate understand, the tendency of oriental despots to inflict death or ignominious chastisement on messengers bearing tidings of misfortune and defeat, and St. Michael, she perfectly well knew, was thoroughly aware of the fact that her hopes and wishes had been centred on the possibility of having Elaine for a daughter-in-law; every purring remark that his mean little soul prompted him to contribute to the conversation had an easily recognizable undercurrent of malice. Fortunately for her powers of polite endurance, which had been put to such searching and repeated tests that day, St. Michael had planned out for himself a busy little time-table of afternoon visits, at each of which his self-appointed task of forestalling and embellishing the newspaper announcements of the Youghal-de Frey engagement would be hurriedly but thoroughly performed.
“They’ll be quite one of the best-looking and most interesting couples of the Season, won’t they?” he cried, by way of farewell. The door closed and Francesca Bassington sat alone in her drawing-room.
Before she could give way to the bitter luxury of reflection on the downfall of her hopes, it was prudent to take precautionary measures against unwelcome intrusion. Summoning the maid who had just speeded the departing St. Michael, she gave the order: “I am not at home this afternoon to Lady Caroline Benaresq.” On second thoughts she extended the taboo to all possible callers, and sent a telephone message to catch Comus at his club, asking him to come and see her as soon as he could manage before it was time to dress for dinner. Then she sat down to think, and her thinking was beyond the relief of tears.
She had built herself a castle of hopes, and it had not been a castle in Spain, but a structure well on the probable side of the Pyrenees. There had been a solid foundation on which to build. Miss de Frey’s fortune was an assured and unhampered one, her liking for Comus had been an obvious fact; his courtship of her a serious reality. The young people had been much together in public, and their names had naturally been coupled in the match-making gossip of the day. The only serious shadow cast over the scene had been the persistent presence, in foreground or background, of Courtenay Youghal. And now the shadow suddenly stood forth as the reality, and the castle of hopes was a ruin, a hideous mortification of dust and débris, with the skeleton outlines of its chambers still standing to make mockery of its discomfited architect. The daily anxiety about Comus and his extravagant ways and intractable disposition had been gradually lulled by the prospect of his making an advantageous marriage, which would have transformed him from a ne’er-do-well and adventurer into a wealthy idler. He might even have been moulded, by the resourceful influence of an ambitious wife, into a man with some definite purpose in life. The prospect had vanished with cruel suddenness, and the anxieties were crowding back again, more insistent than ever. The boy had had his one good chance in the matrimonial market and missed it; if he were to transfer his attentions to some other well-dowered girl he would be marked down at once as a fortune-hunter, and that would constitute a heavy handicap to the most plausible of wooers. His liking for Elaine had evidently been genuine in its way, though perhaps it would have been rash to read any deeper sentiment into it, but even with the spur of his own inclination to assist him he had failed to win the prize that had seemed so temptingly within his reach. And in the dashing of his prospects, Francesca saw the threatening of her own. The old anxiety as to her precarious tenure of her present quarters put on again all its familiar terrors. One day, she foresaw, in the horribly near future, George St. Michael would come pattering up her stairs with the breathless intelligence that Emmeline Chetrof was going to marry somebody or other in the Guards or the Record Office as the case might be, and then there would be an uprooting of her life from its home and haven in Blue Street and a wandering forth to some cheap unhappy far-off dwelling, where the stately Van der Meulen and its companion host of beautiful and desirable things would be stuffed and stowed away in soulless surroundings, like courtly émigrés fallen on evil days. It was unthinkable, but the trouble was that it had to be thought about. And if Comus had played his cards well and transformed himself from an encumbrance into a son with wealth at his command, the tragedy which she saw looming in front of her might have been avoided or at the worst whittled down to easily bearable proportions. With money behind one, the problem of where to live approaches more nearly to the simple question of where do you wish to live, and a rich daughter-in-law would have surely seen to it that she did not have to leave her square mile of Mecca and go out into the wilderness of bricks and mortar. If the house in Blue Street could not have been compounded for there were other desirable residences which would have been capable of consoling Francesca for her lost Eden. And now the detested Courtenay Youghal, with his mocking eyes and air of youthful cynicism, had stepped in and overthrown those golden hopes and plans whose non-fulfilment would make such a world of change in her future. Assuredly she had reason to feel bitter against that young man, and she was not disposed to take a very lenient view of Comus’s own mismanagement of the affair; her greeting when he at last arrived, was not couched in a sympathetic strain.
“So you have lost your chance with the heiress,” she remarked abruptly.
“Yes,” said Comus, coolly; “Courtenay Youghal has added her to his other successes.”
“And you have added her to your other failures,” pursued Francesca, relentlessly; her temper had been tried that day beyond ordinary limits.
“I thought you seemed getting along so well with her,” she continued, as Comus remained uncommunicative.
“We hit it off rather well together,” said Comus, and added with deliberate bluntness, “I suppose she got rather sick at my borrowing money from her. She thought it was all I was after.”
“You borrowed money from her!” said Francesca; “you were fool enough to borrow money from a girl who was favourably disposed towards you, and with Courtenay Youghal in the background waiting to step in and oust you!”
Francesca’s voice trembled with misery and rage. This great stroke of good luck that had seemed about to fall into their laps had been thrust aside by an act or series of acts of wanton paltry folly. The good ship had been lost for the sake of the traditional ha’porth of tar. Comus had paid some pressing tailor’s or tobacconist’s bill with a loan unwillingly put at his disposal by the girl he was courting, and had flung away his chances of securing a wealthy and in every way desirable bride. Elaine de Frey and her fortune might have been the making of Comus, but he had hurried in as usual to effect his own undoing. Calmness did not in this case come with reflection; the more Francesca thought about the matter, the more exasperated she grew. Comus threw himself down in a low chair and watched her without a trace of embarrassment or concern at her mortification. He had come to her feeling rather sorry for himself, and bitterly conscious of his defeat, and she had met him with a taunt and without the least hint of sympathy; he determined that she should be tantalised with the knowledge of how small and stupid a thing had stood between the realisation and ruin of her hopes for him.
“And to think she should be captured by Courtenay Youghal,” said Francesca, bitterly; “I’ve always deplored your intimacy with that young man.”
“It’s hardly my intimacy with him that’s made Elaine accept him,” said Comus.
Francesca realised the futility of further upbraiding. Through the tears of vexation that stood in her eyes, she looked across at the handsome boy who sat opposite her, mocking at his own misfortune, perversely indifferent to his folly, seemingly almost indifferent to its consequences.
“Comus,” she said quietly and wearily, “you are an exact reversal of the legend of Pandora’s Box. You have all the charm and advantages that a boy could want to help him on in the world, and behind it all there is the fatal damning gift of utter hopelessness.”
“I think,” said Comus, “that is the best description that anyone has ever given of me.”
For the moment there was a flush of sympathy and something like outspoken affection between mother and son. They seemed very much alone in the world just now, and in the general overturn of hopes and plans, there flickered a chance that each might stretch out a hand to the other, and summon back to their lives an old dead love that was the best and strongest feeling either of them had known. But the sting of disappointment was too keen, and the flood of resentment mounted too high on either side to allow the chance more than a moment in which to flicker away into nothingness. The old fatal topic of estrangement came to the fore, the question of immediate ways and means, and mother and son faced themselves again as antagonists on a well-disputed field.
“What is done is done,” said Francesca, with a movement of tragic impatience that belied the philosophy of her words; “there is nothing to be gained by crying over spilt milk. There is the present and the future to be thought about, though. One can’t go on indefinitely as a tenant-for-life in a fools’ paradise.” Then she pulled herself together and proceeded to deliver an ultimatum which the force of circumstances no longer permitted her to hold in reserve.
“It’s not much use talking to you about money, as I know from long experience, but I can only tell you this, that in the middle of the Season I’m already obliged to be thinking of leaving Town. And you, I’m afraid, will have to be thinking of leaving England at equally short notice. Henry told me the other day that he can get you something out in West Africa. You’ve had your chance of doing something better for yourself from the financial point of view, and you’ve thrown it away for the sake of borrowing a little ready money for your luxuries, so now you must take what you can get. The pay won’t be very good at first, but living is not dear out there.”
“West Africa,” said Comus, reflectively; “it’s a sort of modern substitute for the old-fashionedoubliette, a convenient depository for tiresome people. Dear Uncle Henry may talk lugubriously about the burden of Empire, but he evidently recognises its uses as a refuse consumer.”
“My dear Comus, you are talking of the West Africa of yesterday. While you have been wasting your time at school, and worse than wasting your time in the West End, other people have been grappling with the study of tropical diseases, and the West African coast country is being rapidly transformed from a lethal chamber into a sanatorium.”
Comus laughed mockingly.
“What a beautiful bit of persuasive prose; it reminds one of the Psalms and even more of a company prospectus. If you were honest you’d confess that you lifted it straight out of a rubber or railway promotion scheme. Seriously, mother, if I must grub about for a living, why can’t I do it in England? I could go into a brewery for instance.”
Francesca shook her head decisively; she could foresee the sort of steady work Comus was likely to accomplish, with the lodestone of Town and the minor attractions of race-meetings and similar festivities always beckoning to him from a conveniently attainable distance, but apart from that aspect of the case there was a financial obstacle in the way of his obtaining any employment at home.
“Breweries and all those sort of things necessitate money to start with; one has to pay premiums or invest capital in the undertaking, and so forth. And as we have no money available, and can scarcely pay our debts as it is, it’s no use thinking about it.”
“Can’t we sell something?” asked Comus.
He made no actual suggestion as to what should be sacrificed, but he was looking straight at the Van der Meulen.
For a moment Francesca felt a stifling sensation of weakness, as though her heart was going to stop beating. Then she sat forward in her chair and spoke with energy, almost fierceness.
“When I am dead my things can be sold and dispersed. As long as I am alive I prefer to keep them by me.”
In her holy place, with all her treasured possessions around her, this dreadful suggestion had been made. Some of her cherished household gods, souvenirs and keepsakes from past days, would, perhaps, not have fetched a very considerable sum in the auction-room, others had a distinct value of their own, but to her they were all precious. And the Van der Meulen, at which Comus had looked with impious appraising eyes, was the most sacred of them all. When Francesca had been away from her Town residence or had been confined to her bedroom through illness, the great picture with its stately solemn representation of a long-ago battle-scene, painted to flatter the flattery-loving soul of a warrior-king who was dignified even in his campaigns—this was the first thing she visited on her return to Town or convalescence. If an alarm of fire had been raised it would have been the first thing for whose safety she would have troubled. And Comus had almost suggested that it should be parted with, as one sold railway shares and other soulless things.
Scolding, she had long ago realised, was a useless waste of time and energy where Comus was concerned, but this evening she unloosed her tongue for the mere relief that it gave to her surcharged feelings. He sat listening without comment, though she purposely let fall remarks that she hoped might sting him into self-defence or protest. It was an unsparing indictment, the more damaging in that it was so irrefutably true, the more tragic in that it came from perhaps the one person in the world whose opinion he had ever cared for. And he sat through it as silent and seemingly unmoved as though she had been rehearsing a speech for some drawing-room comedy. When she had had her say his method of retort was not the soft answer that turneth away wrath but the inconsequent one that shelves it.
“Let’s go and dress for dinner.”
The meal, like so many that Francesca and Comus had eaten in each other’s company of late, was a silent one. Now that the full bearings of the disaster had been discussed in all its aspects there was nothing more to be said. Any attempt at ignoring the situation, and passing on to less controversial topics would have been a mockery and pretence which neither of them would have troubled to sustain. So the meal went forward with its dragged-out dreary intimacy of two people who were separated by a gulf of bitterness, and whose hearts were hard with resentment against one another.
Francesca felt a sense of relief when she was able to give the maid the order to serve her coffee upstairs. Comus had a sullen scowl on his face, but he looked up as she rose to leave the room, and gave his half-mocking little laugh.
“You needn’t look so tragic,” he said, “You’re going to have your own way. I’ll go out to that West African hole.”