UPTON,March 15, 1904.
DEAR HERBERT,—You say I am not ambitious enough; well, I wish I could make up my mind clearly on the subject of ambition; it has been brought before me rather acutely lately. A post here has just fallen vacant—a post to which I should have desired to succeed. I have no doubt that if I had frankly expressed my wishes on the subject, if I had even told a leaky, gossipy colleague what I desired, and begged him to keep it to himself, the thing would have got out, and the probability is that the post would have been offered to me. But I held my tongue, not, I confess, from any very high motive, but merely from a natural dislike of being importunate—it does not seem to me consistent with good manners.
Well, I made no sign; and another man was appointed. I have no doubt that a man of the world would say frankly that I was a fool, and, though I am rather inclined to agree with him, I don't think I could have acted otherwise.
I am inclined to encourage ambition of every kind among the boys. I think it is an appropriate virtue for their age and temperament. It is not a Christian virtue; for it is certain that, if one person succeeds in an ambitious prospect, there must be a dozen who are disappointed. But though I don't approve of it on abstract grounds, yet I think it is so tremendous a motive for activity and keenness that it seems to me that boys are the better for it. I don't believe that in education the highest motive is always the best; indeed, the most effective motive, in dealing with immature minds, is the thing which we have to discover and use.
I mean, for instance, that I think it is probably more effective to say to a boy who is disposed to be physically indolent, "You have a chance of getting your colours this half, and I should like to see you get them," than to say, "I don't want you to think about colours. I want you to play football for the glory of God, because it makes you into a stronger, more wholesome, more cheerful man." It seems to me that boys should learn for themselves that there are often better and bigger reasons for having done a thing than the reason that made them do it.
What makes an object seem desirable to a boy is that others desire to have it too, and that he should be the fortunate person to get it. I don't see how the sense of other people's envy and disappointment can be altogether subtracted from the situation—it certainly is one of the elements which makes success seem desirable to many boys—though a generous nature will not indulge the thought.
But I am equally sure that, as one gets older, one ought to put aside such thoughts altogether. That one ought to trample down ambitious desires and even hopes. That glory, according to the old commonplace, ought to follow and not to be followed.
I think one ought to pursue one's own line, to do one's own business to the best of one's ability, and leave the rest to God. If He means one to be in a big place, to do a big work, it will be clearly enough indicated; and the only chance of doing it in a big way is to be simple-minded, sincere, generous, and contented.
The worst of that theory is this. One sees people in later life who have just missed big chances; some over-subtle delicacy of mind, some untimely reticence or frankness, some indolent hanging-back, some scrupulousness, has just checked them from taking a bold step forward when it was needed. And one sees them with large powers, noble capacities, wise thoughts, relegated to the crowd of unconsidered and inconsiderable persons whose opinion has no weight, whose suggestions have no effectiveness. Are they to be blamed? Or has one humbly and faithfully to take it as an indication that they are just not fit, from some secret weakness, some fibre of feebleness, to take the tiller?
I am speaking with entire sincerity when I say to you that I think I am myself rather cast in that mould. I have always just missed getting what used to be called "situations of dignity and emolument," and I have often been condoled with as the person who ought to have had them.
Well, I expect that this is probably a very wholesome discipline for me, but I cannot say that it is pleasant, or that use has made it easier.
The worst of it is that I have an odd mixture of practicality and mysticism within me, and I have sometimes thought that one has damaged the other. My mysticism has pulled me back when I ought to have taken a decided step, urging "Leave it to God"—and then, when I have failed to get what I wanted, my mysticism has failed to comfort me, and the practical side of me has said, "The decided step was what God clearly indicated to you was needed; and you were lazy and would not take it."
I have a highly practical friend, the most absolutely and admirably worldly person I know. In talk he sometimes lets fall very profound maxims. We were talking the other day about this very point, and he said musingly, "It is a very good rule in this world not to ask for anything unless you are pretty sure to get it." That is the cream of the worldly attitude. Such a man is not going to make himself tiresome by importunity. He knows what he desires, he works for it, and, when the moment comes, he just gives the little push that is needed, and steps into his kingdom.
That is exactly what I cannot do. It is not a sign of high-mindedness, for I am by nature greedy, acquisitive, and ambitious. But it is a want of firmness, I suppose. Anyhow, there it is, and one cannot alter one's temperament.
The conclusion which I come to for myself and for all like-minded persons—not a very happy class, I fear—is that one should absolutely steel oneself against disappointment, not allow oneself to indulge in pleasing visions, not form plans or count chickens, but try to lay hold of the things which do bring one tranquillity, the simple joys of ordinary and uneventful life. One may thus arrive at a certain degree of independence. And though the heart may ache a little at the chances missed, yet one may console oneself by thinking that it is happier not to realise an ambition and be disappointed, than to realise it and be disappointed.
It all comes from over-estimating one's own powers, after all. If one is decently humble, no disappointment is possible; and such little successes as one does attain are like gleams of sunlight on a misty day.—Ever yours,
T. B.
UPTON,March 25, 1904.
DEAR HERBERT,—You are quite right about conventionality in education.
One of my perennial preoccupations here is how to encourage originality and independence among my boys. The great danger of public-school education nowadays, as you say, is the development of a type. It is not at all a bad type in many ways; the best specimens of the public-school type are young men who are generous, genial, unembarrassed, courageous, sensible, and active; but our system all tends to level character, and I do not feel sure whether it levels it up or levels it down. In old days the masters concerned themselves with the work of the boys only, and did not trouble their heads about how the boys amused themselves out of school. Vigorous boys organised games for themselves, and indolent boys loafed. Then it came home to school authorities that there was a good deal of danger in the method; that lack of employment was an undesirable thing. Thereupon work was increased, and, at the same time, the masters laid hands upon athletics and organised them. Side by side with this came a great increase of wealth and leisure in England, and there sprang up that astonishing and disproportionate interest in athletic matters, which is nowadays a real problem for all sensible men. But the result of it all has been that there has grown up a stereotyped code among the boys as to what is the right thing to do. They are far less wilful and undisciplined than they used to be; they submit to work, as a necessary evil, far more cheerfully than they used to do; and they base their ideas of social success entirely on athletics. And no wonder! They find plenty of masters who are just as serious about games as they are themselves; who spend all their spare time in looking on at games, and discuss the athletic prospects of particular boys in a tone of perfectly unaffected seriousness. The only two regions which masters have not organised are the intellectual and moral regions. The first has been tacitly and inevitably extruded. A good deal more work is required from the boys, and unless a boy's ability happens to be of a definite academical order—in which case he is well looked after—there is no loop-hole through which intellectual interest can creep in. A boy's time is so much occupied by definite work and definite games that there is neither leisure nor, indeed, vigour left to follow his own pursuits. Life is lived so much more in public that it becomes increasingly difficult for SETS to exist; small associations of boys with literary tastes used to do a good deal in the direction of fostering the germs of intellectual life; the net result is, that there is now far less interest abroad in intellectual things, and such interests as do exist, exist in a solitary way, and generally mean an intellectual home in the background.
In the moral region, I think we have much to answer for; there is a code of morals among boys which, if it is not actively corrupting, is at least undeniably low. The standard of purity is low; a vicious boy doesn't find his vicious tendencies by any means a bar to social success. Then the code of honesty is low; a boy who is habitually dishonest in the matter of work is not in the least reprobated. I do not mean to say that there are not many boys who are both pure-minded and honest; but they treat such virtues as a secret preference of their own, and do not consider that it is in the least necessary to interfere with the practice of others, or even to disapprove of it. And then comes the perennial difficulty of schoolboy honour; the one unforgivable offence is to communicate anything to masters; and an innocent-minded boy whose natural inclination to purity gave way before perpetual temptation and even compulsion might be thought to have erred, but would have scanty, if any, expression of either sympathy or pity from other boys; while if he breathed the least hint of his miserable position to a master and the fact came out, he would be universally scouted.
This is a horrible fact to contemplate; yet it cannot be cured by enactment, only from within. It is strange that in this respect it is entirely unlike the code of the world. No girl or woman would be scouted for appealing to police protection in similar circumstances; no man would be required to submit to violence or even to burglary; no reprobation would fall upon him if he appealed to the law to help him.
Is it not possible to encourage something of this feeling in a school? Is it not possible, without violating schoolboy honour, which is in many ways a fine and admirable thing, to allow the possibility of an appeal to protection for the young and weak against vile temptations? It seems to me that it would be best if we could get the boys to organise such a system among themselves. But to take no steps to arrive at such an organisation, and to leave matters severely alone, is a very dark responsibility to bear.
It is curious to note that in the matter of bullying and cruelty, which used to be so rife at schools, public opinion among boys does seem to have undergone a change. The vice has practically disappeared, and the good feeling of a school would be generally against any case of gross bullying; but the far more deadly and insidious temptation of impurity has, as far as one can learn, increased. One hears of simply heart-rending cases where a boy dare not even tell his parents of what he endures. Then, too, a boy's relations will tend to encourage him to hold out, rather than to invoke a master's aid, because they are afraid of the boy falling under the social ban.
This is the heaviest burden a schoolmaster has to bear; to be responsible for his boys, and to be held responsible, and yet to be probably the very last person to whom the information of what is happening can possibly come.
One great difficulty seems to be that boys will only, as a rule, combine for purposes of evil. In matters of virtue a boy has to act for himself; and I confess, too, with a sigh, that a set of virtuous boys banding themselves together to resist evil and put it down has an alarmingly priggish sound.
The most that a man can do at present, it seems to me, is to have good sensible servants; to be vigilant and discreet; to try and cultivate a paternal relation with all his boys; to try and make the bigger boys feel some responsibility in the matter; but the worst of it is that the subject is so unpleasant that many masters dare not speak of it at all; and excuse themselves by saying that they don't want to put ideas into boys' heads. I cannot conscientiously believe that a man who has been through a big public school himself can honestly be afraid of that. But we all seem to be so much afraid of each other, of public opinion, of possible unpopularity, that we find excuses for letting a painful thing alone.
But to leave this part of the subject, which is often a kind of nightmare to me, and to return to my former point; I do honestly think it a great misfortune that we tend to produce a type. It seems to me that to aim at independence, to know one's own mind, to form one's own ideas—liberty, in short—is one of the most sacred duties in life. It is not only a luxury in which a few can indulge, it ought to be a quality which every one should be encouraged to cultivate. I declare that it makes me very sad sometimes to see these well-groomed, well-mannered, rational, manly boys all taking the same view of things, all doing the same things, smiling politely at the eccentricity of any one who finds matter for serious interest in books, in art or music: all splendidly reticent about their inner thoughts, with a courteous respect for the formalities of religion and the formalities of work; perfectly correct, perfectly complacent, with no irregularities or angular preferences of their own; with no admiration for anything but athletic success, and no contempt for anything but originality of ideas. They are so nice, so gentlemanly, so easy to get on with; and yet, in another region, they are so dull, so unimaginative, so narrow-minded. They cannot all, of course, be intellectual or cultivated; but they ought to be more tolerant, more just, more wise. They ought to be able to admire vigour and enthusiasm in every department instead of in one or two; and it is we who ought to make them feel so, and we have already got too much to do—though I am afraid that you will think, after reading this vast document, that I, at all events, have plenty of spare time. But it is not the case; only the end of the half is at hand; we have finished our regular work, and I have done my reports, and am waiting for a paper. When you next hear I shall be a free man. I shall spend Easter quietly here; but I have so much to do and clear off that I probably shall not be able to write until I have set off on my travels.—Ever yours,
T. B.
THE RED DRAGON,COMPTON FEREDAY,April 10, 1904.
DEAR HERBERT,—I was really too busy to write last week, but I am going to try and make up for it. This letter is going to be a diary. Expect more of it.—T. B.
April 7.—I find myself, after all, compelled to begin my walking tour alone. At the last moment Murchison has thrown me over. His father is ill, and he is compelled to spend his holidays at home. I do not altogether like to set off by myself, but it is too late to try and arrange for another companion. I had rather, however, go by myself than with some one who is not absolutely congenial. One requires on these occasions to have a companion whose horizon is the same as one's own. I daresay I could find an old friend, who is not also a colleague, to go with me, but it would mean a certain amount of talk to bring us into line. Then, too, I have had a very busy term; besides my form work, I have had a good deal of extra teaching to do with the Army Class boys. It is interesting work, for the boys are interested, not in the subjects so much, as in mastering them for examination purposes. Yet it matters little how the interest is obtained, as long as the boys believe in the usefulness of what they are doing. But the result is that I am tired out. I have lived with boys from morning to night, and my spare time has been taken up with working at my subjects. I have had hardly any exercise, and but a scanty allowance of sleep. Now I mean to have both. I shall spend my days in the open air, and I shall sleep, I hope, like a top at nights. Gradually I shall recover my power of enjoyment; for the worst of such weeks as I have been passing through is that they leave one dreary and jaded; one finds oneself in that dull mood when one cannot even realise beautiful things. I hear a thrush sing in a bush, or the sunset flames broadly behind the elms, and I say to myself, "That is very beautiful if only I could feel it to be so!" Boys are exhausting companions—they are so restless, so full-blooded, so pitilessly indifferent, so desperately interested in the narrow round of school life; and I have the sort of temperament that will efface itself to any extent, if only the people that I am concerned with will be content. I suppose it is a feeble trait, and that the best schoolmasters have a magnetic influence over boys which makes the boys interested in the master's subjects, or at least hypnotises them into an appearance of interest. I cannot do that. It is like a leaden weight upon me if I feel that a class is bored; the result is that I arrive at the same end in my own way. I have learnt a kind of sympathy with boys; I know by instinct what will interest them, or how to put a tiresome thing in an interesting way.
But I shudder to think how sick I am of it all! I want a long bath of silence and recollection and repose. I want to fill my cistern again with my own thoughts and my own dreams, instead of pumping up the muddy waters of irrigation. I don't think my colleagues are like that. I sate with half-a-dozen of them last night at supper. They were full of all they meant to do. Two of the most energetic were going off to play golf, and the chief pleasure of the place they were going to was that it was possible to get a round on Sundays; they were going to fill the evening with bridge, and one of them said with heart-felt satisfaction, "I am only going to take two books away with me—one on golf and the other on bridge—and I am going to cure some of my radical faults." I thought to myself that if he had forborne to mention the subjects of his books, one might have supposed that they would be a Thomas-a-Kempis and a Taylor's Holy Living, and then how well it would have seemed! Two more were going for a rapid tour abroad in a steamer chartered for assistant masters. That seemed to me to be almost more depressing. They were going to ancient historical places, full of grave and beautiful associations; places to go to, it seemed to me, with some single like-minded associate, places to approach with leisurely and untroubled mind, with no feeling of a programme or a time-table—and least of all in the company of busy professional people with an academical cicerone.
Still, I suppose that this is true devotion to one's profession. They will be able, they think, to discourse easily and, God help us, picturesquely about what they have seen, to intersperse a Thucydides lesson with local colour, and to describe the site of the temple of Delphi to boys beginning the Eumenides. It is very right and proper, no doubt, but it produces in me a species of mental nausea to think of the conditions under which these impressions will be absorbed. The arrangements for luncheon, the brisk interchange of shop, the cheery comments of fellow-tradesmen, the horrible publicity and banality of the whole affair!
My two other colleagues were going, one to spend a holiday at Brighton—which he said was very bracing at Easter, adding that he expected to fall in with some fellows he knew. They will all stroll on the Parade, smoke cigarettes together, and adjourn for a game of billiards. No doubt a very harmless way of passing the time, but not to me enlivening. But Walters is a conventional person, and, as long as he is doing what he would call "the correct thing," he is perfectly and serenely content. The sixth and last is going to Surbiton to spend the holidays with a mother and three sisters, and I think he is the most virtuously employed of all. He will walk out alone, with a terrier dog, before lunch; and after lunch he will go out with his sisters; and perhaps the vicar will come to tea. But then it will be home, and the girls will be proud of their brother, and will have the dishes he likes, and he will have his father's old study to smoke in. I am not sure that he is not the happiest of all, because he is not only pursuing his own happiness.
But I have no such duties before me. I might, I suppose, go down to my sister Helen at the Somersetshire vicarage where she lives so full a life. But the house is small, there are four children, and not much money, and I should only be in the way. Charles would do his best to welcome me, but he will be in a great fuss over his Easter services; and he will ask me to use his study as though it was my own room, which will necessitate a number of hurried interviews in the drawing-room, my sister will take her letters up to her bedroom, and the doors will have to be carefully closed to exclude my tobacco smoke.
This is all very sordid, no doubt, but I am confronted with sordid things to-day. The boys have just cleared off, and they are beginning to sweep out the schoolrooms. The inky, dreary desks, the ragged books, the odd fives-shoes in the pigeon-holes, the wheelbarrows full of festering orange-peel and broken-down fives-balls: this is not a place for a self-respecting person to be in. I want to be mooning about country lanes, with the smell of spring woods blowing down the valley. I want to be holding slow converse with leisurely rustic persons, to be surveying from the side of a high grassy hill the rich plain below, to hear the song of birds in the thickets, to try and feel myself one with the life of the world instead of a sordid sweeper of a corner of it. This is all very ungrateful to my profession, which I love, but it is a necessary reaction; and what at this moment chiefly makes me grateful to it is that my pocket is full enough to let me have a holiday on a liberal scale, without thinking of small economies. I may give pennies to tramps or children, or a shilling to a sexton for showing me a church. I may travel what class I choose, and put up at a hotel without counting the cost; and oh! the blessedness of that. I would rather have a three-days' holiday thus than three weeks with an anxious calculation of resources.
April 8.—I am really off to the Cotswolds. I packed my beloved knapsack yesterday afternoon. I put in it—precision is the essence of diarising—a spare shirt, which will have to serve if necessary as a nightgown, a pair of socks, a pair of slippers, a toothbrush, a small comb, and a sponge; that is sufficient for a philosopher. A pocket volume of poetry—Matthew Arnold this time—and a map completed my outfit. And I sent a bag containing a more liberal wardrobe to a distant station, which I calculated it would take me three days to reach. Then I went off by an afternoon train, and, by sunset, I found myself in a little town, Hinton Perevale, of stone-built houses, with an old bridge. I had no sense of freedom as yet, only a blessed feeling of repose. I took an early supper in a small low-roofed parlour with mullioned windows. By great good fortune I found myself the only guest at the inn, and had the room to myself; then I went early and gratefully to bed, utterly sleepy and content, with just enough sense left to pray for a fine day.
My prayer is answered this morning. I slept a dreamless sleep, and was roused by the cheerful crowing of cocks, which picked about the back yard of the inn. I dressed quickly, only suspending my task to watch the little dramas of the inn yard—the fowls on the pig-sty wall; the horse waiting meekly, with knotted traces hanging round it, to be harnessed; the cat, on some grave business of its own, squeezing gracefully under a closed barn door; the weary, flat-footed duck, nuzzling the mud of a small pool as delicately as though it were a rich custard. I was utterly free; I might go and come as I liked. Time had ceased to exist for me, and it was pleasant to reflect, as I finished my simple breakfast, that I should under professional conditions have been hurrying briskly into school for an hour of Latin Prose. The incredible absurdity and futility of it all came home to me. Half the boys that I teach so elaborately would be both more wholesomely and happily employed if they were going out to farm-work for the day. But they are gentlemen's sons, and so must enter what are called the liberal professions, to retire at the age of sixty with a poor digestion, a peevish wife, and a family of impossible children. But it is only in such inconsequent moments that I allow myself to think thus slightingly of Latin Prose. It is a valuable accomplishment, and, when I have repaired the breaches made by professional work in the mental equilibrium, I shall rejoin my colleagues with a full sense of its paramount importance.
I scribble this diary with a vile pen, and ink like blacking, on the corner of my breakfast-table. I have packed my knapsack, and in a few minutes I shall set out upon my march.
April 9.—I spent an almost perfect day yesterday. It was a cool bright day, with a few clouds like cotton-wool moving sedately in a blue sky. I first walked quietly about my little town, which was full of delicate beauties. The houses are all built of a soft yellow stone, which weathers into a species of rich orange. Heaven knows where the designers came from, but no two houses seem alike; some of them are gabled, buttressed, stone-mullioned, irregular in outline, but yet with a wonderful sense of proportion. Some are Georgian, with classical pilasters and pediments. Yet they are all for use and not for show; and the weak modern shop-windows, which some would think disfigure the delicate house-fronts, seem to me just to give the requisite sense of contrast. At the end of the street stands the church, with a stately Perpendicular tower, and a resonant bell which tells the hour. This overlooks a pile of irregular buildings, now a farm, but once a great manor-house, with a dovecote and pavilions; but the old terrace is now an orchard, and the fine oriel of the house looks straight into the byre. Inside the church—it is open and well-kept—you can trace the history of the manor and its occupants, from Job Best, a rich mercer of London, whose monument, with marble pillars and obelisks, adorns the south aisle; his son was ennobled, whose effigy—more majestic still, robed and coroneted, with his Viscountess by his side, and her dog (with his name, Jakke, engraven on his shoulder)—lies smiling, the slender hands crossed in prayer. But the house was not destined to survive. The Viscount's only daughter, the Lady Penelope, looks down from the wall, a fair and delicate lady, the last of her brief race, who, as the old inscription says with a tender simplicity, "dyed a mayd." I cannot help wondering, my pretty lady, what your story was; and it will do you no hurt if one, who looks upon your gentle face, sends a wondering message of tenderness behind the veil to your pure spirit, regret for your vanished charm, and the fragrance of your soft bloom, and sadness for all sweet things that fade.
The manor, so I learn, was burnt wantonly by the Roundheads—there was a battle hereabouts—on the charge that it had harboured some followers of the king; and so our dreams of greatness and permanence are fulfilled.
The whole church was very neat and spruce; it had suffered a restoration lately. The walls were stripped of their old plaster and pointed, so that the inside is now rougher than the outside, a thing the ancient builders never intended. The altar is fairly draped with good hangings behind, and the chancel fitted with new oak stalls and seats, all as neat as a new pin. As I lingered in the church, reading the simple monuments, a rosy, burly vicar came briskly in, and seeing me there, courteously showed me all the treasures of his house, like Hezekiah. He took me into the belfry, and there, piled up against the wall, were some splendid Georgian columns and architraves, richly carved in dark brown wood. I asked what it was. "Oh, a horrible pompous thing," he said; "it was behind the altar—most pagan and unsuitable; we had it all out as soon as I came. The first moment I entered the church, I said to myself, 'THAT must go,' and I have succeeded, though it was hard enough to collect the money, and actually some of the old people here objected." I did not feel it was worth while to cast cold water on the good man's satisfaction—but the pity of it! I do not suppose that a couple of thousand pounds could have reproduced it; and it is simply heart-rending to see such a noble monument of piety and careful love sacrificed to a wave of so-called ecclesiastical taste. The vicar's chief pride was a new window, by a fashionable modern firm; quite unobjectionable in design, and with good colour, but desperately uninteresting. It represented some mild, unemphatic, attenuated saints, all exactly alike, languidly and decorously conversing together, weighed down by heavy drapery, as though wrapped in bales of carpets. In the lower compartments knelt some dignified persons, similarly habited, in face exactly like the saints above, except that they were fitted out with unaccountable beards—all pretty and correct, but with no character or force. I suppose that fifty years hence, when our taste has broadened somewhat, this window will probably be condemned as impossible too. There can be no absolute canon of beauty; the only principle ought to be to spare everything that is of careful and solid workmanship, to give it a chance, to let time and age have their perfect work. It is the utter conventionality of the whole thing that is so distressing; the same thing is going on all over the country, the attempt to put back the clock, and to try and restore things as they were; history, tradition, association, are not considered. The old builders were equally ruthless, it is true; they would sweep away a Norman choir to build a Decorated one; but at all events they were advancing and expanding, not feebly recurring to a past period of taste, and trying to obliterate the progress of the centuries.
About noon I left the little town, and struck out up a winding lane to the hills. The copses were full of anemones and primroses; birds sang sharply in the bushes which were gemmed with fresh green; now and then I heard the woodpecker laugh as if at some secret jest among the thickets. Presently the little town was at my feet, looking small and tranquil in the golden noon; and soon I came to the top. It was grassy, open down-land up here, and in an instant the wide view of a rich wooded and watered plain spread before me, with shadowy hills on the horizon. In the middle distance I saw the red roofs of a great town, the smoke going peacefully up; here was a shining river-reach, like a crescent of silver. It was England indeed—tranquil, healthy, prosperous England.
The rest of the day I need not record. It was full of delicate impressions—an old, gabled, mullioned house among its pastures; a hamlet by a stream, admirably grouped; a dingle set with primroses; and over all, the long, pure lines of upland, with here and there, through a gap, the purple, wealthy plain.
I write this in the evening, at a little wayside inn, in a hamlet under the hill. The name alone, Wenge Grandmain, is worth a shilling. It is very simple, but clean, and the people are kind; not with the professional manner of those who bow, smiling, to a paying guest, but of those who welcome a wanderer and try to make him a home. And so, in a dark-panelled little parlour, with a sedate-ticking clock, I sit while the sounds of life grow fainter and rarer in the little street.
THE CROSSFOXES INN,BOURTON-ON-THE-WOLD,April 16, 1904.
DEAR HERBERT,—I have now been ten days on my travels, but for the last week I have pitched my moving tent at Bourton. Do you shudder with the fear that I am going to give you pages of description of scenery? It is not a SHUDDER with me when I get a landscape-letter; it is merely that leaden dulness which falls upon the spirit when it is confronted with statements which produce no impression upon the mind. I always, for instance, skip the letters of travel which appear about the third chapter of great biographies, when the young gentleman goes for the Grand Tour after taking his degree.
But imagine this: a great, rich, wooded, watered plain; on the far horizon the shadowy forms of hills; behind you, gently rising heights, with dingles and folds full of copsewood, rising to soft green downs. There, on the skirts of the upland, above the plain, below the hill, sits the little village, with a stately Perpendicular church tower. The village itself of stone houses, no two alike, all with character; gabled, mullioned, weathered to a delicate ochre—some standing back, some on the street. Intermingled with these are fine Georgian houses, with great pilasters, all of stone too; in the centre of the street a wall, with two tall gate-posts, crowned with stone balls; a short lime avenue leads to a stately, gabled manor-house, which you can see through great iron gates. The whole scene incredibly romantic, exquisitely beautiful.
My favourite walk is this. I leave the little town by a road which winds along the base of the hill. I pass round a shoulder, wooded and covered to the base with tangled thickets, where the birds sing shrilly. I turn up to the left into a kind of "combe." At the very farthest end of the little valley, at the base of the steeper slopes but now high above the plain, stands an ancient church among yews. On one side of it is a long, low-fronted, irregular manor-house, with a formal garden in front, approached by a little arched gate-house which stands on the road; on the other side of the church, and below it, a no less ancient rectory, with a large Perpendicular window, anciently a chapel, in the gable. In the warm, sheltered air the laurels grow luxuriantly; a bickering stream, running in a deep channel, makes a delicate music of its own; a little farther on stands a farm, with barn and byre; in the midst of the buildings is a high, stone-tiled dovecote. The roo-hooing of the pigeons fills the whole place with a slumberous sound. I wind up the hill by a little path, now among thickets, now crossing a tilted pasture. I emerge on the top of a down; in front of me lie the long slopes of the wold, with that purity and tranquillity of outline which only down-land possesses. Here on a spur stands a grass-grown camp, with ancient thorn-trees growing in it. Turning round, the great plain runs for miles, with here and there a glint of water, where the slow-moving Avon wanders. Hamlets, roads, towers lie out like a map at my feet—all wearing that secluded, peaceful air which tempts me to think that life would be easy and happy if it could only be lived among those quiet fields, with the golden light and lengthening shadows.
I find myself wondering in these quiet hours—I walk alone as a rule—what this haunting, incommunicable sense of beauty is. Is it a mere matter of temperament, of inner happiness, of physical well-being; or has it an absolute existence? It comes and goes like the wind. Some days one is acutely, almost painfully, alive to it—painfully, because it makes such constant and insistent demands upon one's attention. Some days, again, it is almost unheeded, and one passes through it blind and indifferent. It is an expression, I cannot help feeling, of the very mind of God; and yet the ancient earthwork in which I stand, bears witness to the fact that in far-off days men lived in danger and anxiety, fighting and striving for bare existence. We have established by law and custom a certain personal security nowadays; is our sense of beauty born of that security? I cannot help wondering whether the old warriors who built this place cared at all for the beauty of the earth; and yet over it all hangs the gentle sadness of all sweet things that have an end. All those warriors are dust; the boys and girls who wandered a century ago where I wander to-day, they are at rest too in the little churchyard that lies at my feet; and my heart goes out to all who have loved and suffered, and to those who shall hereafter love and suffer here. An idle sympathy, perhaps, but none the less strong and real.
But now for a little human experience that befell me here. I found the other day, not far from the church, an old artist sketching. A refined, sad-looking old fellow, sunburned and active, with white hair and pointed beard, and a certain pathetic attempt, of a faded kind, to dress for his part—low collar, a red tie, rough shooting-jacket, and so forth. He seemed in a sociable mood, and I sate down beside him. How it came about I hardly know, but he was soon telling me the story of his life. He was the tenant, I found, of the old manor-house, which he held at a ridiculous rent, and he had lived here nearly forty years. He had found the place as a young man, wandering about in search of the picturesque. I gathered that he had bright dreams and wide ambitions. He had a small independence, and he had meant to paint great pictures and make a name for himself. He had married; his wife was long dead, his children out in the world, and he was living on alone, painting the same pictures, bought, so far as I could make out, mostly by American visitors. His drawing was old-fashioned and deeply mannerised. He was painting not what was there, but some old and faded conception of his own as to what it was like—missing, I think, half the beauty of the place. He seemed horribly desolate. I tried, for his consolation and my own, to draw out a picture of the beautiful refined life he led; and the old fellow began to wear a certain jaunty air of dignity and distinction, which would have amused me if it had not made me feel inclined to cry. But he soon fell back into what is, I suppose, a habitual melancholy. "Ah, if you had known what my dreams were!" he said once. He went on to say that he now wished that he had taken up some simple and straightforward profession, had made money, and had his grandchildren about him. "I am more ghost than man," he said, shaking his dejected head.
I despair of expressing to you the profound pathos that seemed to me to surround this old despondent creature, with his broken dreams and his regretful memories. Where was the mistake he made? I suppose that he over-estimated his powers; but it was a generous mistake after all; and he has had to bear the slow sad disillusionment, the crushing burden of futility. He set out to win glory, and he is a forgotten, shabby, irresolute figure, subsisting on the charity of wealthy visitors! And yet he seems to have missed happiness by so little. To live as he does might be a serene and beautiful thing. If such a man had large reserves of hope and tenderness and patience; if he could but be content with the tranquil beauty of the wholesome earth, spread so richly before his eyes, it would be a life to be envied.
It has been a gentle lesson to me, that one must resolutely practise one's heart and spirit for the closing hours. In the case of successful men, as they grow older, it often strikes me with a sense of pain how passionately they cling to their ambitions and activities. How many people there are who work too long, and try to prolong the energies of morning into the afternoon, and the toil of afternoon into the peace of evening. I earnestly desire to grow old gracefully; to know when to stop, when to slip into a wise and kindly passivity, with sympathy for those who are in the forefront of the race. And yet if one does not practise wonder and receptivity and hope, one cannot expect them to come suddenly and swiftly to one's call. There comes a day when a man ought to be able to see that his best work is behind him, that his active influence is on the wane, that he is losing his hold on the machine. There ought to come a patient, beautiful, and kindly dignity, a love of young things and fresh flowers; not an envious and regretful unhappiness at the loss of the eager life and its brisk sensations, which betrays itself too often in a trickle of exaggerated reminiscences, a "weary, day-long chirping."
This is a harder task, I suppose, for an old bachelor than for a father of children. I have sometimes felt that adoption, with all its risks, of some young creature that you can call your own, would be a solution for many loveless lives, because it would stir them out of the comfortable selfishness that is the bane of the barren heart.
Of course, a schoolmaster suffers from this less than most professional men; but, even so, it is melancholy to reflect how the boys one has cared for, and tried to help, drift out of one's sight and ken. I have no touch of the feeling which they say was characteristic of Jowett—and indeed is amply evidenced by his correspondence—that once a man's tutor he was always his tutor, even though his pupil became grey-headed and a grandfather. One must do the best for the boys and look for no gratitude; it often comes, indeed, in rich measure, but the schoolmaster who craves for it is lost.
Well, it is time to stop. I sit in a little, low raftered parlour of the old inn; the fire in the big hearth flickers into ash, and my candles flare to their sockets. I leave the place to-morrow; and such is the instinct for permanence in the human mind, that I feel depressed and melancholy, as though I were leaving home.—Ever your affectionate,
T. B.
THE BLUE BOAR,STANTON HARDWICK,April 21, 1904.
DEAR HERBERT,—I have made a pilgrimage to Stratford-on-Avon. I now feel overwhelmed with shame to reflect that, though my chief preoccupations apart from my profession have been literary, I have never visited the sacred place before. For an Englishman who cares for literature not to have been to Stratford-on-Avon is as gross a neglect as for an Englishman who has any sense of patriotism not to have visited Westminster Abbey.
And now that I have been there and returned, and have leisure to think it all over, I feel that I have been standing on the threshold of a mystery. Who, when all is said and done, was this extraordinary man? What were his thoughts, his aims, his views of himself and of the world? If Shakespeare was Shakespeare, he seems, to speak frankly, to have had a humanity distinct and apart from his genius. Here we have the son of a busy, quarrelsome, enterprising tradesman—who eventually indeed came to grief in trade—of a yeoman stock, and bearing a common name. His mother could not write her own signature. Of his youth we hear little that is not disreputable. He married under unpleasant circumstances, after an entanglement which took place at a very early age; he was addicted to poaching, or, at all events, to the illegal pursuit of other people's game. Then he drifts up to London and joins a theatrical company—then a rascally kind of trade—deserting his wife and family. His life in London is full of secrets. He is a man of mysterious passions and dangerous friendships. He writes plays of incomparable depth and breadth, touching every chord of humour, tragedy and pathos; certain rather elaborate poems of a precieux type, and strange sonnets, revealing a singular poignancy of unconventional feelings. But here, again, it is difficult to conceive that the writer of the Sonnets, who touched life so intensely at one feverish point, should have had the amazing detachment and complexity of mind and soul that the plays reveal. The notices of his talk and character are few and unenlightening, and testify to a certain easy brilliance of wit, but no more. Before he is thirty he is spoken of as both "upright" and "facetious"—a singular combination.
Then he suddenly appears in another aspect; at the age of thirty-two he is a successful, well-to-do man. And then his ambition, if he had any, seems to shift its centre, and he appears to be only bent upon restoring the fortunes of his family, and attaining a solid municipal position. He buys the biggest house in his native place; from the proceeds of his writings, his professional income as an actor, and from his share in the playhouse of which he is part owner, he purchases lands and houses, he engages in lawsuits, he concerns himself with grants of arms. Still the flood of stupendous literature flows out; he seems to be under a contract to produce plays, for which he receives the magnificent sum of L10 (L100 of our money). He writes easily and never corrects. He seems to set no store on his writings, which stream from him like light from the sun. He adapts, collaborates, and has no idea of what would be called a high vocation.
At forty-seven it all ceases; he writes no more, but lives prosperously in his native town, with occasional visits to London. At fifty-two his health fails. He makes business-like arrangements in the event of death, and faces the darkness of the long sleep like any other good citizen.
Who can co-ordinate or reconcile these things? Who can conceive the likeness of the man, who steps in this light-hearted, simple way on to the very highest platform of literature—so lofty and unattainable a place he takes without striving, without arrogance, a throne among the thrones where Homer, Virgil, and Dante sit? And yet his mind is set, not on these things, but on acres and messuages, tithes and investments. He seems not only devoid of personal vanity, but even of that high and solemn pride which made Keats say, with faltering lips, that he believed he would be among the English poets after his death.
I came through the pleasant water-meadows and entered the streets of the busy town. Everything, from bank to eating-shop, bears the name of Shakespeare; and one cannot resist the thought that such local and homely renown would have been more to our simple hero's taste than the laurel and the throne. I groaned in spirit over the monstrous playhouse, with its pretentious Teutonic air; I walked through the churchyard, vocal with building rooks, and came to the noble church, full of the evidences of wealth and worship and honour. I do not like to confess the breathless awe with which I drew near to the chancel and gazed on the stone that, nameless, with its rude rhyme, covers the sacred dust. I cannot say what my thoughts were, but I was lost in a formless, unuttered prayer of true abasement before the venerable relics of the highest achievements of the human spirit. There beneath my feet slept the dust of the brain that conceived Hamlet and Macbeth, and the hand that had traced the Sonnets, and the eye that had plumbed the depths of life. That was a solemn moment, and I do not think I ever experienced so deep a thrill of speechless awe. I could not tear myself away; I could only wonder and desire.
Presently, by the kind offices of a pleasant simple verger, I did more. I mounted on some steps he brought, and looked face to face at the bust in the monument.
I cannot share in the feelings of those who would consider it formal or perfunctory. There was the high-domed forehead, like that of Pericles and Walter Scott; there were the steady eyes, the clear-cut nose; and as for the lips—I never for an instant doubted the truth of what I saw—I am as certain as I can be that they are the lips of a corpse, drawn up in the stiff tension of death, showing the teeth below. I am absolutely convinced that here we get as near to the man as we can get, and that the head is taken from a death-mask. What injures the dignity and beauty of the face is the plumpness of the chin that testifies to the burgher prosperity, the comfortable life, the unexercised brain of the later days. I saw afterwards the various portraits; I suppose it is a matter of evidence, but nothing convinced me of truth, not even the bilious, dilapidated, dyspeptic, white face of the folio engraving, with the horrible hydrocephalous development of skull. That is a caricature only. The others seem mere fancies.
Then I saw patiently the other relics, the foundations of New Place, the schoolhouse—but all without emotion, except a deep sense of shame that the only records allowed to stand in the long, low-latticed room in which the boy Shakespeare probably saw a play first acted, are boards recording the names of school football and cricket teams. The ineptitude of such a proceeding, the hideous insistence of the athletic craze of England, drew from me a despairing smile; but I think that Shakespeare himself would have viewed it with tolerance and even amusement.
But most of these relics, like Anne Hathaway's Cottage, are restored out of all interest, and only testify to the silly and frivolous demands of trippers.
But, my dear Herbert, the treasure is mine. Feeble as the confession is, I do not think I ever realised before the humanity of Shakespeare. He seemed to me before to sit remote, enshrined aloof, the man who could tell all the secrets of humanity that could be told, and whose veriest hints still seem to open doors into mysteries both high and sweet and terrible. But now I feel as if I had been near him, had been able to love what I had only admired.
I feel somehow that it extends the kingdom of humanity to have realised Shakespeare; and yet I am baffled. But I seem to trace in the later and what some would call the commonplace features of the man's life, a desire to live and be; to taste life itself, not merely to write of what life seemed to be, and of what lay behind it. I am sure that some such allegory was in his mind when he wrote of Prospero, who so willingly gave up the isle full of noises, the power over the dreaming, sexless spirits of air and wood, to go back to his tiresome dukedom, and his petty court, and all the dull chatter and business of life. I am sure that Shakespeare thought of his art as an Ariel—that dainty, delicate spirit, out of the reach of love and desire, that slept in cowslip-bells and chased the flying summer on the bat's back, and that yet had such power to delude and bemuse the human spirit. After all, Ariel could not come near the more divine inheritance of the human heart, sorrow and crying, love and hate. Ariel was but a merry child, lost in passionless delights, yearning to be free, to escape; and Prospero felt, and Shakespeare felt, that life, with all its stains and dreariness and disease and darkness, was something better and truer than the fragrant dusk of the copse, and the soulless laughter of the summer sea. Ariel could sing the heartless, exquisite song of the sea-change that could clothe the bones and eyes of the doomed king; but Prospero could see a fairer change in the eyes and heart of his lonely darling.
And I am glad that even so Shakespeare could be silent, and buy and sell, and go in and out among his fellow-townsmen, and make merry. That is better than to sit arid and prosperous, when the brain stiffens with stupor, and the hand has lost its cunning, and to read old newspaper-cuttings, and long for adequate recognition. God give me and all uneasy natures grace to know when to hold our tongues; and to take the days that remain with patience and wonder and tenderness; not making haste to depart, but yet not fearing the shadow out of which we come and into which we must go; to live wisely and bravely and sweetly, and to close our eyes in faith, with a happy sigh, like a child after a long summer day of life and delight.—Ever yours,
T. B.