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34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.
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With Compressed Leaves, made of thin and thick White, Drab, Yellow, and Grey Drawing Papers, forming a solid packet of thirty or forty leaves, each of which can be easily separated from the others by the introduction of a pen-knife underneath.
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Demy20 by 15Medium22 — 17Royal24 — 19Super Royal27 — 19Imperial30 — 21Colombier34 — 23Atlas34 — 26Double Elephant40 — 26Antiquarian52 — 31Extra Antiquarian56 — 40
Emperor, the largest size paper, 68 inches by 48 inches.Rough, Extra-thick, Tinted, and Hot pressed Papers, Drawing Cartridge Papers, for Architects, &c., Crayon, Tinted, London and Bristol Boards, English and French Tracing Papers, to 60 in. by 40 in.
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Made pure and perfectly free from any chemical agency that will tend to fade the Colours or alter their Tint. Recommended to those who paint with Body Colours, &c.
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Compressed Paper, in PacketsSketching Books of all kindsSketching Folios and PortfoliosAlbums and Scrap BooksSketching Books, with Boxes attachedSketching Desks for the NeckParlour's Patent Sketching Instrument and Camera Lucidas and ObscurasDesks, with Colours, &c., for dittoStands and Tables for dittoCamp and other Seats for SketchingJapanned Tin Boxes, with Moist Colours, Cups, Bottles, &c., for SketchingFixed Sketching Inks and Reed PensDitto, in Cases for Travelling, &c.Drawing and Sketching BoardsLiquid Sepia, for DrawingLeather Cases, for Colours, Brushes, &c.Creta Lævis Crayons, or different Colours that work dry or with waterPortable Cases, containing a Seat, Book, Box, &c. for SketchingArtists' Umbrellas, to shade the sunSeat and Table combined, for SketchingIndia Rubber Water BottlesIndia Ink of the finest quality, warranted genuine
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For straining thick or thin Drawing Paper more efficiently, and much more easily, without pasting or cutting; also fitted up with Colours, Brushes, Saucers, &c.
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Prepared Paper and Millboards, for Sketching from Nature, &c.Prepared Panels and Cloths, and Tickens on or off framesTin Boxes for Oil Colours, &c.Portable ditto for SketchingOil Colours in Cakes and Bottles (see Wilson's Letter)Tin Oil Cups, and Cups for Washing BrushesSteel, Ivory, and Horn Palette KnivesMahogany and Satin Wood PalettesBladder Colours, Powder Colours, and Raw ColoursRack, Folding, and Upright EaselsDesk and Table EaselsNut, Poppy, Linseed, and Drying OilsMastic, Copal, and Spirit VarnishesTurpentine Gold Size, Asphaltum and M'GuelphGlass, Stone, and Earthen Slabs and MullersMaul or Rest SticksCharcoal and Pipe ClayBladder Colour NobsOil Box and Easel combinedC. Smith's new invented Telescope portable Cane Easels, extremely light, for SketchingCompressed Oil Papers for Sketches
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34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.
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For Sketching, so contrived, that any person with a slight knowledge of Drawing can use them without difficulty, straining the sight, or previous practice. The images, being reflected on paper, require nothing more than tracing their outlines.
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Mathematical InstrumentsDividers and CompassesTee Squares and TrianglesFlat, Parallel and Stationer's RulersTracers, Erasing and Pen KnivesDrawing Pins and Indian GlueCrow Quills and PensDeal and Mahogany Clamped BoardsBoxes of Juvenile Colours, &c.Conte's Black, White, and Red ChalksVancouver's Cement for mending ChinaBlack Lead Powder, and Crayons for StumpingBest Italian Black, White, and Red Chalks, in Crayons and PencilsLithographic and French ChalksCabinet Saucers in CasesIndian Rubber and SpongeBlack Lead, in Cakes, for MezzotintingIndelible Marking Ink, for LinenOx Gall, in Pots and LiquidGold and Silver, in Shells, Saucers, and LeavesGold, Silver, Copper, and Green BronzesIvories for Miniature PaintingGum Water for ditto, &c.Leather, Paper, and Cork StampsImproved Holders and PortcrayonsHarding's Silver Crayon HoldersOriental Tinting PaperWhite and Coloured Tissue PaperSponge Pencils
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A M'Guelph, or Medium, for using with Water-Colours, either transparent or semi-opaque, for obtaining opaque masses of colour or glazing. Drying slower than water, and not so fluid, enables the touch to be preserved where required without hard ridges.
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Soft Swiss and French CrayonsHarding's Lithographic Drawing BooksSketches, Tinted Paper, &c.Fixing Liquid for Chalk Drawings, &c.Varley's and Hayter's PerspectivesCooper's Studies of CattleModelling ToolsLeather and Paper Pencil CasesFinest Quality Indian InkBest Clear VellumInk Stones and SaucersSlabs, Tiles, and Palettes in great varietyIvory and other Pencil RacksGlass Frames for TracingGraining CombsPhotogenic MaterialsPatterns for Irregular LinesFixing Liquid for Chalk Drawings, &c.New Perspective Parallel RulersProut's Hints on Light, Shadow, &c.—— Figures for Landscapes, &c.Merimeé's Oil PaintingCawse's dittoHoward's Sketcher's Manual—— on ColourLaporte's Studies of Trees
A great variety of Juvenile Lithographic Drawing Books of Landscapes, Animals, and the Human Figure, and other Popular Works on Drawing and Painting.
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For the practice of young students in obtaining a knowledge of the first rudiments of Perspective Drawing, Light and Shade, &c. with numerous illustrations explanatory of the infinite variety of useful Drawing Studies they are capable of forming together. To be had complete in boxes, price 10s.6d.and £1 1s.
A variety of Miniature Models of Churches, Cottages, Castles, &c. &c.; lent out for the use of early in-door Landscape Students, as a substitute for Nature.
October, 1841.
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34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.
HARDING'S DRAWING BOOK, 1841. Sketches in Sepia and Chalk, partly original and partly selected. Six Nos. 3s. 6d. each; half morocco, 24s.
SKETCHES AT HOME AND ABROAD, containing more than Sixty Views, tinted in imitation of the Original Drawings. Imperial folio, half-bound morocco, £6. 6s.
***This splendid work has been entirely drawn on Stone by Mr.Hardinghimself, and printed under his immediate inspection. The resemblance to the Original Sketches is complete, and each Subject may be considered as abonâ fideand first-rate Drawing.
ELEMENTARY ART: THE USE OF THE LEAD-PENCIL ADVOCATED AND EXPLAINED. New Edition. Imperial 4to. cloth, price £2. 2s.
***The object of this work is to teach the young Student and the Amateur, by the practical use of the simplest (but most valuable) instrument in art—the Lead-pencil—how they may study Nature and acquire Art with the certainty of eventual success, and also to furnish them with assistance to which they may continually refer in the absence of their Master. The work is illustrated by Twenty-eight Lithographic Drawings by Mr.Harding, and he has followed as nearly as possible the course which his experience in actual instruction has suggested to him.
HARDING'S DRAWING BOOK, 1837. Each Number of this Work contains Four Studies, including in the whole a great variety of subjects. The whole are printed on India Paper, price 3s. each Part; or 21s. neatly half-bound.
HARDING'S DRAWING BOOK, 1838. A Series of advanced Studies, printed in Mr.Harding'snew tinted style. Imperial 4to. Six Nos. 3s. each; or, neatly half-bound morocco, 21s.
HARDING'S PORTFOLIO. Twenty-four highly-finished Sketches, tinted in exact imitation of the Original Drawings. Half-morocco, price 21s.; or, coloured, 31s. 6d.
HARDING'S EARLY DRAWING BOOK, consisting entirely of Elementary Studies for Beginners. Six Nos. 1s. 6d. each; or, bound in cloth, 10s. 6d.
PROUT'S MICROCOSM; or Artist's Sketch-Book of Groups of Figures, Shipping, and other Picturesque Objects. BySamuel Prout, F.S.A. Printed in tints. Imperial 4to. Six Nos. 4s. each, or, neatly bound, 24s.
PROUT'S ELEMENTARY DRAWING BOOK of Landscapes, Buildings, &c. Six Nos. 1s. 6d.; cloth, 10s. 6d.
SKETCH BOOK OF SHIPPING AND CRAFT. By W. M.Grundy. In Progressive Studies. Six Nos. 1s. 6d.; cloth, 10s. 6d.
ANDREW'S PROGRESSIVE DRAWING BOOK OF FLOWERS. Six Nos. coloured, 1s. 6d.; cloth, very neat, 9s.
BARRAUD'S STUDIES OF ANIMALS. Lithographed byFairland. Six Nos. large 4to. 3s.; or coloured, 5s.
JULIEN'S STUDIES OF HEADS. Selected or Drawn from Nature. Six Nos. 2s,; cloth, 14s.
WORSLEY'S LITTLE DRAWING BOOK. Easy Studies in Landscapes, Houses, &c. Fourteen Nos. 6d.; or two vols, cloth, 4s. each.
ZEITTER'S STUDIES OF ANIMALS AND RUSTIC GROUPS. Six. Nos. 1s.; cloth, 7s. 6d.
THE LITTLE SKETCH BOOK. Very easy Studies in Landscapes, Figures, &c. By G.Childs. New and improved Edition, Fourteen Nos. 6d.; or in 2 vols, cloth, 4s. each.
FAIRLAND'S JUVENILE ARTIST. Figures, Landscapes, and Shipping. Eight Nos. 1s.; or cloth, 8s.
COOPER'S STUDIES OF ANIMALS. Eight Nos. 2s.; or 16s. bound.
LESSONS IN FLOWER PAINTING. Drawn and coloured after Nature, byJames Andrews. Six Nos. 2s. 6d.; cloth gilt, 16s.
FAIRLAND'S DRAWING BOOK OF THE HUMAN FIGURE. In a Series of Progressive Studies. Twelve Nos. 2s.; or 2 vols, cloth, 12s. each.
CHILD'S ELEMENTARY DRAWING BOOK. Studies from Nature, in Progressive Lessons. Eight Nos. 9d.; cloth, 7s. 6d.
HARLEY'S LANDSCAPE DRAWING BOOK. Six Nos. 1s.; cloth, 7s. 6d.
PHILLIPS' FAMILIAR LIFE. Etchings of Figures, Groups, &c. Three Nos. 1s. 6d.
Transcriber's Notes:Obvious punctuation errors repaired.Text uses both "development" and "developement."The remaining corrections made are indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text willappear.
Obvious punctuation errors repaired.
Text uses both "development" and "developement."
The remaining corrections made are indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text willappear.