The Duke-errant had prepared himself for the first glimpse of the battlements of lower New York, but as theBermudiancame up the bay that rosy spring afternoon, the western sun gilding the upper half of the castellated towers which rose from a sea of moving shadows, it seemed a dream city, the fortress of a fairy tale. His fingers tingled to express this frozen music, to relieve it from its spell of enchantment, and phrases of Debussy's "Cathédrale Engloutie" came welling up within him from almost forgotten depths.
"Parbleu!She's grown some, Pete, since I saw her last!"
This from his grotesque companion who was not moved by concord of sweet sounds. "They've buried the Trinity clean out of sight."
"The Trinity?" questioned Peter solemnly.
"Bless your heart——" laughed Coast, "I'd say so——But I mean, the church——And that must be the Woolworth Building yonder. Where's yer St. Paul's and Kremlin now? Some village,—what?"
"Gorgeous!" muttered Peter.
"Hell of a thing to tackle single-handed, though, eh, boh?"
Something of the same thought was passing through Peter's mind but he only smiled.
"I'll find a job," he said slowly.
"Waitin'!" sneered Coast. "Fine job that for a manwith your learnin'. 'Hey, waiter! Some butter if you please,'" he satirized in mincing tones, "'this soup is cold—this beef is underdone. Oh,cawn'tyou give me some service here!' I say, don't you hear 'em—people that never saw a servant in their own home town. Pretty occupation for an old war horse like me or a globe-trotter like you. No. None for me. I'll fry my fish in a bigger pan.Allons!Pete. I like you. I'll like you more when you grow some older, but you've got a head above your ears that ain't all bone. I can use you. What d'ye say? We'll get ashore, some way, and then we'll show the U. S. A. a thing or two not written in the books."
"We'll go ashore together, Jim. Then we'll see."
"Righto! But I'll eat my hat if I can see you balancin' dishes in a Broadway Chop House."
Peter couldn't see that either, but he didn't tell Jim Coast so. Their hour on deck had struck, for a final meal was to be served and they went below to finish their duties. That night they were paid off and discharged.
The difficulties in the way of inspection and interrogation of Peter Nichols, the alien, were obviated by the simple expedient of his going ashore under cover of the darkness and not coming back to the ship—this at a hint from the sympathetic Armitage who gave the ex-waiter a handclasp and his money and wished him success.
Midnight found Peter and Jim Coast on Broadway in the neighborhood of Forty-second Street with Peter blinking comfortably up at the electric signs and marveling at everything. The more Coast drank the deeper was his cynicism but Peter grew mellow. This was a wonderful new world he was exploring and with two thousand dollars safely tucked on the inside of his waistcoat, he was ready to defy the tooth of adversity.
In the morning Peter Nichols came to a decision. And so over the coffee and eggs when Coast asked him whathis plans were he told him he was going to look for a job.
Coast looked at him through the smoke of his cigar and spoke at last.
"I didn't think you'd be a quitter, Pete. The world owes us a livin'—you and me——Bah! It's easy if you'll use your headpiece. If the world won't give, I mean to take. The jobs are meant for little men."
"What are you going to do?"
"An enterprisin' man wouldn't ask such a question. Half the people in the world takes what the other half gives. You ought to know what halfIbelong to."
"I'm afraid I belong to the other half, Jim Coast," said Peter quietly.
"Sacré—!" sneered the other, rising suddenly. "Where you goin' to wait, Pete? At the Ritz or the Commodore? In a month you'll be waitin' onme. It'll beMisterCoast for you then,mon garçon, but you'll still be Pete." He shrugged and offered his hand. "Well, we won't quarrel but our ways split here."
"I'm sorry, Jim. Good-by."
He saw Coast slouch out into the street and disappear m the crowd moving toward Broadway. He waited for a while thinking deeply and then with a definite plan in his mind strolled forth. First he bought a second-hand suit case in Seventh Avenue, then found a store marked "Gentlemen's Outfitters" where he purchased ready-made clothing, a hat, shoes, underwear, linen and cravats, arraying himself with a sense of some satisfaction and packing in his suitcase what he couldn't wear, went forth, found a taxi and drove in state to a good hotel.
New York assimilates its immigrants with surprising rapidity. Through this narrow funnel they pour into the "melting pot," their racial characteristics already neutralized, their souls already inoculated with the spirit ofindividualism. Prepared as he was to accept with a good grace conditions as he found them, Peter Nichols was astonished at the ease with which he fitted into the niche that he had chosen. His room was on the eighteenth floor, to which and from which he was shot in an enameled lift operated by a Uhlan in a monkey-cap. He found that it required a rather nice adjustment of his muscles to spring forth at precisely the proper moment. There was a young lady who presided over the destinies of the particular shelf that he occupied in this enormous cupboard, a very pretty young lady, something between a French Duchess and a lady's maid. Her smile had a homelike quality though and it was worth risking the perilous catapulting up and down for the mere pleasure of handing her his room key. Having no valuables of course but his money which he carried in his pockets there was no danger from unprincipled persons had she been disposed to connive at dishonesty.
His bedroom was small but neat and his bathroom was neat but small, tiled in white enamel, containing every device that the heart of a clean man could desire. He discovered that by dropping a quarter into various apertures he could secure almost anything he required from tooth paste to razor blades. There was a telephone beside his bed which rang at inconvenient moments and a Bible upon the side table proclaimed the religious fervor of this extraordinary people. A newspaper was sent in to him every morning whether he rang for it or not, and every time he did ring, a lesser Uhlan brought a thermos bottle containing iced water. This perplexed him for a time but he was too much ashamed of his ignorance to question. You see, he was already acquiring the first ingredient of the American character—omniscience, for he found that in New York no one ever admits that he doesn't know everything.
But it was all very wonderful, pulsing with life,eloquent of achievement. He was in no haste. By living with some care, he found that the money from his ruby would last for several months. Meanwhile he was studying his situation and its possibilities. Summing up his own attainments he felt that he was qualified as a teacher of the piano or of the voice, as an instructor in languages, or if the worst came, as a waiter in a fashionable restaurant—perhaps even a head-waiter—which from the authority he observed in the demeanor of the lord of the hotel dining room seemed almost all the honor that a person in America might hope to gain. But, in order that no proper opportunity should slip by, he scanned the newspapers in the hope of finding something that he could do.
As the weeks passed he made the discovery that he was being immensely entertained. He was all English now. It was not in the least difficult to make acquaintances. Almost everybody spoke to everybody without the slightest feeling of restraint. He learned the meaning of the latest American slang but found difficulty in applying it, rejoiced in the syncopation of the jazz, America's original contribution to the musical art, and by the end of a month thought himself thoroughly acclimated.
But he still surprised inquiring glances male and female cast in his direction. There was something about his personality which, disguise it as he might under American-made garments and American-made manners, refused to be hidden. It was his charm added to his general good nature and adaptability which quickly made Peter Nichols some friends of the better sort. If he had been willing to drift downward he would have cast in his lot with Jim Coast. Instead, he followed decent inclinations and found himself at the end of six weeks a part of a group of young business men who took him home to dine with their wives and gave him the benefit of their friendly advice. To all of them he told the same story, that he was an Englishmanwho had worked in Russia with the Red Cross and that he had come to the United States to get a job.
It was a likely story and most of them swallowed it. But one clever girl whom he met out at dinner rather startled him by the accuracy of her intuitions.
"I have traveled a good deal, Mr. Nichols," she said quizzically, "but I've never yet met an Englishman like you."
"It is difficult for me to tell whether I am to consider that as flattery or disapproval," said Peter calmly.
"You talk like an Englishman, but you're entirely too much interested in everything to be true to type."
"Ah, really——"
"Englishmen are either bored or presumptuous. You're neither. And there's a tiny accent that I can't explain——"
"Don't try——"
"I must. We Americans believe in our impulses. My brother Dick says you're a man of mystery. I've solved it," she laughed, "I'm sure you're a Russian Grand Duke incognito."
Peter laughed and tried bravado.
"You are certainly all in the mustard," he blundered helplessly.
And she looked at him for a moment and then burst into laughter.
These associations were very pleasant, but, contrary to Peter's expectations, they didn't seem to be leading anywhere. The efforts that he made to find positions commensurate with his ambitions had ended in blind alleys. He was too well educated for some of them, not well enough educated for others.
More than two months had passed. He had moved to a boarding house in a decent locality, but of the two thousands dollars with which he had entered New York therenow remained to him less than two hundred. He was beginning to believe that he had played the game and lost and that within a very few weeks he would be obliged to hide himself from these excellent new acquaintances and go back to his old job. Then the tide of his fortune suddenly turned.
Dick Sheldon, the brother of the girl who was "all in the mustard," aware of Peter's plight, had stumbled across the useful bit of information and brought it to Peter at the boarding house.
"Didn't you tell me that you'd once had something to do with forestry in Russia?" he asked.
Peter nodded. "I was once employed in the reafforestation of a large estate," he replied.
"Then I've found your job," said Sheldon heartily, clapping Peter on the back. "A friend of Sheldon, Senior's, Jonathan K. McGuire, has a big place down in the wilderness of Jersey—thousands of acres and he wants a man to take charge—sort of forestry expert and general superintendent, money no object. I reckon you could cop out three hundred a month as a starter."
"That looks good to me," said Peter, delighted that the argot fell so aptly from his lips. And then, "You're not spoofing, are you?"
"Devil a spoof. It's straight goods, Nichols. Will you take it?"
Peter had a vision of the greasy dishes he was to escape.
"Will I?" he exclaimed delightedly. "Can I get it?"
"Sure thing. McGuire is a millionaire, made a pot of money somewhere in the West—dabbles in the market. That's where Dad met him. Crusty old rascal. Daughter. Living down in Jersey now, alone with a lot of servants. Queer one. Maybe you'll like him—maybe not."
Peter clasped his friend by the hands.
"Moloch himself would look an angel of mercy to me now."
"Do you think you can make good?"
"Well, rather. Whom shall I see? And when?"
"I can fix it up with Dad, I reckon. You'd better come down to the office and see him about twelve."
Peter Sheldon, Senior, looked him over and asked him questions and the interview was quite satisfactory.
"I'll tell you the truth, as far as I know it," said Sheldon, Senior (which was more than Peter Nichols had done). "Jonathan K. McGuire is a strange character—keeps his business to himself——. How much he's worth nobody knows but himself and the Treasury Department. Does a good deal of buying and selling through this office. A hard man in a deal but reasonable in other things. I've had his acquaintance for five years, lunched with him, dined with him—visited this place in Jersey, but I give you my word, Mr. Nichols, I've never yet got the prick of a pin beneath that man's skin. You may not like him. Few people do. But there's no harm in taking a try at this job."
"I shall be delighted," said Nichols.
"I don't know whether you will or not," broke in Sheldon, Senior, frankly. "Something's happened lately. About three weeks ago Jonathan K. McGuire came into this office hurriedly, shut the door behind him, locked it—and sank into a chair, puffing hard, his face the color of putty. He wouldn't answer any questions and put me off, though I'd have gone out of my way to help him. But after a while he looked out of the window, phoned for his car and went again, saying he was going down into Jersey."
"He was sick, perhaps," ventured Peter.
"It was something worse than that, Mr. Nichols. He looked as though he had seen a ghost or heard a banshee.Then this comes," continued the broker, taking up a letter from the desk. "Asks for a forester, a good strong man. You're strong, Mr. Nichols? Er—and courageous? You're not addicted to 'nerves'? You see I'm telling you all these things so that you'll go down to Black Rock with your eyes open. He also asks me to engage other men as private police or gamekeepers, who will act under your direction. Queer, isn't it? Rather spooky, I'd say, but if you're game, we'll close the bargain now. Three hundred a month to start with and found. Is that satisfactory?"
"Perfectly," said Peter with a bow. "When do I begin?"
"At once if you like. Salary begins now. Fifty in advance for expenses."
"That's fair enough, Mr. Sheldon. If you will give me the directions, I will go to-day."
"To-morrow will be time enough." Sheldon, Senior, had turned to his desk and was writing upon a slip of paper. This he handed to Peter with a check.
"That will show you how to get there," he said as he rose, brusquely. "Glad to have met you. Good-day."
And Peter felt himself hand-shaken and pushed at the same time, reaching the outer office, mentally out of breath from the sudden, swift movement of his fortunes. Sheldon, Senior, had not meant to be abrupt. He was merely a business man relaxing for a moment to do a service for a friend. When Peter Nichols awoke to his obligations he sought out Sheldon, Junior, and thanked him with a sense of real gratitude and Sheldon, Junior, gave him a warm handclasp and Godspeed.
The Pennsylvania Station caused the new Superintendent of Jonathan K. McGuire to blink and gasp. He paused, suit case in hand, at the top of the double flight of stairsto survey the splendid proportions of the waiting room where the crowds seemed lost in its great spaces. In Europe such a building would be a cathedral. In America it was a railway station. And the thought was made more definite by the Gregorian chant of the train announcer which sounded aloft, its tones seeking concord among their own echoes.
This was the portal to the new life in which Peter was to work out his own salvation and the splendor of the immediate prospect uplifted him with a sense of his personal importance in the new scheme of things of which this was a part. He hadn't the slightest doubt that he would be able to succeed in the work for which he had been recommended, for apart from his music—which had taken so many of his hours—there was nothing that he knew more about or loved better than the trees. He had provided himself the afternoon before with two books by American authorities and other books and monographs were to be forwarded to his new address.
As he descended the stairs and reached the main floor of the station, his glance caught the gaze of a man staring at him intently. The man was slender and dark, dressed decently enough in a gray suit and soft hat and wore a small black mustache. All of these facts Peter took note of in the one glance, arrested by the strange stare of the other, which lingered while Peter glanced away and went on. Peter, who had an excellent memory for faces, was sure that he had never seen the man before, but after he had taken a few steps, it occurred to him that in the stranger's eyes he had noted the startled distention of surprise and recognition. And so he stopped and turned, but as he did so the fellow dropped his gaze suddenly, and turned and walked away. The incident was curious and rather interesting. If Peter had had more time he would have sought out the fellow and asked himwhy he was staring at him, but there were only a few moments to spare and he made his way out to the concourse where he found his gate and descended to his train. Here he ensconced himself comfortably in the smoking car, and was presently shot under the Hudson River (as he afterwards discovered) and out into the sunshine of the flats of New Jersey.
He rolled smoothly along through the manufacturing and agricultural districts, his keenly critical glances neglecting nothing of the waste and abundance on all sides. He saw, too, the unlovely evidences of poverty on the outskirts of the cities, which brought to his mind other communities in a far country whose physical evidences of prosperity were no worse, if no better, than these. Then there came a catch in his throat and a gasp which left him staring but seeing nothing. The feeling was not nostalgia, for that far country was no home for him now. At last he found himself muttering to himself in English, "My home—my home is here."
After a while the mood of depression, recurrent moments of which had come to him in New York with diminishing frequency, passed into one of contemplation, of calm, like those which had followed his nights of passion on the Dnieper, and at last he closed his eyes and dozed. Visions of courts and camps passed through his mind—of brilliant uniforms and jeweled decorations; of spacious polished halls, resplendent with ornate mirrors and crystal pendant chandeliers; of diamond coronets, of silks and satins and powdered flunkies. And then other visions of gray figures crouched in the mud; of rain coming out of the dark and of ominous lights over the profile of low hills; of shrieks; of shells and cries of terror; of his cousin, a tall, bearded man on a horse in a ravine waving an imperious arm; of confusion and moving thousands, the creak of sanitars, the groans of men calling upon mothersthey would never see. And then with a leap backward over the years, the vision of a small man huddled against the wall of a courtyard being knouted until red stains appeared on his gray blouse and then mingled faintly in the mist and the rain until the small man sank to the full length of his imprisoned arms like one crucified....
Peter Nichols straightened and passed a hand across his damp forehead. Through the perspective of this modern civilization what had been passing before his vision seemed very vague, very distant, but he knew that it was not a dream....
All about him was life, progress, industry, hope—a nation in the making, proud of her brief history which had been built around an ideal. If he could bring this same ideal back to Russia! In his heart he thanked God for America—imperfect though she was, and made a vow that in the task he had set for himself he should not be found wanting.
Twice he changed trains, the second time at a small junction amid an ugliness of clay-pits and brickyards and dust and heat. There were perhaps twenty people on the platform. He walked the length of the station and as he did so a man in a gray suit disappeared around the corner of the building. But Peter Nichols did not see him, and in a moment, seated in his new train in a wooden car which reminded him of some of the ancient rolling stock of the St. Petersburg and Moscow Railroad, he was taken haltingly and noisily along the last stage of his journey.
But he was aware of the familiar odor of the pine balsam in his nostrils, and as he rolled through dark coverts the scent of the growing things in the hidden places in the coolth and damp of the sandy loam. He saw, too, tea-colored streams idling among the sedges and charred wildernesses of trees appealing mutely with their blackened stumps like wounded creatures in pain, a bit ofwar-torn Galicia in the midst of peace. Miles and miles of dead forest land, forgotten and uncared for. There was need here for his services.
With a wheeze of steam and a loud crackling of woodwork and creaking of brakes the train came to a stop and the conductor shouted the name of the station. Rather stiffly the traveler descended with his bag and stood upon the small platform looking about him curiously. The baggage man tossed out a bundle of newspapers and a pouch of mail and the train moved off. Apparently Peter Nichols was the only passenger with Pickerel River as a destination.
And as the panting train went around a curve, at last disappearing, it seemed fairly reasonable to Peter Nichols that no one with the slightest chance of stopping off anywhere else would wish to get off here. The station was small, of but one room and a tiny office containing, as he could see, a telegraph instrument, a broken chair with a leather cushion, a shelf and a rack containing a few soiled slips of paper, but the office had no occupant and the door was locked. This perhaps explained the absence of the automobile which Mr. Sheldon had informed him would meet him in obedience to his telegram announcing the hour of his arrival. Neither within the building nor without was there any person or animate thing in sight, except some small birds fluttering and quarreling along the telegraph wires.
There was but one road, a sandy one, wearing marks of travel, which emerged from the scrub oak and pine and definitely concluded at the railroad track. This, then, was his direction, and after reassuring himself that there was no other means of egress, he took up his black suitcase and set forth into the wood, aware of a sense of beckoning adventure. The road wound in and out, up and down, over what at one time must have been the floorof the ocean, which could not be far distant. Had it not been for the weight of his bag Peter would have enjoyed the experience of this complete isolation, the fragrant silences broken only by the whisper of the leaves and the scurrying of tiny wild things among the dead tree branches. But he had no means of knowing how far he would have to travel or whether, indeed, there had not been some mistake on Sheldon, Senior's, part or his own. But the directions had been quite clear and the road must of course lead somewhere—to some village or settlement at least where he could get a lodging for the night.
And so he trudged on through the woods which already seemed to be partaking of some of the mystery which surrounded the person of Jonathan K. McGuire. The whole incident had been unusual and the more interesting because of the strange character of his employer and the evident fear he had of some latent evil which threatened him. But Peter Nichols had accepted his commission with a sense of profound relief at escaping the other fate that awaited him, with scarcely a thought of the dangers which his acceptance might entail. He was not easily frightened and had welcomed the new adventure, dismissing the fears of Jonathan K. McGuire as imaginary, the emanations of age or an uneasy conscience.
But as he went on, his bag became heavier and the perspiration poured down his face, so reaching a cross-path that seemed to show signs of recent travel he put the suitcase down and sat on it while he wiped his brow. The shadows were growing longer. He was beginning to believe that there was no such place as Black Rock, no such person as Jonathan K. McGuire and that Sheldon, Senior, and Sheldon, Junior, were engaged in a conspiracy against his peace of mind, when above the now familiar whisperings of the forest he heard a new sound. Faintly it came at first as though from a great distance, mingling withthe murmur of the sighing wind in the pine trees, a voice singing. It seemed a child's voice—delicate, clear, true, as care-free as the note of a bird—unleashing its joy to the heavens.
Peter Nichols started up, listening more intently. The sounds were coming nearer but he couldn't tell from which direction, for every leaf seemed to be taking up the lovely melody which he could hear quite clearly now. It was an air with which he was unfamiliar, but he knew only that it was elemental in its simplicity and under these circumstances startlingly welcome. He waited another long moment, listening, found the direction from which the voice was coming, and presently noted the swaying of branches and the crackling of dry twigs in the path near by, from which, in a moment, a strange figure emerged.
At first he thought it was a boy, for it wore a pair of blue denim overalls and a wide-brimmed straw hat, from beneath which the birdlike notes were still emitted, but as the figure paused at the sight of him, the song suddenly ceased—he saw a tumbled mass of tawny hair and a pair of startled blue eyes staring at him.
"Hello," said the figure, after a moment, recovering its voice.
"Good-afternoon," said Peter Nichols, bowing from the waist in the most approved Continental manner. You see he, too, was a little startled by the apparition, which proclaimed itself beneath its strange garments in unmistakable terms to be both feminine and lovely.
They stood for a long moment regarding each other, both in curiosity; Peter because of the contrariety of the girl's face and garments, the girl because of Peter's bow, which was the most extraordinary thing that had ever happened in Burlington County. After a pause, a smile which seemed to have been hovering uncertainly around the corners of her lips broke into a frank grin, disclosing dimples and a row of white teeth, the front ones not quite together.
"Could you tell me," asked Peter very politely as he found his voice, "if this road leads to Black Rock?"
She was still scrutinizing him, her head, birdlike, upon one side.
"That depends on which way you're walkin'," she said.
She dropped her "g" with careless ease, but then Peter had noticed that many Americans and English people, some very nice ones, did that.
Peter glanced at the girl and then down the road in both directions.
"Oh, yes, of course," he said, not sure whether she was smiling at or with him. "I came from a station called Pickerel River and I wish to go to Black Rock."
"You'resureyou want to go there?"
"Oh, yes."
"I guess that's because you've never been to Black Rock, Mister."
"No, I haven't."
The girl picked a shrub and nibbled at it daintily.
"You'd better turn and go right back." Her sentence finished in a shrug.
"What's the matter with Black Rock?" he asked curiously.
"It's just the little end of nothin'. That's all," she finished decisively.
The quaint expression interested him. "I must get there, nevertheless," he said; "is it far from here?"
"Depends on what you call far. Mile or so. Didn't the 'Lizzie' meet the six-thirty?"
Peter stared at her vacuously, for this was Greek.
"The 'Lizzie'?"
"The tin 'Lizzie'—Jim Hagerman's bus—carries the mail and papers. Sometimes he gives me a lift about here."
"No. There was no conveyance of any sort and I really expected one. I wish to get to Mr. Jonathan K. McGuire's."
"Oh!"
The girl had been examining Peter furtively, as though trying vainly to place him definitely in her mental collection of human bipeds. Now she stared at him with interest.
"Oh, you're goin' to McGuire's!"
Peter nodded. "If I can ever find the way."
"You're one of the new detectives?"
"Detective!" Peter laughed. "No. Not that I'm aware. I'm the new superintendent and forester."
"Oh!"
The girl was visibly impressed, but a tiny frown puckered her brow.
"What's a forester?" she asked.
"A fellow who looks after the forests."
"The forests don't need any lookin' after out here in the barrens. They just grow."
"I'm going to teach them to grow better."
The girl looked at him for a long moment of suspicion. She had taken off her hat and the ruddy sunlight behind her made a golden halo all about her head. Her hands he had noted were small, the fingers slender. Her nose was well shaped, her nostrils wide, the angle of her jaw firmly modeled and her slender figure beneath the absurd garments revealed both strength and grace. But he did not dare to stare at her too hard or to question her as to her garments. For all that Peter knew it might be the custom of Burlington County for women to wear blue denim trousers.
And her next question took him off his guard.
"You city folk don't think much of yourselves, do you?"
"I don't exactly understand what you mean," said Peter politely, marking the satirical note.
"To think you can make these trees grow better!" she sniffed.
"Oh, I'm just going to help them to help themselves."
"That's God's job, Master."
Peter smiled. She wouldn't have understood, he thought, so what was the use of explaining. There must have been a superior quality in Peter's smile, for the girl put on her hat and came down into the road.
"I'm goin' to Black Rock," she said stiffly, "follow me." And she went off with a quick stride down the road.
Peter Nichols took up his bag and started, with difficulty getting to a place beside her.
"If you don't mind," he said, "I'd much rather walk with you than behind you."
She shrugged a shoulder at him.
"Suit yourself," she said.
In this position, Peter made the discovery that her profile was quite as interesting as her full face, but she no longer smiled. Her reference to the Deity entirely eliminated Peter and the profession of forestry from the pale of useful things. He was sorry that she no longer smiled because he had decided to make friends at Black Rock and he didn't want to make a bad beginning.
"I hope you don't mind," said Peter at last, "if I tell you that you have one of the loveliest voices that I have ever heard."
He marked with pleasure the sudden flush of color that ran up under her delicately freckled tan. Her lips parted and she turned to him hesitating.
"You—you heard me!"
"I did. It was like the voice of an angel in Heaven."
"Angel! Oh! I'm sorry. I—I didn't know any one was there. I just sing on my way home from work."
"You've been working to-day?"
She nodded. "Yes—Farmerettin'."
"Farmer——?"
"Workin' in the vineyard at Gaskill's."
"Oh, I see. Do you like it?"
"No," she said dryly. "I just do it for my health. Don't I look sick?"
Peter wasn't used to having people make fun of him. Even as a waiter he had managed to preserve his dignity intact. But he smiled at her.
"I was wondering what had become of the men around here."
"They're so busy walkin' from one place to another to see where they can get the highest wages, that there's no time to work in between."
"I see," said Peter, now really amused. "And does Mr. Jonathan McGuire have difficulty in getting men to work for him?"
"Most of his hired help come from away—like you——But lately they haven't been stayin' long."
"Why?"
She slowed her pace a little and turned to look at him curiously.
"Do you mean that you don't know the kind of a job you've got?"
"Not much," admitted Peter. "In addition to looking after the preserve, I'm to watch after the men—and obey orders, I suppose."
"H-m. Preserve! Sorry, Mr. what's your name——"
"Peter Nichols——" put in Peter promptly.
"Well, Mr. Peter Nichols, all I have to say is that you're apt to have a hard time."
"Yes, I'm against it!" translated Peter confidently.
The girl stopped in the middle of the road, put her hands on her hips and laughed up at the purpling sky. Her laugh was much like her singing—if angels in Paradise laugh (and why shouldn't they?). Then while he wondered what was so amusing she looked at him again.
"Upagainst it, you mean. You're English, aren't you?"
"Er—yes—I am."
"I thought so. There was one of you in the glass factory. He always muffed the easy ones."
"Oh, you work in a glass factory?"
"Winters. Manufacturin' whiskey and beer bottles. Now we're goin' dry, they'll be makin' pop and nursin' bottles, I guess."
"Do you help in the factory?"
"Yes, and in the office. I can shorthand and type a little."
"You must be glad when a summer comes."
"I am. In winter I can't turn around without breakin' something. They dock you for that——"
"And that's why you sing when you can't break anythin'?"
"I suppose so. I like the open. It isn't right to be cooped up."
They were getting along beautifully and Peter was even beginning to forget the weight of his heavy bag. She was a quaint creature and quite as unconscious of him as though he hadn't existed. He was just somebody to talk to. Peter ventured.
"Er—would you mind telling me your name?"
She looked at him and laughed friendly.
"You must have swallowed a catechism, Mr. Nichols. But everybody in Black Rock knows everybody else—more'n they want to, I guess. There's no reason I shouldn't tell you. I don't mind your knowin'. My name is Beth Cameron."
"Beth——?"
"Yes, Bess—the minister had a lisp."
Peter didn't lack a sense of humor.
"Funny, isn't it?" she queried with a smile as he laughed, "bein' tied up for life to a name like that just because the parson couldn't talk straight."
"Beth," he repeated, "but I like it. It's like you. I hope you'll let me come to see you when I get settled."
"H-m," she said quizzically. "You don't believe in wastin' your time, do you?" And then, after a brief pause, "You know they call us Pineys back here in the barrens, but just the same we think a lot of ourselves and we're a little offish with city folks. You can't be too particular nowadays about the kind of people you go with."
Peter stared at her and grinned, his sense of the situation more keenly touched than she could be aware of.
"Particular, are you? I'm glad of that. All the more credit to me if you'll be my friend."
"I didn't say I was your friend."
"But you're going to be, aren't you? I know something about singing. I've studied music. Perhaps I could help you."
"You! You've studied? Lord of Love! You're not lyin', are you?"
He laughed. "No. I'm not lying. I was educated to be a musician."
She stared at him now with a new look in her eyes but said nothing. So Peter spoke again.
"Do you mean to say you've never thought of studying singing?"
"Oh, yes," she said slowly at last, "I've thought of it, just as I've thought of goin' in the movies and makin' a million dollars. Lots of goodthinkin'does!"
"You've thought of the movies?"
"Yes, once. A girl went from the glass factory. She does extra ladies. She visited back here last winter. I didn't like what it did to her."
"Oh!" Peter was silent for a while, aware of the pellucid meaning of her "it." He was learning quite as much from what she didn't say as from what she did. But he evaded the line of thought suggested.
"You do get tired of Black Rock then?"
"I would if I had time. I'm pretty busy all day, and—see here—Mr.—er—Nichols. If I asked as many questions as you do, I'd know as much as Daniel Webster."
"I'm sorry," said Peter, "I beg your pardon."
They walked on in silence for a few moments, Peter puzzling his brain over the extraordinary creature that chance had thrown in his way. He could see that she was quite capable of looking out for herself and that if her smattering of sophistication had opened her eyes, it hadn't much harmed her.
He really wanted to ask her many more questions, but to tell the truth he was a little in awe of her dry humorwhich had a kind of primitive omniscience and of her laughter which he was now sure was moreat, than with, him. But he had, in spite of her, peered for a moment into the hidden places of her mind and spirit.
It was this intrusion that she resented and he could hardly blame her, since they had met only eighteen minutes ago. She trotted along beside him as though quite unaware of the sudden silence or of the thoughts that might have been passing in his mind. It was Beth who broke the silence.
"Is your bag heavy?" she asked.
"Not at all," said Peter, mopping the perspiration from his forehead. "But aren't we nearly there?"
"Oh, yes. It's just a mile or so."
Peter dropped his bag.
"That's what you said it was, back there."
"Did I? Well, maybe it isn't so far as that now. Let me carry your bag a while."
Thus taunted, he rose, took the bag in his left hand and followed.
"City folks aren't much on doin' for themselves, are they? The taxi system is very poor down here yet."
Her face was expressionless, but he knew that she was laughing at him. He knew also that his bag weighed more than any army pack. It seemed too that she was walking much faster than she had done before—also that there was malicious humor in the smile she now turned on him.
"Seems a pity to have such a long walk—with nothin' at the end of it."
"I don't mind it in the least," gasped Peter. "And if you don't object to my asking you just one more question," he went on grimly, "I'd like you to tell me what is frightening Mr. Jonathan K. McGuire?"
"Oh, McGuire. I don't know. Nobody does. He's been here a couple of weeks now, cooped up in the bighouse. Never comes out. They say he sees ghosts and things."
"Ghosts!"
She nodded. "He's hired some of the men around here to keep watch for them and they say some detectives are coming. You'll help too, I guess."
"That should be easy."
"Maybe. I don't know. My aunt works there. She's housekeeper. It's spooky, she says, but she can't afford to quit."
"But they haven'tseenanything?" asked Peter incredulously.
"No. Not yet. I guess it might relieve 'em some if they did. It's only the things you don't see that scare you."
"It sounds like a great deal of nonsense about nothing," muttered Peter.
"All right. Wait until you get there before you do much talkin'."
"I will, but I'm not afraid of ghosts." And then, as an afterthought, "Are you?"
"Not in daylight. But from what Aunt Tillie says, it must be something more than a ghost that's frightenin' Jonathan K. McGuire."
"What does she think it is?"
"She doesn't know. Mr. McGuire won't say. He won't allow anybody around the house without a pass. Oh, he's scared all right and he's got most of Black Rock scared too. He was never like this before."
"Are you scared?" asked Peter.
"No. I don't think I am really. But it's spooky, and I don't care much for shootin'."
"What makes you think there will be shooting?"
"On account of the guns and pistols. Whatever the thing is he's afraid of, he's not goin' to let it come nearhim if he can help it. Aunt Tillie says that what with loaded rifles, shotguns and pistols lyin' loose in every room in the house, it's as much as your life is worth to do a bit of dustin'. And the men—Shad Wells, Jesse Brown, they all carry automatics. First thing they know they'll be killin' somebody," she finished with conviction.
"Who is Shad Wells——?"
"My cousin, Shadrack E. Wells. He was triplets. The other two died."
"Shad," mused Peter.
"Sounds like a fish, doesn't it? But he isn't." And then more slowly, "Shad's all right. He's just a plain woodsman, but he doesn't know anything about making the trees grow," she put in with prim irony. "You'll be his boss, I guess. He won't care much about that."
"Why?"
"Because he's been runnin' things in a way. I hope you get along with him."
"So do I——"
"Because if you don't, Shad will eat you at one gobble."
"Oh!" said Peter with a smile. "But perhaps you exaggerate. Don't you think I might take two—er—gobbles?"
Beth looked him over, and then smiled encouragingly.
"Maybe," she said, "but your hands don't look over-strong."
Peter looked at his right hand curiously. It was not as brown as hers, but the fingers were long and sinewy.
"They are, though. When you practice five hours a day on the piano, your hands will do almost anything you want them to."
A silence which Peter improved by shifting his suitcase. The weight of it had ceased to be amusing. And he was about to ask her how much further Black Rock was when there was a commotion down the road ahead of them, asa dark object emerged from around the bend and amid a whirl of dust an automobile appeared.
"It's the 'Lizzie'," exclaimed Beth unemotionally.
And in a moment the taxi service of Black Rock was at Peter's disposal.
"Carburetor trouble," explained the soiled young man at the wheel briefly, without apology. And with a glance at Peter's bag—
"Are you the man for McGuire's on the six-thirty?"
Peter admitted that he was and the boy swung the door of the tonneau open.
"In here with me, Beth," he said to the girl invitingly.
In a moment, the small machine was whirled around and started in the direction from which it had come, bouncing Peter from side to side and enveloping him in dust. Jim Hagerman's "Lizzie" wasted no time, once it set about doing a thing, and in a few moments from the forest they emerged into a clearing where there were cows in a meadow, and a view of houses. At the second of these, a frame house with a portico covered with vines and a small yard with a geranium bed, all enclosed in a picket fence, the "Lizzie" suddenly stopped and Beth got down.
"Much obliged, Jim," he heard her say.
Almost before Peter had swept off his hat and the girl had nodded, the "Lizzie" was off again, through the village street, and so to a wooden bridge across a tea-colored stream, up a slight grade on the other side, where Jim Hagerman stopped his machine and pointed to a road.
"That's McGuire's—in the pines. They won't let me go no further."
"How much do I owe you?" asked Peter, getting down.
"It's paid for, Mister. Slam the door, will ye?" And in another moment Peter was left alone.
It was now after sunset, and the depths of the wood were bathed in shadow. Peter took the road indicated andin a moment reached two stone pillars where a man was standing. Beyond the man he had a glimpse of lawns, a well-kept driveway which curved toward the wood. The man at the gate was of about Peter's age but tall and angular, well tanned by exposure and gave an appearance of intelligence and capacity.
"I came to see Mr. McGuire," said Peter amiably.
"And what's your name?"
"Nichols. I'm the new forester from New York."
The young man at the gate smiled in a satirical way.
"Nichols. That was the name," he ruminated. And then with a shout to some one in the woods below, "Hey, Andy. Come take the gate."
All the while Peter felt the gaze of the young man going over him minutely and found himself wondering whether or not this was the person who was going to take him at a gobble.
It was. For when the other man came running Peter heard him call the gateman, "Shad."
"Are you Mr. Shad Wells?" asked Peter politely with the pleasant air of one who has made an agreeable discovery.
"That's my name. Who told you?"
"Miss Beth Cameron," replied Peter. "We came part of the way together."
"H-m! Come," he said laconically and led the way up the road toward the house. Peter didn't think he was very polite.
Had it not been for the precautions of his guide, Peter would have been willing quite easily to forget the tales that had been told him of Black Rock. The place was very prettily situated in the midst of a very fine growth of pines, spruce and maple. At one side ran the tea-colored stream, tumbling over an ancient dam to levels below, where it joined the old race below the ruin that had oncebeen a mill. The McGuire house emerged in a moment from its woods and shrubbery, and stood revealed—a plain square Georgian dwelling of brick, to which had been added a long wing in a poor imitation of the same style and a garage and stables in no style at all on the slope beyond. It seemed a most prosaic place even in the gathering dusk and Peter seemed quite unable to visualize it as the center of a mystery such as had been described. And the laconic individual who had been born triplets was even less calculated to carry out such an illusion.
But just as they were crossing the lawn on the approach to the house, the earth beneath a clump of bushes vomited forth two men, like the fruit of the Dragon's Teeth, armed with rifles, who barred their way. Both men were grinning from ear to ear.
"All right, Jesse," said Shad with a laugh. "It's me and the new forester." He uttered the words with an undeniable accent of contempt.
The armed figures glanced at Peter and disappeared, and Peter and Mr. Shad Wells went up the steps of the house to a spacious portico. There was not a human being in sight and the heavy wooden blinds to the lower floor were tightly shut. Before his guide had even reached the door the sound of their footsteps had aroused some one within the house, the door was opened the length of its chain and a face appeared at the aperture.
"Who is it?" asked a male voice.
"Shad Wells and Mr. Nichols, the man from New York."
"Wait a minute," was the reply while the door was immediately shut again.
Peter glanced around him comparing this strange situation with another that he remembered, when a real terror had come, a tangible terror in the shape of a countryside gone mad with blood lust. He smiled toward thebush where the armed men lay concealed and toward the gate where the other armed man was standing. It was all so like a situation out of anopéra bouffeof Offenbach.
What he felt now in this strange situation was an intense curiosity to learn the meaning of it all, to meet the mysterious person around whom all these preparations centered. Peter had known fear many times, for fear was in the air for weeks along the Russian front, the fear of German shells, of poison gas, and of that worst poison of all—Russian treachery. But that fear was not like this fear, which was intimate, personal but intangible. He marked it in the scrutiny of the man who opened the door and of the aged woman who suddenly appeared beside him in the dim hallway and led him noiselessly up the stair to a lighted room upon the second floor. At the doorway the woman paused.
"Mr. Nichols, Mr. McGuire," she said, and Peter entered.