With this Odo was forced to be content; and he passed the intervening time in devising the means of Fulvia's rescue. He was resolved to let no rashness or negligence hinder the attempt, and to prove, by the discretion of his course, that he was no longer the light fool who had once hazarded her safety. He went about his preparations as one that had no private stake in the venture; but he was therefore the more punctilious to show himself worthy of her trust and sensible of the charge it laid upon him.
At their next meeting he found her in the same open and friendly mood, and she listened gratefully as he set forth his plan. This was that she should first write to a doctor of the University in Geneva, who had been her father's friend, stating her plight and asking if he could help her to a living should she contrive to reach Geneva. Pending the reply, Odo was to plan the stages of the journey in such fashion that she might count on concealment in case of pursuit; and she was not to attempt her escape till these details were decided. Fulvia was the more ready to acquiesce in this postponement as she did not wish to involve Sister Mary in her adventure, but hoped to escape unassisted during an entertainment which was to take place in the convent on the feast of Saint Michael, some six weeks later.
To Odo the delay was still more welcome; for it gave him what he must needs regard as his last opportunity of being in the girl's company. She had accepted his companionship on the journey with a readiness in which he saw only the magnanimity of pardon; but in Geneva they must part, and what hope had he of seeing her again? The first smart of vanity allayed, he was glad she chose to treat him as a friend. It was in this character that he could best prove his disinterestedness, his resolve to make amends for the past; and in this character only—as he now felt—would it be possible for him to part from her.
On his second visit he ventured to discharge his mind of its heaviest burden by enquiring what had befallen her and her father after he had lost trace of them at Vercelli. She told him quite simply that, failing to meet him at the appointed place, they at once guessed that his plan had been winded by the abate who travelled with him; and that after a few hours' delay her father had succeeded in securing a chaise which had taken them safely across the border. She went on to speak of the hardships they had suffered after reaching Milan. Even under a comparatively liberal government it was small advantage to be marked by the Holy Office; and though he received much kindness, and even material aid, from those of his way of thinking, Vivaldi was unable to obtain the professorship he had hoped for.
From Milan they went to Pavia; but in this University, the most liberal in Italy, the chairs were so sought after that there was no hope of his receiving a charge worthy of his talents. Here, however, his spirit breathed its natural air, and reluctant to lose the privileges of such intercourse he decided to accept the post of librarian to an eccentric nobleman of the town. If his pay was modest his duties left him leisure for the work which was his chief concern; for his patron, who had houses in Milan and Brescia, came seldom to Pavia, and Fulvia and her father had the vast palace to themselves. They lodged in a corner adjoining the library, spending their days in studious seclusion, their evenings in conversation with some of the first scholars of Europe: the learned botanist Scopoli, Spallanzani, Volta, and Father Fontana, the famous mathematician. In such surroundings Vivaldi might have pursued his task contentedly enough, but for the thought of Fulvia's future. This, his daughter said, continually preyed on him, driving him to labours beyond his strength; for he hoped by the publication of his book to make good, at least in part, the loss of the small property which the Sardinian government had confiscated. All her entreaties could not dissuade him from over-exertion; and in addition to his regular duties he took on himself (as she afterward learned) the tedious work of revising proofs and copying manuscripts for the professors. This drudgery, combined with severe intellectual effort, exceeded his flagging powers; and the book was hardly completed when his patron, apprised of its contents, abruptly removed him from his post. From that day Vivaldi sank in health; but he ended as became a sage, content to have discharged the task for which he had given up home and substance, and dying with the great Stoic's words upon his lips:—
Lex non poena mors.
Vivaldi's friends in Milan came generously to Fulvia's aid, and she would gladly have remained among them; but after the loss of her small inheritance and of her father's manuscript she was without means of repaying their kindness, and nothing remained but to turn to her own kin.
As Odo sat in the quiet cell, listening to her story, and hearing again the great names his youth had reverenced, he felt himself an exile returning to his own, mounting the familiar heights and breathing the air that was his birthright. Looking back from this recovered standpoint he saw how far behind his early hopes had been left. Since his departure from Naples there had been nothing to remind him of that vast noiseless labour of the spirit going on everywhere beneath the social surface: that baffled but undiscouraged endeavour in which he had once so impatiently claimed his share. Now every word of Fulvia's smote the bones of some dead purpose, till his bosom seemed a very valley of Ezekiel. Her own trials had fanned her love of freedom, and the near hope of release lent an exaltation to her words. Of bitterness, of resentment she gave no sign; and he was awed by the same serenity of spirit which had struck him in the imprisoned doctor. But perhaps the strongest impression she produced was that of increasing his points of contact with life. His other sentimental ties had been a barrier between himself and the outer world; but the feeling which drew him to Fulvia had the effect of levelling the bounds of egoism, of letting into the circle of his nearest emotions that great tide of human longing and effort that had always faintly sounded on the shores of self. Perhaps it was her power of evoking this wider life that gave a sense of permanence, of security almost, to the stolen moments of their intercourse, lulling the lover's impatience of actual conditions with the sense of something that must survive the accidents of fortune. Only in some such way could he explain, in looking back, the completeness of each moment spent with her. He was conscious even at the time of a suspension of the emotional laws, a charmed surrender to the limitations of his fate. When he was away his impatience reasserted itself; but her presence was like a soothing hand on his spirit, and he knew that his quiet hours with her would count among those intervals between the crises of life that flower in memory when the crises themselves have faded.
It was natural that in the course of these visits she in turn should question him; and as his past rearranged itself beneath her scrutiny he seemed once more to trace the thread of purpose on which its fragments hung. He told her of his connection with the liberals of Pianura, of the situation at court, and of the reason for his prolonged travels. As he talked her eyes conveyed the exquisite sense of her complete comprehension. She saw, before he could justify himself, how the uncertainty of his future, and his inability to act, had cast him adrift upon a life of superficial enjoyment; and how his latent dissatisfaction with this life had inevitably resulted in self-distrust and vacillation. "You wait your hour," she said of him; and he seized on the phrase as a justification of his inactivity and, when chance should offer, a spur to fresh endeavour. Her interest in the liberal cause had been intensified and exalted by her father's death—his martyrdom, as she described it. Like most women possessed of an abstract idea she had unconsciously personified the idea and made a religion of it; but it was a religion of charity and not of vindictiveness. "I should like my father's death avenged by love and not by hate," she said; "I would have it bring peace, not a sword."
On one point only she remained, if not hostile yet unresponsive. This was when he spoke of de Crucis. Her manner hardened instantly, and he perceived that, though he dwelt on the Jesuit's tolerant view and cultivated tastes, she beheld only the priest and not the man. She had been eager to hear of Crescenti, whom she knew by name as a student of European repute, and to the praise of whose parochial charities she listened with outspoken sympathy; but the Jesuits stood for the Holy Office, and she had suffered too deeply at the hands of the Holy Office to regard with an open mind any who might be supposed to represent its principles. It was impossible for Odo to make her understand how distinctly, in de Crucis's case, the man predominated over the order; and conscious of the painfulness of the subject, he gave up the attempt to interest her in his friend.
Three or four times he was permitted to visit her in her cell: after that they met almost daily in the parlour, where, about the hour of benediction, they could talk almost as privately under cover of the general chatter. In due time Fulvia received an answer from the Calvinist professor, who assured her of a welcome in Geneva and shelter under his roof. Odo, meanwhile, had perfected the plan of their journey; but as Michaelmas approached he began to fear Cantapresto's observation. He now bitterly regretted that he had not held to his purpose of sending the soprano back to Pianura; but to do so at this point would be to challenge observation and he resolved instead on despatching him to Monte Alloro with a letter to the old Duke. As the way to Geneva lay in the opposite direction this would at least give the fugitives a three days' lead; and they had little cause to fear pursuit from any other quarter. The convent indeed might raise a hue and cry; but the nuns of Santa Chiara had lately given the devout so much cause for scandal that the abbess would probably be disposed to hush up any fresh delinquency. The time too was well-chosen; for the sisters had prevailed on the Reverend Mother to celebrate the saint's day by a masked ball, and the whole convent was engrossed in the invention of whimsical disguises. The nuns indeed were not to take part in the ball; but a number of them were to appear in an allegorical entertainment with which the evening was to open. The new Papal Nuncio, who was lately arrived in Venice, had promised to be present; and as he was known to be a man of pleasure there was scarce a sister in the convent but had an eye to his conquest. These circumstances gave to Fulvia's plans the shelter of indifference; for in the delightful effort of surpassing the other nuns even Mary of the Crucifix lost interest in her friend's affairs.
Odo, to preserve the secrecy of his designs, had been obliged to keep up a pretence of his former habits, showing himself abroad with Coeur-Volant and Castelrovinato and frequenting the Procuratessa's routs and card-parties. This lady, though lately returned to the Brenta, had announced her intention of coming to Venice for the ball at Santa Chiara; and Coeur-Volant was mightily preoccupied with the entertainment, at which he purposed his mistress should outshine all her companions.
The evening came at last, and Odo found himself entering the gates of Santa Chiara with a throng of merry-makers. The convent was noted for its splendid hospitality, and unwonted preparations had been made to honour the saint. The brightly-illuminated bridge leading to the square of Santa Chiara was decked with a colonnade of pasteboard and stiffened linen cunningly painted, and a classical portico masked the entrance gate. A flourish of trumpets and hautboys, and the firing of miniature cannon, greeted the arrival of the guests, who were escorted to the parlour, which was hung with tapestries and glowing with lights like a Lady Chapel. Here they were received by the abbess, who, on the arrival of the Nuncio, led the way to the garden, where a stage had been erected.
The nuns who were not to take part in the play had been seated directly under the stage, divided from the rest of the company by a low screen of foliage. Ranged beneath the footlights, which shone on their bare shoulders and white gowns, and on the gauze veils replacing their monastic coifs, they seemed a choir of pagan virgins grouped in the proscenium of an antique theatre. Everything indeed combined to produce the impression of some classic festival: the setting of motionless foliage, the mild autumnal sky in which the stars hung near and vivid, and the foreground thronged with a motley company lit by the shifting brightness of torches.
As Odo, in mask and travesty, stood observing the fantastically-dressed audience, the pasteboard theatre adorned with statuary, and the nuns flitting across the stage, his imagination, strung to the highest pitch by his own impending venture, was thrilled by the contrast between the outward appearance of the scene and its underlying reality. From where he stood he looked directly at the abbess, who was seated with the Nuncio and his suite under the tall crucifix in the centre of the garden. As if to emphasise the irony of the situation, the torch fixed behind this noble group cast an enlarged shadow of the cross over the abbess's white gown and the splendid robes of her companions, who, though they wore the mask, had not laid aside their clerical dress. To Odo the juxtaposition had the effect of some supernatural warning, the shadow of the divine wrath projected on its heedless ministers; an impression heightened by the fact that, just opposite the cross, a lively figure of Pan, surmounting the pediment of the theatre, seemed to fling defiance at the Galilean intruder.
The nuns, like the rest of the company, were masked; and it had been agreed between Odo and Fulvia that the latter should wear a wreath of myrtle above her veil. As almost all her companions had chosen brightly-coloured flowers this dark green chaplet was easily distinguished among the clustered heads beneath the stage, and Odo had no doubt of being able to rejoin Fulvia in the moment of dispersal that should follow the conclusion of the play. He knew that the sisters were to precede their guests and be locked behind the grate before the ball began; but as they passed through the garden and cloisters the barrier between nuns and visitors would probably not be too strictly maintained. As he had foreseen, the company, attracted by the graceful procession, pressed forward regardless of the assistant mistresses' protests, and the shadowy arcades were full of laughter and whispered snatches of talk as the white flock was driven back to its fold.
Odo had withdrawn to the darkest angle of the cloister, close to a door leading to the pharmacy. It was here that Fulvia had told him to wait; and though he had lost sight of her when the audience rose, he stood confidently watching for the reappearance of the myrtle-wreath. Presently he saw it close at hand; and just then the line of sisters flowed toward him, driven forward by a group of lively masqueraders, among whom he seemed to recognise Coeur-Volant's voice and figure. Nothing could have been more opportune, for the pressure swept the wearer of the myrtle-wreath almost into his arms; and as the intruders were dispersed and the nuns laughingly reformed their lines, her hand lingered in his and he felt himself drawn toward the door.
It yielded to her touch and Odo followed her down a dark passageway to the empty room where rows of old Faenza jars and quaintly-shaped flagons glimmered in the dusk. Beyond the pharmacy was another door, the key of which hung on the wall with the portress's hood and cloak. Without a word the girl wrapped herself in the cloak and, fitting the key to the lock, softly opened the door. All this was done with a rapidity and assurance for which Odo was unprepared; but, reflecting that Fulvia's whole future hung on the promptness with which each detail of her plan was executed, he concluded that her natural force of character enabled her to assume an ease she could hardly feel.
The door opened on the kitchen-garden, and brushing the lavender-hedges with her flying skirts she sped on ahead of Odo to the postern which the nuns were accustomed to use for their nocturnal escapades. Only the thickness of an oaken gate stood between Fulvia and the outer world. To her the opening of the gate meant the first step toward freedom, but to Odo the passing from their enchanted weeks of fellowship to the inner loneliness of his former life. He hung back silent while she drew the bolt.
A moment later they had crossed the threshold and his gondola was slipping toward them out of the shadow of the wall. Fulvia sprang on board and he followed her under the felze. The warm darkness enclosing them stirred impulses which their daily intercourse had subdued, and in the sense of her nearness he lost sight of the conditions which had brought them together. The feeling seemed to communicate itself; for as the gondola rounded the angle of the convent-wall and swung out on the open, she drooped toward him with the turn of the boat and their lips met under the loosened masks.
At the same instant the light of the Virgin's shrine in the corner of the convent-wall fell through the window of the felze on the face lifted to Odo's; and he found himself suddenly confronted by the tender eyes and malicious smile of Sister Mary of the Crucifix.
"By Diana," she cried as he started back, "I did but claim my pay in advance; nor do I think that, when she knows all, Sister Veronica will grudge me my reward!"
He continued to stare at her in speechless bewilderment, and she went on with a kind of tender impatience: "You simpleton, can you not guess that you were watched, and that but for me your Veronica would at this moment be lying under lock and key in her cell? Instead of which," she continued, speaking more slowly, and leaning back as though to enjoy the full savour of his suspense, "instead of which she now awaits you in a safe nook of my choosing, where, within half an hour's time, you may atone to her with interest for the infidelity into which I have betrayed you."
"She knows, then?" Odo faltered, not daring to say more in his ignorance of Sister Mary's share in the secret.
Sister Mary shook her head with a tantalising laugh. "That you are coming? Alas, no, poor angel! She fancies that she has been sent from the convent to avoid you—as indeed she was, and by the Reverend Mother's own order, who, it seems, had wind of the intrigue this morning. But, the saints be praised, the excellent sister who was ordered to attend her is in my pay and instead of conducting her to her relatives of San Barnado, who were to keep her locked up over night, has, if I mistake not, taken her to a good woman of my acquaintance—an old servant, in fact—who will guard her as jealously as the family plate till you and I come to her release."
As she spoke she put out her head and gave a whispered order to the gondolier; and at the word the boat swung round and headed for the city.
In the violent reaction which this strange encounter produced, Odo was for the moment incapable of taking any clear note of his surroundings. Uncertain if he were not once more the victim of some such mischance as seemed to attend all his efforts to succour Fulvia, he sat in silent apprehension as the gondola shot across the Grand Canal and entered the labyrinth of water-ways behind San Moise. Sister Mary took his silence philosophically.
"You dare not speak to me, for fear of betraying yourself," she said, "and I scarce wonder at your distrust; for your plans were so well laid that I had no notion of what was on foot, and must have remained in ignorance if Veronica had not been put in Sister Martha's charge. But you will both live to thank me, and I hope," she added, laughing, "to own that you would have done better to take me into your confidence from the first."
As she spoke the gondola touched at the head of a narrow passage which lost itself in the blackness of the overhanging houses. Sister Mary sprang out and drew Odo after her. A few yards down the alley she entered a plain low-storied house somewhat withdrawn behind its neighbours. Followed by Odo she groped her way up a dark flight of stairs and knocked at a door on the upper landing. A vague flutter within, indicative of whispers and uncertain movements, was followed by the slipping of the bolt, and a middle-aged woman looked out. She drew back with an exclamation of welcome, and Sister Mary, seizing Odo by the shoulders, pushed him across the threshold of a small dimly-lit kitchen.
Fulvia, in her nun's habit, cowered in the darkest corner; but at sight of Odo she sprang up, and ran toward him with a happy cry.
An hour later the two were well on their way toward Mestre, where a travelling-chaise awaited them. Odo, having learned that Andreoni was settled in Padua, had asked him to receive Fulvia in his house till the next night-fall; and the bookseller, whom he had taken into his confidence, was eager to welcome the daughter of the revered Vivaldi.
The extremes of hope and apprehension had left Fulvia too exhausted for many words, and Odo, after she had confirmed every particular of Sister Mary's story, refrained from questioning her farther. Thanks to her friend's resources she had been able to exchange her nun's dress for the plain gown and travelling-cloak of a young woman of the middle class; and this dress painfully recalled to Odo the day when he had found her standing beside the broken-down chaise on the road to Vercelli.
The recollection was not calculated to put him at his ease; and indeed it was only now that he began to feel the peculiar constraint of his position. To Andreoni his explanation of Fulvia's flight had seemed natural enough; but on the subsequent stages of their journey she must pass for his mistress or his wife, and he hardly knew in what spirit she would take the misapprehensions that must inevitably arise.
At Mestre their carriage waited, and they drove rapidly toward Padua through the waning night. Andreoni, in his concern for Fulvia's safety, had prepared for her reception a little farm-house of his wife's, in a vineyard beyond the town; and here at daybreak it was almost a relief to Odo to commit his charge to the Signora Andreoni's care.
The day was spent indoors, and Andreoni having thought it more prudent to bring no servant from Padua, his wife prepared the meals for their guests and the bookseller drew a jar of his own wine from the cellar. Fulvia kept to herself during the day; but at dusk she surprised Odo by entering the room with a trayful of plates and glasses, and helping their hostess to set out the supper-table. The few hours of rest had restored to her not only the serenity of the convent, but a lightness of step and glance that Odo had not seen in her since the early days of their friendship. He marvelled to see how the first breath of freedom had set her blood in motion and fanned her languid eye; but he could not suppress the accompanying thought that his own presence had failed to work such miracles.
They had planned to ride that night to a little village in the hills beyond Vicenza, where Fulvia's foster-mother, a peasant of the Vicentine, lived with her son, who was a vine-dresser; and supper was hardly over when they were told that their horses waited. Their kind hosts dared not urge them to linger; and after a hurried farewell they rode forth into the fresh darkness of the September night.
The new moon was down and they had to thread their way slowly through the stony lanes between the vineyards. At length they gained the open country, and growing more accustomed to the darkness put their horses to a trot. The change of pace, and the exhilaration of traversing an unknown country in the hush and mystery of night, combined to free their spirits, and Odo began to be aware that the barrier between them was lifted. To the charm of their intercourse at Santa Chiara was added that closer sympathy produced by the sense of isolation. They were enclosed in their common risk as in some secret meeting-place where no consciousness of the outer world intruded; and though their talk kept the safe level of their immediate concerns he felt the change in every inflection of Fulvia's voice and in the subtler emphasis of her silences.
The way was long, and he had feared that she would be taxed beyond her strength; but the miles seemed to fly beneath their horses' feet, and they could scarcely believe that the dark hills which rose ahead of them against a whitening sky marked the limit of their journey.
With some difficulty they found their way to the vine-dresser's house, a mere hut in a remote fold of the hills. From motives of prudence they had not warned the nurse of their coming; but they found the old woman already at work in her melon-patch and learned from her that her son had gone down to his day's labour in the valley. She received Fulvia with a tender wonder, as at some supernatural presence descending into her life, too much awed, till the first embraces were over, to risk any conjecture as to Odo's presence. But with the returning sense of familiarity—the fancied recovery of the nurseling's features in the girl's definite outline—came the inevitable reaction of curiosity, and the fugitives felt themselves coupled in the old woman's meaning smiles. To Odo's surprise Fulvia received these innuendoes with baffling composure, parrying the questions she seemed to answer, and finally taking refuge in a plea for rest. But the accord of the previous night was broken; and when the travellers set out again, starting a little before sunset to avoid the vine-dresser's return, the constraint of the day began to weigh upon them. In Fulvia's case physical weariness perhaps had a share in the change; but whatever the cause, its effect was to make this stage of the journey strangely tedious to both.
Their way lay through the country north of Vicenza, whence they hoped by dawn to gain Peschiera on the lake of Garda, and hire a chaise which should take them across the border. For the first hour or two they had the new moon to light them; but as it set the sky clouded and drops of rain began to fall. Fulvia had hitherto shown a gay indifference to the discomforts of the journey; but she presently began to complain of the cold and to question Odo anxiously as to the length of the way. The hilliness of the country forced them to travel slowly, and it seemed to Odo that hours had elapsed before they saw lights in the valley below them. Their plan had been to avoid the towns on their way, and Fulvia, the night before, had contented herself with a half-hour's rest by the roadside; but a heavy rain was now falling, and she at once assented to Odo's tentative proposal that they should take shelter till the storm was over.
They dismounted at an inn on the outskirts of the village. The sleepy landlord stared as he unbarred the door and led them into the kitchen; but he offered no comment beyond remarking that it was a good night to be under cover.
Fulvia sank down on the wooden settle near the chimney, where a fire had been hastily kindled. She took no notice of Odo when he removed the dripping cloak from her shoulders, but sat gazing before her in a kind of apathy.
"I cannot eat," she said, as Odo pressed her to take her place at the table.
The innkeeper turned to him with a confidential nod. "Your lady looks fairly beaten," he said. "I've a notion that one of my good beds would be more to her taste than the best supper in the land. Shall I have a room made ready for your excellencies?"
"No, no," said Fulvia, starting up. "We must set out again as soon as we have supped."
She approached the table and hastily emptied the glass of country wine that Odo had poured out for her.
The innkeeper seemed a simple unsuspicious fellow, but at this he put down the plate of cheese he was carrying and looked at her curiously.
"Start out again at this hour of the night?" he exclaimed. "By the saints, your excellencies must be running a race with the sun! Or do you doubt my being able to provide you with decent lodgings, that you prefer mud and rain to my good sheets and pillows?"
"Indeed, no," Odo amicably interposed; "but we are hurrying to meet a friend who is to rejoin us tomorrow at Peschiera."
"Ah—at Peschiera," said the other, as though the name had struck him. He took a dish of eggs from the fire and set it before Fulvia. "Well," he went on with a shrug, "it is written that none of my beds shall be slept in tonight. Not two hours since I had a gentleman here that gave the very same excuse for hurrying forward; though his horses were so spent that I had to provide him with another pair before he could continue his journey." He laughed and uncorked a second bottle.
"That reminds me," he went on, pausing suddenly before Fulvia, "that the other gentleman was travelling to meet a friend too; a lady, he said—a young lady. He fancied she might have passed this way and questioned me closely; but as it happened there had been no petticoat under my roof for three days.—I wonder, now, if he could have been looking for your excellencies?"
Fulvia flushed high at this, but a sign from Odo checked the denial on her lips.
"Why," said he, "it is not unlikely, though I had fancied our friend would come from another direction. What was this gentleman like?"
The landlord hesitated, evidently not so much from any reluctance to impart what he knew as from the inability to express it. "Well," said he, trying to supplement his words by a vaguely descriptive gesture, "he was a handsome personable-looking man—smallish built, but with a fine manner, and dressed not unlike your excellency."
"Ah," said Odo carelessly, "our friend is an ecclesiastic.—And which way did this gentleman travel?" he went on, pouring himself another glass.
The landlord assumed an air of country cunning. "There's the fishy part of it," said he. "He gave orders to go toward Verona; but my boy, who chased the carriage down the road, as lads will, says that at the cross-ways below the old mill the driver took the turn for Peschiera."
Fulvia at this seemed no longer able to control herself. She came close to Odo and said in a low urgent tone: "For heaven's sake, let us set forward!"
Odo again signed to her to keep silent, and with an effort she resumed her seat and made a pretence of eating. A moment later he despatched the landlord to the stable, to see that the horses had been rubbed down; and as soon as the door closed she broke out passionately.
"It is my fault," she cried, "it is all my fault for coming here. If I had had the courage to keep on this would never have happened!"
"No," said Odo quietly, "and we should have gone straight to Peschiera and landed in the arms of our pursuer—if this mysterious traveller is in pursuit of us."
His tone seemed to steady her. "Oh," she said, and the colour flickered out of her face.
"As it happens," he went on, "nothing could have been more fortunate than our coming here."
"I see—I see—; but now we must go on at once," she persisted.
He looked at her gravely. "This is your wish?"
She seemed seized with a panic fear. "I cannot stay here!" she repeated.
"Which way shall we go, then? If we continue to Peschiera, and this man is after us, we are lost."
"But if he does not find us he may return here—he will surely return here!"
"He cannot return before morning. It is close on midnight already. Meanwhile you can take a few hours' rest while I devise means of reaching the lake by some mule-track across the mountain."
It cost him an effort to take this tone with her; but he saw that in her high-strung mood any other would have been less effective. She rose slowly, keeping her eyes on him with the look of a frightened child. "I will do as you wish," she said.
"Let the landlord prepare a bed for you, then. I will keep watch down here and the horses shall be saddled at daylight."
She stood silent while he went to the door to call the innkeeper; but when the order was given, and the door closed again, she disconcerted him by a sudden sob.
"What a burden I am!" she cried. "I had no right to accept this of you." And she turned and fled up the dark stairs.
The night passed and toward dawn the rain ceased. Odo rose from his dreary vigil in the kitchen, and called to the innkeeper to carry up bread and wine to Fulvia's room. Then he went out to see that the horses were fed and watered. He had not dared to question the landlord as to the roads, lest his doing so should excite suspicion; but he hoped to find an ostler who would give him the information he needed.
The stable was empty, however; and he prepared to bait the horses himself. As he stooped to place his lantern on the floor he caught the gleam of a small polished object at his feet. He picked it up and found that it was a silver coat-of-arms, such as are attached to the blinders and saddles of a carriage-harness. His curiosity was aroused, and holding the light closer he recognised the ducal crown of Pianura surmounting the "Humilitas" of the Valseccas.
The discovery was so startling that for some moments he stood gazing at the small object in his hand without being able to steady his confused ideas. Gradually they took shape, and he saw that, if the ornament had fallen from the harness of the traveller who had just preceded them, it was not Fulvia but he himself who was being pursued. But who was it who sought him and to what purpose? One fact alone was clear: the traveller, whoever he was, rode in one of the Duke's carriages, and therefore presumably upon his sovereign's business.
Odo was still trying to thread a way through these conjectures when a yawning ostler pushed open the stable-door.
"Your excellency is in a hurry to be gone," he said, with a surprised glance.
Odo handed him the coat-of-arms. "Can you tell me what this is?" he asked carelessly. "I picked it up here a moment ago."
The other turned it over and stared. "Why," said he, "that's off the harness of the gentleman that supped here last night—the same that went on later to Peschiera."
Odo proceeded to question him about the mule-tracks over Monte Baldo, and having bidden him saddle the horses in half an hour, crossed the courtyard and re-entered the inn. A grey light was already falling through the windows, and he mounted the stairs and knocked on the door which he thought must be Fulvia's. Her voice bade him enter and he found her seated fully dressed beside the window. She rose with a smile and he saw that she had regained her usual self-possession.
"Do we set out at once?" she asked.
"There is no great haste," he answered. "You must eat first, and by that time the horses will be saddled."
"As you please," she returned, with a readiness in which he divined the wish to make amends for her wilfulness the previous night. Her eyes and cheeks glowed with an excitement which counterfeited the effects of a night's rest, and he thought he had never seen her more radiant. She approached the table on which the wine and bread had been placed, and drew another chair beside her own.
"Will you not share with me?" she asked, filling a glass for him.
He took it from her with a smile. "I have good news for you," he said, holding out the bit of silver which he had brought from the stable.
She examined it wonderingly. "What does this mean?" she asked, looking up at him.
"That it is I who am being followed—and not you."
She started and the ornament slipped from her hand.
"You?" she faltered with a quick change of colour.
"This coat-of-arms," he explained, "dropped from the harness of the traveller who left the inn just before our arrival last night."
"Well—" she said, still without understanding; "and do you know the coat?"
Odo smiled. "It is mine," he answered; "and the crown is my cousin's. The traveller must have been a messenger of the Duke's."
She stood leaning against the seat from which she had risen, one hand still grasping it while the other hung inert. Her lips parted but she did not speak. Her pallor troubled Odo and he went up to her and took her hand.
"Do you not understand," he said gently, "that there is no farther cause for alarm? I have no reason to think that the Duke's messenger is in pursuit of me; but should he be so, and should he overtake us, he has no authority over you and no reason for betraying you to your enemies."
The blood poured back to her face. "Me! My enemies!" she stammered. "It is not of them I think." She raised her head and faced him in a glow.
For a moment he stood stupidly gazing at her; then the mist lifted and through it he saw a great light.
The landlord's knock warned them that their horses waited, and they rode out in the grey morning. The world about them still lay in shade, and as they climbed the wooded defile above the valley Odo was reminded of the days at Donnaz when he had ridden up the mountain in the same early light. Never since then had he felt, as he did now, the boy's easy kinship with the unexpected, the sense that no encounter could be too wonderful to fit in with the mere wonder of living.
To avoid the road to Peschiera they had resolved to cross the Monte Baldo by a mule-track which should bring them out at one of the villages on the eastern shore of Garda; and the search for this path led them up through steep rain-scented woods where they had to part the wet boughs as they passed. From time to time they regained the highway and rode abreast, almost silent at first with the weight of their new nearness, and then breaking into talk that was the mere overflow of what they were thinking. There was in truth more to be felt between them than to be said; since, as each was aware, the new light that suffused the present left the future as obscure as before. But what mattered, when the hour was theirs? The narrow kingdom of today is better worth ruling over than the widest past or future; but not more than once does a man hold its fugitive sceptre. The past, however, was theirs also: a past so transformed that he must revisit it with her, joyously confronting her new self with the image of her that met them at each turn. Then he had himself to trace in her memories, his transfigured likeness to linger over in the Narcissus-mirror of her faith in him. This interchange of recollections served them as well as any outspoken expression of feeling, and the most commonplace allusion was charged with happy meanings.
Arabia Petraea had been an Eden to such travellers; how much more the happy slopes they were now descending! All the afternoon their path wound down the western incline of Monte Baldo, first under huge olives, then through thickets of laurel and acacia, to emerge on a lower level of lemon and orange groves, with the blue lake showing through a diaper of golden-fruited boughs. Fulvia, to whom this clear-cut southern foliage was as new as the pure intensity of light that bathed it, seemed to herself to be moving through the landscape of a dream. It was as though nature had been remodelled, transformed almost, under the touch of their love: as though they had found their way to the Hesperian glades in which poets and painters placed the legendary lovers of antiquity.
Such feelings were intensified by the strangeness of the situation. In Italy the young girls of the middle class, though seemingly allowed a greater freedom of intercourse than the daughters of noblemen, were in reality as strictly guarded. Though, like Fulvia, they might converse with the elderly merchants or scholars frequenting the family table, they were never alone in the company of men, and the high standard of conduct prevailing in the bourgeoisie forbade all thought of clandestine intercourse. This was especially true of the families of men of letters, where the liberal education of the young girls, and their habit of associating as equals with men of serious and cultivated minds, gave them a self-possession disconcerting to the young blood accustomed to conquer with a glance. These girls as a rule, were married early to men of their own standing, and though the cicisbeo was not unknown after marriage he was not an authorised member of the household. Fulvia, indeed, belonged to the class most inaccessible to men of Odo's rank: the only class in Italy in which the wife's fidelity was as much esteemed as the innocence of the girl. Such principles had long been ridiculed by persons of quality and satirised by poets and playwrights. From Aristophanes to Beaumarchais the cheated husband and the outwitted guardian had been the figures on which the dramatist relied for his comic effects. Even the miser tricked out of his savings was a shade less ridiculous, less grotesquely deserving of his fate, than the husband defrauded of his wife's affection. The plausible adulteress and the adroit seducer had a recognised claim on the sympathy of the public. But the inevitable reaction was at hand; and the new teachers to whom Odo's contemporaries were beginning to listen had thrown a strangely poetic light over the dull figures of the domestic virtues. Faithfulness to the family sanctities, reverence for the marriage tie, courage to sacrifice the loftiest passion to the most plodding duty: these were qualities to touch the fancy of a generation sated with derision. If love as a sentiment was the discovery of the medieval poets, love as a moral emotion might be called that of the eighteenth-century philosophers, who, for all their celebration of free unions and fatal passions, were really on the side of the angels, were fighting the battle of the spiritual against the sensual, of conscience against appetite.
The imperceptible action of these new influences formed the real barrier between Odo and Fulvia. The girl stood for the embodiment of the purifying emotions that were to renew the world. Her candour, her unapproachableness, her simple trust in him, were a part of the magic light which the new idealism had shed over the old social structure. His was, in short, a love large enough to include other emotions: a widening rather than a contraction of the emotional range. Youth and propinquity have before now broken down stronger defences; but Fulvia's situation was an unspoken appeal to her lover's forbearance. The sense that her safety depended on him kept his sentimental impulses in check and made the happiness of the moment seem, in its exquisite unreality, a mere dreamlike interlude between the facts of life.
Toward sunset they rested in an olive-orchard, tethering their horses to the low boughs. Overhead, through the thin foliage of tarnished silver, the sky, as the moon suffused it, melted from steel blue to a clearer silver. A peasant-woman whose hut stood close by brought them a goat's cheese on a vine-leaf and a jug of spring-water; and as they supped, a little goat-herd, driving his flock down the hill, paused to watch them with furtive woodland eyes.
Odo, questioning him, learned that at the village on the shore below they could obtain a boat to carry them across the lake. Fulvia, for lack of a passport, dared not set foot on Austrian soil; but the Swiss authorities were less exacting and Odo had hopes of crossing the border without difficulty. They set out again presently, descending through the grey dusk of the olives till the path became too steep for riding; then Odo lifted Fulvia from the saddle and led the two horses after her. Here and there, between the trees, they caught a momentary glimpse of lights on the shore and the pale gleam of the lake enclosed in black foliage. From the village below came snatches of song and the shrill wail of a pipe; and as the night deepened they saw, far out on the water, the wild flare of the fish-spearers' torches, like comets in an inverted sky.
With nightfall the spirits of both had sunk. Fulvia walked ahead in silence and Odo read a mute apprehension in her drooping outline. Every step brought them nearer to the point they both feared to face, and though each knew what lay in the other's thoughts neither dared break the silence. Odo's mind turned anxiously to the incidents of the morning, to the finding of the ducal coat-of-arms, and to all the possibilities it suggested. What errand save one could have carried an envoy from Pianura to that remote hamlet among the hills? He could scarcely doubt that it was in pursuit of himself that the ducal messenger travelled; but with what object was the journey undertaken? Was he to be recalled in obedience to some new whim of the Duke's? Or had some unforeseen change—he dared not let his thoughts define it—suddenly made his presence needful in Pianura? It was more probable that the possibility of his flight with Fulvia had been suggested to the Duke by the ecclesiastical authorities, and that the same hand which had parted them before was again secretly at work. In any case, it was Odo's first business to see his companion safely across the border; and in that endeavour he had now little fear of being thwarted. If the Duke's messenger awaited them at Peschiera he waited in vain; and though their flight across the lake might be known before dawn it would then be no easy matter to overtake them.
In an hour's time, as Odo had hoped, they were putting off from the shore in a blunt-nosed fishing-boat which was the lightest craft the village could provide. The lake was stark calm, and the two boatmen, silhouetted against the moonlight, drove the boat forward with even vigorous strokes. Fulvia, shivering in the autumnal chill, had drawn her hood close about her and sat silent, her face in shade. Measured by their secret apprehensions the boat's progress seemed at first indescribably slow; but gradually the sounds from the shore grew fainter, and the fugitives felt themselves alone in a world enclosed by the moonlit circle of the waters.
As they advanced this sense of isolation and security grew deeper and more impressive. The motionless surface of the lake was enclosed in a wall of mountains which the moonlight seemed to vein with marble. A sky in which the stars were dissolved in white radiance curved high above their heads; and not a sail flecked the lake or a cloud the sky. The boat seemed suspended alone in some ethereal medium.
Presently one of the boatmen spoke to the other and glanced toward the north. Then the second silently shipped his oar and hoisted the sail. Hardly had he made it fast when a fresh of wind came down the lake and they began to stretch across the bay with spreading canvas. The wind was contrary, but Odo welcomed it, for he saw at once that it would be quicker work to tack to the other shore than to depend on the oars. The scene underwent a sudden change. The silver mirror over which they had appeared to glide was shivered into sparkling fragments, and in the enveloping rush and murmur of the night the boat woke to a creaking straining activity.
The man at the rudder suddenly pointed to a huddle of lights to the south. "Peschiera."
Odo laughed. "We shall soon show it our heels," said he.
The other boatman shrugged his shoulders. "Even an enemy's roof may serve to keep out the storm," he observed philosophically.
"The storm? What storm?"
The man pointed to the north. Against the sky hung a little black cloud, the merest flaw in the perfect curve of the night.
"The lake is shrewish at this season," the boatman continued. "Did your excellencies burn a candle before starting?"
Odo sat silent, his eyes fixed on the cloud. It was growing visibly now. With every moment its outline seemed to shift and spread, till its black menace dilated to the zenith. The bright water still broke about them in diamond spray; but as the shadow travelled the lake beneath it turned to lead. Then the storm dropped on them. It fell suddenly out of mid-heaven. Sky and water grew black and a long shudder ran through the boat. For a moment she hung back, staggering under a white fury of blows; then the gale seemed to lift and swing her about and she shot forward through a long tunnel of glistening blackness, bows on for Peschiera.
"The enemy's roof!" thought Odo. He reached for Fulvia's hand and found it in the darkness. The rain was driving against them now and he drew her close and wrapped his cloak about her. She lay still, without a tremor, as though in that shelter no fears could reach her. The night roared about them and the waters seemed to divide beneath their keel. Through the tumult Odo shouted to the boatmen to try to make some harbour north of Peschiera. They shouted back that they must go where the wind willed and bless the saints if they made any harbour at all; and Odo saw that Peschiera was their destiny.
It was past midnight when they set foot on shore. The rain still fell in torrents and they could hardly grope their way up the steps of the landing-stage. Odo's first concern was to avoid the inn; but the boatmen, exhausted by their efforts and impatient to be under shelter, could not be bribed to seek out at that hour another lodging for the travellers. Odo dared not expose Fulvia longer to the storm, and reluctantly they turned toward the inn, trusting that at that hour their coming would attract little notice.
A travelling-carriage stood in the courtyard, and somewhat to Odo's surprise the landlord was still afoot. He led them into the public parlour, which was alight, with a good fire on the hearth. A gentleman in travelling-dress sat near this fire, his back to the door, reading by a shaded candle. He rose as the travellers entered, and Odo recognised the abate de Crucis.
The latter advanced with a smile in which pleasure was more visible than surprise. He bowed slightly to Fulvia, who had shrunk back into the shadow of the doorway; then he turned to Odo and said: "Cavaliere, I have travelled six days to overtake you. The Duke of Pianura is dying and has named you regent."