CHAPTER XII

Crossing the Sacramento on an old-fashioned ferry a short distance above Rio Vista, Saxon and Billy entered the river country. From the top of the levee she got her revelation. Beneath, lower than the river, stretched broad, flat land, far as the eye could see. Roads ran in every direction, and she saw countless farmhouses of which she had never dreamed when sailing on the lonely river a few feet the other side of the willowy fringe.

Three weeks they spent among the rich farm islands, which heaped up levees and pumped day and night to keep afloat. It was a monotonous land, with an unvarying richness of soil and with only one landmark—Mt. Diablo, ever to be seen, sleeping in the midday azure, limping its crinkled mass against the sunset sky, or forming like a dream out of the silver dawn. Sometimes on foot, often by launch, they criss-crossed and threaded the river region as far as the peat lands of the Middle River, down the San Joaquin to Antioch, and up Georgiana Slough to Walnut Grove on the Sacramento. And it proved a foreign land. The workers of the soil teemed by thousands, yet Saxon and Billy knew what it was to go a whole day without finding any one who spoke English. They encountered—sometimes in whole villages—Chinese, Japanese, Italians, Portuguese, Swiss, Hindus, Koreans, Norwegians, Danes, French, Armenians, Slavs, almost every nationality save American. One American they found on the lower reaches of Georgiana who eked an illicit existence by fishing with traps. Another American, who spouted blood and destruction on all political subjects, was an itinerant bee-farmer. At Walnut Grove, bustling with life, the few Americans consisted of the storekeeper, the saloonkeeper, the butcher, the keeper of the drawbridge, and the ferryman. Yet two thriving towns were in Walnut Grove, one Chinese, one Japanese. Most of the land was owned by Americans, who lived away from it and were continually selling it to the foreigners.

A riot, or a merry-making—they could not tell which—was taking place in the Japanese town, as Saxon and Billy steamed out on the Apache, bound for Sacramento.

“We're settin' on the stoop,” Billy railed. “Pretty soon they'll crowd us off of that.”

“There won't be any stoop in the valley of the moon,” Saxon cheered him.

But he was inconsolable, remarking bitterly:

“An' they ain't one of them damn foreigners that can handle four horses like me.

“But they can everlastingly farm,” he added.

And Saxon, looking at his moody face, was suddenly reminded of a lithograph she had seen in her childhood. It was of a Plains Indian, in paint and feathers, astride his horse and gazing with wondering eye at a railroad train rushing along a fresh-made track. The Indian had passed, she remembered, before the tide of new life that brought the railroad. And were Billy and his kind doomed to pass, she pondered, before this new tide of life, amazingly industrious, that was flooding in from Asia and Europe?

At Sacramento they stopped two weeks, where Billy drove team and earned the money to put them along on their travels. Also, life in Oakland and Carmel, close to the salt edge of the coast, had spoiled them for the interior. Too warm, was their verdict of Sacramento and they followed the railroad west, through a region of swamp-land, to Davisville. Here they were lured aside and to the north to pretty Woodland, where Billy drove team for a fruit farm, and where Saxon wrung from him a reluctant consent for her to work a few days in the fruit harvest. She made an important and mystifying secret of what she intended doing with her earnings, and Billy teased her about it until the matter passed from his mind. Nor did she tell him of a money order inclosed with a certain blue slip of paper in a letter to Bud Strothers.

They began to suffer from the heat. Billy declared they had strayed out of the blanket climate.

“There are no redwoods here,” Saxon said. “We must go west toward the coast. It is there we'll find the valley of the moon.”

From Woodland they swung west and south along the county roads to the fruit paradise of Vacaville. Here Billy picked fruit, then drove team; and here Saxon received a letter and a tiny express package from Bud Strothers. When Billy came into camp from the day's work, she bade him stand still and shut his eyes. For a few seconds she fumbled and did something to the breast of his cotton work-shirt. Once, he felt a slight prick, as of a pin point, and grunted, while she laughed and bullied him to continue keeping his eyes shut.

“Close your eyes and give me a kiss,” she sang, “and then I'll show you what iss.”

She kissed him and when he looked down he saw, pinned to his shirt, the gold medals he had pawned the day they had gone to the moving picture show and received their inspiration to return to the land.

“You darned kid!” he exclaimed, as he caught her to him. “So that's what you blew your fruit money in on? An' I never guessed!—Come here to you.”

And thereupon she suffered the pleasant mastery of his brawn, and was hugged and wrestled with until the coffee pot boiled over and she darted from him to the rescue.

“I kinda always been a mite proud of 'em,” he confessed, as he rolled his after-supper cigarette. “They take me back to my kid days when I amateured it to beat the band. I was some kid in them days, believe muh.—But say, d'ye know, they'd clean slipped my recollection. Oakland's a thousan' years away from you an' me, an' ten thousan' miles.”

“Then this will bring you back to it,” Saxon said, opening Bud's letter and reading it aloud.

Bud had taken it for granted that Billy knew the wind-up of the strike; so he devoted himself to the details as to which men had got back their jobs, and which had been blacklisted. To his own amazement he had been taken back, and was now driving Billy's horses. Still more amazing was the further information he had to impart. The old foreman of the West Oakland stables had died, and since then two other foremen had done nothing but make messes of everything. The point of all which was that the Boss had spoken that day to Bud, regretting the disappearance of Billy.

“Don't make no mistake,” Bud wrote. “The Boss is onto all your curves. I bet he knows every scab you slugged. Just the same he says to me—Strothers, if you ain't at liberty to give me his address, just write yourself and tell him for me to come a running. I'll give him a hundred and twenty-five a month to take hold the stables.”

Saxon waited with well-concealed anxiety when the letter was finished. Billy, stretched out, leaning on one elbow, blew a meditative ring of smoke. His cheap workshirt, incongruously brilliant with the gold of the medals that flashed in the firelight, was open in front, showing the smooth skin and splendid swell of chest. He glanced around—at the blankets bowered in a green screen and waiting, at the campfire and the blackened, battered coffee pot, at the well-worn hatchet, half buried in a tree trunk, and lastly at Saxon. His eyes embraced her; then into them came a slow expression of inquiry. But she offered no help.

“Well,” he uttered finally, “all you gotta do is write Bud Strothers, an' tell 'm not on the Boss's ugly tintype.—An' while you're about it, I'll send 'm the money to get my watch out. You work out the interest. The overcoat can stay there an' rot.”

But they did not prosper in the interior heat. They lost weight. The resilience went out of their minds and bodies. As Billy expressed it, their silk was frazzled. So they shouldered their packs and headed west across the wild mountains. In the Berryessa Valley, the shimmering heat waves made their eyes ache, and their heads; so that they traveled on in the early morning and late afternoon. Still west they headed, over more mountains, to beautiful Napa Valley. The next valley beyond was Sonoma, where Hastings had invited them to his ranch. And here they would have gone, had not Billy chanced upon a newspaper item which told of the writer's departure to cover some revolution that was breaking out somewhere in Mexico.

“We'll see 'm later on,” Billy said, as they turned northwest, through the vineyards and orchards of Napa Valley. “We're like that millionaire Bert used to sing about, except it's time that we've got to burn. Any direction is as good as any other, only west is best.”

Three times in the Napa Valley Billy refused work. Past St. Helena, Saxon hailed with joy the unmistakable redwoods they could see growing up the small canyons that penetrated the western wall of the valley. At Calistoga, at the end of the railroad, they saw the six-horse stages leaving for Middletown and Lower Lake. They debated their route. That way led to Lake County and not toward the coast, so Saxon and Billy swung west through the mountains to the valley of the Russian River, coming out at Healdsburg. They lingered in the hop-fields on the rich bottoms, where Billy scorned to pick hops alongside of Indians, Japanese, and Chinese.

“I couldn't work alongside of 'em an hour before I'd be knockin' their blocks off,” he explained. “Besides, this Russian River's some nifty. Let's pitch camp and go swimmin'.”

So they idled their way north up the broad, fertile valley, so happy that they forgot that work was ever necessary, while the valley of the moon was a golden dream, remote, but sure, some day of realization. At Cloverdale, Billy fell into luck. A combination of sickness and mischance found the stage stables short a driver. Each day the train disgorged passengers for the Geysers, and Billy, as if accustomed to it all his life, took the reins of six horses and drove a full load over the mountains in stage time. The second trip he had Saxon beside him on the high boxseat. By the end of two weeks the regular driver was back. Billy declined a stable-job, took his wages, and continued north.

Saxon had adopted a fox terrier puppy and named him Possum, after the dog Mrs. Hastings had told them about. So young was he that he quickly became footsore, and she carried him until Billy perched him on top of his pack and grumbled that Possum was chewing his back hair to a frazzle.

They passed through the painted vineyards of Asti at the end of the grape-picking, and entered Ukiah drenched to the skin by the first winter rain.

“Say,” Billy said, “you remember the way the Roamer just skated along. Well, this summer's done the same thing—gone by on wheels. An' now it's up to us to find some place to winter. This Ukiah looks like a pretty good burg. We'll get a room to-night an' dry out. An' to-morrow I'll hustle around to the stables, an' if I locate anything we can rent a shack an' have all winter to think about where we'll go next year.”

The winter proved much less exciting than the one spent in Carmel, and keenly as Saxon had appreciated the Carmel folk, she now appreciated them more keenly than ever. In Ukiah she formed nothing more than superficial acquaintances. Here people were more like those of the working class she had known in Oakland, or else they were merely wealthy and herded together in automobiles. There was no democratic artist-colony that pursued fellowship disregardful of the caste of wealth.

Yet it was a more enjoyable winter than any she had spent in Oakland. Billy had failed to get regular employment; so she saw much of him, and they lived a prosperous and happy hand-to-mouth existence in the tiny cottage they rented. As extra man at the biggest livery stable, Billy's spare time was so great that he drifted into horse-trading. It was hazardous, and more than once he was broke, but the table never wanted for the best of steak and coffee, nor did they stint themselves for clothes.

“Them blamed farmers—I gotta pass it to 'em,” Billy grinned one day, when he had been particularly bested in a horse deal. “They won't tear under the wings, the sons of guns. In the summer they take in boarders, an' in the winter they make a good livin' doin' each other up at tradin' horses. An' I just want to tell YOU, Saxon, they've sure shown me a few. An' I 'm gettin' tough under the wings myself. I'll never tear again so as you can notice it. Which means one more trade learned for yours truly. I can make a livin' anywhere now tradin' horses.”

Often Billy had Saxon out on spare saddle horses from the stable, and his horse deals took them on many trips into the surrounding country. Likewise she was with him when he was driving horses to sell on commission; and in both their minds, independently, arose a new idea concerning their pilgrimage. Billy was the first to broach it.

“I run into an outfit the other day, that's stored in town,” he said, “an' it's kept me thinkin' ever since. Ain't no use tryin' to get you to guess it, because you can't. I'll tell you—the swellest wagon-campin' outfit anybody ever heard of. First of all, the wagon's a peacherino. Strong as they make 'em. It was made to order, upon Puget Sound, an' it was tested out all the way down here. No load an' no road can strain it. The guy had consumption that had it built. A doctor an' a cook traveled with 'm till he passed in his checks here in Ukiah two years ago. But say—if you could see it. Every kind of a contrivance—a place for everything—a regular home on wheels. Now, if we could get that, an' a couple of plugs, we could travel like kings, an' laugh at the weather.”

“Oh! Billy! it's just what I've been dreamin' all winter. It would be ideal. And... well, sometimes on the road I 'm sure you can't help forgetting what a nice little wife you've got... and with a wagon I could have all kinds of pretty clothes along.”

Billy's blue eyes glowed a caress, cloudy and warm; as he said quietly:

“I've ben thinkin' about that.”

“And you can carry a rifle and shotgun and fishing poles and everything,” she rushed along. “And a good big axe, man-size, instead of that hatchet you're always complaining about. And Possum can lift up his legs and rest. And—but suppose you can't buy it? How much do they want?”

“One hundred an' fifty big bucks,” he answered. “But dirt cheap at that. It's givin' it away. I tell you that rig wasn't built for a cent less than four hundred, an' I know wagon-work in the dark. Now, if I can put through that dicker with Caswell's six horses—say, I just got onto that horse-buyer to-day. If he buys 'em, who d'ye think he'll ship 'em to? To the Boss, right to the West Oakland stables. I 'm goin' to get you to write to him. Travelin', as we're goin' to, I can pick up bargains. An' if the Boss'll talk, I can make the regular horse-buyer's commissions. He'll have to trust me with a lot of money, though, which most likely he won't, knowin' all his scabs I beat up.”

“If he could trust you to run his stable, I guess he isn't afraid to let you handle his money,” Saxon said.

Billy shrugged his shoulders in modest dubiousness.

“Well, anyway, as I was sayin' if I can sell Caswell's six horses, why, we can stand off this month's bills an' buy the wagon.”

“But horses!” Saxon queried anxiously.

“They'll come later—if I have to take a regular job for two or three months. The only trouble with that 'd be that it'd run us pretty well along into summer before we could pull out. But come on down town an' I'll show you the outfit right now.”

Saxon saw the wagon and was so infatuated with it that she lost a night's sleep from sheer insomnia of anticipation. Then Caswell's six horses were sold, the month's bills held over, and the wagon became theirs. One rainy morning, two weeks later, Billy had scarcely left the house, to be gone on an all-day trip into the country after horses, when he was back again.

“Come on!” he called to Saxon from the street. “Get your things on an' come along. I want to show you something.”

He drove down town to a board stable, and took her through to a large, roofed inclosure in the rear. There he led to her a span of sturdy dappled chestnuts, with cream-colored manes and tails.

“Oh, the beauties! the beauties!” Saxon cried, resting her cheek against the velvet muzzle of one, while the other roguishly nuzzled for a share.

“Ain't they, though?” Billy reveled, leading them up and down before her admiring gaze. “Thirteen hundred an' fifty each, an' they don't look the weight, they're that slick put together. I couldn't believe it myself, till I put 'em on the scales. Twenty-seven hundred an' seven pounds, the two of 'em. An' I tried 'em out—that was two days ago. Good dispositions, no faults, an' true-pullers, automobile broke an' all the rest. I'd back 'em to out-pull any team of their weight I ever seen.—Say, how'd they look hooked up to that wagon of ourn?”

Saxon visioned the picture, and shook her head slowly in a reaction of regret.

“Three hundred spot cash buys 'em,” Billy went on. “An' that's bed-rock. The owner wants the money so bad he's droolin' for it. Just gotta sell, an' sell quick. An' Saxon, honest to God, that pair'd fetch five hundred at auction down in the city. Both mares, full sisters, five an' six years old, registered Belgian sire, out of a heavy standard-bred mare that I know. Three hundred takes 'em, an' I got the refusal for three days.”

Saxon's regret changed to indignation.

“Oh, why did you show them to me? We haven't any three hundred, and you know it. All I've got in the house is six dollars, and you haven't that much.”

“Maybe you think that's all I brought you down town for,” he replied enigmatically. “Well, it ain't.”

He paused, licked his lips, and shifted his weight uneasily from one leg to the other.

“Now you listen till I get all done before you say anything. Ready?”

She nodded.

“Won't open your mouth?”

This time she obediently shook her head.

“Well, it's this way,” he began haltingly. “They's a youngster come up from Frisco, Young Sandow they call 'm, an' the Pride of Telegraph Hill. He's the real goods of a heavyweight, an' he was to fight Montana Red Saturday night, only Montana Red, just in a little trainin' bout, snapped his forearm yesterday. The managers has kept it quiet. Now here's the proposition. Lots of tickets sold, an' they'll be a big crowd Saturday night. At the last moment, so as not to disappoint 'em, they'll spring me to take Montana's place. I 'm the dark horse. Nobody knows me—not even Young Sandow. He's come up since my time. I'll be a rube fighter. I can fight as Horse Roberts.

“Now, wait a minute. The winner'll pull down three hundred big round iron dollars. Wait, I 'm tellin' you! It's a lead-pipe cinch. It's like robbin' a corpse. Sandow's got all the heart in the world—regular knock-down-an'-drag-out-an'-hang-on fighter. I've followed 'm in the papers. But he ain't clever. I 'm slow, all right, all right, but I 'm clever, an' I got a hay-maker in each arm. I got Sandow's number an' I know it.

“Now, you got the say-so in this. If you say yes, the nags is ourn. If you say no, then it's all bets off, an' everything all right, an' I'll take to harness-washin' at the stable so as to buy a couple of plugs. Remember, they'll only be plugs, though. But don't look at me while you're makin' up your mind. Keep your lamps on the horses.”

It was with painful indecision that she looked at the beautiful animals.

“Their names is Hazel an' Hattie,” Billy put in a sly wedge. “If we get 'em we could call it the 'Double H' outfit.”

But Saxon forgot the team and could only see Billy's frightfully bruised body the night he fought the Chicago Terror. She was about to speak, when Billy, who had been hanging on her lips, broke in:

“Just hitch 'em up to our wagon in your mind an' look at the outfit. You got to go some to beat it.”

“But you're not in training, Billy,” she said suddenly and without having intended to say it.

“Huh!” he snorted. “I've been in half trainin' for the last year. My legs is like iron. They'll hold me up as long as I've got a punch left in my arms, and I always have that. Besides, I won't let 'm make a long fight. He's a man-eater, an' man-eaters is my meat. I eat 'm alive. It's the clever boys with the stamina an' endurance that I can't put away. But this young Sandow's my meat. I'll get 'm maybe in the third or fourth round—you know, time 'm in a rush an' hand it to 'm just as easy. It's a lead-pipe cinch, I tell you. Honest to God, Saxon, it's a shame to take the money.”

“But I hate to think of you all battered up,” she temporized. “If I didn't love you so, it might be different. And then, too, you might get hurt.”

Billy laughed in contemptuous pride of youth and brawn.

“You won't know I've been in a fight, except that we'll own Hazel an' Hattie there. An' besides, Saxon, I just gotta stick my fist in somebody's face once in a while. You know I can go for months peaceable an' gentle as a lamb, an' then my knuckles actually begin to itch to land on something. Now, it's a whole lot sensibler to land on Young Sandow an' get three hundred for it, than to land on some hayseed an' get hauled up an' fined before some justice of the peace. Now take another squint at Hazel an' Hattie. They're regular farm furniture, good to breed from when we get to that valley of the moon. An' they're heavy enough to turn right into the plowin', too.”

The evening of the fight at quarter past eight, Saxon parted from Billy. At quarter past nine, with hot water, ice, and everything ready in anticipation, she heard the gate click and Billy's step come up the porch. She had agreed to the fight much against her better judgment, and had regretted her consent every minute of the hour she had just waited; so that, as she opened the front door, she was expectant of any sort of a terrible husband-wreck. But the Billy she saw was precisely the Billy she had parted from.

“There was no fight?” she cried, in so evident disappointment that he laughed.

“They was all yellin' 'Fake! Fake!' when I left, an' wantin' their money back.”

“Well, I've got YOU,” she laughed, leading him in, though secretly she sighed farewell to Hazel and Hattie.

“I stopped by the way to get something for you that you've been wantin' some time,” Billy said casually. “Shut your eyes an' open your hand; an' when you open your eyes you'll find it grand,” he chanted.

Into her hand something was laid that was very heavy and very cold, and when her eyes opened she saw it was a stack of fifteen twenty-dollar gold pieces.

“I told you it was like takin' money from a corpse,” he exulted, as he emerged grinning from the whirlwind of punches, whacks, and hugs in which she had enveloped him. “They wasn't no fight at all. D 'ye want to know how long it lasted? Just twenty-seven seconds—less 'n half a minute. An' how many blows struck? One. An' it was me that done it. Here, I'll show you. It was just like this—a regular scream.”

Billy had taken his place in the middle of the room, slightly crouching, chin tucked against the sheltering left shoulder, fists closed, elbows in so as to guard left side and abdomen, and forearms close to the body.

“It's the first round,” he pictured. “Gong's sounded, an' we've shook hands. Of course, seein' as it's a long fight an' we've never seen each other in action, we ain't in no rush. We're just feelin' each other out an' fiddlin' around. Seventeen seconds like that. Not a blow struck. Nothin'. An' then it's all off with the big Swede. It takes some time to tell it, but it happened in a jiffy, in less'n a tenth of a second. I wasn't expectin' it myself. We're awful close together. His left glove ain't a foot from my jaw, an' my left glove ain't a foot from his. He feints with his right, an' I know it's a feint, an' just hunch up my left shoulder a bit an' feint with my right. That draws his guard over just about an inch, an' I see my openin'. My left ain't got a foot to travel. I don't draw it back none. I start it from where it is, corkscrewin' around his right guard an' pivotin' at the waist to put the weight of my shoulder into the punch. An' it connects!—Square on the point of the chin, sideways. He drops deado. I walk back to my corner, an', honest to God, Saxon, I can't help gigglin' a little, it was that easy. The referee stands over 'm an' counts 'm out. He never quivers. The audience don't know what to make of it an' sits paralyzed. His seconds carry 'm to his corner an' set 'm on the stool. But they gotta hold 'm up. Five minutes afterward he opens his eyes—but he ain't seein' nothing. They're glassy. Five minutes more, an' he stands up. They got to help hold 'm, his legs givin' under 'm like they was sausages. An' the seconds has to help 'm through the ropes, an' they go down the aisle to his dressin' room a-helpin' 'm. An' the crowd beginning to yell fake an' want its money back. Twenty-seven seconds—one punch—n' a spankin' pair of horses for the best wife Billy Roberts ever had in his long experience.”

All of Saxon's old physical worship of her husband revived and doubled on itself many times. He was in all truth a hero, worthy to be of that wing-helmeted company leaping from the beaked boats upon the bloody English sands. The next morning he was awakened by her lips pressed on his left hand.

“Hey!—what are you doin'?'” he demanded.

“Kissing Hazel and Hattie good morning,” she answered demurely. “And now I 'm going to kiss you good morning.. .. And just where did your punch land? Show me.”

Billy complied, touching the point of her chin with his knuckles. With both her hands on his arm, she shoved it back and tried to draw it forward sharply in similitude of a punch. But Billy withstrained her.

“Wait,” he said. “You don't want to knock your jaw off. I'll show you. A quarter of an inch will do.”

And at a distance of a quarter of an inch from her chin he administered the slightest flick of a tap.

On the instant Saxon's brain snapped with a white flash of light, while her whole body relaxed, numb and weak, volitionless, sad her vision reeled and blurred. The next instant she was herself again, in her eyes terror and understanding.

“And it was at a foot that you struck him,” she murmured in a voice of awe.

“Yes, and with the weight of my shoulders behind it,” Billy laughed. “Oh, that's nothing.—Here, let me show you something else.”

He searched out her solar plexus, and did no more than snap his middle finger against it. This time she experienced a simple paralysis, accompanied by a stoppage of breath, but with a brain and vision that remained perfectly clear. In a moment, however, all the unwonted sensations were gone.

“Solar Plexus,” Billy elucidated. “Imagine what it's like when the other fellow lifts a wallop to it all the way from his knees. That's the punch that won the championship of the world for Bob Fitzsimmons.”

Saxon shuddered, then resigned herself to Billy's playful demonstration of the weak points in the human anatomy. He pressed the tip of a finger into the middle of her forearm, and she knew excruciating agony. On either side of her neck, at the base, he dented gently with his thumbs, and she felt herself quickly growing unconscious.

“That's one of the death touches of the Japs,” he told her, and went on, accompanying grips and holds with a running exposition. “Here's the toe-hold that Notch defeated Hackenschmidt with. I learned it from Farmer Burns.—An' here's a half-Nelson.—An' here's you makin' roughhouse at a dance, an' I 'm the floor manager, an' I gotta put you out.”

One hand grasped her wrist, the other hand passed around and under her forearm and grasped his own wrist. And at the first hint of pressure she felt that her arm was a pipe-stem about to break.

“That's called the 'come along.'—An' here's the strong arm. A boy can down a man with it. An' if you ever get into a scrap an' the other fellow gets your nose between his teeth—you don't want to lose your nose, do you? Well, this is what you do, quick as a flash.”

Involuntarily she closed her eyes as Billy's thumb-ends pressed into them. She could feel the fore-running ache of a dull and terrible hurt.

“If he don't let go, you just press real hard, an' out pop his eyes, an' he's blind as a bat for the rest of his life. Oh, he'll let go all right all right.”

He released her and lay back laughing.

“How d'ye feel?” he asked. “Those ain't boxin' tricks, but they're all in the game of a roughhouse.”

“I feel like revenge,” she said, trying to apply the “come along” to his arm.

When she exerted the pressure she cried out with pain, for she had succeeded only in hurting herself. Billy grinned at her futility. She dug her thumbs into his neck in imitation of the Japanese death touch, then gazed ruefully at the bent ends of her nails. She punched him smartly on the point of the chin, and again cried out, this time to the bruise of her knuckles.

“Well, this can't hurt me,” she gritted through her teeth, as she assailed his solar plexus with her doubled fists.

By this time he was in a roar of laughter. Under the sheaths of muscles that were as armor, the fatal nerve center remained impervious.

“Go on, do it some more,” he urged, when she had given up, breathing heavily. “It feels fine, like you was ticklin' me with a feather.”

“All right, Mister Man,” she threatened balefully. “You can talk about your grips and death touches and all the rest, but that's all man's game. I know something that will beat them all, that will make a strong man as helpless as a baby. Wait a minute till I get it. There. Shut your eyes. Ready? I won't be a second.”

He waited with closed eyes, and then, softly as rose petals fluttering down, he felt her lips on his mouth.

“You win,” he said in solemn ecstasy, and passed his arms around her.

In the morning Billy went down town to pay for Hazel and Hattie. It was due to Saxon's impatient desire to see them, that he seemed to take a remarkably long time about so simple a transaction. But she forgave him when he arrived with the two horses hitched to the camping wagon.

“Had to borrow the harness,” he said. “Pass Possum up and climb in, an' I'll show you the Double H Outfit, which is some outfit, I'm tellin' you.”

Saxon's delight was unbounded and almost speechless as they drove out into the country behind the dappled chestnuts with the cream-colored tails and manes. The seat was upholstered, high-backed, and comfortable; and Billy raved about the wonders of the efficient brake. He trotted the team along the hard county road to show the standard-going in them, and put them up a steep earthroad, almost hub-deep with mud, to prove that the light Belgian sire was not wanting in their make-up.

When Saxon at last lapsed into complete silence, he studied her anxiously, with quick sidelong glances. She sighed and asked:

“When do you think we'll be able to start?”

“Maybe in two weeks... or, maybe in two or three months.” He sighed with solemn deliberation. “We're like the Irishman with the trunk an' nothin' to put in it. Here's the wagon, here's the horses, an' nothin' to pull. I know a peach of a shotgun I can get, second-hand, eighteen dollars; but look at the bills we owe. Then there's a new '22 Automatic rifle I want for you. An' a 30-30 I've had my eye on for deer. An' you want a good jointed pole as well as me. An' tackle costs like Sam Hill. An' harness like I want will cost fifty bucks cold. An' the wagon ought to be painted. Then there's pasture ropes, an' nose-bags, an' a harness punch, an' all such things. An' Hazel an' Hattie eatin' their heads off all the time we're waitin'. An' I 'm just itchin' to be started myself.”

He stopped abruptly and confusedly.

“Now, Billy, what have you got up your sleeve?—I can see it in your eyes,” Saxon demanded and indicted in mixed metaphors.

“Well, Saxon, you see, it's like this. Sandow ain't satisfied. He's madder 'n a hatter. Never got one punch at me. Never had a chance to make a showin', an' he wants a return match. He's blattin' around town that he can lick me with one hand tied behind 'm, an' all that kind of hot air. Which ain't the point. The point is, the fight-fans is wild to see a return-match. They didn't get a run for their money last time. They'll fill the house. The managers has seen me already. That was why I was so long. They's three hundred more waitin' on the tree for me to pick two weeks from last night if you'll say the word. It's just the same as I told you before. He's my meat. He still thinks I 'm a rube, an' that it was a fluke punch.”

“But, Billy, you told me long ago that fighting took the silk out of you. That was why you'd quit it and stayed by teaming.”

“Not this kind of fightin',” he answered. “I got this one all doped out. I'll let 'm last till about the seventh. Not that it'll be necessary, but just to give the audience a run for its money. Of course, I'll get a lump or two, an' lose some skin. Then I'll time 'm to that glass jaw of his an' drop 'm for the count. An' we'll be all packed up, an' next mornin' we'll pull out. What d'ye say? Aw, come on.”

Saturday night, two weeks later, Saxon ran to the door when the gate clicked. Billy looked tired. His hair was wet, his nose swollen, one cheek was puffed, there was skin missing from his ears, and both eyes were slightly bloodshot.

“I 'm darned if that boy didn't fool me,” he said, as he placed the roll of gold pieces in her hand and sat down with her on his knees. “He's some boy when he gets extended. Instead of stoppin' 'm at the seventh, he kept me hustlin' till the fourteenth. Then I got 'm the way I said. It's too bad he's got a glass jaw. He's quicker'n I thought, an' he's got a wallop that made me mighty respectful from the second round—an' the prettiest little chop an' come-again I ever saw. But that glass jaw! He kept it in cotton wool till the fourteenth an' then I connected.

“—An', say. I 'm mighty glad it did last fourteen rounds. I still got all my silk. I could see that easy. I wasn't breathin' much, an' every round was fast. An' my legs was like iron. I could a-fought forty rounds. You see, I never said nothin', but I've been suspicious all the time after that beatin' the Chicago Terror gave me.”

“Nonsense!—you would have known it long before now,” Saxon cried. “Look at all your boxing, and wrestling, and running at Carmel.”

“Nope.” Billy shook his head with the conviction of utter knowledge. “That's different. It don't take it outa you. You gotta be up against the real thing, fightin' for life, round after round, with a husky you know ain't lost a thread of his silk yet—then, if you don't blow up, if your legs is steady, an' your heart ain't burstin', an' you ain't wobbly at all, an' no signs of queer street in your head—why, then you know you still got all your silk. An' I got it, I got all mine, d'ye hear me, an' I ain't goin' to risk it on no more fights. That's straight. Easy money's hardest in the end. From now on it's horsebuyin' on commish, an' you an' me on the road till we find that valley of the moon.”

Next morning, early, they drove out of Ukiah. Possum sat on the seat between them, his rosy mouth agape with excitement. They had originally planned to cross over to the coast from Ukiah, but it was too early in the season for the soft earth-roads to be in shape after the winter rains; so they turned east, for Lake County, their route to extend north through the upper Sacramento Valley and across the mountains into Oregon. Then they would circle west to the coast, where the roads by that time would be in condition, and come down its length to the Golden Gate.

All the land was green and flower-sprinkled, and each tiny valley, as they entered the hills, was a garden.

“Huh!” Billy remarked scornfully to the general landscape. “They say a rollin' stone gathers no moss. Just the same this looks like some outfit we've gathered. Never had so much actual property in my life at one time—an' them was the days when I wasn't rollin'. Hell—even the furniture wasn't ourn. Only the clothes we stood up in, an' some old socks an' things.”

Saxon reached out and touched his hand, and he knew that it was a hand that loved his hand.

“I've only one regret,” she said. “You've earned it all yourself. I've had nothing to do with it.”

“Huh!—you've had everything to do with it. You're like my second in a fight. You keep me happy an' in condition. A man can't fight without a good second to take care of him. Hell, I wouldn't a-ben here if it wasn't for you. You made me pull up stakes an' head out. Why, if it hadn't been for you I'd a-drunk myself dead an' rotten by this time, or had my neck stretched at San Quentin over hittin' some scab too hard or something or other. An' look at me now. Look at that roll of greenbacks”—he tapped his breast—“to buy the Boss some horses. Why, we're takin' an unendin' vacation, an' makin' a good livin' at the same time. An' one more trade I got—horse-buyin' for Oakland. If I show I've got the savve, an' I have, all the Frisco firms'll be after me to buy for them. An' it's all your fault. You're my Tonic Kid all right, all right, an' if Possum wasn't lookin', I'd—well, who cares if he does look?”

And Billy leaned toward her sidewise and kissed her.

The way grew hard and rocky as they began to climb, but the divide was an easy one, and they soon dropped down the canyon of the Blue Lakes among lush fields of golden poppies. In the bottom of the canyon lay a wandering sheet of water of intensest blue. Ahead, the folds of hills interlaced the distance, with a remote blue mountain rising in the center of the picture.

They asked questions of a handsome, black-eyed man with curly gray hair, who talked to them in a German accent, while a cheery-faced woman smiled down at them out of a trellised high window of the Swiss cottage perched on the bank. Billy watered the horses at a pretty hotel farther on, where the proprietor came out and talked and told him he had built it himself, according to the plans of the black-eyed man with the curly gray hair, who was a San Francisco architect.

“Goin' up, goin' up,” Billy chortled, as they drove on through the winding hills past another lake of intensest blue. “D'ye notice the difference in our treatment already between ridin' an' walkin' with packs on our backs? With Hazel an' Hattie an' Saxon an' Possum, an' yours truly, an' this high-toned wagon, folks most likely take us for millionaires out on a lark.”

The way widened. Broad, oak-studded pastures with grazing livestock lay on either hand. Then Clear Lake opened before them like an inland sea, flecked with little squalls and flaws of wind from the high mountains on the northern slopes of which still glistened white snow patches.

“I've heard Mrs. Hazard rave about Lake Geneva,” Saxon recalled; “but I wonder if it is more beautiful than this.”

“That architect fellow called this the California Alps, you remember,” Billy confirmed. “An' if I don't mistake, that's Lakeport showin' up ahead. An' all wild country, an' no railroads.”

“And no moon valleys here,” Saxon criticized. “But it is beautiful, oh, so beautiful.”

“Hotter'n hell in the dead of summer, I'll bet,” was Billy's opinion. “Nope, the country we're lookin' for lies nearer the coast. Just the same it is beautiful... like a picture on the wall. What d'ye say we stop off an' go for a swim this afternoon?”

Ten days later they drove into Williams, in Colusa County, and for the first time again encountered a railroad. Billy was looking for it, for the reason that at the rear of the wagon walked two magnificent work-horses which he had picked up for shipment to Oakland.

“Too hot,” was Saxon's verdict, as she gazed across the shimmering level of the vast Sacramento Valley. “No redwoods. No hills. No forests. No manzanita. No madronos. Lonely, and sad—”

“An' like the river islands,” Billy interpolated. “Richer 'n hell, but looks too much like hard work. It'll do for those that's stuck on hard work—God knows, they's nothin' here to induce a fellow to knock off ever for a bit of play. No fishin', no huntin', nothin' but work. I'd work myself, if I had to live here.”

North they drove, through days of heat and dust, across the California plains, and everywhere was manifest the “new” farming—great irrigation ditches, dug and being dug, the land threaded by power-lines from the mountains, and many new farmhouses on small holdings newly fenced. The bonanza farms were being broken up. However, many of the great estates remained, five to ten thousand acres in extent, running from the Sacramento bank to the horizon dancing in the heat waves, and studded with great valley oaks.

“It takes rich soil to make trees like those,” a ten-acre farmer told them.

They had driven off the road a hundred feet to his tiny barn in order to water Hazel and Hattie. A sturdy young orchard covered most of his ten acres, though a goodly portion was devoted to whitewashed henhouses and wired runways wherein hundreds of chickens were to be seen. He had just begun work on a small frame dwelling.

“I took a vacation when I bought,” he explained, “and planted the trees. Then I went back to work an' stayed with it till the place was cleared. Now I 'm here for keeps, an' soon as the house is finished I'll send for the wife. She's not very well, and it will do her good. We've been planning and working for years to get away from the city.” He stopped in order to give a happy sigh. “And now we're free.”

The water in the trough was warm from the sun.

“Hold on,” the man said. “Don't let them drink that. I'll give it to them cool.”

Stepping into a small shed, he turned an electric switch, and a motor the size of a fruit box hummed into action. A five-inch stream of sparkling water splashed into the shallow main ditch of his irrigation system and flowed away across the orchard through many laterals.

“Isn't it beautiful, eh?—beautiful! beautiful!” the man chanted in an ecstasy. “It's bud and fruit. It's blood and life. Look at it! It makes a gold mine laughable, and a saloon a nightmare. I know. I... I used to be a barkeeper. In fact, I've been a barkeeper most of my life. That's how I paid for this place. And I've hated the business all the time. I was a farm boy, and all my life I've been wanting to get back to it. And here I am at last.”

He wiped his glasses the better to behold his beloved water, then seized a hoe and strode down the main ditch to open more laterals.

“He's the funniest barkeeper I ever seen,” Billy commented. “I took him for a business man of some sort. Must a-ben in some kind of a quiet hotel.”

“Don't drive on right away,” Saxon requested. “I want to talk with him.”

He came back, polishing his glasses, his face beaming, watching the water as if fascinated by it. It required no more exertion on Saxon's part to start him than had been required on his part to start the motor.

“The pioneers settled all this in the early fifties,” he said. “The Mexicans never got this far, so it was government land. Everybody got a hundred and sixty acres. And such acres! The stories they tell about how much wheat they got to the acre are almost unbelievable. Then several things happened. The sharpest and steadiest of the pioneers held what they had and added to it from the other fellows. It takes a great many quarter sections to make a bonanza farm. It wasn't long before it was 'most all bonanza farms.”

“They were the successful gamblers,” Saxon put in, remembering Mark Hall's words.

The man nodded appreciatively and continued.

“The old folks schemed and gathered and added the land into the big holdings, and built the great barns and mansions, and planted the house orchards and flower gardens. The young folks were spoiled by so much wealth and went away to the cities to spend it. And old folks and young united in one thing: in impoverishing the soil. Year after year they scratched it and took out bonanza crops. They put nothing back. All they left was plow-sole and exhausted land. Why, there's big sections they exhausted and left almost desert.

“The bonanza farmers are all gone now, thank the Lord, and here's where we small farmers come into our own. It won't be many years before the whole valley will be farmed in patches like mine. Look at what we're doing! Worked-out land that had ceased to grow wheat, and we turn the water on, treat the soil decently, and see our orchards!

“We've got the water—from the mountains, and from under the ground. I was reading an account the other day. All life depends on food. All food depends on water. It takes a thousand pounds of water to produce one pound of food; ten thousand pounds to produce one pound of meat. How much water do you drink in a year? About a ton. But you eat about two hundred pounds of vegetables and two hundred pounds of meat a year—which means you consume one hundred tons of water in the vegetables and one thousand tons in the meat—which means that it takes eleven hundred and one tons of water each year to keep a small woman like you going.”

“Gee!” was all Billy could say.

“You see how population depends upon water,” the ex-barkeeper went on. “Well, we've got the water, immense subterranean supplies, and in not many years this valley will be populated as thick as Belgium.”

Fascinated by the five-inch stream, sluiced out of the earth and back to the earth by the droning motor, he forgot his discourse and stood and gazed, rapt and unheeding, while his visitors drove on.

“An' him a drink-slinger!” Billy marveled. “He can sure sling the temperance dope if anybody should ask you.”

“It's lovely to think about—all that water, and all the happy people that will come here to live—”

“But it ain't the valley of the moon!” Billy laughed.

“No,” she responded. “They don't have to irrigate in the valley of the moon, unless for alfalfa and such crops. What we want is the water bubbling naturally from the ground, and crossing the farm in little brooks, and on the boundary a fine big creek—”

“With trout in it!” Billy took her up. “An' willows and trees of all kinds growing along the edges, and here a riffle where you can flip out trout, and there a deep pool where you can swim and high-dive. An' kingfishers, an' rabbits comin' down to drink, an', maybe, a deer.”

“And meadowlarks in the pasture,” Saxon added. “And mourning doves in the trees. We must have mourning doves—and the big, gray tree-squirrels.”

“Gee!—that valley of the moon's goin' to be some valley,” Billy meditated, flicking a fly away with his whip from Hattie's side. “Think we'll ever find it?”

Saxon nodded her head with great certitude.

“Just as the Jews found the promised land, and the Mormons Utah, and the Pioneers California. You remember the last advice we got when we left Oakland? 'Tis them that looks that finds.'”


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