The office was a plain, square room, containing, besides the desks and tables, an old secretary and a corner cupboard of an antique pattern, which held an odd assortment of cracked china and chemist bottles. There was also a square mahogany chest, called the wine-cellar, which had been sent from the dining-room when the last bottle of Tokay was opened to drink the health of the Confederacy.
Before the war the place had been used by the judge as a general business room, but when the slaves were freed and there were fewer servants it was found to be little needed, and was finally given over entirely to the children's school.
When recess came the tutor left the office, telling Nicholas that he might go home with the little girls if he liked. "I shall try to have the books you need by to-morrow," he said, and, his natural amiability overcoming his assumed superciliousness, he added pleasantly:
"I shouldn't mind being backward at first. The boys are older than you, but you'll soon catch up."
He went out, and Nicholas had started towards the door, when Tom Bassett flung himself before him, swinging skilfully over an intervening table.
"Hold up, carrot-head," he said. "Let's have a look at you. Are all heads afire where you come from?"
"He's Amos Burr's boy," explained Bernard Battle with a grin. "He lives 'long our road. I saw him hoeing potatoes day before yesterday. He's got freckles enough to tan a sheepskin!"
In the midst of the laugh which followed Nicholas stood awkwardly, shifting his bare feet. His face was scarlet, and he fingered in desperation the ragged brim of his hat.
"I reckon they're my freckles," he said doggedly.
"And I reckon you can keep 'em," retorted Bernard, mimicking his tone. "We ain't going to steal 'em. I say, Eugie, here're some freckles for sale!"
The dark little girl, who was putting up her books in one corner, looked up and shook her head.
"Let me alone!" she replied shortly, and returned to her work, tugging at the straps with both hands. Dudley Webb—a handsome, upright boy, well dressed in a dark suit and linen shirt—lounged over as he munched a sandwich.
He looked at Nicholas from head to foot, and his gaze was returned with stolid defiance. Nicholas did not flinch, but for the first time he felt ashamed of his ugliness, of his coarse clothes, of his briar-scratched legs, of his freckles, and of the unalterable colour of his hair. He wished with all his heart that he were safely in the field with his father, driving the one-horse harrow across upturned furrows. He didn't want to learn anything any more. He wanted only to get away.
"He's common," said Dudley at last, throwing a crust of bread through the open window. "He's as common as—as dirt. I heard mother say so—"
"Father says he'suncommon," returned Tom doubtfully, turning his honest eyes on Nicholas again. "He told Mr. Graves that he was a most uncommon boy."
"Oh, well, you can play with him if you like," rejoined Dudley resolutely, "but I shan't. He's old Amos Burr's son, anyway, who never wore a whole shirt in his life."
"He had on one yesterday," said Bernard Battle impartially. "I saw it. It was just made and hadn't been washed."
Nicholas looked up stubbornly. "You let my father alone!" he exclaimed, spurred by the desire to resent something and finding it easier to fight for another than himself. "You let my father alone, or I'll make you!"
"I'd like to see you!" retorted Dudley wrathfully, and Nicholas had squared up for the first blow, when before his swimming gaze a defender intervened.
"You jest let him alone!" cried a voice, and the flutter of a blue cotton skirt divided Dudley from his adversary. "You jest let him alone. If you call him common I'll hit you, an'—an' you can't hit me back!"
"Eugie, you ought to be—" began Bernard, but she pushed the combatants aside with decisive thrusts of her sunburned little hand, and planted herself upon the threshold, her large, black eyes glowing like shaded lamps.
"He wan't doin' nothin' to you, and you jest let him be. He's goin' to tote my books home, an' you shan't touch him. I reckon I know what's common as well as you do—an' he ain't—he ain't common."
Then she caught Nicholas's arm and marched off like a dispensing providence with a vassal in tow. Nicholas followed obediently. He was sufficiently cowed into non-resistance, and he felt a wholesome awe of his defender, albeit he wished that it had been a boy like himself instead of a slip of a girl with short skirts and a sunbonnet. At the bottom of his heart there existed an instinctive contempt of the sex which Eugenia represented, developed by the fact that it was not force but weakness that had vanquished his victorious opponent. Dudley Webb was a gentleman, and only a bully would strike a girl, even if she were a spitfire—the term by which he characterised Eugenia. He remembered suddenly her exultant, "an' you can't hit me back!" and it seemed to him that, even in the righteous cause of his deliverance, she had taken an unfair and feminine advantage of the handsome boy for whom he cherished a shrinking admiration.
As for Eugenia herself, she was troubled by no such misgivings. She walked slightly in front of him, her blue skirt swinging briskly from side to side, her white sunbonnet hanging by its strings from her shoulders. Above the starched ruffles rose her small dark head and white profile, and Nicholas could see the determined curve of her chin and the humorous tremor of her nostril. It was a vivid little face, devoid of colour except for the warm mouth, and sparkling with animation which burned steadily at the white heat of intensity—but to Nicholas she was only a plain, dark, little girl, with an unhealthy pallor of complexion. He was grateful, nevertheless, and when his first regret that she was not a boy was over he experienced a thrill of affection. It was the first time that any one had deliberately taken his part in the face of opposing odds, and the stand seemed to bring him closer to his companion. He held her books tightly, and his face softened as he looked at her, until it was transfigured by the warmth of his emotion. Then, as they passed the college grounds, where a knot of students greeted Eugenia hilariously, and turned upon the Old Stage Road, he reached out timidly to take the small hand hanging by her side.
"It's better walkin' on this side the road," he said with a mild assumption of masculine supremacy. "I wouldn't walk in the dust."
Eugenia looked at him gravely and drew her hand away.
"You mustn't do that," she responded severely. "When I said you weren't common I didn't mean that you really weren't, you know; because, of course, you are. I jest meant that I wouldn't let them say so."
Nicholas stood in the centre of the road and stared at her, his face flushing and a slow rage creeping into his eyes.
For a moment he stood in trembling silence. Then he threw the books from him into the sand at her feet, and with a choking sob sped past her to vanish amid a whirl of dust in the sunny distance.
Eugenia looked thoughtfully down upon her scattered possessions. She was all alone upon the highway, and around her the open fields rolled off into the green of far-off forests. The sunshine fell hotly over her, and straight ahead the white road lay like a living thing.
She stooped, gravely gathered up the books, and walked resolutely on her way, a cloud of yellow butterflies fluttering like loosened petals of full-blown buttercups about her head.
Battie Hall was a square white frame house with bright-green window shutters and a deep front porch, supported by heavy pillars, and reached from the gravelled walk below by a flight of rugged stone steps. In the rear of the house, through which a wide hall ran, dividing the rooms of the first floor, there was another porch similar to the one at the front, except that the pillars were hidden in musk roses and the long benches at either side were of plain, unpainted pine. At the foot of the back steps a narrow, well-trodden path led to the vegetable garden, which was separated from the yard by what was called "Cattle Lane"—a name derived from the morning and evening passage of the cows on their way to and from the pasture.
Beginning at the gate into the garden, where the tall white palings were gay with hollyhocks and heavy-headed sunflowers, a grapevine trellis extended to the farmyard at the end of the lane, whence an overgrown walk led across tangled meadows to the negro "quarters"—a long, whitewashed row of almost deserted cabins. Since the close of the war the "quarters" had fallen partly into disuse and had decayed rapidly, though some few were still tenanted by the former slaves, who gathered as of old in the doorways of an evening to strum upon broken-stringed banjos and to wrap the hair of their small offspring. Beyond this row there was a slight elevation called "Hickory Hill," where Uncle Ishmael had lived for more than seventy years; and at the foot of the hill, on the other side, near "Sweet Gum Spring," there were several neatly patched log cabins occupied by the house servants, who held in social contempt the field hands in the neighbouring "quarters." Overlooking the "Sweet Gum Spring," on a loftier hill, was the family graveyard, which was walled off from the orchard near by, where the twisted old fruit trees had long since yielded the larger part of their abundance.
At the front of the Hall the view was vastly different. There the great blue-grass lawn was thickly studded with ancient elms and maples, whose shade fell like a blanket upon the velvety sod beneath. The gravelled walk, beginning at the front steps, was bordered on either side by rows of closely clipped box, which ended in the long avenue of cedars leading from the lawn to the distant turnpike. To the right of the house there were three pointed aspens, which shivered like skeletons in silver, holding grimly aloof from the vivid pink of the crêpe myrtle at their feet. Beyond them was the well-house, with a long moss-grown trough where the horses and the cows came to drink, and across the road began the cornlands, which stretched in rhythmic undulations to the dark belt of the pine forest. On the left of the box walk, in a direct line from the three aspens, towered a huge sycamore, and from one of its protecting arms, shaded by large fan-like leaves, a child's swing dangled by a thick hemp rope. Near the sycamore, where an old oak had fallen, the rotting stump was hidden by a high "rockery," edged with conch shells, and over the rough gray rocks a tangle of garden flowers ran wild—sweet-william, petunias, phlox, and the mossy stems of red and yellow portulaca. On the western side of the house there was a spreading mimosa tree, its sensitive branches brushing the green shutters of a window in the second story.
The Hall had been built by the general's father when, because of family dissensions, he had decided to move from a central county to the more thinly settled country surrounding Kingsborough. There the general had passed his boyhood, and there he had left his wife when he had gone to the war. At the beginning of the struggle he had freed his slaves and buckled on his sword.
"They may have the negroes, and welcome," he had said to the judge. "Do you think I'd fight for a damned darkey? It's the principle, sir—the principle!"
And the judge, who had not freed his servants, but who would as soon have thought of using a profane word as of alluding in disrespectful terms to a family portrait, had replied gravely:
"My dear Tom, you will find principle much better to fight for than to live on."
But the general had gone with much valour and more vehemence. He had enlisted as a private, had risen within a couple of years to a colonelcy, and had been raised to the rank of general by the unanimous voice of his neighbours upon his return home. After an enthusiastic reception at Kingsborough he had mounted a heavy-weight horse and ridden out to the Hall, to find the grounds a tangle of weeds and his wife with the pallor of death upon her brow. She had rallied at his coming, had lingered some sad years an invalid in the great room next the parlour, and had died quietly at last as she knelt in prayer beside her high white bed.
For days after this the empty house was like a coffin. The children ran in tears through the shuttered rooms, and the servants lost their lingering shred of discipline. When the funeral was over, the general made some spasmodic show of authority, but his heart was not in it, and he wavered for lack of the sustaining hold of his wife's frail hand. He dismissed the overseer and undertook to some extent the management of the farm, but the crops failed and the hay rotted in the fields before it was got into the barn. Then, as things were galloping from bad to worse, a letter came from his sister, Miss Christina, and in a few days she arrived with a cartload of luggage and a Maltese cat in a wicker basket. From the moment when she stepped out of the carriage at the end of the avenue and ascended the box-trimmed walk to the stone steps, the difficulties disentangled and the domestic problems dwindled into the simplest of arithmetical sums. By some subtle law of the influence of the energetic she assumed at once the rights of authority. From the master of the house to the field hands in the "quarters," all bent to her regenerating rule. She opened the windows in the airy rooms, cleaned off the storeroom shelves with soda and water, and put the marauding small negroes to weeding the lawn. Before her passionate purification the place was purged of the dust of years. The hardwood floors of the wide old halls began to shine like mirrors, the assortment of odds and ends in the attic was relegated to an outhouse, and even the general's aunt, Miss Griselda Grigsby, was turned unceremoniously out of her apartment before the all-pervading soap-suds of cleaning day.
As for the servants, a sudden miraculous zeal possessed them. Within a fortnight the garden rows were hoed free from grass, the hops were gathered from the fence, and the weeds on the lawn vanished beneath small black fingers. Even the annual threshing of the harvest was accomplished under the overseeing eye of "Miss Chris," as she was called by the coloured population. During the week that the old machine poured out its chaffless wheat and the driver whistled in the centre of the treadmill Miss Chris appeared at the barn at noon each day to warn the hands against waste of time and to see that the mules were well watered.
But the revolutions without were as naught to the internal ones. Aunt Verbeny, the cook, whose tyranny had extended over thirty years, was assisted from her pedestal, and the hen-house keys were removed from the nail of the kitchen wall.
"This will never do, Verbeny," said Miss Chris a month after her arrival. "We could not possibly have eaten three dozen chickens within the last week. I am afraid you take them home without asking me."
Aunt Verbeny, a fat old woman with a shining black skin, smoothed her checked apron with offended dignity.
"Hi! Miss Chris, ain't I de cook?" she exclaimed.
But Miss Chris preserved her ground.
"That is no excuse for you taking what doesn't belong to you," she replied severely. "If this keeps up I shall be obliged to let Delphy do the cooking. There won't be a chicken in the hen-house by the end of the month."
Aunt Verbeny still smoothed her apron, but her authority was shaken, and she felt it. She gave a slow grunt of dissatisfaction.
"Dese ain't de doin's I'se used ter," she protested, and then, beneath the undaunted eyes of Miss Chris, she melted into propitiation.
"Des' let dat ar chicken alont, Miss Chris," she said, skilfully reducing the charge to a single offence. "Des' let dat ar chicken alont. 'Tain' no use yo' rilin' yo'se'f 'bout dat. Hit's done en it's been done. Hit don't becomst de quality ter fluster demse'ves over de gwines on uv er low-lifeted fowl. You des' bresh yo'se'f down an steddy like hit ain' been fool you ef you knowed yo'se'f. You des' let dat ar chicken be er little act uv erdultery betweenst you en me. Ef'n it's gone, hit'll stay gone!"
Whereupon Miss Chris retreated, leaving her opponent in possession of the kitchen floor.
But from this day forth the hen-house was locked at night and unlocked in the morning by the hand of Miss Chris, and Aunt Verbeny's overweening ill-temper diminished with her authority.
Miss Chris had been a beauty in her day, but as she passed middle age the family failing seized upon her, and she grew huge and unwieldy, the disproportion of her enormous figure to her small feet giving her an awkward, waddling walk.
She had a profusion of silvery-white hair, worn in fluffy curls about her large pink face, soft brown eyes, and a full double chin that fell over a round cameo brooch bearing the head of Minerva set in a plain gold band. In winter she wore gowns of black Henrietta cloth, made with plain bodices and full plaited skirts; in summer she wore the same skirts with loosely fitting white linen sacques, trimmed in delicate embroideries, with muslin ruffles falling over her plump hands. When she came to the Hall she brought with her innumerable reminiscences of her childhood, which she told in a musical voice with girlish laughter.
After his sister's arrival the general discontinued his fitful overseering. He rose early and spent his long days sitting upon the front porch, smoking an old briar pipe and reading the Richmond papers. Occasionally he would ride at a jogging pace round the fields, giving casual directions to the workers, but as his weight increased he found it difficult to mount into the saddle, and, at last, desisted from the attempt. He preferred to sit in peace in his cane rocking chair, looking down the box walk into the twilight of the cedar avenue, or gazing placidly beyond the aspens and the well-house to the streaked ribbons of the ripening corn. It was said that he had never been the same man since the death of his wife. Certainly he laughed as heartily and his jovial face had taken a ruddier tint, but there was a superficiality in his exuberant cheerfulness which told that it was not well rooted below the surface. His jokes were as ready as ever, but he had fallen into an absent-minded habit of repetition, and sometimes repeated the same stories at breakfast and supper. He talked freely of his dead wife, he even made ill-placed jests about his widowerhood, and he never failed to kiss a pair of red lips when the chance offered; but, for all that, his gaze often wandered past the huge sycamore to the family graveyard, where rank periwinkle grew and mocking-birds nested. Through the long summer not a Sunday passed that he did not take fresh flowers to one of the neatly trimmed mounds where the marble headpiece read:
"AMELIA TUCKER,BELOVED WIFE OFTHOMAS BATTLE,DIED APRIL 3RD., 18—.'I am the Resurrection and the Life, saiththe Lord.'"
Sometimes the children were with him, but usually he went alone, and once or twice he returned with red eyelids and asked for a julep.
There was little to fill his life now, and he divided it between Bernard and Eugenia, whom he adored, and the negroes, whom he reviled for diversion and spoiled to make amends.
"They will break me!" he would declare a dozen times a day. "They will turn me out of house and home. Here's old Sambo's Claudius come back and moved into the quarters. He hasn't a cent to his name, and he's the most no 'count scamp on earth. It's worse than before the war—upon my soul it is! Then they lived on me and I got an odd piece of work out of them. Now they live on me and don't do a damned lick!"
"My dear Tom!" Miss Chris cheerfully remonstrated. She had long been reconciled to her brother's swearing propensities, which she regarded as an amiable eccentricity to be overlooked by a special indulgence accorded the male sex, but she never knew just how to meet him in a discussion of the servants.
"What is to be done about it?" she inquired gravely. "Claudius left here at the beginning of the war, Aunt Griselda says, and he has never been back until now. It seems he has brought his family. He has lung-trouble."
"Done about it!" repeated the general heatedly. "What's to be done about it? Why, the rascal can't starve. I've just told Sampson to wheel him down a barrel of meal. Oh, they'll break me! I shan't have a morsel left!"
The next time it was an opposite grievance.
"What do you reckon's happened now?" he asked, marching into the brick storeroom, where his sister was slicing ripe, red tomatoes into a blue china bowl. "What do you think that fool Ish has done?"
Miss Chris looked up attentively, her large, fresh-coloured face expressing mild apprehension. She had rolled back her linen sleeves, and the juice of the tomatoes stained her full, dimpled wrists.
"He hasn't killed himself?" she inquired anxiously.
"Killed himself?" roared the general. "He'll live forever. I don't believe he'd die if he were strung up with a halter round his neck. He's moved off."
"Moved off!" echoed Miss Chris faintly. "Why, I believe Uncle Ish was living in that cabin on Hickory Hill before I was born. I remember going up there to help him gather hickory nuts when I wasn't six years old. I couldn't have been six because mammy Betsey was with me, and she died before I was seven. I declare there were always more nuts on those trees than any I ever saw—"
But the general broke in upon her reminiscences, and she took up a fresh tomato and peeled it carefully with a sharp-edged knife.
"Some idiots got after him," said the general, "and told him if he went on living on my land he'd go back to slavery, and, bless your life, he has gone—gone to that little one-room shanty where his daughter used to live, between my place and Burr's—as if I'd have him," he concluded wrathfully. "I wouldn't own that fool again if he dropped into my lap straight from heaven!"
Miss Chris laughed merrily.
"It is the last place he would be likely to drop from," she returned; "but I'll call him up and talk with him. It is a pity for him to be moving off at his age."
So Uncle Ishmael was summoned up to the porch, and Miss Chris explained the error of his ways, but to no purpose.
"I ain' got no fault ter fine," he repeated over and over again, scratching his grizzled head. "I ain' got no fault ter fine wid you. You've been used me moughty well, en I'se pow'ful 'bleeged ter you—en Marse Tom, he's a gent'mun ef ever I seed one. I ain' go no fault ter fine."
The general lost his temper and started up.
"Then what do you mean by turning fool at your age?" he demanded angrily. "Haven't I given you a roof over your head all these years?"
"Dat's so, suh."
"And food to eat?"
"Dat's so."
"And never asked you to do a lick of work since you got the rheumatism?"
"Dat's es true es de Gospel."
"Then what do you mean by going off like mad to that little, broken-down shanty with half the roof gone?"
Uncle Ishmael shuffled his heavy feet and scratched his head again.
"Hit's de trufe, Marse Tom," he said at last. "Hit's de Gospel trufe. I ain' had so much ter eat sence I'se gone off, en I ain' had much uv er roof ter kiver me, en I ain' had nuttin' ter w'ar ter speak on—but, fo' de Lawd, Marse Tom, freedom it are er moughty good thing."
Then the general flew into the house in a rage and Uncle Ishmael left, followed by two small negroes, bearing on their heads the donations made by Miss Chris to his welfare.
On the day that Eugenia encountered Nicholas at school the general was sitting, as usual, in his rocking chair upon the front porch, when he saw the flutter of a blue skirt, and Eugenia emerged from the avenue and came up the walk between the stiff rows of box. It was two o'clock, and the general was peacefully awaiting the sound of the dinner bell, but at the sight of Eugenia his peacefulness departed, and he called angrily:
"Eugie, where's Bernard?"
"Comin'."
"Coming!" returned the general indignantly. "Haven't I told you a dozen times not to walk along that road by yourself? Why didn't you wait for the carriage? Are you never going to mind what I say to you?"
Eugenia came up the steps and threw her books on one of the long green benches. Then she seated herself in a rocking chair and untied her sunbonnet.
"I wa'n't by myself," she said. "A boy was with me."
"A boy? Where is he?"
"He ran away."
The general's great head went back, and he shook with laughter. "Bless my soul! What did he mean by that? What boy was it, daughter?"
Eugenia sat upright in the high rocker, fanning her heated face with her sunbonnet.
"The Burr boy," she answered.
The general gasped for breath, and turned towards the hall.
"Come out here, Chris!" he called. "Here's Eugie been walking home with the Burr boy!"
In a moment Miss Chris's large figure appeared in the doorway, and she handed a brimming mint julep to the general.
"I don't know what Eugie can be made of," she remarked. "Amos Burr was overseer for the Carringtons before he got that place of his own, and I remember just as well as if it were yesterday old Mr. Phil Carrington telling me once, when I was on a visit there, that the more his man Burr worked the less he accomplished. But, as for Eugenia, that isn't the worst about her. Just the other morning, when I was looking out of the storeroom window, I saw her with her arm round the neck of Aunt Verbeny's little Suke. I declare I was so upset I let the quart pot fall into the potato bin!"
"But there isn't anybody else, Aunt Chris," protested Eugenia, looking up from her father's julep, which she was tasting. "And I'm 'bliged to have a bosom friend."
The general shook until his face was purple and the ice jingled in the glass.
"Bosom friend, you puss!" he roared. "Why can't you choose a bosom friend of your own colour? What do you want with a bosom friend as black as the ace of spades?"
"O papa, she ain't black; she's jes' yellow-brown."
"You ought to be ashamed of yourself, Eugie," said Miss Chris severely. "Now go upstairs and wash your face and hands before dinner. It is almost ready. I wonder where Bernard is!"
"Can't I wait twell the bell rings?" Eugenia asked; but Miss Chris shook her head decisively.
"Eugenia, will you never stop talking like a darkey?" she demanded. "How often must I tell you that there's no such word as 'twell'? Now, go right straight upstairs."
Eugenia rose obediently and went into the hall. She had learned from her father and the servants not to dispute the authority of Miss Chris, though she yielded to it with a mild surprise at her own docility.
"She don't really manage me," she had once confided to Delphy, the washerwoman, "but I jes' plays that she does."
When Eugenia came downstairs she found the family seated at dinner, Miss Chris and her father beaming upon each other across a dish of fried chicken and a home-cured ham. Bernard was on Miss Chris's right hand, and on the other side of the table Eugenia's seat separated the general from Aunt Griselda, who sat severely buttering her toast before a brown earthenware teapot ornamented by a raised design of Rebecca at the well. Aunt Griselda was a lean, dried-up old lady, with a sharp, curved nose like the beak of a bird, and smoothly parted hair brushed low over her ears and held in place by a tortoise-shell comb. There were deep channels about her eyes, worn by the constant falling of acrid tears, and her cheeks were wrinkled and yellowed like old parchment.
Twenty years ago, when the general had first brought home his young wife, before her buoyancy had faltered, and before the five little head-boards to the five stillborn children had been set up amid the periwinkle in the family graveyard, Aunt Griselda had written from the home of her sister to say that she would stop over at Battle Hall on her way to Richmond.
The general had received the news joyfully, and the best chamber had been made ready by the hospitable hands of his young wife. Delicate, lavender-scented linen had been put on the old tester-bed and curtains of flowered chintz tied back from the window seats. Amelia Battle had placed a bowl of tea-roses upon the dressing table and gone graciously down to the avenue to welcome her guest. From the family carriage Aunt Griselda had emerged soured and eccentric. She had gone up to the best chamber, unpacked her trunks, hung up her bombazine skirts in the closet, ordered green tea and toast, and settled herself for the remainder of her days. That was twenty years ago, and she still slept in the best chamber, and still ordered tea and toast at the table. She had grown sourer with years and more eccentric with authority, but the general never failed to treat her crotchets with courtesy or to open the door for her when she came and went. To the mild complaints of Miss Chris and the protestations of Eugenia he returned the invariable warning: "She is our guest—remember what is due to a guest, my dears."
And when Miss Chris placidly suggested that the privileges of guestship wore threadbare when they were stretched over twenty years, and Eugenia fervently hoped that there were no visitors in heaven, the general responded to each in turn:
"It is the right of a guest to determine the length of his stay, and, as a Virginian, my house is open as long as it has a roof over it."
So Aunt Griselda drank her green tea in acrid silence, turning at intervals to reprove Bernard for taking too large mouthfuls or to request Eugenia to remove her elbows from the table.
To-day, when Eugenia descended, she was gazing stonily into Miss Chris's genial face, and listening constrainedly to a story at which the general was laughing heartily.
"Yes, I never look at these forks of the bead pattern that I don't see Aunt Callowell," Miss Chris was concluding. "She never used any other pattern, and I remember when Cousin Bob Baker once sent her a set of teaspoons with a different border, she returned them to Richmond to be exchanged. Do you remember the time she came to mother's when we were children, Tom? Eugie, will you have breast or leg?"
"I don't think I could have been at home," said the general, his face growing animated, as it always did, in a discussion of old times; "but I do remember once, when I was at Uncle Robert's, they sent me eighteen miles on horseback for the doctor, because Aunt Callowell had such a queer feeling in her side when she started to walk. I can see her now holding her side and saying: 'I can't possibly take a step! Robert, I can't take a step!' And when I brought the doctor eighteen miles from home, on his old gray mare, he found that she'd put a shoe on one foot and a slipper on the other."
The general threw back his head and laughed until the table groaned, while Miss Chris's double chin shook softly over her cameo brooch.
Aunt Griselda wiped her eyes on the border of her handkerchief.
"Aunt Cornelia Callowell was a righteous woman," she murmured. "I never thought that I should hear her ridiculed in the house of her great-nephew. She scalloped me a flannel petticoat with her own hands. Eugenia, in my day little girls didn't reach for the butter. They waited until it was handed to them."
Congo, the butler, rushed to Eugenia's assistance, and the general shook his finger at her and formed the word "guest" with his mouth. Miss Chris changed the subject by begging Aunt Griselda to have a wing of chicken.
"I don't believe in so much dieting," she said cheerfully. "I think your nerves would be better if you ate more. Just try a brown wing."
"I know my nerves are bad," Aunt Griselda rejoined, still wiping her eyes, "though it is hard to be accused of a temper before my own nephew. But I know I am a burden, and I have overstayed my welcome. Let me go."
"Why, Aunt Griselda?" remonstrated Miss Chris in hurt tones. "You know I didn't accuse you of anything. I only meant that you would feel better if you didn't drink so much tea and ate more meat—"
"I am not too old to take a hint," replied Aunt Griselda. "I haven't reached my dotage yet, and I can see when I am a burden. Here, Congo, you may put my teapot away."
"O Lord!" gasped the general tragically; and rising to the occasion, he said hurriedly: "By the way, Chris, they told me at the post-office to-day that old Dr. Smith was dead. It was only last week that I met him on his way to town with his niece's daughter, and he told me that he had never been in better health in his life."
"Dear me!" exclaimed Miss Chris, holding a large spoonful of raspberries poised above the dish to which she was helping. "Why, old Dr. Smith attended me forty years ago when I had measles. I remember he made me lie in bed with blankets over me, though it was August, and he wouldn't let me drink anything except hot flax-seed tea. They say all that has been changed in this generation—"
"Leave me plenty of room for cream, Aunt Chris," broke in Bernard, with an anxious eye on Miss Chris's absent-minded manipulations. She reached for the round, old silver pitcher, and poured the yellow cream on the sugared berries without pausing in her soft, monotonous flow of words.
"But even in those days Dr. Smith was behind the times, and he has been so ever since. He used to say that chloroform was invented by infidels, and he would not let them give it to his son, Lawrence, when he broke his leg on the threshing machine. It was a mania with him, for, when I was nursing in the hospitals during the war, he told me with his own lips that he believed the Lord was on our side because we didn't have chloroform."
"He had a good many odd ideas," said the general, "but he is dead now, poor man."
"He raised up my dear father when he was struck down with paralysis," murmured Aunt Griselda.
When dinner was over the general returned to the front porch, and Eugenia and the puppy went with Bernard to the orchard to look for green apples.
They started out in single file; Bernard, a bright-faced, snub-nosed boy with a girlish mouth, a little in advance, Eugenia following, and the puppy at her heels. On the way across the meadow, where myriads of grasshoppers darted with a whirring noise beneath the leaves of coarse mullein plants or the slender, unopened pods of milkweed, the puppy made sudden desperate skirmishes into the tangled pathside, pointing ineffectually at the heavy-legged insects, his red tongue lolling and his short tail wagging. Up the steep ascent of the orchard a rocky trail ran, bordered by a rail fence. From the point of the hill one could see the adjoining country unrolled like a map, olive heights melting into emerald valleys, bare clearings into luxuriant crops, running a chromatic scale from the dry old battlefields surrounding Kingsborough to the arable "bottoms" beside the enrichening river.
After an unsuccessful search for cherries Bernard climbed a tree where summer apples hung green, and tossed the fruit to Eugenia, who held up her blue skirt beneath the overhanging boughs. The puppy, having dodged in astonishment a stray apple, went off after the silvery track of a snail.
"That's enough," called Bernard presently, and he descended and filled his pockets from Eugenia's lap. "They set my teeth on edge, anyway. Got any salt?"
Eugenia drew a small folded envelope from her pocket. Then she threw away her apple and pointed to the little brook at the foot of the hill. "There's that red-winged blackbird in the bulrushes again. I believe it's got a nest."
And they started in a run down the hillside, the puppy waddling behind with shrill, impertinent barks.
At the bottom of the hill they lost the blackbird and found Nicholas Burr, who was lying face downwards upon the earth, a fishing line at his side.
"He's crying," said Eugenia in a high whisper.
Nicholas rolled over, saw them, and got up, wiping his eyes on the sleeve of his shirt.
"There warn't nobody lookin'," he said defiantly.
"You're too big to cry," observed Bernard dispassionately, munching a green apple he had taken from his pocket. "You're as big as I am, and I haven't cried since I was six years old. Eugie cries."
"I don't!" protested Eugenia vehemently. "I reckon you'd cry too if they made you sit in the house the whole afternoon and hem cup-towels."
"I'm a boy, Miss Spitfire. Boys don't sew. I saw Nick Burr milking, though, one day. What made you milk, Nick?"
"Ma did."
"I'd like to see anybody make me milk. You're jes' the same as a girl."
"I ain't!"
"You are!"
"I ain't!"
"'Spose you fight it out," suggested Eugenia, with an eye for sport, settling herself upon the ground with Jim in her lap.
Nicholas picked up his fishing line and wound it slowly round the cork. "There's a powerful lot of minnows in this creek," he remarked amicably. "When you lean over that log you can catch 'em in your hat."
"Let's do it," said Eugenia, starting up, and they went out upon the slippery log between the reedy banks. Over the smooth, pebbly bed of the stream flashed the shining bodies of hundreds of minnows, passing back and forth with brisk wriggles of their fine, steel-coloured tails. On the Battle side of the bank a huge, blue-winged dragonfly buzzed above the flaunting red and yellow faces of three tiger-lilies.
Jim sat on the brookside and watched the minnows, having ventured midway upon the log, to retreat at the sight of his own reflection in the water.
"He's a coward," said Bernard teasingly, alluding to the recreant Jim. "I wouldn't have a dog that was a coward."
"He ain't a coward," returned Eugenia passionately. "He jes' don't like looking at his own face, that's all. Here, Nick, hand me your hat."
Nick obediently gave her his hat, and Eugenia leaned over the stream, her bare arms and vivid face mirrored against the silvery minnows, when a shrill call came from the house.
"Nick! Who-a Ni-ck!"
"That's Sairy Jane," said Nicholas, reaching for his hat. "Ma wants me."
"Who is Sairy Jane?"
"Sister."
Eugenia handed him his dripping hat, and stood shaking her fingers free from the sparkling drops.
"Will you come and fish with me to-morrow?" she asked.
"If I ain't got to work in the field—"
"Don't work."
"Can't help it."
The call was repeated, and Nicholas sped over the mossy log and across the ploughed field, while Bernard and Eugenia toiled up the hillside.
As they passed the Sweet Gum Spring they saw Delphy, the washerwoman, standing in her doorway, quarrelling with her son-in-law, Moses, who was hoeing a small garden patch in the rear of an adjoining cabin. Delphy was a large mulatto woman, with a broad, flat bosom and enormous hands that looked as if they had been parboiled into a livid blue tint.
"'Tain' no use fer to hoe groun' dat ain' got no richness," she was saying, shaking her huge head until the dipper hanging on the lintel of the door rattled, "en'tain' no use preachin' ter a nigger dat ain' got no gumption. Es de tree fall, so hit' gwine ter lay, en es a fool's done been born, so he gwine ter die. 'Tain' no use a-tryin' fer to do over a job dat de Lawd done slighted. You may ding about hit en you may dung about hit, but ef'n it won't, hit won't."
Moses, a meek-looking negro with an honest face, hoed silently, making no response to his mother-in-law's vituperations, which grew voluble before his non-resistance.
"Dar ain' no use er my frettin' en perfumin' over dat ar nigger," she concluded, as if addressing a third person. "He wuz born a syndicate en he'll die er syndicate. De Debbil, he ain' gwine tu'n 'm en de Lawd he can't. De preachin' it runs off 'im same es water off er duck's back. I'se done talked ter him day in en day out twell dar ain' no breff lef fer me ter blow wid, an' he ain' changed a hyar f'om what de Lawd made 'im. Seems like he ain' got de sperit uv—"
"Why, Delphy!" exclaimed Bernard, interrupting the flow of speech. "What's the matter with Moses?"
Delphy snorted contemptuously and took breath for procedure, when the sharp cry of a baby came from Moses' cabin, and Eugenia broke in excitedly:
"Why, there's a baby in there, Delphy! Whose baby is that?"
"Git er long wid you, chile," said Delphy. "You knows er plum sight mo' now'n you ought ter." Then she added with a snort: "Hit's es black es er crow's foot."
"Is it Betsey's baby?"
"I reckon'tis. Moses he says ez what'tis, but he's de mos' outlandish nigger on dis yer place. Dar ain' no relyin' on him, noways."
"When did it come, Delphy? Who brought it? I saw Dr. Debs yesterday, an' his saddle-bag bulged mightily."
"De Lawd didn't brung hit," returned Delphy emphatically. "De Lawd wouldn't er teched hit wid er ten-foot pole. Dis yer Moses, he ain' wuth de salt dat's put in his bread. He's de wuss er de hull lot—"
"Why doesn't Betsey get rid of him?" asked Bernard, eyeing the shrinking Moses with disfavour. "I heard Aunt Chris say that Mrs. Willie Wilson in Richmond got a divorce from her husband for good and all—"
"Lawdy, chile! Huccome you think I'se gwine ter pay fer a dervoge fer sech er low-lifeted creetur ez dat? He ain' wuth no dervogin', he ain'. When it come ter dervogin', I'll dervoge 'im wid my fis' en foot—"
Here the baby cried again, and the irate Delphy disappeared into Moses' cabin, while the meek-looking son-in-law hoed the garden patch and muttered beneath his breath.
The children passed the spring, crossed the meadow, and followed the grapevine trellis to the back steps, when Eugenia rushed through the wide hall with an impetuous flutter of short skirts.
"Papa!" she cried, bursting upon the general as he sat smoking upon the front porch. "What do you think has happened? There's a new baby came to Moses' cabin, an' Delphy says it's as black as—"
"Well, I am blessed!" groaned the general, knocking the ashes from his pipe. "Another mouth to feed. Eugie, they'll ruin me yet."
"I reckon they will," returned Eugenia hopelessly. She seated herself upon the topmost step and made a place for Jim beside her.
The general was silent for some time, smoking thoughtfully and staring past the aspens and the well-house to the waving cornfield. When he spoke it was with embarrassed hesitation.
"I say, daughter."
Eugenia looked up eagerly.
"Didn't that spotted cow of Moses' die last week?"
"That it did," replied Eugenia emphatically. "It got loose in your clover, pasture and ate itself too full. Moses says it bu'st."
"Pish!" exclaimed the general angrily. "My clover! I tell you, they won't leave me a roof over my head. They'll eat me into the poorhouse. But I'll turn them off. I'll send them packing, bag and baggage. My clover!"
"Moses ain't got much of a garden patch," said Eugenia. "It looks mighty poor. The potato-bugs ate all his potatoes."
The general was silent again.
"I say, daughter," he began at last, blowing a heavy cloud of smoke upon the air, "the next time you go by Sweet Gum Spring you had just as well tell Moses that I can let him have a side of bacon if he wants it. The rascal can't starve. But they won't leave me a mouthful—not one. And Eugie—"
"Yes, sir."
"You needn't mention it to your Aunt Chris—"
At that instant a little barefooted negro came running across the lawn from the spring-house, a large tin pail in his hand.
"Here, boy!" called the general. "Where're you off to? What have you got in that pail?"
"It's Jake," said Eugenia in a whisper, while Jim barked frantically from the shelter of her arms. "He's Delphy's Jake."
The small negro stood grinning in the walk, his white eyeballs circling in their sockets. "Hit's Miss Chris, suh," he said at last.
"Miss Chris, you rascal!" shouted the general. "Do you expect me to believe you've got Miss Chris in that pail? Open it, sir; open it!"
Jake showed a shining row of ivory teeth and stood shaking the pail from side to side.
"Miss Chris, she gun hit ter me, suh," he explained. "Hit's Miss Chris herse'f dat's done sont me ter tote dish yer buttermilk ter Unk Mose."
"Bless my soul!" cried the general wrathfully. "Get away with you! The whole place is bent on ruining me. I'll be in the poorhouse before the week's up." And he strode indoors in a rage.
Twice a year, on fine days in spring and fall, Aunt Griselda's bombazine dresses were taken from the whitewashed closet and hung out to air upon the clothesline at the back of the house, while pungent odours of tar and camphor were exhaled from the full black folds. On these days Aunt Griselda would remain in her room, sorting faded relics which she took from a cedar chest and spread beside her on the floor. The door was kept locked at such times, but once Eugenia, who had gone with Congo to carry Aunt Griselda her toast and tea, had caught a glimpse of a yellowed swiss muslin frock and the leather case of a daguerreotype containing the picture of a round-eyed girl with rosy cheeks. Aunt Griselda had hidden them hastily away at the child's entrance—hidden them with that nervous, awkward haste which dreads a dawning jest of itself; but Eugenia had seen that her old eyes were red and her voice more rasping than usual.
Sixty years ago Aunt Griselda had had her romance, and she still kept her love-letters tied up with discoloured ribbons and laid away in the cedar chest. It was but the skeleton of a love story—the adolescent ardours of a high-spirited country girl and the high-spirited son of a neighbouring farmer. When the quarrel came the letters were overlooked when the ring went back. Griselda Grigsby had tossed them carelessly into the cedar chest and gone out to forget them. Her heart had not been deeply touched and it soon mended. No other lovers came, and she lived her quiet life in her father's house, gathering garden flowers for the great, blue bowls in the parlour, teaching the catechism to small black slaves, and making stiff, old-fashioned samplers in crewels. The high-spirited lover had loved elsewhere and died of a fever, and, beyond a passing regret, she thought little of him. There were nearer interests, and she was still the petted daughter of her father's house—the eldest and the best beloved. Then the crash came. The old people passed away, the house changed hands, Aunt Griselda was stranded upon the high tide of hospitality—and crewel work went out of fashion.
In her sister's home she became a constant guest—one to be offered the favoured share and to be treated with tender, increasing tolerance—not to be loved. Since the death of her parents none had loved her, though many had borne gently with her spoiled fancies. But her coming in had brought no light, and her going out had left nothing dark. She was old and ill-tempered and bitter of speech, and, though all doors opened hospitably at her approach, all closed quickly when she was gone. Her spoiled youth had left her sensitive to trivial stings, unforgivable to fancied wrongs. In a childish oversight she detected hidden malice and implacable hate in a thoughtless jest. Her bitterness and her years waxed greater together, and she lost alike her youth and her self-control. When she had yearned for passionate affection she had found kindly tolerance, and the longings of her hidden nature, which none knew, were expressed in rasping words and acrid tears. Once, some years after Bernard's birth, she had called him into her room as she sat among her relics, and had shown him the daguerreotype.
"It's pitty lady," the child had lisped, and she had caught him suddenly to her lean old breast, but he had broken into peevish cries and struggled free, tearing with his foot the ruffle of the swiss muslin gown.
"Oo ain't pitty lady," he had said, and Aunt Griselda had risen and pushed him into the hall with sharp, scolding words, and had sat down to darn the muslin ruffle with delicate, old-fashioned stitches.
It was only when all living love had failed her that she returned to the dead. She had gathered the letters of nearly sixty years ago from the bottom of the cedar chest, reading them through her spectacles with bleared, watery eyes. Those subtle sentimentalities which linger like aromas in a heart too aged for passion were liberated by the bundle of yellow scrawls written by hands that were dust. As she sat in her stiff bombazine skirts beside the opened chest, peering with worry-ravaged face at the old letters, she forgot that she was no longer one with the girl in the muslin frock, and that the inciter of this exuberant emotion was as dead as the emotion itself.
When the dresses were brought up to her she would put them on again and go down to flinch before kindly eyes and to make embittered speeches in her high, shrill voice. Outwardly she grew more soured and more eccentric. On mild summer evenings she would come down stairs with her head wrapped in a pink knitted "nubia," and stroll back and forth along the gravelled walk, her gaunt figure passing into the dusk of the cedar avenue and emerging like the erratic shadow of one of the sombre trees.
Sometimes Eugenia joined her, but Bernard, her favourite, held shyly aloof. In her exercise she seldom spoke, and her words were peevish ones, but there was grim pathos in her carriage as she moved slowly back and forth between the straight rows of box.
After supper the family assembled on the porch and talked in a desultory way until ten o'clock, when the lights were put out and the house retired to rest. Eugenia slept in a great, four-post bedstead with Aunt Chris, and the bed was so large and soft and billowy that she seemed to lose herself suddenly at night in its lavender-scented midst, and to be as suddenly discovered in the morning by Rindy, the house-girl, when she came with her huge pails of warm water.
Those fresh summer dawns of Eugenia's childhood became among her dearest memories in after years. There were hours when, awaking, wide-eyed, before the house was astir, she would rise on her elbow and look out across the dripping lawn, where each dewdrop was charged with opalescent tints, to the western horizon, where the day broke in a cloud of gold. The song of a mocking-bird in the poplars of the little graveyard came to her with unsuspected melody—a melody drawn from the freshness, the loneliness, the half-awakened calls from hidden nests and the lyric ecstasy of dawn.
Then, with the rising of the sun, Aunt Chris would turn upon her pillow and open her soft, brown eyes.
"It is not good for little folks to be awake so early," she would say, and there would rush upon the child a sense of warmth and tenderness and comfort, and she would nestle closer to her sweet, white pillow. With the beginning of day began also the demands upon the time of Miss Chris. First the new overseer, knocking at her door, would call through the crack that a cow had calved, or that one of the sheep was too ill to go to pasture. Then Rindy, entering with her pails, would shake a pessimistic head.
"Lawd, Miss Chris, one er dem ole coons done eat up er hull pa'cel er yo' chickens." And Miss Chris, at once the prop and the mainstay of the Battle fortunes, would rise with anxious exclamations and put on her full black skirt and linen sacque.
When breakfast was over Miss Chris went into the storeroom each morning and came out with a basin of corn-meal dough, followed by Sampson bearing an axe and Aunt Verbeny jingling the hen-house keys. The slow procession then filed out to the space before the hen-house, the door of which was flung back, while Aunt Verbeny clucked at a little distance. Miss Chris scattered her dough upon the ground and, while her unsuspecting beneficiaries made their morning meal, she pointed out to Sampson, the executioner, the members of the feathered community destined to be sacrificed to the carnivorous habits of their fellow mortals.
"Feel that one with the black spots, Sampson," she said with the indifference of an abstract deity. "Is it fat? And the domineca pullet, and the two roosters we bought from Delphy."
And when Sampson had seized upon the victims of the fiat she turned to inspect the bunches of fowls offered by neighbouring breeders.
To-day it was Nicholas Burr who stood patiently in the background, three drooping chickens in each hand, their legs tied together with strips of a purple calico which Marthy was making into a dress for Sairy Jane.
Seeing that Miss Chris had delivered her judgments, he came forward and proffered his captives with an abashed demeanour.
"How much are they worth?" asked Miss Chris in her cheerful tones, while Aunt Verbeny gave a suspicious poke beneath one of the flapping wings, followed by a grunt of disparagement.
Nicholas stammered confusedly:
"Ma says the biggest ought to bring a quarter," he returned, blushing as Aunt Verbeny grunted again, "and the four smallest can go for twenty cents."
But when the bargain was concluded he lingered and added shamefacedly: "Won't you please let that red-and-black rooster live as long as you can? I raised it."
"Why, bless my heart!" exclaimed Miss Chris, "I believe the child is fond of the chicken."
Eugenia, who was hovering by, burst into tears and declared that the rooster should not die.
"Twenty cents is s-o ch-ea-p for a li-fe," she sobbed. "It shan't be killed, Aunt Chris. It shall go in my hen-h-ou-se." And she rushed off to get her little tin bank from the top bureau drawer.
When the arrangements were concluded Nicholas started empty-handed down the box walk, the money jingling in his pocket. At the end of the long avenue of cedars there was a wide, unploughed common which extended for a quarter of a mile along the roadside. In spring and summer the ground was white with daisies and in the autumn it donned gorgeous vestments of golden-rod and sumach. In the centre of the waste, standing alike grim and majestic at all seasons, there was the charred skeleton of a gigantic tree, which had been stripped naked by a bolt of lightning long years ago. At its foot a prickly clump of briars surrounded the blackened trunk in a decoration of green or red, and from this futile screen the spectral limbs rose boldly and were silhouetted against the far-off horizon like the masts of a wrecked and deserted ship. A rail fence, where a trumpet-vine hung heavily, divided the field from the road, and several straggling sheep that had strayed from the distant flock stood looking shyly over the massive crimson clusters.
When Nicholas came out from the funereal dusk of the cedars the field was almost blinding in the morning glare, the yellow-centred daisies rolling in the breeze like white-capped billows on a sunlit sea. From the avenue to his father's land the road was unbroken by a single shadow—only to the right, amid the young corn, there was a solitary persimmon tree, and on the left the gigantic wreck stranded amid the tossing daisies.
The sun was hot, and dust rose like smoke from the white streak of the road, which blazed beneath a cloudless sky.
The boy was tired and thirsty, and as he tramped along the perspiration rose to his forehead and dropped, upon his shoulder. With a sigh of satisfaction he came upon the little cottage of his father and saw his stepmother taking the clothes in from the bushes where they had been spread to dry. It was Saturday, and ironing day, and he hoped for a chance at his lessons before night came, when he was so tired that the facts would not stick in his brain. He thought that it must be very easy to study in the mornings when you were fresh and eager and before that leaden weight centred behind your eyeballs.
When Marthy Burr saw him she called irritably:
"I say, Nick, did they take the chickens?"
Nicholas nodded, and, crossing the weeds in the garden, gave her the money from his pocket.
"They didn't say nothing 'bout wantin' more, I 'spose? Did you tell 'em I was fattenin' them four pairs of ducks?"
Nicholas shook his head. No, he hadn't told them.
"Well, your pa wants you down in the peanut field. You'd better get a drink of water first. You look powerful red."
An hour later, when work was over, he carried his book to the orchard and flung himself down beneath the trees. The judge had given him a biography of Jefferson, and he had learned his hero's life with lips and heart. The day that it was finished he put the volume under his arm and went to the rector's house.
"I want to join the church," he said bluntly.
The rector, a kindly, middle-aged man, with a love for children, turned to him in half-puzzled, half-sympathetic inquiry.
"You are young, my child," he replied, "to be so zealous a Christian."
"'Tain't that, sir," said the boy slowly. "I don't set much store by that. But I've got to go to heaven—because I can't see Thomas Jefferson no other way."
The rector did not smile. He was wiser than his generation, for he left the great man's own religion to himself and God. He said merely:
"When you are older we shall see, my boy—we shall see."
Nicholas left with a chill of disappointment, but as he passed along the street his name was called by Juliet Burwell, and she fluttered across to him in all her mystifying flounces and her gracious smile.
"I was at the rector's," she said, "and he told me that you wanted to be confirmed—and I want you to come into my Sunday-school class."
Nicholas met the kind eyes and blushed purple. Her beauty took away his breath and made his pulses leap. The slow, musical drawl of her speech soothed him like the running of clear water. He felt the image of Thomas Jefferson totter upon its pedestal, but it was steadied with a tremendous lurch. Jefferson was a man, after all, and this was only a woman.
"Will you come?" asked the soft voice, and he stammered an amazed and awkward assent.
On the Saturday after the day upon which Nicholas had pledged himself to attend Sunday-school Juliet Burwell asked him to come into Kingsborough and talk over the lesson for the following morning. At five o'clock in the afternoon he dressed himself with trembling hands and a perturbed heart; and for the first time in his life turned to look at his reflection in the small, cracked mirror hanging above the washstand in his stepmother's room.
As a finishing touch Marthy Burr tied a flaming plaid cravat beneath his collar.
"You ain't much on looks," she remarked as she drew back to survey him, "but you've got as peart a face as I ever seed. I reckon you'll be plenty handsome for a man. I was al'ays kind of set against one of these pink an' white men, somehow. They're pretty enough to look at when you're feelin' first-rate, but when you git the neuralgy they sort of turns yo' stomach. I've a taste for sober colours in men and caliky."
"I think he looks beautiful," said Sairy Jane, her eyes on the cravat, and Nicholas felt a sudden glow of gratitude, and silently resolved to save up until he had enough money to buy her a hair ribbon.
"I ain't sayin' he don't," returned Marthy Burr with a severe glance in the direction of her eldest daughter, who was minding Jubal in the kitchen doorway. "Thar's red heads an' red heads, an' his ain't no redder than the reddest. But he came honestly by it, which is more than some folks can say as is got yellow. His father had it befo' him, an' thar's one good thing about it, you've got to be born with it or you ain't goin' to come by it no other way. I never seed a dyer that could set hair that thar colour 'cep'n the Lord Himself—an' I ain't one to deny that the Lord has got good taste in His own line."
Then, as Nicholas took up his hat, she added: "If they ask after me, Nick, be sure an' say I'm jes' po'ly."
Nicholas nodded and went out, followed to the road by Sairy Jane and Jubal, while his stepmother called after him to walk in the grass and try to keep his feet clean.
When he reached Kingsborough and crossed the green to the Burwell's house, which was in the lane called "Back Street," he fell to a creeping pace, held back by the fluttering of his pulses. Not until he saw Juliet standing at the little whitewashed gate did he brace himself to the full courage of approaching. When he spoke her name she opened the gate and gave him her hand, while all sense of diffidence fell from him.
"I've been looking at you for a long ways," he said boldly, "an' you were just like one of them tall lilies bordering the walk."
She blushed, turning her clear eyes upon him, and he felt a great desire to kiss the folds of her skirt or the rose above her left temple. He had never seen any one so good or so kind or so beautiful, and he vowed passionately in his rustic little heart that he would always love her best—best of all—that he would fight for her if he might, or work for her if she needed it. There was none like her—not his stepmother—not Sairy Jane—not even Eugenia. She was different—something of finer clay, made to be waited upon and worshipped like the picture of the goddess standing on the moon that he had seen in the judge's study.
Juliet smiled upon his ardour, and, leading him to a bench beneath a flowering myrtle, made him sit down beside her, while she spoke pious things about Adam and the catechism and the salvation of the world—to all of which he listened with wide-opened eyes and a fluttering heart. He wondered why no one had ever before told him such beautiful things about God and the manifold importance of keeping a clean heart and loving your neighbour as yourself. It seemed to him that he had been living in sin for the twelve years of his life and he feared that he should find it impossible to purge his mind of evil passions and to love the coloured boy Boss who had stolen his best fishing line. He asked Juliet if she thought he would be able to withstand the assaults of Satan as the minister told him to do; but she laughed and said that there was no Satan who went about like a roaring lion—only cruelty and anger and ill-will, and that he must be kind to his brothers and sisters, and to animals, and not rob birds' nests, which was very wrong. Then she added as an afterthought, with a saintly look in her eyes, that he must love God. He promised that he should try to do so, though he wished in his heart that she had told him to love herself instead. As he sat in the soft light, watching her beautiful face rising against a background of lilies, his young brain thrilled with the joy of life. It was such a glorious thing to live in a great, kind world, with a big, beneficent God above the blue, and to love all mankind—not harbouring an angry thought or an ill feeling! He looked into the kind eyes beside him and felt that he should like to be a saint or a minister—not a lawyer, which might be wicked after all. Then he remembered the waxen-faced, choleric clergyman of the church his stepmother attended, but he put the memory away. No, he would not be like that; he would not preach fire and brimstone from a white-pine pulpit. He would be large and just and merciful like God; and Juliet Burwell would come to hear him preach, looking up at him with her blue, blue glance. In the meantime he would not rob that marsh hen's nest which he had found. He would never steal another egg. He wished that he didn't have that drawerful at home. He would give them to Sairy Jane if she wanted them—all except the snake's egg, which he might keep, because serpents were an accursed race. Yes, Sairy Jane might have them all, and he wouldn't pull her hair again when he caught her looking at them on the sly.
Presently Juliet called Sally and took him into the quaint old dining-room and gave him cakes and jam on a table that shone like glass. There he saw Mr. Burwell—a pink-cheeked, little gentleman who wore an expansive air of innocence and a white piqué waistcoat—and Mrs. Burwell, a pretty, gray-haired woman, who ruled her husband with the velvet-pawed despotism which was the heritage of the women of her race and day. She had never bought a bonnet without openly consulting his judgment; he had never taken a step in life without unconsciously following hers.
"Really, my dear Sally," he had said when he heard of Nicholas's reception by his daughter, "Juliet must a—a—be taught to recognise the existence of class. Really, I cannot have her bringing all these people into my house. You must put a stop to it at once, my dear."
Mrs. Burwell had smiled placidly as she patted her gray fringe.
"Of course you know best, Mr. Burwell," she had replied with that touching humility which forbade her to address her husband by his Christian name. "Of course you know best about such matters, and I'll tell Juliet what you say. Poor child, she has such confidence in your judgment that she will believe whatever you say to be right; but she does love so to feel that she is exerting a good influence over the boys, and, perhaps, helping them to work out their future salvation. She thinks, too, that it is so well for them to have a chance of talking to you. I heard her tell Dudley Webb that he must take you for an example—"
"Ah!—ahem!" said Mr. Burwell, who worshipped the ground his daughter trod upon. "I suppose it would be a pity to interfere with her, eh, my dear?"
"Well, I can't help wishing myself, Mr. Burwell, that she would select children of her own class in life, but, as you say, she has taken a fancy to that Burr boy, and he seems to be a decent, respectful kind of child. Of course I know it is your soft heart that makes you look at it in this way—but I love you all the better for it. I remember the day you proposed to me for the sixth time, I had just seen you bandage up the head of a little darkey that had cut himself—and I accepted you on the spot."
"Yes, yes, my love," Mr. Burwell had responded, kissing his wife as they left the room. "I am convinced that I am right, and I am glad that you agree with me. We won't speak of it to Juliet."
In the hall below they met Nicholas Burr, and greeted him with hospitable kindness.
"So this is your new scholar, eh, Juliet? You must do justice to your teacher, my boy."
Juliet laughed and went out into the yard to meet several young men who were coming up the walk, and Nicholas noticed with a jealous pang that she sat with them beneath the myrtle and talked in the same soft voice with the same radiant smile. She was not speaking of heaven now. She was laughing merrily at pointless jokes and promising to embroider a handkerchief for one and to make a box of caramels for another.
He knew that they all loved her, and it gave him a miserable feeling. He felt that they were unworthy of her—that they would not worship her always and become ministers for her sake, as he was going to do. He even wondered if it wouldn't be better, after all, to become a prize fighter and to knock them all out in the first round when he got a chance.
In a moment Juliet called him to her side and laid her hand upon his arm. "He has promised not to rob birds' nests and to love me always," she said.
But the young men only laughed.
"Ask something harder," retorted one. "Any of us will do that. Ask him to stand on his head or to tie himself into a bow knot for your sake."
Nicholas reddened angrily, but Juliet told the jester to try such experiments himself—that she did not want a contortionist about. Then she bent over the boy as he said good-bye, and he went down the walk between the lilies and out into the lane.
He recrossed the green slowly, turning into the main street at the court-house steps. As he passed the church, a little further on, the iron gate opened and the rector came out, jingling the heavy keys in his hand as he talked amicably to a tourist who followed upon his heels.
"Yes, my good sir," he was saying in his high-pitched, emphatic utterance, "this dear old churchyard is never mowed except by living lawn-mowers. I assure you that I have seen thirty heads of cattle upon the vaults—positively, thirty heads, sir!"
But the boy's thoughts were far from the church and its rector, and the words sifted rapidly through his brain. He touched his hat at the tourist's greeting and smiled into the clergyman's face, but his actions were automatic. He would have nodded to the horse in the street or have smiled at the sun.
As he passed the small shops fronting on the narrow sidewalk and followed the whitewashed fence of the college grounds until it ended at the Old Stage Road, he was conscious of the keen, pulsating harmony of life. It was good to be alive—to feel the warm sunshine overhead and the warm dust below. He was glad that he had been born, though the idea had never formulated itself until now. He would be very good all his life and never do a wicked thing. It was so easy to be good if you only wanted to. Yes, he would study hard and become learned in the law, like those old prophets with whom God spoke as man with man. Then, when he had grown better and wiser than any one on earth, his tongue would become loosened, and he would go forth to preach the Gospel, and Juliet would listen to him for his wisdom's sake. Oh, if she would only love him best—best of all!