Danglar's wife! It had been a night of horror; a night without sleep; a night, after the guttering candle had gone out, when the blackness of the garret possessed added terrors created by an imagination which ran riot, and which she could not control. She could have fled from it, screaming in panic-stricken hysteria—but there had been no other place as safe as that was. Safe! The word seemed to reach the uttermost depths of irony. Safe! Well, it was true, wasn't it?
She had not wanted to return there; her soul itself had revolted against it; but she had dared to do nothing else. And all through that night, huddled on the edge of the cot bed, her fingers clinging tenaciously to her revolver as though afraid for even an instant to relinquish it from her grasp, listening, listening, always listening for a footstep that might come up from that dark hall below, the footstep that would climax all the terrors that had surged upon her, her mind had kept on reiterating, always reiterating those words of the Adventurer—“Gypsy Nan is Danglar's wife.”
And they were still with her, those words. Daylight had come again, and passed again, and it was evening once more; but those words remained, insensible to change, immutable in their foreboding. And Rhoda Gray, as Gypsy Nan, shuddered now as she scuffled along a shabby street deep in the heart of the East Side. She was Danglar's wife—by proxy. At dawn that morning when the gray had come creeping into the miserable attic through the small and dirty window panes, she had fallen on her knees and thanked God she had been spared that footstep. It was strange! She had poured out her soul in passionate thankfulness then that Danglar had not come—and now she was deliberately on her way to seek Danglar himself! But the daylight had done more than disperse the actual, physical darkness of the past night; it had brought, if not a measure of relief, at least a sense of guidance, and the final decision, perilous though it was, which she meant now to put into execution.
There was no other way—unless she were willing to admit defeat, to give up everything, her own good name, her father's name, to run from it all and live henceforth in hiding in some obscure place far away, branded in the life she would have left behind her as a despicable criminal and thief. And she could not, would not, do this while her intuition, at least, inspired her with the faith to believe that there was still a chance of clearing herself. It was the throw of the dice, perhaps—but there was no other way. Danglar, and those with him, were at the bottom of the crime of which she was held guilty. She could not go on as she had been doing, merely in the hope of stumbling upon some clew that would serve to exonerate her. There was not time enough for that. Danglar's trap set for herself and the Adventurer last night in old Nicky Viner's room proved that. And the fact that the woman who had originally masqueraded as Gypsy Nan—as she, Rhoda Gray, was masquerading now—was Danglar's wife, proved it a thousandfold more. She could no longer remain passive, arguing with herself that it took all her wits and all her efforts to maintain herself in the role of Gypsy Nan, which temporarily was all that stood between her and prison bars. To do so meant the certainty of disaster sooner or later, and if it meant that, the need for immediate action of an offensive sort was imperative.
And so her mind was made up. Her only chance was to find her way into the full intimacy of the criminal band of which Danglar was apparently the head; to search out its lair and its personnel; to reach to the heart of it; to know Danglar's private movements, and to discover where he lived so that she might watch him. It surely was not such a hopeless task! True, she knew by name and sight scarcely more than three of this crime clique, but at least she had a starting point from which to work. There was Shluker's junk shop where she had turned the tables on Danglar and Skeeny on the night they had planned to make the Sparrow their pawn. It was obvious, therefore, that Shluker himself, the proprietor of the junk shop, was one of the organization. She was going to Shluker's now.
Rhoda Gray halted suddenly, and stared wonderingly a little way up the block ahead of her. As though by magic a crowd was collecting around the doorway of a poverty-stricken, tumble-down frame house that made the corner of an alleyway. And where but an instant before the street's jostling humanity had been immersed in its wrangling with the push-cart men who lined the curb, the carts were now deserted by every one save their owners, whose caution exceeded their curiosity—and the crowd grew momentarily larger in front of the house.
She drew Gypsy Nan's black, greasy shawl a little more closely around her shoulders, and moved forward again. And now, on the outskirts of the crowd, she could see quite plainly. There were two or three low steps that led up to the doorway, and a man and woman were standing there. The woman was wretchedly dressed, but with most strange incongruity she held in her hand, obviously subconsciously, obviously quite oblivious of it, a huge basket full to overflowing with, as nearly as Rhoda Gray could judge, all sorts of purchases, as though out of the midst of abject poverty a golden shower had suddenly descended upon her. And she was gray, and well beyond middle age, and crying bitterly; and her free hand, whether to support herself or with the instinctive idea of supporting her companion, was clutched tightly around the man's shoulders. And the man rocked unsteadily upon his feet. He was tall and angular, and older than the woman, and cadaverous of feature, and miserably thin of shoulder, and blood trickled over his forehead and down one ashen, hollow cheek—and above the excited exclamations of the crowd Rhoda Gray heard him cough.
Rhoda Gray glanced around her. Where scarcely a second before she had been on the outer fringe of the crowd, she now appeared to be in the very center of it. Women were pushing up behind her, women who wore shawls as she did, only the shawls were mostly of gaudy colors; and men pushed up behind her, mostly men of swarthy countenance, who wore circlets of gold in their ears; and, brushing her skirts, seeking vantage points, ragged, ill-clad children wriggled and wormed their way deeper into the press. It was a crowd composed almost entirely of the foreign element which inhabited that quarter—and the crowd chattered and gesticulated with ever-increasing violence. She did not understand. And she could not see so well now. That pitiful tableau in the doorway was being shut out from her by a man, directly in front of her, who had hoisted a half-naked tot of three or four to a reserved seat upon his head.
And then a young man, one whom, from her years in the Bad Lands as the White Moll, she recognized as a hanger-on at a gambling hell in the Chatham Square district, came toward her, plowing his way, contemptuous of obstructions, out of the crowd.
Rhoda Gray, as Gypsy Nan, hailed him out of the corner of her mouth.
“Say, wot's de row?” she demanded.
The young man grinned.
“Somebody pinched a million from de old guy!” He shifted his cigarette with a deft movement of his tongue from one side of his mouth to the other, and grinned again. “Can youse beat it! Accordin' to him, he had enough coin to annex de whole of Noo Yoik! De moll's his wife. He went out to hell-an'-gone somewhere for a few years huntin' gold while de old girl starved. Den back he comes an' blows in to-day wid his pockets full, an' de old girl grabs a handful, an' goes out to buy up all de grub in sight 'cause she ain't had none for so long. An' w'en she comes back she finds de old geezer gagged an' tied in a chair, an' some guy's hit him a crack on de bean an' flown de coop wid de mazuma. But youse had better get out of here before youse gets run over! Dis ain't no place for an old skirt like youse. De bulls'll be down here on de hop in a minute, an' w'en dis mob starts sprinklin' de street wid deir fleetin' footsteps, youse are likely to get hurt. See?” The young man started to force his way through the crowd again. “Youse had better cut loose, mother!” he warned over his shoulder.
It was good advice. Rhoda Gray took it. She had scarcely reached the next block when the crowd behind her was being scattered pell-mell and without ceremony in all directions by the police, as the young man had predicted. She went on. There was nothing that she could do. The man's face and the woman's face haunted her. They had seemed stamped with such abject misery and despair. But there was nothing that she could do. It was one of those sore and grievous cross-sections out of the lives of the swarming thousands down here in this quarter which she knew so intimately and so well. And there were so many, many of those cross-sections! Once, in a small, pitifully meager and restricted way, she had been able to help some of these hurt lives, but now—Her lips tightened a little. She was going to Shluker's junk shop.
Her forehead gathered in little furrows as she walked along. She had weighed the pros and cons of this visit a hundred times already during the day; but even so, instinctively to reassure herself lest some apparently minor, but nevertheless fatally vital, point might have been overlooked, her mind reverted to it again. From Shluker's viewpoint, whether Gypsy Nan was in the habit of mingling with or visiting the other members of the gang or not—a matter upon which she could not even hazard a guess—her visit to-night must appear entirely logical. There was last night—and, a natural corollary, her equally natural anxiety on her supposed husband's account, providing, of course, that Shluker was aware that Gypsy Nan was Danglar's wife. But even if Shluker did not know that, he knew at least that Gypsy Nan was one of the gang, and, as such, he must equally accept it as natural that she should be anxious and disturbed over what had happened. She would be on safe ground either way. She would pretend to know only what had appeared in the papers; in other words, that the police, attracted to the spot by the sound of revolver shots, had found Danglar handcuffed to the fire escape of a well-known thieves' resort in an all too well-known and questionable locality.
A smile came spontaneously. It was quite true. That was where the Adventurer had left Danglar—handcuffed to the fire escape! The smile vanished. The humor of the situation was not long-lived; it ended there. Danglar was as cunning as the proverbial fox; and Danglar, at that moment, in desperate need of explaining his predicament in some plausible way to the police, had, as the expression went, run true to form. Danglar's story, as reported by the papers, even rose above his own high-water mark of vicious cunning, because it played upon a chord that appealed instantly to the police; and it rang true, not only because what the police could find out about him made it likely, but also because it contained a modicum of truth in itself; and, furthermore, Danglar had scored on still another count in that his story must stimulate the police into renewed activities as his unsuspecting allies in the one thing, the one aim and object that, at that moment, must obsess him above all others—the discovery of herself, the White Moll.
It was ingeniously simple, Danglar's smooth and oily lie! He had been walking along the street, he had stated, when he saw a woman, as she passed under a street lamp, who he thought resembled the White Moll. To make sure, he followed her—at a safe distance, as he believed. She entered the tenement. He hesitated. He knew the reputation of the place, which bore out his first impression that the woman was the one he thought she was; but he did not want to make a fool of himself by calling in the police until he was positive of her identity, so he finally followed her inside, and heard her go upstairs, and crept up after her in the dark. And then, suddenly, he was set upon and hustled into a room. It was the White Moll, all right; and the shots came from her companion, a man whom he described minutely—the description being that of the Adventurer, of course. They seemed to think that he, Danglar, was a plain-clothes man, and tried to sicken him of his job by frightening him. And then they forced him through the window and down the fire escape, and fastened him there with handcuffs to mock the police, and the White Moll's companion had deliberately fired some more shots to make sure of bringing the police to the scene, and then the two of them had run for it.
Rhoda Gray's eyes darkened angrily. The newspapers said that Danglar had been temporarily held by the police, though his story was believed to be true, for certainly the man would make no mistake as to the identity of the White Moll, since his life, what the police could find out about it, coincided with his own statements, and he would naturally therefore have seen her many times in the Bad Lands when she was working there under cover of her despicable role of sweet and innocent charity. Danglar had made no pretensions to self-righteousness—he was too cute for that. He admitted that he had no “specific occupation,” that he hung around the gambling hells a good deal, that he followed the horses—that, frankly, he lived by his wits. He had probably given some framed-up address to the police, but, if so, the papers had not stated where it was. Rhoda Gray's face, under the grime of Gypsy Nan's disguise, grew troubled and perplexed. Neither had the papers, even the evening papers, stated whether Danglar had as yet been released—they had devoted the rest of their space to the vilification of the White Moll. They had demanded in no uncertain tones a more conclusive effort on the part of the authorities to bring her, and with her now the man in the case, as they called the Adventurer, to justice, and...
The thought of the Adventurer caused her mind to swerve sharply off at a tangent. Where he had piqued and aroused her curiosity before, he now, since last night, seemed more complex a character than ever. It was strange, most strange, the way their lives, his and hers, had become interwoven! She had owed him much; but last night she had repaid him and squared accounts. She had told him so. She owed him nothing more. If a sense of gratitude had once caused her to look upon him with—with—She bit her lips. What was the use of that? Had it become so much a part of her life, so much a habit, this throwing of dust in the eyes of others, this constant passing of herself off for some one else, this constant deception, warranted though it might be, that she must now seek to deceive herself! Why not frankly admit to her own soul, already in the secret, that she cared in spite of herself—for a thief? Why not admit that a great hurt had come, one that no one but herself would ever know, a hurt that would last for always because it was a wound that could never be healed?
A thief! She loved a thief. She had fought a bitter, stubborn battle with her common sense to convince herself that he was not a thief. She had snatched hungrily at the incident that centered around those handcuffs, so opportunely produced from the Adventurer's pocket. She had tried to argue that those handcuffs not only suggested, but proved, he was a police officer in disguise, working on some case in which Danglar and the gang had been mixed up; and, as she tried to argue in this wise, she tried to shut her eyes to the fact that the same pocket out of which the handcuffs came was at exactly the same moment the repository of as many stolen banknotes as it would hold. She had tried to argue that the fact that he was so insistently at work to defeat Danglar's plans was in his favor; but that argument, like all others, came quickly and miserably to grief. Where the “leak” was, as Danglar called it, that supplied the Adventurer with foreknowledge of the gang's movements, she had no idea, save that perhaps the Adventurer and some traitor in the gang were in collusion for their own ends—and that certainly did not lift the Adventurer to any higher plane, or wash from him the stigma of thief.
She clenched her hands. It was all an attempt at argument without the basis of a single logical premise. It was silly and childish! Why hadn't the man been an ordinary, plain, common thief and criminal—and looked like one? She would never have been attracted to him then even through gratitude! Why should he have all the graces and ear-marks of breeding? Why should he have all the appearances of gentleman? It seemed a needlessly cruel and additional blow that fate had dealt her, when already she was living through days and nights of fear, of horror, of trepidation, so great that at times it seemed she would literally lose her reason. If he had not looked, yes, and at times, acted, so much like a thorough-bred gentleman, there would never have come to her this hurt, this gulf between them that could not now be spanned, and in a personal way she would never have cared because he was—a thief.
Her mental soliloquy ended abruptly. She had reached the narrow driveway that led in, between the two blocks of down-at-the-heels tenements, to the courtyard at the rear that harbored Shluker's junk shop. And now, unlike that other night when she had first paid a visit to the place, she made no effort at concealment as she entered the driveway. She walked quickly, and as she emerged into the courtyard itself she saw a light in the window of the junk shop.
Rhoda Gray nodded her head. It was still quite early, still almost twilight—not more than eight o'clock. Back there, on that squalid doorstep where the old woman and the old man had stood, it had still been quite light. The long summer evening had served at least to sear, somehow, those two faces upon her mind. It was singular that they should intrude themselves at this moment! She had been thinking, hadn't she, that at this hour she might naturally expect to find Shluker still in his shop? That was why she had come so early—since she had not cared to come in full daylight. Well, if that light meant anything, he was there.
She felt her pulse quicken perceptibly as she crossed the courtyard, and reached the shop. The door was open, and she stepped inside. It was a dingy place, filthy, and littered, without the slightest attempt at order, with a heterogeneous collection of, it seemed, every article one could think of, from scraps of old iron and bundles of rags to cast-off furniture that was in an appalling state of dissolution. The light, that of a single and dim incandescent, came from the interior of what was apparently the “office” of the establishment, a small, glassed-in partition affair, at the far end of the shop.
Her first impression had been that there was no one in the shop, but now, from the other side of the glass partition, she caught sight of a bald head, and became aware that a pair of black eyes were fixed steadily upon her, and that the occupant was beckoning to her with his hand to come forward.
She scuffled slowly, but without hesitation, up the shop. She intended to employ the vernacular that was part of the disguise of Gypsy Nan. If Shluker, for that was certainly Shluker there, gave the slightest indication that he took it amiss, her explanation would come glibly and logically enough—she had to be careful; how was she supposed to know whether there was any one else about, or not!
“'Ello!” she said curtly, as she reached the doorway of the little office, and paused on the threshold. Shifty little black eyes met hers, as the bald head fringed with untrimmed gray hair, was lifted from a battered desk, and the wizened face of an old man was disclosed under the rays of the tin-shaded lamp. He grinned suddenly, showing discolored teeth—and instinctively she drew back a little. He was an uninviting and exceedingly disreputable old creature.
“You, eh, Nan!” he grunted. “So you've come to see old Jake Shluker, have you? 'Tain't often you come! And what's brought you, eh?”
“I can read, can't I?” Rhoda Gray glanced furtively around her, then leaned toward the other. “Say, wot's de lay? I been scared stiff all day. Is dat straight wot de papers said about youse-know-who gettin' pinched?”
A scowl settled over Shluker's features as he nodded.
“Yes; it's straight enough,” he answered. “Damn 'em, one and all! But they let him out again.”
“Dat's de stuff!” applauded Rhoda Gray earnestly. “Where is he, den?”
Shluker shook his head.
“He didn't say,” said Shluker.
“He didn't say?” echoed Rhoda Gray, a little tartly. “Wot d'youse mean, he didn't say? Have youse seen him?”
Shluker jerked his hand toward the telephone instrument on the desk.
“He was talkin' to me a little while ago.”
“Well, den”—Rhoda Gray risked a more peremptory tone—“where is he?”
Shluker shook his head again.
“I dunno,” he said. “I'm tellin' you, he didn't say.”
Rhoda Gray studied the wizened and repulsive old creature, that, huddled in his chair in the dirty, boxed-in little office, made her think of some crafty old spider lurking in its web for unwary prey. Was the man lying to her? Was he in any degree suspicious? Why should he be? He had given not the slightest sign that her uncouth language was either unexpected or unnecessary. Perhaps to Shluker, and perhaps to all the rest of the gang—except Danglar!—Gypsy Nan was accepted at face value as just Gypsy Nan; and, if that were so, the idea of playing up a natural wifely anxiety on Danglar's behalf could not be used unless Shluker gave her a lead in that direction. But, all that apart, she was getting nowhere. She bit her lips in disappointment. She had counted a great deal on this Shluker here, and Shluker was not proving the fount of information, far from it, that she had hoped he would.
She tried again-even more peremptorily than before.
“Aw, open up!” she snapped. “Wot's de use bein' a clam! Youse heard me, didn't youse? Where is he?”
Shluker leaned abruptly forward, and looked at her in a suddenly perturbed way.
“Is there anything wrong?” he asked in a tense, lowered voice. “What makes you so anxious to know?”
Rhoda Gray laughed shortly.
“Nothin'!” she answered coolly. “I told youse once, didn't I? I got a scare readin' dem papers—an' I ain't over it yet. Dat's wot I want to know for, an' youse seem afraid to open up!”
Shluker sank back again in his chair with an air of relief.
“Oh!” he ejaculated. “Well, that's all right, then. You were beginning to give me a scare, too. I ain't playin' the clam, and I dunno where he is; but I can tell you there's nothing to worry you any more about the rest of it. He was after the White Moll last night, and it didn't come off. They pulled one on him instead, and fastened him to the fire escape the way the papers said. Skeeny and the Cricket, who were in on the play with him, didn't have time to get him loose before the bulls got there. So Danglar told them to beat it, and he handed the cops the story that was in the papers. He got away with it, all right, and they let go him to-day; but he phoned a little while ago that they were still stickin' around kind of close to him, and that I was to pass the word that the lid was to go down tight for the next few days, and—”
Shluker stopped abruptly as the telephone rang, and reached for the instrument.
Rhoda Gray fumbled unnecessarily with her shawl, as the other answered the call. Failure! A curious bitterness came to her. Her plan then, for to-night it least, was a failure. Shluker did not know where Danglar was. She was quite convinced of that. Shluker was—She glanced suddenly at the wizened little old man. From an ordinary tone, Shluker' s voice had risen sharply in protest about something. She listened now:
“No, no; it does not matter what it is!
“What?...No! I tell you, no! Nothing! Not to-night! Those are the orders....No, I don't know! Nan is here now....Eh?....You'll pay for it if you do!” Shluker was snarling threateningly now. “What?....Well, then, wait! I'll come over....No, you can bet I won't be long! You wait! Understand?”
He banged the receiver on the hook, and got up from his chair hurriedly.
“Fools!” he muttered savagely. “No, I won't be long gettin' there!” He grabbed Rhoda Gray's arm. “Yes, and you come, too! You will help me put a little sense into their heads, if it is possible—eh? The fools!”
The man was violently excited. He half pulled Rhoda Gray down the length of the shop to the front door. Puzzled, bewildered, a little uneasy, she watched him lock the door, and then followed him across the courtyard, while he continued to mutter constantly to himself.
“Wot's de matter?” she asked him twice.
But it was not until they had reached the street, and Shluker was hurrying along as fast as he could walk, that he answered her.
“It's the Pug and Pinkie Bonn!” he jerked out angrily. “They're in the Pug's room. Pinkie went back there after telephonin'. They've nosed out something they want to put through. The fools! And after last night nearly havin' finished everything! I told 'em—you heard me—that everybody's to keep under cover now. But they think they've got a soft thing, and they say they're goin' to it. I've got to put a crimp in it, and you've got to help me. Y'understand, Nan?”
“Yes,” she said mechanically.
Her mind was working swiftly. The night, after all, perhaps, was not to be so much of a failure! To get into intimate touch with all the members of the clique was equally one of her objects, and, failing Danglar himself to-night, here was an “open sesame” to the re-treat of two of the others. She would never have a better chance, or one in which risk and danger, under the chaperonage, as it were, of Shluker here, were, if not entirely eliminated, at least reduced to an apparently negligible minimum. Yes; she would go. To refuse was to turn her back on her own proposed line of action, and on the decision which she had made herself.
It was not far. Shluker, hastening along, still muttering to himself, turned into a cross street some two blocks away, and from there again into a lane; and, a moment later, led the way through a small door in the fence that hung, battered and half open, on sagging and broken hinges. Rhoda Gray's eyes traveled sharply around her in all directions. It was still light enough to see fairly well, and she might at some future time find the bearings she took now to be of inestimable worth. Not that there was much to remark! They crossed a diminutive and disgustingly dirty backyard, whose sole reason for existence seemed to be that of a receptacle for old tin cans, and were confronted by the rear of what appeared to be a four-story tenement. There was a back door here, and, on the right of the door, fronting the yard, a single window that was some four or five feet from the level of the ground.
Shluker, without hesitation, opened the back door, shut it behind them, led the way along a black, unlighted hall, and halting before a door well toward the front of the building, knocked softly upon it—giving two raps, a single rap, and then two more in quick succession. There was no answer. He knocked again in precisely the same manner, and then a footstep sounded from within, and the door was flung open. “Fools!” growled Shluker in greeting, as they stepped inside and the door was closed again. “A pair of brainless fools!”
There were two men there. They paid Shluker scant attention. They both grinned at Rhoda Gray through the murky light supplied by a wheezy and wholly inadequate gas-jet.
“Hello, Nan!” gibed the smaller of the two. “Who let you out?”
“Aw, forget it!” croaked Rhoda Gray.
Shluker took up the cudgels.
“You close your face, Pinkie!” he snapped. “Get down to cases! Do you think I got nothing else to do but chase you two around like a couple of puppy dogs that haven't got sense enough to take care of themselves? Wasn't what I told you over the phone enough without me havin' to come here?”
“Nix on that stuff!” returned the one designated as Pinkie imperturbably. “Say, you'll be glad you come when we lets you in on a little piece of easy money. We ain't askin' your advice; all we're askin' you to do is frame up the alibi, same as usual, for me an' the Pug here in case we wants it.”
Shluker shook his fist.
“Frame nothing!” he spluttered angrily. “Ain't I tellin' you that the orders are not to make a move, that everything is off for a few days? That's the word I got a little while ago, and the Seven-Three-Nine is goin' out now. Nan'll tell you the same thing.”
“Sure!” corroborated Rhoda Gray, picking up the obvious cue. “Dat's de straight goods.”
The two men were lounging beside a table that stood at the extreme end of the room, and now for a moment they whispered together. And, as they whispered, Rhoda Gray found her first opportunity to take critical stock both of her surroundings and of the two men themselves. Pinkie, a short, slight little man, she dismissed with hardly a glance; he was the common type, with low, vicious cunning stamped all over his face—an ordinary rat of the underworld. But her glance rested longer on his companion. The Pug was indeed entitled to his moniker! His face made her think of one. It seemed to be all screwed up out of shape. Perhaps the eye-patch over the right eye helped a little to put the finishing touch of repulsiveness upon a countenance already most unpleasant. The celluloid eye-patch, once flesh-colored, was now so dirty and smeared that its original color was discernible only in spots, and the once white elastic cord that circled his head and kept the patch in place was in equal disrepute. A battered slouch hat came to the level of the eye-patch in a forbidding sort of tilt. His left eyelid drooped until it was scarcely open at all, and fluttered continually. One nostril of his nose was entirely closed; and his mouth seemed to be twisted out of shape, so that, even when in repose, the lips never entirely met at one corner. And his ears, what she could see of them in the poor light, and on account of the slouch hat, seemed to bear out the low-type criminal impression the man gave her, in that they lay flat back against his head.
She turned her eyes away with a little shudder of repulsion, and gave her attention to an inspection of the room. There was no window, except a small one high up in the right-hand partition wall. She quite understood what that meant. It was common enough, and all too unsanitary enough, in these old and cheap tenements; the window gave, not on the out-of-doors, but on a light-well. For the rest, it was a room she had seen a thousand times before—carpetless, unfurnished save for the barest necessities, dirt everywhere, unkempt.
Pinkie Bonn broke in abruptly upon her inspection.
“That's all right!” he announced airily. “We'll let Nan in on it, too. The Pug an' me figures she can give us a hand.”
Shluker's wizened little face seemed suddenly to go purple.
“Are you tryin' to make a fool of me?” he half screamed. “Or can't you understand English? D'ye want me to keep on tellin' you till I'm hoarse that there ain't nobody goin' in with you, because you am't goin' in yourself! See? Understand that? There's nothing doin' to-night for anybody—and that means you!”
“Aw, shut up, Shluker!” It was the Pug now, a curious whispering sibilancy in his voice, due no doubt to the disfigurement of his lips. “Give Pinkie a chance to shoot his spiel before youse injure yerself throwin' a fit! Go on, Pinkie, spill it.”
“Sure!” said Pinkie eagerly. “Listen, Shluk! It ain't any crib we're wantin' to crack, or nothin' like that. It's just a couple of crooks that won't dare open their yaps to the bulls, 'cause what we're after 'll be what they'll have pinched themselves. See?”
Shluker's face lost some of its belligerency, and in its place a dawning interest came.
“What's that?” he demanded cautiously. “What crooks?”
“French Pete an' Marny Day,” said Pinkie—and grinned.
“Oh!” Shluker's eyebrows went up. He looked at the Pug, and the Pug winked knowingly with his half-closed left eyelid. Shluker reached out for a chair, and, finding it suspiciously wobbly, straddled it warily. “Mabbe I've been in wrong,” he admitted. “What's the lay?”
“Me,” said Pinkie, “I was down to Charlie's this afternoon havin' a little lay-off, an'—”
“One of these days,” interrupted Shluker sharply, “you'll go out like”—he snapped his fingers—“that!” “Can't you leave the stuff alone?”
“I got to have me bit of coke,” Pinkie answered, with a shrug of his shoulders. “An', anyway, I'm no pipe-hitter.
“It's all the same whatever way you take it!” retorted Shluker. “Well, go on with your story. You went down to Charlie's dope parlors, and jabbed a needle into yourself, or took it some other old way. I get you! What happened then?”
“It was about an hour ago,” resumed Pinkie Bonn with undisturbed complacency. “Just as I was beatin' it out of there by the cellar, I hears some whisperin' as I was passin' one of the end doors. Savvy? I hadn't made no noise, an' they hadn't heard me. I gets a peek in, 'cause the door's cracked. It was French Pete an' Marny Day. I listens. An' after about two seconds I was goin' shaky for fear some one would come along an' I wouldn't get the whole of it. Take it from me, Shluk, it was some goods!”
Shluker grunted noncommittingly.
“Well, go on!” he prompted.
“I didn't get all the fine points,” grinned Pinkie; “but I got enough. There was a guy by the name of Dainey who used to live somewhere on the East Side here, an' he used to work in some sweat-shop, an' he worked till he got pretty old, an' then his lungs, or something, went bad on him, an' he went broke. An' the doctor said he had to beat it out of here to a more salubrious climate. Some nut filled his ear full 'bout gold huntin' up in Alaska, an' he fell for it. He chewed it over with his wife, an' she was for it too, 'cause the doctor 'd told her her old man would bump off if he stuck around here, an' they hadn't any money to get away together. She figured she could get along workin' out by the day till he came back a millionaire; an' old Dainey started off.
“I dunno how he got there. I'm just fillin' in what I hears French Pete an' Marny talkin' about. I guess mostly he beat his way there ridin' the rods; but, anyway, he got there. See? An' then he goes down sick there again, an' a hospital, or some outfit, has to take care of him for a couple of years; an' back here the old woman got kind of feeble an' on her uppers, an there was hell to pay, an'—”
“Wot's bitin' youse, Nan?” The Pug's lisping whisper broke sharply in upon Pinkie Bonn's story.
Rhoda Gray started. She was conscious now that she had been leaning forward, staring in a startled way at Pinkie as he talked; conscious now that for a moment she had forgotten—that she was Gypsy Nan. But she was mistress of herself on the instant, and she scowled blackly at the Pug.
“Mabbe it's me soft heart dat's touched!” she flung out acidly. “Youse close yer trap, an' let Pinkie talk!”
“Yes, shut up!” said Pinkie. “What was I sayin'? Oh, yes! An' then the old guy makes a strike. Can you beat it! I dunno nothing about the way they pull them things, but he's off by his lonesome out somewhere, an' he finds gold, an' stakes out his claim, but he takes sick again an' can't work it, an' it's all he can do to get back alive to civilization. He keeps his mouth shut for a while, figurin' he'll get strong again, but it ain't no good, an' he gets a letter from the old woman tellin' how bad she is, an' then he shows some of the stuff he'd found. After that there's nothing to it! Everybody's beatin' it for the place; but, at that, old Dainey comes out of it all right, an' goes crazy with joy 'cause some guy offers him twenty-five thousand bucks for his claim, an' throws in the expenses home for good luck. He gets the money in cash, twenty-five one-thousand-dollar bills, an' the chicken feed for the expenses, an' starts for back here an' the old woman. But this time he don't keep his mouth shut about it when he'd have been better off if he had. See? He was tellin' about it on the train. I guess he was tellin' about it all the way across. But, anyway, he tells about it comm' from Philly this afternoon, an' French Pete an' Marny Day happens to be on the train, an' they hears it, an' frames it up to annex the coin before morning, 'cause he's got in too late to get the money into any bank to-day.”
Pinkie Bonn paused, and stuck his tongue significantly in his cheek.
Shluker was rubbing his hands together now in a sort of unctuous way.
“It sounds pretty good,” he murmured; “only there's Danglar—”
“Youse leave Danglar to me!” broke in the Pug. “As soon as we hands one to dem two boobs an' gets de cash, Pinkie can beat it back here wid de coin an wait fer me while I finds Danglar an' squares it wid him. He ain't goin' to put up no holler at dat. We ain't runnin' de gang into nothin'. Dis is private business—see? So youse just take a sneak wid yerself, an' fix a nice little alibi fer us so's we won't be takin' any chances.”
Shluker frowned.
“But what's the good of that?” he demurred. “French Pete and Marny Day 'll see you anyway.”
“Will dey!” scoffed the Pug. “Guess once more! A coupla handkerchiefs over our mugs is good enough fer dem, if youse holds yer end up. An' dey wouldn't talk fer publication, anyway, would dey?”
Shluker smiled now-almost ingratiatingly.
“And how much is my end worth?” he inquired softly.
“One of dem thousand-dollar engravin's,” stated the Pug promptly. “An' Pinkie'll run around an' slip it to youse before mornin'.”
“All right,” said Shluker, after a moment. “It's half past eight now. From nine o'clock on, you can beat any jury in New York to it that you were both at the same old place—as long as you keep decently under cover. That'll do, won't it? I'll fix it. But I don't see—”
Rhoda Gray, as Gypsy Nan, for the first time projected herself into the discussion. She cackled suddenly in jeering mirth.
“I t'ought something was wrong wid her!” whispered the Pug with mock anxiety. “Mabbe she ain't well! Tell us about it, Nan!”
“When I do,” she said complacently, “mabbe youse'll smile out of de other corner of dat mouth of yers!” She turned to Shluker. “Youse needn't lay awake waitin' fer dat thousand, Shluker, 'cause youse'll never see it. De little game's all off—'cause it's already been pulled. See? Dere was near a riot as I passes along a street goin' to yer place, an' I gets piped off to wot's up, an' it's de same story dat Pinkie's told, an' de crib's cracked, an' de money's gone—dat's all.”
Shluker's face fell.
“I said you were fools when I first came in here!” he burst out suddenly, wheeling on Pinkie Bonn and the Pug. “I'm sure of it now. I was wonderin a minute ago how you were goin' to keep your lamps on Pete and Marny from here, or know when they were goin' to pull their stunt, or where to find 'em.”
Pinkie Bonn, ignoring Shluker, leaned toward Rhoda Gray.
“Say, Nan, is that straight?” he inquired anxiously. “You sure?”
“Sure, I'm sure!” Rhoda Gray asserted tersely. The one thought in her head now was that her information would naturally deprive these men here of any further interest in the matter, and that she would get away as quickly as possible, and, in some way or other, see that the police were tipped off to the fact that it was French Pete and Marny Day who had taken the old couple's money. Those two old faces rose before her again now—blotting out most curiously the face of Pinkie Bonn just in front of her. She felt strangely glad—glad that she had heard all of old Dainey's story, because she could see now an ending to it other than the miserable, hopeless one of despair that she had read in the Daineys' faces just a little while ago. “Sure, I'm sure!” she repeated with finality.
“How long ago was it?” prodded Pinkie.
“I dunno,” she answered. “I just went to Shluker's, an' den we comes over here. Youse can figure it fer yerself.”
And then Rhoda Gray stared at the other—with sudden misgiving. Pinkie Bonn's face was suddenly wreathed in smiles.
“I'll answer you now, Shluk,” he grinned. “What do you think? That we're nuts, me an' Pug? Well, forget it! We didn't have to stick around watchin' Pete an' Marny; we just had to wait until they had collected the dough. That was the most trouble we had—wonderin' when that would be. Well, we don't have to wonder any more. We know now that the cherries are ripe. See? An' now we'll go an' pick 'em! Where? Where d'ye suppose? Down to Charlie's, of course! I hears 'em talkin' about that, too. They ain't so foolish! They're out for an alibi themselves. Get the idea? They was to sneak out of Charlie's without anybody seem' 'em, an' if everything broke right for 'em, they was to sneak back again an' spend the night there. No, they ain't so foolish—I guess they ain't! There ain't no place in New York you can get in an' out of without nobody knowin' it like Charlie's, if you know the way, an—”
“Aw, write de rest of it down in yer memoirs!” interposed the Pug impatiently—and moved toward the door. “It's all right, Shluker—all de way. Now, everybody beat it, an' get on de job. Nan, youse sticks wid Pinkie an' me.”
Rhoda Gray, her mind in confusion, found herself being crowded hurriedly through the doorway by the three men. Still in a mentally confused condition, she found herself, a few minutes later—Shluker having parted company with them—walking along the street between Pinkie Bonn and the Pug. She was fighting desperately to obtain a rip upon herself. The information she had volunteered had had an effect diametrically opposite to that which she had intended. She seemed terribly impotent; as though she were being swept from her feet and borne onward by some swift and remorseless current, whether she would or no.
The Pug, in his curious whisper, was talking to her: “Pinkie knows de way in. We don't want any row in dere, on account of Charlie. We ain't fer puttin' his place on de rough, an' gettin' him raided by de bulls. Charlie's all to de good. See? Well, dat's wot 'd likely happen if me an' Pinkie busts in on Pete an' Marny widout sendin' in our visitin'-cards first, polite-like. Dey would pull deir guns, an' though we'd get de coin just de same, dere'd be hell to pay fer Charlie, an' de whole place 'd go up in fireworks right off de bat. Well, dis is where youse come in. Youse are de visitin'-card. Youse gets into deir bunk room, pretendin' youse have made a mistake, an' youse leaves de door open behind youse. Dey don't know youse, an', bein' a woman, dey won't pull no gun on youse. An' den youse breaks it gently to dem dat dere's a coupla gents outside, an' just about den dey looks up an' sees me an' Pinkie an' our guns-an' I guess dat's all. Get it?”
“Sure!” mumbled Rhoda Gray.
The Pug talked on. She did not hear him. It seemed as though her brain ached literally with an acute physical pain. What was she to do? What could she do? She must do something! There must be some way to save herself from being drawn into the very center of this vortex toward which she was being swept closer with every second that passed. Those two old faces, haggard in their despair and misery, rose before her again. She felt her heart sink. She had counted, only a few moments before, on getting their money back for them—through the police. The police! How could she get any word to the police now, without first getting away from these two men here? And suppose she did get away, and found some means of communicating with the authorities, it would be Pinkie Bonn here, and the Pug, who would fall into the meshes of the law quite as much as would French Pete and Marny Day; and to have Pinkie and the Pug apprehended now, just as they seemed to be opening the gateway for her into the inner secrets of the gang, meant ruin to her own hopes and plans. And to refuse to go on with them now, as one of them, would certainly excite their suspicions—and suspicion of Gypsy Nan was the end of everything for her.
Her hands, under her shawl, clenched until the nails bit into her palms. Couldn't she do anything? And there was the money, too, for those two old people. Wasn't there any—She caught her breath. Yes, yes! Perhaps there was a way to save the money; yes, and at the same time to place herself on a firmer footing of intimacy with these two men here—if she went on with this. But—She shook her head. She could not afford “buts” now; they must take care of themselves afterwards. She would play Gypsy Nan now without reservation. These two men here, like Shluker, were obviously ignorant that Gypsy Nan was Danglar's wife; so she was—Pinkie Bonn's hand was on her arm. She had stumbled.
“Look out for yourself!” he cautioned under his breath. “Don't make a sound!”
They had drawn into a very dark and narrow area way between two buildings, and now Pinkie kept his touch upon her as he led the way along. What was this “Charlie's”? She did not know, except that, from what had been said, it was a drug dive of some kind, patronized extensively by the denizens of the underworld. She did not know where she was now, save that she had suddenly left one of the out-of-the—way East Side streets.
Pinkie halted suddenly, and, bending down, lifted up what was evidently a half section of the folding trapdoor to a cellar entrance.
“There's only a few of us regulars wise to this,” whispered Pinkie. “Watch yourself! There's five steps. Count 'em, so's you won't trip. Keep hold of me all the way. An' nix on the noise, or we won't get away with it inside. Leave the trap open, Pug, for our getaway. We ain't goin' to be long. Come on!”
It was horribly dark. Rhoda Gray, with her hand on Pinkie Bonn's shoulder, descended the five steps. She felt the Pug keeping touch behind by holding the corner of her shawl. They went forward softly, slowly, stealthily. She felt her knees shake a little, and suddenly panic seized her, and she wanted to scream out. What was she doing? Where was she going? Was she mad, that she had ventured into this trap of blackness? Blackness! It was hideously black. She looked behind her. She could not see the Pug, close as he was to her; and dark as she had thought it outside there at the cellar entrance, it appeared by contrast to have been light, for she could even distinguish now the opening through which they had come.
They were in a cellar that was damp underfoot, and the soft earth deadened all sound as they walked upon it—and they seemed to be walking on interminably. It was too far—much too far! She felt her nerve failing her. She looked behind her again. That opening, still discernible to her straining eyes, beckoned her, lured her. Better to...
Pinkie had halted again. She bumped into him. And then she felt his lips press against her ear.
“Here we are!” he breathed. “They got the end room on the right, so's they could get in an' out with out bein' seen, an so's even Charlie'd swear they was here all the time. You're too old a bird to fall down, Nan. If the door's locked, knock—an' give 'em any old kind of a song an' dance till you gets 'em off their guard. The Pug an' me 'll see you through. Go it!”
Before Rhoda Gray could reply, Pinkie had stepped suddenly to one side. A door in front of her, a sliding door it seemed to be, opened noiselessly, and she could see a faintly lighted, narrow, and very short passage ahead of her. It appeared to make a right-angled turn just a few yards in, and what light there was seemed to filter in from around the corner. And on each side of the passage, before it made the turn, there was a door, and from the one on the right, through a cracked panel, a tiny thread of light seeped out.
Her lips moved silently. After all, it was not so perilous. Nobody would be hurt. Pinkie and the Pug would cover those two men in there—and take the money—and run for it—and...
The Pug gave her an encouraging push from behind.
She moved forward mechanically. There were many sounds now, but they came muffled and indeterminate from around that corner ahead—all save a low murmuring of voices from the door with the cracked panel on the right.
It was only a few feet. She found herself crouched before the door—but she did not knock upon it. Instead, her blood seemed suddenly to run cold in her veins, and she beckoned frantically to her two companions. She could see through the crack in the panel. There were two men in there, French Pete and Marny Day undoubtedly, and they sat on opposite sides of a table, and a lamp burned on the table, and one of the men was counting out a sheaf of crisp yellow-back banknotes—but the other, while apparently engrossed in the first man's occupation, and while he leaned forward in apparent eagerness, was edging one hand stealthily toward the lamp, and his other hand, hidden from his companion's view by the table, was just drawing a revolver from his pocket. There was no mistaking the man's murderous intentions. A dull horror, that numbed her brain, seized upon Rhoda Gray; the low-type brutal faces under the rays of the lamp seemed to assume the aspect of two monstrous gargoyles, and to spin around and around before her vision; and then—it could only have been but the fraction of a second since she had begun to beckon to Pinkie and the Pug—she felt herself pulled unceremoniously away from the door, and the Pug leaned forward in her place, his eyes to the crack in the panel.
She heard a low, quick-muttered exclamation from the Pug; and then suddenly, as the lamp was obviously extinguished, that crack of light in the panel had vanished. But in an instant, curiously like a jagged lightning flash, light showed through the crack again—and vanished again. It was the flash of a revolver shot from within, and the roar of the report came now like the roll of thunder on its heels.
Rhoda Gray was back against the opposite wall. She saw the Pug fling himself against the door. It was a flimsy affair. It crashed inward. She heard him call to Pinkie:
“Shoot yer flash on de table, an' grab de coin! I'll fix de other guy!”
Were eternities passing? Her eyes were fascinated by the interior beyond that broken door. It was utterly dark inside there, save that the ray of a flashlight played now on the table, and a hand reached out and snatched up a scattered sheaf of banknotes; and on the outer edge of the ray two shadowy forms struggled and one went down. Then the flashlight went out She heard the Pug speak:
“Beat it!”
Commotion came now; cries and footsteps from around that corner in the passage. The Pug grasped her by the shoulders, and rushed her back into the cellar. She was conscious, it seemed, only in a dazed and mechanical way. There were men in the passage running toward them—and then the passage had disappeared. Pinkie Bonn had shut the connecting door.
“Hop it like blazes!” whispered the Pug, as they ran for the faint glimmer of light that located the cellar exit. “Separate de minute we're outside!” he ordered. “Dere's murder in dere. Pete shot Marny. I put Pete to sleep wid a punch on de jaw; but de bunch knows now some one else was dere, an' Pete'll swear it was us, though he don't know who we was dat did de shootin'. I gotta make dis straight right off de bat wid Danglar.” His whispering voice was labored, panting; they were climbing up the steps now. “Youse take de money to my room, Pinkie, an' wait fer me. I won't be much more'n half an hour. Nan, youse beat it fer yer garret, an' stay dere!”
They were outside. The Pug had disappeared in the darkness. Pinkie was closing, and evidently fastening, the trap-door.
“The other way, Nan!” he flung out, as she started to run. “That takes you to the other street, an' they can't get around that way without goin' around the whole block. Me for a fence I knows about, an' we gives 'em the merry laugh! Go on!”
She ran—ran breathlessly, stumbling, half falling, her hands stretched out before her to serve almost in lieu of eyes, for she could make out scarcely anything in front of her. She emerged upon a street. It seemed abnormal, the quiet, the lack of commotion, the laughter, the unconcern in the voices of the passers-by among whom she suddenly found herself. She hurried from the neighborhood.