CHAPTER XII

As Kirby stepped ashore he shook hands with the men who had jeopardized their lives for him and his daughter; hi a cheerless, colorless voice he said, "It looks to me like you boys had a drink coming." From his coat pocket he drew a bottle of whisky; with a blow of that artificial hand he struck off its neck and then proffered it to Doret. "Drink hearty!" said he. "It's all that's left of a good outfit!"

A chilly twilight had fallen by the time the castaways arrived at the encampment above the rapids. Kirby and his daughter were shaking from the cold. The Countess Courteau hurried on ahead to start a fire in her tent, and thither she insisted upon taking Rouletta, while her men attended to the father's comfort.

On the way up there had been considerable speculation among those who knew Sam Kirby best, for none of them had ever seen the old fellow in quite such a frame of mind as now. His misfortune had crushed him; he appeared to be numbed by the realization of his overwhelming loss; gone entirely was that gambler's nonchalance for which he was famous. The winning or the losing of large sums of money had never deeply stirred the old sporting-man; the turn of a card, the swift tattoo of horses' hoofs, often had meant far more to him in dollars and cents than the destruction of that barge-load of liquor; he had seen sizable fortunes come and go without a sign of emotion, and yet to-night he was utterly unnerved.

With a man of less physical courage such an ordeal as he had undergone might well have excused a nervous collapse, but Kirby had no nerves; he had, times without number, proved himself to be a man of steel, and so it greatly puzzled his friends to see him shaken and broken.

He referred often to Danny Royal's fate, speaking in a dazed and disbelieving manner, but through that daze ran lightning-bolts of blind, ferocious rage—rage at the river, rage at this hostile, sinister country and at the curse it had put upon him. Over and over, through blue lips and chattering teeth, he reviled the rapids; more than once he lifted the broken-necked bottle to his lips. Of thanksgiving, of gratitude at his own and his daughter's deliverance, he appeared to have none, at least for the time being.

Rouletta's condition was pitiable enough, but she was concerned less with it than with her father's extraordinary behavior, and when the Countess undertook to procure for her dry clothing she protested:

"Please don't trouble. I'll warm up a bit; then I must go back to dad."

"My dear, you're chilled through—you'll die in those wet things," the older woman told her.

Miss Kirby shook her head and, in a queer, strained, apprehensive voice, said: "You don't understand. He's had a drink; if he gets started—" She shivered wretchedly and hid her white face in her hands, then moaned: "Oh, what a day! Danny's gone! I saw him drown—"

"There, there!" The Countess comforted her as best she could. "You've had a terrible experience, but you mustn't think of it just yet. Now let me help you."

Finding that the girl's fingers were stiff and useless, the Countess removed the wet skirt and jacket, wrung them out, and hung them up. Then she produced some dry undergarments, but Miss Kirby refused to put them on.

"You'll need what few things you have," said she, "and—I'll soon warm up. There's no telling what dad will do. I must keep an eye on him."

"You give yourself too much concern. He's chilled through and it's natural that he should take a drink. My men will give him something dry to wear, and meanwhile—"

Rouletta interrupted with a shake of her head, but the Countess gently persisted:

"Don't take your misfortune too hard. The loss of your outfit means nothing compared with your safety. It was a great tragedy, of course, but you and your father were saved. You still have him and he has you."

"Danny knew what was coming," said the girl, and tears welled into her eyes, then slowly overflowed down her white cheeks. "But he faced it. He was game. He was a good man at heart. He had his faults, of course, but he loved dad and he loved me; why, he used to carry me out to see the horses before I could walk; he was my friend, my playmate, my pal. He'd have done murder for me!" Through her tears Rouletta looked up. "It's hard for you to believe that I know, after what he did to you, but—you know how men are on the trail. Nothing matters. He was angry when you outwitted him, and so was father, for that matter, but I told them it served us right and I forbade them to molest you further."

"You did that? Then it's you I have to thank." The Countess smiled gravely. "I could never understand why I came off so easily."

"I'm glad I made them behave. You've more than repaid—" Rouletta paused, she strained her ears to catch the sound of voices from the neighboring tents. "I don't hear father," said she. "I wonder if he could have gone?"

"Perhaps the men have put him to bed—"

But Miss Kirby would not accept this explanation. "I'm afraid—" Again she listened apprehensively. "Once he gets a taste of liquor there's no handling him; he's terrible. Even Danny couldn't do anything with him; sometimes even I have failed." Hurriedly she took down her sodden skirt and made as if to draw it on.

"Oh, child, you MUSTN'T! You simply must NOT go out this way. Wait here. I'll find him for you and make sure he's all right."

The half-clad girl smiled miserably. "Thank you," said she. But when the Countess had stepped out into the night she finished dressing herself. Her clothing, of course, was as wet as ever, for the warmth of the tent in these few moments had not even heated it through; nevertheless, her apprehension was so keen that she was conscious of little bodily discomfort.

"You were right," the Countess announced when she returned. "He slipped into some borrowed clothes and went up-town. He told the boys he couldn't sit still. But you mustn't follow—at least in that dress-"

"Did he—drink any more?"

"I'm afraid he did."

Heedless of the elder woman's restraining hands, Rouletta Kirby made for the tent opening. "Please don't stop me," she implored. "There's no time to lose and—I'll dry out in time."

"Let me go for you."

"No, no!"

"Then may I go along?"

Again the girl shook her head. "I can handle him better alone. He's a strange man, a terrible man, when he's this way. I—hope I'm not too late."

Rouletta's wet skirts slatted about her ankles as she ran; it was a windy, chilly night, and, in spite of the fact that it was a steep climb to the top of the low bluff, she was chilled to the bone when she came panting into the sprawling cluster of habitations that formed the temporary town of White Horse. Tents were scattered over a dim, stumpy clearing, lights shone through trees that were still standing, a meandering trail led past a straggling row of canvas-topped structures, and from one of these issued the wavering, metallic notes of a phonograph, advertising the place as a house of entertainment.

Sam Kirby was at the bar when his daughter discovered him, and her first searching look brought dismay to the girl. Pushing her way through the crowd, she said, quietly:

"Father!"

"Hello!" he exclaimed, in surprise. "What are you doing here?"

"I want to speak to you."

"Now, Letty," he protested, when she had drawn him aside, "haven't you been through enough for one day? Run back to the Countess' camp where I left you."

"Don't drink any more," she implored, with an agony of dread in her face.

Kirby's bleak countenance set itself in stony lines. "I've got to," said he. "I'm cold—frozen to the quick. I need something to warm me up."

Letty could smell the whisky on his breath, she could see a new light in his eyes and already she sensed rather than observed a subtle change in his demeanor.

"Oh, dad!" she quavered; then she bowed her head weakly upon his arm and her shoulders shook.

Kirby laid a gentle hand upon her, then exclaimed, in surprise: "Why, kid, you're still wet! Got those same clothes on, haven't you?" He raised his voice to the men he had just left. "Want to see the gamest girl in the world? Well, here she is. You saw how she took her medicine to-day? Now listen to this: she's wet through, but she came looking for her old dad—afraid he'd get into trouble!"

Disregarding the crowd and the appreciative murmur her father's praise evoked, Rouletta begged, in a low, earnest voice: "Please, dear, come away. Please—you know why. Come away—won't you—for my sake?"

Kirby stirred uneasily. "I tell you I'm cold," he muttered, but stopped short, staring. "Yes, and I see Danny. I see him as he went overboard. Drowned! I'll never get him out of my sight. I can't seem to understand that he's gone, but—everything's gone, for that matter. Everything!"

"Oh no, dad. Why, you're here and I'm here! We've been broke before."

Kirby smiled again, but cheerlessly. "Oh, we ain't exactly broke; I've got the bank-roll on me and it 'll pull us through. We've had bad luck for a year or two, but it's bound to change. You cheer up—and come over to the stove. What you need is to warm up while I get you a little drink."

Rouletta gazed up into the gray face above her. "Dad, look at me." She took his hand. "Haven't we had enough trouble for one day?"

The gambler was irritated at this persistence and he showed it. "Don't be foolish," he cried, shortly. "I know what I need and I know what I can stand. These men are friends of mine, and you needn't be uneasy. Now, kid, you let me find a place for you to spend the night."

"Not until you're ready to go along."

"All right, stick around for a little while. I Won't be long." Old Sam drew a bench up beside the stove and seated the girl upon it. "I'm all broke up and I've just got to keep moving," he explained, more feelingly. Then he returned to the bar.

Realizing that he was completely out of hand and that further argument was futile, Rouletta Kirby settled herself to wait. In spite of her misery, it never occurred to her to abandon her father to his own devices, even for an hour—she knew him too well to run that risk. But her very bones were frozen and she shivered wretchedly as she held her shoes up to the stove. Although the fire began slowly to dry her outer garments, the clothes next to her flesh remained cold and clammy. Even so, their chill was as nothing to the icy dread that paralyzed the very core of her being.

Pierce Phillips told himself that this had been a wonderful day—an epoch-making day—for him. Lately he had been conscious that the North was working a change in him, but the precise extent of that change, even the direction it was taking, had not been altogether clear; now, however, he thought he understood.

He had been quite right, that first hour in Dyea, when he told himself that Life lay just ahead of him—just over the Chilkoot. Such, indeed, had proved to be the case. Yes, and it had welcomed him with open arms; it had ushered him into a new and wondrous world. His hands had fallen to men's tasks, experience had come to him by leaps and bounds. In a rush he had emerged from groping boyhood into full maturity; physically, mentally, morally, he had grown strong and broad and brown. Having abandoned himself to the tides of circumstance, he had been swept into a new existence where Adventure had rubbed shoulders with him, where Love had smiled into his eyes. Danger had tested his mettle, too, and to-day the final climax had come. What roused his deepest satisfaction now was the knowledge that he had met that climax with credit. To-night it seemed to him that he had reached full manhood, and in the first flush of realization he assured himself that he could no longer drift with the aimless current of events, but must begin to shape affairs to his own ends.

More than once of late he had pondered a certain thought, and now, having arrived at a decision, he determined to act upon it. Ever since that stormy evening at Linderman his infatuation for Hilda had increased, but, owing to circumstances, he had been thwarted in enjoying its full delights. During the daylight hours of their trip, as matter of fact, the two had never been alone together even for a quarter of an hour; they had scarcely had a word in confidence, and in consequence he had been forced to derive what comfort he could from a chance look, a smile, some inflection of her voice. Even at night, after camp was pitched, it had been little better, for the thin walls of her canvas shelter afforded little privacy, and, being mindful of appearances, he had never permitted himself to be alone with her very long at a time—only long enough, in fact, to make sure that his happiness was not all a dream. A vibrant protestation now and then, a secret kiss or two, a few stolen moments of delirium, that was as far as his love-affair had progressed. Not yet had he and Hilda arrived at a definite understanding; never had they thoroughly talked out the subject that engrossed them both, never had they found either time or opportunity in which to do more than sigh and whisper and hold hands, and as a result the woman remained almost as much of a mystery to Pierce as she had been at the moment of her first surrender.

It was an intolerable situation, and so, under the spell of his buoyant spirits, he determined to make an end of it once for all.

The Countess recognized his step when he came to her tent and she spoke to him. Mistaking her greeting for permission to enter, he untied the strings and stepped inside, only to find her unprepared for his reception. She had made her shelter snug, a lively fire was burning, the place was fragrant of pine boughs, and a few deft feminine touches here and there had transformed it into a boudoir. Hilda had removed her jacket and waist and was occupied in combing her hair, but at Pierce's unexpected entrance she hurriedly gathered the golden shower about her bare shoulders and voiced a protest at his intrusion. He stood smiling down at her and refused to withdraw.

Never had Phillips seen such an alluring picture. Now that her hair was undone, its length and its profusion surprised him, for it completely mantled her, and through it the snowy whiteness of her bare arms, folded protectingly across her rounded breasts, was dazzling. The sight put him in a conquering mood; he strode forward, lifted her into his embrace, then smothered her gasping protest with his lips. For a long moment they stood thus. Finally the woman freed herself, then chided him breathlessly, but the fragrance of her hair had gone to his brain; he continued to hold her tight, meanwhile burying his face in the golden cascade.

Roughly, masterfully, he rained kisses upon her. He devoured her with his caresses, and the heat of his ardor melted her resistance until, finally, she surrendered, abandoning herself wholly to his passion.

When, after a time, she flung back her head and pushed him away, her face, her neck, her shoulders were suffused with a coral pinkness and her eyes were misty.

"You must be careful!" she whispered in a tone that was less of a remonstrance than an invitation. "Remember, we're making shadowgraphs for our neighbors. That's the worst of a tent at night—one silhouettes one's very thoughts."

"Then put out the light," he muttered, thickly; but she slipped away, and her moist lips mocked him in silent laughter.

"The idea! What in the world has come over you? Why, you're the most impetuous boy—"

"Boy!" Pierce grimaced his dislike of the word. "Don't be motherly; don't treat me as if I had rompers on. You're positively maddening to-night. I never saw you like this. Why, your hair"—he ran his hands through that silken shower once more and pressed it to his face—"it's glorious!"

The Countess slipped into a combing-jacket; then she seated herself on the springy couch of pine branches over which her fur robe was spread, and deftly caught up her long runaway tresses, securing them in place with a few mysterious twists and expert manipulations.

"Boy, indeed!" he scoffed, flinging himself down beside her. "That's over with, long ago."

"Oh, I don't feel motherly," she asserted, still suffused with that telltale flush. "Not in the way you mean. But you'll always be a boy to me—and to every other woman who learns to care for you."

"Every other woman?" Pierce's eyes opened. "What a queer speech. There aren't going to be any OTHER women." He looked on while she lighted a cigarette, then after a moment he inquired, "What do you mean?"

She answered him with another question. "Do you think I'm the only woman who will love you?"

"Why—I haven't given it any thought! What's the difference, as long as you're the only oneIcare for? And I do love you, I worship—"

"But there WILL be others," she persisted, "There are bound to be.You're that kind."

"Really?"

The Countess nodded her head with emphasis. "I can read men; I can see the color of their souls. You have the call."

"What call?" Pierce was puzzled.

"The—well, the sex-call, the sex appeal."

"Indeed? Am I supposed to feel flattered at that?"

"By no means; you're not a cad. Men who possess that attraction are spoiled sooner or later. You don't realize that you have it, and that's what makes you so nice, but—I felt it from the first, and when you feel it you'll probably become spoiled, too, like the others." This amused Phillips, but the woman was in sober earnest. "I mean what I say. You're the kind who cause women to make fools of themselves—old or young, married or single. When a girl has it—she's lost."

"I'm not sure I understand. At any rate, you haven't made a fool of yourself."

"No?" The Countess smiled vaguely, questioningly. She opened her lips to say more, but changed her mind and in an altered tone declared, "My dear boy, if you understood fully what I'm driving at you'd be insufferable." Laying her warm hand over his, she continued: "You resent what you call my 'motherly way,' but if I were sixteen and you were forty it would be just the same. Women who are afflicted with that sex appeal become men's playthings; the man who possesses it always remains a 'boy' to the woman who loves him—a bad boy, a dangerous boy, perhaps, but a boy, nevertheless. She may, and probably will, adore him fiercely, passionately, jealously, but at the same time she will hover him as a hen hovers her chick. He will be both son and lover to her."

He had listened closely, but now he stirred uneasily. "I don't follow you," he said. "And it isn't exactly pleasant for a fellow to be told that he's a baby Don Juan, to be called a male vampire in knee-pants—especially by the woman he's going to marry." Disregarding her attempt to speak, he went on: "What you said about other women—the way you said it—sounded almost as if—well, as if you expected there would be such, and didn't greatly care. You didn't mean it that way, I hope. You do care, don't you, dear? You do love me?" The face Phillips turned upon the Countess Courteau was earnest, worried.

Her fingers tightened over his hand. When she spoke there was a certain listlessness, a certain fatigue in her tone. "Do you need to ask that after—what happened just now? Of course I care. I care altogether too much. That's the whole trouble. You see, the thing has run away with me, Pierce; it has carried me off my feet, and—that's precisely the point I'm trying to make."

He slipped an arm about her waist and drew her close. "I knew it wasn't merely an animal appeal that stirred you. I knew it was something bigger and more lasting than that."

"Even yet you don't understand," she declared. "The two may go together and—" But without allowing her to finish he said, vibrantly:

"Whatever it is, you seem to find it an obstacle, an objection. Why struggle against the inevitable? You ARE struggling—I've seen you fighting something ever since that first night when truth came to us out of the storm. But, Hilda dear, I adore you. You're the most wonderful creature in the world! You're a goddess! I feel unworthy to touch the hem of your garments, but I know—that you are mine! Nothing else matters. Think of the miracle, the wonder of it! It's like a beautiful dream. I've had doubts about myself, and that's why I've let matters drift. You see, I was a sort of unknown quantity, but now I know that I've found myself. To-day I went through hell and—I came out a man. I'm going to play a man's part right along after this." He urged her eagerly. "We've a hard trip ahead of us before we reach Dawson; winter may overtake us and delay us. We can't continue in this way. Why wait any longer?"

"You mean—?" the woman inquired, faintly.

"I mean this—marry me here, to-morrow."

"No, no! Please—" The Countess freed herself from Pierce's embrace.

"Why not? Are you afraid of me?" She shook her head silently.

"Then why not to-morrow instead of next month? Are you afraid of yourself?"

"No, I'm afraid of-what I must tell you."

Phillips' eyes were dim with desire, he was ablaze with yearning; in a voice that shook he said: "Don't tell me anything. I won't hear it!" Then, after a brief struggle with himself, he continued, more evenly: "That ought to prove to you that I've grown up. I couldn't have said it three months ago, but I've stepped out of—of the nursery into a world of big things and big people, and I want you. I dare say you've lived—a woman like you must have had many experiences, many obstacles to overcome; but—I might not understand what they were even if you told me, for I'm pretty green. Anyhow, I'm sure you're good. I wouldn't believe you if you told me you weren't. It's no credit to me that I haven't confessions of my own to make, for I'm like other men and it merely so happens that I've had no chance to-soil myself. The credit is due to circumstance."

"Everything is due to circumstance," the woman said. "Our lives are haphazard affairs; we're blown by chance—"

"We'll take a new start to-morrow and bury the past, whatever it is."

"You make it absolutely necessary for me to speak," the Countess told him. Her tone again had a touch of weariness in it, but Pierce did not see this. "I knew I'd have to, sooner or later, but it was nice to drift and to dream—oh, it was pleasant—so I bit down on my tongue and I listened to nothing but the song in my heart." She favored Pierce with that shadowy, luminous smile he had come to know. "It was a clean, sweet song and it meant a great deal to me." When he undertook to caress her she drew away, then sat forward with her heels tucked close into the pine boughs, her chin upon her knees. It was her favorite attitude of meditation; wrapped thus in the embrace of her own arms, she appeared to gain the strength and the determination necessary to go on.

"I'm not a weak woman," she began, staring at the naked candle-flame which gave light to the tent. "It wasn't weakness that impelled me to marry a man I didn't love; it was the determination to get ahead and the ambition to make something worth while out of myself—a form of selfishness, perhaps, but I tell you all women are selfish. Anyhow, he seemed to promise better things and to open a way whereby I could make something out of my life. Instead of that he opened my eyes and showed me the world as it is, not as I had imagined it to be. He was—no good. You may think I was unhappy over that, but I wasn't. Really, he didn't mean much to me. What did grieve me, though, was the death of my illusions. He was mercenary—the fault of his training, I dare say—but he had that man-call I spoke about. It's really a woman-call. He was weak, worthless, full of faults, mean in small things, but he had an attraction and it was impossible to resist mothering him. Other women felt it and yielded to it, so finally we went our separate ways. I've seen nothing of him for some time now, but he keeps in touch with me and—I've sent him a good deal of money. When he learns that I have prospered in a big way he'll undoubtedly turn up again."

Pierce weighed the significance of these words; then he smiled. "Dear, it's all the more reason why we should be married at once. I'd dare him to annoy you then."

"My boy, don't you understand? I can't marry you, being still married to him."

Phillips recoiled; his face whitened. Dismay, reproach, a shocked surprise were in the look he turned upon his companion.

"Still married!" he gasped. "Oh—Hilda!"

She nodded and lowered her eyes. "I supposed you knew—until I got to telling you, and then it was too late."

Pierce rose; his lips now were as colorless as his cheeks. "I'm surprised, hurt," he managed to say. "How should I know? Why, this is wretched—rotten! People will say that I've got in a mess with a married woman. That's what it looks like, too." His voice broke huskily. "How could you do it, when I meant my love to be clean, honorable? How could you let me put myself, and you, in such a position?"

"You see!" The woman continued to avoid his eye. "You haven't grown up.You haven't the least understanding."

"I understand this much," he cried, hotly, "that you've led me to make something worse than a cad of myself. Look here! There are certain things which no decent fellow goes in for—certain things he despises in other men—and that's one of them." He turned as if to leave, then he halted at the tent door and battled with himself. After a moment, during which the Countess Courteau watched him fixedly, he whirled, crying:

"Well, the damage is done. I love you. I can't go along without you.Divorce that man. I'll wait."

"I'm not sure I have legal grounds for a divorce. I'm not sure that I care to put the matter to a test—as yet."

"WHAT?" Pierce gazed at her, trying to understand. "Say that over again!"

"You think you've found yourself, but—have you? I know men pretty well and I think I know you. You've changed—yes, tremendously—but what of a year, two years from now? You've barely tasted life and this is your first intoxication."

"Do you love me, or do you not?" he demanded.

"I love you as you are now. I may hate you as you will be to-morrow. I've had my growth; I've been through what you're just beginning—we can't change together."

"Then will you promise to marry me afterward?"

The Countess shook her head. "It's a promise that would hold only me.Why ask it?"

"You're thinking of no one but yourself," he protested, furiously. "Think of me. I've given you all I have, all that's best and finest in me. I shall never love another woman—"

"Not in quite the way you love me, perhaps, but the peach ripens even after its bloom has been rubbed off. You HAVE given me what is best and finest, your first love, and I shall cherish it."

"Will you marry me?" he cried, hoarsely. She made a silent refusal.

"Then I can put but one interpretation upon your actions."

"Don't be too hasty in your judgment. Can't you see? I was weak. I was tired. Then you came, like a draught of wine, and—I lost my head. But I've regained it. I dreamed my dream, but it's daylight now and I'm awake. I know that you believe me a heartless, selfish woman. Maybe I am, but I've tried to think for you, and to act on that good impulse. I tell you I would have been quite incapable of it before I knew you. A day, a month, a year of happiness! Most women of my age and experience would snatch at it, but I'm looking farther ahead than that. I can't afford another mistake. Life fits me, but you—why, you're bursting your seams."

"You've puzzled me with a lot of words," the young man said, with ever-growing resentment, "but what do they all amount to? You amused yourself with me and you're ready enough to continue so long as I pour my devotion at your feet. Well, I won't do it. If you loved me truly you wouldn't refuse to marry me. Isn't that so? True love isn't afraid, it doesn't quibble and temporize and split hairs the way you do. No, it steps out boldly and follows the light. You've had your fun, you've—broken my heart." Phillips' voice shook and he swallowed hard. "I'm through; I'm done. I shall never love another woman as I love you, but if what you said about that sex-call is true, I—I'll play the game as you played it." He turned blindly and with lowered head plunged out of the tent into the night.

The Countess listened to the sounds of his departing footsteps; then, when they had ceased, she rose wearily and flung out her arms. There was a real and poignant distress in her eyes.

"Boy! Boy!" she whispered. "It was sweet, but—there had to be an end."

For a long time she stood staring at nothing; then she roused herself with a shiver, refilled the stove, and seated herself again, dropping her chin upon her knees as she did instinctively when in deep thought.

"If only I were sure," she kept repeating to herself. "But he has the call and—I'm too old."

Rouletta Kirby could not manage to get warm. The longer she sat beside the stove the colder she became. This was not strange, for the room was draughty, people were constantly coming in and going out, and when the door was opened the wind caused the canvas walls of the saloon to bulge and its roof to slap upon the rafters. The patrons were warmly clad in mackinaw, flannel, and fur. To them the place was comfortable enough, but to the girl who sat swathed in sodden undergarments it was like a refrigerator. More than once she regretted her heedless refusal of the Countess Courteau's offer of a change; several times, in fact, she was upon the point of returning to claim it, but she shrank from facing that wintry wind, so low had her vitality fallen. Then, too, she reasoned that it would be no easy task to find the Countess at this hour of the night, for the beach was lined with a mile of tents, all more or less alike. She pictured the search, herself groping her way from one to another, and mumbling excuses to surprised occupants. No, it was better to stay here beside the fire until her clothes dried out.

She would have reminded her father of her discomfort and claimed his assistance only for the certainty that he would send her off to bed, which was precisely what she sought to prevent. Her presence irritated him; nevertheless, she knew that his safety lay in her remaining. Sam Kirby sober was in many ways the best of fathers; he was generous, he was gentle, he was considerate. Sam Kirby drunk was another man entirely—a thoughtless, wilful, cruel man, subject to vagaries of temper that were as mysterious to the girl who knew him so well as they were dangerous to friend and foe alike. He was drunk now, or in that peculiar condition that passed with him for drunkenness. Intoxication in his case was less a condition of body than a frame of mind, and it required no considerable amount of liquor to work the change. Whisky, even in small quantities, served to suspend certain of his mental functions; it paralyzed one lobe of his brain, as it were, while it aroused other faculties to a preternatural activity and awoke sleeping devils in him. The more he drank the more violent became his destructive mood, the more firmly rooted became his tendencies and proclivities for evil. The girl well knew that this was an hour when he needed careful watching and when to leave him unguarded, even temporarily, meant disaster. Rouletta clenched her chattering teeth and tried to ignore the chills that raced up and down her body.

White Horse, at this time, was purely a make-shift camp, hence it had no facilities for gambling. The saloons themselves were little more than liquor caches which had been opened overnight for the purpose of reaping quick profits; therefore such games of chance as went on were for the most part between professional gamblers who happened to be passing through and who chose to amuse themselves in that way.

After perhaps an hour, during which a considerable crowd had come and gone, Sam Kirby broke away from the group with which he had been drinking and made for the door. As he passed Rouletta he paused to say:

"I'm going to drift around a bit, kid, and see if I can't stir up a little game."

"Where are we going to put up for the night?" his daughter inquired.

"I don't know yet; it's early. Want to turn in?"

Rouletta shook her head.

"I'll find a place somewhere. Now you stick here where it's nice and warm. I'll be back by and by."

With sinking heart the girl watched him go. After a moment she rose and followed him out into the night. She was surprised to discover that the mud under foot had frozen and that the north wind bore a burden of fine, hard snow particles. Keeping well out of sight, she stumbled to another saloon door, and then, after shivering wretchedly outside for a while, she stole in and crept up behind the stove.

She was very miserable indeed by this time, and as the evening wore slowly on her misery increased. After a while her father began shaking dice with some strangers, and the size of their wagers drew an audience of interested bystanders.

Rouletta realized that she should not have exposed herself anew to the cold, for now her sensations had become vaguely alarming. She could not even begin to get warm, except now and then when a burning fever replaced her chill; she felt weak and ill inside; the fingers she pressed to her aching temples were like icicles. Eventually—she had lost all track of time—her condition became intolerable and she decided to risk her father's displeasure by interrupting him and demanding that he secure for both of them a lodging-place at once.

There were several bank-notes of large denomination on the plank bar-top and Sam Kirby was watching a cast of dice when his daughter approached; therefore he did not see her. Nor did he turn his head when she laid a hand upon his arm.

Now women, especially pretty women, were common enough sights in Alaskan drinking-places. So it was not strange that Rouletta's presence had occasioned neither comment nor curiosity. More than once during the last hour or two men had spoken to her with easy familiarity, but they had taken no offense when she had turned her back. It was quite natural, therefore, that the fellow with whom Kirby was gambling should interpret her effort to claim attention as an attempt to interrupt the game, and that he should misread the meaning of her imploring look. There being considerable money at stake, he frowned down at her, then with an impatient gesture he brushed her aside.

"None of that, sister!" he warned her. "You get out of here."

Sam Kirby was in the midst of a discussion with the proprietor, across the bar, and because there was a deal of noise in the place he did not hear his daughter's low-spoken protest.

"Oh, I mean it!" The former speaker scowled at Rouletta. "You dolls make me sick, grabbing at every nickel you see. Beat it, now! There's plenty of young suckers for you to trim. If you can't respect an old man with gray hair, why—" The rest of his remark caused the girl's eyes to widen and the chattering voices to fall silent.

Sam Kirby turned, the dice-box poised in his right hand.

"Eh? What's that?" he queried, vaguely.

"I'm talking to this pink-faced gold-digger—"

"Father!" Rouletta exclaimed.

"I'm just telling her—"

The fellow repeated his remark, whereupon understanding came to Kirby and his expression slowly altered. Surprise, incredulity, gave place to rage; his eyes began to blaze.

"You said that to—her?" he gasped, in amazement. "To my kid?" There was a moment of tense silence during which the speaker appeared to be numbed by the insult, then, "By God!" Sam placed the dice-box carefully upon the bar. His movement was deliberate, but he kept his flaming gaze fixed upon the object of his wrath, and into his lean, ashen countenance came such demoniac fury as to appal those who saw it.

Rouletta uttered a faint moan and flung herself at her father; with a strength born of terror she clung to his right wrist. In this she was successful, despite old Sam's effort to shake her off, but she could not imprison both his arms. Kirby stepped forward, dragging the girl with him; he raised that wicked artificial left hand and brought it sweeping downward, and for a second time that day the steel shaft met flesh and bone. His victim spun upon his heels, then, with outflung arms and an expression of shocked amazement still upon his face, he crashed backward to the floor.

Kirby strode to him; before other hands could come to Rouletta's assistance and bear him out of reach he twice buried his heavy hobnailed boot in the prostrate figure. He presented a terrible exhibition of animal ferocity, for he was growling oaths deep in his throat and in his eyes was the light of murder. He fought for liberty with which to finish his task, and those who restrained him found that somehow he had managed to draw an ivory-handled six-shooter from some place of concealment. Nor could they wrench the weapon away from him.

"He insulted my kid—my girl Letty!" Kirby muttered, hoarsely.

When the fallen man had been lifted to his feet and hurried out of the saloon old Sam tried his best to follow, but his captors held him fast. They pleaded with him, they argued, they pacified him as well as they could. It was a long time, however, before they dared trust him alone with Rouletta, and even then they turned watchful eyes in his direction.

"I didn't want anything to happen." The girl spoke listlessly.

Kirby began to rumble again, but she interrupted him. "It wasn't the man's fault. It was a perfectly natural mistake on his part, and I've learned to expect such things. I—I'm sick, dad. You must find a place for me, quick."

Sam agreed readily enough. The biting cold of the wind met them at the door. Rouletta, summoning what strength she could, trudged along at his side. It did not take them long to canvass the town and to discover that there were no lodgings to be had. Rouletta halted finally, explaining through teeth that chattered:

"I—I'm frozen! Take me back where there's a stove—back to the saloon—anywhere. Only do it quickly."

"Pshaw! It isn't cold," Kirby protested, mildly.

The nature of this remark showed more plainly than anything he had said or done during the evening that the speaker was not himself. It signified such a dreadful change in him, it marked so surely the extent of his metamorphosis, that Rouletta's tears came.

"Looks like we'd have to make the best of it and stay awake till morning," the father went on, dully.

"No, no! I'm too sick," the girl sobbed, "and too cold. Leave me whereI can keep warm; then go find the Countess and—ask her to put me up."

Returning to their starting-point, Kirby saw to his daughter's comfort as best he could, after which he wandered out into the night once more. His intentions were good, but he was not a little out of patience with Letty and still very angry with the man who had affronted her; rage at the insult glowed within his disordered brain and he determined, before he had gone very far, that his first duty was to right that wrong. Probably the miscreant was somewhere around, or, if not, he would soon make his appearance. Sam decided to postpone his errand long enough to look through the other drinking-places and to settle the score.

No one, on seeing him thus, would have suspected that he was drunk; he walked straight, his tongue was obedient, and he was master of his physical powers to a deceptive degree; only in his abnormally alert and feverish eyes was there a sign that his brain was completely crazed.

Rouletta waited for a long while, and steadily her condition grew worse. She became light-headed, and frequently lost herself in a sort of painful doze. She did not really sleep, however, for her eyes were open and staring; her wits wandered away on nightmare journeys, returning only when the pains became keener. Her fever was high now; she was nauseated, listless; her chest ached and her breathing troubled her when she was conscious enough to think. Her surroundings became unreal, too, the faces that appeared and disappeared before her were the faces of dream figures.

Unmindful of his daughter's need, heedless of the passage of time, Sam Kirby loitered about the saloons and waited patiently for the coming of a certain man. After a time he bought some chips and sat in a poker game, but he paid less attention to the spots on his cards than to the door through which men came and went. These latter he eyed with the unblinking stare of a serpent.

Pierce Phillips' life was ruined. He was sure of it. Precisely what constituted a ruined life, just how much such a one differed from a successful life, he had only the vaguest idea, but his own, at the moment, was tasteless, spoiled. Dire consequences were bound to follow such a tragedy as this, so he told himself, and he looked forward with gloomy satisfaction to their realization; whatever they should prove to be, however terrible the fate that was to overtake him, the guilt, the responsibility therefor, lay entirely upon the heartless woman who had worked the evil, and he earnestly hoped they would be brought home to her.

Yes, the Countess Courteau was heartless, wicked, cruel. Her unsuspected selfishness, her lack of genuine sentiment, her cool, calculating caution, were shocking. Pierce had utterly misread her at first; that was plain.

That he was really hurt, deeply distressed, sorely aggrieved, was true enough, for his love—infatuation, if you will—was perfectly genuine and exceedingly vital. Nothing is more real, more vital, than a normal boy's first infatuation, unless it be the first infatuation of a girl; precisely wherein it differs from the riper, less demonstrative affection that comes with later years and wider experience is not altogether plain. Certainly it is more spontaneous, more poignant; certainly it has in it equal possibilities for good or evil. How deep or how disfiguring the scar it leaves depends entirely upon the healing process. But, for that matter, the same applies to every heart affair.

Had Phillips been older and wiser he would not have yielded so readily to despair; experience would have taught him that a woman's "No" is not a refusal; wisdom would have told him that the absolute does not exist. But, being neither experienced nor wise, he mistook the downfall of his castle for the wreck of the universe, and it never occurred to him that he could salvage something, or, if need be, rebuild upon the same foundations.

What he could neither forget nor forgive at this moment was the fact that Hilda had not only led him to sacrifice his honor, or its appearance, but also that when he had managed to reconcile himself to that wrong she had lacked the courage to meet him half-way. There were but two explanations of her action: either she was weak and cowardly or else she did not love him. Neither afforded much consolation.

In choosing a course of conduct no man is strong enough to divorce himself entirely from his desires, to follow the light of pure reason, for memories, impulses, yearnings are bound to bring confusion. Although Pierce told himself that he must renounce this woman—that he had renounced her—nevertheless he recalled with a thrill the touch of her bare arms and the perfume of her streaming golden hair as he had buried his face in it, and the keenness of those memories caused him to cry out. The sex-call had been stronger than he had realized; therefore, to his present grief was added an inescapable, almost irresistible feeling of physical distress—a frenzy of balked desire—which caused him to waver irresolutely, confusing the issue dreadfully.

For a long time he wandered through the night, fighting his animal and his spiritual longings, battling with irresolution, striving to reconcile himself to the crash that had overwhelmed him. More than once he was upon the point of rushing back to the woman and pouring out the full tide of his passion in a desperate attempt to sweep away her doubts and her apprehensions. What if she should refuse to respond? He would merely succeed in making himself ridiculous and in sacrificing what little appearance of dignity he retained. Thus pride prevented, uncertainty paralyzed him.

Some women, it seemed to him, not bad in themselves, were born to work evil, and evidently Hilda was one of them. She had done her task well in this instance, for she had thoroughly blasted his life! He would pretend to forget, but nevertheless he would see to it that she was undeceived, and that the injury she had done him remained an ever-present reproach to her. That would be his revenge. Real forgetfulness, of course, was out of the question. How could he assume such an attitude? As he pondered the question he remembered that there were artificial aids to oblivion. Ruined men invariably took to drink. Why shouldn't he attempt to drown his sorrows? After all, might there not be real and actual relief in liquor? After consideration he decided to try it.

From a tent saloon near by came the sounds of singing and of laughter, and thither he turned his steps. When he entered the place a lively scene greeted him. Somehow or other a small portable organ had been secured, and at this a bearded fellow in a mackinaw coat was seated. He was playing a spirited accompaniment for two women, sisters, evidently, who sang with the loud abandon of professional "coon shouters." Other women were present, and Phillips recognized them as members of that theatrical troupe he had seen at Sheep Camp—as those "actresses" to whom Tom Linton had referred with such elaborate sarcasm. All of them, it appeared, were out for a good time, and in consequence White Horse was being treated to a free concert.

The song ended in a burst of laughter and applause, the men at the bar pounded with their glasses, and there was a general exodus in that direction. One of the sisters flung herself enthusiastically upon the volunteer organist and dragged him with her. There was much hilarity and a general atmosphere of license and unrestraint.

Phillips looked on moodily; he frowned, his lip curled. All the world was happy, it seemed, while he nursed a broken heart. Well, that was in accord with the scheme of things—life was a mad, topsy-turvy affair at best, and there was nothing stable about any part of it. He felt very grim, very desperate, very much abused and very much outside of all this merriment.

Men were playing cards at the rear of the saloon, and among the number was Sam Kirby. The old gambler showed no signs of his trying experience of the afternoon; in fact, it appeared to have been banished utterly from his mind. He was drinking, and even while Pierce looked on he rapped sharply with his iron hand to call the bartender's attention. Meanwhile he scanned intently the faces of all new-comers.

When the crowd had surged back to the organ Pierce found a place at the bar and called for a drink of whisky—the first he had ever ordered. This was the end he told himself.

He poured the glass nearly full, then he gulped the liquor down. It tasted much as it smelled, hence he derived little enjoyment from the experience. As he stripped a bill from his sizable roll of bank-notes the bartender eyed him curiously and seemed upon the point of speaking, but Pierce turned his shoulder.

After perhaps five minutes the young man acknowledged a vague disappointment; if this was intoxication there was mighty little satisfaction in it, he decided, and no forgetfulness whatever. He was growing dizzy, to be sure, but aside from that and from the fact that his eyesight was somewhat uncertain he could feel no unusual effect. Perhaps he expected too much; perhaps, also, he had drunk too sparingly. Again he called for the bottle, again he filled his glass, again he carelessly displayed his handful of paper currency.

Engaged thus, he heard a voice close to his ear; it said:

"Hello, man!"

Pierce turned to discover that a girl was leaning with elbows upon the plank counter at his side and looking at him. Her chin was supported upon her clasped fingers; she was staring into his face.

She eyed him silently for a moment, during which he returned her unsmiling gaze. She dropped her eyes to the whisky-glass, then raised them again to his.

"Can you take a drink like that and not feel it?" she inquired.

"No. I want to feel it; that's why I take it," he said, gruffly.

"What's the idea?"

"Idea? Well, it's my own idea—my own business."

The girl took no offense; she maintained her curious observation of him; she appeared genuinely interested in acquainting herself with a man who could master such a phenomenal quantity of liquor. There was mystification in her tone when she said:

"But—I saw you come in alone. And now you're drinking alone."

"Is that a reproach? I beg your pardon." Pierce swept her a mocking bow. "What will you have?"

Without removing her chin from its resting-place, the stranger shook her head shortly, so he downed his beverage as before. The girl watched him interestedly as he paid for it.

"That's more money than I've seen in a month," said she. "I wouldn't be so free and easy with it, if I were you."

"No? Why not?"

She merely shrugged, and continued to study him with that same disconcerting intentness—she reminded him of a frank and curious child.

Pierce noticed now that she was a very pretty girl, and quite appropriately dressed, under the circumstances. She wore a boy's suit, with a short skirt over her knickerbockers, and, since she was slim, the garments added to her appearance of immaturity. Her face was oval in outline, and it was of a perfectly uniform olive tint; her eyes were large and black and velvety, their lashes were long, their lids were faintly smudged with a shadowy under-coloring that magnified their size and intensified their brilliance. Her hair was almost black, nevertheless it was of fine texture; a few unruly strands had escaped from beneath her fur cap and they clouded her brow and temples. At first sight she appeared to be foreign, and of that smoky type commonly associated with the Russian idea of beauty, but she was not foreign, not Russian; nor were her features predominantly racial.

"What's your name?" she asked, suddenly.

Pierce told her. "And yours?" he inquired.

"Laure."

"Laure what?"

"Just Laure—for the present."

"Humph! You're one of this—theatrical company, I presume." He indicated the singers across the room.

"Yes. Morris Best hired us to work in his place at Dawson."

"I remember your outfit at Sheep Camp. Best was nearly crazy—"

"He's crazier now than ever." Laure smiled for the first time and her face lit up with mischief. "Poor Morris! We lead him around by his big nose. He's deathly afraid he'll lose us, and we know it, so we make his life miserable." She turned serious abruptly, and with a candor quite startling said, "I like you."

"Indeed!" Pierce was nonplussed.

The girl nodded. "You looked good to me when you came in. Are you going to Dawson?"

"Of course. Everybody is going to Dawson."

"I suppose you have partners?"

"No!" Pierce's face darkened. "I'm alone—very much alone." He undertook to speak in a hollow, hopeless tone.

"Big outfit?"

"None at all. But I have enough money for my needs and—I'll probably hook up with somebody." Now there was a brave but cheerless resignation in his words.

Laure pondered for a moment; even more carefully than before she studied her companion. That the result satisfied her she made plain by saying:

"Morris wants men. I can get him to hire you. Would you like to hook up with us?"

"I don't know. It doesn't much matter. Will you have something to drink now?"

"Why should I? They don't give any percentage here. Wait! I'll see Morris and tell you what he says." Leaving Pierce, the speaker hurried to a harassed little man of Hebraic countenance who was engaged in the difficult task of chaperoning this unruly aggregation of talent. To him she said:

"I've found a man for you, Morris."

"Man?"

"To go to Dawson with us. That tall, good-looking fellow at the bar."

Mr. Best was bewildered. "What ails you?" he queried. "I don't want any men, and you know it."

"You want this fellow, and you're going to hire him."

"Am I? What makes you think so?"

"Because it's—him or me," Laure said, calmly.

Mr. Best was both surprised and angered at this cool announcement. "You mean, I s'pose, that you'll quit," he said, belligerently.

"I mean that very thing. The man has money—"

Best's anger disappeared as if by magic; his tone became apologetic. "Oh! Why didn't you say so? If he'll pay enough, and if you want him, why, of course—"

Laure interrupted with an unexpected dash of temper. "He isn't going to pay you anything: you're going to pay him—top wages, too. Understand?"

The unhappy recipient of this ultimatum raised his hands in a gesture of despair. "Himmel! There's no understanding you girls! There's no getting along with you, either. What's on your mind, eh? Are you after him or his coin?"

"I—don't know." Laure was gazing at Phillips with a peculiar expression. "I'm not sure. Maybe I'm after both. Will you be good and hire him, or—"

"Oh, you've got me!" Best declared, with frank resentment. "If you want him, I s'pose I'll have to get him for you, but"—he muttered an oath under his breath—"you'll ruin me. Oy! Oy! I'll be glad when you're all in Dawson and at work."

After some further talk the manager approached Phillips and made himself known. "Laure tells me you want to join our troupe," he began.

"I'll see that he pays you well," the girl urged. "Come on."

Phillips' thoughts were not quite clear, but, even so, the situation struck him as grotesquely amusing. "I'm no song-and-dance man," he said, with a smile. "What would you expect me to do? Play a mandolin?"

"I don't know exactly," Best replied. "Maybe you could help me ride herd on these Bernhardts." He ran a hand through his thin black hair, thinner now by half than when he left the States. "If you could do that, why—you could save my reason."

"He wants you to be a Simon Legree," Laure explained.

The manager seconded this statement by a nod of his head. "Sure! Crack the whip over 'em. Keep 'em in line. Don't let 'em get married. I thought I was wise to hire good-lookers, but—I was crazy. They smile and they make eyes and the men fight for 'em. They steal 'em away. I've had a dozen battles and every time I've been licked. Already four of my girls are gone. If I lose four more I can't open; I'll be ruined. Oy! Such a country! Every day a new love-affair; every day more trouble—"

Laure threw back her dark head and laughed in mischievous delight. "It's a fact," she told Pierce. "The best Best gets is the worst of it. He's not our manager, he's our slave; we have lots of fun with him." Stepping closer to the young man, she slipped her arm within his and, looking up into his face, said, in a low voice: "I knew I could fix it, for I always have my way. Will you go?" When he hesitated she repeated: "Will you go with me or—shall I go with you?"

Phillips started. His brain was fogged and he had difficulty in focusing his gaze upon the eager, upturned face of the girl; nevertheless, he appreciated the significance of this audacious inquiry and there came to him the memory of his recent conversation with the Countess Courteau. "Why do you say that?" he queried, after a moment. "Why do you want me to go?"

Laure's eyes searched his; there was an odd light in them, and a peculiar intensity which he dimly felt but scarcely understood. "I don't know," she confessed. She was no longer smiling, and, although her gaze remained hypnotically fixed upon his, she seemed to be searching her own soul. "I don't know," she said again, "but you have a—call."

In spite of this young woman's charms, and they were numerous enough, Phillips was not strongly drawn to her; resentment, anger, his rankling sense of injury, all these left no room for other emotions. That she was interested in him he still had sense enough to perceive; her amazing proposal, her unmistakable air of proprietorship, showed that much, and in consequence a sort of malicious triumph arose within him. Here, right at hand, was an agency of forgetfulness, more potent by far than the one to which he had first turned. Dangerous? Yes. But his life was ruined. What difference, then, whether oblivion came from alcohol or from the drug of the poppy? Deliberately he shut his ears to inner warnings; he raised his head defiantly.

"I'll go," said he.

"We leave at daylight," Best told him.

With 'Poleon Doret to be busy was to be contented, and these were busy times for him. His daily routine, with trap and gun, had made of him an early riser and had bred in him a habit of greeting the sun with a song. It was no hardship for him, therefore, to cook his breakfast by candle-light, especially now that the days were growing short. On the morning after his rescue of Sam Kirby and his daughter 'Poleon washed his dishes and cut his wood; then, finding that there was still an hour to spare before the light would be sufficient to run Miles Canon, he lit his pipe and strolled up to the village. The ground was now white, for considerable snow had fallen during the night; the day promised to be extremely short and uncomfortable. 'Poleon, however, was impervious to weather of any sort; his good humor was not dampened in the least.

Even at this hour the saloons were well patronized, for not only was the camp astir, but also the usual stale crowd of all-night loiterers was not yet sufficiently intoxicated to go to bed. As 'Poleon neared the first resort, the door opened and a woman emerged. She was silhouetted briefly against the illumination from within, and the pilot was surprised to recognize her as Rouletta Kirby. He was upon the point of speaking to her when she collided blindly with a man who had preceded him by a step or two.

The fellow held the girl for an instant and helped her to regain her equilibrium, exclaiming, with a laugh: "Say! What's the matter with you, sister? Can't you see where you're going?" When Rouletta made no response the man continued in an even friendlier tone, "Well, I can see; my eyesight's good, and it tells me you're about the best-looking dame I've run into to-night." Still laughing, he bent his head as if to catch the girl's answer. "Eh? I don't get you. Who d'you say you're looking for?"

'Poleon was frankly puzzled. He resented this man's tone of easy familiarity and, about to interfere, he was restrained by Rouletta's apparent indifference. What ailed the girl? It was too dark to make out her face, but her voice, oddly changed and unnatural, gave him cause for wonderment. Could it be—'Poleon's half-formed question was answered by the stranger who cried, in mock reproach: "Naughty! Naughty! You've had a little too much, that's what's the matter with you. Why, you need a guardeen." Taking Rouletta by the shoulders, the speaker turned her about so that the dim half-light that filtered through the canvas wall of the tent saloon shone full upon her face.

'Poleon saw now that the girl was indeed not herself; there was a childish, vacuous expression upon her face; she appeared to be dazed and to comprehend little of what the man was saying. This was proved by her blank acceptance of his next insinuating words: "Say, it's lucky I stumbled on to you. I been up all night and so have you. S'pose we get better acquainted. What?"

Rouletta offered no objection to this proposal; the fellow slipped an arm about her and led her away, meanwhile pouring a confidential murmur into her ear. They had proceeded but a few steps when 'Poleon Doret strode out of the gloom and laid a heavy hand upon the man.

"My frien'," he demanded, brusquely, "w'ere you takin' dis lady?"

"Eh?" The fellow wheeled sharply. "What's the idea? What is she to you?"

"She ain't not'in' to me. But I seen you plenty tams an'—you ain't no good."

Rouletta spoke intelligibly for the first time: "I've no place to go—no place to sleep. I'm very—tired."

"There you've got it," the girl's self-appointed protector grinned. "Well, I happen to have room for her in my tent." As Doret's fingers sank deeper into his flesh the man's anger rose; he undertook to shake off the unwelcome grasp. "You leggo! You mind your own business—"

"Dis goin' be my biznesse," 'Poleon announced. "Dere's somet'ing fonny 'bout dis—"

"Don't get funny with me. I got as much right to her as you have—" 'Poleon jerked the man off his feet, then flung him aside as if he were unclean. His voice was hoarse with disgust when he cried:

"Get out! Beat it! By Gar! You ain't fit for touch decent gal. You spik wit' her again, I tear you in two piece!"

Turning to Rouletta he said, "Mam'selle, you lookin' for your papa, eh?"

Miss Kirby was clasping and unclasping her fingers, her face was strained, her response came in a mutter so low that 'Poleon barely caught it:

"Danny's gone—gone—Dad, he's—No use fighting it—It's the drink—and there's nothing I can do."

It was 'Poleon's turn to take the girl by the shoulders and wheel her about for a better look at her face. A moment later he led her back into the saloon. She was so oddly obedient, so docile, so unquestioning, that he realized something was greatly amiss. He laid his hand against her flushed cheek and found it to be burning hot, whereupon he hastily consulted the nearest bystanders. They agreed with him that the girl was indeed ill—more than that, she was half delirious.

"Sacre! Wat's she doin' roun' a saloon lak dis?" he indignantly demanded. "How come she's gettin' up biffore daylight, eh?"

It was the bartender who made plain the facts: "She 'ain't been to bed at all, Frenchy. She's been up all night, ridin' herd on old Sam Kirby. He's drinkin', understand? He tried to get some place for her to stay, along about midnight, but there wasn't any. She's been settin' there alongside of the stove for the last few hours and I been sort of keepin' an eye on her for Sam's sake."

Doret breathed an oath. "Dat's nice fader she's got! I wish I let 'im drown."

"Oh, he ain't exactly to blame. He's on a bender—like to of killed a feller in here. Somebody'd ought to take care of this girl till he sobers up."

During this conference Rouletta stood quivering, her face a blank, completely indifferent to her surroundings. 'Poleon made her sit down, and but for her ceaseless whispering she might have been in a trance.

Doret's indignation mounted as the situation became plain to him.

"Fine t'ing!" he angrily declared. "Wat for you fellers leave dis seeck gal settin' up, eh? Me, I come jus' in tam for catch a loafer makin' off wit' her." Again he swore savagely. "Dere's some feller ain't wort' killin'. Wal, I got good warm camp; I tak' her dere, den I fin' dis fader."

"Sam won't be no good to you. What she needs is a doctor, and she needs him quick," the bartender averred.

"Eh bien! I fin' him, too! Mam'selle"—'Poleon turned to the girl—"you're bad seeck, dat's fac'. You care for stop in my tent?" The girl stared up at him blankly, uncomprehendingly; then, drawn doubtless by the genuine concern in his troubled gaze, she raised her hand and placed it in his. She left it there, the small fingers curling about his big thumb like those of a child. "Poor li'l bird!" The woodsman's brow puckered, a moisture gathered in his eyes. "Dis is hell, for sure. Come, den, ma petite, I fin' a nes' for you." He raised her to her feet; then, removing his heavy woolen coat, he placed it about her frail shoulders. When she was snugly buttoned inside of it he led her out into the dim gray dawn; she went with him obediently.

As they breasted the swirling snowflakes Doret told himself that, pending Sam Kirby's return to sanity, this sick girl needed a woman's care quite as much as a doctor's; naturally his thoughts turned to the Countess Courteau. Of all the women in White Horse, the Countess alone was qualified to assume charge of an innocent child like this, and he determined to call upon her as soon as he had summoned medical assistance.

When, without protest, Rouletta followed him into his snug living-quarters, Doret thought again of the ruffian from whom he had rescued her and again he breathed a malediction. The more fully he became aware of the girl's utter helplessness the angrier he grew, and the more criminal appeared her father's conduct. White Horse made no pretense at morality; it was but a relay station, a breathing-point where the mad rush to the Klondike paused; there was neither law nor order here; the women who passed through were, for the most part, shameless creatures; the majority of the men were unruly, unresponsive to anything except an appeal to their animal appetites. Sympathy, consideration, chivalry had all but vanished in the heat of the great stampede. That Sam Kirby should have abandoned his daughter to such as these was incredible, criminal. Mere intoxication did not excuse it, and 'Poleon vowed he would give the old man a piece of his mind at the first opportunity.

His tent was still warm; a few sticks of dry spruce caused the little stove to grow red; he helped Rouletta to lie down upon his bed, then he drew his blankets over her.

"You stay here li'l while, eh?" He rested a comforting hand upon her shoulder. "'Poleon goin' find your papa now. Bimeby you goin' feel better."

He was not sure that she understood him, for she continued to mutter under her breath and began to roll her head as if in pain. Then he summoned all the persuasiveness he could. "Dere now, you're safe in 'Poleon's house; he mak' you well dam' queeck."

A good many people were stirring when the pilot climbed once more to the stumpy clearing where the village stood, and whomsoever he met he questioned regarding Sam Kirby; it did not take him long to discover the latter's whereabouts. But 'Poleon's delay, brief as it had been, bore tragic consequences. Had he been a moment or two earlier he might have averted a catastrophe of far-reaching effect, one that had a bearing upon many lives.


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