XII. THE LONELY FARMHOUSE

The winter evenings of the farmer-boy in New England used not to be so gay as to tire him of the pleasures of life before he became of age. A remote farmhouse, standing a little off the road, banked up with sawdust and earth to keep the frost out of the cellar, blockaded with snow, and flying a blue flag of smoke from its chimney, looks like a besieged fort. On cold and stormy winter nights, to the traveler wearily dragging along in his creaking sleigh, the light from its windows suggests a house of refuge and the cheer of a blazing fire. But it is no less a fort, into which the family retire when the New England winter on the hills really sets in.

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The boy is an important part of the garrison. He is not only one of the best means of communicating with the outer world, but he furnishes half the entertainment and takes two thirds of the scolding of the family circle. A farm would come to grief without a boy-on it, but it is impossible to think of a farmhouse without a boy in it.

“That boy” brings life into the house; his tracks are to be seen everywhere; he leaves all the doors open; he has n't half filled the wood-box; he makes noise enough to wake the dead; or he is in a brown-study by the fire and cannot be stirred, or he has fastened a grip into some Crusoe book which cannot easily be shaken off. I suppose that the farmer-boy's evenings are not now what they used to be; that he has more books, and less to do, and is not half so good a boy as formerly, when he used to think the almanac was pretty lively reading, and the comic almanac, if he could get hold of that, was a supreme delight.

Of course he had the evenings to himself, after he had done the “chores” at the barn, brought in the wood and piled it high in the box, ready to be heaped upon the great open fire. It was nearly dark when he came from school (with its continuation of snowballing and sliding), and he always had an agreeable time stumbling and fumbling around in barn and wood-house, in the waning light.

John used to say that he supposed nobody would do his “chores” if he did not get home till midnight; and he was never contradicted. Whatever happened to him, and whatever length of days or sort of weather was produced by the almanac, the cardinal rule was that he should be at home before dark.

John used to imagine what people did in the dark ages, and wonder sometimes whether he was n't still in them.

Of course, John had nothing to do all the evening, after his “chores,”—except little things. While he drew his chair up to the table in order to get the full radiance of the tallow candle on his slate or his book, the women of the house also sat by the table knitting and sewing. The head of the house sat in his chair, tipped back against the chimney; the hired man was in danger of burning his boots in the fire. John might be deep in the excitement of a bear story, or be hard at writing a “composition” on his greasy slate; but whatever he was doing, he was the only one who could always be interrupted. It was he who must snuff the candles, and put on a stick of wood, and toast the cheese, and turn the apples, and crack the nuts. He knew where the fox-and-geese board was, and he could find the twelve-men-Morris. Considering that he was expected to go to bed at eight o'clock, one would say that the opportunity for study was not great, and that his reading was rather interrupted. There seemed to be always something for him to do, even when all the rest of the family came as near being idle as is ever possible in a New England household.

No wonder that John was not sleepy at eight o'clock; he had been flying about while the others had been yawning before the fire. He would like to sit up just to see how much more solemn and stupid it would become as the night went on; he wanted to tinker his skates, to mend his sled, to finish that chapter. Why should he go away from that bright blaze, and the company that sat in its radiance, to the cold and solitude of his chamber? Why did n't the people who were sleepy go to bed?

How lonesome the old house was; how cold it was, away from that great central fire in the heart of it; how its timbers creaked as if in the contracting pinch of the frost; what a rattling there was of windows, what a concerted attack upon the clapboards; how the floors squeaked, and what gusts from round corners came to snatch the feeble flame of the candle from the boy's hand. How he shivered, as he paused at the staircase window to look out upon the great fields of snow, upon the stripped forest, through which he could hear the wind raving in a kind of fury, and up at the black flying clouds, amid which the young moon was dashing and driven on like a frail shallop at sea. And his teeth chattered more than ever when he got into the icy sheets, and drew himself up into a ball in his flannel nightgown, like a fox in his hole.

For a little time he could hear the noises downstairs, and an occasional laugh; he could guess that now they were having cider, and now apples were going round; and he could feel the wind tugging at the house, even sometimes shaking the bed. But this did not last long. He soon went away into a country he always delighted to be in: a calm place where the wind never blew, and no one dictated the time of going to bed to any one else. I like to think of him sleeping there, in such rude surroundings, ingenious, innocent, mischievous, with no thought of the buffeting he is to get from a world that has a good many worse places for a boy than the hearth of an old farmhouse, and the sweet, though undemonstrative, affection of its family life.

But there were other evenings in the boy's life, that were different from these at home, and one of them he will never forget. It opened a new world to John, and set him into a great flutter. It produced a revolution in his mind in regard to neckties; it made him wonder if greased boots were quite the thing compared with blacked boots; and he wished he had a long looking-glass, so that he could see, as he walked away from it, what was the effect of round patches on the portion of his trousers he could not see, except in a mirror; and if patches were quite stylish, even on everyday trousers. And he began to be very much troubled about the parting of his hair, and how to find out on which side was the natural part.

The evening to which I refer was that of John's first party. He knew the girls at school, and he was interested in some of them with a different interest from that he took in the boys. He never wanted to “take it out” with one of them, for an insult, in a stand-up fight, and he instinctively softened a boy's natural rudeness when he was with them. He would help a timid little girl to stand erect and slide; he would draw her on his sled, till his hands were stiff with cold, without a murmur; he would generously give her red apples into which he longed to set his own sharp teeth; and he would cut in two his lead-pencil for a girl, when he would not for a boy. Had he not some of the beautiful auburn tresses of Cynthia Rudd in his skate, spruce-gum, and wintergreen box at home? And yet the grand sentiment of life was little awakened in John. He liked best to be with boys, and their rough play suited him better than the amusements of the shrinking, fluttering, timid, and sensitive little girls. John had not learned then that a spider-web is stronger than a cable; or that a pretty little girl could turn him round her finger a great deal easier than a big bully of a boy could make him cry “enough.”

John had indeed been at spelling-schools, and had accomplished the feat of “going home with a girl” afterwards; and he had been growing into the habit of looking around in meeting on Sunday, and noticing how Cynthia was dressed, and not enjoying the service quite as much if Cynthia was absent as when she was present. But there was very little sentiment in all this, and nothing whatever to make John blush at hearing her name.

But now John was invited to a regular party. There was the invitation, in a three-cornered billet, sealed with a transparent wafer: “Miss C. Rudd requests the pleasure of the company of,” etc., all in blue ink, and the finest kind of pin-scratching writing. What a precious document it was to John! It even exhaled a faint sort of perfume, whether of lavender or caraway-seed he could not tell. He read it over a hundred times, and showed it confidentially to his favorite cousin, who had beaux of her own and had even “sat up” with them in the parlor. And from this sympathetic cousin John got advice as to what he should wear and how he should conduct himself at the party.

It turned out that John did not go after all to Cynthia Rudd's party, having broken through the ice on the river when he was skating that day, and, as the boy who pulled him out said, “come within an inch of his life.” But he took care not to tumble into anything that should keep him from the next party, which was given with due formality by Melinda Mayhew.

John had been many a time to the house of Deacon Mayhew, and never with any hesitation, even if he knew that both the deacon's daughters—Melinda and Sophronia were at home. The only fear he had felt was of the deacon's big dog, who always surlily watched him as he came up the tan-bark walk, and made a rush at him if he showed the least sign of wavering. But upon the night of the party his courage vanished, and he thought he would rather face all the dogs in town than knock at the front door.

The parlor was lighted up, and as John stood on the broad flagging before the front door, by the lilac-bush, he could hear the sound of voices—girls' voices—which set his heart in a flutter. He could face the whole district school of girls without flinching,—he didn't mind 'em in the meeting-house in their Sunday best; but he began to be conscious that now he was passing to a new sphere, where the girls are supreme and superior, and he began to feel for the first time that he was an awkward boy. The girl takes to society as naturally as a duckling does to the placid pond, but with a semblance of shy timidity; the boy plunges in with a great splash, and hides his shy awkwardness in noise and commotion.

When John entered, the company had nearly all come. He knew them every one, and yet there was something about them strange and unfamiliar. They were all a little afraid of each other, as people are apt to be when they are well dressed and met together for social purposes in the country. To be at a real party was a novel thing for most of them, and put a constraint upon them which they could not at once overcome. Perhaps it was because they were in the awful parlor,—that carpeted room of haircloth furniture, which was so seldom opened. Upon the wall hung two certificates framed in black,—one certifying that, by the payment of fifty dollars, Deacon Mayhew was a life member of the American Tract Society, and the other that, by a like outlay of bread cast upon the waters, his wife was a life member of the A. B. C. F. M., a portion of the alphabet which has an awful significance to all New England childhood. These certificates are a sort of receipt in full for charity, and are a constant and consoling reminder to the farmer that he has discharged his religious duties.

There was a fire on the broad hearth, and that, with the tallow candles on the mantelpiece, made quite an illumination in the room, and enabled the boys, who were mostly on one side of the room, to see the girls, who were on the other, quite plainly. How sweet and demure the girls looked, to be sure! Every boy was thinking if his hair was slick, and feeling the full embarrassment of his entrance into fashionable life. It was queer that these children, who were so free everywhere else, should be so constrained now, and not know what to do with themselves. The shooting of a spark out upon the carpet was a great relief, and was accompanied by a deal of scrambling to throw it back into the fire, and caused much giggling. It was only gradually that the formality was at all broken, and the young people got together and found their tongues.

John at length found himself with Cynthia Rudd, to his great delight and considerable embarrassment, for Cynthia, who was older than John, never looked so pretty. To his surprise he had nothing to say to her. They had always found plenty to talk about before—but now nothing that he could think of seemed worth saying at a party.

“It is a pleasant evening,” said John.

“It is quite so,” replied Cynthia.

“Did you come in a cutter?” asked John anxiously.

“No; I walked on the crust, and it was perfectly lovely walking,” said Cynthia, in a burst of confidence.

“Was it slippery?” continued John.

“Not very.”

John hoped it would be slippery—very—when he walked home with Cynthia, as he determined to do, but he did not dare to say so, and the conversation ran aground again. John thought about his dog and his sled and his yoke of steers, but he didn't see any way to bring them into conversation. Had she read the “Swiss Family Robinson”? Only a little ways. John said it was splendid, and he would lend it to her, for which she thanked him, and said, with such a sweet expression, she should be so glad to have it from him. That was encouraging.

And then John asked Cynthia if she had seen Sally Hawkes since the husking at their house, when Sally found so many red ears; and didn't she think she was a real pretty girl.

“Yes, she was right pretty;” and Cynthia guessed that Sally knew it pretty well. But did John like the color of her eyes?

No; John didn't like the color of her eyes exactly.

“Her mouth would be well enough if she did n't laugh so much and show her teeth.”

John said her mouth was her worst feature.

“Oh, no,” said Cynthia warmly; “her mouth is better than her nose.”

John did n't know but it was better than her nose, and he should like her looks better if her hair was n't so dreadful black.

But Cynthia, who could afford to be generous now, said she liked black hair, and she wished hers was dark. Whereupon John protested that he liked light hair—auburn hair—of all things.

And Cynthia said that Sally was a dear, good girl, and she did n't believe one word of the story that she only really found one red ear at the husking that night, and hid that and kept pulling it out as if it were a new one.

And so the conversation, once started, went on as briskly as possible about the paring-bee, and the spelling-school, and the new singing-master who was coming, and how Jack Thompson had gone to Northampton to be a clerk in a store, and how Elvira Reddington, in the geography class at school, was asked what was the capital of Massachusetts, and had answered “Northampton,” and all the school laughed. John enjoyed the conversation amazingly, and he half wished that he and Cynthia were the whole of the party.

But the party had meantime got into operation, and the formality was broken up when the boys and girls had ventured out of the parlor into the more comfortable living-room, with its easy-chairs and everyday things, and even gone so far as to penetrate the kitchen in their frolic. As soon as they forgot they were a party, they began to enjoy themselves.

But the real pleasure only began with the games. The party was nothing without the games, and, indeed, it was made for the games. Very likely it was one of the timid girls who proposed to play something, and when the ice was once broken, the whole company went into the business enthusiastically. There was no dancing. We should hope not. Not in the deacon's house; not with the deacon's daughters, nor anywhere in this good Puritanic society. Dancing was a sin in itself, and no one could tell what it would lead to. But there was no reason why the boys and girls shouldn't come together and kiss each other during a whole evening occasionally. Kissing was a sign of peace, and was not at all like taking hold of hands and skipping about to the scraping of a wicked fiddle.

In the games there was a great deal of clasping hands, of going round in a circle, of passing under each other's elevated arms, of singing about my true love, and the end was kisses distributed with more or less partiality, according to the rules of the play; but, thank Heaven, there was no fiddler. John liked it all, and was quite brave about paying all the forfeits imposed on him, even to the kissing all the girls in the room; but he thought he could have amended that by kissing a few of them a good many times instead of kissing them all once.

But John was destined to have a damper put upon his enjoyment. They were playing a most fascinating game, in which they all stand in a circle and sing a philandering song, except one who is in the center of the ring, and holds a cushion. At a certain word in the song, the one in the center throws the cushion at the feet of some one in the ring, indicating thereby the choice of a “mate” and then the two sweetly kneel upon the cushion, like two meek angels, and—and so forth. Then the chosen one takes the cushion and the delightful play goes on. It is very easy, as it will be seen, to learn how to play it. Cynthia was holding the cushion, and at the fatal word she threw it down, not before John, but in front of Ephraim Leggett. And they two kneeled, and so forth. John was astounded. He had never conceived of such perfidy in the female heart. He felt like wiping Ephraim off the face of the earth, only Ephraim was older and bigger than he. When it came his turn at length,—thanks to a plain little girl for whose admiration he did n't care a straw,—he threw the cushion down before Melinda Mayhew with all the devotion he could muster, and a dagger look at Cynthia. And Cynthia's perfidious smile only enraged him the more. John felt wronged, and worked himself up to pass a wretched evening.

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When supper came, he never went near Cynthia, and busied himself in carrying different kinds of pie and cake, and red apples and cider, to the girls he liked the least. He shunned Cynthia, and when he was accidentally near her, and she asked him if he would get her a glass of cider, he rudely told her—like a goose as he was—that she had better ask Ephraim. That seemed to him very smart; but he got more and more miserable, and began to feel that he was making himself ridiculous.

Girls have a great deal more good sense in such matters than boys. Cynthia went to John, at length, and asked him simply what the matter was. John blushed, and said that nothing was the matter. Cynthia said that it wouldn't do for two people always to be together at a party; and so they made up, and John obtained permission to “see” Cynthia home.

It was after half-past nine when the great festivities at the Deacon's broke up, and John walked home with Cynthia over the shining crust and under the stars. It was mostly a silent walk, for this was also an occasion when it is difficult to find anything fit to say. And John was thinking all the way how he should bid Cynthia good-night; whether it would do and whether it wouldn't do, this not being a game, and no forfeits attaching to it. When they reached the gate, there was an awkward little pause. John said the stars were uncommonly bright. Cynthia did not deny it, but waited a minute and then turned abruptly away, with “Good-night, John!”

“Good-night, Cynthia!”

And the party was over, and Cynthia was gone, and John went home in a kind of dissatisfaction with himself.

It was long before he could go to sleep for thinking of the new world opened to him, and imagining how he would act under a hundred different circumstances, and what he would say, and what Cynthia would say; but a dream at length came, and led him away to a great city and a brilliant house; and while he was there, he heard a loud rapping on the under floor, and saw that it was daylight.

I think there is no part of farming the boy enjoys more than the making of maple sugar; it is better than “blackberrying,” and nearly as good as fishing. And one reason he likes this work is, that somebody else does the most of it. It is a sort of work in which he can appear to be very active, and yet not do much.

And it exactly suits the temperament of a real boy to be very busy about nothing. If the power, for instance, that is expended in play by a boy between the ages of eight and fourteen could be applied to some industry, we should see wonderful results. But a boy is like a galvanic battery that is not in connection with anything; he generates electricity and plays it off into the air with the most reckless prodigality. And I, for one, would n't have it otherwise. It is as much a boy's business to play off his energies into space as it is for a flower to blow, or a catbird to sing snatches of the tunes of all the other birds.

In my day maple-sugar-making used to be something between picnicking and being shipwrecked on a fertile island, where one should save from the wreck tubs and augers, and great kettles and pork, and hen's eggs and rye-and-indian bread, and begin at once to lead the sweetest life in the world. I am told that it is something different nowadays, and that there is more desire to save the sap, and make good, pure sugar, and sell it for a large price, than there used to be, and that the old fun and picturesqueness of the business are pretty much gone. I am told that it is the custom to carefully collect the sap and bring it to the house, where there are built brick arches, over which it is evaporated in shallow pans, and that pains is taken to keep the leaves, sticks, and ashes and coals out of it, and that the sugar is clarified; and that, in short, it is a money-making business, in which there is very little fun, and that the boy is not allowed to dip his paddle into the kettle of boiling sugar and lick off the delicious sirup. The prohibition may improve the sugar, but it is cruel to the boy.

As I remember the New England boy (and I am very intimate with one), he used to be on the qui vive in the spring for the sap to begin running. I think he discovered it as soon as anybody. Perhaps he knew it by a feeling of something starting in his own veins,—a sort of spring stir in his legs and arms, which tempted him to stand on his head, or throw a handspring, if he could find a spot of ground from which the snow had melted. The sap stirs early in the legs of a country-boy, and shows itself in uneasiness in the toes, which get tired of boots, and want to come out and touch the soil just as soon as the sun has warmed it a little. The country-boy goes barefoot just as naturally as the trees burst their buds, which were packed and varnished over in the fall to keep the water and the frost out. Perhaps the boy has been out digging into the maple-trees with his jack-knife; at any rate, he is pretty sure to announce the discovery as he comes running into the house in a great state of excitement—as if he had heard a hen cackle in the barn—with “Sap's runnin'!”

And then, indeed, the stir and excitement begin. The sap-buckets, which have been stored in the garret over the wood-house, and which the boy has occasionally climbed up to look at with another boy, for they are full of sweet suggestions of the annual spring frolic,—the sap-buckets are brought down and set out on the south side of the house and scalded. The snow is still a foot or two deep in the woods, and the ox-sled is got out to make a road to the sugar camp, and the campaign begins. The boy is everywhere present, superintending everything, asking questions, and filled with a desire to help the excitement.

It is a great day when the cart is loaded with the buckets and the procession starts into the woods. The sun shines almost unobstructedly into the forest, for there are only naked branches to bar it; the snow is soft and beginning to sink down, leaving the young bushes spindling up everywhere; the snowbirds are twittering about, and the noise of shouting and of the blows of the axe echoes far and wide. This is spring, and the boy can scarcely contain his delight that his out-door life is about to begin again.

In the first place, the men go about and tap the trees, drive in the spouts, and hang the buckets under. The boy watches all these operations with the greatest interest. He wishes that sometime, when a hole is bored in a tree, the sap would spout out in a stream as it does when a cider-barrel is tapped; but it never does, it only drops, sometimes almost in a stream, but on the whole slowly, and the boy learns that the sweet things of the world have to be patiently waited for, and do not usually come otherwise than drop by drop.

Then the camp is to be cleared of snow. The shanty is re-covered with boughs. In front of it two enormous logs are rolled nearly together, and a fire is built between them. Forked sticks are set at each end, and a long pole is laid on them, and on this are hung the great caldron kettles. The huge hogsheads are turned right side up, and cleaned out to receive the sap that is gathered. And now, if there is a good “sap run,” the establishment is under full headway.

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The great fire that is kindled up is never let out, night or day, as long as the season lasts. Somebody is always cutting wood to feed it; somebody is busy most of the time gathering in the sap; somebody is required to watch the kettles that they do not boil over, and to fill them. It is not the boy, however; he is too busy with things in general to be of any use in details. He has his own little sap-yoke and small pails, with which he gathers the sweet liquid. He has a little boiling-place of his own, with small logs and a tiny kettle. In the great kettles the boiling goes on slowly, and the liquid, as it thickens, is dipped from one to another, until in the end kettle it is reduced to sirup, and is taken out to cool and settle, until enough is made to “sugar off.” To “sugar off” is to boil the sirup until it is thick enough to crystallize into sugar. This is the grand event, and is done only once in two or three days.

But the boy's desire is to “sugar off” perpetually. He boils his kettle down as rapidly as possible; he is not particular about chips, scum, or ashes; he is apt to burn his sugar; but if he can get enough to make a little wax on the snow, or to scrape from the bottom of the kettle with his wooden paddle, he is happy. A good deal is wasted on his hands, and the outside of his face, and on his clothes, but he does not care; he is not stingy.

To watch the operations of the big fire gives him constant pleasure. Sometimes he is left to watch the boiling kettles, with a piece of pork tied on the end of a stick, which he dips into the boiling mass when it threatens to go over. He is constantly tasting of it, however, to see if it is not almost sirup. He has a long round stick, whittled smooth at one end, which he uses for this purpose, at the constant risk of burning his tongue. The smoke blows in his face; he is grimy with ashes; he is altogether such a mass of dirt, stickiness, and sweetness, that his own mother would n't know him.

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He likes to boil eggs in the hot sap with the hired man; he likes to roast potatoes in the ashes, and he would live in the camp day and night if he were permitted. Some of the hired men sleep in the bough shanty and keep the fire blazing all night. To sleep there with them, and awake in the night and hear the wind in the trees, and see the sparks fly up to the sky, is a perfect realization of all the stories of adventures he has ever read. He tells the other boys afterwards that he heard something in the night that sounded very much like a bear. The hired man says that he was very much scared by the hooting of an owl.

The great occasions for the boy, though, are the times of “sugaring-off.” Sometimes this used to be done in the evening, and it was made the excuse for a frolic in the camp. The neighbors were invited; sometimes even the pretty girls from the village, who filled all the woods with their sweet voices and merry laughter and little affectations of fright. The white snow still lies on all the ground except the warm spot about the camp. The tree branches all show distinctly in the light of the fire, which sends its ruddy glare far into the darkness, and lights up the bough shanty, the hogsheads, the buckets on the trees, and the group about the boiling kettles, until the scene is like something taken out of a fairy play. If Rembrandt could have seen a sugar party in a New England wood, he would have made out of its strong contrasts of light and shade one of the finest pictures in the world. But Rembrandt was not born in Massachusetts; people hardly ever do know where to be born until it is too late. Being born in the right place is a thing that has been very much neglected.

At these sugar parties every one was expected to eat as much sugar as possible; and those who are practiced in it can eat a great deal. It is a peculiarity about eating warm maple sugar, that though you may eat so much of it one day as to be sick and loathe the thought of it, you will want it the next day more than ever. At the “sugaring-off” they used to pour the hot sugar upon the snow, where it congealed, without crystallizing, into a sort of wax, which I do suppose is the most delicious substance that was ever invented. And it takes a great while to eat it. If one should close his teeth firmly on a ball of it, he would be unable to open his mouth until it dissolved. The sensation while it is melting is very pleasant, but one cannot converse.

The boy used to make a big lump of it and give it to the dog, who seized it with great avidity, and closed his jaws on it, as dogs will on anything. It was funny the next moment to see the expression of perfect surprise on the dog's face when he found that he could not open his jaws. He shook his head; he sat down in despair; he ran round in a circle; he dashed into the woods and back again. He did everything except climb a tree, and howl. It would have been such a relief to him if he could have howled. But that was the one thing he could not do.

It is a wonder that every New England boy does not turn out a poet, or a missionary, or a peddler. Most of them used to. There is everything in the heart of the New England hills to feed the imagination of the boy, and excite his longing for strange countries. I scarcely know what the subtle influence is that forms him and attracts him in the most fascinating and aromatic of all lands, and yet urges him away from all the sweet delights of his home to become a roamer in literature and in the world, a poet and a wanderer. There is something in the soil and the pure air, I suspect, that promises more romance than is forthcoming, that excites the imagination without satisfying it, and begets the desire of adventure. And the prosaic life of the sweet home does not at all correspond to the boy's dreams of the world. In the good old days, I am told, the boys on the coast ran away and became sailors; the countryboys waited till they grew big enough to be missionaries, and then they sailed away, and met the coast boys in foreign ports. John used to spend hours in the top of a slender hickory-tree that a little detached itself from the forest which crowned the brow of the steep and lofty pasture behind his house. He was sent to make war on the bushes that constantly encroached upon the pastureland; but John had no hostility to any growing thing, and a very little bushwhacking satisfied him. When he had grubbed up a few laurels and young tree-sprouts, he was wont to retire into his favorite post of observation and meditation. Perhaps he fancied that the wide-swaying stem to which he clung was the mast of a ship; that the tossing forest behind him was the heaving waves of the sea; and that the wind which moaned over the woods and murmured in the leaves, and now and then sent him a wide circuit in the air, as if he had been a blackbird on the tip-top of a spruce, was an ocean gale. What life, and action, and heroism there was to him in the multitudinous roar of the forest, and what an eternity of existence in the monologue of the river, which brawled far, far below him over its wide stony bed! How the river sparkled and danced and went on, now in a smooth amber current, now fretted by the pebbles, but always with that continuous busy song! John never knew that noise to cease, and he doubted not, if he stayed here a thousand years, that same loud murmur would fill the air.

On it went, under the wide spans of the old wooden, covered bridge, swirling around the great rocks on which the piers stood, spreading away below in shallows, and taking the shadows of a row of maples that lined the green shore. Save this roar, no sound reached him, except now and then the rumble of a wagon on the bridge, or the muffled far-off voices of some chance passers on the road. Seen from this high perch, the familiar village, sending its brown roofs and white spires up through the green foliage, had a strange aspect, and was like some town in a book, say a village nestled in the Swiss mountains, or something in Bohemia. And there, beyond the purple hills of Bozrah, and not so far as the stony pastures of Zoah, whither John had helped drive the colts and young stock in the spring, might be, perhaps, Jerusalem itself. John had himself once been to the land of Canaan with his grandfather, when he was a very small boy; and he had once seen an actual, no-mistake Jew, a mysterious person, with uncut beard and long hair, who sold scythe-snaths in that region, and about whom there was a rumor that he was once caught and shaved by the indignant farmers, who apprehended in his long locks a contempt of the Christian religion.

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Oh, the world had vast possibilities for John. Away to the south, up a vast basin of forest, there was a notch in the horizon and an opening in the line of woods, where the road ran. Through this opening John imagined an army might appear, perhaps British, perhaps Turks, and banners of red and of yellow advance, and a cannon wheel about and point its long nose, and open on the valley. He fancied the army, after this salute, winding down the mountain road, deploying in the meadows, and giving the valley to pillage and to flame. In which event his position would be an excellent one for observation and for safety. While he was in the height of this engagement, perhaps the horn would be blown from the back porch, reminding him that it was time to quit cutting brush and go for the cows. As if there were no better use for a warrior and a poet in New England than to send him for the cows!

John knew a boy—a bad enough boy I daresay—who afterwards became a general in the war, and went to Congress, and got to be a real governor, who also used to be sent to cut brush in the back pastures, and hated it in his very soul; and by his wrong conduct forecast what kind of a man he would be. This boy, as soon as he had cut about one brush, would seek for one of several holes in the ground (and he was familiar with several), in which lived a white-and-black animal that must always be nameless in a book, but an animal quite capable of the most pungent defense of himself. This young aspirant to Congress would cut a long stick, with a little crotch in the end of it, and run it into the hole; and when the crotch was punched into the fur and skin of the animal, he would twist the stick round till it got a good grip on the skin, and then he would pull the beast out; and when he got the white-and-black just out of the hole so that his dog could seize him, the boy would take to his heels, and leave the two to fight it out, content to scent the battle afar off. And this boy, who was in training for public life, would do this sort of thing all the afternoon, and when the sun told him that he had spent long enough time cutting brush, he would industriously go home as innocent as anybody. There are few such boys as this nowadays; and that is the reason why the New England pastures are so much overgrown with brush.

John himself preferred to hunt the pugnacious woodchuck. He bore a special grudge against this clover-eater, beyond the usual hostility that boys feel for any wild animal. One day on his way to school a woodchuck crossed the road before him, and John gave chase. The woodchuck scrambled into an orchard and climbed a small apple-tree. John thought this a most cowardly and unfair retreat, and stood under the tree and taunted the animal and stoned it. Thereupon the woodchuck dropped down on John and seized him by the leg of his trousers. John was both enraged and scared by this dastardly attack; the teeth of the enemy went through the cloth and met; and there he hung. John then made a pivot of one leg and whirled himself around, swinging the woodchuck in the air, until he shook him off; but in his departure the woodchuck carried away a large piece of John's summer trousers-leg. The boy never forgot it. And whenever he had a holiday, he used to expend an amount of labor and ingenuity in the pursuit of woodchucks that would have made his for tune in any useful pursuit. There was a hill pasture, down on one side of which ran a small brook, and this pasture was full of woodchuck-holes. It required the assistance of several boys to capture a woodchuck. It was first necessary by patient watching to ascertain that the woodchuck was at home. When one was seen to enter his burrow, then all the entries to it except one—there are usually three—were plugged up with stones. A boy and a dog were then left to watch the open hole, while John and his comrades went to the brook and began to dig a canal, to turn the water into the residence of the woodchuck. This was often a difficult feat of engineering, and a long job. Often it took more than half a day of hard labor with shovel and hoe to dig the canal. But when the canal was finished and the water began to pour into the hole, the excitement began. How long would it take to fill the hole and drown out the woodchuck? Sometimes it seemed as if the hole was a bottomless pit. But sooner or later the water would rise in it, and then there was sure to be seen the nose of the woodchuck, keeping itself on a level with the rising flood. It was piteous to see the anxious look of the hunted, half-drowned creature as—it came to the surface and caught sight of the dog. There the dog stood, at the mouth of the hole, quivering with excitement from his nose to the tip of his tail, and behind him were the cruel boys dancing with joy and setting the dog on. The poor creature would disappear in the water in terror; but he must breathe, and out would come his nose again, nearer the dog each time. At last the water ran out of the hole as well as in, and the soaked beast came with it, and made a desperate rush. But in a trice the dog had him, and the boys stood off in a circle, with stones in their hands, to see what they called “fair play.” They maintained perfect “neutrality” so long as the dog was getting the best of the woodchuck; but if the latter was likely to escape, they “interfered” in the interest of peace and the “balance of power,” and killed the woodchuck. This is a boy's notion of justice; of course, he'd no business to be a woodchuck,—an—unspeakable woodchuck.

I used the word “aromatic” in relation to the New England soil. John knew very well all its sweet, aromatic, pungent, and medicinal products, and liked to search for the scented herbs and the wild fruits and exquisite flowers; but he did not then know, and few do know, that there is no part of the globe where the subtle chemistry of the earth produces more that is agreeable to the senses than a New England hill-pasture and the green meadow at its foot. The poets have succeeded in turning our attention from it to the comparatively barren Orient as the land of sweet-smelling spices and odorous gums. And it is indeed a constant surprise that this poor and stony soil elaborates and grows so many delicate and aromatic products.

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John, it is true, did not care much for anything that did not appeal to his taste and smell and delight in brilliant color; and he trod down the exquisite ferns and the wonderful mosses—without compunction. But he gathered from the crevices of the rocks the columbine and the eglantine and the blue harebell; he picked the high-flavored alpine strawberry, the blueberry, the boxberry, wild currants and gooseberries, and fox-grapes; he brought home armfuls of the pink-and-white laurel and the wild honeysuckle; he dug the roots of the fragrant sassafras and of the sweet-flag; he ate the tender leaves of the wintergreen and its red berries; he gathered the peppermint and the spearmint; he gnawed the twigs of the black birch; there was a stout fern which he called “brake,” which he pulled up, and found that the soft end “tasted good;” he dug the amber gum from the spruce-tree, and liked to smell, though he could not chew, the gum of the wild cherry; it was his melancholy duty to bring home such medicinal herbs for the garret as the gold-thread, the tansy, and the loathsome “boneset;” and he laid in for the winter, like a squirrel, stores of beechnuts, hazel-nuts, hickory-nuts, chestnuts, and butternuts. But that which lives most vividly in his memory and most strongly draws him back to the New England hills is the aromatic sweet-fern; he likes to eat its spicy seeds, and to crush in his hands its fragrant leaves; their odor is the unique essence of New England.


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