XXI

Now when Mr. Lavender once slept over an idea it became so strong that no power on earth could prevent his putting it into execution, and all night long he kept Blink awake by tramping up and down his bedroom and planning the details of such a retirement as would meet his unfortunate case. For at once he perceived that to retire from both his lives without making the whole world know of it would be tantamount to not retiring. “Only by a public act,” he thought, “of so striking a character that nobody can miss it can I bring the moral home to all public and private men.” And a hundred schemes swarmed like ants in his brain. Nor was it till the cock crew that one adequate to this final occasion occurred to him.

“It will want very careful handling,” he thought, “for otherwise I shall be prevented, and perhaps even arrested in the middle, which will be both painful and ridiculous. So sublime, however, was his idea that he shed many tears over it, and often paused in his tramping to regard the unconscious Blink with streaming eyes. All the next day he went about the house and heath taking a last look at objects which had been dear, and at mealtimes ate and drank even less than usual, absorbed by the pathos of his coming renunciation. He determined to make his preparations for the final act during the night, when Mrs. Petty would be prevented by Joe's snoring from hearing the necessary sounds; and at supper he undertook the delicate and harrowing task of saying good-bye to, his devoted housekeeper without letting her know that he, was doing it.

“Mrs—Petty,” he said, trifling with a morsel of cheese, “it is useless to disguise, from you that I may be going a journey, and I feel that I shall not be able to part from all the care you have, bestowed on me without recording in words my heartfelt appreciation of your devotion. I shall miss it, I shall miss it terribly, if, that is, I am permitted to miss anything.”

Mrs. Petty, whose mind instantly ran to his bed socks, answered: “Don't you worry, sir; I won't forget them. But wherever are you going now?”

“Ah!” said Mr. Lavender subtly, “it is all in the air at present; but now that the lime-trees are beginning to smell a certain restlessness is upon me, and you may see some change in my proceedings. Whatever happens to me, however, I commit my dear Blink to your care; feed her as if she were myself, and love her as if she were Joe, for it is largely on food and affection that dogs depend for happiness.

“Why, good gracious, sir,” said Mrs. Petty, “you talk as if you were going for a month of Sundays. Are you thinking of Eastbourne?”

Mr. Lavender sighed deeply at that word, for the memory of a town where he had spent many happy days added to the gentle melancholy of his feelings on this last evening.

“As regards that I shall not inform you at present; for, indeed, I am by no means certain what my destination will be. Largely speaking, no pub—public man,” he stammered, doubtful whether he was any longer that, “knows where he will be going to-morrow. Sufficient unto the day are the intentions in his head.

“Well, sir,” said Mrs. Petty frankly, “you can't go anywhere without Joe or me, that's flat.”

Mr. Lavender smiled.

“Dear Mrs. Petty,” he murmured, “there are sacrifices one cannot demand even of the most faithful friends. But,” he went on with calculated playfulness, “we need not consider that point until the day after to-morrow at least, for I have much to do in the meantime.”

Reassured by those words and the knowledge that Mr. Lavender's plans seldom remained the same for more than two days, Mrs. Petty tossed her head slightly and went to the door. “Well, it is a mystery, I'm sure,” she said.

“I should like to see Joe,” said Mr. Lavender, with a lingering look at his devoted housekeeper.

“The beauty!” muttered Mrs. Petty; “I'll send him,” and withdrew.

Giving the morsel of cheese to Blink, who, indeed, had eaten practically the whole of this last meal, Mr. Lavender took the moon-cat on his shoulder, and abandoned himself for a moment to the caresses of his two favourites.

“Blink,” he said in a voice which trembled slightly, “be good to this moon-cat while I am away; and if I am longer than you expect, darling, do not be unhappy. Perhaps some day you will rejoin me; and even if we are not destined to meet again, I would not, in the fashion of cruel men, wish to hinder your second marriage, or to stand in the way of your happy forgetfulness of me. Be as light-hearted as you can, my dear, and wear no mourning for your master.”

So saying, he flung his arms round her, and embraced her warmly, inhaling with the most poignant emotion her sheep-like odour. He was still engaged with her when the door was opened, and Joe came in.

“Joe,” said Mr. Lavender resolutely, “sit down and light your pipe. You will find a bottle of pre-war port in the sideboard. Open it, and, drink my health; indeed, I myself will drink it too, for it may give me courage. We have been good friends, Joe,” he went on while Joe was drawing the cork, “and have participated in pleasant and sharp adventures. I have called you in at this moment, which may some day seem to you rather solemn, partly to shake your hand and partly to resume the discussion on public men which we held some days ago, if you remember.”

“Ah!” said Joe, with his habitual insouciance, “when I told you that they give me the 'ump.”

“Yes, what abaht it, sir? 'Ave they been sayin' anything particular vicious?” His face flying up just then with the cork which he was extracting encountered the expression on Mr. Lavender's visage, and he added: “Don't take wot I say to 'eart, sir; try as you like you'll never be a public man.”

Those words, which seemed to Mr. Lavender to seal his doom, caused a faint pink flush to invade his cheeks.

“No,” continued Joe, pouring out the wine; “you 'aven't got the brass in times like these. I dare say you've noticed, sir, that the times is favourable for bringing out the spots on the body politic. 'Ere's 'ealth!”

“Joe,” said Mr. Lavender, raising the glass to his lips with solemnity, “I wish you a most happy and prosperous life. Let us drink to all those qualities which make you par excellence one of that great race, the best hearted in the world, which never thinks of to-morrow, never knows when it is beaten, and seldom loses its sense of humour.

“Ah!” returned Joe enigmatically, half-closing one of his greenish eyes, and laying the glass to one side of his reddish nose. Then, with a quick movement, he swallowed its contents and refilled it before Mr. Lavender had succeeded in absorbing more than a drop.

“I don't say,” he continued, “but what there's a class o' public man that's got its uses, like the little 'un that keeps us all alive, or the perfect English gentleman what did his job, and told nobody nothin' abaht it. You can 'ave confidence in a man like that——that's why 'e's gone an' retired; 'e's civilized, you see, the finished article; but all this raw material, this 'get-on' or 'get-out' lot, that's come from 'oo knows where, well, I wish they'd stayed there with their tell-you-how-to-do-it and their 'ymns of 'ate.”

“Joe,” said Mr. Lavender, “are you certain that therein does not speak the snob inherent in the national bosom? Are you not unconsciously paying deference to the word gentleman?”

“Why not, sir?” replied Joe, tossing off his second glass. “It'd be a fine thing for the country if we was all gentlemen—straight, an' a little bit stupid, and 'ad 'alf a thought for others.” And he refilled his master's glass. “I don't measure a gentleman by 'is money, or 'is title, not even by 'is clothes—I measure 'im by whether he can stand 'avin' power in 'is 'ands without gettin' unscrupled or swollen 'eaded, an' whether 'e can do what he thinks right without payin' attention, to clamour. But, mind you, 'e's got to 'ave right thoughts too, and a feelin' 'eart. 'Ere's luck, sir.”

Mr. Lavender, who, absorbed in his chauffeur's sentiments, had now drunk two glasses, rose from his, chair, and clutching his hair said: “I will not conceal from you, Joe, that I have always assumed every public man came up to that standard, at least.”

“Crikey said Joe. 'Ave you really, sir? My Gawd! Got any use for the rest of this bottle?”

“No, Joe, no. I shall never have use for a bottle again.”

“In that case I might as well,” said Joe, pouring what remained into a tumbler and drinking it off. “Is there any other topic you'd like to mention? If I can 'ave any influence on you, I shall be very glad.”

“Thank you, Joe,” returned Mr. Lavender, “what I have most need of at this moment is solitude and your good wishes. And will you kindly take Blink away, and when she has had her run, place her in my bedroom, with the window closed. Good-night, Joe. Call me late tomorrow morning.

“Certainly, sir. Good-night, sir.”

“Good-night, Joe. Shake hands.”

When Joe was gone, accompanied by the unwilling Blink, turning her beautiful dark eyes back to the last, Mr. Lavender sat down at his bureau, and drawing a sheet of paper to him, wrote at the top of it.

“My last Will and Testament.”

It was a long time before he got further, and then entirely omitted to leave anything in it, completely preoccupied by the preamble, which gradually ran as follows:

“I, John Lavender, make known to all men by these presents that theact which I contemplate is symbolical, and must in no sense be takenas implying either weariness of life or that surrender to misfortunewhich is unbecoming to an English public gentleman.” (Over thisdescription of himself Mr. Lavender was obliged to pause some timehovering between the two designations, and finally combining them asthe only way out of his difficulty.) “Long and painful experiencehas convinced me that only by retiring from the former can I retainthe latter character, and only by retiring from both can I point themoral ever demanded by my countrymen. Conscious, indeed, that amere act of private resignation would have no significance to thebody politic, nor any deflecting influence on the national life, Ihave chosen rather to disappear in blue flame, so that everyEnglishman may take to heart my lesson, and learn from my strangefate how to be himself uninfluenced by the verbiage of others. Atthe same time, with the utmost generosity, I wish to acknowledge infull my debt towards all those great writers and speakers on the warwho have exercised so intoxicating an influence on my mind.” (Herefollowed an alphabetical list of names beginning with B and endingwith S.)“I wish to be dissociated firmly from the views of my chauffeur JoePetty, and to go to my last account with an emphatic assertion thatmy failure to become a perfect public gentleman is due to privateidiosyncrasies rather than to any conviction that it is impossible,or to anything but admiration of the great men I have mentioned. Ifanybody should wish to paint me after I am dead, I desire that I maybe represented with my face turned towards the Dawn; for it is atthat moment so symptomatic of a deep adoration—which I would scornto make the common property of gossiping tongues—that I intend todepart. If there should be anything left of me—which is less thanprobable considering the inflammatory character of the material Idesign for my pyre—I would be obliged if, without giving anybodyany trouble, it could be buried in my garden, with the usualHampstead tablet.“'JOHN LAVENDER,THE PUBLIC MAN, WHO DIED FOR HISCOUNTRY'S GOOD, LIVED HERE.'“In conclusion, I would say a word to that land I have loved andserved: 'Be not extreme! Distrust the words, of others. Toyourself be true! As you are strong be gentle, as you are brave bemodest! Beloved country, farewell!'”

Having written that final sentence he struggled long with himself before he could lay down the pen. But by this time the port he had drunk had begun to have its usual effect, and he fell into a doze, from which he was awakened five hours later by the beams of a full moon striking in on him.

“The hour has come,” he thought, and, opening the French-window, he went out on to the lawn, where the dew lay white. The freshness in the air, the glamour of the moonlight, and the fumes of the port combined to make him feel strangely rhumantic, and if he had possessed a musical instrument he would very likely have begun to play on it. He spent some moments tracking to and fro in the dew before he settled on the centre of the lawn as the most suitable spot for the act which he contemplated, for thence he would be able to turn his last looks towards Aurora's bedroom-window without interference from foliage. Having drawn a twelve-foot circle in the dew with his toe he proceeded in the bright moonlight to the necessary accumulation of his funeral pile, conveying from his study, book by book, journal by journal, pamphlet by pamphlet, the hoarded treasures of the last four years; and as he carefully placed each one, building up at once a firm and cunning structure, he gave a little groan, thinking of the intoxications of the past, and all the glorious thoughts embodied in that literature. Underneath, in the heart of the pile, he reserved a space for the most inflammable material, which he selected from a special file of a special journal, and round the circumference of the lofty and tapering mound he carefully deposited the two hundred and four war numbers of a certain weekly, so that a ring of flame might lick well up the sides and permeate the more solid matter on which he would be sitting. For two hours he worked in the waning moonlight till he had completed this weird and heroic erection; and just before the dawn, sat down by the light of the candle with which he meant to apply the finishing touch, to compose that interview with himself whereby he intended to convey to the world the message of his act.

“I found him,” he began, in the words of the interviewer, “sitting upon a journalistic pile of lovely leaves of thought, which in the dawning of a new day glowed with a certain restrained flamboyance, as though the passion stored within those exotic pages gave itself willingly to the 'eclaircissement' of the situation, and of his lineaments on which suffering had already set their stamp.

“'I should like you,' I said, approaching as near as I could, for the sparks, like little fireflies on a Riviera evening, were playing profoundly round my trousers, 'I should like to hear from your own lips the reasons which have caused you to resign.'

“'Certainly,' he replied, with the courtesy which I have always found characteristic of him in moments which would try the suavity of more ordinary men; and with the utmost calm and clarity he began to tell me the inner workings of his mind, while the growing dawn-light irradiated his wasted and expressive features, and the flames slowly roasted his left boot.

“'Yes,' he said quietly, and his eyes turned inwards, 'I have at last seen the problem clearly, and seen it whole. It is largely because of this that I have elected to seek the seclusion of another world. What that world contains for me I know not, though so many public men have tried to tell me; but it has never been my way to recoil from the Unknown, and I am ready for my journey beyond the wide world's end.'

“I was greatly struck by the large-hearted way in which he spoke those words, and I interrupted him to ask whether he did not think that there was something fundamental in the British character which would leap as one man at such an act of daring sacrifice and great adventure.

“'As regards that,' he replied fearlessly, while in the light of the ever-brightening dawn I could, see the suspender on his right leg gradually charring, so that he must already have been in great pain, 'as regards that, it is largely the proneness of the modern British to leap to verbal extremity which is inducing me to afford them this object-lesson in restraint and commonsense. Ouch!'

“This momentary ejaculation seemed to escape him in spite of all his iron control; and the smell of burning flesh brought home to me as nothing else, perhaps, could have done the tortures he must have been suffering.

“'I feel,' he went on very gravely, 'that extravagance of word and conduct is fatal to my country, and having so profoundly experienced its effects upon myself, I am now endeavouring by a shining example to supply a remedy for a disease which is corroding the vitals and impairing the sanity of my countrymen and making them a race of second-hand spiritual drunkards. Ouch!'

“I confess that at this moment the tears started to my eyes, for a more sublime show than the spectacle of this devoted man slowly roasting himself to death before my eyes for the good of his country I had seldom seen. It had a strange, an appalling interest, and for nothing on earth could I have torn my gaze away. I now realized to the full for the first time the will-power and heroism of the human species, and I rejoiced with a glorious new feeling that I was of the same breed as this man, made of such stern stuff that not even a tear rolled down his cheeks to quench the flames that leaped around him ever higher and higher. And the dawn came up in the eastern sky; and I knew that a great day was preparing for mankind; and with my eyes fixed upon him as he turned blacker and blacker I let my heart loose in a great thanksgiving that I had lived to see this moment. It was then that he cried out in a loud voice:

“'I call Aurora to witness that I have died without a falter, grasping a burning spear, to tilt at the malpractice which has sent me mad!' And I saw that he held in his fast-consuming hand a long roll of journals sharpened to a point of burning flame.

“'Aurora!' he cried again, and with that enigmatic word on his lips was incinerated in the vast and towering belch of the devouring element.

“It was among the most inspiring sights I have ever witnessed.”

When Mr. Lavender had completed that record, whose actuality and wealth of moving detail had greatly affected him, and marked it “For the Press-Immediate,” he felt very cold. It was, in fact, that hour of dawn when a shiver goes through the world; and, almost with pleasurable anticipation he took up his lighted candle and stole shivering out to his pile, rising ghostly to the height of some five feet in the middle of the dim lawn whereon a faint green tinge was coming with the return of daylight. Having reached it, he walked round it twice, and readjusted four volumes of the history of the war as stepping-stones to the top; then lowering the candle, whose flame burned steadily in the stillness, he knelt down in the grey dew and set fire to an article in a Sunday paper. Then, sighing deeply, he returned to his little ladder and, with some difficulty preserving his balance, mounted to the top, and sat down with his legs towards the house and his eyes fixed on Aurora's bedroom-window. He had been there perhaps ten minutes before he realized that nothing was happening below him, and, climbing down again, proceeded to the aperture where he had inserted the burning print. There, by the now considerable daylight, he saw that the flame had gone out at the words “The Stage is now set for the last act of this colossal world drama.” And convinced that Providence had intended that heartening sentence to revive his somewhat drooping courage, he thought, “I, too, shall be making history this morning,” and relighting the journal, went on his hands and knees and began manfully to blow the flames....

Now the young lady in the adjoining castle, who had got out of bed, happened, as she sometimes did, to go to the window for a look at the sun rising over Parliament Hill. Attracted by the smell of burning paper she saw Mr. Lavender in this act of blowing up the flames.

“What on earth is the poor dear doing now?” she thought. “This is really the limit!” And slipping on her slippers and blue dressing-gown she ensconced herself behind the curtain to await developments.

Mr. Lavender had now backed away from the flames at which he had been blowing, and remained on his hands and knees, apparently assuring himself that they had really obtained hold. He then rose, and to her intense surprise began climbing up on to the pile. She watched him at first with an amused astonishment, so ludicrous was his light little figure, crowned by stivered-up white hair, and the expression of eager melancholy on his thin, high-cheekboned face upturned towards her window. Then, to her dismay, she saw that the flame had really caught, and, suddenly persuaded that he had some crazy intention of injuring himself with the view, perhaps, of attracting her attention, she ran out of her room and down the stairs, and emerging from the back door just as she was, circled her garden, so that she might enter Mr. Lavender's garden from behind him, ready for any eventuality. She arrived within arm's reach of him without his having heard her, for Blink, whose anxious face as she watched her master wasting, could be discerned at the bedroom-window, was whining, and Mr. Lavender himself had now broken into a strange and lamentable chantey, which, in combination with the creeping flutter of the flames in the weekly journals encircling the base of the funeral pyre, well-nigh made her blood curdle.

“Aurora,” sang Mr. Lavender, in that most dolorous voice,

“Aurora, my heart I bring,For I know well it will not burn,Oh! when the leaves puff out in SpringAnd when the leaves in Autumn turnThink, think of me!Aurora, I pass away!Upon my horse of air I ride;Here let my grizzled ashes stay,But take, ah! take my heart inside!Aurora! Aurora!”

At this moment, just as a fit of the most uncontrollable laughter was about to seize her, she saw a flame which had just consumed the word Horatio reach Mr. Lavender's right calf.

“Oh!” he cried out in desperate tones, stretching up his arms to the sky. “Now is my hour come! Sweet-sky, open and let me see her face! Behold! behold her with the eyes of faith. It is enough. Courage, brother; let me now consume in silence!” So saying, he folded his arm tightly across his breast and closed his lips. The flame rising to the bottom of the weekly which had indeed been upside down, here nipped him vigorously, so that with a wholly unconscious movement he threw up his little legs, and, losing his balance, fell backwards into the arms of Aurora, watchfully outstretched to receive him. Uplifted there, close to that soft blue bosom away from the reek of the flame, he conceived that he was consumed and had passed already from his night of ghosts and shadows into the arms of the morning, and through his swooning lips came forth the words:

“I am in Paradise.”

PERSONS OF THE PLAYJOHN BARTHWICK, M.P., a wealthy LiberalMRS. BARTHWICK, his wifeJACK BARTHWICK, their sonROPER, their solicitorMRS. JONES, their charwomanMARLOW, their manservantWHEELER, their maidservantJONES, the stranger within their gatesMRS. SEDDON, a landladySNOW, a detectiveA POLICE MAGISTRATEAN UNKNOWN LADY, from beyondTWO LITTLE GIRLS, homelessLIVENS, their fatherA RELIEVING OFFICERA MAGISTRATE'S CLERKAN USHER POLICEMEN, CLERKS, AND OTHERS

TIME: The present. The action of the first two Acts takes place on Easter Tuesday; the action of the third on Easter Wednesday week.

ACT I.

SCENE I. Rockingham Gate. John Barthwick's dining-room.SCENE II. The same.SCENE III. The same.

ACT II.

SCENE I. The Jones's lodgings, Merthyr Street. SCENE II. John Barthwick's dining-room.

ACT III. A London police court.

The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by the door knob, staring before him, with a beatific smile. He is in evening dress and opera hat, and carries in his hand a sky-blue velvet lady's reticule. His boyish face is freshly coloured and clean-shaven. An overcoat is hanging on his arm.

JACK. Hello! I've got home all ri——[Defiantly.] Who says I sh'd never 've opened th' door without 'sistance. [He staggers in, fumbling with the reticule. A lady's handkerchief and purse of crimson silk fall out.] Serve her joll' well right—everything droppin' out. Th' cat. I 've scored her off—I 've got her bag. [He swings the reticule.] Serves her joly' well right. [He takes a cigarette out of the silver box and puts it in his mouth.] Never gave tha' fellow anything! [He hunts through all his pockets and pulls a shilling out; it drops and rolls away. He looks for it.] Beastly shilling! [He looks again.] Base ingratitude! Absolutely nothing. [He laughs.] Mus' tell him I've got absolutely nothing.

[He lurches through the door and down a corridor, and presently returns, followed by JONES, who is advanced in liquor. JONES, about thirty years of age, has hollow cheeks, black circles round his eyes, and rusty clothes: He looks as though he might be unemployed, and enters in a hang-dog manner.]

JACK. Sh! sh! sh! Don't you make a noise, whatever you do. Shu' the door, an' have a drink. [Very solemnly.] You helped me to open the door—I 've got nothin, for you. This is my house. My father's name's Barthwick; he's Member of Parliament—Liberal Member of Parliament: I've told you that before. Have a drink! [He pours out whisky and drinks it up.] I'm not drunk [Subsiding on a sofa.] Tha's all right. Wha's your name? My name's Barthwick, so's my father's; I'm a Liberal too—wha're you?

JONES. [In a thick, sardonic voice.] I'm a bloomin' Conservative. My name's Jones! My wife works 'ere; she's the char; she works 'ere.

JACK. Jones? [He laughs.] There's 'nother Jones at College with me. I'm not a Socialist myself; I'm a Liberal—there's ve—lill difference, because of the principles of the Lib—Liberal Party. We're all equal before the law—tha's rot, tha's silly. [Laughs.] Wha' was I about to say? Give me some whisky.

[JONES gives him the whisky he desires, together with a squirt of syphon.]

Wha' I was goin' tell you was—I 've had a row with her. [He waves the reticule.] Have a drink, Jonessh 'd never have got in without you—tha 's why I 'm giving you a drink. Don' care who knows I've scored her off. Th' cat! [He throws his feet up on the sofa.] Don' you make a noise, whatever you do. You pour out a drink—you make yourself good long, long drink—you take cigarette—you take anything you like. Sh'd never have got in without you. [Closing his eyes.] You're a Tory—you're a Tory Socialist. I'm Liberal myself—have a drink—I 'm an excel'nt chap.

[His head drops back. He, smiling, falls asleep, and JONES stands looking at him; then, snatching up JACK's glass, he drinks it off. He picks the reticule from off JACK'S shirt-front, holds it to the light, and smells at it.]

JONES. Been on the tiles and brought 'ome some of yer cat's fur. [He stuffs it into JACK's breast pocket.]

JACK. [Murmuring.] I 've scored you off! You cat!

[JONES looks around him furtively; he pours out whisky and drinks it. From the silver box he takes a cigarette, puffs at it, and drinks more whisky. There is no sobriety left in him.]

JONES. Fat lot o' things they've got 'ere! [He sees the crimson purse lying on the floor.] More cat's fur. Puss, puss! [He fingers it, drops it on the tray, and looks at JACK.] Calf! Fat calf! [He sees his own presentment in a mirror. Lifting his hands, with fingers spread, he stares at it; then looks again at JACK, clenching his fist as if to batter in his sleeping, smiling face. Suddenly he tilts the rest o f the whisky into the glass and drinks it. With cunning glee he takes the silver box and purse and pockets them.] I 'll score you off too, that 's wot I 'll do!

[He gives a little snarling laugh and lurches to the door. His shoulder rubs against the switch; the light goes out. There is a sound as of a closing outer door.]

The curtain falls.

The curtain rises again at once.

SCENE II

In the BARTHWICK'S dining-room. JACK is still asleep; the morning light is coming through the curtains. The time is half-past eight. WHEELER, brisk person enters with a dust-pan, and MRS. JONES more slowly with a scuttle.

WHEELER. [Drawing the curtains.] That precious husband of yours was round for you after you'd gone yesterday, Mrs. Jones. Wanted your money for drink, I suppose. He hangs about the corner here half the time. I saw him outside the "Goat and Bells" when I went to the post last night. If I were you I would n't live with him. I would n't live with a man that raised his hand to me. I wouldn't put up with it. Why don't you take your children and leave him? If you put up with 'im it'll only make him worse. I never can see why, because a man's married you, he should knock you about.

MRS. JONES. [Slim, dark-eyed, and dark-haired; oval-faced, and with a smooth, soft, even voice; her manner patient, her way of talking quite impersonal; she wears a blue linen dress, and boots with holes.] It was nearly two last night before he come home, and he wasn't himself. He made me get up, and he knocked me about; he didn't seem to know what he was saying or doing. Of course I would leave him, but I'm really afraid of what he'd do to me. He 's such a violent man when he's not himself.

WHEELER. Why don't you get him locked up? You'll never have any peace until you get him locked up. If I were you I'd go to the police court tomorrow. That's what I would do.

MRS. JONES. Of course I ought to go, because he does treat me so badly when he's not himself. But you see, Bettina, he has a very hard time—he 's been out of work two months, and it preys upon his mind. When he's in work he behaves himself much better. It's when he's out of work that he's so violent.

WHEELER. Well, if you won't take any steps you 'll never get rid of him.

MRS. JONES. Of course it's very wearing to me; I don't get my sleep at nights. And it 's not as if I were getting help from him, because I have to do for the children and all of us. And he throws such dreadful things up at me, talks of my having men to follow me about. Such a thing never happens; no man ever speaks to me. And of course, it's just the other way. It's what he does that's wrong and makes me so unhappy. And then he 's always threatenin' to cut my throat if I leave him. It's all the drink, and things preying on his mind; he 's not a bad man really. Sometimes he'll speak quite kind to me, but I've stood so much from him, I don't feel it in me to speak kind back, but just keep myself to myself. And he's all right with the children too, except when he's not himself.

WHEELER. You mean when he's drunk, the beauty.

MRS. JONES. Yes. [Without change of voice] There's the young gentleman asleep on the sofa.

[They both look silently at Jack.]

MRS. JONES. [At last, in her soft voice.] He does n't look quite himself.

WHEELER. He's a young limb, that's what he is. It 's my belief he was tipsy last night, like your husband. It 's another kind of bein' out of work that sets him to drink. I 'll go and tell Marlow. This is his job.

[She goes.] [Mrs. Jones, upon her knees, begins a gentle sweeping.]

JACK. [Waking.] Who's there? What is it?

MRS. JONES. It's me, sir, Mrs. Jones.

JACK. [Sitting up and looking round.] Where is it—what—what time is it?

MRS. JONES. It's getting on for nine o'clock, sir.

JACK. For nine! Why—what! [Rising, and loosening his tongue; putting hands to his head, and staring hard at Mrs. Jones.] Look here, you, Mrs.——Mrs. Jones—don't you say you caught me asleep here.

MRS. JONES. No, sir, of course I won't sir.

JACK. It's quite an accident; I don't know how it happened. I must have forgotten to go to bed. It's a queer thing. I 've got a most beastly headache. Mind you don't say anything, Mrs. Jones.

[Goes out and passes MARLOW in the doorway. MARLOW is young and quiet; he is cleanshaven, and his hair is brushed high from his forehead in a coxcomb. Incidentally a butler, he is first a man. He looks at MRS. JONES, and smiles a private smile.]

MARLOW. Not the first time, and won't be the last. Looked a bit dicky, eh, Mrs. Jones?

MRS. JONES. He did n't look quite himself. Of course I did n't take notice.

MARLOW. You're used to them. How's your old man?

MRS. JONES. [Softly as throughout.] Well, he was very bad last night; he did n't seem to know what he was about. He was very late, and he was most abusive. But now, of course, he's asleep.

MARLOW. That's his way of finding a job, eh?

MRS. JONES. As a rule, Mr. Marlow, he goes out early every morning looking for work, and sometimes he comes in fit to drop—and of course I can't say he does n't try to get it, because he does. Trade's very bad. [She stands quite still, her fan and brush before her, at the beginning and the end of long vistas of experience, traversing them with her impersonal eye.] But he's not a good husband to me—last night he hit me, and he was so dreadfully abusive.

MARLOW. Bank 'oliday, eh! He 's too fond of the "Goat and Bells," that's what's the matter with him. I see him at the corner late every night. He hangs about.

MRS. JONES. He gets to feeling very low walking about all day after work, and being refused so often, and then when he gets a drop in him it goes to his head. But he shouldn't treat his wife as he treats me. Sometimes I 've had to go and walk about at night, when he wouldn't let me stay in the room; but he's sorry for it afterwards. And he hangs about after me, he waits for me in the street; and I don't think he ought to, because I 've always been a good wife to him. And I tell him Mrs. Barthwick wouldn't like him coming about the place. But that only makes him angry, and he says dreadful things about the gentry. Of course it was through me that he first lost his place, through his not treating me right; and that's made him bitter against the gentry. He had a very good place as groom in the country; but it made such a stir, because of course he did n't treat me right.

MARLOW. Got the sack?

MRS. JONES. Yes; his employer said he couldn't keep him, because there was a great deal of talk; and he said it was such a bad example. But it's very important for me to keep my work here; I have the three children, and I don't want him to come about after me in the streets, and make a disturbance as he sometimes does.

MARLOW. [Holding up the empty decanter.] Not a drain! Next time he hits you get a witness and go down to the court——

MRS. JONES. Yes, I think I 've made up my mind. I think I ought to.

MARLOW. That's right. Where's the ciga——?

[He searches for the silver box; he looks at MRS. JONES, who is sweeping on her hands and knees; he checks himself and stands reflecting. From the tray he picks two half-smoked cigarettes, and reads the name on them.]

Nestor—where the deuce——?

[With a meditative air he looks again at MRS. JONES, and, taking up JACK'S overcoat, he searches in the pockets. WHEELER, with a tray of breakfast things, comes in.]

MARLOW. [Aside to WHEELER.] Have you seen the cigarette-box?

WHEELER. No.

MARLOW. Well, it's gone. I put it on the tray last night. And he's been smoking. [Showing her the ends of cigarettes.] It's not in these pockets. He can't have taken it upstairs this morning! Have a good look in his room when he comes down. Who's been in here?

WHEELER. Only me and Mrs. Jones.

MRS. JONES. I 've finished here; shall I do the drawing-room now?

WHEELER. [Looking at her doubtfully.] Have you seen——Better do the boudwower first.

[MRS. JONES goes out with pan and brush. MARLOW and WHEELER look each other in the face.]

MARLOW. It'll turn up.

WHEELER. [Hesitating.] You don't think she—— [Nodding at the door.]

MARLOW. [Stoutly.] I don't——I never believes anything of anybody.

WHEELER. But the master'll have to be told.

MARLOW. You wait a bit, and see if it don't turn up. Suspicion's no business of ours. I set my mind against it.

The curtain falls.

The curtain rises again at once.

SCENE III

BARTHWICK and MRS. BARTHWICK are seated at the breakfast table. He is a man between fifty and sixty; quietly important, with a bald forehead, and pince-nez, and the "Times" in his hand. She is a lady of nearly fifty, well dressed, with greyish hair, good features, and a decided manner. They face each other.

BARTHWICK. [From behind his paper.] The Labour man has got in at the by-election for Barnside, my dear.

MRS. BARTHWICK. Another Labour? I can't think what on earth the country is about.

BARTHWICK. I predicted it. It's not a matter of vast importance.

MRS. BARTHWICK. Not? How can you take it so calmly, John? To me it's simply outrageous. And there you sit, you Liberals, and pretend to encourage these people!

BARTHWICK. [Frowning.] The representation of all parties is necessary for any proper reform, for any proper social policy.

MRS. BARTHWICK. I've no patience with your talk of reform—all that nonsense about social policy. We know perfectly well what it is they want; they want things for themselves. Those Socialists and Labour men are an absolutely selfish set of people. They have no sense of patriotism, like the upper classes; they simply want what we've got.

BARTHWICK. Want what we've got! [He stares into space.] My dear, what are you talking about? [With a contortion.] I 'm no alarmist.

MRS. BARTHWICK. Cream? Quite uneducated men! Wait until they begin to tax our investments. I 'm convinced that when they once get a chance they will tax everything—they 've no feeling for the country. You Liberals and Conservatives, you 're all alike; you don't see an inch before your noses. You've no imagination, not a scrap of imagination between you. You ought to join hands and nip it in the bud.

BARTHWICK. You 're talking nonsense! How is it possible for Liberals and Conservatives to join hands, as you call it? That shows how absurd it is for women——Why, the very essence of a Liberal is to trust in the people!

MRS. BARTHWICK. Now, John, eat your breakfast. As if there were any real difference between you and the Conservatives. All the upper classes have the same interests to protect, and the same principles. [Calmly.] Oh! you're sitting upon a volcano, John.

BARTHWICK. What!

MRS. BARTHWICK. I read a letter in the paper yesterday. I forget the man's name, but it made the whole thing perfectly clear. You don't look things in the face.

BARTHWICK. Indeed! [Heavily.] I am a Liberal! Drop the subject, please!

MRS. BARTHWICK. Toast? I quite agree with what this man says: Education is simply ruining the lower classes. It unsettles them, and that's the worst thing for us all. I see an enormous difference in the manner of servants.

BARTHWICK, [With suspicious emphasis.] I welcome any change that will lead to something better. [He opens a letter.] H'm! This is that affair of Master Jack's again. "High Street, Oxford. Sir, We have received Mr. John Barthwick, Senior's, draft for forty pounds!" Oh! the letter's to him! "We now enclose the cheque you cashed with us, which, as we stated in our previous letter, was not met on presentation at your bank. We are, Sir, yours obediently, Moss and Sons, Tailors." H 'm! [Staring at the cheque.] A pretty business altogether! The boy might have been prosecuted.

MRS. BARTHWICK. Come, John, you know Jack did n't mean anything; he only thought he was overdrawing. I still think his bank ought to have cashed that cheque. They must know your position.

BARTHWICK. [Replacing in the envelope the letter and the cheque.] Much good that would have done him in a court of law.

[He stops as JACK comes in, fastening his waistcoat and staunching a razor cut upon his chin.]

JACK. [Sitting down between them, and speaking with an artificial joviality.] Sorry I 'm late. [He looks lugubriously at the dishes.] Tea, please, mother. Any letters for me? [BARTHWICK hands the letter to him.] But look here, I say, this has been opened! I do wish you would n't——

BARTHWICK. [Touching the envelope.] I suppose I 'm entitled to this name.

JACK. [Sulkily.] Well, I can't help having your name, father! [He reads the letter, and mutters.] Brutes!

BARTHWICK. [Eyeing him.] You don't deserve to be so well out of that.

JACK. Haven't you ragged me enough, dad?

MRS. BARTHWICK. Yes, John, let Jack have his breakfast.

BARTHWICK. If you hadn't had me to come to, where would you have been? It's the merest accident—suppose you had been the son of a poor man or a clerk. Obtaining money with a cheque you knew your bank could not meet. It might have ruined you for life. I can't see what's to become of you if these are your principles. I never did anything of the sort myself.

JACK. I expect you always had lots of money. If you've got plenty of money, of course——

BARTHWICK. On the contrary, I had not your advantages. My father kept me very short of money.

JACK. How much had you, dad?

BARTHWICK. It's not material. The question is, do you feel the gravity of what you did?

JACK. I don't know about the gravity. Of course, I 'm very sorry if you think it was wrong. Have n't I said so! I should never have done it at all if I had n't been so jolly hard up.

BARTHWICK. How much of that forty pounds have you got left, Jack?

JACK. [Hesitating.] I don't know—not much.

BARTHWICK. How much?

JACK. [Desperately.] I have n't got any.

BARTHWICK. What?

JACK. I know I 've got the most beastly headache.

[He leans his head on his hand.]

MRS. BARTHWICK. Headache? My dear boy! Can't you eat any breakfast?

JACK. [Drawing in his breath.] Too jolly bad!

MRS. BARTHWICK. I'm so sorry. Come with me; dear; I'll give you something that will take it away at once.

[They leave the room; and BARTHWICK, tearing up the letter, goes to the fireplace and puts the pieces in the fire. While he is doing this MARLOW comes in, and looking round him, is about quietly to withdraw.]

BARTHWICK. What's that? What d 'you want?

MARLOW. I was looking for Mr. John, sir.

BARTHWICK. What d' you want Mr. John for?

MARLOW. [With hesitation.] I thought I should find him here, sir.

BARTHWICK. [Suspiciously.] Yes, but what do you want him for?

MARLOW. [Offhandedly.] There's a lady called—asked to speak to him for a minute, sir.

BARTHWICK. A lady, at this time in the morning. What sort of a lady?

MARLOW. [Without expression in his voice.] I can't tell, sir; no particular sort. She might be after charity. She might be a Sister of Mercy, I should think, sir.

BARTHWICK. Is she dressed like one?

MARLOW. No, sir, she's in plain clothes, sir.

BARTHWICK. Did n't she say what she wanted?

MARLOW. No sir.

BARTHWICK. Where did you leave her?

MARLOW. In the hall, sir.

BARTHWICK. In the hall? How do you know she's not a thief—not got designs on the house?

MARLOW. No, sir, I don't fancy so, sir.

BARTHWICK. Well, show her in here; I'll see her myself.

[MARLOW goes out with a private gesture of dismay. He soon returns, ushering in a young pale lady with dark eyes and pretty figure, in a modish, black, but rather shabby dress, a black and white trimmed hat with a bunch of Parma violets wrongly placed, and fuzzy-spotted veil. At the Sight of MR. BARTHWICK she exhibits every sign of nervousness. MARLOW goes out.]

UNKNOWN LADY. Oh! but—I beg pardon there's some mistake—I [She turns to fly.]

BARTHWICK. Whom did you want to see, madam?

UNKNOWN. [Stopping and looking back.] It was Mr. John Barthwick I wanted to see.

BARTHWICK. I am John Barthwick, madam. What can I have the pleasure of doing for you?

UNKNOWN. Oh! I—I don't [She drops her eyes. BARTHWICK scrutinises her, and purses his lips.]

BARTHWICK. It was my son, perhaps, you wished to see?

UNKNOWN. [Quickly.] Yes, of course, it's your son.

BARTHWICK. May I ask whom I have the pleasure of speaking to?

UNKNOWN. [Appeal and hardiness upon her face.] My name is——oh! it does n't matter—I don't want to make any fuss. I just want to see your son for a minute. [Boldly.] In fact, I must see him.

BARTHWICK. [Controlling his uneasiness.] My son is not very well. If necessary, no doubt I could attend to the matter; be so kind as to let me know——

UNKNOWN. Oh! but I must see him—I 've come on purpose—[She bursts out nervously.] I don't want to make any fuss, but the fact is, last—last night your son took away—he took away my [She stops.]

BARTHWICK. [Severely.] Yes, madam, what?

UNKNOWN. He took away my—my reticule.

BARTHWICK. Your reti——?

UNKNOWN. I don't care about the reticule; it's not that I want—I 'm sure I don't want to make any fuss—[her face is quivering]—but —but—all my money was in it!

BARTHWICK. In what—in what?

UNKNOWN. In my purse, in the reticule. It was a crimson silk purse. Really, I wouldn't have come—I don't want to make any fuss. But I must get my money back—mustn't I?

BARTHWICK. Do you tell me that my son——?

UNKNOWN. Oh! well, you see, he was n't quite I mean he was

[She smiles mesmerically.]

BARTHWICK. I beg your pardon.

UNKNOWN. [Stamping her foot.] Oh! don't you see—tipsy! We had a quarrel.

BARTHWICK. [Scandalised.] How? Where?

UNKNOWN. [Defiantly.] At my place. We'd had supper at the——and your son——

BARTHWICK. [Pressing the bell.] May I ask how you knew this house? Did he give you his name and address?

UNKNOWN. [Glancing sidelong.] I got it out of his overcoat.

BARTHWICK. [Sardonically.] Oh! you got it out of his overcoat. And may I ask if my son will know you by daylight?

UNKNOWN. Know me? I should jolly—I mean, of course he will! [MARLOW comes in.]

BARTHWICK. Ask Mr. John to come down.

[MARLOW goes out, and BARTHWICK walks uneasily about.]

And how long have you enjoyed his acquaintanceship?

UNKNOWN. Only since—only since Good Friday.

BARTHWICK. I am at a loss—I repeat I am at a——

[He glances at this unknown lady, who stands with eyes cast down, twisting her hands And suddenly Jack appears. He stops on seeing who is here, and the unknown lady hysterically giggles. There is a silence.]

BARTHWICK. [Portentously.] This young—er—lady says that last night—I think you said last night madam—you took away——

UNKNOWN. [Impulsively.] My reticule, and all my money was in a crimson silk purse.

JACK. Reticule. [Looking round for any chance to get away.] I don't know anything about it.

BARTHWICK. [Sharply.] Come, do you deny seeing this young lady last night?

JACK. Deny? No, of course. [Whispering.] Why did you give me away like this? What on earth did you come here for?

UNKNOWN. [Tearfully.] I'm sure I didn't want to—it's not likely, is it? You snatched it out of my hand—you know you did—and the purse had all my money in it. I did n't follow you last night because I did n't want to make a fuss and it was so late, and you were so——

BARTHWICK. Come, sir, don't turn your back on me—explain!

JACK. [Desperately.] I don't remember anything about it. [In a low voice to his friend.] Why on earth could n't you have written?

UNKNOWN. [Sullenly.] I want it now; I must have, it—I 've got to pay my rent to-day. [She looks at BARTHWICK.] They're only too glad to jump on people who are not—not well off.

JACK. I don't remember anything about it, really. I don't remember anything about last night at all. [He puts his hand up to his head.] It's all—cloudy, and I 've got such a beastly headache.

UNKNOWN. But you took it; you know you did. You said you'd score me off.

JACK. Well, then, it must be here. I remember now—I remember something. Why did I take the beastly thing?

BARTHWICK. Yes, why did you take the beastly——[He turns abruptly to the window.]

UNKNOWN. [With her mesmeric smile.] You were n't quite were you?

JACK. [Smiling pallidly.] I'm awfully sorry. If there's anything I can do——

BARTHWICK. Do? You can restore this property, I suppose.

JACK. I'll go and have a look, but I really don't think I 've got it.

[He goes out hurriedly. And BARTHWICK, placing a chair, motions to the visitor to sit; then, with pursed lips, he stands and eyes her fixedly. She sits, and steals a look at him; then turns away, and, drawing up her veil, stealthily wipes her eyes. And Jack comes back.]

JACK. [Ruefully holding out the empty reticule.] Is that the thing? I 've looked all over—I can't find the purse anywhere. Are you sure it was there?

UNKNOWN. [Tearfully.] Sure? Of course I'm sure. A crimson silk purse. It was all the money I had.

JACK. I really am awfully sorry—my head's so jolly bad. I 've asked the butler, but he has n't seen it.

UNKNOWN. I must have my money——

JACK. Oh! Of course—that'll be all right; I'll see that that's all right. How much?

UNKNOWN. [Sullenly.] Seven pounds-twelve—it's all I 've got in the world.

JACK. That'll be all right; I'll—send you a cheque.

UNKNOWN. [Eagerly.] No; now, please. Give me what was in my purse; I've got to pay my rent this morning. They won't' give me another day; I'm a fortnight behind already.

JACK. [Blankly.] I'm awfully sorry; I really have n't a penny in my pocket.

[He glances stealthily at BARTHWICK.]

UNKNOWN. [Excitedly.] Come I say you must—it's my money, and you took it. I 'm not going away without it. They 'll turn me out of my place.

JACK. [Clasping his head.] But I can't give you what I have n't got. Don't I tell you I have n't a beastly cent.

UNKNOWN. [Tearing at her handkerchief.] Oh! do give it me! [She puts her hands together in appeal; then, with sudden fierceness.] If you don't I'll summons you. It's stealing, that's what it is!

BARTHWICK. [Uneasily.] One moment, please. As a matter of—-er —principle, I shall settle this claim. [He produces money.] Here is eight pounds; the extra will cover the value of the purse and your cab fares. I need make no comment—no thanks are necessary.

[Touching the bell, he holds the door ajar in silence. The unknown lady stores the money in her reticule, she looks from JACK to BARTHWICK, and her face is quivering faintly with a smile. She hides it with her hand, and steals away. Behind her BARTHWICK shuts the door.]

BARTHWICK. [With solemnity.] H'm! This is nice thing to happen!

JACK. [Impersonally.] What awful luck!

BARTHWICK. So this is the way that forty pounds has gone! One thing after another! Once more I should like to know where you 'd have been if it had n't been for me! You don't seem to have any principles. You—you're one of those who are a nuisance to society; you—you're dangerous! What your mother would say I don't know. Your conduct, as far as I can see, is absolutely unjustifiable. It's—it's criminal. Why, a poor man who behaved as you've done —d' you think he'd have any mercy shown him? What you want is a good lesson. You and your sort are—[he speaks with feeling]—a nuisance to the community. Don't ask me to help you next time. You're not fit to be helped.

JACK. [Turning upon his sire, with unexpected fierceness.] All right, I won't then, and see how you like it. You would n't have helped me this time, I know, if you had n't been scared the thing would get into the papers. Where are the cigarettes?

BARTHWICK. [Regarding him uneasily.] Well I 'll say no more about it. [He rings the bell.] I 'll pass it over for this once, but—— [MARLOW Comes in.] You can clear away.

[He hides his face behind the "Times."]

JACK. [Brightening.] I say, Marlow, where are the cigarettes?

MARLOW. I put the box out with the whisky last night, sir, but this morning I can't find it anywhere.

JACK. Did you look in my room?

MARLOW. Yes, sir; I've looked all over the house. I found two Nestor ends in the tray this morning, so you must have been smokin' last night, sir. [Hesitating.] I 'm really afraid some one's purloined the box.

JACK. [Uneasily.] Stolen it!

BARTHWICK. What's that? The cigarette-box! Is anything else missing?

MARLOW. No, sir; I 've been through the plate.

BARTHWICK. Was the house all right this morning? None of the windows open?

MARLOW. No, sir. [Quietly to JACK.] You left your latch-key in the door last night, sir.

[He hands it back, unseen by BARTHWICK]

JACK. Tst!

BARTHWICK. Who's been in the room this morning?

MARLOW. Me and Wheeler, and Mrs. Jones is all, sir, as far as I know.

BARTHWICK. Have you asked Mrs. Barthwick?

[To JACK.] Go and ask your mother if she's had it; ask her to look and see if she's missed anything else.

[JACK goes upon this mission.]

Nothing is more disquieting than losing things like this.

MARLOW. No, sir.

BARTHWICK. Have you any suspicions?

MARLOW, No, sir.

BARTHWICK. This Mrs. Jones—how long has she been working here?

MARLOW. Only this last month, sir.

BARTHWICK. What sort of person?

MARLOW. I don't know much about her, sir; seems a very quiet, respectable woman.

BARTHWICK. Who did the room this morning?

MARLOW. Wheeler and Mrs. Jones, Sir.

BARTHWICK. [With his forefinger upraised.] Now, was this Mrs. Jones in the room alone at any time?

MARLOW. [Expressionless.] Yes, Sir.

BARTHWICK. How do you know that?

MARLOW. [Reluctantly.] I found her here, sir.

BARTHWICK. And has Wheeler been in the room alone?

MARLOW. No, sir, she's not, sir. I should say, sir, that Mrs. Jones seems a very honest——

BARTHWICK. [Holding up his hand.] I want to know this: Has this Mrs. Jones been here the whole morning?

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