HIS WEDDED WIFE.

Cry “Murder!” in the market-place, and eachWill turn upon his neighbor anxious eyesThat ask:—“Art thou the man?”We hunted Cain,Some centuries ago, across the world,That bred the fear our own misdeeds maintainToday.—Vibart's Moralities.

Shakespeare says something about worms, or it may be giants or beetles, turning if you tread on them too severely. The safest plan is never to tread on a worm—not even on the last new subaltern from Home, with his buttons hardly out of their tissue paper, and the red of sappy English beef in his cheeks. This is the story of the worm that turned. For the sake of brevity, we will call Henry Augustus Ramsay Faizanne, “The Worm,” although he really was an exceedingly pretty boy, without a hair on his face, and with a waist like a girl's when he came out to the Second “Shikarris” and was made unhappy in several ways. The “Shikarris” are a high-caste regiment, and you must be able to do things well—play a banjo or ride more than a little, or sing, or act—to get on with them.

The Worm did nothing except fall off his pony, and knock chips out of gate-posts with his trap. Even that became monotonous after a time. He objected to whist, cut the cloth at billiards, sang out of tune, kept very much to himself, and wrote to his Mamma and sisters at Home. Four of these five things were vices which the “Shikarris” objected to and set themselves to eradicate. Every one knows how subalterns are, by brother subalterns, softened and not permitted to be ferocious. It is good and wholesome, and does no one any harm, unless tempers are lost; and then there is trouble. There was a man once—but that is another story.

The “Shikarris” shikarred The Worm very much, and he bore everything without winking. He was so good and so anxious to learn, and flushed so pink, that his education was cut short, and he was left to his own devices by every one except the Senior Subaltern, who continued to make life a burden to The Worm. The Senior Subaltern meant no harm; but his chaff was coarse, and he didn't quite understand where to stop. He had been waiting too long for his company; and that always sours a man. Also he was in love, which made him worse.

One day, after he had borrowed The Worm's trap for a lady who never existed, had used it himself all the afternoon, had sent a note to The Worm purporting to come from the lady, and was telling the Mess all about it, The Worm rose in his place and said, in his quiet, ladylike voice: “That was a very pretty sell; but I'll lay you a month's pay to a month's pay when you get your step, that I work a sell on you that you'll remember for the rest of your days, and the Regiment after you when you're dead or broke.” The Worm wasn't angry in the least, and the rest of the Mess shouted. Then the Senior Subaltern looked at The Worm from the boots upwards, and down again, and said, “Done, Baby.” The Worm took the rest of the Mess to witness that the bet had been taken, and retired into a book with a sweet smile.

Two months passed, and the Senior Subaltern still educated The Worm, who began to move about a little more as the hot weather came on. I have said that the Senior Subaltern was in love. The curious thing is that a girl was in love with the Senior Subaltern. Though the Colonel said awful things, and the Majors snorted, and married Captains looked unutterable wisdom, and the juniors scoffed, those two were engaged.

The Senior Subaltern was so pleased with getting his Company and his acceptance at the same time that he forgot to bother The Worm. The girl was a pretty girl, and had money of her own. She does not come into this story at all.

One night, at the beginning of the hot weather, all the Mess, except The Worm, who had gone to his own room to write Home letters, were sitting on the platform outside the Mess House. The Band had finished playing, but no one wanted to go in. And the Captains' wives were there also. The folly of a man in love is unlimited.

The Senior Subaltern had been holding forth on the merits of the girl he was engaged to, and the ladies were purring approval, while the men yawned, when there was a rustle of skirts in the dark, and a tired, faint voice lifted itself:

“Where's my husband?”

I do not wish in the least to reflect on the morality of the “Shikarris;” but it is on record that four men jumped up as if they had been shot. Three of them were married men. Perhaps they were afraid that their wives had come from Home unbeknownst. The fourth said that he had acted on the impulse of the moment. He explained this afterwards.

Then the voice cried:—“Oh, Lionel!” Lionel was the Senior Subaltern's name. A woman came into the little circle of light by the candles on the peg-tables, stretching out her hands to the dark where the Senior Subaltern was, and sobbing. We rose to our feet, feeling that things were going to happen and ready to believe the worst. In this bad, small world of ours, one knows so little of the life of the next man—which, after all, is entirely his own concern—that one is not surprised when a crash comes. Anything might turn up any day for any one. Perhaps the Senior Subaltern had been trapped in his youth. Men are crippled that way occasionally. We didn't know; we wanted to hear; and the Captains' wives were as anxious as we. If he HAD been trapped, he was to be excused; for the woman from nowhere, in the dusty shoes, and gray travelling dress, was very lovely, with black hair and great eyes full of tears. She was tall, with a fine figure, and her voice had a running sob in it pitiful to hear. As soon as the Senior Subaltern stood up, she threw her arms round his neck, and called him “my darling,” and said she could not bear waiting alone in England, and his letters were so short and cold, and she was his to the end of the world, and would he forgive her. This did not sound quite like a lady's way of speaking. It was too demonstrative.

Things seemed black indeed, and the Captains' wives peered under their eyebrows at the Senior Subaltern, and the Colonel's face set like the Day of Judgment framed in gray bristles, and no one spoke for a while.

Next the Colonel said, very shortly:—“Well, Sir?” and the woman sobbed afresh. The Senior Subaltern was half choked with the arms round his neck, but he gasped out:—“It's a d——d lie! I never had a wife in my life!” “Don't swear,” said the Colonel. “Come into the Mess. We must sift this clear somehow,” and he sighed to himself, for he believed in his “Shikarris,” did the Colonel.

We trooped into the ante-room, under the full lights, and there we saw how beautiful the woman was. She stood up in the middle of us all, sometimes choking with crying, then hard and proud, and then holding out her arms to the Senior Subaltern. It was like the fourth act of a tragedy. She told us how the Senior Subaltern had married her when he was Home on leave eighteen months before; and she seemed to know all that we knew, and more too, of his people and his past life. He was white and ashy gray, trying now and again to break into the torrent of her words; and we, noting how lovely she was and what a criminal he looked, esteemed him a beast of the worst kind. We felt sorry for him, though.

I shall never forget the indictment of the Senior Subaltern by his wife. Nor will he. It was so sudden, rushing out of the dark, unannounced, into our dull lives. The Captains' wives stood back; but their eyes were alight, and you could see that they had already convicted and sentenced the Senior Subaltern. The Colonel seemed five years older. One Major was shading his eyes with his hand and watching the woman from underneath it. Another was chewing his moustache and smiling quietly as if he were witnessing a play. Full in the open space in the centre, by the whist-tables, the Senior Subaltern's terrier was hunting for fleas. I remember all this as clearly as though a photograph were in my hand. I remember the look of horror on the Senior Subaltern's face. It was rather like seeing a man hanged; but much more interesting. Finally, the woman wound up by saying that the Senior Subaltern carried a double F. M. in tattoo on his left shoulder. We all knew that, and to our innocent minds it seemed to clinch the matter. But one of the Bachelor Majors said very politely:—“I presume that your marriage certificate would be more to the purpose?”

That roused the woman. She stood up and sneered at the Senior Subaltern for a cur, and abused the Major and the Colonel and all the rest. Then she wept, and then she pulled a paper from her breast, saying imperially:—“Take that! And let my husband—my lawfully wedded husband—read it aloud—if he dare!”

There was a hush, and the men looked into each other's eyes as the Senior Subaltern came forward in a dazed and dizzy way, and took the paper. We were wondering as we stared, whether there was anything against any one of us that might turn up later on. The Senior Subaltern's throat was dry; but, as he ran his eye over the paper, he broke out into a hoarse cackle of relief, and said to the woman:—“You young blackguard!”

But the woman had fled through a door, and on the paper was written:—“This is to certify that I, The Worm, have paid in full my debts to the Senior Subaltern, and, further, that the Senior Subaltern is my debtor, by agreement on the 23d of February, as by the Mess attested, to the extent of one month's Captain's pay, in the lawful currency of the India Empire.”

Then a deputation set off for The Worm's quarters and found him, betwixt and between, unlacing his stays, with the hat, wig, serge dress, etc., on the bed. He came over as he was, and the “Shikarris” shouted till the Gunners' Mess sent over to know if they might have a share of the fun. I think we were all, except the Colonel and the Senior Subaltern, a little disappointed that the scandal had come to nothing. But that is human nature. There could be no two words about The Worm's acting. It leaned as near to a nasty tragedy as anything this side of a joke can. When most of the Subalterns sat upon him with sofa-cushions to find out why he had not said that acting was his strong point, he answered very quietly:—“I don't think you ever asked me. I used to act at Home with my sisters.” But no acting with girls could account for The Worm's display that night. Personally, I think it was in bad taste.

Besides being dangerous. There is no sort of use in playing with fire, even for fun.

The “Shikarris” made him President of the Regimental Dramatic Club; and, when the Senior Subaltern paid up his debt, which he did at once, The Worm sank the money in scenery and dresses. He was a good Worm; and the “Shikarris” are proud of him. The only drawback is that he has been christened “Mrs. Senior Subaltern;” and as there are now two Mrs. Senior Subalterns in the Station, this is sometimes confusing to strangers.

Later on, I will tell you of a case something like, this, but with all the jest left out and nothing in it but real trouble.

While the snaffle holds, or the “long-neck” stings,While the big beam tilts, or the last bell rings,While horses are horses to train and to race,Then women and wine take a second placeFor me—for me—While a short “ten-three”Has a field to squander or fence to face!——Song of the G. R.

There are more ways of running a horse to suit your book than pulling his head off in the straight. Some men forget this.

Understand clearly that all racing is rotten—as everything connected with losing money must be. Out here, in addition to its inherent rottenness, it has the merit of being two-thirds sham; looking pretty on paper only. Every one knows every one else far too well for business purposes. How on earth can you rack and harry and post a man for his losings, when you are fond of his wife, and live in the same Station with him? He says, “on the Monday following,” “I can't settle just yet.” “You say, 'All right, old man,'” and think your self lucky if you pull off nine hundred out of a two-thousand rupee debt. Any way you look at it, Indian racing is immoral, and expensively immoral. Which is much worse. If a man wants your money, he ought to ask for it, or send round a subscription-list, instead of juggling about the country, with an Australian larrikin; a “brumby,” with as much breed as the boy; a brace of chumars in gold-laced caps; three or four ekka-ponies with hogged manes, and a switch-tailed demirep of a mare called Arab because she has a kink in her flag. Racing leads to the shroff quicker than anything else. But if you have no conscience and no sentiments, and good hands, and some knowledge of pace, and ten years' experience of horses, and several thousand rupees a month, I believe that you can occasionally contrive to pay your shoeing-bills.

Did you ever know Shackles—b. w. g., 15.13.8—coarse, loose, mule-like ears—barrel as long as a gate-post—tough as a telegraph-wire—and the queerest brute that ever looked through a bridle? He was of no brand, being one of an ear-nicked mob taken into the Bucephalus at 4l.-10s. a head to make up freight, and sold raw and out of condition at Calcutta for Rs. 275. People who lost money on him called him a “brumby;” but if ever any horse had Harpoon's shoulders and The Gin's temper, Shackles was that horse. Two miles was his own particular distance. He trained himself, ran himself, and rode himself; and, if his jockey insulted him by giving him hints, he shut up at once and bucked the boy off. He objected to dictation. Two or three of his owners did not understand this, and lost money in consequence. At last he was bought by a man who discovered that, if a race was to be won, Shackles, and Shackles only, would win it in his own way, so long as his jockey sat still.

This man had a riding-boy called Brunt—a lad from Perth, West Australia—and he taught Brunt, with a trainer's whip, the hardest thing a jock can learn—to sit still, to sit still, and to keep on sitting still. When Brunt fairly grasped this truth, Shackles devastated the country. No weight could stop him at his own distance; and The fame of Shackles spread from Ajmir in the South, to Chedputter in the North. There was no horse like Shackles, so long as he was allowed to do his work in his own way. But he was beaten in the end; and the story of his fall is enough to make angels weep.

At the lower end of the Chedputter racecourse, just before the turn into the straight, the track passes close to a couple of old brick-mounds enclosing a funnel-shaped hollow. The big end of the funnel is not six feet from the railings on the off-side. The astounding peculiarity of the course is that, if you stand at one particular place, about half a mile away, inside the course, and speak at an ordinary pitch, your voice just hits the funnel of the brick-mounds and makes a curious whining echo there. A man discovered this one morning by accident while out training with a friend. He marked the place to stand and speak from with a couple of bricks, and he kept his knowledge to himself. EVERY peculiarity of a course is worth remembering in a country where rats play the mischief with the elephant-litter, and Stewards build jumps to suit their own stables.

This man ran a very fairish country-bred, a long, racking high mare with the temper of a fiend, and the paces of an airy wandering seraph—a drifty, glidy stretch. The mare was, as a delicate tribute to Mrs. Reiver, called “The Lady Regula Baddun”—or for short, Regula Baddun.

Shackles' jockey, Brunt, was a quiet, well-behaved boy, but his nerves had been shaken. He began his career by riding jump-races in Melbourne, where a few Stewards want lynching, and was one of the jockeys who came through the awful butchery—perhaps you will recollect it—of the Maribyrnong Plate. The walls were colonial ramparts—logs of jarrak spiked into masonry—with wings as strong as Church buttresses. Once in his stride, a horse had to jump or fall. He couldn't run out. In the Maribyrnong Plate, twelve horses were jammed at the second wall. Red Hat, leading, fell this side, and threw out The Glen, and the ruck came up behind and the space between wing and wing was one struggling, screaming, kicking shambles. Four jockeys were taken out dead; three were very badly hurt, and Brunt was among the three. He told the story of the Maribyrnong Plate sometimes; and when he described how Whalley on Red Hat, said, as the mare fell under him:—“God ha' mercy, I'm done for!” and how, next instant, Sithee There and White Otter had crushed the life out of poor Whalley, and the dust hid a small hell of men and horses, no one marvelled that Brunt had dropped jump-races and Australia together. Regula Baddun's owner knew that story by heart. Brunt never varied it in the telling. He had no education.

Shackles came to the Chedputter Autumn races one year, and his owner walked about insulting the sportsmen of Chedputter generally, till they went to the Honorary Secretary in a body and said:—“Appoint Handicappers, and arrange a race which shall break Shackles and humble the pride of his owner.” The Districts rose against Shackles and sent up of their best; Ousel, who was supposed to be able to do his mile in 1-53; Petard, the stud-bred, trained by a cavalry regiment who knew how to train; Gringalet, the ewe-lamb of the 75th; Bobolink, the pride of Peshawar; and many others.

They called that race The Broken-Link Handicap, because it was to smash Shackles; and the Handicappers piled on the weights, and the Fund gave eight hundred rupees, and the distance was “round the course for all horses.” Shackles' owner said:—“You can arrange the race with regard to Shackles only. So long as you don't bury him under weight-cloths, I don't mind.” Regula Baddun's owner said:—“I throw in my mare to fret Ousel. Six furlongs is Regula's distance, and she will then lie down and die. So also will Ousel, for his jockey doesn't understand a waiting race.” Now, this was a lie, for Regula had been in work for two months at Dehra, and her chances were good, always supposing that Shackles broke a blood-vessel—OR BRUNT MOVED ON HIM.

The plunging in the lotteries was fine. They filled eight thousand rupee lotteries on the Broken Link Handicap, and the account in the Pioneer said that “favoritism was divided.” In plain English, the various contingents were wild on their respective horses; for the Handicappers had done their work well. The Honorary Secretary shouted himself hoarse through the din; and the smoke of the cheroots was like the smoke, and the rattling of the dice-boxes like the rattle of small-arm fire.

Ten horses started—very level—and Regula Baddun's owner cantered out on his back to a place inside the circle of the course, where two bricks had been thrown. He faced towards the brick-mounds at the lower end of the course and waited.

he story of the running is in the Pioneer. At the end of the first mile, Shackles crept out of the ruck, well on the outside, ready to get round the turn, lay hold of the bit and spin up the straight before the others knew he had got away. Brunt was sitting still, perfectly happy, listening to the “drum, drum, drum” of the hoofs behind, and knowing that, in about twenty strides, Shackles would draw one deep breath and go up the last half-mile like the “Flying Dutchman.” As Shackles went short to take the turn and came abreast of the brick-mound, Brunt heard, above the noise of the wind in his ears, a whining, wailing voice on the offside, saying:—“God ha' mercy, I'm done for!” In one stride, Brunt saw the whole seething smash of the Maribyrnong Plate before him, started in his saddle and gave a yell of terror. The start brought the heels into Shackles' side, and the scream hurt Shackles' feelings. He couldn't stop dead; but he put out his feet and slid along for fifty yards, and then, very gravely and judicially, bucked off Brunt—a shaking, terror-stricken lump, while Regula Baddun made a neck-and-neck race with Bobolink up the straight, and won by a short head—Petard a bad third. Shackles' owner, in the Stand, tried to think that his field-glasses had gone wrong. Regula Baddun's owner, waiting by the two bricks, gave one deep sigh of relief, and cantered back to the stand. He had won, in lotteries and bets, about fifteen thousand.

It was a broken-link Handicap with a vengeance. It broke nearly all the men concerned, and nearly broke the heart of Shackles' owner.

He went down to interview Brunt. The boy lay, livid and gasping with fright, where he had tumbled off. The sin of losing the race never seemed to strike him. All he knew was that Whalley had “called” him, that the “call” was a warning; and, were he cut in two for it, he would never get up again. His nerve had gone altogether, and he only asked his master to give him a good thrashing, and let him go. He was fit for nothing, he said. He got his dismissal, and crept up to the paddock, white as chalk, with blue lips, his knees giving way under him. People said nasty things in the paddock; but Brunt never heeded. He changed into tweeds, took his stick and went down the road, still shaking with fright, and muttering over and over again:—“God ha' mercy, I'm done for!” To the best of my knowledge and belief he spoke the truth.

So now you know how the Broken-Link Handicap was run and won. Of course you don't believe it. You would credit anything about Russia's designs on India, or the recommendations of the Currency Commission; but a little bit of sober fact is more than you can stand!

“Love heeds not caste nor sleep a broken bed. I went in search oflove and lost myself.” Hindu Proverb.

A man should, whatever happens, keep to his own caste, race and breed. Let the White go to the White and the Black to the Black.

Then, whatever trouble falls is in the ordinary course of things—neither sudden, alien, nor unexpected.

This is the story of a man who wilfully stepped beyond the safe limits of decent every-day society, and paid for it heavily.

He knew too much in the first instance; and he saw too much in the second. He took too deep an interest in native life; but he will never do so again.

Deep away in the heart of the City, behind Jitha Megji's bustee, lies Amir Nath's Gully, which ends in a dead-wall pierced by one grated window. At the head of the Gully is a big cow-byre, and the walls on either side of the Gully are without windows. Neither Suchet Singh nor Gaur Chand approved of their women-folk looking into the world. If Durga Charan had been of their opinion, he would have been a happier man today, and little Bisesa would have been able to knead her own bread. Her room looked out through the grated window into the narrow dark Gully where the sun never came and where the buffaloes wallowed in the blue slime. She was a widow, about fifteen years old, and she prayed the Gods, day and night, to send her a lover; for she did not approve of living alone.

One day the man—Trejago his name was—came into Amir Nath's Gully on an aimless wandering; and, after he had passed the buffaloes, stumbled over a big heap of cattle food.

Then he saw that the Gully ended in a trap, and heard a little laugh from behind the grated window. It was a pretty little laugh, and Trejago, knowing that, for all practical purposes, the old Arabian Nights are good guides, went forward to the window, and whispered that verse of “The Love Song of Har Dyal” which begins:

Can a man stand upright in the face of the naked Sun;or a Lover in the Presence of his Beloved?If my feet fail me, O Heart of my Heart, am I to blame,being blinded by the glimpse of your beauty?

There came the faint tchinks of a woman's bracelets from behind the grating, and a little voice went on with the song at the fifth verse:

Alas! alas! Can the Moon tell the Lotus of her love when theGate of Heaven is shut and the clouds gather for the rains?They have taken my Beloved, and driven her with the pack-horsesto the North.There are iron chains on the feet that were set on my heart.Call to the bowman to make ready—

The voice stopped suddenly, and Trejago walked out of Amir Nath's Gully, wondering who in the world could have capped “The Love Song of Har Dyal” so neatly.

Next morning, as he was driving to the office, an old woman threw a packet into his dog-cart. In the packet was the half of a broken glass bangle, one flower of the blood red dhak, a pinch of bhusa or cattle-food, and eleven cardamoms. That packet was a letter—not a clumsy compromising letter, but an innocent, unintelligible lover's epistle.

Trejago knew far too much about these things, as I have said. No Englishman should be able to translate object-letters. But Trejago spread all the trifles on the lid of his office-box and began to puzzle them out.

A broken glass-bangle stands for a Hindu widow all India over; because, when her husband dies a woman's bracelets are broken on her wrists. Trejago saw the meaning of the little bit of the glass.

The flower of the dhak means diversely “desire,” “come,” “write,” or “danger,” according to the other things with it. One cardamom means “jealousy;” but when any article is duplicated in an object-letter, it loses its symbolic meaning and stands merely for one of a number indicating time, or, if incense, curds, or saffron be sent also, place. The message ran then:—“A widow dhak flower and bhusa—at eleven o'clock.” The pinch of bhusa enlightened Trejago. He saw—this kind of letter leaves much to instinctive knowledge—that the bhusa referred to the big heap of cattle-food over which he had fallen in Amir Nath's Gully, and that the message must come from the person behind the grating; she being a widow. So the message ran then:—“A widow, in the Gully in which is the heap of bhusa, desires you to come at eleven o'clock.”

Trejago threw all the rubbish into the fireplace and laughed. He knew that men in the East do not make love under windows at eleven in the forenoon, nor do women fix appointments a week in advance.

So he went, that very night at eleven, into Amir Nath's Gully, clad in a boorka, which cloaks a man as well as a woman. Directly the gongs in the City made the hour, the little voice behind the grating took up “The Love Song of Har Dyal” at the verse where the Panthan girl calls upon Har Dyal to return. The song is really pretty in the Vernacular. In English you miss the wail of it. It runs something like this:—

Alone upon the housetops, to the NorthI turn and watch the lightning in the sky,—The glamour of thy footsteps in the North,Come back to me, Beloved, or I die!Below my feet the still bazar is laidFar, far below the weary camels lie,—The camels and the captives of thy raid,Come back to me, Beloved, or I die!My father's wife is old and harsh with years,And drudge of all my father's house am I.—My bread is sorrow and my drink is tears,Come back to me, Beloved, or I die!

As the song stopped, Trejago stepped up under the grating and whispered:—“I am here.”

Bisesa was good to look upon.

That night was the beginning of many strange things, and of a double life so wild that Trejago today sometimes wonders if it were not all a dream. Bisesa or her old handmaiden who had thrown the object-letter had detached the heavy grating from the brick-work of the wall; so that the window slid inside, leaving only a square of raw masonry, into which an active man might climb.

In the day-time, Trejago drove through his routine of office-work, or put on his calling-clothes and called on the ladies of the Station; wondering how long they would know him if they knew of poor little Bisesa. At night, when all the City was still, came the walk under the evil-smelling boorka, the patrol through Jitha Megji's bustee, the quick turn into Amir Nath's Gully between the sleeping cattle and the dead walls, and then, last of all, Bisesa, and the deep, even breathing of the old woman who slept outside the door of the bare little room that Durga Charan allotted to his sister's daughter. Who or what Durga Charan was, Trejago never inquired; and why in the world he was not discovered and knifed never occurred to him till his madness was over, and Bisesa... But this comes later.

Bisesa was an endless delight to Trejago. She was as ignorant as a bird; and her distorted versions of the rumors from the outside world that had reached her in her room, amused Trejago almost as much as her lisping attempts to pronounce his name—“Christopher.” The first syllable was always more than she could manage, and she made funny little gestures with her rose-leaf hands, as one throwing the name away, and then, kneeling before Trejago, asked him, exactly as an Englishwoman would do, if he were sure he loved her. Trejago swore that he loved her more than any one else in the world. Which was true.

After a month of this folly, the exigencies of his other life compelled Trejago to be especially attentive to a lady of his acquaintance. You may take it for a fact that anything of this kind is not only noticed and discussed by a man's own race, but by some hundred and fifty natives as well. Trejago had to walk with this lady and talk to her at the Band-stand, and once or twice to drive with her; never for an instant dreaming that this would affect his dearer out-of-the-way life. But the news flew, in the usual mysterious fashion, from mouth to mouth, till Bisesa's duenna heard of it and told Bisesa. The child was so troubled that she did the household work evilly, and was beaten by Durga Charan's wife in consequence.

A week later, Bisesa taxed Trejago with the flirtation. She understood no gradations and spoke openly. Trejago laughed and Bisesa stamped her little feet—little feet, light as marigold flowers, that could lie in the palm of a man's one hand.

Much that is written about “Oriental passion and impulsiveness” is exaggerated and compiled at second-hand, but a little of it is true; and when an Englishman finds that little, it is quite as startling as any passion in his own proper life. Bisesa raged and stormed, and finally threatened to kill herself if Trejago did not at once drop the alien Memsahib who had come between them. Trejago tried to explain, and to show her that she did not understand these things from a Western standpoint. Bisesa drew herself up, and said simply:

“I do not. I know only this—it is not good that I should have made you dearer than my own heart to me, Sahib. You are an Englishman. I am only a black girl”—she was fairer than bar-gold in the Mint—and the widow of a black man.

Then she sobbed and said: “But on my soul and my Mother's soul, I love you. There shall no harm come to you, whatever happens to me.”

Trejago argued with the child, and tried to soothe her, but she seemed quite unreasonably disturbed. Nothing would satisfy her save that all relations between them should end. He was to go away at once. And he went. As he dropped out at the window, she kissed his forehead twice, and he walked away wondering.

A week, and then three weeks, passed without a sign from Bisesa.

Trejago, thinking that the rupture had lasted quite long enough, went down to Amir Nath's Gully for the fifth time in the three weeks, hoping that his rap at the sill of the shifting grating would be answered. He was not disappointed.

There was a young moon, and one stream of light fell down into Amir Nath's Gully, and struck the grating, which was drawn away as he knocked. From the black dark, Bisesa held out her arms into the moonlight. Both hands had been cut off at the wrists, and the stumps were nearly healed.

Then, as Bisesa bowed her head between her arms and sobbed, some one in the room grunted like a wild beast, and something sharp—knife, sword or spear—thrust at Trejago in his boorka. The stroke missed his body, but cut into one of the muscles of the groin, and he limped slightly from the wound for the rest of his days.

The grating went into its place. There was no sign whatever from inside the house—nothing but the moonlight strip on the high wall, and the blackness of Amir Nath's Gully behind.

The next thing Trejago remembers, after raging and shouting like a madman between those pitiless walls, is that he found himself near the river as the dawn was breaking, threw away his boorka and went home bareheaded.

What the tragedy was—whether Bisesa had, in a fit of causeless despair, told everything, or the intrigue had been discovered and she tortured to tell, whether Durga Charan knew his name, and what became of Bisesa—Trejago does not know to this day. Something horrible had happened, and the thought of what it must have been comes upon Trejago in the night now and again, and keeps him company till the morning. One special feature of the case is that he does not know where lies the front of Durga Charan's house. It may open on to a courtyard common to two or more houses, or it may lie behind any one of the gates of Jitha Megji's bustee. Trejago cannot tell.

He cannot get Bisesa—poor little Bisesa—back again. He has lost her in the City, where each man's house is as guarded and as unknowable as the grave; and the grating that opens into Amir Nath's Gully has been walled up.

But Trejago pays his calls regularly, and is reckoned a very decent sort of man.

There is nothing peculiar about him, except a slight stiffness, caused by a riding-strain, in the right leg.

They burnt a corpse upon the sand—The light shone out afar;It guided home the plunging boatsThat beat from Zanzibar.Spirit of Fire, where'er Thy altars rise.Thou art Light of Guidance to our eyes!——Salsette Boat-Song.

There is hope for a man who gets publicly and riotously drunk more often that he ought to do; but there is no hope for the man who drinks secretly and alone in his own house—the man who is never seen to drink.

This is a rule; so there must be an exception to prove it.

Moriarty's case was that exception.

He was a Civil Engineer, and the Government, very kindly, put him quite by himself in an out-district, with nobody but natives to talk to and a great deal of work to do. He did his work well in the four years he was utterly alone; but he picked up the vice of secret and solitary drinking, and came up out of the wilderness more old and worn and haggard than the dead-alive life had any right to make him.

You know the saying that a man who has been alone in the jungle for more than a year is never quite sane all his life after. People credited Moriarty's queerness of manner and moody ways to the solitude, and said it showed how Government spoilt the futures of its best men. Moriarty had built himself the plinth of a very god reputation in the bridge-dam-girder line. But he knew, every night of the week, that he was taking steps to undermine that reputation with L. L. L. and “Christopher” and little nips of liqueurs, and filth of that kind. He had a sound constitution and a great brain, or else he would have broken down and died like a sick camel in the district, as better men have done before him.

Government ordered him to Simla after he had come out of the desert; and he went up meaning to try for a post then vacant. That season, Mrs. Reiver—perhaps you will remember her—was in the height of her power, and many men lay under her yoke. Everything bad that could be said has already been said about Mrs. Reiver, in another tale.

Moriarty was heavily-built and handsome, very quiet and nervously anxious to please his neighbors when he wasn't sunk in a brown study. He started a good deal at sudden noises or if spoken to without warning; and, when you watched him drinking his glass of water at dinner, you could see the hand shake a little. But all this was put down to nervousness, and the quiet, steady, “sip-sip-sip, fill and sip-sip-sip, again,” that went on in his own room when he was by himself, was never known. Which was miraculous, seeing how everything in a man's private life is public property out here.

Moriarty was drawn, not into Mrs. Reiver's set, because they were not his sort, but into the power of Mrs. Reiver, and he fell down in front of her and made a goddess of her. This was due to his coming fresh out of the jungle to a big town. He could not scale things properly or see who was what.

Because Mrs. Reiver was cold and hard, he said she was stately and dignified. Because she had no brains, and could not talk cleverly, he said she was reserved and shy. Mrs. Reiver shy! Because she was unworthy of honor or reverence from any one, he reverenced her from a distance and dowered her with all the virtues in the Bible and most of those in Shakespeare.

This big, dark, abstracted man who was so nervous when a pony cantered behind him, used to moon in the train of Mrs. Reiver, blushing with pleasure when she threw a word or two his way. His admiration was strictly platonic: even other women saw and admitted this. He did not move out in Simla, so he heard nothing against his idol: which was satisfactory. Mrs. Reiver took no special notice of him, beyond seeing that he was added to her list of admirers, and going for a walk with him now and then, just to show that he was her property, claimable as such. Moriarty must have done most of the talking, for Mrs. Reiver couldn't talk much to a man of his stamp; and the little she said could not have been profitable. What Moriarty believed in, as he had good reason to, was Mrs. Reiver's influence over him, and, in that belief, set himself seriously to try to do away with the vice that only he himself knew of.

His experiences while he was fighting with it must have been peculiar, but he never described them. Sometimes he would hold off from everything except water for a week. Then, on a rainy night, when no one had asked him out to dinner, and there was a big fire in his room, and everything comfortable, he would sit down and make a big night of it by adding little nip to little nip, planning big schemes of reformation meanwhile, until he threw himself on his bed hopelessly drunk. He suffered next morning.

One night, the big crash came. He was troubled in his own mind over his attempts to make himself “worthy of the friendship” of Mrs. Reiver. The past ten days had been very bad ones, and the end of it all was that he received the arrears of two and three-quarter years of sipping in one attack of delirium tremens of the subdued kind; beginning with suicidal depression, going on to fits and starts and hysteria, and ending with downright raving. As he sat in a chair in front of the fire, or walked up and down the room picking a handkerchief to pieces, you heard what poor Moriarty really thought of Mrs. Reiver, for he raved about her and his own fall for the most part; though he ravelled some P. W. D. accounts into the same skein of thought. He talked, and talked, and talked in a low dry whisper to himself, and there was no stopping him. He seemed to know that there was something wrong, and twice tried to pull himself together and confer rationally with the Doctor; but his mind ran out of control at once, and he fell back to a whisper and the story of his troubles. It is terrible to hear a big man babbling like a child of all that a man usually locks up, and puts away in the deep of his heart. Moriarty read out his very soul for the benefit of any one who was in the room between ten-thirty that night and two-forty-five next morning.

From what he said, one gathered how immense an influence Mrs. Reiver held over him, and how thoroughly he felt for his own lapse. His whisperings cannot, of course, be put down here; but they were very instructive as showing the errors of his estimates..........

When the trouble was over, and his few acquaintances were pitying him for the bad attack of jungle-fever that had so pulled him down, Moriarty swore a big oath to himself and went abroad again with Mrs. Reiver till the end of the season, adoring her in a quiet and deferential way as an angel from heaven. Later on he took to riding—not hacking, but honest riding—which was good proof that he was improving, and you could slam doors behind him without his jumping to his feet with a gasp. That, again, was hopeful.

How he kept his oath, and what it cost him in the beginning, nobody knows. He certainly managed to compass the hardest thing that a man who has drank heavily can do. He took his peg and wine at dinner, but he never drank alone, and never let what he drank have the least hold on him.

Once he told a bosom-friend the story of his great trouble, and how the “influence of a pure honest woman, and an angel as well” had saved him. When the man—startled at anything good being laid to Mrs. Reiver's door—laughed, it cost him Moriarty's friendship.

Moriarty, who is married now to a woman ten thousand times better than Mrs. Reiver—a woman who believes that there is no man on earth as good and clever as her husband—will go down to his grave vowing and protesting that Mrs. Reiver saved him from ruin in both worlds.

That she knew anything of Moriarty's weakness nobody believed for a moment. That she would have cut him dead, thrown him over, and acquainted all her friends with her discovery, if she had known of it, nobody who knew her doubted for an instant.

oriarty thought her something she never was, and in that belief saved himself. Which was just as good as though she had been everything that he had imagined.

But the question is, what claim will Mrs. Reiver have to the credit of Moriarty's salvation, when her day of reckoning comes?


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