The matter of securing admission to this house was quickly settled. The nephew, a genial, intelligent man of thirty-four, as Eugene discovered later, had no objection. It appeared to Eugene that in some way he contributed to the support of this house, though Mrs. Hibberdell obviously had some money of her own. A charmingly furnished room on the second floor adjoining one of the several baths was assigned him, and he was at once admitted to the freedom of the house. There were books, a piano (but no one to play it), a hammock, a maid-of-all-work, and an atmosphere of content and peace. Mrs. Hibberdell, a widow, presumably of some years of widowhood, was of that experience and judgment in life which gave her intellectual poise. She was not particularly inquisitive about anything in connection with him, and so far as he could see from surface indications was refined, silent, conservative. She could jest, and did, in a subtle understanding way. He told her quite frankly at the time he applied that he was married, that his wife was in the West and that he expected her to return after his health was somewhat improved. She talked with him about art and books and life in general. Music appeared to be to her a thing apart. She did not care much for it. The nephew, Davis Simpson, was neither literary nor artistic, and apparently cared little for music. He was a buyer for one of the larger department stores, a slight, dapper, rather dandified type of man, with a lean, not thin but tight-muscled face, and a short black mustache, and he appeared to be interested only in the humors of character, trade, baseball and methods of entertaining himself. The things that pleased Eugene about him were that he was clean, simple, direct, good-natured and courteous. He had apparently no desire to infringe on anybody's privacy, but was fond of stirring up light discussions and interpolating witty remarks. He liked also to grow flowers and to fish. The care of a border of flowers which glorified a short gravel path in the back yard received his especial attention evenings and mornings.
It was a great pleasure for Eugene to come into this atmosphere after the storm which had been assailing him for the past three years, and particularly for the past ninety days. He was only asked to pay eight dollars a week by Mrs. Hibberdell, thoughhe realized that what he was obtaining in home atmosphere here was not ordinarily purchasable at any price in the public market. The maid saw to it that a little bouquet of flowers was put on his dressing table daily. He was given fresh towels and linen in ample quantities. The bath was his own. He could sit out on the porch of an evening and look at the water uninterrupted or he could stay in the library and read. Breakfast and dinner were invariably delightful occasions, for though he rose at five-forty-five in order to have his bath, breakfast, and be able to walk to the factory and reach it by seven, Mrs. Hibberdell was invariably up, as it was her habit to rise thus early, had been so for years. She liked it. Eugene in his weary mood could scarcely understand this. Davis came to the table some few moments before he would be leaving. He invariably had some cheery remark to offer, for he was never sullen or gloomy. His affairs, whatever they were, did not appear to oppress him. Mrs. Hibberdell would talk to Eugene genially about his work, this small, social centre of which they were a part and which was called Riverwood, the current movements in politics, religion, science and so forth. There were references sometimes to her one daughter, who was married and living in New York. It appeared that she occasionally visited her mother here. Eugene was delighted to think he had been so fortunate as to find this place. He hoped to make himself so agreeable that there would be no question as to his welcome, and he was not disappointed.
Between themselves Mrs. Hibberdell and Davis discussed him, agreeing that he was entirely charming, a good fellow, and well worth having about. At the factory where Eugene worked and where the conditions were radically different, he made for himself an atmosphere which was almost entirely agreeable to him, though he quarreled at times with specific details. On the first morning, for instance, he was put to work with two men, heavy clods of souls he thought at first, familiarly known about the yard as John and Bill. These two, to his artistic eye, appeared machines, more mechanical than humanly self-directive. They were of medium height, not more than five feet, nine inches tall and weighed about one hundred and eighty pounds each. One had a round, poorly modeled face very much the shape of an egg, to which was attached a heavy yellowish mustache. He had a glass eye, complicated in addition by a pair of spectacles which were fastened over his large, protruding red ears with steel hooks. He wore a battered brown hat, now a limp shapeless mass. His name was Bill Jeffords and he responded sometimes to the sobriquet of "One Eye."
The other man was John alias "Jack" Duncan, an individual of the same height and build with but slightly more modeling to his face and with little if any greater intelligence. He looked somewhat the shrewder—Eugene fancied there might be lurking in him somewhere a spark of humor, but he was mistaken. Unquestionably in Jeffords there was none. Jack Stix, the foreman-carpenter, a tall, angular, ambling man with red hair, a red mustache, shifty, uncertain blue eyes and noticeably big hands and feet, had suggested to Eugene that he work with these men for a little while. It was his idea to "try him out," as he told one of the associate foremen who was in charge of a gang of Italians working in the yard for the morning, and he was quite equal to doing it. He thought Eugene had no business here and might possibly be scared off by a little rough work.
"He's up here for his health," he told him. "I don't know where he comes from. Mr. Brooks sent him up here with orders to put him on. I want to see how he takes to real work for awhile."
"Look out you don't hurt him," suggested the other. "He don't look very strong to me."
"He's strong enough to carry a few spiles, I guess. If Jimmy can carry 'em, he can. I don't intend to keep him at it long."
Eugene knew nothing of this, but when he was told to "come along, new man" and shown a pile of round, rough ash trunk cutting six inches in diameter and eight feet long, his courage failed him. He was suffered to carry some of these to the second floor, how many he did not know.
"Take 'em to Thompson up there in the corner," said Jeffords dully.
Eugene grasped one uncertainly in the middle with his thin, artistic hands. He did not know that there were ways of handling lumber just as there were ways of handling a brush. He tried to lift it but could not. The rough bark scratched his fingers cruelly.
"Yah gotta learn somepin about that before yuh begin, I guess," said Jack Duncan, who had been standing by eyeing him narrowly.
Jeffords had gone about some other work.
"I suppose I don't know very much about it," replied Eugene shamefacedly stopping and waiting for further instructions.
"Lemme show you a trick," said his associate. "There's tricks in all these here trades. Take it by the end this-a-way, and push it along until you can stand it up. Stoop down now and put your shoulder right next the middle. Gotta pad under yourshirt? You oughtta have one. Now put your right arm out ahead o'yuh, on the spile. Now you're all right."
Eugene straightened up and the rough post balanced itself evenly but crushingly on his shoulder. It appeared to grind his muscles and his back and legs ached instantly. He started bravely forward straining to appear at ease but within fifty feet he was suffering agony. He walked the length of the shop, however, up the stairs and back again to the window where Thompson was, his forehead bursting with perspiration and his ears red with blood. He fairly staggered as he neared the machine and dropped the post heavily.
"Look what you're doin'," said a voice behind him. It was Thompson, the lathe worker. "Can't you put that down easy?"
"No, I can't," replied Eugene angrily, his face tinged with a faint blush from his extreme exertion. He was astonished and enraged to think they should put him to doing work like this, especially since Mr. Haverford had told him it would be easy. He suspected at once a plot to drive him away. He would have added "these are too damn heavy for me," but he restrained himself. He went down stairs wondering how he was to get up the others. He fingered about the pole gingerly hoping that the time taken this way would ease his pain and give him strength for the next one. Finally he picked up another and staggered painfully to the loft again. The foreman had his eye on him but said nothing. It amused him a little to think Eugene was having such a hard time. It wouldn't hurt him for a change, would do him good. "When he gets four carried up let him go," he said to Thompson, however, feeling that he had best lighten the situation a little. The latter watched Eugene out of the tail of his eye noting the grimaces he made and the strain he was undergoing, but he merely smiled. When four had been dropped on the floor he said: "That'll do for the present," and Eugene, heaving a groan of relief, went angrily away. In his nervous, fantastic, imaginative and apprehensive frame of mind, he imagined he had been injured for life. He feared he had strained a muscle or broken a blood vessel somewhere.
"Good heavens, I can't stand anything like this," he thought. "If the work is going to be this hard I'll have to quit. I wonder what they mean by treating me this way. I didn't come here to do this."
Visions of days and weeks of back-breaking toil stretched before him. It would never do. He couldn't stand it. He saw his old search for work coming back, and this frightened him in another direction. "I mustn't give up so easily," he counseledhimself in spite of his distress. "I have to stick this out a little while anyhow." It seemed in this first trying hour as though he were between the devil and the deep sea. He went slowly down into the yard to find Jeffords and Duncan. They were working at a car, one inside receiving lumber to be piled, the other bringing it to him.
"Get down, Bill," said John, who was on the ground looking up at his partner indifferently. "You get up there, new man. What's your name?"
"Witla," said Eugene.
"Well, my name's Duncan. We'll bring this stuff to you and you pile it."
It was more heavy lumber, as Eugene apprehensively observed, quarter cut joists for some building—"four by fours" they called them—but after he was shown the art of handling them they were not unmanageable. There were methods of sliding and balancing them which relieved him of a great quantity of labor. Eugene had not thought to provide himself with gloves though, and his hands were being cruelly torn. He stopped once to pick a splinter out of his thumb and Jeffords, who was coming up, asked, "Ain't cha got no gloves?"
"No," said Eugene, "I didn't think to get any."
"Your hands'll get pretty well bunged up, I'm afraid. Maybe Joseph'll let you have his for to-day, you might go in and ask him."
"Where's Joseph?" asked Eugene.
"He's inside there. He's taking from the plane."
Eugene did not understand this quite. He knew what a plane was, had been listening to it sing mightily all the morning, the shavings flying as it smoothed the boards, buttaking?
"Where's Joseph?" he asked of the plane driver.
He nodded his head to a tall hump-shouldered boy of perhaps twenty-two. He was a big, simple, innocent looking fellow. His face was long and narrow, his mouth wide, his eyes a watery blue, his hair a shock of brown, loose and wavy, with a good sprinkling of sawdust in it. About his waist was a big piece of hemp bagging tied by a grass rope. He wore an old faded wool cap with a long visor in order to shield his eyes from the flying chips and dust, and when Eugene came in one hand was lifted protectingly to shield his eyes. Eugene approached him deprecatingly.
"One of the men out in the yard said that you might have a pair of gloves you would lend me for to-day. I'm piling lumber and it's tearing my hands. I forgot to get a pair."
"Sure," said Joseph genially waving his hand to the driver to stop. "They're over here in my locker. I know what that is. I been there. When I come here they rubbed it into me jist as they're doin' to you. Doncher mind. You'll come out all right. Up here for your health, are you? It ain't always like that. Somedays there ain't most nothin' to do here. Then somedays ag'in there's a whole lot. Well, it's good healthy work, I can say that. I ain't most never sick. Nice fresh air we git here and all that."
He rambled on, fumbling under his bagging apron for his keys, unlocking his locker and producing a great pair of old yellow lumber gloves. He gave them to Eugene cheerfully and the latter thanked him. He liked Eugene at once and Eugene liked him. "A nice fellow that," he said, as he went back to his car. "Think of how genially he gave me these. Lovely! If only all men were as genial and kindly disposed as this boy, how nice the world would be." He put on the gloves and found his work instantly easier for he could grasp the joists firmly and without pain. He worked on until noon when the whistle blew and he ate a dreary lunch sitting by himself on one side, pondering. After one he was called to carry shavings, one basket after another back through the blacksmith shop to the engine room in the rear where was a big shaving bin. By four o'clock he had seen almost all the characters he was going to associate with for the time that he stayed there. Harry Fornes, the blacksmith or "the village smith," as Eugene came to call him later on, Jimmy Sudds, the blacksmith's helper or "maid-of-all-work" as he promptly named him; John Peters, the engineer, Malachi Dempsey, the driver of the great plane, Joseph Mews and, in addition, carpenters, tin-smiths, plumbers, painters, and those few exceptional cabinet makers who passed through the lower floor now and then, men who were about the place from time to time and away from it at others all of whom took note of Eugene at first as a curiosity.
Eugene was himself intensely interested in the men. Harry Fornes and Jimmy Sudds attracted him especially. The former was an undersized American of distant Irish extraction who was so broad chested, swollen armed, square-jawed and generally self-reliant and forceful as to seem a minor Titan. He was remarkably industrious, turning out a great deal of work and beating a piece of iron with a resounding lick which could be heard all about the hills and hollows outside. Jimmy Sudds, his assistant, was like his master equally undersized, dirty, gnarled, twisted, his teeth showing like a row of yellow snags, his earsstanding out like small fans, his eye askew, but nevertheless with so genial a look in his face as to disarm criticism at once. Every body liked Jimmy Sudds because he was honest, single-minded and free of malicious intent. His coat was three and his trousers two times too large for him, and his shoes were obviously bought at a second-hand store, but he had the vast merit of being a picture. Eugene was fascinated with him. He learned shortly that Jimmy Sudds truly believed that buffaloes were to be shot around Buffalo, New York.
John Peters, the engineer, was another character who fixed his attention. John was almost helplessly fat and was known for this reason as "Big John." He was a veritable whale of a man. Six feet tall, weighing over three hundred pounds and standing these summer days in his hot engine room, his shirt off, his suspenders down, his great welts of fat showing through his thin cotton undershirt, he looked as though he might be suffering, but he was not. John, as Eugene soon found out, did not take life emotionally. He stood mostly in his engine room door when the shade was there staring out on the glistening water of the river, occasionally wishing that he didn't need to work but could lie and sleep indefinitely instead.
"Wouldja think them fellers would feel purty good sittin' out there on the poop deck of them there yachts smokin' their perfectos?" he once asked Eugene, apropos of the magnificent private vessels that passed up and down the river.
"I certainly would," laughed Eugene.
"Aw! Haw! That's the life fer yer uncle Dudley. I could do that there with any of 'em. Aw! Haw!"
Eugene laughed joyously.
"Yes, that's the life," he said. "We all could stand our share."
Malachi Dempsey, the driver of the great plane, was dull, tight-mouthed, silent, more from lack of ideas than anything else, though oyster-wise he had learned to recede from all manner of harm by closing his shell tightly. He knew no way to avoid earthly harm save by being preternaturally silent, and Eugene saw this quickly. He used to stare at him for long periods at a time, marvelling at the curiosity his attitude presented. Eugene himself, though, was a curiosity to the others, even more so than they to him. He did not look like a workingman and could not be made to do so. His spirit was too high, his eye too flashing and incisive. He smiled at himself carrying basketful after basketful of shavings from the planing room, where it rained shavings and from which, because of the lack of a shaving blower, they had to be removed back to the hot engine room where Big Johnpresided. The latter took a great fancy to Eugene, but something after the fashion of a dog for a master. He did not have a single idea above his engine, his garden at home, his wife, his children and his pipe. These and sleep—lots of it—were his joys, his recreations, the totality of his world.
There were many days now, three months all told, in which Eugene obtained insight into the workaday world such as he had not previously had. It is true he had worked before in somewhat this fashion, but his Chicago experience was without the broad philosophic insight which had come to him since. Formerly the hierarchies of power in the universe and on earth were inexplicable to him—all out of order; but here, where he saw by degrees ignorant, almost animal intelligence, being directed by greater, shrewder, and at times it seemed to him possibly malicious intelligences—he was not quite sure about that—who were so strong that the weaker ones must obey them, he began to imagine that in a rough way life might possibly be ordered to the best advantage even under this system. It was true that men quarreled here with each other as to who should be allowed to lead. There was here as elsewhere great seeking for the privileges and honors of direction and leadership in such petty things as the proper piling of lumber, the planing of boards, the making of desks and chairs, and men were grimly jealous of their talents and abilities in these respects, but in the main it was the jealousy that makes for ordered, intelligent control. All were striving to do the work of intelligence, not of unintelligence. Their pride, however ignorant it might be, was in the superior, not the inferior. They might complain of their work, snarl at each other, snarl at their bosses, but after all it was because they were not able or permitted to do the higher work and carry out the orders of the higher mind. All were striving to do something in a better way, a superior way, and to obtain the honors and emoluments that come from doing anything in a superior way. If they were not rewarded according to their estimate of their work there was wrath and opposition and complaint and self-pity, but the work of the superior intelligence was the thing which each in his blind, self-seeking way was apparently trying to do.
Because he was not so far out of his troubles that he could be forgetful of them, and because he was not at all certain that his talent to paint was ever coming back to him, he was not as cheerful at times as he might have been; but he managed to conceal it pretty well. This one thought with its attendantills of probable poverty and obscurity were terrible to him. Time was slipping away and youth. But when he was not thinking of this he was cheerful enough. Besides he had the ability to simulate cheerfulness even when he did not feel it. Because he did not permanently belong to this world of day labor and because his position which had been given him as a favor was moderately secure, he felt superior to everything about him. He did not wish to show this feeling in any way—was very anxious as a matter of fact to conceal it, but his sense of superiority and ultimate indifference to all these petty details was an abiding thought with him. He went to and fro carrying a basket of shavings, jesting with "the village smith," making friends with "Big John," the engineer, with Joseph, Malachi Dempsey, little Jimmy Sudds, in fact anyone and everyone who came near him who would be friends. He took a pencil one day at the noon hour and made a sketch of Harry Fornes, the blacksmith, his arm upraised at the anvil, his helper, Jimmy Sudds, standing behind him, the fire glowing in the forge. Fornes, who was standing beside him, looking over his shoulder, could scarcely believe his eyes.
"Wotcha doin'?" he asked Eugene curiously, looking over his shoulder, for it was at the blacksmith's table, in the sun of his window that he was sitting, looking out at the water. Eugene had bought a lunch box and was carrying with him daily a delectable lunch put up under Mrs. Hibberdell's direction. He had eaten his noonday meal and was idling, thinking over the beauty of the scene, his peculiar position, the curiosities of this shop—anything and everything that came into his head.
"Wait a minute," he said genially, for he and the smith were already as thick as thieves.
The latter gazed interestedly and finally exclaimed:
"W'y that's me, ain't it?"
"Yep!" said Eugene.
"Wat are you goin' to do with that wen you get through with it?" asked the latter avariciously.
"I'm going to give it to you, of course."
"Say, I'm much obliged fer that," replied the smith delightedly. "Gee, the wife'll be tickled to see that. You're a artist, ain't cher? I hearda them fellers. I never saw one. Gee, that's good, that looks just like me, don't it?"
"Something," said Eugene quietly, still working.
The helper came in.
"Watcha' doin'?" he asked.
"He's drawin' a pitcher, ya rube, watchye suppose he's doin',"informed the blacksmith authoritatively. "Don't git too close. He's gotta have room."
"Aw, whose crowdin'?" asked the helper irritably. He realized at once that his superior was trying to shove him in the background, this being a momentous occasion. He did not propose that any such thing should happen. The blacksmith glared at him irritably but the progress of the art work was too exciting to permit of any immediate opportunities for hostilities, so Jimmy was allowed to crowd close and see.
"Ho, ho! that's you, ain't it," he asked the smith curiously, indicating with a grimy thumb the exact position of that dignitary on the drawing.
"Don't," said the latter, loftily—"sure! He's gotta have room."
"An' there's me. Ho! Ho! Gee, I look swell, don't I? Ho! ho!"
The little helper's tushes were showing joyously—a smile that extended far about either side of his face. He was entirely unconscious of the rebuke administered by the smith.
"If you're perfectly good, Jimmy," observed Eugene cheerfully still working, "I may make a sketch of you, sometime!"
"Na! Will you? Go on! Say, hully chee. Dat'll be fine, won't it? Say, ho! ho! De folks at home won't know me. I'd like to have a ting like dat, say!"
Eugene smiled. The smith was regretful. This dividing of honors was not quite all that it might be. Still his own picture was delightful. It looked exactly like the shop. Eugene worked until the whistle blew and the belts began to slap and the wheels to whirr. Then he got up.
"There you are, Fornes," he said. "Like it?"
"Gee, it's swell," said the latter and carried it to the locker. He took it out after a bit though and hung it up over his bench on the wall opposite his forge, for he wanted everyone to see. It was one of the most significant events in his life. This sketch was the subject immediately of a perfect storm of discussion. Eugene was an artist—could draw pictures—that was a revelation in itself. Then this picture was so life-like. It looked like Fornes and Sudds and the shop. Everyone was interested. Everyone jealous. They could not understand how God had favored the smith in this manner. Why hadn't Eugene sketched them before he did him? Why didn't he immediately offer to sketch them now? Big John came first, tipped off and piloted by Jimmy Sudds.
"Say!" he said his big round eyes popping with surprise."There's some class to that, what? That looks like you, Fornes. Jinged if it don't! An' Suddsy! Bless me if there ain't Suddsy. Say, there you are, kid, natural as life, damned if you ain't. That's fine. You oughta keep that, smith."
"I intend to," said the latter proudly.
Big John went back to his engine room regretfully. Next came Joseph Mews, his shoulders humped, his head bobbing like a duck, for he had this habit of nodding when he walked.
"Say, wot d'ye thinka that?" he asked. "Ain't that fine. He kin drawr jist as good as they do in them there magazines. I see them there things in them, now an' then. Ain't that swell? Lookit Suddsy back in there. Eh, Suddsy, you're in right, all right. I wisht he'd make a picture o' us out there. We're just as good as you people. Wats the matter with us, eh?"
"Oh, he ain't goin' to be bothered makin' pitchers of you mokes," replied the smith jestingly. "He only draws real ones. You want to remember that, Mews. He's gotta have good people to make sketches of. None o' your half-class plane-drivers and jig-saw operators."
"Is that so? Is that so?" replied Joseph contemptuously, his love of humor spurred by the slight cast upon his ability. "Well if he was lookin' for real ones he made a mistake wen he come here. They're all up front. You don't want to forget that, smith. They don't live in no blacksmith's shop as I ever seen it."
"Cut it out! Cut it out!" called little Sudds from a position of vantage near the door. "Here comes the boss," and Joseph immediately pretended to be going to the engine room for a drink. The smith blew up his fire as though it were necessary to heat the iron he had laid in the coals. Jack Stix came ambling by.
"Who did that?" he asked, stopping after a single general, glance and looking at the sketch on the wall.
"Mr. Witla, the new man," replied the smith, reverently.
"Say, that's pretty good, ain't it?" the foreman replied pleasantly. "He did that well. He must be an artist."
"I think he is," replied the smith, cautiously. He was always eager to curry favor with the boss. He came near to his side and looked over his arm. "He done it here today at noon in about a half an hour."
"Say, that's pretty good now," and the foreman went on his way, thinking.
If Eugene could do that, why was he here? It must be his run down condition, sure enough. And he must be the friend of someone high in authority. He had better be civil. Hithertohe had stood in suspicious awe of Eugene, not knowing what to make of him. He could not figure out just why he was here—a spy possibly. Now he thought that he might be mistaken.
"Don't let him work too hard," he told Bill and John. "He ain't any too strong yet. He came up here for his health."
He was obeyed in this respect, for there was no gain-saying the wishes of a foreman, but this open plea for consideration was the one thing if any which could have weakened Eugene's popularity. The men did not like the foreman. He would have been stronger at any time in the affections of the men if the foreman had been less markedly considerate or against him entirely.
The days which followed were restful enough though hard, for Eugene found that the constant whirl of work which went on here, and of which he had naturally to do his share, was beneficial to him. For the first time in several years he slept soundly. He would don his suit of blue overalls and jumper in the morning a few minutes before the whistle blew at seven and from then on until noon, and from one o'clock until six he would carry shavings, pile lumber for one or several of the men in the yard, load or unload cars, help Big John stoke his boilers, or carry chips and shavings from the second floor. He wore an old hat which he had found in a closet at Mrs. Hibberdell's, a faded, crumpled memory of a soft tan-colored sombrero which he punched jauntily to a peak and wore over one ear. He had big new yellow gloves which he kept on his hands all day, which were creased and frayed, but plenty good enough for this shop and yard. He learned to handle lumber nicely, to pile with skill, to "take" for Malachi Dempsey from the plane, to drive the jig-saw, and other curious bits. He was tireless in his energy because he was weary of thinking and hoped by sheer activity to beat down and overcome his notion of artistic inability—to forget that he believed that he couldn't paint and so be able to paint again. He had surprised himself in these sketches he had made, for his first feeling under the old régime would have been that he could not make them. Here, because the men were so eager and he was so much applauded, he found it rather easy and, strange to say, he thought they were good.
At the home of Mrs. Hibberdell at night he would lay off all his working clothes before dinner, take a cold bath and don a new brown suit, which because of the assurance of this position he had bought for eighteen dollars, ready made. He found it hard to get off to buy anything, for his pay ceased (fifteen cents an hour) the moment he left the shop. He had put his picturesin storage in New York and could not get off (or at least did not want to take the time off) to go and sell any. He found that he could leave without question if he wanted no pay, but if he wanted pay and had a good reason he could sometimes be excused. His appearance about the house and yard after six-thirty in the evening and on Sundays was attractive enough. He looked delicate, refined, conservative, and, when not talking to someone, rather wistful. He was lonely and restless, for he felt terribly out of it. This house was lonely. As at Alexandria, before he met Frieda, he was wishing there were some girls about. He wondered where Frieda was, what she was doing, whether she had married. He hoped not. If life had only given him a girl like Frieda—so young, so beautiful! He would sit and gaze at the water after dark in the moonlight, for this was his one consolation—the beauty of nature—thinking. How lovely it all was! How lovely life was,—this village, the summer trees, the shop where he worked, the water, Joseph, little Jimmy, Big John, the stars. If he could paint again, if he could be in love again. In love! In love! Was there any other sensation in the world like that of being in love?
A spring evening, say, some soft sweet odours blowing as they were tonight, the dark trees bending down, or the twilight angelically silver, hyacinth, orange, some soothing murmurs of the wind; some faint chirping of the tree-toads or frogs and then your girl. Dear God! Could anything be finer than that? Was anything else in life worth while? Your girl, her soft young arms about your neck, her lips to yours in pure love, her eyes speaking like twin pools of color here in the night.
So had it been only a little while ago with Frieda. So had it been once with Angela. So long ago with Stella! Dear, sweet Stella, how nice she was. And now here he was sick and lonely and married and Angela would be coming back soon—and—He would get up frequently to shut out these thoughts, and either read or walk or go to bed. But he was lonely, almost irritably so. There was only one true place of comfort for Eugene anywhere and that was in the spring time in love.
It was while he was mooning along in this mood, working, dreaming, wishing, that there came, one day to her mother's house at Riverwood, Carlotta Wilson—Mrs. Norman Wilson, in the world in which she moved—a tall brunette of thirty-two, handsome after the English fashion, shapely, graceful, with a knowledge of the world which was not only compounded of natural intelligence and a sense of humor, but experiences fortunate and unfortunate which had shown her both the showy and the seamy sides of life. To begin with she was the wife of a gambler—a professional gambler—of that peculiar order which essays the rôle of a gentleman, looks the part, and fleeces unmercifully the unwary partakers of their companionship. Carlotta Hibberdell, living with her mother at that time in Springfield, Massachusetts, had met him at a local series of races, which she was attending with her father and mother, where Wilson happened to be accidentally upon another mission. Her father, a real estate dealer, and fairly successful at one time, was very much interested in racing horses, and owned several of worthy records though of no great fame. Norman Wilson had posed as a real estate speculator himself, and had handled several fairly successful deals in land, but his principal skill and reliance was in gambling. He was familiar with all the gambling opportunities of the city, knew a large circle of those who liked to gamble, men and women in New York and elsewhere, and his luck or skill at times was phenomenal. At other times it was very bad. There were periods when he could afford to live in the most expensive apartment houses, dine at the best restaurants, visit the most expensive country pleasure resorts and otherwise disport himself in the companionship of friends. At other times, because of bad luck, he could not afford any of these things and though he held to his estate grimly had to borrow money to do it. He was somewhat of a fatalist in his interpretation of affairs and would hang on with the faith that his luck would turn. It did turn invariably, of course, for when difficulties began to swarm thick and fast he would think vigorously and would usually evolve some idea which served to help him out. His plan was always to spin a web like a spider and await the blundering flight of some unwary fly.
At the time she married him Carlotta Hibberdell did not know of the peculiar tendencies and subtle obsession of her ardent lover. Like all men of his type he was suave, persuasive, passionate, eager. There was a certain cat-like magnetism about him also which fascinated her. She could not understand him at that time and she never did afterwards. The license which he subsequently manifested not only with her but with others astonished and disgusted her. She found him selfish, domineering, outside his own particular field shallow, not at all artistic, emotional, or poetic. He was inclined to insist on the last touch of material refinement in surroundings (so far as he understood them) when he had money, but she found to her regret that he did not understand them. In his manner with her and everyone else he was top-lofty, superior, condescending. His stilted language at times enraged and at other times amused her, and when her original passion passed and she began to see through his pretence to his motives and actions she became indifferent and then weary. She was too big a woman mentally to quarrel with him much. She was too indifferent to life in its totality to really care. Her one passion was for an ideal lover of some type, and having been thoroughly mistaken in him she looked abroad wondering whether there were any ideal men.
Various individuals came to their apartments. There were gamblers, blasé society men, mining experts, speculators, sometimes with, sometimes without a wife. From these and from her husband and her own observation she learned of all sorts of scoundrels, mes-alliances, [sic] queer manifestations of incompatibility of temper, queer freaks of sex desire. Because she was good looking, graceful, easy in her manners, there were no end of proposals, overtures, hints and luring innuendos cast in her direction. She had long been accustomed to them. Because her husband deserted her openly for other women and confessed it in a blasé way she saw no valid reason for keeping herself from other men. She chose her lovers guardedly and with subtle taste, beginning after mature deliberation with one who pleased her greatly. She was seeking refinement, emotion, understanding coupled with some ability and they were not so easy to find. The long record of her liaisons is not for this story, but their impress on her character was important.
She was indifferent in her manner at most times and to most people. A good jest or story drew from her a hearty laugh. She was not interested in books except those of a very exceptional character—the realistic school—and these she thought ought not to be permitted except to private subscribers, nevertheless shecared for no others. Art was fascinating—really great art. She loved the pictures of Rembrandt, Frans Hals, Correggio, Titian. And with less discrimination, and more from a sensual point of view the nudes of Cabanel, Bouguereau and Gerome. To her there was reality in the works of these men, lightened by great imagination. Mostly people interested her, the vagaries of their minds, the idiosyncrasies of their characters, their lies, their subterfuges, their pretences, their fears. She knew that she was a dangerous woman and went softly, like a cat, wearing a half-smile not unlike that seen on the lips of Monna Lisa, but she did not worry about herself. She had too much courage. At the same time she was tolerant, generous to a fault, charitable. When someone suggested that she overdid the tolerance, she replied, "Why shouldn't I? I live in such a magnificent glass house."
The reason for her visit home on this occasion was that her husband had practically deserted her for the time being. He was in Chicago for some reason principally because the atmosphere in New York was getting too hot for him, as she suspected. Because she hated Chicago and was weary of his company she refused to go with him. He was furious for he suspected her of liaisons, but he could not help himself. She was indifferent. Besides she had other resources than those he represented, or could get them.
A certain wealthy Jew had been importuning her for years to get a divorce in order that he might marry her. His car and his resources were at her command but she condescended only the vaguest courtesies. It was within the ordinary possibilities of the day for him to call her up and ask if he could not come with his car. He had three. She waved most of this aside indifferently. "What's the use?" was her pet inquiry. Her husband was not without his car at times. She had means to drive when she pleased, dress as she liked, and was invited to many interesting outings. Her mother knew well of her peculiar attitude, her marital troubles, her quarrels and her tendency to flirt. She did her best to keep her in check, for she wanted to retain for her the privilege of obtaining a divorce and marrying again, the next time successfully. Norman Wilson, however, would not readily give her a legal separation even though the preponderance of evidence was against him and, if she compromised herself, there would be no hope. She half suspected that her daughter might already have compromised herself, but she could not be sure. Carlotta was too subtle. Norman made open charges in theirfamily quarrels, but they were based largely on jealousy. He did not know for sure.
Carlotta Wilson had heard of Eugene. She did not know of him by reputation, but her mother's guarded remarks in regard to him and his presence, the fact that he was an artist, that he was sick and working as a laborer for his health aroused her interest. She had intended to spend the period of her husband's absence at Narragansett with some friends, but before doing so she decided to come home for a few days just to see for herself. Instinctively her mother suspected curiosity on her part in regard to Eugene. She threw out the remark that he might not stay long, in the hope that her daughter might lose interest. His wife was coming back. Carlotta discerned this opposition—this desire to keep her away. She decided that she would come.
"I don't know that I want to go to Narragansett just now," she told her mother. "I'm tired. Norman has just worn my nerves to a frazzle. I think I'll come up home for a week or so."
"All right," said her mother, "but do be careful how you act now. This Mr. Witla appears to be a very nice man and he's happily married. Don't you go casting any looks in his direction. If you do I won't let him stay here at all."
"Oh, how you talk," replied Carlotta irritably. "Do give me a little credit for something. I'm not going up there to see him. I'm tired, I tell you. If you don't want me to come I won't."
"It isn't that, I do want you. But you know how you are. How do you ever expect to get free if you don't conduct yourself circumspectly? You know that you—"
"Oh, for heaven's sake, I hope you're not going to start that old argument again," exclaimed Carlotta defensively. "What's the use beginning on that? We've been all over it a thousand times. I can't go anywhere or do anything but what you want to fuss. Now I'm not coming up there to do anything but rest. Why will you always start in to spoil everything?"
"Well now, you know well enough, Carlotta—" reiterated her mother.
"Oh, chuck it. I'll not come. To hell with the house. I'll go to Narragansett. You make me tired!"
Her mother looked at her tall daughter, graceful, handsome, her black hair parted in rich folds, irritated and yet pleased with her force and ability. If she would only be prudent and careful, what a figure she might yet become! Her complexion was like old rose-tinted ivory, her lips the color of dark raspberries, hereyes bluish grey, wide set, large, sympathetic, kindly. What a pity she had not married some big, worthy man to begin with. To be tied up to this gambler, even though they did live in Central Park West and had a comparatively sumptuous apartment, was a wretched thing. Still it was better than poverty or scandal, though if she did not take care of herself both might ensue. She wanted her to come to Riverwood for she liked her company, but she wanted her to behave herself. Perhaps Eugene would save the day. He was certainly restrained enough in his manner and remarks. She went back to Riverwood, and Carlotta, the quarrel smoothed over, followed her.
Eugene did not see her during the day she arrived, for he was at work; and she did not see him as he came in at night. He had on his old peaked hat and carried his handsome leather lunch box jauntily in one hand. He went to his room, bathed, dressed and then out on the porch to await the call of the dinner gong. Mrs. Hibberdell was in her room on the second floor and "Cousin Dave," as Carlotta called Simpson, was in the back yard. It was a lovely twilight. He was in the midst of deep thoughts about the beauty of the scene, his own loneliness, the characters at the shop-work, Angela and what not, when the screen door opened and she stepped out. She had on a short-sleeved house dress of spotted blue silk with yellow lace set about the neck and the ends of the sleeves. Her shapely figure, beautifully proportioned to her height, was set in a smooth, close fitting corset. Her hair, laid in great braids at the back, was caught in a brown spangled net. She carried herself with thoughtfulness and simplicity, seeming naturally indifferent.
Eugene rose. "I'm in your way, I think. Won't you have this chair?"
"No, thanks. The one in the corner will do. But I might as well introduce myself, since there isn't anyone here to do it. I'm Mrs. Wilson, Mrs. Hibberdell's daughter. You're Mr. Witla?"
"Yes, I answer to that," said Eugene, smiling. He was not very much impressed at first. She seemed nice and he fancied intelligent—a little older than he would have preferred any woman to be who was to interest him. She sat down and looked at the water. He took his chair and held his peace. He was not even interested to talk to her. She was nice to look at, however. Her presence lightened the scene for him.
"I always like to come up here," she volunteered finally. "It's so warm in the city these days. I don't think many people know of this place. It's out of the beaten track."
"I enjoy it," said Eugene. "It's such a rest for me. I don't know what I would have done if your mother hadn't taken me in. It's rather hard to find any place, doing what I am."
"You've taken a pretty strenuous way to get health, I should say," she observed. "Day labor sounds rough to me. Do you mind it?"
"Not at all. I like it. The work is interesting and not so very hard. It's all so new to me, that's what makes it easy. I like the idea of being a day laborer and associating with laborers. It's only because I'm run down in health that I worry. I don't like to be sick."
"It is bad," she replied, "but this will probably put you on your feet. I think we're always inclined to look on our present troubles as the worst. I know I am."
"Thanks for the consolation," he said.
She did not look at him and he rocked to and fro silently. Finally the dinner gong struck. Mrs. Hibberdell came down stairs and they went in.
The conversation at dinner turned on his work for a few moments and he described accurately the personalities of John and Bill and Big John the engineer, and little Suddsy and Harry Fornes, the blacksmith. Carlotta listened attentively without appearing to, for everything about Eugene seemed singular and exceptional to her. She liked his tall, spare body, his lean hands, his dark hair and eyes. She liked the idea of his dressing as a laboring man in the morning, working all day in the shop, and yet appearing so neat and trim at dinner. He was easy in his manner, apparently lethargic in his movements and yet she could feel a certain swift force that filled the room. It was richer for his presence. She understood at a glance that he was an artist, in all probability a good one. He said nothing of that, avoided carefully all reference to his art, and listened attentively. She felt though as if he were studying her and everyone else, and it made her gayer. At the same time she had a strong leaning toward him. "What an ideal man to be associated with," was one of her repeated thoughts.
Although she was about the house for ten days and he met her after the third morning not only at dinner, which was natural enough, but at breakfast (which surprised him a little), he paid not so very much attention to her. She was nice, very, but Eugene was thinking of another type. He thought she was uncommonly pleasant and considerate and he admired her style of dressing and her beauty, studying her with interest, wondering what sort of a life she led, for from various bits of conversationhe overheard not only at table but at other times he judged she was fairly well to do. There was an apartment in Central Park West, card parties, automobile parties, theatre parties and a general sense of people—acquaintances anyhow, who were making money. He heard her tell of a mining engineer, Dr. Rowland; of a successful coal-mining speculator, Gerald Woods; of a Mrs. Hale who was heavily interested in copper mines and apparently very wealthy. "It's a pity Norman couldn't connect with something like that and make some real money," he heard her say to her mother one evening. He understood that Norman was her husband and that he probably would be back soon. So he kept his distance—interested and curious but hardly more.
Mrs. Wilson was not so easily baffled, however. A car appeared one evening at the door immediately after dinner, a great red touring car, and Mrs. Wilson announced easily, "We're going for a little spin after dinner, Mr. Witla. Don't you want to come along?"
Eugene had never ridden in an automobile at that time. "I'd be very pleased," he said, for the thought of a lonely evening in an empty house had sprung up when he saw it appear.
There was a chauffeur in charge—a gallant figure in a brown straw cap and tan duster, but Mrs. Wilson manœuvred for place.
"You sit with the driver, coz," she said to Simpson, and when her mother stepped in she followed after, leaving Eugene the place to the right of her.
"There must be a coat and cap in the locker," she said to the chauffeur; "let Mr. Witla have it."
The latter extracted a spare linen coat and straw cap which Eugene put on.
"I like automobiling, don't you?" she said to Eugene good-naturedly. "It's so refreshing. If there is any rest from care on this earth it's in traveling fast."
"I've never ridden before," replied Eugene simply. Something about the way he said it touched her. She felt sorry for him because he appeared lonely and gloomy. His indifference to her piqued her curiosity and irritated her pride. Why shouldn't he take an interest in her? As they sped under leafy lanes, up hill and down dale, she made out his face in the starlight. It was pale, reflective, indifferent. "These deep thinkers!" she chided him. "It's terrible to be a philosopher." Eugene smiled.
When they reached home he went to his room as did all the others to theirs. He stepped out into the hall a few minutes later to go to the library for a book, and found that her door whichhe had to pass was wide open. She was sitting back in a Morris chair, her feet upon another chair, her skirts slightly drawn up revealing a trim foot and ankle. She did not stir but looked up and smiled winningly.
"Aren't you tired enough to sleep?" he asked.
"Not quite yet," she smiled.
He went down stairs and turning on a light in the library stood looking at a row of books reading the titles. He heard a step and there she was looking at the books also.
"Don't you want a bottle of beer?" she asked. "I think there is some in the ice box. I forgot that you might be thirsty."
"I really don't care," he said. "I'm not much for drinks of any kind."
"That's not very sociable," she laughed.
"Let's have the beer then," he said.
She threw herself back languidly in one of the big dining room chairs when she had brought the drinks and some Swiss cheese and crackers, and said: "I think you'll find some cigarettes on the table in the corner if you like."
He struck her a match and she puffed her cigarette comfortably. "I suppose you find it lonely up here away from all your friends and companions," she volunteered.
"Oh, I've been sick so long I scarcely know whether I have any."
He described some of his imaginary ailments and experiences and she listened to him attentively. When the beer was gone she asked him if he would have more but he said no. After a time because he stirred wearily, she got up.
"Your mother will think we're running some sort of a midnight game down here," he volunteered.
"Mother can't hear," she said. "Her room is on the third floor and besides she doesn't hear very well. Dave don't mind. He knows me well enough by now to know that I do as I please."
She stood closer to Eugene but still he did not see. When he moved away she put out the lights and followed him to the stairs.
"He's either the most bashful or the most indifferent of men," she thought, but she said softly, "Good-night. Pleasant dreams to you," and went her way.
Eugene thought of her now as a good fellow, a little gay for a married woman, but probably circumspect withal. She was simply being nice to him. All this was simply because, as yet, he was not very much interested.
There were other incidents. One morning he passed her door. Her mother had already gone down to breakfast and there was the spectacle of a smooth, shapely arm and shoulder quite bare to his gaze as she lay on her pillow apparently unconscious that her door was open. It thrilled him as something sensuously beautiful for it was a perfect arm. Another time he saw her of an evening just before dinner buttoning her shoes. Her dress was pulled three-quarters of the way to her knees and her shoulders and arms were bare, for she was still in her corset and short skirts. She seemed not to know that he was near. One night after dinner he started to whistle something and she went to the piano to keep him company. Another time he hummed on the porch and she started the same song, singing with him. He drew his chair near the window where there was a couch after her mother had retired for the night, and she came and threw herself on it. "You don't mind if I lie here?" she said, "I'm tired tonight."
"Not at all. I'm glad of your company. I'm lonely."
She lay and stared at him, smiling. He hummed and she sang. "Let me see your palm," she said, "I want to learn something." He held it out. She fingered it temptingly. Even this did not wake him.
She left for five days because of some necessity in connection with her engagements and when she returned he was glad to see her. He had been lonesome, and he knew now that she made the house gayer. He greeted her genially.
"I'm glad to see you back," he said.
"Are you really?" she replied. "I don't believe it."
"Why not?" he asked.
"Oh, signs, omens and portents. You don't like women very well I fancy."
"Don't I!"
"No, I think not," she replied.
She was charming in a soft grayish green satin. He noticed that her neck was beautiful and that her hair looped itself gracefully upon the back of it. Her nose was straight and fine, sensitive because of its thin partitioning walls. He followed her into the library and they went out on the porch. Presently he returned—it was ten o'clock—and she came also. Davis had gone to his room, Mrs. Hibberdell to hers.
"I think I'll read," he said, aimlessly.
"Why anything like that?" she jested. "Never read when you can do anything else."
"What else can I do?"
"Oh, lots of things. Play cards, tell fortunes, read palms, drink beer—" She looked at him wilfully.
He went to his favorite chair near the window, side by side with the window-seat couch. She came and threw herself on it.
"Be gallant and fix my pillows for me, will you?" she asked.
"Of course I will," he said.
He took a pillow and raised her head, for she did not deign to move.
"Is that enough?" he inquired.
"One more."
He put his hand under the first pillow and lifted it up. She took hold of his free hand to raise herself. When she had it she held it and laughed a curious excited laugh. It came over him all at once, the full meaning of all the things she had been doing. He dropped the pillow he was holding and looked at her steadfastly. She relaxed her hold and leaned back, languorous, smiling. He took her left hand, then her right and sat down beside her. In a moment he slipped one arm under her waist and bending over put his lips to hers. She twined her arms about his neck tightly and hugged him close; then looking in his eyes she heaved a great sigh.
"You love me, don't you?" he asked.
"I thought you never would," she sighed, and clasped him to her again.
The form of Carlotta Wilson was perfect, her passion eager, her subtlety a match for almost any situation. She had deliberately set out to win Eugene because he was attractive to her and because, by his early indifference, he had piqued her vanity and self-love. She liked him though, liked every one of his characteristics, and was as proud of her triumph as a child with a new toy. When he had finally slipped his arm under her waist she had thrilled with a burning, vibrating thrill throughout her frame and when she came to him it was with the eagerness of one wild for his caresses. She threw herself on him, kissed him sensuously scores of times, whispered her desire and her affection. Eugene thought, now that he saw her through the medium of an awakened passion, that he had never seen anything more lovely. For the time being he forgot Frieda, Angela, his loneliness, the fact that he was working in supposed prudent self-restraint to effect his recovery, and gave himself up to the full enjoyment of this situation.
Carlotta was tireless in her attentions. Once she saw that he really cared, or imagined he did, she dwelt in the atmosphere of her passion and affection. There was not a moment that she was not with or thinking of Eugene when either was possible. She lay in wait for him at every turn, gave him every opportunity which her skill could command. She knew the movements of her mother and cousin to the least fraction—could tell exactly where they were, how long they were likely to remain, how long it would take them to reach a certain door or spot from where they were standing. Her step was noiseless, her motions and glances significant and interpretative. For a month or thereabouts she guided Eugene through the most perilous situations, keeping her arms about him to the last possible moment, kissing him silently and swiftly at the most unexpected times and in the most unexpected surroundings. Her weary languor, her seeming indifference, disappeared, and she was very much alive—except in the presence of others. There her old manner remained, intensified even, for she was determined to throw a veil of darkness over her mother and her cousin's eyes. She succeeded admirably for the time being, for she lied to her mother out of the whole cloth, pretending that Eugene was nice but a littleslow so far as the ways of the world were concerned. "He may be a good artist," she volunteered, "but he isn't very much of a ladies' man. He hasn't the first trace of gallantry."
Mrs. Hibberdell was glad. At least there would be no disturbance here. She feared Carlotta, feared Eugene, but she saw no reason for complaint. In her presence all was seemingly formal and at times almost distant. She did not like to say to her daughter that she should not come to her own home now that Eugene was here, and she did not like to tell him to leave. Carlotta said she liked him fairly well, but that was nothing. Any married woman might do that. Yet under her very eyes was going forward the most disconcerting license. She would have been astounded if she had known the manner in which the bath, Carlotta's chamber and Eugene's room were being used. The hour never struck when they were beyond surveillance but what they were together.
Eugene grew very indifferent in the matter of his work. From getting to the point where he was enjoying it because he looked upon it as a form of exercise which was benefiting him, and feeling that he might not have to work indefinitely if he kept up physical rehabilitation at this pace, he grew languid about it and moody over the time he had to give to it. Carlotta had the privilege of a certain automobile and besides she could afford to hire one of her own. She began by suggesting that he meet her at certain places and times for a little spin and this took him away from his work a good portion of the time.
"You don't have to work every day, do you?" she asked him one Sunday afternoon when they were alone. Simpson and Mrs. Hibberdell had gone out for a walk and they were in her room on the second floor. Her mother's was on the third.
"I don't have to," he said, "if I don't mind losing the money they pay. It's fifteen cents an hour and I need that. I'm not working at my regular profession, you must remember."
"Oh, chuck that," she said. "What's fifteen cents an hour? I'll give you ten times that to come and be with me."
"No, you won't," he said. "You won't give me anything. We won't go anywhere on that basis."
"Oh, Eugene, how you talk. Why won't you?" she asked. "I have lots of it—at least lots more than you have just now. And it might as well be spent this way as some other. It won't be spent right anyhow—that is not for any exceptional purpose. Why shouldn't you have some of it? You can pay it back to me."
"I won't do it," said Eugene. "We won't go anywhere on that basis. I'd rather go and work. It's all right, though. Ican sell a picture maybe. I expect to hear any day of something being sold. What is it you want to do?"
"I want you to come automobiling with me tomorrow. Ma is going over to her sister Ella's in Brooklyn. Has that shop of yours a phone?"
"Sure it has. I don't think you'd better call me up there though."
"Once wouldn't hurt."
"Well, perhaps not. But we'd better not begin that, or at least not make a practice of it. These people are very strict. They have to be."
"I know," said Carlotta. "I won't. I was just thinking. I'll let you know. You know that river road that runs on the top of the hill over there?"
"Yes."
"You be walking along there tomorrow at one o'clock and I'll pick you up. You can come this once, can't you?"
"Sure," said Eugene. "I can come. I was just joking. I can get some money." He had still his hundred dollars which he had not used when he first started looking for work. He had been clinging to it grimly, but now in this lightened atmosphere he thought he might spend some of it. He was going to get well. Everything was pointing that way. His luck was with him.
"Well, I'll get the car. You don't mind riding in that, do you?"
"No," he said. "I'll wear a good suit to the shop and change over there."
She laughed gaily, for his scruples and simplicity amused her.
"You're a prince—my Prince Charming," she said and she flung herself in his lap. "Oh, you angel man, heaven-born! I've been waiting for you I don't know how long. Wise man! Prince Charming! I love you! I love you! I think you're the nicest thing that ever was."
Eugene caressed her gently.
"And you're my wise girl. But we are no good, neither you nor I. You're a wastrel and a stray. And I—I hesitate to think what I am."
"What is a wastrel?" she asked. "That's a new one on me. I don't remember."
"Something or someone that can be thrown away as useless. A stray is a pigeon that won't stay with the flock."
"That's me," said Carlotta, holding out her firm, smooth arms before her and grinning mischievously. "I won't stay with any flock. Nix for the flocks. I'd rather be off with my wise man.He is nice enough for me. He's better nor nine or ten flocks." She was using corrupt English for the joy of it. "Just me and you, Prince Charming. Am I your lovely wastrel? Do you like strays? Say you do. Listen! Do you like strays?"
Eugene had been turning his head away, saying "scandalous! terrible, you're the worst ever," but she stopped his mouth with her lips.
"Do you?"
"This wastrel, yes. This stray," he replied, smoothing her cheek. "Ah, you're lovely, Carlotta, you're beautiful. What a wonderful woman you are."
She gave herself to him completely.
"Whatever I am, I'm yours, wise man," she went on. "You can have anything you want of me, do anything you please with me. You're like an opiate to me, Eugene, sweet! You stop my mouth and close my eyes and seal my ears. You make me forget everything I suppose I might think now and then but I don't want to. I don't want to! And I don't care. I wish you were single. I wish I were free. I wish we had an island somewhere together. Oh, hell! Life is a wearisome tangle, isn't it? 'Take the cash and let the credit go.'"
By this time Carlotta had heard enough of Eugene's life to understand what his present condition was. She knew he was sick though not exactly why. She thought it was due to overwork. She knew he was out of funds except for certain pictures he had on sale, but that he would regain his art ability and re-establish himself she did not doubt. She knew something of Angela and thought it was all right that she should be away from him, but now she wished the separation might be permanent. She went into the city and asking about at various art stores learned something of Eugene's art history and his great promise. It made him all the more fascinating in her eyes. One of his pictures on exhibition at Pottle Frères was bought by her after a little while and the money sent to Eugene, for she had learned from him how these pictures, any pictures, were exhibited on sale and the painter paid, minus the commission, when the sale was made. She took good care to make it clear to the manager at Pottle Frères that she was doing this so that Eugene could have the money and saw to it that the check reached him promptly. If Eugene had been alone this check of three hundred dollars would have served to bring Angela to him. As it was it gave him funds to disport himself with in her company. He did not know that she had been the means of his getting it, or to whom the picture had been sold. A fictitious name was given. Thissale somewhat restored Eugene's faith in his future, for if one of his pictures would sell so late in the day for this price, others would.
There were days thereafter of the most curious composition. In the morning he would leave dressed in his old working suit and carrying his lunch box, Carlotta waving him a farewell from her window, or, if he had an engagement outside with Carlotta, wearing a good suit, and trusting to his overalls and jumper to protect it, working all day with John and Bill, or Malachi Dempsey and Joseph—for there was rivalry between these two groups as to which should have his company—or leaving the shop early and riding with her a part of the time, coming home at night to be greeted by Carlotta as though she had not seen him at all. She watched for his coming as patiently as a wife and was as eager to see if there was anything she could do for him. In the shop Malachi and Joseph or John and Bill and sometimes some of the carpenters up stairs would complain of a rush of work in order that they might have his assistance or presence. Malachi and Joseph could always enter the complaint that they were in danger of being hampered by shavings, for the latter were constantly piling up in great heaps, beautiful shavings of ash and yellow pine and walnut which smelled like resin and frankincense and had the shape of girl's curls or dry breakfast food, or rich damp sawdust. Or John and Bill would complain that they were being overworked and needed someone in the car to receive. Even Big John, the engineer, tried to figure out some scheme by which he could utilize Eugene as a fireman, but that was impossible; there was no call for any such person. The foreman understood well enough what the point was but said nothing, placing Eugene with the particular group which seemed to need him most. Eugene was genial enough about the matter. Wherever he was was right. He liked to be in the cars or on a lumber pile or in the plane room. He also liked to stand and talk to Big John or Harry Fornes, his basket under his arm—"kidding," as he called it. His progress to and fro was marked by endless quips and jests and he was never weary.
When his work was done at night he would hurry home, following the right bank of the little stream until he reached a path which led up to the street whereon was the Hibberdell house. On his way he would sometimes stop and study the water, its peaceful current bearing an occasional stick or straw upon its bosom, and contrasting the seeming peace of its movement with his own troubled life. The subtlety of nature as expressed in water appealed to him. The difference between this idyllicstream bank and his shop and all who were of it, struck him forcefully. Malachi Dempsey had only the vaguest conception of the beauty of nature. Jack Stix was scarcely more artistic than the raw piles of lumber with which he dealt. Big John had no knowledge of the rich emotions of love or of beauty which troubled Eugene's brain. They lived on another plane, apparently.
And at the other end of the stream awaiting him was Carlotta, graceful, sophisticated, eager in her regard for him, lukewarm in her interest in morals, sybaritic in her moods, representing in a way a world which lived upon the fruits of this exploited toil and caring nothing about it. If he said anything to Carlotta about the condition of Joseph Mews, who carried bundles of wood home to his sister of an evening to help save the expense of fuel, she merely smiled. If he talked of the poverty of the masses she said, "Don't be doleful, Eugene." She wanted to talk of art and luxury and love, or think of them at least. Her love of the beauty of nature was keen. There were certain inns they could reach by automobile where they could sit and dine and drink a bottle of wine or a pitcher of claret cup, and here she would muse on what they would do if they were only free. Angela was frequently in Carlotta's thoughts, persistently in Eugene's, for he could not help feeling that he was doing her a rank injustice.
She had been so patient and affectionate all this long time past, had tended him as a mother, waited on him as a servant. Only recently he had been writing in most affectionate terms, wishing she were with him. Now all that was dead again. It was hard work to write. Everything he said seemed a lie and he did not want to say it. He hated to pretend. Still, if he did not write Angela would be in a state of mortal agony, he thought, and would shortly come to look him up. It was only by writing, protesting his affection, explaining why in his judgment it was unadvisable for her to come at present, that she could be made to stay where she was. And now that he was so infatuated with Carlotta this seemed very desirable. He did not delude himself that he would ever be able to marry her. He knew that he could not get a divorce, there being no grounds, and the injustice to Angela being such a bar to his conscience; and as for Carlotta, her future was very uncertain. Norman Wilson, for all that he disregarded her at times, did not want to give her up. He was writing, threatening to come back to New York if she did not come to him, though the fact that she was in her mother's home, where he considered her safe, was some consolation to him. Angela was begging Eugene to let her come. They would get along,she argued, on whatever he got and he would be better off with her than alone. She pictured him living in some uncomfortable boarding house where he was not half attended to and intensely lonely. Her return meant the leaving of this lovely home—for Mrs. Hibberdell had indicated that she would not like to keep him and his wife—and so the end of this perfect romance with Carlotta. An end to lovely country inns and summer balconies where they were dining together! An end to swift tours in her automobile, which she guided skilfully herself, avoiding the presence of a chauffeur. An end to lovely trysts under trees and by pretty streams where he kissed and fondled her and where she lingered joyously in his arms!