Dear Eugene:You will be surprised to get a letter from me and I want you to promise me that you will never say anything about it to anyone—above all never to Angela. Eugene, I have been watching her for a long time now and I know she is not happy. She is so desperately in love with you. I notice when a letter does not come promptly she is downcast and I can't help seeing that she is longing to have you here with her. Eugene, why don't you marry Angela? She is lovely and attractive now and she is as good as she is beautiful. She doesn't want to wait for a fine house and luxuries—no girl wants to do that, Eugene, when she loves as I know Angela does you. She would rather have you now when you are both young and can enjoy life than any fine house or nice things you might give her later. Now, I haven't talked to her at all, Eugene—never one word—and I know it would hurt her terribly if she thought I had written to you. She would never forgive me. But I can't help it. I can't bear to see her grieving and longing, and I know that when you know you will come and get her. Don't ever indicate in any way, please, that I wrote to you. Don't write to me unless you want to very much. I would rather you didn't. And tear up this letter. But do come for her soon, Eugene, please do. She wants you. And she will make you a perfectly wonderful wife for she is a wonderful girl. We all love her so—papa and mamma and all. I hope you will forgive me. I can't help it."With love I am yours,"Marietta."
Dear Eugene:You will be surprised to get a letter from me and I want you to promise me that you will never say anything about it to anyone—above all never to Angela. Eugene, I have been watching her for a long time now and I know she is not happy. She is so desperately in love with you. I notice when a letter does not come promptly she is downcast and I can't help seeing that she is longing to have you here with her. Eugene, why don't you marry Angela? She is lovely and attractive now and she is as good as she is beautiful. She doesn't want to wait for a fine house and luxuries—no girl wants to do that, Eugene, when she loves as I know Angela does you. She would rather have you now when you are both young and can enjoy life than any fine house or nice things you might give her later. Now, I haven't talked to her at all, Eugene—never one word—and I know it would hurt her terribly if she thought I had written to you. She would never forgive me. But I can't help it. I can't bear to see her grieving and longing, and I know that when you know you will come and get her. Don't ever indicate in any way, please, that I wrote to you. Don't write to me unless you want to very much. I would rather you didn't. And tear up this letter. But do come for her soon, Eugene, please do. She wants you. And she will make you a perfectly wonderful wife for she is a wonderful girl. We all love her so—papa and mamma and all. I hope you will forgive me. I can't help it.
"With love I am yours,"Marietta."
When Eugene received this letter he was surprised and astonished, but also distressed for himself and Angela and Marietta and the whole situation. The tragedy of this situation appealed to him perhaps as much from the dramatic as from thepersonal point of view. Little Angela, with her yellow hair and classic face. What a shame that they could not be together as she wished; as really, in a way, he wished. She was beautiful—no doubt of that. And there was a charm about her which was as alluring as that of any girl barring the intellectually exceptional. Her emotions in a way were deeper than those of Miriam Finch and Christina Channing. She could not reason about them—that was all. She just felt them. He saw all the phases of her anguish—the probable attitude of her parents, her own feelings at being looked at by them, the way her friends wondered. It was a shame, no doubt of that—a cruel situation. Perhaps he had better go back. He could be happy with her. They could live in a studio and no doubt things would work out all right. Had he better be cruel and not go? He hated to think of it.
Anyhow he did not answer Marietta's letter, and he did tear it up into a thousand bits, as she requested. "If Angela knew no doubt she would feel wretched," he thought.
In the meanwhile Angela was thinking, and her brooding led her to the conclusion that it might be advisable, if ever her lover came back, to yield herself in order that he might feel compelled to take her. She was no reasoner about life in any big sense. Her judgment of affairs was more confused at this time than at a later period. She had no clear conception of how foolish any trickery of this sort would be. She loved Eugene, felt that she must have him, felt that she would be willing to die rather than lose him and the thought of trickery came only as a last resource. If he refused her she was determined on one thing—the lake. She would quit this dreary world where love was crossed with despair in its finest moments; she would forget it all. If only there were rest and silence on the other side that would be enough.
The year moved on toward spring and because of some note of this, reiterated in pathetic phrases, he came to feel that he must go back. Marietta's letter preyed on his mind. The intensity of Angela's attitude made him feel that something desperate would happen. He could not, in cold blood, sit down and write her that he would not see her any more. The impressions of Blackwood were too fresh in his mind—the summer incense and green beauty of the world in which she lived. He wrote in April that he would come again in June, and Angela was beside herself with joy.
One of the things which helped Eugene to this conclusion was the fact that Christina Channing was not coming back fromEurope that year. She had written a few times during the winter, but very guardedly. A casual reader could not have drawn from what she said that there had ever been anything between them. He had written much more ardently, of course, but she had chosen to ignore his eager references, making him feel by degrees that he was not to know much of her in the future. They were going to be good friends, but not necessarily lovers nor eventually husband and wife. It irritated him to think she could be so calm about a thing which to him seemed so important. It hurt his pride to think she could so deliberately throw him over. Finally he began to be incensed, and then Angela's fidelity appeared in a much finer light. There was a girl who would not treat him so. She really loved him. She was faithful and true. So his promised trip began to look much more attractive, and by June he was in a fever to see her.
The beautiful June weather arrived and with it Eugene took his departure once more for Blackwood. He was in a peculiar mood, for while he was anxious to see Angela again it was with the thought that perhaps he was making a mistake. A notion of fatality was beginning to run through his mind. Perhaps he was destined to take her! and yet, could anything be more ridiculous? He could decide. He had deliberately decided to go back there—or had he? He admitted to himself that his passion was drawing him—in fact he could not see that there was anything much in love outside of passion. Desire! Wasn't that all that pulled two people together? There was some little charm of personality above that, but desire was the keynote. And if the physical attraction were strong enough, wasn't that sufficient to hold two people together? Did you really need so much more? It was logic based on youth, enthusiasm and inexperience, but it was enough to hold him for the time being—to soothe him. To Angela he was not drawn by any of the things which drew him to Miriam Finch and Norma Whitmore, nor was there the wonderful art of Christina Channing. Still he was going.
His interest in Norma Whitmore had increased greatly as the winter passed. In this woman he had found an intellect as broadening and refining as any he had encountered. Her taste for the exceptional in literature and art was as great as that of anyone he had ever known and it was just as individual. She ran to impressive realistic fiction in literature and to the kind of fresh-from-the-soil art which Eugene represented. Her sense of just how big and fresh was the thing he was trying to do was very encouraging, and she was carrying the word about town to all her friends that he was doing it. She had even gone so far as to speak to two different art dealers asking them why they had not looked into what seemed to her his perfectly wonderful drawings.
"Why, they're astonishing in their newness," she told Eberhard Zang, one of the important picture dealers on Fifth Avenue. She knew him from having gone there to borrow pictures for reproduction.
"Witla! Witla!" he commented in his conservative Germanway, rubbing his chin, "I doand remember seeing anything by him."
"Of course you don't," replied Norma persistently. "He's new, I tell you. He hasn't been here so very long. You getTruthfor some week in last month—I forget which one—and see that picture of Greeley Square. It will show you what I mean."
"Witla! Witla!" repeated Zang, much as a parrot might fix a sound in its memory. "Tell him to come in here and see me some day. I should like to see some of his things."
"I will," said Norma, genially. She was anxious to have Eugene go, but he was more anxious to get a lot of things done before he had an exhibition. He did not want to risk an impression with anything short of a rather extensive series. And his collection of views was not complete at that time. Besides he had a much more significant art dealer in mind.
He and Norma had reached the point by this time where they were like brother and sister, or better yet, two good men friends. He would slip his arm about her waist when entering her rooms and was free to hold her hands or pat her on the arm or shoulder. There was nothing more than strong good feeling on his part, while on hers a burning affection might have been inspired, but his genial, brotherly attitude convinced her that it was useless. He had never told her of any of his other women friends and he was wondering as he rode west how she and Miriam Finch would take his marriage with Angela, supposing that he ever did marry her. As for Christina Channing, he did not want to think—really did not dare to think of her very much. Some sense of lost beauty came to him out of that experience—a touch of memory that had a pang in it.
Chicago in June was just a little dreary to him with its hurry of life, its breath of past experience, the Art Institute, theDaily Globebuilding, the street and house in which Ruby had lived. He wondered about her (as he had before) the moment he neared the city, and had a strong desire to go and look her up. Then he visited theGlobeoffices, but Mathews had gone. Genial, cheerful Jerry had moved to Philadelphia recently, taking a position on the PhiladelphiaNorth American, leaving Howe alone, more finicky and picayune than ever. Goldfarb, of course, was gone and Eugene felt out of it. He was glad to take the train for Blackwood, for he felt lonesome. He left the city with quite an ache for old times in his heart andthe feeling that life was a jumble of meaningless, strange and pathetic things.
"To think that we should grow old," he pondered, "that things that were as real as these things were to me, should become mere memories."
The time just before he reached Blackwood was one of great emotional stress for Angela. Now she was to learn whether he really loved her as much as he had. She was to feel the joy of his presence, the subtle influence of his attitude. She was to find whether she could hold him or not. Marietta, who on hearing that he was coming, had rather plumed herself that her letter had had something to do with it, was afraid that her sister would not make good use of this opportune occasion. She was anxious that Angela should look her best, and made suggestions as to things she might wear, games she might play (they had installed tennis and croquet as part of the home pleasures since he had been there last) and places they might go to. Marietta was convinced that Angela was not artful enough—not sufficiently subtle in her presentation of her charms. He could be made to feel very keen about her if she dressed right and showed herself to the best advantage. Marietta herself intended to keep out of the way as much as possible when Eugene arrived, and to appear at great disadvantage in the matter of dress and appearance when seen; for she had become a perfect beauty and was a breaker of hearts without conscious effort.
"You know that string of coral beads I have, Angel Face," she asked Angela one morning some ten days before Eugene arrived. "Wear them with that tan linen dress of mine and your tan shoes some day for Eugene. You'll look stunning in those things and he'll like you. Why don't you take the new buggy and drive over to Blackwood to meet him? That's it. You must meet him."
"Oh, I don't think I want to, Babyette," she replied. She was afraid of this first impression. She did not want to appear to run after him. Babyette was a nickname which had been applied to Marietta in childhood and had never been dropped.
"Oh, pshaw, Angel Face, don't be so backward! You're the shyest thing I know. Why that's nothing. He'll like you all the better for treating him just a little smartly. You do that now, will you?"
"I can't," replied Angela. "I can't do it that way. Let him come over here first; then I'll drive him over some afternoon."
"Oh, Angel Face! Well, anyhow, when he comes you must wear that little rose flowered house dress and put a wreath of green leaves in your hair."
"Oh, I won't do anything of the sort, Babyette," exclaimed Angela.
"Yes, you will," replied her sister. "Now you just have to do what I tell you for once. That dress looks beautiful on you and the wreath will make it perfect."
"It isn't the dress. I know that's nice. It's the wreath."
Marietta was incensed by this bit of pointless reserve.
"Oh, Angela," she exclaimed, "don't be so silly. You're older than I am, but I know more about men in a minute than you'll ever know. Don't you want him to like you? You'll have to be more daring—goodness! Lots of girls would go a lot farther than that."
She caught her sister about the waist and looked into her eyes. "Now you've got to wear it," she added finally, and Angela understood that Marietta wanted her to entice Eugene by any means in her power to make him declare himself finally and set a definite date or take her back to New York with him.
There were other conversations in which a trip to the lake was suggested, games of tennis, with Angela wearing her white tennis suit and shoes, a country dance which might be got up—there were rumors of one to be given in the new barn of a farmer some seven miles away. Marietta was determined that Angela should appear youthful, gay, active, just the things which she knew instinctively would fascinate Eugene.
Finally Eugene came. He arrived at Blackwood at noon. Despite her objections Angela met him, dressed smartly and, as urged by Marietta, carrying herself with an air. She hoped to impress Eugene with a sense of independence, but when she saw him stepping down from the train in belted corduroy travelling suit with a grey English travelling cap, carrying a green leather bag of the latest design, her heart misgave her. He was so worldly now, so experienced. You could see by his manner that this country place meant little or nothing to him. He had tasted of the world at large.
Angela had stayed in her buggy at the end of the depot platform and she soon caught Eugene's eye and waved to him. He came briskly forward.
"Why, sweet," he exclaimed, "here you are. How nice you look!" He jumped up beside her, surveying her critically and she could feel his examining glance. After the first pleasant impressionhe sensed the difference between his new world and hers and was a little depressed by it. She was a little older, no doubt of that. You cannot hope and yearn and worry for three years and not show it. And yet she was fine and tender and sympathetic and emotional. He felt all this. It hurt him a little for her sake and his too.
"Well, how have you been?" he asked. They were in the confines of the village and no demonstration could be made. Until the quiet of a country road could be reached all had to be formal.
"Oh, just the same, Eugene, longing to see you."
She looked into his eyes and he felt the impact of that emotional force which governed her when she was near him. There was something in the chemistry of her being which roused to blazing the ordinarily dormant forces of his sympathies. She tried to conceal her real feeling—to pretend gaiety and enthusiasm, but her eyes betrayed her. Something roused in him now at her look—a combined sense of emotion and desire.
"It's so fine to be out in the country again," he said, pressing her hand, for he was letting her drive. "After the city, to see you and the green fields!" He looked about at the little one-storey cottages, each with a small plot of grass, a few trees, a neat confining fence. After New York and Chicago, a village like this was quaint.
"Do you love me just as much as ever?"
She nodded her head. They reached a strip of yellow road, he asking after her father, her mother, her brothers and sisters, and when he saw that they were unobserved he slipped his arm about her and drew her head to him.
"Now we can," he said.
She felt the force of his desire but she missed that note of adoration which had seemed to characterize his first lovemaking. How true it was he had changed! He must have. The city had made her seem less significant. It hurt her to think that life should treat her so. But perhaps she could win him back—could hold him anyhow.
They drove over toward Okoonee, a little crossroads settlement, near a small lake of the same name, a place which was close to the Blue house, and which the Blue's were wont to speak of as "home." On the way Eugene learned that her youngest brother David was a cadet at West Point now and doing splendidly. Samuel had become western freight agent of the Great Northern and was on the way to desirable promotion. Benjamin had completed his law studies and was practisingin Racine. He was interested in politics and was going to run for the state legislature. Marietta was still the gay carefree girl she had always been, not at all inclined to choose yet among her many anxious suitors. Eugene thought of her letter to him—wondered if she would look her thoughts into his eyes when he saw her.
"Oh, Marietta," Angela replied when Eugene asked after her, "she's just as dangerous as ever. She makes all the men make love to her."
Eugene smiled. Marietta was always a pleasing thought to him. He wished for the moment that it was Marietta instead of Angela that he was coming to see.
She was as shrewd as she was kind in this instance. Her appearance on meeting Eugene was purposely indifferent and her attitude anything but coaxing and gay. At the same time she suffered a genuine pang of feeling, for Eugene appealed to her. If it were anybody but Angela, she thought, how she would dress and how quickly she would be coquetting with him. Then his love would be won by her and she felt that she could hold it. She had great confidence in her ability to keep any man, and Eugene was a man she would have delighted to hold. As it was she kept out of his way, took sly glances at him here and there, wondered if Angela would truly win him. She was so anxious for Angela's sake. Never, never, she told herself, would she cross her sister's path.
At the Blue homestead he was received as cordially as before. After an hour it quite brought back the feeling of three years before. These open fields, this old house and its lovely lawn, all served to awaken the most poignant sensations. One of Marietta's beaux, over from Waukesha, appeared after Eugene had greeted Mrs. Blue and Marietta, and the latter persuaded him to play a game of tennis with Angela. She invited Eugene to make it a four with her, but not knowing how he refused.
Angela changed to her tennis suit and Eugene opened his eyes to her charms. She was very attractive on the court, quick, flushed, laughing. And when she laughed she had a charming way of showing her even, small, white teeth. She quite awakened a feeling of interest—she looked so dainty and frail. When he saw her afterward in the dark, quiet parlor, he gathered her to his heart with much of the old ardour. She felt the quick change of feeling. Marietta was right. Eugene loved gaiety and color. Although on the way home she had despaired this was much more promising.
Eugene rarely entered on anything half heartedly. If interestedat all he was greatly interested. He could so yield himself to the glamour of a situation as to come finally to believe that he was something which he was not. Thus, now he was beginning to accept this situation as Angela and Marietta wished he should, and to see her in somewhat the old light. He overlooked things which in his New York studio, surrounded by the influences which there modified his judgment, he would have seen. Angela was not young enough for him. She was not liberal in her views. She was charming, no doubt of that, but he could not bring her to an understanding of his casual acceptance of life. She knew nothing of his real disposition and he did not tell her. He played the part of a seemingly single-minded Romeo, and as such he was from a woman's point of view beautiful to contemplate. In his own mind he was coming to see that he was fickle but he still did not want to admit it to himself.
There was a night of stars after an evening of June perfection. At five old Jotham came in from the fields, as dignified and patriarchal as ever. He greeted Eugene with a hearty handshake, for he admired him. "I see some of your work now and then," he said, "in these monthly magazines. It's fine. There's a young minister down here near the lake that's very anxious to meet you. He likes to get hold of anything you do, and I always send the books down as soon as Angela gets through with them."
He used the words books and magazines interchangeably, and spoke as though they were not much more important to him than the leaves of the trees, as indeed, they were not. To a mind used to contemplating the succession of crops and seasons, all life with its multitudinous interplay of shapes and forms seemed passing shadows. Even men were like leaves that fall.
Eugene was drawn to old Jotham as a filing to a magnet. His was just the type of mind that appealed to him, and Angela gained by the radiated glory of her father. If he was so wonderful she must be something above the average of womanhood. Such a man could not help but produce exceptional children.
Left alone together it was hardly possible for Angela and Eugene not to renew the old relationship on the old basis. Having gone as far as he had the first time it was natural that he should wish to go as far again and further. After dinner, when she turned to him from her room, arrayed in a soft evening dress of clinging texture—somewhat low in the neck by request of Marietta, who had helped her to dress—Eugene was consciousof her emotional perturbation. He himself was distraught, for he did not know what he would do—how far he would dare to trust himself. He was always troubled when dealing with his physical passion, for it was a raging lion at times. It seemed to overcome him quite as a drug might or a soporific fume. He would mentally resolve to control himself, but unless he instantly fled there was no hope, and he did not seem able to run away. He would linger and parley, and in a few moments it was master and he was following its behest blindly, desperately, to the point almost of exposure and destruction.
Tonight when Angela came back he was cogitating, wondering what it might mean. Should he? Would he marry her? Could he escape? They sat down to talk, but presently he drew her to him. It was the old story—moment after moment of increasing feeling. Presently she, from the excess of longing and waiting was lost to all sense of consideration. And he—
"I shall have to go away, Eugene," she pleaded, when he carried her recklessly into his room, "if anything happens. I cannot stay here."
"Don't talk," he said. "You can come to me."
"You mean it, Eugene, surely?" she begged.
"As sure as I'm holding you here," he replied.
At midnight Angela lifted frightened, wondering, doubting eyes, feeling herself the most depraved creature. Two pictures were in her mind alternately and with pendulum-like reiteration. One was a composite of a marriage altar and a charming New York studio with friends coming in to see them much as he had often described to her. The other was of the still blue waters of Okoonee with herself lying there pale and still. Yes, she would die if he did not marry her now. Life would not be worth while. She would not force him. She would slip out some night when it was too late and all hope had been abandoned—when exposure was near—and the next day they would find her.
Little Marietta how she would cry. And old Jotham—she could see him, but he would never be really sure of the truth. And her mother. "Oh God in heaven," she thought, "how hard life is! How terrible it can be."
The atmosphere of the house after this night seemed charged with reproach to Eugene, although it took on no semblance of reality in either look or word. When he awoke in the morning and looked through the half closed shutters to the green world outside he felt a sense of freshness and of shame. It was cruel to come into such a home as this and do a thing as mean as he had done. After all, philosophy or no philosophy, didn't a fine old citizen like Jotham, honest, upright, genuine in his moral point of view and his observance of the golden rule, didn't he deserve better from a man whom he so sincerely admired? Jotham had been so nice to him. Their conversations together were so kindly and sympathetic. Eugene felt that Jotham believed him to be an honest man. He knew he had that appearance. He was frank, genial, considerate, not willing to condemn anyone—but this sex question—that was where he was weak. And was not the whole world keyed to that? Did not the decencies and the sanities of life depend on right moral conduct? Was not the world dependent on how the homes were run? How could anyone be good if his mother and father had not been good before him? How could the children of the world expect to be anything if people rushed here and there holding illicit relations? Take his sister Myrtle, now—would he have wanted her rifled in this manner? In the face of this question he was not ready to say exactly what he wanted or was willing to countenance. Myrtle was a free agent, as was every other girl. She could do as she pleased. It might not please him exactly but—he went round and round from one problem to another, trying to untie this Gordian knot. One thing, this home had appeared sweet and clean when he came into it; now it was just a little tarnished, and by him! Or was it? His mind was always asking this question. There was nothing that he was actually accepting as true any more. He was going round in a ring asking questions of this proposition and that. Are you true? And are you true? And are you true? And all the while he was apparently not getting anywhere. It puzzled him, this life. Sometimes it shamed him. This deed shamed him. And he asked himself whether he was wrong to be ashamed or not. Perhaps he was just foolish. Was not life made for living, not worrying? He had not created his passions and desires.
He threw open the shutters and there was the bright day. Everything was so green outside, the flowers in bloom, the trees casting a cool, lovely shade, the birds twittering. Bees were humming. He could smell the lilacs. "Dear God," he exclaimed, throwing his arms above his head, "How lovely life is! How beautiful! Oh!" He drew in a deep breath of the flower and privet laden air. If only he could live always like this—for ever and ever.
When he had sponged himself with cold water and dressed, putting on a soft negligée shirt with turn-down collar and dark flowing tie, he issued forth clean and fresh. Angela was there to greet him. Her face was pale but she looked intensely sweet because of her sadness.
"There, there," he said, touching her chin, "less of that now!"
"I told them that I had a headache," she said. "So I have. Do you understand?"
"I understand your headache," he laughed. "But everything is all right—very much all right. Isn't this a lovely day!"
"Beautiful," replied Angela sadly.
"Cheer up," he insisted. "Don't worry. Everything is coming out fine." He walked to the window and stared out.
"I'll have your breakfast ready in a minute," she said, and, pressing his hand, left him.
Eugene went out to the hammock. He was so deliciously contented and joyous now that he saw the green world about him, that he felt that everything was all right again. The vigorous blooming forces of nature everywhere present belied the sense of evil and decay to which mortality is so readily subject. He felt that everything was justified in youth and love, particularly where mutual affection reigned. Why should he not take Angela? Why should they not be together? He went in to breakfast at her call, eating comfortably of the things she provided. He felt the easy familiarity and graciousness of the conqueror. Angela on her part felt the fear and uncertainty of one who has embarked upon a dangerous voyage. She had set sail—whither? At what port would she land? Was it the lake or his studio? Would she live and be happy or would she die to face a black uncertainty? Was there a hell as some preachers insisted? Was there a gloomy place of lost souls such as the poets described? She looked into the face of this same world which Eugene found so beautiful and its very beauty trembled with forebodings of danger.
And there were days and days yet to be lived of this. Forall her fear, once having tasted of the forbidden fruit, it was sweet and inviting. She could not go near Eugene, nor he near her but this flush of emotion would return.
In the daylight she was too fearful, but when the night came with its stars, its fresh winds, its urge to desire, her fears could not stand in their way. Eugene was insatiable and she was yearning. The slightest touch was as fire to tow. She yielded saying she would not yield.
The Blue family were of course blissfully ignorant of what was happening. It seemed so astonishing to Angela at first that the very air did not register her actions in some visible way. That they should be able thus to be alone was not so remarkable, seeing that Eugene's courtship was being aided and abetted, for her sake, but that her lapse should not be exposed by some sinister influence seemed strange—accidental and subtly ominous. Something would happen—that was her fear. She had not the courage of her desire or need.
By the end of the week, though Eugene was less ardent and more or less oppressed by the seeming completeness with which he had conquered, he was not ready to leave. He was sorry to go, for it ended a honeymoon of sweetness and beauty—all the more wonderful and enchanting because so clandestine—yet he was beginning to be aware that he had bound himself in chains of duty and responsibility. Angela had thrown herself on his mercy and his sense of honor to begin with. She had exacted a promise of marriage—not urgently, and as one who sought to entrap him, but with the explanation that otherwise life must end in disaster for her. Eugene could look in her face and see that it would. And now that he had had his way and plumbed the depths of her emotions and desires he had a higher estimate of her personality. Despite the fact that she was older than he, there was a breath of youth and beauty here that held him. Her body was exquisite. Her feeling about life and love was tender and beautiful. He wished he could make true her dreams of bliss without injury to himself.
It so turned out that as his visit was drawing to a close Angela decided that she ought to go to Chicago, for there were purchases which must be made. Her mother wanted her to go and she decided that she would go with Eugene. This made the separation easier, gave them more time to talk. Her usual plan was to stay with her aunt and she was going there now.
On the way she asked over and over what he would think of her in the future; whether what had passed would not lowerher in his eyes. He did not feel that it would. Once she said to him sadly—"only death or marriage can help me now."
"What do you mean?" he asked, her yellow head pillowed on his shoulder, her dark blue eyes looking sadly into his.
"That if you don't marry me I'll have to kill myself. I can't stay at home."
He thought of her with her beautiful body, her mass of soft hair all tarnished in death.
"You wouldn't do that?" he asked unbelievingly.
"Yes, I would," she said sadly. "I must, I will."
"Hush, Angel Face," he pleaded. "You won't do anything like that. You won't have to. I'll marry you—How would you do it?"
"Oh, I've thought it all out," she continued gloomily. "You know that little lake. I'd drown myself."
"Don't, sweetheart," he pleaded. "Don't talk that way. It's terrible. You won't have to do anything like that."
To think of her under the waters of little Okoonee, with its green banks, and yellow sandy shores. All her love come to this! All her passion! Her death would be upon his head and he could not stand the thought of that. It frightened him. Such tragedies occasionally appeared in the papers with all the pathetic details convincingly set forth, but this should not enter his life. He would marry her. She was lovely after all. He would have to. He might as well make up his mind to that now. He began to speculate how soon it might be. For the sake of her family she wanted no secret marriage but one which, if they could not be present at it, they could at least know was taking place. She was willing to come East—that could be arranged. But they must be married. Eugene realized the depth of her conventional feeling so keenly that it never occurred to him to suggest an alternative. She would not consent, would scorn him for it. The only alternative, she appeared to believe, was death.
One evening—the last—when it was necessary for her to return to Blackwood, and he had seen her off on the train, her face a study in sadness, he rode out gloomily to Jackson Park where he had once seen a beautiful lake in the moonlight. When he reached there the waters of the lake were still suffused and tinged with lovely suggestions of lavender, pink and silver, for this was near the twenty-first of June. The trees to the east and west were dark. The sky showed a last blush of orange. Odours were about—warm June fragrance. He thought now, as he walked about the quiet paths where the sand and pebblescrunched lightly beneath his feet, of all the glory of this wonderful week. How dramatic was life; how full of romance. This love of Angela's, how beautiful. Youth was with him—love. Would he go on to greater days of beauty or would he stumble, idling his time, wasting his substance in riotous living? Was this riotous living? Would there be evil fruition of his deeds? Would he really love Angela after he married her? Would they be happy?
Thus he stood by the bank of this still lake, studying the water, marvelling at the subtleties of reflected radiance, feeling the artist's joy in perfect natural beauty, twining and intertwining it all with love, death, failure, fame. It was romantic to think that in such a lake, if he were unkind, would Angela be found. By such a dark as was now descending would all her bright dreams be submerged. It would be beautiful as romance. He could imagine a great artist like Daudet or Balzac making a great story out of it. It was even a subject for some form of romantic expression in art. Poor Angela! If he were a great portrait painter he would paint her. He thought of some treatment of her in the nude with that mass of hair of hers falling about her neck and breasts. It would be beautiful. Should he marry her? Yes, though he was not sure of the outcome, he must. It might be a mistake but—
He stared at the fading surface of the lake, silver, lavender, leaden gray. Overhead a vivid star was already shining. How would it be with her if she were really below those still waters? How would it be with him? It would be too desperate, too regretful. No, he must marry her. It was in this mood that he returned to the city, the ache of life in his heart. It was in this mood that he secured his grip from the hotel and sought the midnight train for New York. For once Ruby, Miriam, Christina, were forgotten. He was involved in a love drama which meant life or death to Angela, peace or reproach of conscience to himself in the future. He could not guess what the outcome would be, but he felt that he must marry her—how soon he could not say. Circumstances would dictate that. From present appearances it must be immediately. He must see about a studio, announce the news of his departure to Smite and MacHugh; make a special effort to further his art ambitions so that he and Angela would have enough to live on. He had talked so glowingly of his art life that now, when the necessity for demonstrating it was at hand, he was troubled as to what the showing might be. The studio had to be attractive. He would need to introduce his friends. All the way back to New York heturned this over in his mind—Smite, MacHugh, Miriam, Norma, Wheeler, Christina—what would Christina think if she ever returned to New York and found him married? There was no question but that there was a difference between Angela and these. It was something—a matter of courage—more soul, more daring, more awareness, perhaps—something. When they saw her would they think he had made a mistake, would they put him down as a fool? MacHugh was going with a girl, but she was a different type—intellectual, smart. He thought and thought, but he came back to the same conclusion always. He would have to marry her. There was no way out. He would have to.
The studio of Messrs. Smite, MacHugh and Witla in Waverley Place was concerned the following October with a rather picturesque event. Even in the city the time when the leaves begin to yellow and fall brings a sense of melancholy, augmented by those preliminaries of winter, gray, lowery days, with scraps of paper, straws, bits of wood blown about by gusty currents of air through the streets, making it almost disagreeable to be abroad. The fear of cold and storm and suffering among those who have little was already apparent. Apparent too was the air of renewed vitality common to those who have spent an idle summer and are anxious to work again. Shopping and marketing and barter and sale were at high key. The art world, the social world, the manufacturing world, the professional worlds of law, medicine, finance, literature, were bubbling with a feeling of the necessity to do and achieve. The whole city, stung by the apprehension of winter, had an atmosphere of emprise and energy.
In this atmosphere, with a fairly clear comprehension of the elements which were at work making the colour of the life about him, was Eugene, digging away at the task he had set himself. Since leaving Angela he had come to the conclusion that he must complete the jointings for the exhibition which had been running in his mind during the last two years. There was no other way for him to make a notable impression—he saw that. Since he had returned he had gone through various experiences: the experience of having Angela tell him that she was sure there was something wrong with her; an impression sincere enough, but based on an excited and overwrought imagination of evil to follow, and having no foundation in fact. Eugene was as yet, despite his several experiences, not sufficiently informed in such affairs to know. His lack of courage would have delayed him from asking if he had known. In the next place, facing this crisis, he had declared that he would marry her, and because of her distressed condition he thought he might as well do it now. He had wanted time to do some of the pictures he was working on, to take in a little money for drawing, to find a suitable place to live in. He had looked at various studios in various sections of the city and had found nothing, as yet, which answered to his taste or his purse. Anything with a proper light, a bath,a suitable sleeping room, and an inconspicuous chamber which might be turned into a kitchen, was difficult to find. Prices were high, ranging from fifty to one hundred and twenty-five and one hundred and fifty a month. There were some new studios being erected for the rich loungers and idlers which commanded, so he understood, three or four thousand dollars a year. He wondered if he should ever attain to any such magnificence through his art.
Again, in taking a studio for Angela and himself there was the matter of furniture. The studio he had with Smite and MacHugh was more or less of a camp. The work room was bare of carpets or rugs. The two folding beds and the cot which graced their individual chambers were heirlooms from ancient predecessors—substantial but shabby. Beyond various drawings, three easels, and a chest of drawers for each, there was no suitable household equipment. A woman came twice a week to clean, send out the linen, and make up the beds.
To live with Angela required, in his judgment, many and much more significant things. His idea of a studio was some such one as that now occupied by Miriam Finch or Norma Whitmore. There ought to be furniture of a period—old Flemish or Colonial, Heppelwhite or Chippendale or Sheraton, such as he saw occasionally knocking about in curio shops and second hand stores. It could be picked up if he had time. He was satisfied that Angela knew nothing of these things. There ought to be rugs, hangings of tapestry, bits of brass, pewter, copper, old silver, if he could afford it. He had an idea of some day obtaining a figure of the Christ in brass or plaster, hung upon a rough cross of walnut or teak, which he could hang or stand in some corner as one might a shrine and place before it two great candlesticks with immense candles smoked and dripping with wax. These lighted in a dark studio, with the outlines of the Christ flickering in the shadows behind would give the desired atmosphere to his studio. Such an equipment as he dreamed of would have cost in the neighborhood of two thousand dollars.
Of course this was not to be thought of at this period. He had no more than that in ready cash. He was writing to Angela about his difficulties in finding a suitable place, when he heard of a studio in Washington Square South, which its literary possessor was going to quit for the winter. It was, so he understood, handsomely furnished, and was to be let for the rent of the studio. The owner wanted someone who would take care of it by occupying it for him until he should return the followingfall. Eugene hurried round to look at it and, taken with the location, the appearance of the square from the windows, the beauty of the furnishings, felt that he would like to live here. This would be the way to introduce Angela to New York. This would be the first and proper impression to give her. Here, as in every well arranged studio he had yet seen were books, pictures, bits of statuary, implements of copper and some few of silver. There was a great fish net dyed green and spangled with small bits of mirror to look like scales which hung as a veil between the studio proper and an alcove. There was a piano done in black walnut, and odd pieces of furniture, Mission, Flemish, Venetian of the sixteenth century and English of the seventeenth, which, despite that diversity offered a unity of appearance and a harmony of usefulness. There was one bed room, a bath, and a small partitioned section which could be used as a kitchen. With a few of his pictures judiciously substituted he could see a perfect abode here for himself and his wife. The rent was fifty dollars. He decided that he would risk it.
Having gone so far as to indicate that he would take it—he was made to feel partially resigned to marriage by the very appearance of this place—he decided that he would marry in October. Angela could come to New York or Buffalo—she had never seen Niagara Falls—and they could be married there. She had spoken recently of visiting her brother at West Point. Then they could come here and settle down. He decided that this must be so, wrote to her to that effect, and vaguely hinted to Smite and MacHugh that he might get married shortly.
This was a great blow to his partners in art, for Eugene was very popular with them. He had the habit, with those he liked, of jesting constantly. "Look at the look of noble determination on Smite's brow this morning," he would comment cheerfully on getting up; or "MacHugh, you lazy lout, crawl out and earn your living."
MacHugh's nose, eyes and ears would be comfortably buried in the folds of a blanket.
"These hack artists," Eugene would sigh disconsolately. "There's not much to be made out of them. A pile of straw and a couple of boiled potatoes a day is all they need."
"Aw, cut it out," MacHugh would grunt.
"To hell, to hell, I yell, I yell," would come from somewhere in the voice of Smite.
"If it weren't for me," Eugene would go on, "God knowswhat would become of this place. A lot of farmers and fishermen trying to be artists."
"And laundry wagon drivers, don't forget that," MacHugh would add, sitting up and rubbing his tousled head, for Eugene had related some of his experiences. "Don't forget the contribution made by the American Steam Laundry Company to the world of true art."
"Collars and cuffs I would have you know is artistic," Eugene at once declared with mock dignity, "whereas plows and fish is trash."
Sometimes this "kidding" would continue for a quarter of an hour at a stretch, when some one remark really brighter than any other would dissolve the whole in laughter. Work began after breakfast, to which they usually sallied forth together, and would continue unbroken save for necessary engagements or periods of entertainment, lunch and so on, until five in the afternoon.
They had worked together now for a couple of years. They had, by experience, learned of each other's reliability, courtesy, kindness and liberality. Criticism was free, generous, and sincerely intended to be helpful. Pleasure trips, such as walks on grey, lowery days, or in rain or brilliant sunshine, or trips to Coney Island, Far Rockaway, the theatres, the art exhibitions, the odd and peculiar restaurants of different nationalities, were always undertaken in a spirit of joyous camaraderie. Jesting as to morality, their respective abilities, their tendencies and characteristics were all taken and given in good part. At one time it would be Joseph Smite who would come in for a united drubbing and excoriation on the part of Eugene and MacHugh. At another time Eugene or MacHugh would be the victim, the other two joining forces vigorously. Art, literature, personalities, phases of life, philosophy, were discussed by turn. As with Jerry Mathews, Eugene had learned of new things from these men—the life of fisher-folk, and the characteristics of the ocean from Joseph Smite; the nature and spirit of the great West from MacHugh. Each appeared to have an inexhaustible fund of experiences and reminiscences which refreshed and entertained the trio day by day year in and year out. They were at their best strolling through some exhibit or preliminary view of an art collection offered for sale, when all their inmost convictions of what was valuable and enduring in art would come to the surface. All three were intolerant of reputations as such, but were strong for individual merit whether it carried a great name or not. They were constantly becoming acquainted with thework of some genius little known here, and celebrating his talents, each to the others. Thus Monet, Degas, Manet, Ribera, Monticelli, by turns came up for examination and praise.
When Eugene then, toward the end of September, announced that he might be leaving them shortly, there was a united wail of opposition. Joseph Smite was working on a sea scene at the time, doing his best to get the proper colour harmony between the worm-eaten deck of a Gold Coast trading ship, a half naked West Coast negro handling a broken wheel, and a mass of blue black undulations in the distance which represented the boundless sea.
"G'wan!" said Smite, incredulously, for he assumed that Eugene was jesting. There had been a steady stream of letters issuing from somewhere in the West and delivered here week after week, as there had been for MacHugh, but this by now was a commonplace, and apparently meant nothing. "You marry? What the hell do you want to get married for? A fine specimen you will make! I'll come around and tell your wife."
"Sure," returned Eugene. "It's true, I may get married." He was amused at Smite's natural assumption that it was a jest.
"Stow that," called MacHugh, from his easel. He was working on a country corner picture, a group of farmers before a country post office. "You don't want to break up this shack, do you?" Both of these men were fond of Eugene. They found him inspiring, helpful, always intensely vigorous and apparently optimistic.
"I don't want to break up any shack. But haven't I a right to get married?"
"I vote no, by God!" said Smite emphatically. "You'll never go out of here with my consent. Peter, are we going to stand for anything like that?"
"We are not," replied MacHugh. "We'll call out the reserves if he tries any game like that on us. I'll prefer charges against him. Who's the lady, Eugene?"
"I bet I know," suggested Smite. "He's been running up to Twenty-sixth Street pretty regularly." Joseph was thinking of Miriam Finch, to whom Eugene had introduced both him and MacHugh.
"Nothing like that, surely," inquired MacHugh, looking over at Eugene to see if it possibly could be so.
"It's all true, fellers," replied Eugene, "—as God is my judge. I'm going to leave you soon."
"You're not really talking seriously, are you, Witla?" inquired Joseph soberly.
"I am, Joe," said Eugene quietly. He was studying the perspective of his sixteenth New York view,—three engines coming abreast into a great yard of cars. The smoke, the haze, the dingy reds and blues and yellows and greens of kicked about box cars were showing with beauty—the vigor and beauty of raw reality.
"Soon?" asked MacHugh, equally quietly. He was feeling that touch of pensiveness which comes with a sense of vanishing pleasures.
"I think some time in October, very likely," replied Eugene.
"Jesus Christ, I'm sorry to hear that," put in Smite.
He laid down his brush and strolled over to the window. MacHugh, less expressive in extremes, worked on medatively.
"When'd you reach that conclusion, Witla?" he asked after a time.
"Oh, I've been thinking it over for a long time, Peter," he returned. "I should really have married before if I could have afforded it. I know how things are here or I wouldn't have sprung this so suddenly. I'll hold up my end on the rent here until you get someone else."
"To hell with the rent," said Smite. "We don't want anyone else, do we, Peter? We didn't have anyone else before."
Smite was rubbing his square chin and contemplating his partner as if they were facing a catastrophe.
"There's no use talking about that," said Peter. "You know we don't care about the rent. Do you mind telling us who you're going to marry? Do we know her?"
"You don't," returned Eugene. "She's out in Wisconsin. It's the one who writes the letters. Angela Blue is her name."
"Well, here's to Angela Blue, by God, say I," said Smite, recovering his spirits and picking up his paint brush from his board to hold aloft. "Here's to Mrs. Eugene Witla, and may she never reef a sail to a storm or foul an anchor, as they say up Nova Scotia way."
"Right oh," added MacHugh, catching the spirit of Smite's generous attitude. "Them's my sentiments. When d'you expect to get married really, Eugene?"
"Oh I haven't fixed the time exactly. About November first, I should say. I hope you won't say anything about it though, either of you. I don't want to go through any explanations."
"We won't, but it's tough, you old walrus. Why the helldidn't you give us time to think it over? You're a fine jellyfish, you are."
He poked him reprimandingly in the ribs.
"There isn't anyone any more sorry than I am," said Eugene. "I hate to leave here, I do. But we won't lose track of each other. I'll still be around here."
"Where do you expect to live? Here in the city?" asked MacHugh, still a little gloomy.
"Sure. Right here in Washington Square. Remember that Dexter studio Weaver was telling about? The one in the third floor at sixty-one? That's it."
"You don't say!" exclaimed Smite. "You're in right. How'd you get that?"
Eugene explained.
"Well, you sure are a lucky man," observed MacHugh. "Your wife ought to like that. I suppose there'll be a cozy corner for an occasional strolling artist?"
"No farmers, no sea-faring men, no artistic hacks—nothing!" declared Eugene dramatically.
"You to Hell," said Smite. "When Mrs. Witla sees us—"
"She'll wish she'd never come to New York," put in Eugene.
"She'll wish she'd seen us first," said MacHugh.
The marriage ceremony between Eugene and Angela was solemnized at Buffalo on November second. As planned, Marietta was with them. They would go, the three of them, to the Falls, and to West Point, where the girls would see their brother David, and then Marietta would return to tell the family about it. Naturally, under the circumstances, it was a very simple affair, for there were no congratulations to go through with and no gifts—at least immediately—to consider and acknowledge. Angela had explained to her parents and friends that it was quite impossible for Eugene to come West at this time. She knew that he objected to a public ceremony where he would have to run the gauntlet of all her relatives, and so she was quite willing to meet him in the East and be married there. Eugene had not troubled to take his family into his confidence as yet. He had indicated on his last visit home that he might get married, and that Angela was the girl in question, but since Myrtle was the only one of his family who had seen her and she was now in Ottumwa, Iowa, they could not recall anything about her. Eugene's father was a little disappointed, for he expected to hear some day that Eugene had made a brilliant match. His boy, whose pictures were in the magazines so frequently and whose appearance was so generally distinguished, ought in New York, where opportunities abounded, to marry an heiress at least. It was all right of course if Eugene wanted to marry a girl from the country, but it robbed the family of a possible glory.
The spirit of this marriage celebration, so far as Eugene was concerned, was hardly right. There was the consciousness, always with him, of his possibly making a mistake; the feeling that he was being compelled by circumstances and his own weakness to fulfil an agreement which might better remain unfulfilled. His only urge was his desire, in the gratification of which he might find compensation, for saving Angela from an unhappy spinsterhood. It was a thin reed to lean on; there could be no honest satisfaction in it. Angela was sweet, devoted, painstaking in her attitude toward life, toward him, toward everything with which she came in contact, but she was not what he had always fancied his true mate would be—the be all and the end all of his existence. Where was the divine fire which onthis occasion should have animated him; the lofty thoughts of future companionship; that intense feeling he had first felt about her when he had called on her at her aunt's house in Chicago? Something had happened. Was it that he had cheapened his ideal by too close contact with it? Had he taken a beautiful flower and trailed it in the dust? Was passion all there was to marriage? Or was it that true marriage was something higher—a union of fine thoughts and feelings? Did Angela share his with him? Angela did have exalted feelings and moods at times. They were not sensibly intellectual—but she seemed to respond to the better things in music and to some extent in literature. She knew nothing about art, but she was emotionally responsive to many fine things. Why was not this enough to make life durable and comfortable between them? Was it not really enough? After he had gone over all these points, there was still the thought that there was something wrong in this union. Despite his supposedly laudable conduct in fulfilling an obligation which, in a way, he had helped create or created, he was not happy. He went to his marriage as a man goes to fulfil an uncomfortable social obligation. It might turn out that he would have an enjoyable and happy life and it might turn out very much otherwise. He could not face the weight and significance of the social theory that this was for life—that if he married her today he would have to live with her all the rest of his days. He knew that was the generally accepted interpretation of marriage, but it did not appeal to him. Union ought in his estimation to be based on a keen desire to live together and on nothing else. He did not feel the obligation which attaches to children, for he had never had any and did not feel the desire for any. A child was a kind of a nuisance. Marriage was a trick of Nature's by which you were compelled to carry out her scheme of race continuance. Love was a lure; desire a scheme of propagation devised by the way. Nature, the race spirit, used you as you would use a work-horse to pull a load. The load in this case was race progress and man was the victim. He did not think he owed anything to nature, or to this race spirit. He had not asked to come here. He had not been treated as generously as he might have been since he arrived. Why should he do what nature bid?
When he met Angela he kissed her fondly, for of course the sight of her aroused the feeling of desire which had been running in his mind so keenly for some time. Since last seeing Angela he had touched no woman, principally because the right one had not presented herself and because the memories and theanticipations in connection with Angela were so close. Now that he was with her again the old fire came over him and he was eager for the completion of the ceremony. He had seen to the marriage license in the morning,—and from the train on which Angela and Marietta arrived they proceeded in a carriage direct to the Methodist preacher. The ceremony which meant so much to Angela meant practically nothing to him. It seemed a silly formula—this piece of paper from the marriage clerk's office and this instructed phraseology concerning "love, honor and cherish." Certainly he would love, honor and cherish if it were possible—if not, then not. Angela, with the marriage ring on her finger and the words "with this ring I thee wed" echoing in her ears, felt that all her dreams had come true. Now she was, really, truly, Mrs. Eugene Witla. She did not need to worry about drowning herself, or being disgraced, or enduring a lonely, commiserated old age. She was the wife of an artist—a rising one, and she was going to live in New York. What a future stretched before her! Eugene loved her after all. She imagined she could see that. His slowness in marrying her was due to the difficulty of establishing himself properly. Otherwise he would have done it before. They drove to the Iroquois hotel and registered as man and wife, securing a separate room for Marietta. The latter pretending an urgent desire to bathe after her railroad journey, left them, promising to be ready in time for dinner. Eugene and Angela were finally alone.
He now saw how, in spite of his fine theories, his previous experiences with Angela had deadened to an extent his joy in this occasion. He had her again it was true. His desire that he had thought of so keenly was to be gratified, but there was no mystery connected with it. His real nuptials had been celebrated at Blackwood months before. This was the commonplace of any marriage relation. It was intense and gratifying, but the original, wonderful mystery of unexplored character was absent. He eagerly took her in his arms, but there was more of crude desire than of awed delight in the whole proceeding.
Nevertheless Angela was sweet to him. Hers was a loving disposition and Eugene was the be all and end all of her love. His figure was of heroic proportions to her. His talent was divine fire. No one could know as much as Eugene, of course! No one could be as artistic. True, he was not as practical as some men—her brothers and brothers-in-law, for instance—but he was a man of genius. Why should he be practical? She was beginning to think already of how thoroughly she would helphim shape his life toward success—what a good wife she would be to him. Her training as a teacher, her experience as a buyer, her practical judgment, would help him so much. They spent the two hours before dinner in renewed transports and then dressed and made their public appearance. Angela had had designed a number of dresses for this occasion, representing the saving of years, and tonight at dinner she looked exceptionally pretty in a dress of black silk with neck piece and half sleeves of mother-of-pearl silk, set off with a decoration of seed pearls and black beads in set designs. Marietta, in a pale pink silk of peachblow softness of hue with short sleeves and a low cut bodice was, with all her youth and natural plumpness and gaiety of soul, ravishing. Now that she had Angela safely married, she was under no obligations to keep out of Eugene's way nor to modify her charms in order that her sister's might shine. She was particularly ebullient in her mood and Eugene could not help contrasting, even in this hour, the qualities of the two sisters. Marietta's smile, her humor, her unconscious courage, contrasted so markedly with Angela's quietness.
The luxuries of the modern hotel have become the commonplaces of ordinary existence, but to the girls they were still strange enough to be impressive. To Angela they were a foretaste of what was to be an enduring higher life. These carpets, hangings, elevators, waiters, seemed in their shabby materialism to speak of superior things.
One day in Buffalo, with a view of the magnificent falls at Niagara, and then came West Point with a dress parade accidentally provided for a visiting general and a ball for the cadets. Marietta, because of her charm and her brother's popularity, found herself so much in demand at West Point that she extended her stay to a week, leaving Eugene and Angela free to come to New York together and have a little time to themselves. They only stayed long enough to see Marietta safely housed and then came to the city and the apartment in Washington Square.
It was dark when they arrived and Angela was impressed with the glittering galaxy of lights the city presented across the North River from Forty-second Street. She had no idea of the nature of the city, but as the cab at Eugene's request turned into Broadway at Forty-second Street and clattered with interrupted progress south to Fifth Avenue she had her first glimpse of that tawdry world which subsequently became known as the "Great White Way." Already its make-believe and inherent cheapness had come to seem to Eugene largely characteristic of the cityand of life, but it still retained enough of the lure of the flesh and of clothes and of rush-light reputations to hold his attention. Here were dramatic critics and noted actors and actresses and chorus girls, the gods and toys of avid, inexperienced, unsatisfied wealth. He showed Angela the different theatres, called her attention to distinguished names; made much of restaurants and hotels and shops and stores that sell trifles and trash, and finally turned into lower Fifth Avenue, where the dignity of great houses and great conservative wealth still lingered. At Fourteenth Street Angela could already see Washington Arch glowing cream white in the glare of electric lights.
"What is that?" she asked interestedly.
"It's Washington Arch," he replied. "We live in sight of that on the south side of the Square."
"Oh! but it is beautiful!" she exclaimed.
It seemed very wonderful to her, and as they passed under it, and the whole Square spread out before her, it seemed a perfect world in which to live.
"Is this where it is?" she asked, as they stopped in front of the studio building.
"Yes, this is it. How do you like it?"
"I think it's beautiful," she said.
They went up the white stone steps of the old Bride house in which was Eugene's leased studio, up two flights of red-carpeted stairs and finally into the dark studio where he struck a match and lit, for the art of it, candles. A soft waxen glow irradiated the place as he proceeded and then Angela saw old Chippendale chairs, a Heppelwhite writing-table, a Flemish strong box containing used and unused drawings, the green stained fish-net studded with bits of looking glass in imitation of scales, a square, gold-framed mirror over the mantel, and one of Eugene's drawings—the three engines in the gray, lowering weather, standing large and impressive upon an easel. It seemed to Angela the perfection of beauty. She saw the difference now between the tawdry gorgeousness of a commonplace hotel and this selection and arrangement of individual taste. The glowing candelabrum of seven candles on either side of the square mirror surprised her deeply. The black walnut piano in the alcove behind the half draped net drew forth an exclamation of delight. "Oh, how lovely it all is!" she exclaimed and ran to Eugene to be kissed. He fondled her for a few minutes and then she left again to examine in detail pictures, pieces of furniture, ornaments of brass and copper.
"When did you get all this?" she asked, for Eugene had nottold her of his luck in finding the departing Dexter and leasing it for the rent of the studio and its care. He was lighting the fire in the grate which had been prepared by the house attendant.
"Oh, it isn't mine," he replied easily. "I leased this from Russell Dexter. He's going to be in Europe until next winter. I thought that would be easier than waiting around to fix up a place after you came. We can get our things together next fall."
He was thinking he would be able to have his exhibition in the spring, and perhaps that would bring some notable sales. Anyhow it might bring a few, increase his repute and give him a greater earning power.
Angela's heart sank just a little but she recovered in a moment, for after all it was very exceptional even to be able to lease a place of this character. She went to the window and looked out. There was the great square with its four walls of houses, the spread of trees, still decorated with a few dusty leaves, and the dozens of arc lights sputtering their white radiance in between, the graceful arch, cream white over at the entrance of Fifth Avenue.
"It's so beautiful," she exclaimed again, coming back to Eugene and putting her arms about him. "I didn't think it would be anything as fine as this. You're so good to me." She put up her lips and he kissed her, pinching her cheeks. Together they walked to the kitchen, the bedroom, the bathroom. Then after a time they blew out the candles and retired for the night.