FOOTNOTES:[44]Vincent d'Indy:César Franck, pp. 82et seq.[45]Romain Rolland:Musiciens d'aujourd'hui, pp. 230et seq.[46]Octave Séré:Musiciens français d'aujourd'hui, p. 83.[47]Ibid., p. 83.[48]S. I. M., April 15, 1911.[49]Vincent d'Indy:César Franck.[50]Autobiographical Sketch in 'The Music-Lover's Calendar,' Boston, 1905.[51]Charles Bordes founded theChanteurs de St. Gervaisein 1892 to perform sixteenth-century music, and more worthy later choral works. Including the study of plain-chant, better standards in modern church music, and higher requirements in organists, this association became theSchola Cantorumin 1894. As a school it was incorporated as above.[52]The theme of the Beloved, employed in the orchestral poemSouvenirs, op. 62.[53]From the Cévennes region.[54]Melody employed in the service proper to the Feast of the Assumption.[55]'On accuse les compositeurs de debussysme, on ne leur reproche plus d'être wagnériens.'—Preface to 2nd edition,Fervaal, Étude thématique, by Pierre de Bréville and Henri Laubers Villars.[56]Octave Séré:Musiciens français d'aujourd'hui, p. 272.[57]Louis Gallet:Notes d'un Librettist, quoted by Octave Séré inMusiciens français d'aujourd'hui, p. 73.[58]Ibid.[59]Lowell Institute Lecture, Jan. 7, 1915. Reported in the 'Boston Transcript.'[60]Magnard died in September, 1914, somewhat quixotically defending his cause against the Germans.
FOOTNOTES:[44]Vincent d'Indy:César Franck, pp. 82et seq.[45]Romain Rolland:Musiciens d'aujourd'hui, pp. 230et seq.[46]Octave Séré:Musiciens français d'aujourd'hui, p. 83.[47]Ibid., p. 83.[48]S. I. M., April 15, 1911.[49]Vincent d'Indy:César Franck.[50]Autobiographical Sketch in 'The Music-Lover's Calendar,' Boston, 1905.[51]Charles Bordes founded theChanteurs de St. Gervaisein 1892 to perform sixteenth-century music, and more worthy later choral works. Including the study of plain-chant, better standards in modern church music, and higher requirements in organists, this association became theSchola Cantorumin 1894. As a school it was incorporated as above.[52]The theme of the Beloved, employed in the orchestral poemSouvenirs, op. 62.[53]From the Cévennes region.[54]Melody employed in the service proper to the Feast of the Assumption.[55]'On accuse les compositeurs de debussysme, on ne leur reproche plus d'être wagnériens.'—Preface to 2nd edition,Fervaal, Étude thématique, by Pierre de Bréville and Henri Laubers Villars.[56]Octave Séré:Musiciens français d'aujourd'hui, p. 272.[57]Louis Gallet:Notes d'un Librettist, quoted by Octave Séré inMusiciens français d'aujourd'hui, p. 73.[58]Ibid.[59]Lowell Institute Lecture, Jan. 7, 1915. Reported in the 'Boston Transcript.'[60]Magnard died in September, 1914, somewhat quixotically defending his cause against the Germans.
FOOTNOTES:
[44]Vincent d'Indy:César Franck, pp. 82et seq.
[44]Vincent d'Indy:César Franck, pp. 82et seq.
[45]Romain Rolland:Musiciens d'aujourd'hui, pp. 230et seq.
[45]Romain Rolland:Musiciens d'aujourd'hui, pp. 230et seq.
[46]Octave Séré:Musiciens français d'aujourd'hui, p. 83.
[46]Octave Séré:Musiciens français d'aujourd'hui, p. 83.
[47]Ibid., p. 83.
[47]Ibid., p. 83.
[48]S. I. M., April 15, 1911.
[48]S. I. M., April 15, 1911.
[49]Vincent d'Indy:César Franck.
[49]Vincent d'Indy:César Franck.
[50]Autobiographical Sketch in 'The Music-Lover's Calendar,' Boston, 1905.
[50]Autobiographical Sketch in 'The Music-Lover's Calendar,' Boston, 1905.
[51]Charles Bordes founded theChanteurs de St. Gervaisein 1892 to perform sixteenth-century music, and more worthy later choral works. Including the study of plain-chant, better standards in modern church music, and higher requirements in organists, this association became theSchola Cantorumin 1894. As a school it was incorporated as above.
[51]Charles Bordes founded theChanteurs de St. Gervaisein 1892 to perform sixteenth-century music, and more worthy later choral works. Including the study of plain-chant, better standards in modern church music, and higher requirements in organists, this association became theSchola Cantorumin 1894. As a school it was incorporated as above.
[52]The theme of the Beloved, employed in the orchestral poemSouvenirs, op. 62.
[52]The theme of the Beloved, employed in the orchestral poemSouvenirs, op. 62.
[53]From the Cévennes region.
[53]From the Cévennes region.
[54]Melody employed in the service proper to the Feast of the Assumption.
[54]Melody employed in the service proper to the Feast of the Assumption.
[55]'On accuse les compositeurs de debussysme, on ne leur reproche plus d'être wagnériens.'—Preface to 2nd edition,Fervaal, Étude thématique, by Pierre de Bréville and Henri Laubers Villars.
[55]'On accuse les compositeurs de debussysme, on ne leur reproche plus d'être wagnériens.'—Preface to 2nd edition,Fervaal, Étude thématique, by Pierre de Bréville and Henri Laubers Villars.
[56]Octave Séré:Musiciens français d'aujourd'hui, p. 272.
[56]Octave Séré:Musiciens français d'aujourd'hui, p. 272.
[57]Louis Gallet:Notes d'un Librettist, quoted by Octave Séré inMusiciens français d'aujourd'hui, p. 73.
[57]Louis Gallet:Notes d'un Librettist, quoted by Octave Séré inMusiciens français d'aujourd'hui, p. 73.
[58]Ibid.
[58]Ibid.
[59]Lowell Institute Lecture, Jan. 7, 1915. Reported in the 'Boston Transcript.'
[59]Lowell Institute Lecture, Jan. 7, 1915. Reported in the 'Boston Transcript.'
[60]Magnard died in September, 1914, somewhat quixotically defending his cause against the Germans.
[60]Magnard died in September, 1914, somewhat quixotically defending his cause against the Germans.