FOOTNOTES:[61]Louis Laloy Monograph on Debussy, Paris, Dorbon ainé, 1909, p. 12.[62]Laloy:op. cit.p. 52.[63]Ibid., pp. 20-21, 24-26.[64]Quarter-note.[65]Boston Symphony Orchestra Program-book Dec. 21st, 1904.[66]Roland Manuel:Maurice Ravel et son œuvre(1904), pp. 8et seq.[67]Quoted by Octave Séré fromLa Revue Blanche, May 15, 1901.[68]Octave Séré:Musiciens français d'aujourd'hui, p. 101.[69]Cours de Composition, Deuxième Livre, Première Partie, p. 331.[70]See pp. 405f.[71]Messager, b. 1853, is most widely known for a number of charming operettas, continuing the traditions of Offenbach and Lecoq, of whichVéronique(1898), also produced in America, is probably the best. His most worthy contemporary in this department is Robert Planquette (1850-1903), whoseLes Cloches de Corneville('Chimes of Normandy') is perennially popular.[72]The 46th in the French Bible.
FOOTNOTES:[61]Louis Laloy Monograph on Debussy, Paris, Dorbon ainé, 1909, p. 12.[62]Laloy:op. cit.p. 52.[63]Ibid., pp. 20-21, 24-26.[64]Quarter-note.[65]Boston Symphony Orchestra Program-book Dec. 21st, 1904.[66]Roland Manuel:Maurice Ravel et son œuvre(1904), pp. 8et seq.[67]Quoted by Octave Séré fromLa Revue Blanche, May 15, 1901.[68]Octave Séré:Musiciens français d'aujourd'hui, p. 101.[69]Cours de Composition, Deuxième Livre, Première Partie, p. 331.[70]See pp. 405f.[71]Messager, b. 1853, is most widely known for a number of charming operettas, continuing the traditions of Offenbach and Lecoq, of whichVéronique(1898), also produced in America, is probably the best. His most worthy contemporary in this department is Robert Planquette (1850-1903), whoseLes Cloches de Corneville('Chimes of Normandy') is perennially popular.[72]The 46th in the French Bible.
FOOTNOTES:
[61]Louis Laloy Monograph on Debussy, Paris, Dorbon ainé, 1909, p. 12.
[61]Louis Laloy Monograph on Debussy, Paris, Dorbon ainé, 1909, p. 12.
[62]Laloy:op. cit.p. 52.
[62]Laloy:op. cit.p. 52.
[63]Ibid., pp. 20-21, 24-26.
[63]Ibid., pp. 20-21, 24-26.
[64]Quarter-note.
[64]Quarter-note.
[65]Boston Symphony Orchestra Program-book Dec. 21st, 1904.
[65]Boston Symphony Orchestra Program-book Dec. 21st, 1904.
[66]Roland Manuel:Maurice Ravel et son œuvre(1904), pp. 8et seq.
[66]Roland Manuel:Maurice Ravel et son œuvre(1904), pp. 8et seq.
[67]Quoted by Octave Séré fromLa Revue Blanche, May 15, 1901.
[67]Quoted by Octave Séré fromLa Revue Blanche, May 15, 1901.
[68]Octave Séré:Musiciens français d'aujourd'hui, p. 101.
[68]Octave Séré:Musiciens français d'aujourd'hui, p. 101.
[69]Cours de Composition, Deuxième Livre, Première Partie, p. 331.
[69]Cours de Composition, Deuxième Livre, Première Partie, p. 331.
[70]See pp. 405f.
[70]See pp. 405f.
[71]Messager, b. 1853, is most widely known for a number of charming operettas, continuing the traditions of Offenbach and Lecoq, of whichVéronique(1898), also produced in America, is probably the best. His most worthy contemporary in this department is Robert Planquette (1850-1903), whoseLes Cloches de Corneville('Chimes of Normandy') is perennially popular.
[71]Messager, b. 1853, is most widely known for a number of charming operettas, continuing the traditions of Offenbach and Lecoq, of whichVéronique(1898), also produced in America, is probably the best. His most worthy contemporary in this department is Robert Planquette (1850-1903), whoseLes Cloches de Corneville('Chimes of Normandy') is perennially popular.
[72]The 46th in the French Bible.
[72]The 46th in the French Bible.