SPECIAL LITERATURE FOR VOLUME III
LITERATURE FOR CHAPTER I
In English
Henry Fothergill Chorley: Modern German Music, 2 vols. (London, 1854).Arthur Elson: Modern Composers of Europe (Boston, 1905).Louis C. Elson: The History of German Song, 1888.Henry T. Finck: Songs and Song Writers (New York, 1900).James G. Huneker: Mezzotints in Modern Music (New York, 1899).Ernest Newman: Musical Studies (London, 1905).Felix Weingartner: Symphony Writers since Beethoven, Eng. transl. (London, 1907).
Henry Fothergill Chorley: Modern German Music, 2 vols. (London, 1854).
Arthur Elson: Modern Composers of Europe (Boston, 1905).
Louis C. Elson: The History of German Song, 1888.
Henry T. Finck: Songs and Song Writers (New York, 1900).
James G. Huneker: Mezzotints in Modern Music (New York, 1899).
Ernest Newman: Musical Studies (London, 1905).
Felix Weingartner: Symphony Writers since Beethoven, Eng. transl. (London, 1907).
In German
Hugo Botstiber: Geschichte der Overtüre (Leipzig, 1913).Hans von Bülow: Briefe und ausgewählte Schriften, ed. by Marie von Bülow, 8 vols. (1895-1898).P. J. Duringer: Albert Lortzing, sein Leben und Wirken (Leipzig, 1851).Ferdinand Hiller: Aus dem Tonleben unserer Zeit, 2 vols. (Leipzig, 1868-1871).Ferdinand Hiller: Musikalisches und Persönliches (Leipzig, 1876).Joseph Joachim: Briefe von und an Joseph Joachim; ed. by J. J. and A. Moser (1911).Otto Kronseder: Franz Lachner (In Altbayrische Monatsschrift, IV, 2-3, 1903).Otto Neitzel: Camille Saint-Saëns (Berlin, 1899).Walter Niemann: Die Musik seit Richard Wagner (1913).Arnold Niggli: Adolf Jensen (1900).Arnold Niggli: Theodor Kirchner (1888).Moritz von Schwind: Die Lachner-Rollen (1904).
Hugo Botstiber: Geschichte der Overtüre (Leipzig, 1913).
Hans von Bülow: Briefe und ausgewählte Schriften, ed. by Marie von Bülow, 8 vols. (1895-1898).
P. J. Duringer: Albert Lortzing, sein Leben und Wirken (Leipzig, 1851).
Ferdinand Hiller: Aus dem Tonleben unserer Zeit, 2 vols. (Leipzig, 1868-1871).
Ferdinand Hiller: Musikalisches und Persönliches (Leipzig, 1876).
Joseph Joachim: Briefe von und an Joseph Joachim; ed. by J. J. and A. Moser (1911).
Otto Kronseder: Franz Lachner (In Altbayrische Monatsschrift, IV, 2-3, 1903).
Otto Neitzel: Camille Saint-Saëns (Berlin, 1899).
Walter Niemann: Die Musik seit Richard Wagner (1913).
Arnold Niggli: Adolf Jensen (1900).
Arnold Niggli: Theodor Kirchner (1888).
Moritz von Schwind: Die Lachner-Rollen (1904).
E. Segnitz: Karl Reinecke (1900).Karl Thrane: Friedrich Kuhlau (1886).Bernhard Vogel: Robert Volkmann (1902).Hans Volkmann: Robert Volkmann (1875).Joseph von Wasielewsky: Karl Reinecke (1892).
E. Segnitz: Karl Reinecke (1900).
Karl Thrane: Friedrich Kuhlau (1886).
Bernhard Vogel: Robert Volkmann (1902).
Hans Volkmann: Robert Volkmann (1875).
Joseph von Wasielewsky: Karl Reinecke (1892).
In French
A. Jullien: Musiciens d'aujourd'hui, 2 vols. (Paris, 1891-92).E. Baumann: L'Œuvre de Saint-Saëns (1905).Antoine Francois Marmontel: Symphonistes et virtuoses (1881).Antoine Francois Marmontel: Art classique et moderne du piano (Paris, 1876).Jules Massenet: Mes souvenirs, 1842-1912 (Paris, 1912).Romain Rolland: Musiciens d'aujourd'hui (1908).Camille Saint-Saëns: Portraits et souvenirs (Paris, 1900).Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).E. Schneider: Massenet (1908).E. de Solenière: Massenet (1897).
A. Jullien: Musiciens d'aujourd'hui, 2 vols. (Paris, 1891-92).
E. Baumann: L'Œuvre de Saint-Saëns (1905).
Antoine Francois Marmontel: Symphonistes et virtuoses (1881).
Antoine Francois Marmontel: Art classique et moderne du piano (Paris, 1876).
Jules Massenet: Mes souvenirs, 1842-1912 (Paris, 1912).
Romain Rolland: Musiciens d'aujourd'hui (1908).
Camille Saint-Saëns: Portraits et souvenirs (Paris, 1900).
Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).
E. Schneider: Massenet (1908).
E. de Solenière: Massenet (1897).
In Italian
R. Gandolfi: La musica di G. Raff (1904).
R. Gandolfi: La musica di G. Raff (1904).
LITERATURE FOR CHAPTER II
In English
John Bennett: Russian Melodies (London, 1822).César Cui: Historical Sketch of Music in Russia (reprinted in the Century Library of Music), (New York, 1900).Arthur Elson: Modern Composers of Europe (Boston, 1905).Edward Evans: Tschaikowsky (1906).James Huneker: Mezzotints in Modern Music (New York, 1899).M. Montague-Nathan: A History of Russian Music (1914).Rosa Newmarch: The Russian Opera (New York, 1914).Rosa Newmarch: Tschaikowsky (London, 1900-1908).Edward Stillmann-Kelley: Tschaikowsky as a Symphonist (New York, 1906).Modest Tchaikovsky: Peter Ilyitch Tchaikovsky (2 vols., Eng. transl. by Rosa Newmarch), (London, 1906).
John Bennett: Russian Melodies (London, 1822).
César Cui: Historical Sketch of Music in Russia (reprinted in the Century Library of Music), (New York, 1900).
Arthur Elson: Modern Composers of Europe (Boston, 1905).
Edward Evans: Tschaikowsky (1906).
James Huneker: Mezzotints in Modern Music (New York, 1899).
M. Montague-Nathan: A History of Russian Music (1914).
Rosa Newmarch: The Russian Opera (New York, 1914).
Rosa Newmarch: Tschaikowsky (London, 1900-1908).
Edward Stillmann-Kelley: Tschaikowsky as a Symphonist (New York, 1906).
Modest Tchaikovsky: Peter Ilyitch Tchaikovsky (2 vols., Eng. transl. by Rosa Newmarch), (London, 1906).
In German
N. D. Bernstein: Anton Rubinstein (Leipzig, 1911).M. Glinka: Gesammelte Briefe; transl. by Findeisen (1908).Nikolai Kaschkin: Erinnerungen an P. I. Tschaikowsky (Leipzig, 1896).Ivan Knorr: Tschaikowsky (Berlin, 1908).N. Rimsky-Korsakoff: Musikalische Aufsätze und Skizzen, German transl. (1869-1907).Anton Rubinstein: Erinnerung aus fünfzig Jahren, 1839-1889 (German transl. by Kretzschmar, 1893).Eugen Zabel: Anton Rubinstein (Leipzig, 1892).
N. D. Bernstein: Anton Rubinstein (Leipzig, 1911).
M. Glinka: Gesammelte Briefe; transl. by Findeisen (1908).
Nikolai Kaschkin: Erinnerungen an P. I. Tschaikowsky (Leipzig, 1896).
Ivan Knorr: Tschaikowsky (Berlin, 1908).
N. Rimsky-Korsakoff: Musikalische Aufsätze und Skizzen, German transl. (1869-1907).
Anton Rubinstein: Erinnerung aus fünfzig Jahren, 1839-1889 (German transl. by Kretzschmar, 1893).
Eugen Zabel: Anton Rubinstein (Leipzig, 1892).
In French
M. D. Calvocoressi: Glinka (1910).J. P. O. Commettant: Musique et musiciens (Paris, 1862).César Cui: La Musique en Russe (1882).Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).Alfred Habets: Borodine et Liszt (1894).Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Albert Soubies: Histoire de la musique en Russe (Paris, 1898).
M. D. Calvocoressi: Glinka (1910).
J. P. O. Commettant: Musique et musiciens (Paris, 1862).
César Cui: La Musique en Russe (1882).
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).
Alfred Habets: Borodine et Liszt (1894).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Albert Soubies: Histoire de la musique en Russe (Paris, 1898).
In Russian
N. Kashkin: Istory russkoi musyki [History of Russian Music], (Moscow, 1898).A. Ilinsky: Biografii kompositorov (Moscow, 1904).N. Maklakoff: O russkoi narodnoi musyki [On Russian National Music], (Moscow, 1898).N. A. Rimsky-Korsakoff: Letopis moei musykalnoi zhizni [The Memoirs of my Musical Life], (St. Petersburg, 1909).N. A. Rimsky-Korsakoff: Musykalnie statii [Musical Articles], (St. Petersburg, 1911).V. Stassov: Alexandre Porf. Borodine (St. Petersburg, 1887).Nikolai Findeisen: Yeshegodnik imperial teatrov, vol. 2, pp. 87-129 (1896-7).
N. Kashkin: Istory russkoi musyki [History of Russian Music], (Moscow, 1898).
A. Ilinsky: Biografii kompositorov (Moscow, 1904).
N. Maklakoff: O russkoi narodnoi musyki [On Russian National Music], (Moscow, 1898).
N. A. Rimsky-Korsakoff: Letopis moei musykalnoi zhizni [The Memoirs of my Musical Life], (St. Petersburg, 1909).
N. A. Rimsky-Korsakoff: Musykalnie statii [Musical Articles], (St. Petersburg, 1911).
V. Stassov: Alexandre Porf. Borodine (St. Petersburg, 1887).
Nikolai Findeisen: Yeshegodnik imperial teatrov, vol. 2, pp. 87-129 (1896-7).
LITERATURE FOR CHAPTER III
In English
Arthur Elson: Modern Composers of Europe (Boston, 1905).L. Gilman: Phases of Modern Music (New York, 1904).James Huneker: Mezzotints in Modern Music (New York, 1899).A. E. H. Krebhiel: The Pianoforte and its Music (New York, 1911).Daniel Gregory Mason: From Grieg to Brahms (1903).
Arthur Elson: Modern Composers of Europe (Boston, 1905).
L. Gilman: Phases of Modern Music (New York, 1904).
James Huneker: Mezzotints in Modern Music (New York, 1899).
A. E. H. Krebhiel: The Pianoforte and its Music (New York, 1911).
Daniel Gregory Mason: From Grieg to Brahms (1903).
In German
Dagmar Gade: Niels W. Gade (Notes and Letters), (Basle, 1894).Walter Niemann: Die Musik Skandinaviens (Leipzig, 1906).Walter Niemann: Die moderne Klaviermusik in Skandinavien.Die Musik, vol. 14, No. 5, p. 195.Walter Niemann(with Schjelderup): Grieg (1908).Hugo Riemann: Neuskandinavische Musik, eine orientierende Übersicht (Signale, vol. 61, pp. 124-127, 186-190, Leipzig, 1903).
Dagmar Gade: Niels W. Gade (Notes and Letters), (Basle, 1894).
Walter Niemann: Die Musik Skandinaviens (Leipzig, 1906).
Walter Niemann: Die moderne Klaviermusik in Skandinavien.Die Musik, vol. 14, No. 5, p. 195.
Walter Niemann(with Schjelderup): Grieg (1908).
Hugo Riemann: Neuskandinavische Musik, eine orientierende Übersicht (Signale, vol. 61, pp. 124-127, 186-190, Leipzig, 1903).
In French
M. Cristal: La musique en Suède, en Islande, en Norvège, et dans le Danemark (Revue internat. de musique, Paris, 1898, pp. 683-694).William Ritter: Smetana (Les Maîtres de la musique, Paris, 1907).Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Albert Soubies: Histoire de la musique en Danemark et Suède (1901).Albert Soubies: Histoire de la musique en Norvège (1903).Paul Viardot: Rapport officiel sur la musique en Scandinavie (1908).
M. Cristal: La musique en Suède, en Islande, en Norvège, et dans le Danemark (Revue internat. de musique, Paris, 1898, pp. 683-694).
William Ritter: Smetana (Les Maîtres de la musique, Paris, 1907).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Albert Soubies: Histoire de la musique en Danemark et Suède (1901).
Albert Soubies: Histoire de la musique en Norvège (1903).
Paul Viardot: Rapport officiel sur la musique en Scandinavie (1908).
In Swedish
Tobias Norlind: Svensk musikhistoria (1901).
Tobias Norlind: Svensk musikhistoria (1901).
LITERATURE FOR CHAPTER IV
In English
H. T. Finck: Modern Russian School of Composers (Musician, v. 9, no. 3, pp. 87-9, Boston, 1904).H. E. Krebhiel: Musical Literature. The Russian School and Its Leaders. A Bibliography (New York, 1899).H. E. Krebhiel: Russian Music. Folk Songs of Russia (New York, 1899).Peter Kropotkin: Russian Literature (1908).M. Montague-Nathan: History of Russian Music (1914).Rosa Newmarch: The Russian Opera (New York, 1914).Alfred Habets: Borodine and Liszt. Transl. by Rosa Newmarch (London).
H. T. Finck: Modern Russian School of Composers (Musician, v. 9, no. 3, pp. 87-9, Boston, 1904).
H. E. Krebhiel: Musical Literature. The Russian School and Its Leaders. A Bibliography (New York, 1899).
H. E. Krebhiel: Russian Music. Folk Songs of Russia (New York, 1899).
Peter Kropotkin: Russian Literature (1908).
M. Montague-Nathan: History of Russian Music (1914).
Rosa Newmarch: The Russian Opera (New York, 1914).
Alfred Habets: Borodine and Liszt. Transl. by Rosa Newmarch (London).
In French
M. D. Calvocoressi: Moussorgsky (1908).Comtesse Merci-Argenteau: César Cui (1888).N. A. Rimsky-Korsakoff: Chants nationaux Russes (St. Petersburg, 1876).Albert Soubies: Histoire de la musique en Russe (1897).
M. D. Calvocoressi: Moussorgsky (1908).
Comtesse Merci-Argenteau: César Cui (1888).
N. A. Rimsky-Korsakoff: Chants nationaux Russes (St. Petersburg, 1876).
Albert Soubies: Histoire de la musique en Russe (1897).
In Russian
Nicolai Rimsky-Korsakoff: Musykalnie statii [Musical Articles], 1869-1907.
Nicolai Rimsky-Korsakoff: Musykalnie statii [Musical Articles], 1869-1907.
LITERATURE FOR CHAPTER V
In English
Modern Russian Instrumental Music (Musical Standard, v. 18, no. 465-469, v. 19, no. 470-472).M. Montague-Nathan: History of Russian Music (1914).Rosa Newmarch: The Russian Opera (New York, 1914).Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.
Modern Russian Instrumental Music (Musical Standard, v. 18, no. 465-469, v. 19, no. 470-472).
M. Montague-Nathan: History of Russian Music (1914).
Rosa Newmarch: The Russian Opera (New York, 1914).
Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.
In German
Walter Niemann: Die Musik seit Richard Wagner, 1913.
Walter Niemann: Die Musik seit Richard Wagner, 1913.
In French
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).
In Russian
A. Ilinsky: Biographii Kompositirov (Moscow, 1904).
A. Ilinsky: Biographii Kompositirov (Moscow, 1904).
LITERATURE FOR CHAPTER VI
In English
G. Bantock: One Hundred Folk-Songs of All Nations.Arthur Elson: Modern Composers of Europe (Boston, 1905).W. H. Hadow: Studies in Modern Music (London, 1895).Philip Hale: Modern Composers and their Works (Boston, 1900).J. Kaldy: History of Hungarian Music (London, 1902).William Ritter: Smetana (1907).Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.
G. Bantock: One Hundred Folk-Songs of All Nations.
Arthur Elson: Modern Composers of Europe (Boston, 1905).
W. H. Hadow: Studies in Modern Music (London, 1895).
Philip Hale: Modern Composers and their Works (Boston, 1900).
J. Kaldy: History of Hungarian Music (London, 1902).
William Ritter: Smetana (1907).
Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.
In German
Richard Batka: Geschichte der Musik in Böhmen (Prague, 1906).
Richard Batka: Geschichte der Musik in Böhmen (Prague, 1906).
In French
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Albert Soubies: Histoire de la musique en Bohème (Paris, 1898).Albert Soubies: Histoire de la musique en Hongrie (Paris, 1898).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Albert Soubies: Histoire de la musique en Bohème (Paris, 1898).
Albert Soubies: Histoire de la musique en Hongrie (Paris, 1898).
In Italian
G. B. Marchesi: La musica boema (Riv. d'Italie, Roma, 1910, anno 13, v. 2, p. 5-25).
G. B. Marchesi: La musica boema (Riv. d'Italie, Roma, 1910, anno 13, v. 2, p. 5-25).
LITERATURE FOR CHAPTER VII
In English
H. F. Chorley: Modern German Music (London, 1854).J. A. Fuller-Maitland: Masters of German Music (London, 1894).Ernest Newman: Richard Strauss (London, 1908).
H. F. Chorley: Modern German Music (London, 1854).
J. A. Fuller-Maitland: Masters of German Music (London, 1894).
Ernest Newman: Richard Strauss (London, 1908).
In German
Oskar Bie: Die moderne Musik und Richard Strauss (1906).Franz Brunner: Anton Bruckner (1911).Franz Gräflinger: Anton Bruckner, Bausteine zu seiner Lebensgeschichte (1911).Walter Niemann: Die Musik seit Richard Wagner (1913).Hugo Riemann: Max Reger (in Musiklexikon, ed. of 1909).Louis Rudolph: Die deutsche Musik der Gegenwart (1909).Louis Rudolph: Anton Bruckner (1905).Arthur Seidl: Richard Strauss, eine Charakterstudie (1895).Max Steinitzer: Straussiana (1910).Max Steinitzer: Richard Strauss (1911).
Oskar Bie: Die moderne Musik und Richard Strauss (1906).
Franz Brunner: Anton Bruckner (1911).
Franz Gräflinger: Anton Bruckner, Bausteine zu seiner Lebensgeschichte (1911).
Walter Niemann: Die Musik seit Richard Wagner (1913).
Hugo Riemann: Max Reger (in Musiklexikon, ed. of 1909).
Louis Rudolph: Die deutsche Musik der Gegenwart (1909).
Louis Rudolph: Anton Bruckner (1905).
Arthur Seidl: Richard Strauss, eine Charakterstudie (1895).
Max Steinitzer: Straussiana (1910).
Max Steinitzer: Richard Strauss (1911).
In French
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Paul de Stoecklin: Max Reger (Le Courrier musical, April, 1906).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Paul de Stoecklin: Max Reger (Le Courrier musical, April, 1906).
LITERATURE FOR CHAPTER VIII
In English
H. T. Finck: Songs and Song Writers (New York, 1900).W. H. Hadow: Studies in Modern Music (London, 1895).Edgar Istel: German Opera since Richard Wagner (in theMusical Quarterly, April, 1915).Ernest Newman: Richard Strauss (London, 1908).Ernest Newman: Hugo Wolf (London, 1907).Felix von Weingartner: Symphony Writers since Beethoven, Eng. trans. (London, 1907).
H. T. Finck: Songs and Song Writers (New York, 1900).
W. H. Hadow: Studies in Modern Music (London, 1895).
Edgar Istel: German Opera since Richard Wagner (in theMusical Quarterly, April, 1915).
Ernest Newman: Richard Strauss (London, 1908).
Ernest Newman: Hugo Wolf (London, 1907).
Felix von Weingartner: Symphony Writers since Beethoven, Eng. trans. (London, 1907).
In German
Michael Haberlandt: Hugo Wolf, Erinnerungen und Gedanken (1903).Walter Niemann: Die Musik seit Richard Wagner (1913).Leopold Schmidt: Zur Geschichte der Märchenoper (1896).Leopold Schmidt: Die moderne Musik (1905).Eugen Schmitz: Hugo Wolf (1906).Eugen Schmitz: Richard Strauss als Musikdramatiker (1907).Hugo Wolf: Musikalische Kritiken, ed. by R. Batka and Heinrich Werner (1911).Hugo Wolf: Briefe an Emil Kauffmann (1903), Hugo Faisst (1904), Oskar Grohe (1905), Paul Müller (Peters Jahrbuch, 1904).
Michael Haberlandt: Hugo Wolf, Erinnerungen und Gedanken (1903).
Walter Niemann: Die Musik seit Richard Wagner (1913).
Leopold Schmidt: Zur Geschichte der Märchenoper (1896).
Leopold Schmidt: Die moderne Musik (1905).
Eugen Schmitz: Hugo Wolf (1906).
Eugen Schmitz: Richard Strauss als Musikdramatiker (1907).
Hugo Wolf: Musikalische Kritiken, ed. by R. Batka and Heinrich Werner (1911).
Hugo Wolf: Briefe an Emil Kauffmann (1903), Hugo Faisst (1904), Oskar Grohe (1905), Paul Müller (Peters Jahrbuch, 1904).
In French
Maurice Kufferath: La Salomé de Richard Strauss (1908).Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Egon Wellesz: Schoenberg et la jeune école Viennoise (S. I. M., March, 1912).
Maurice Kufferath: La Salomé de Richard Strauss (1908).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Egon Wellesz: Schoenberg et la jeune école Viennoise (S. I. M., March, 1912).
LITERATURE FOR CHAPTER IX
In English
A. Hervey: Masters of French Music (London, 1894).Edward Burlingame Hill: Vincent d'Indy: an Estimate (Musical Quarterly, April, 1915).
A. Hervey: Masters of French Music (London, 1894).
Edward Burlingame Hill: Vincent d'Indy: an Estimate (Musical Quarterly, April, 1915).
In German
Walter Niemann: Die Musik seit Richard Wagner (1913).Hans M. Schletterer: Studien zur Geschichte der Französischen Musik (1884).
Walter Niemann: Die Musik seit Richard Wagner (1913).
Hans M. Schletterer: Studien zur Geschichte der Französischen Musik (1884).
In French
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).A. Jullien: Musiciens d'aujourd'hui, 2 vols. (1891-92).Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).Georges Servières: Emanuel Chabrier (1911).
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).
A. Jullien: Musiciens d'aujourd'hui, 2 vols. (1891-92).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).
Georges Servières: Emanuel Chabrier (1911).
LITERATURE FOR CHAPTER X
In English
M. D. Calvocoressi: Claude Debussy (Musical Times, v. 49, no. 780, pp. 81-2, London, 1908).Lawrence Gilman: The Music of Claude Debussy (The Musician, v. 12, no. 10, pp. 480-1), (Boston, 1907).A. de Guichard: Clash between Two Parties in Modern French School of Music (Musical America, v. 17, July 27, p. 21, New York, 1912).Philip Hale: History, criticism and story of L'Enfant prodigue (v. 29, pp. 368-371, v. 30, Boston, 1909-10).E. B. Hill: Rise of Modern French Music (Étude, vol. 32, no. 4, pp. 253-4, no. 5, pp. 489-90).
M. D. Calvocoressi: Claude Debussy (Musical Times, v. 49, no. 780, pp. 81-2, London, 1908).
Lawrence Gilman: The Music of Claude Debussy (The Musician, v. 12, no. 10, pp. 480-1), (Boston, 1907).
A. de Guichard: Clash between Two Parties in Modern French School of Music (Musical America, v. 17, July 27, p. 21, New York, 1912).
Philip Hale: History, criticism and story of L'Enfant prodigue (v. 29, pp. 368-371, v. 30, Boston, 1909-10).
E. B. Hill: Rise of Modern French Music (Étude, vol. 32, no. 4, pp. 253-4, no. 5, pp. 489-90).
In German
Walter Niemann: Die Musik seit Richard Wagner (1913).
Walter Niemann: Die Musik seit Richard Wagner (1913).
In French
Daniel Chennevière: Claude Debussy et son œuvre (Paris, 1913).Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).
Daniel Chennevière: Claude Debussy et son œuvre (Paris, 1913).
Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).
Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).
LITERATURE FOR CHAPTERS XI AND XII
In English
Carlo Edwards: Music in Italy of To-day (Musical America, Oct., 1914, p. 13-4).Arthur Elson: Modern Composers of Europe (Boston, 1905).R. Luecchesi: Music in Italy. Impressions after Thirty-two Years' Absence (Musical Courier, IV, 47, no. 13, pp. 30-31).
Carlo Edwards: Music in Italy of To-day (Musical America, Oct., 1914, p. 13-4).
Arthur Elson: Modern Composers of Europe (Boston, 1905).
R. Luecchesi: Music in Italy. Impressions after Thirty-two Years' Absence (Musical Courier, IV, 47, no. 13, pp. 30-31).
In French
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).Maurice Touchard: La musique espagnole contemporaine (Nouvelle Revue, March, 1914).
Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).
Maurice Touchard: La musique espagnole contemporaine (Nouvelle Revue, March, 1914).
In Italian
Giuseppe Albinati: Piccolo Dizionario di Opere Teatrali, Oratori, Cantate, etc.
Giuseppe Albinati: Piccolo Dizionario di Opere Teatrali, Oratori, Cantate, etc.
LITERATURE FOR CHAPTER XIII
In English
J. R. St. Bennett: The Life of Sterndale Bennett (London, 1907).Cecil Forsyth: Music and Nationalism (London, 1911).F. J. Crowest: Dictionary of British Musicians (London, 1895).Ernest Newman: Elgar (London, 1906).J. A. F. Maitland: English Music in the Nineteenth Century (New York, 1902).Arthur Elson: Modern Composers of Europe (Boston, 1905).J. B. BrownandSt. Stratton: British Musical Biography (London, 1897).
J. R. St. Bennett: The Life of Sterndale Bennett (London, 1907).
Cecil Forsyth: Music and Nationalism (London, 1911).
F. J. Crowest: Dictionary of British Musicians (London, 1895).
Ernest Newman: Elgar (London, 1906).
J. A. F. Maitland: English Music in the Nineteenth Century (New York, 1902).
Arthur Elson: Modern Composers of Europe (Boston, 1905).
J. B. BrownandSt. Stratton: British Musical Biography (London, 1897).
In German
Walter Niemann: Die Musik seit Richard Wagner (1913).
Walter Niemann: Die Musik seit Richard Wagner (1913).
In French
Albert Soubies: Histoire de la musique dans les îles britanniques, 2 parts (1904-5).
Albert Soubies: Histoire de la musique dans les îles britanniques, 2 parts (1904-5).