Huneker, James (quot.), II. 501.
Huneker, James (quot.), II. 501.
Hungary,(folk-song), I. xliii-f;(political aspects), III.186;(early musical history), III.187ff;(modern composers), III.190;(ultra-moderns), III.197.Hunold, C. F. See Menantes.Hunting bow, I. 28.Hurlstone, William Young, III.437.Hüttenbrenner, Anselm, II. 133.Hyagnis, I. 112.Hymns (early Christian), I. 135ff;(early Protestant), I. 289ff;(in passion music), I. 480f.
I
Iadmirault, III.363.Iastian mode, I. 136.Ibsen, III.77,85,87,95.Ibykos, I. 115f.Idolatry (in relation to ancient music), I. 70, 77.Illuminati, II. 76.Iljinsky, Alexander A., III.145.Imitation (Greek meaning of term), I. 89;(in hexachordal system), I. 169;(free and strict, definition), I. 227f;(in early polyphonic music), I. 231f, 243;(early English example), I. 237ff;(in madrigals), I. 276.See also Canon; Counterpoint; Fugue.Imitation of nature. See Program music.Imperfections (in art), I. xxx-f.Imperial Musical Society (Russian), III.107.Impressionism (suggestions of, in Liszt), II. 325;(in Norwegian folk-music), III.66;(Grieg), III.69,89;(Sinding), III.97;(Moussorgsky), III.130;(Reger), III.231;(French school)III.317ff;(in modern piano music), III.326f;(and realism), III.342;(Eric Satie), III.361;(Leo Ornstein), III.393;(Albéniz), III.406.Indians, American, I. 13, 33ff.[d']Indy, Vincent, II. 439;III.viii,ix,xi,xiii,xiv,xviii,282,284,285,287,296ff,334;(influence), III.358.Ingegneri, Marc' Antonio, I. 337.Instrumental music, I. xliii, xlvii, xlviii, lviii, 305, 306;(development in early 17th cent.), I.355ff;(Purcell), I. 390f;(Bach), I. 452;(Lully, Rameau, Couperin), I. 409f.See also Accompaniments (instrumental); Chamber music; Harpsichord music; Pianoforte music; Orchestral music; Sonata; String quartet; Violin music, etc.Instrumentation, I. liii;(abuse of special effect), I. xxii, lv;(Monteverdi), I. 337;(tone-color), I. 481;II. 12, 118, 266.See also Orchestration.Instruments (primitive), I. 14f, 20ff;(Chinese), I. 48;(Hindoo), I. 49;(miscell. Exotic), I. 52ff;(Assyrian), I. 65ff;(Hebrew), I. 70ff;(Egyptian), I. 78ff;(Greek), I. 84f, 122ff;(mediæval), I. 198, 211, 218;(Renaissance), I. 261ff, 281;(perfection of modern), II. 335ff.See also Orchestra, Orchestration; String instruments; Wind instruments, and specific names of instruments.Instruments of Percussion. See Drums.Intermedii (Renaissance), I. 326.Intermezzi. See Opera buffa.Intervals (in primitive music), I. 7, 34, 40f;(in the sounds of nature), I. 8;(in Greek music), I. 99, 101ff;(in plain-song), I. 154;(in Italian ars nova), I. 264.Inverted canon, I. 248.Ippolitoff-Ivanoff, M. M., III.128,149.Ireland (folk-song), I. xliii;III.423.Ireland, J. N., III.442.Isaac, Heinrich, I. 269, 304f.Ismail Pasha, Khedive of Egypt, II. 496.Isouard, Niccolò, II. 183.Italian influence (on early Lutheran music), I. 243;(on German organ music), I. 358ff;(in 17th cent.), I. 389, 451, 454f;(on Händel), I. 427;(on Bach), I. 471, 476, 479, 489, 490;(on Gluck), II. 17;(on J. C. Bach), II. 61;(in 18th cent. Vienna), II. 80;(on Mozart), II. 102, 105, 121f;(on Meyerbeer), II. 199f;(on Wagner), II. 404, 407.Italian opera. See Opera (Italian).Italian Renaissance. See Renaissance (the).Italy (Renaissance), I. 258ff;(ars nova), I. 262ff;(15th cent.), I. 266ff;(madrigal era), I. 272ff;(Venetian school), I. 298;(Palestrina), I. 311ff;(Florentine monodists), I. 324ff;(Monteverdi), I. 336ff;(early organ music), I. 358ff;(early violin music), I. 361ff;(harpsichord music), I. 374;(17th cent. opera), I. 380ff;(oratorio), I. 386f;(17th cent. instrumentalists), I. 391ff;(early 18th cent.), I. 426ff;(later 18th cent.), II. 1ff;(political aspects), II. 47;(sonata form), II. 52f;(Boccherini), II. 70;(early 19th cent.), II. 177ff;(modern opera), III.ix,366ff;(modern renaissance of instr. music), III.385ff;(modern song writers), III.398;(folk-song), III.349.See also Opera; also Renaissance.
J
Jadassohn, Salomon, III.13.Jahn, O. (quot.), II. 111, 115.Jannequin, Clement, I. 276f, 306;II. 351;III.354.Japan, I. 47, 58f.Japanese 'color,' III.199.Japanese instruments, I. 53.Järnefelt, Armas, III.101.Jaspari (It. composer), II. 503 (footnote).Java, I. 57.Jennens, Charles, I. 442.Jensen, Adolf, III.18.Jeremiaš, Jaroslav, III.182.Jeremiaš, Ottokar, III.182.Jérome Bonaparte, II. 132.Joachim, Joseph, II. 413, 447.John XXII (Pope), I. 232f.John the Deacon, I. 145.Johnson, Noel, III.443.Johnson, [Dr.] Samuel (cit. on Italian opera), I. 431.Jommelli, Nicola, II. 11ff, 65.Jongleurs, I. 203, 206, 210, 212.See also Troubadours.Joseph II, Emperor of Austria, II. 15, 22, 49 (footnote), 106, 124.Josephine, Empress, II. 197.Josquin des Prés, I. 252ff, 269, 288, 296, 298, 313.Jouy, Étienne, II. 188, 197.'Judaism in Music,' essay by Wagner, II. 415.Junod, Henry A., cited, I. 8.
K
Káan-Albést, Heinrich von, III.181.Kaffirs, I. 31.Kajanus, Robert, III.100.Kalbeck, Max, cit., II. 450;friend of Brahms, II. 455.Kalevala (the), III.63,67,103.Kallinikoff, Vasili Sergeievich, III.140.Kalliwoda, J. W., III.168.Kangaroo dance, I. 12.Karatigin, W. G., III.161.Karel, Rudolf, III.182.Karl Eugen, Duke of Württemberg, II. 12.Karl Theodor, Elector of the Palatinate, II. 64.Kashkin, N. D., III.53.Kaskel, Karl von, III.257.Kastalsky, A. D., III.143.Katona, Josef, III.190.Kaunitz, Count, II. 18.Kazachenko, G. A., III.145.Keats, I. xlv.Keiser, Reinhard, I. 415, 422ff, 425, 452ff.Keller, Maria Anna, II. 86.Kerll, Kaspar, I. 384.Kettle drum, II. 340, 341, 342.Key, Ellen, III.77.Key relationships. See Modulation; Tonality.Key signature, I. 230, 232.See also Accidentals.Keyboard instruments. See Clavichord; Harpsichord; Pianoforte; Organ, etc.Keys, in Greek music, I. 105.See also Scales; also Modulation.Kieff, III.150.Kiel, Friedrich, III.16.Kienzl, Wilhelm, III.243.Kiesewetter, R. L., quoted, I. 249, 311.Kietz, II. 405.Kiober, II. 149.Kin (Chinese instrument), I. 53.Kind, Friedrich, II. 375.King (Chinese instrument), I. 52f.King, James, quoted, I. 16f.Kinsky, Prince, II. 133, 152.Kinsky, Count, II. 18.Kirby, P. R., III.441.Kirchner, Theodor, III.14.Kirnberger, Joh. Philipp, II. 31.Kissar (Nubian instrument), I. 69.Kistler, Cyrill, III.240.Kithara (Greek instrument), I. 123f, 132f.Kitharœdic chants, I. 132ff, 138, 141.Kittl, J. F., III.168.Kjerulf, Halfdan, III.87f.Kleffel, Arno, III.20.Klindworth, Karl, III.18.Klopstock, II. 30, 48, 49, 50, 153.Klose, Friedrich, III.269f.Klughardt, August, III.236.[Des]Knaben Wunderhorn, German folk-lore collection, II. 223f.Kock, Paul de, II. 211.Kodály, Z., III.xxi,198.Koenig, III.200.Koessler, Hans, III.197,211.Kokin (Japanese instrument), I. 53.Kopyloff, A., III.146.Korestschenko, A. N., III.153.Korngold, Erich, III.271.Körner, Theodor, II. 234.Krehbiel, H. E., quot., II. 311.Koss, Henning von, III.268.Koto (Japanese instrument), I. 53.Kousmin, III.161.Kovařovic, Karl, III.181.Kreisler, Kapellmeister, II. 308.Kretschmer, Edmund, III.256.Kretzschmar, Herman, cit., II. 121.Kreutzer, Conradin, II. 379.Kricka, K., III.182.Krysjanowsky, J., III.155.Kuhac, F. X., II. 98.Kuhnau, Johann, I. 415f, 453;II. 58.Kullak, Theodor, III.15,17f.
L
Lablache, Luigi, II. 185, 193.Labor, as incentive to song, I. 6f.Lachner, Franz, III.8ff.Lagerlöf, Selma, III.77.La Harpe, II. 35.Lalo, Edouard, III.viii,xiii,xviii,24,33ff,279,280f,287f.Lambert, Frank, III.443.Lamennais, II. 247.Lament, primitive, I. 8.La Mettrie, II. 76.Lamoureux (conductor), II. 439;III.285.Landi, Stefano, I. 379, 385f.Landino, Francesco, I. 263f.Lange-Müller, P. E., III.73,75.Langhans, Wilhelm, quoted, II. 228, 229.Languages, confusion of (in opera), I. 424.Languedoc, I. 205.Langue d'Oïl and langue d'Oc, I. 205.Lanier, Nicholas, I. 385.Laparra, Raoul, III.407.La Pouplinière, II. 65 (footnote), 68.Larivée, II. 33.Lasina, II. 490.Lassen, Eduard, III.18,19,24,213,235.Lasso, Orlando di, I. 306ff, 320, 353.Lassus. See Lasso.Lavigna, Vincenzo, II. 481.Lavotta, III.188,195.Lawes, Henry, I. 385.Leading motives. See Leit-motif.Leading-tone, I. 301.Le Bé (Le Bec), Guillaume, I. 286f.Le Blanc du Roullet, II. 31ff.Legendary song. See Folk-song.Legras, II. 33.Legrenzi, Giovanni, I. 346, 365, 384.Le Gros, II. 65.Lehmann, Liza, III.443.Leibnitz, II. 48.Leipzig, battle of, II. 234.Leipzig, I. 262f, 467f, 479;II. 261ff;III.5f.Leipzig circle of composers, III.5,15.Leipzig school, I. 262.Leit-motif, I. liii;(Berlioz), II. 351, 353f;(Bizet), II. 391;(Liszt), II. 399;(Wagner), II. 430f;(after Wagner), III.205;(Chabrier), III.288;(d'Indy), III.305;(Bruneau), III.343;(Perosi), III.396.See also Motives.Lekeu, Guillaume, III.xviii,311.Lendway, E., III.199.Lenz, Wilhelm von, on Beethoven, II. 165.Leo (or Leonin, Leoninus), I. 184.Leo, Leonardo, I. 400f;II. 11, 14.Leo the Great, I. 143.Léonard (founder of Théâtre Feydeau), II. 42.Leoncavallo, Ruggiero, I. xviii;III.ix,369,371f,384.Leoni, Franco, III.384,432.Leopold, Prince of Anhalt-Cöthen, I. 461f, 468.Lermontov, III.108.Leroy, Adrian, I. 286f.Lessing, II. 48, 81, 129.Lesueur, Jean François, II. 44, 352;III.vii.Leva, Enrico de, III.401.Levasseur, Nicolas Prosper, II. 185.Lewes, George Henry, quoted, II. 75ff.Liadoff, Anatol Constantinovich, III.128,139.Liapounoff, Sergei Mikhailovich, III.xii,xiv,139f.Librettists. See Calzabigi, Metastasio, Rinuccini, Rossi, Scribe, etc.Libretto (operatic) (in 18th cent.), II. 3, 26.Lichnowsky, Prince, II. 107, 132, 152.Lie, Sigurd, III.98.Lied. See Art-song.Lieven, Madame de, II. 184.Light opera. See Comic opera.Light keyboard, III.158.Lind, Jenny, II. 204;III.80.Lindblad, Adolph Frederik, III.80.Lindblad, Otto, III.80.Ling-Lenu (inventor of Chinese scale), I. 46.Lisle, Leconte de, III.284,293.Lisle-Adam, Villiers de, III.293.Lissenko, N. V., III.136.Liszt, Franz, I. xvii;II. 245ff;(songs), II. 291;III.257f;(as virtuoso), II. 305, 323ff;(symphonist), II. 358ff, 361ff;(rel. to Wagner), II. 412ff;(rel. to Brahms), II. 447;(influence), III.vii,x,69,212;(general), III.111,157,190,192,202,203f,228,282;(rel. to Sgambati), III.386.Literary movements (influence on modern music). See Impressionism, Realism, Symbolism, etc.Liturgical plays, III.324.Liturgy (the), I. 138ff, 148ff.See also Plain-song; also Church music.Lobkowitz, Prince, II. 18, 133, 141.Local color,(in early madrigals), I. 276ff, 281;(Breton), III.314;(Spanish), III.287,331,338,349,406;(Italian), III.349;(Parisian), III.353,354.See also Exoticism in modern music.Locatelli, Pietro, II. 51, 56.Locle, Camille du, II. 495.Locke, Matthew, I. 373, 385.Loder, E. J., III.414.Loeffler, Charles Martin, III.335.Logau, Friedrich von, II. 48.Logroscino, Nicolo, II. 8 (footnote), 10.Löhr, Hermann, III.443.Lollio, Alberto, I. 328.Lomakin, III.108.London (Händel period), I. 430ff;II. 8;(18th cent.), II. 15, 79;(J. C. Bach), II. 61;(subscr. concerts est.), II. 62;(Haydn's visit), II. 89;(Rossini), II. 184;(Wagner), II. 415;(Verdi), II. 458ff;(present conditions), III.421f.London Philharmonic Society, II. 142, 415.London Symphony Orchestra, III.422.Lönnrot, Elias, III.63.Lorenzo de' Medici (the Magnificent), I. 267f, 325.Lortzing, Albert, II. 379;III.20f.Loti, Pierre, III.314.Lotti, Antonio, I. 346, 479.Louis II, King of Hungary, III.18.Louis XIV, I. 405, 410;II. 47.Louis XVIII, II. 198.Louis Philippe, King of France, II. 190.Love (as primitive cause of music), I. 4f, 36.Love song (in exotic music), I. 51;(in Middle Ages), I. 202ff.Löwe, Carl, II. 284.Löwen, Johann Jacob, I. 373.Ludwig, King of Württemberg, II. 235.Ludwig II, King of Bavaria, II. 419.Ludwigslust, II. 12.Luis, infante of Spain, II. 70.Lulli. See Lully.Lully, Jean Baptiste, I. 382,406ff, 414;II. 21;(influence on German composers), I. 415, 426;II. 52.Lute (primitive), I. 43;(description), I. 261;(in 17th cent.), I. 374f.Lute music, I. 370.Lutenists (Renaissance), I. 261f.Luther, Martin, I. 255, 288ff.Lutheran Church, I. 224f, 478ff.Lydian mode, I. 100, 103.Lyon, James, III.442.Lyre (Assyrian), I. 66;(Egyptian), I. 80;(Hebrew), I. 70, 73;(Greek), I. 85, 110, 111, 123f.Lyric drama. See Drame lyrique.Lyric poetry, I. xlv;II. 269ff.Lyvovsky, G. F., III.143.
M
Mabellini, Teodulo, II. 503 (footnote).Macabrun (the troubadour), I. 211.MacCunn, Hamish, III.425f.MacDowell, Edward, II. 347.McGeoch, Daisey, III.443.McEwen, John Blackwood, III.428.Machault, Guillaume de, I. 231.Mackenzie, Alexander Campbell, III.415,416,432.Macpherson, Stewart, III.429.Macran, H. S., III.431.Macusi Indians, I. 11.Madrigal, I. xliii;(14th cent.), I. 261, 264f, 266;(16th cent.), I. 272ff;II. 52;(English), I. 306;(Monteverdi), I. 338ff, 345.Maeterlinck, III.105,145,199,322,359.Maffei, Andrea, II. 489.Magadis (Greek instrument), I. 124.Magadizing, I. 161.Maggi (Italian May festivals), I. 324.Maggini, Paolo, I. 362.Magnard, Alberic, III.315,363.Mahler, Gustav, III.x,xii,xiii,226ff,266;(influence), III.196.Maillart, Aimé, II. 212.Maitland, J. A. Fuller, III.430;(quoted on Händel), I. 447.Majorca, II. 257.Malays, I. 28.Male soprano. See Artificial soprano.Malfatti, Therese, II. 140, 145, 150, 159.Malibran, Maria (Garcia), II. 185, 187, 312.Malichevsky, W., III.155.Malling, Otto, III.76.Malvezzi, Christoforo, I. 329.Mancinelli, Luigi, III.378,389,392.Manet, Édouard, III.287.Mannheim orchestra, II. 338.Mannheim school, I. 481;II. 12, 57,63ff, 67, 138.Mantua, I. 326.Manzoni, Cardinal, II. 498.Maoris of New Zealand, I. 13.Marcello, Benedetto, II. 6.Marchand, Louis, I. 460f.Marenzio, Luca, I. 275f, 329f.Maria Theresa, Empress of Austria, II. 22, 72.Marie, Galti (Mme.), II. 388.Marie Antoinette, II. 32.Marienklagen, I. 324.Marignan, battle of, II. 351.Marinetti, III.392.Marini, Biagio, I. 367;II. 54.Marinuzzi, Gino, III.389,391.Mario, Giuseppe, II. 193.Marmontel, II. 24, 33.Marot, Clément, I. 294.Mars, Mlle., II. 242.Marschner, Heinrich (as song writer), II. 283;(as opera composer), II. 279.Marseillaise, III.328.Marsyas, I. 122.Martin, George, III.421.Martini, Padre G. B., II. 11, 101.Martucci, Giuseppe, III.387f.Marty y Tollens, Francesco, I. 125f.Marx, Joseph, III.266.Mascagni, Pietro, I. xviii;III.ix,369,370f.Masini (dir. of Società Filodrammatica, Milan), II. 483.Masque (17th cent.), I. 385.Mass, I. 242f, 244, 247f, 312f;(Palestrina), I. 318ff.See also Liturgy.Massé, Victor, II. 212.Massenet, Jules, II. 438;III.viii,24,25ff,278,283f;(influence of), III.343,351.Mastersingers. See Meistersinger.Mathias I, King of Hungary, III.187.Mattei, Padre P. S., II. 180.Mattheson, Johann, I. 415, 423, 452ff.Maurus, Rhabanus, I. 137.Maxner, J., III.182.May festivals (Italian), I. 324.Maybrick, M. (Stephen Adams), III.443.Mayr, Simon, II. 180.Mc. See Mac.Measured music, I. 175ff, 183ff, 229.Mensural composition, forms of, I. 183ff.See also Measured music.Meck, Mme. von, III.56.Medicine men (Indian), I. 29.Medtner, Nicholas, III.xii,154.Méhul, Étienne, II. 41ff.Meilhac, II. 393.Meiningen court orchestra, III.211.Meistersinger, I. 222ff;II. 421.Melartin, Erik, III.101.Melgounoff, J. N., III.136.Melodic minor scale, I. 301.Melody, styles of (Greek music), I. 98;(plain-chant), I. 144, 153;(of early French folk-song), I. 193f;(early German folk-song), I. 197;(Netherland schools), I. 245, 269, 333;(Italian madrigalists), I. 212;(Palestrina), I. 320ff;(Florentine monodists), I. 332;(early instrumental music), I. 368f, 373;(early Italian opera), I. 380f, 392;(Purcell), I. 389;(Lully), I. 408;(Bach), I. 474ff;(Pergolesi), II. 8;(Gluck), II. 26;(classic period), II. 51;(Mozart and Haydn), II. 111, 118ff;(Beethoven), II. 171f;(Rossini), II. 185f;(Schubert), II. 227;(lyric quality), II. 272ff;(modern pianoforte), II. 297f, 320f, 323;(modern symphonic), II. 357ff, 364ff;(Wagner), II. 411, 431f, 433;(Brahms), II. 462f;(César Franck), II. 471.Melzi, Prince, II. 19.Menantes, I. 480.Mendelssohn-Bartholdi, Felix, I. xvi, lvii, 318, 478;II. 200,260ff,290,311ff,344,349ff,395ff;III.2;(influence), III.9ff,69,79,92.Mendelssohn-Schumann school, III.4.Mendès, Catulle, III.288,306.Mensural system. See Measured music.Merbecke, John, I. 305.Mercadente, Saverio, II. 187, 196.Mercure de France, quoted, II. 35, 68.Merelli, Bartolomeo, II. 483.Merikanto, Oscar, III.101.Merino, Gabriel, I. 328.Merula, Tarquinio, I. 368.Merulo, Claudio, I. 356.Méry (librettist), II. 495.Messager, André, III.287,363.Messmer, Dr., II. 76, 103.Metastasio, Pietro, II. 3, 5, 26, 31, 85.Methods, technical (in musical composition), I. xxxvii.Metternich, Prince, II. 184.Mexicans, ancient, I. 16.Meyerbeer, Giacomo, II. 199, 244;III.x,278.Michelangelo, III.110.Mielck, Ernst, III.101.Mihailovsky, III.108.Mihálovich, Ödön, III.190,191.Milder, Anna, II. 152.Millöcker, Karl, III.22.Milton, I. xlv.'Mimi Pinson,' III.350f.Mingotti, Pietro, II. 21.Miniature (musical forms), III.6ff.Minnesinger, I. 214ff.Minor scales (harmonic and melodic), I. 301.Minstrels, wandering (in Middle Ages), I. 200ff.See also Jongleurs; Minnesinger; Troubadours; Trouvères.Minuet, I. 372, 375;(in classic sonata, etc.), II. 54, 116, 120, 170f.Mockler-Ferryman, A. F., I. 11.Modal harmony (in modern music), II. 463;III.xx,295,325.Modern music (Bach's influence on), I. 477, 488, 490f;(accepted meanings of the term), III.1ff.Modes (in Greek music), I. 100ff.Modes, ecclesiastical, I. xxvxiii, 152ff;(reaction of modern harmony), I. 270, 322, 352f, 360, 371;(in Palestrina's music), I. 320.See also Modal harmony; also Keys; Scales.Modulation, I. lix;(in Greek music), I. 102;(polyphonic period), I. 246, 352;(Monteverdi), I. 341;(in aria form), I. 381;(D. Scarlatti), I. 399;(Bach), I. 487, 490;(in classic sonata), II. 55f;(Haydn and Mozart), II. 111;(Beethoven), II. 167;(Schubert, enharmonic), II. 229;(Chopin), II. 321;(Wagner), II. 411, 434;(Brahms), II. 463.See also Harmony (modern innovations).Mohács, battle of, III.187.Mohammedan music, I. 47, 50, 59ff.Molière, I. 407, 410;('Le Bourgeois gentilhomme' quoted), I. 208.Molnár, Géza, III.200.Monckton, Lionel, III.433.Monochord, I. 109, 124.Monodia. See Monody.Monodic style. See Monody.Monody (in 14th cent.), I. 262ff;(in 15th cent.), I. 231, 326, 368f;(in 17th cent.), I. 282, 330;II. 52;(in early instr. music), I. 366, 367f.Monro, D. B., III.431.Monsigny, Pierre Alexandre, II. 24, 41, 106.Montemezzi, Italo, III.ix,378.Monteverdi, Claudio, I. 275,338ff, 376, 379f, 382;II. 27;III.vii,307.Monteviti, II. 11.Mood painting, I. lxi.Moody-Manners, III.443.Moór, Emanuel, III.196.Moore's Irish Melodies, III.423.Morlacchi, Francesco, II. 180.Morley, Thomas, I. xlvii, 306, 369f.Morpurgo, Alfredo, III.400.Morzin, Count, II. 86.Moscherosch, II. 48.Moscow Conservatory, III.148.Moscow Private Opera, III.149.Mosonyi, M., III.190.Moszkowski, Maurice, III.212.Motet (early), I. 185;(16th cent. Italian), I. 270;(Bach), I. 480.Motives (Debussy's use of), III.225;(Charpentier), III.355;(Dukas), III.359.See Leit-motif.Motta, Jose Vianna da, III.408.Mottl, Felix, II. 382.Moussorgsky, Modeste, III.x,xiv,xvi,38,107,109,116ff,250;(and Rimsky-Korsakoff), III.125;(influence of, on modern French music), III.286,320;(and Debussy), III.320.Mouton, Jean, works by, I. 297f.Movement plan. See Form; Sonata; Suite; etc.Mozart, Leopold, II. 65,72ff, 114f;(influence on W. A. Mozart), II. 101ff.Mozart, Wolfgang Amadeus, I. xlix, 478;II. 3, 9, 13, 49, 55, 59, 67, 76 (footnote),100ff, 106 (footnote), 163 (footnote);III.110,334;(and Haydn), II. 111ff;(as symphonist), II. 115ff;(operas), II. 121ff;(rel. to Beethoven), II. 137f;(influence on Rossini), II. 185;(comp. with Schubert), II. 227;(precursor of Weber), II. 240, 373, 377;(influence on Wagner), II. 404.Müller, Wilhelm, II. 283.Munich, early opera in, I. 384.Murger, Henri, III.374.Muris, Jean de, I. 299.Music drama. See Opera.Music Festivals, III.434.'Music of the Future' (Wagner), II. 401.Music printing, I. 271, 284.Musica ficta, I. 301, 302.Musical comedy (English), III.415f,422ff,431ff.Musical history, English writers of, III.430.Musical notation. See Notation.Musical instruments. See Instruments.Mysliveczek, Joseph, III.165.Mystery plays, I. 289.See Sacred representations.Mysticism, III.229,361.
N
Nägeli, Hans Georg, II. 147.Nanino, Giovanni, I. 321.Naples, II. 5, 8, 11, 182, 494.Naples, development of opera in, I. 383f;school of opera in, I. 391f;decline of opera in, I. 400f.Napoleon I, II. 15, 156, 181, 238ff.Napoleon III, II. 210, 493.Napravnik, Edward Franzovitch, III.134f.National Society of French Music. See Société Nationale.Nationalism (influence on German classics), II. 48f;(in Romantic movement), II. 218f;(German romanticism), II. 230ff, 236;(in modern music), III.viii,xv,59ff;see also Folk-song;(in Russian music), III.38,107ff;(in Scandinavian music), III.60ff;(in French music), III.277ff;(in English music), III.411ff.Nationalistic Schools (rise of), II. 216.Nature, imitation of. See Program music.Nature, music in, I. 1ff, 8.Naumann, Emil, cited, I. 245, 302.Navrátil, Karl, III.181.Neapolitan School. See Opera.Nedbal, III.181.Needham, Alicia A., III.443.Neefe, Christian Gottlieb, II. 131, 137, 138.Negro music, III.179.Neitzel, Otto, III.249.Neo-Romanticism, II. 443-476;(German), III.1ff;(French), III.24ff;(Russian), III.47ff.See also New German school.Neo-Russians, III.xvi,107ff;(influence in Russia), III.137;(influence on modern French schools), III.286,332,337.Neri, Filippo, I. 334f.Nero, I. 132.Nessler, Victor, III.21.Nesvadba, Joseph, III.180.Netherland schools, I. 226-257, 296, 311;(influence on Palestrina), I. 320.Neue Zeitschrift für Musik, II. 264f, 447.Neupert, Edmund, III.88.New German school, III.4,22.See also Germany (modern).New Guinea, I. 24.Newman, Ernest, III.431.New South Wales, I. 13.New Symphony Orchestra (London), III.422.New York (Metropolitan Opera House), II. 428.New Zealand, aborigines of, I. 8, 13, 20.Nibelungenlied (the), II. 424;III.63.Niccolò. See Isquard.Nicodé Jean Louis, III.268.Nicolai, Otto, II. 379.Nielsen, Carl, III.73,75f.Nielson, Ludolf, III.76.Niemann, Walter, cited, II. 429, 458.Nietzsche, II. 422;III.84.Nijinsky (Russian dancer), III.321.Nini, Alessandro, It. composer, II. 503 (footnote).Nithart von Riuwenthal (Minnesinger), I. 219.Noble, T. Tertius, III.442.Nocturne (origin of form), II. 13.Nofre (Egyptian instrument), I. 80.Nogueras, Costa, III.407.Noise-making instruments, I. 14.Noises, musical, I. 2.Norfolk festival (U. S.), III.434.Nordraak, Richard, III.xv,92.Normann, Ludwig, III.69,79.Norway (political aspects), III.61ff;(folk-song), III.66,99;(modern composers), III.86ff.Nose-flute, I. 26.Notation (Arabic), I. 51;(Assyrian), I. 69;(Greek), I. 125f, 133;(neumes), I. 154f;(early staff), I. 155;(Guido d'Arezzo), I. 171f;(measured music), I. 175, 176ff;(Minnesingers), I. 223;(Netherland schools), I. 228, 229ff, 232f.See also Tablatures.Notker Balbulus, I. 149f.Nottebohm, Gustav, quoted, II. 140, 158.Nourrit, Adolphe, II. 185.Novák, Viteslav, III.182,183ff.Noverre, Jean Georges, II. 13, 104.Novotny, B., III.182.
O
Oblique motion (in polyphony), I. 165f.Oboe, I. 29, 402, 424;II. 117, 265, 335, 337, 338, 339, 341.Obrecht. See Hobrecht.Octatonic scale, I. 114, 165.Octave transposition, in Greek music, I. 103ff.Odington, Walter, I. 228.Offenbach, Jacques, II. 392ff.Okeghem, Johannes, I. 244,246ff, 250, 256.Okenheim. See Okeghem.Olenin, III.161.Ollivier, II. 418.Olsen, Ole, III.98.Olympus, I. 112ff.Ongaro, III.188.Opera, I. lviii;(schools), I. xviii, 409;(beginnings, Florence), I. 324ff;(Monteverdi), I. 336ff;(17th cent.), I. 350f, 376ff;(Neapolitan school), I. 391ff, 400f;(intro. in France), I. 405;(infl. in 17th cent. Germany), I. 414f;(Händel), I. 426ff;(in England), I. 430ff, 434ff;(18th cent.), II. 2ff;(Gluck's reform), II. 17ff;(Mozart), II. 103, 121ff;(early 19th cent.), II. 177ff;(Rossini), II. 183ff;(Donizetti-Bellini period), II. 192ff;(Meyerbeer), II. 200.See also Opera, English; Opera, French; Opera, German; Opera, Spanish; Opéra bouffon; Opera buffa; Opéra comique; Operetta; Singspiel.Opera, English (17th cent. masques), I. 385;(Purcell), I. 388ff, 430;(ballad opera), II. 8;(Sullivan), III.415f;(modern), III.426;(musical comedy), III.432f.Opera, French (origin and early development), I. 401ff;(Lully), I. 406ff;(Rameau), I. 413f;(Gluck), II. 31ff;(Rossini), II. 188;(grand historical opera), II. 197ff;(Berlioz), II. 381ff;(drame lyrique), II. 385;(Franck), II. 475;(Massenet), III.27ff;(Saint-Saëns, Lalo, etc.), III.32f;(modern), III.278,288,310,314;(d'Indy), III.304;(impressionists), III.324,339;(realists), III.342,350,354;(Dukas), III.359.See also Opéra comique; Operetta (French).Opera German (17th cent.), I. 414f, 421f;(Händel), I. 423ff;(Mozart), II. 106, 123f;(Beethoven), II. 60f;(Weber), II. 225ff;(Romantic opera), II. 372-381;(Wagner), II. 401-442;(after Wagner), III.238-257.See also Singspiel.Opera, Italian. See Opera.Opera, Spanish, III.403ff.Opéra bouffe. See Operetta.Opéra bouffon, II. 25, 31.See also Opéra comique.Opera buffa,(forerunner), I. 278;(18th cent.), II. 8ff, 24;(Mozart), II. 122ff;(Rossini), II. 183ff, 186;(Donizetti), II. 193f;(modern revival), III.339.Opéra comique, II. 23, 36;(18th cent.), II. 41ff, 68;(19th cent.), II. 122, 178, 193, 207, 209ff;(influence on drame lyrique), II. 392.Opéra Comique (Paris theatre), II. 43.'Opera and Drama' (essay by Wagner), II. 415.Opera houses. See Bouffes Parisiens, Hamburg (17th cent. opera), Opéra Comique, Paris Opéra, Salle Favart, [La] Scala, St. Petersburg Opera, Stuttgart, Théâtre des Italiens, Théâtre Feydeau, Venice (opera houses), Vienna.Opera seria. See Opera.Opera singers, early Italian, I. 383f.Operatic convention (18th cent.), I. 427.Operatic style, I. lviii;(influence of Italian, on Passion music), I. 480, 490.Operetta (French), II. 393f;(Viennese), III.21.Ophicleide, II. 341, 352.Oratorio (beginnings), I. 324ff;(influence on early Italian opera), I. 378f;(early development, Carissimi), I. 385ff;(Händel), I. 425f, 429, 433f, 437ff;(Bach), I. 453f, 472;(Haydn), II. 91f;(Romantic period), II. 395ff;(modern English), III.420,434.See also Passion oratorio.Orchestra (in Greek drama), I. 120f;(incipient), I. 354;(in Italy, 16th cent.), I. 282;(of earliest operas), I. 333;(of Monteverdi), I. 341f, 345;(of Hamburg opera), I. 424;(of Händel), I. 440;(for Bach's church music), I. 466;(for Bach's concertos), I. 482;(Mannheim), II. 65;(development, 18th cent.)II. 96;(Mozart), II. 117;(Rossini and Meyerbeer), II. 208;(Berlioz), II. 225;(development, 19th cent.), II.334ff.See also Instruments.Orchestral accompaniment. See Accompaniment.Orchestral music (instrumental madrigals, 16th cent.), I. 281f;(Corelli), I. 394, 396;(in France, 16th cent.), I. 402;(Lully), I. 409;(Händel), I. 433, 445;(Bach), I. 481ff;(Mannheim school), II. 12f, 65ff;(Gluck), II. 25;(classic period), II. 59, 61, 74, 81, 93ff;(Haydn), II. 94;(Mozart), II. 115ff;(Beethoven), II. 157ff;(Romantic period), II. 343ff;(Brahms), II. 456, 466;(Franck), II. 474f;(modern), III.x-ff,201ff.See also names of specific modern composers. See also Instrumental music.Orchestral polyphony. See Polyphony (orchestral).Orchestral style, I. lviii.Orchestral tremolo. See Tremolo.Orchestration, I. liii;(classic), II. 28, 40, 65, 117;(modern development), II. 339f, 342f;III.411,418,466;(impressionistic), III.334.Order (principle of), I. xxix, xxxii.Orefice, Giacomo, III.378.Organ (early history), I. 156f;(in 16th-17th cent.), I. 292, 355;(18th cent.), I. 450.Organ music, I. lviii;(16th-17th cent.), I. 355ff;(Bach period), I. 450ff, 472, 476, 489, 490;(modern French), II. 472; III.36;(modern), III.397,442.Organistrum, I. 211.Organists, famous (Landino), I. 264;(16th-17th cent.), I. 356ff;(18th cent.), I. 450, 461, 467f.Organization (principle of), I. xxx, xxxiii-f, xxxvii, lv.Organum, I. 162ff, 172, 181ff.Oriental color in European music, I. 42f, 52, 63f;III.42f.Oriental folk-songs, I. xliii.Oriental music, I. 42ff.Origin of music, theories of, I. 3.Orlando di Lasso. See Lasso.Orloff, V. C., III.143.Ornstein, Leo, III.393.Orpheus, I. 92f, 111.Osiander, Lukas, I. 291.'Ossian,' II. 129, 139, 223.Ostřcil, O., III.182.Ostrovsky, III.108.Ostroglazoff, M., III.155.Overture (Italian), I. 336, 341, 393;(French, in 16th cent.), I. 402;(French, Lully), I. 409;(Bach), I. 482f;(Gluck), II. 28;(concert overture), II. 347ff.Ovid, II. 71.Oxford History of Music, III.420,430;quoted, II. 112, 166.