LITERATURE FOR VOLUME V
LITERATURE FOR VOLUME V
(In English)
A. B. Bach: The Principles of Singing (London, 1897).J. Frank Botume: Modern Singing Methods (London, 1885).Lennox BrowneandEmil Behnker: Voice, Song and Speech (2nd ed., London, 1884).Anna Chapin: Makers of Song (New York, 1904).William Chappell: Old English Popular Music, 2 vols. (London, 1893).H. Holbrook Curtis, M. D.: Voice Building and Tone Placing (New York, 1896).Henry T. Finck: Songs and Song Writers (New York, 1910).Ffrangcon-Davies: The Singing of the Future (London, 1904).Folk-Songs from Somerset, 5 vols. (London, 1904-8).Harry Plunkett Greene: Interpretation in Song (New York, 1912).Max Heinrich: Correct Principles of Classical Singing (Boston, 1910).H. L. F. Helmholtz: The Study of Sensations of Tone (Trans. by A. J. Ellis, 1875).W. J. Henderson: The Art of Singing (New York, 1906).Gordon Holmes: A Treatise on Vocal Physiology and Hygiene (1879).John Howard: The Physiology of Artistic Singing (1886).Dora Jones: Lyric Diction (New York, 1913).Kickson and Neal: English Folk-song and Dance (Cambridge, Eng., 1905).H. E. Krehbiel: Afro-American Folk-song (New York, 1914).Louis Lablache: Complete Method of Singing.Francesco Lamperti: A Treatise on the Art of Singing (Trans. by J. C. Griffiths, 1876).Lilli Lehmann: How to Sing (New York, 1912).Eugenie Lineva: Peasant Songs of Great Russia (Engl. and Russian text, Imperial Academy of Science, St. Petersburg).Sir Morell Mackenzie: The Hygiene of the Vocal Organs (London, 1890).
A. B. Bach: The Principles of Singing (London, 1897).
J. Frank Botume: Modern Singing Methods (London, 1885).
Lennox BrowneandEmil Behnker: Voice, Song and Speech (2nd ed., London, 1884).
Anna Chapin: Makers of Song (New York, 1904).
William Chappell: Old English Popular Music, 2 vols. (London, 1893).
H. Holbrook Curtis, M. D.: Voice Building and Tone Placing (New York, 1896).
Henry T. Finck: Songs and Song Writers (New York, 1910).
Ffrangcon-Davies: The Singing of the Future (London, 1904).
Folk-Songs from Somerset, 5 vols. (London, 1904-8).
Harry Plunkett Greene: Interpretation in Song (New York, 1912).
Max Heinrich: Correct Principles of Classical Singing (Boston, 1910).
H. L. F. Helmholtz: The Study of Sensations of Tone (Trans. by A. J. Ellis, 1875).
W. J. Henderson: The Art of Singing (New York, 1906).
Gordon Holmes: A Treatise on Vocal Physiology and Hygiene (1879).
John Howard: The Physiology of Artistic Singing (1886).
Dora Jones: Lyric Diction (New York, 1913).
Kickson and Neal: English Folk-song and Dance (Cambridge, Eng., 1905).
H. E. Krehbiel: Afro-American Folk-song (New York, 1914).
Louis Lablache: Complete Method of Singing.
Francesco Lamperti: A Treatise on the Art of Singing (Trans. by J. C. Griffiths, 1876).
Lilli Lehmann: How to Sing (New York, 1912).
Eugenie Lineva: Peasant Songs of Great Russia (Engl. and Russian text, Imperial Academy of Science, St. Petersburg).
Sir Morell Mackenzie: The Hygiene of the Vocal Organs (London, 1890).
Giovanni Battista Mancini: Practical Reflections on Figured Song (Engl. transl. by Pietro Buzzi, Boston, 1913).Matilda Marchesi: Ten Singing Lessons (London, 1901).Wesley Mills, M. D.: Voice Production in Singing and Speaking (1906).Sir C. Hubert H. Parry: The Evolution of the Art of Music (1899).C. K. Rogers: My Voice and I (Chicago, 1910).E. W. Scripture: The Elements of Experimental Phonetics (1902).William Shakespeare: The Art of Singing, 3 parts (London, 1898).W. Warren Shaw: The Lost Vocal Art (Phila., 1914).Shays: English Folk-Carols (London, 1911).Shays: English Folk-Chanteys (London, 1914).Shays: English Folk-Songs; Some Conclusions (London, 1907).David C. Taylor: The Psychology of Singing (New York, 1908).Pietro Francesco Tosi: Observations on the Florid Song (1723). (Reprint by William Reeves, London, 1905.)George P. Upton: The Song (Chicago, 1915).In GermanErk und Böhme: Deutscher Liederhort, 3 vols. (Leipzig, 1893).Max Friedländer: Das deutsche Lied im 18. Jahrhundert, 2 vols. (Stuttgart and Berlin, 1902).H. L. F. Helmholtz: Die Lehre der Tonempfindungen.R. G. Kiesewetter: Schicksale und Beschaffenheit des weltlichen Gesanges, etc. (1841).Dr. L. Mandl: Die Gesundheitslehre der Stimme (1876).Carl Ludwig Merkl: Der Kehlkopf (1873).In FrenchF. J. Fétis: Histoire générale de la musique (1869).Méthode de chant du Conservatoire de Musique (Paris, 1803).Julien Tiersot: Histoire de la chanson populaire en France (Paris, 1889).J. B. Weckerlin: Chansons populaires du pays de France, 2 vols. (Paris, 1903).
Giovanni Battista Mancini: Practical Reflections on Figured Song (Engl. transl. by Pietro Buzzi, Boston, 1913).
Matilda Marchesi: Ten Singing Lessons (London, 1901).
Wesley Mills, M. D.: Voice Production in Singing and Speaking (1906).
Sir C. Hubert H. Parry: The Evolution of the Art of Music (1899).
C. K. Rogers: My Voice and I (Chicago, 1910).
E. W. Scripture: The Elements of Experimental Phonetics (1902).
William Shakespeare: The Art of Singing, 3 parts (London, 1898).
W. Warren Shaw: The Lost Vocal Art (Phila., 1914).
Shays: English Folk-Carols (London, 1911).
Shays: English Folk-Chanteys (London, 1914).
Shays: English Folk-Songs; Some Conclusions (London, 1907).
David C. Taylor: The Psychology of Singing (New York, 1908).
Pietro Francesco Tosi: Observations on the Florid Song (1723). (Reprint by William Reeves, London, 1905.)
George P. Upton: The Song (Chicago, 1915).
In German
Erk und Böhme: Deutscher Liederhort, 3 vols. (Leipzig, 1893).
Max Friedländer: Das deutsche Lied im 18. Jahrhundert, 2 vols. (Stuttgart and Berlin, 1902).
H. L. F. Helmholtz: Die Lehre der Tonempfindungen.
R. G. Kiesewetter: Schicksale und Beschaffenheit des weltlichen Gesanges, etc. (1841).
Dr. L. Mandl: Die Gesundheitslehre der Stimme (1876).
Carl Ludwig Merkl: Der Kehlkopf (1873).
In French
F. J. Fétis: Histoire générale de la musique (1869).
Méthode de chant du Conservatoire de Musique (Paris, 1803).
Julien Tiersot: Histoire de la chanson populaire en France (Paris, 1889).
J. B. Weckerlin: Chansons populaires du pays de France, 2 vols. (Paris, 1903).
In Italian
Giovanni Battista Mancini: Reflessioni pratiche sul canto figurato (1777).Giulio Caccini: Le nouve musiche (Florence, 1600).
Giovanni Battista Mancini: Reflessioni pratiche sul canto figurato (1777).
Giulio Caccini: Le nouve musiche (Florence, 1600).