FOOTNOTES:[51]This famous arrangement was published by the Maison Richault in Paris asThème de Rode, chanté avec variations dans le Barbier de Séville en Italien par Mmes. Sontag, Alboni, Trebelli; en français par Mlle. Maria Bailly; paroles françaises d’Adolph Larmande, avec accompagnement de piano par L. Moreau. SeeNotice sur Rode, by F. A. A. Paroisse-Pougin (Paris, 1874).[52]See Paul Bekker: ‘Beethoven.’ Berlin, 1913.[53]Joachim had in his possession a concerto for violin by Schumann, written likewise near the end of his life.[54]The theme of the last movement can be found in two songs,RegenliedandNachklang, opus 59, published seven years earlier.[55]‘Chamber Music.’ London, 1913.[56]SeeSong Journal, November 10, 1895.[57]See Modest Tschaikowsky: ‘Life of Peter Ilyitch Tschaikowsky.’[58]‘Jean Sibelius, a Finnish Composer.’
FOOTNOTES:[51]This famous arrangement was published by the Maison Richault in Paris asThème de Rode, chanté avec variations dans le Barbier de Séville en Italien par Mmes. Sontag, Alboni, Trebelli; en français par Mlle. Maria Bailly; paroles françaises d’Adolph Larmande, avec accompagnement de piano par L. Moreau. SeeNotice sur Rode, by F. A. A. Paroisse-Pougin (Paris, 1874).[52]See Paul Bekker: ‘Beethoven.’ Berlin, 1913.[53]Joachim had in his possession a concerto for violin by Schumann, written likewise near the end of his life.[54]The theme of the last movement can be found in two songs,RegenliedandNachklang, opus 59, published seven years earlier.[55]‘Chamber Music.’ London, 1913.[56]SeeSong Journal, November 10, 1895.[57]See Modest Tschaikowsky: ‘Life of Peter Ilyitch Tschaikowsky.’[58]‘Jean Sibelius, a Finnish Composer.’
FOOTNOTES:
[51]This famous arrangement was published by the Maison Richault in Paris asThème de Rode, chanté avec variations dans le Barbier de Séville en Italien par Mmes. Sontag, Alboni, Trebelli; en français par Mlle. Maria Bailly; paroles françaises d’Adolph Larmande, avec accompagnement de piano par L. Moreau. SeeNotice sur Rode, by F. A. A. Paroisse-Pougin (Paris, 1874).
[51]This famous arrangement was published by the Maison Richault in Paris asThème de Rode, chanté avec variations dans le Barbier de Séville en Italien par Mmes. Sontag, Alboni, Trebelli; en français par Mlle. Maria Bailly; paroles françaises d’Adolph Larmande, avec accompagnement de piano par L. Moreau. SeeNotice sur Rode, by F. A. A. Paroisse-Pougin (Paris, 1874).
[52]See Paul Bekker: ‘Beethoven.’ Berlin, 1913.
[52]See Paul Bekker: ‘Beethoven.’ Berlin, 1913.
[53]Joachim had in his possession a concerto for violin by Schumann, written likewise near the end of his life.
[53]Joachim had in his possession a concerto for violin by Schumann, written likewise near the end of his life.
[54]The theme of the last movement can be found in two songs,RegenliedandNachklang, opus 59, published seven years earlier.
[54]The theme of the last movement can be found in two songs,RegenliedandNachklang, opus 59, published seven years earlier.
[55]‘Chamber Music.’ London, 1913.
[55]‘Chamber Music.’ London, 1913.
[56]SeeSong Journal, November 10, 1895.
[56]SeeSong Journal, November 10, 1895.
[57]See Modest Tschaikowsky: ‘Life of Peter Ilyitch Tschaikowsky.’
[57]See Modest Tschaikowsky: ‘Life of Peter Ilyitch Tschaikowsky.’
[58]‘Jean Sibelius, a Finnish Composer.’
[58]‘Jean Sibelius, a Finnish Composer.’