FOOTNOTES:[75]The date is fixed by a fragment of the autograph found in 1901. See Richard Heuberger:Franz Schubert.[76]See Max Kalbeck:Johannes Brahms, Vol. II, part 2, p. 442.[77]Kalbeck has called attention to the resemblance between these two motives and theErda-motifand theWalhalla-motifinDas RheingoldandDie Walküre.[78]See William Ritter:Smetana. Paris, 1907.[79]From the New World.[80]See Schönberg’s own analysis inDie Musik, June 2, 1907.[81]Der siebente Ring.
FOOTNOTES:[75]The date is fixed by a fragment of the autograph found in 1901. See Richard Heuberger:Franz Schubert.[76]See Max Kalbeck:Johannes Brahms, Vol. II, part 2, p. 442.[77]Kalbeck has called attention to the resemblance between these two motives and theErda-motifand theWalhalla-motifinDas RheingoldandDie Walküre.[78]See William Ritter:Smetana. Paris, 1907.[79]From the New World.[80]See Schönberg’s own analysis inDie Musik, June 2, 1907.[81]Der siebente Ring.
FOOTNOTES:
[75]The date is fixed by a fragment of the autograph found in 1901. See Richard Heuberger:Franz Schubert.
[75]The date is fixed by a fragment of the autograph found in 1901. See Richard Heuberger:Franz Schubert.
[76]See Max Kalbeck:Johannes Brahms, Vol. II, part 2, p. 442.
[76]See Max Kalbeck:Johannes Brahms, Vol. II, part 2, p. 442.
[77]Kalbeck has called attention to the resemblance between these two motives and theErda-motifand theWalhalla-motifinDas RheingoldandDie Walküre.
[77]Kalbeck has called attention to the resemblance between these two motives and theErda-motifand theWalhalla-motifinDas RheingoldandDie Walküre.
[78]See William Ritter:Smetana. Paris, 1907.
[78]See William Ritter:Smetana. Paris, 1907.
[79]From the New World.
[79]From the New World.
[80]See Schönberg’s own analysis inDie Musik, June 2, 1907.
[80]See Schönberg’s own analysis inDie Musik, June 2, 1907.
[81]Der siebente Ring.
[81]Der siebente Ring.